Virtual Season 2020
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Press Release
PRESS RELEASE Shakespeare’s Globe Announces Full Casting for Nick Bagnall’s Love’s Labour’s Lost 17 JULY 2018 Shakespeare’s Globe is delighted to announce full casting for Nick Bagnall’s Love’s Labour’s Lost, opening in the Sam Wanamaker Playhouse on Thursday 23 August. Dharmesh Patel will play Berowne. Dharmesh returns to the Globe after starring in Barrie Rutter's The Captive Queen in the Sam Wanamaker Playhouse earlier this year. Other recent theatre credits include Titus Andronicus, Antony and Cleopatra and Julius Caesar (RSC), The Two Gentlemen of Verona and The Tempest (Shakespeare's Globe). Kirsty Woodward is Princess of France. Kirsty appeared at The Globe in last year’s touring production of Tristan & Yseult, and has also appeared in Globe productions of Pericles and The Winter’s Tale. Her recent television work includes Bad Move (ITV) and Quacks (BBC). Paul Stocker will play King of Navarre, returning to the Globe after appearing as Palamon in Barrie Rutter's The Two Noble Kinsmen earlier this summer. Paul’s other theatre credits include The Curious Incident of the Dog in the Night-Time (West End), Coral, A Thousand Stars Explode in the Sky (National Theatre Studio) and A Midsummer Night’s Dream (Regent’s Park). Television work includes Doctors, EastEnders and The Rack Pack (BBC). Jade Williams is Rosaline. Jade has appeared in several Globe productions including Matthew Dunster's Doctor Faustus, Raz Shaw's God of Soho and Jessica Swale's Bedlam. Jade's other recent theatre work includes The Cherry Orchard, The Lower Depths (Arcola) and The Seagull (Chichester, National Theatre). -
ARNOLD MITTELMAN Producer/Director 799 Crandon
ARNOLD MITTELMAN Producer/Director 799 Crandon Boulevard, #505 Key Biscayne, FL 33149 [email protected] ARNOLD MITTELMAN is a producer and director with 40 years of theatrical achievement that has resulted in the creation and production of more than 300 artistically diverse plays, musicals and special events. Prior to coming to the world famous Coconut Grove Playhouse in 1985, Mr. Mittelman directed and produced Alone Together at Broadway's Music Box Theatre. Succeeding the esteemed actor José Ferrer as the Producing Artistic Director of Coconut Grove Playhouse, he continued to bring national and international focus to this renowned theater. Mr. Mittelman helped create more than 200 plays, musicals, educational and special events on two stages during his 21-year tenure at the Playhouse. These plays and musicals were highlighted by 28 World or American premieres. This body of work includes three Pulitzer Prize-winning playwrights directing their own work for the first time in a major theatrical production: Edward Albee - Seascape; David Auburn - Proof; and Nilo Cruz - Anna In the Tropics. Musical legends Cy Coleman, Charles Strouse, Jerry Herman, Jimmy Buffett, John Kander and Fred Ebb were in residence at the Playhouse to develop world premiere productions. The Coconut Grove Playhouse has also been honored by the participation of librettist/writers Herman Wouk, Alfred Uhry, Jerome Weidman and Terrence McNally. Too numerous to mention are the world famous stars and Tony award-winning directors, designers and choreographers who have worked with Mr. Mittelman. Forty Playhouse productions, featuring some of the industry's greatest theatrical talents and innovative partnerships between the not-for-profit and for-profit sectors, have transferred directly to Broadway, off-Broadway, toured, or gone on to other national and international venues (see below). -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
2017Seasonpressrelea
Crowded Fire Theater FOR IMMEDIATE RELEASE: Contact: Tiffany Cothran (415) 523-0034 [email protected] CROWDED FIRE THEATER’S 2017 SEASON WITH PLAYS BY MIA CHUNG AND PLAYWRIGHT-IN-RESIDENCE CHRISTOPHER CHEN YOU FOR ME FOR YOU by Mia Chung, March 9-April 1 A TALE OF AUTUMN by Christopher Chen, September 14-October 7 Translated by Rachel Willson-Broyles Presented at the Thick House 1695 18th St, San Francisco San Francisco - Crowded Fire Theater (CFT) Crowded Fire’s Artistic Director Mina Morita unveiled the 2017 mainstage season lineup including two contemporary plays that continue to uphold the company’s long tradition of producing boundary - pushing, thought-provoking theater. At a season-announcement party on Saturday, November th 19 Morita addressed Crowded Fire donors, patrons, and artists saying “We are a divided country in the midst of a divisive time. It is more important now, more than ever to use our creative and critical thought to mine our cultural memory and to interrogate our existence. I am thrilled to present selections next season that do just that.” Crowded Fire‘s 2016 season begins with the Bay Area premiere of Mia Chung’s YOU FOR ME FOR YOU (3/9-4/1), a heart-wrenching and magical tale of two North Korean sisters divided in their patriotism and separated in their attempt to leave North Korea for the United States. YOU FOR ME FOR YOU will be directed by M. Graham Smith. The mainstage season concludes with local favorite Christopher Chen’s world premiere of A TALE OF AUTUMN (9/14-10/7), a Crowded Fire commissioned piece born from a deep mutual concern over the ever-increasing power of corporate personhood in present day capitalism. -
About the Bridge Theatre
Running time 2 hours and 15 minutes, no interval. Please note, this production contains strobe lighting and scenes of a violent and bloody nature. First performance at Bridge Theatre on 20 January 2018, broadcast live on 22 March 2018 Julius Caesar DAVID CALDER About the Bridge Theatre Calpurnia / Varro WENDY KWEH Marcus Brutus BEN WHISHAW The Bridge Theatre was founded by Nicholas Hytner and Nick Starr Portia LEAPHIA DARKO on leaving the National Theatre after 12 years. The theatre has Lucius / Street Band / Cinna, a poet FRED FERGUS a 900-seat adaptable auditorium designed to answer the needs Caius Cassius MICHELLE FAIRLEY of contemporary audiences and theatre-makers that is capable Mark Antony DAVID MORRISSEY of responding to shows with different formats (end-stage, thrust- stage and promenade). It is the first wholly new theatre of scale Octavius / Street Band KIT YOUNG to be added to London’s commercial theatre sector in 80 years. Lepidus / Caius Ligarius / Soothsayer MARK PENFOLD The Bridge was designed by Steve Tompkins and Roger Watts of Casca ADJOA ANDOH Haworth Tompkins Architects (winner of the 2014 Stirling Prize). Cinna, a conspirator NICK SAMPSON Decius Brutus LEILA FARZAD Metellus Cimber HANNAH STOKELY Trebonius / Street Band ABRAHAM POPOOLA Connect with us Flavius / Popilius Lena SID SAGAR Marullus / Artemidorus ROSIE EDE Join in the conversation about #JuliusCaesar Philo / Street Band / Claudius ZACHARY HART ntlive.com/signup facebook.com/ntlive @ntlive Other citizens and plebeians played by members of the company We hope you enjoy your National Theatre Live screening. We make every attempt to replicate the theatre experience as Director NICHOLAS HYTNER closely as possible for your enjoyment. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Dead Man's Cell Phone Media Release
FOR IMMEDIATE RELEASE PROFILE THEATRE PRESS CONTACT: Natalie Genter-Gilmore, Marketing and Communications Manager PH: 503.242.0080 [email protected] DEAD MAN’S CELL PHONE By Sarah Ruhl January 29 – February 15, 2015 PORTLAND, Ore., January 8, 2015 – PROFILE THEATRE (Adriana Baer, Artistic Director) proudly presents Dead Man’s Cell Phone by Sarah Ruhl. Performances run January 29 – February 15, 2015 on the Morrison Stage at Artists Repertory Theatre. Tickets are currently on sale at Profiletheatre.org. Dead Man’s Cell Phone is the first production in Profile Theatre’s 2015 Season dedicated to the works of playwright Sarah Ruhl. “Sarah Ruhl is interested in exploring a reciprocity with the audience. How can we invite you to be in relationship with the stage instead of just observing it from afar?” says Adriana Baer, Profile Artistic Director and director of Dead Man’s Cell Phone. “Perhaps it is by casting a light onto something we all recognize - an object as basic as a cell phone - and using that to show something greater, something magnificent about the human condition.” In Dead Man’s Cell Phone, as Jean takes possession of the cell phone of a dead man, she is thrown into a mysterious journey of self-discovery and awakening. Through this small modern device, she finds adventure, purpose and even love – but at what cost? This hilarious and paradoxical treatise on the digital world probes at the thin line between reality and fantasy, privacy and openness, and even life and death. Cast The cast for Dead Man’s Cell Phone features Dana Millican (Last seen at Profile in 2012’s Fifth of July), Don Kenneth Mason (Last seen at Profile in 2013’s Blood Knot), Patricia Hunter and Dana Green. -
Studia Muzealne Zeszyt Xxii / 2017 Muzealne Zeszyt Studia
MUZEUM NARODOWE W POZNANIU • ZESZYT XXII • 2017 ROK ISBN 978-83-64080-11-1 ISSN 0137-5318 STUDIA MUZEALNE ZESZYT XXII / 2017 MUZEALNE ZESZYT STUDIA ZESZYT XXII POZNAŃ 2017 Redakcja: Wojciech Suchocki, Adam Soćko Sekretarz redakcji: Agnieszka Skalska Autorzy: Inga Głuszek, Maria Gołąb, Tadeusz I. Grabski, Paweł Ignaczak, Kamila Kłudkiewicz, Tadeusz Wojciech Lange, Jakub Mosiejczyk, Agnieszka Patała, Juliusz Raczkowski, Danuta Rościszewska Recenzenci: Mariusz Bryl, Piotr Juszkiewicz, Adam Labuda Tłumaczenie streszczeń na język angielski: Marcin Turski Redakcja wydawnicza: Magdalena Knapowska Projekt graficzny: Ewa Wąsowska Skład i przygotowanie do druku: Lucyna Majchrzak Opracowanie materiału ilustracyjnego: Tomasz Niziołek Kierownictwo produkcji: Urszula Namiota Fotografie: Adam Cieślawski, Jakub Baszczyński (Pracownia Fotografii Cyfrowej MNP), Katarzyna Giesz- czyńska-Nowacka, Tadeusz I. Grabski, Monika Jakubek-Raczkowska, Kamila Kłudkiewicz, Agnieszka Patała, Marek Peda, Arkadiusz Podstawka, Juliusz Raczkowski; Muzeum Narodowe w Krakowie, Muzeum Narodowe w Poznaniu, Muzeum Narodowe we Wrocławiu, Одесский художественный музей w Odessie, Thorvaldsens Museum w Kopenhadze, www.zabytki.ocalicodzapomnienia.eu Zgoda na zamieszczenie fotografii: Monika Jakubek-Raczkowska, Kamila Kłudkiewicz, Agnieszka Patała, Juliusz Raczkowski, Fundacja im. Raczyńskich przy Muzeum Narodowym w Poznaniu, Kościół św. Micha- ła Archanioła w Osetnie, Kościół św. Bartłomieja w Nowogrodzie Bobrzańskim, Kościół pw. Matki Bożej Bolesnej w Dzikowicach, Kościół św. Katarzyny w Gościszowicach, Kościół św. Mikołaja w Mycielinie, Kościół św. Marii Magdaleny w Nowym Miasteczku, Kościół św. Wawrzyńca w Babimoście, Musée de l’oeuvre de Notre-Dame, Muzeum Narodowe w Krakowie, Muzeum Narodowe w Poznaniu, Muzeum Narodowe we Wrocławiu, Одесский художественный музей w Odessie, Thorvaldsens Museum w Kopenhadze Druk: Zakład Poligraficzny Moś i Łuczak Sp.j., Poznań Dział Handlowy Muzeum Narodowego w Poznaniu, Aleje Marcinkowskiego 9, 61-745 Poznań, tel. -
Sarah Ruhl’S Singular Voice
SHOW GUIDE April 24 to May 15, 2020 Hilberry Theatre Inside Dear Educators THE PLAY Synopsis, Characters, Setting 2 Wayne State University is proud to produce plays for young people’s The Play 3 enjoyment and to actively explore the beauty, diversity, complexity and challenges of the world around them through the dramatic THE CREATORS arts. We wish to support the development of their creative voice, The Playwright 4 imagination, and understanding of drama and its role in our global society. CURRICULUM SUPPORT Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS) This play guide is designed to be a tool in helping you prepare Speaking and Listening 5/6 your students for our performance as well as extend the production Writing 6/7 experience back into the classroom. History/Social Studies 7 Differentiated Learning Activities 8/9 Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS). THE THEATRE Location and Seating 10 Your comments and suggestions about this guide, presentation First Time Visitor’s Guide 11 and/or programming are welcome. Email [email protected]. MORE TO SEE 12 Your Students’ Role You may wish to have a discussion with your students before attending the play. Remind your students that they have an important role to play at the performance being the audience. It is because of the audience that the theatre exists. It will be their energy and response that will directly affect the actors onstage. Young audiences should be reminded that live theatre is not like watching TV, a movie or DVD; the actors cannot pause or be rewound, there are no commercial breaks for running to the bathroom, the volume cannot be turned up to hear better if someone other than the actors are talking. -
AAAI-21 Program Committee Members
AAAI-21 Program Committee Members ** Individuals designated with two asterisks were selected for the 2021 Outstanding Program Committee Member Award. * Individuals designated with an asterisk were selected to include in the top 25% of Program Committee Members. Mathieu ’Aquin * John Agosta Chris Alberti * Prathosh A P Forest Agostinelli Marco Alberti * Sathyanarayanan Aakur * Thomas Agotnes Marjan Albooyeh Mohsen Abbasi Don Joven Agravante Alexandre Albore * Ralph Abboud Priyanka Agrawal * Stefano Albrecht Ahmed Abdelali * Derek Aguiar Vidal Alcazar Ibrahim Abdelaziz * Julien Ah-Pine Huib Aldewereld Tarek Abdelzaher Ranit Aharonov * Martin Aleksandrov Afshin Abdi Sheeraz Ahmad * Andrea Aler Tubella S Asad Abdi Wasi Ahmad Francesco Alesiani Majid Abdolshah Saba Ahmadi * Daniel Alexander Mohammad Abdulaziz Zahra Ahmadi * Modar Alfadly Naoki Abe Ali Ahmadvand Gianvincenzo Alfano Pedro Abreu * Faruk Ahmed Ron Alford Rui Abreu Shqiponja Ahmetaj Mohammed Eunus Ali * Erman Acar Hyemin Ahn Daniel Aliaga Avinash Achar Qingyao Ai Malihe Alikhani Rupam Acharyya Marc Aiguier Rahaf Aljundi Panos Achlioptas Esma Aimeur Oznur Alkan * Hanno Ackermann * Sandip Aine Cameron Allen * Maribel Acosta * Diego Aineto Adam Allevato Carole Adam Akiko Aizawa Amine Allouah * Sravanti Addepalli * Nirav Ajmeri Faisal Almutairi Bijaya Adhikari * Kenan Ak Eduardo Alonso Yossi Adi Yasunori Akagi Amparo Alonso-Betanzos Aniruddha Adiga Charilaos Akasiadis * Tansu Alpcan * Somak Aditya * Alan Akbik Mario Alviano Don Adjeroh Cuneyt Akcora * Daichi Amagata Aaron Adler Ramakrishna