Tang, Yuan, Ming/Qjng)

Total Page:16

File Type:pdf, Size:1020Kb

Tang, Yuan, Ming/Qjng) INDEX OF PERSONS (Tang, Yuan, Ming/Qjng) Abdiso bar Berkha 9 Appiani, Luigi Antonio 349; 362; Abu '1-Faradj 10 611 Abu Zayd 10; 28; 33; 39 Archimedes 703 Achilleus Pang See Pang Tianshou Arghun 69 Adam See jingjing Aristotle 607; 653; 693; 713; 774 Aduarte, Diego 198 Arnold of Cologne 74 Afonso VI 168 Arrivabene, Ludovico 891 Agricola 7800 Arxo,jose Ramon 361 Ai Tian 815 Astruc,jean 796 Aixue See Isa Attimis, Tristano d' 317; 522 Albrecht de Valcio, Placido 177; 254 Attiret,jean-Denis 341; 825; 827; Alcober,juan 175; 252; 325; 522 828;829;830;832 Aleman, Martin 177; 254; 329 Aubin, Raymond 350; 351 Aleni, Giulio xviii; 119; 132; 137; Avril, Philippe 355 139;251;309;389;409;415; Azevedo, Francesco de 551 421;422;423;480;481;482; Bacon, Roger 4 7 551;587;601;603;606;607; Baikov, Fjodor Isakovit367 611;613;614;620;622;623; Baluere,jean-Frani;:ois de la 344; 624;625;630;642;646;654; 345 657;660;662;690;691;692; Baiieza, Manuel de Sanjuan 693; 741; 754; 755; 789; 790; Bautista de la See Labaiieza, 791; 792;811;813;819;853 Manuel de Sanjuan Bautista de Alexander the Great 605 Banhes, Paul See Wan Qjyuan Alexander VII 312; 441; 462; 576 Banks,joseph 806 Alexander VIII 5 77 Bao Yingqi 434 Alfaro, Pedro de 252 Bar Hebraeus 51 Almeida,jose Bernardo de 720; 728 Bar Sauma 52; 65; 66; 74; 85 Aluoben l; 3; 5; 18; 19; 20; 21; 31; Barbuda, Luisjorge de 756 35 Barradas, Sebastianus 623 Alvares,joao 229 Barros, Antonio de 360; 560 Alvares,jorge 295 Bartholin, Thomas 789 Amiot,jean-;Joseph-Marie 173; 316; Bartoli, Daniello 14; 197; 409; 438; 671; 729; 775; 797;855;856; 621 857;897 Bartolomeo de Cremona 73 An Markus 68 Basset,jean 344; 345; 557; 611; 621 Andalo de Savignano 70; 76 Batu 72; 73 Andrade, Antonio de 551 Bauer, Georg 780 Andrea da Perugia 48; 59; 60; 75; Bauhin, Kaspar 788 78; 83; 89; 107 Bayard,jean 560 Anson, George 880 Bayer, Theophilus (Gottlieb) Anthony of Padua 629 Siegfried 228; 233; 372; 730; Antonio de Santa Maria See 731;893;898 Caballero, Antonio (de Santa Bayle, Pierre 883; 884 Maria) Bazin, Louis 794 Antonio de Vilione 59; 70 Beauvollier, Antoine de 356; 360 922 INDEX OF PERSONS Belleville, Charles de 314 Burger, Nathanael 257; 332; 334 Benard,Jean 347 Bykov, Ivan 372 Benavente, Alvaro de 145; 187; 198; Caballero, Antonio de Santa Maria 218;221;329;339;357;390 144; 176;251;253;313;323; Benedict the Pole 46; 71 324;328;329;331;345;390; Benedict XII 76 430 Benedict XIII 362 Caballero, Francisco 324 Benedictus Polonus See Benedict Cabral,Joao 551 the Pole Cacela, Estevao 551 Benoist, Michel 716; 730; 756; 763; Cai Tie 400 829;830;832;844;855 Caillier,Jean 349 Bermudez, Francisco de la Madre de Candidius, Georgius 3 77 Dios, 328 Cao, Maur 451 Bertin, Henri L.J.-B. 451; 775 Cao Yubian 475; 479 Bi Gongchen 788; 792 Carneiro, Melchior 793 Biagini, Atto 333 Casanova,Jose 176; 253 Bignon,Jean-Paul 898 Cassini,Jacques 723; 725; 730 Birch, Thomas 730 Castiglione, Giuseppe 309; 583; 741; Blaeu,Jan [Joan] 755 744;825;826;827;828;829; Bocarro, Manoel Tavares 771 830;832 Boccardo de Langasco,Jose Castner, Kaspar 310; 35 7 Francisco 177; 254 Castorano, Carlo di Orazio da 155; Bonaventura 593; 629 192;269;332;333;361 Borgia, Franciscus 618 Cattaneo, Lazzaro 251; 406; 407; Borgia, Stefano Cardinal 626 478;537;542;546;548;624; Borgo di San Siro, Angelo da 333 630;868 Bomay,Jose 329; 330 Cavalli, Crescenziano 333 Bottger,Johann G. 890 Cazal,Joao de 357; 577 Bottigli, Timoteo 323; 326 Chabarov, Erofej 368 Boucher, Frani;:ois 830; 890 Chagas, Manuel das 334 Boucher, Guillaume 60; 61; 70 Chalier, Valentin 194; 290; 844; 845 Boutouillic-Villegonan, Charles 346 Chamber, William 890 Bouvet,Joachim 172; 182; 314; 358; Chambeuil,Jean-Baptiste 35 7 360;485;500;668;669;670; Champion de Cice, Louis 345 671;672;673;674;675;676; Charles of France 98 691;740; 789;794;834;884 Charmot, Nicolas 345 Boym, Michael 14; 251; 357; 441; Chaumont, Denis 347 442;449; 758; 795; 797;804; Chavagnac, Emeric Langlois de 314; 806;872;896 472;614;671 Brahe, Tycho 703; 714 ChenJiru 425 Brancati, Francesco 429; 459; 4 72; Chen Kekuan 400 496;610;611;624;630 Chen Liangcai 4 76 Bridia, C. de 4 7 Chen Mao 518; 519; 525 Brocard,Jacques 844 Chen Zheng 661 Brollo da Gemona, Basilio 145; 177; Chen Zhongdan 400 253;257;331;333;460;560; Chen Zhongjing 400 5 78; 610; 626; 867 Chen Zhongtian 400 Buglio, Lodovico 183; 248; 309; Chen Zilong 131 313;462;485;514;583;606; Cheng Dawei 746 613;614;619;626;627;628; Cheng Dayue 811; 819 630;718;774;789 Cheng Lun 791 Bulghai 65; 70 Chengzong 88 Buocher, Gian Antonio 332 .
Recommended publications
  • Onorificenze Concesse Anno 2007
    N.B. - A fianco di ciascun nominativo sono indicati luogo e data di nascita PRESIDENZA DEL CONSIGLIO DEI MINISTRI STRANIERI (ART. 7) Indirizzo Con decreti in data 5 febbraio 2007 Visita Ufficiale del Signor Presidente della Repubblica a Sua Santità Benedetto XVI Cavaliere di Gran Croce Dalla Torre del Tempio di Prof. Giuseppe Roma 27/08/1943 Sanguinetto Lombardi Rev.mo P. Federico Saluzzo 29/08/1942 Mamberti S.E. Rev.ma Dominique Marrakech 07/03/1952 Mons. Grande Ufficiale Giani Dott. Domenico Arezzo 16/08/1962 Mäder Col. Elmar Th. Heneau 28/07/1963 Commendatore Conversi Dott. Paolo Roma 31/08/1971 D'Ercole Rev.Don Giovanni Morino 05/10/1947 Di Cerbo Mons. Valentino Frasso Telesino 16/09/1943 Di Giovanni Dott.ssa Francesca Palermo 24/03/1953 Duthel Mons. François Rozier en Donzy 14/07/1951 Gloder Mons. Giampiero Asiago 15/05/1958 Martignani Rev. P. Luigi Borgo Tossignano 17/07/1955 Piechota Rev.Don Lech Lubin 28/07/1962 Rajic Mons. Petar Toronto 12/06/1959 Rampin Mons. Gianpietro Vespolate 29/09/1949 Rudelli Mons. Paolo Gazzaniga 16/07/1970 Scotti Mons. Assunto Cologno Al Serio 05/03/1955 Thevenin Mons. Nicolas Saint-Dizier 05/06/1958 Trevisan Sig. Bruno Campodoro 28/11/1941 Wells Mons. Peter Brian Tulsa 12/05/1963 Xuereb Mons. Alfred Malta 14/10/1958 Cavaliere Cestiè Sig. Cristian Roma 25/08/1973 Coracci Sig. Ciro Roma 21/04/1974 Di Pietro Sig. Carmine Crognaleto 22/03/1945 D'Incoronato Sig. Benedetto Castelvecchio Calvisio 09/07/1950 Enea Sig. Antonino Messina 18/07/1958 Filippi Sig.
    [Show full text]
  • PRESIDENZA DEL CONSIGLIO DEI MINISTRI Indirizzo COLLOCATI a RIPOSO (ART
    N.B. - A fianco di ciascun nominativo sono indicati luogo e data di nascita PRESIDENZA DEL CONSIGLIO DEI MINISTRI Indirizzo COLLOCATI A RIPOSO (ART. 7) Con decreti in data 23 gennaio 2008 Commendatore Ciocci Sig.ra Maria Rosaria Forano 24/05/1942 Pulcinelli Sig. Giulio Cristoforo Ronciglione 13/01/1941 Sabatino Dott. Francesco Borgia 15/09/1940 Ufficiale Piasenti Sig.ra Renata Fiume 03/04/1946 Cavaliere Marini Sig. Giovanni Roma 27/07/1940 Torelli Sig. Enzo Castiglione del Lago 06/03/1944 Con decreti in data 2 giugno 2008 Cavaliere di Gran Croce Di Martino Dott. Vincenzo La Spezia 16/02/1933 Fiduccia Dott. Gaetano Firenze 27/08/1932 Scandurra Dott. Giuseppe Messina 07/05/1932 Grande Ufficiale Bruni Avv. Italo Catanzaro 21/10/1940 Vitale Rag. Silvestro Silvio Carlentini 31/03/1941 STRANIERI (ART. 7) Con decreti in data 2 giugno 2008 Cavaliere di Gran Croce Matsubara S.E. Sig.ra Nobuko Tokio 09/01/1941 Taccetti S.E. Victorio Maria José Buenos Aires 22/01/1943 Commendatore Fox Dott. Richard J. New York 24/02/1947 Pagina 1di 29 Indirizzo Metzger Ing. Jean-Marie Clichy 11/07/1951 Thellier-Thompson Sig. Gilles Boulogne sur Mer 24/06/1957 Cavaliere Clerc Sig. Alain Tunisi 19/11/1942 NORMALI Con decreti in data 2 giugno 2008 Cavaliere di Gran Croce Armellini Sig. Manlio Porto San Giorgio 09/10/1937 Cabigiosu Gen. C. d' A. Carlo Brunico 22/06/1939 Courtial Dott. Hans Albert Dietkirchen 17/05/1946 Di Fonso Dott. Aldo Lorenzo Pettorano sul Gizio 10/08/1932 Manganelli Dott.
    [Show full text]
  • Biography of Sismondi
    1 BIOGRAPHY OF SISMONDI HELMUT O. PAPPE I. Jean Charles Léonard Simonde was born on the 9th May 1773 into a Genevan family. In later life he changed his family to de Sismondi after an old Pisan aristocratic family from which he believed the Simondis to be descended. Charles’s parents were the pasteur Gèdèon François Simonde and his wife Henriette Ester Gabriele Girodz; a sister, Sara, called Serina by the family and her friends, saw the light of day two years later. The families of both parents were du haut the Simondes being on the borderline between nobility and upper bourgeoisie, the Girodz being members of the well-to-do upper bourgeoisie. Both the Simondes and the Girodz had come to Geneva as members of the second éimgration after the revocation of the Edict of Nantes in 1685, that is, both families were Protestant fugitives from religious persecution in France. The Girodz had come to Geneva from Chàlons-sur-Saône in 1689. Henriette’s father, Pierre Girodz, became a successful and highly respected businessman engaged in various commercial enterprises connected with the watchmaking trade. He owned a substantial town house close to the cathedral in the Bourg-de-Four and an imposing country seat ‘Tourant’ at Chênes, both to be the residences of Sismondi after his return from exile in Italy. On the occasion of the marriage of his daughter on the 12th January 1770 Pierre Girodz was able to give her a dowry his town house worth 30,000 Livres as well as 10,000 Livres in cash and 2,000 Livres worth of jewellery.
    [Show full text]
  • REMBRANDT's INFLUENCE in EIGHTEENTH CENTURY VENICE I Rembrandt's Influence on Venetian Painters and Etchers in the Eighteenth Ce
    REMBRANDT'S INFLUENCE IN EIGHTEENTH CENTURY VENICE FRANKLIN W. ROBINSON I Rembrandt's influenceinfiuence on Venetian painters and etchers in the eighteenth century has been touched on but never fullyfuHy examined. A few students have dealt with the subjectIl , but it has not been the purpose of any of them to attempt a full-scalefuH-scale exploration of the many examples involved. Such is not the purpose of this short note; it is merely to suggest, by citing a few instances of Rem­ brandt's impact on the artists of the time, that he is a significant influenceinfiuence on Venetian art in its last great florescence.fiorescence. At first sight, such a role for Rembrandt seems incongruous, for he is the master of introspection and the expressive power of darkness. For him,hirn, ques­ tioning and self-doubt were the constant companions of self-confidence, and it would seem such a spirit would be alien to the grandiose, light-filledIight-filled productions that suited Venice so weIl in its gilded isolation at this time. Indeed, many of the best-known painters remained untouched by his power; Francesco and Giovanni Antonio Guardi, Canaletto, Pietro Longhi, Pellegrini, and Sebastiano and Marco Ricciz seem virtually unaware of his style. Among the most compelling reasons for the very real influenceinfiuence Rembrandt exercised on several eighteenth century Venetians, however, is the actual pres­ ence of many of his paintings and etchings in the city at the time. For example, there is evidence that two works by Rembrandt, "figure al naturale", were sold II Cf. Corrado Rieci, Rembrandt in Italia, Milan 1918; H.
    [Show full text]
  • Profiling Women in Sixteenth-Century Italian
    BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and
    [Show full text]
  • Download the Detailed Program
    ECIR 2021 PROGRAM SUNDAY MARCH 28, TUTORIALS AND DOCTORAL CONSORTIUM RL4IR: REINFORCEMENT LEARNING FOR INFORMATION RETRIEVAL (FULL DAY) 9:00 AM-10:30 AM, 11:00 AM-1:00 PM, 2:15 PM-4:15 PM TUTORIAL ALEXANDER KUHNLE BLUE PRISM AI LABS MIGUEL AROCA-OUELLETTE BLUE PRISM AI LABS MURAT SENSOY BLUE PRISM AI LABS JOHN REID BLUE PRISM AI LABS DELL ZHANG BLUE PRISM AI LABS BOW2B: IR FROM BAG-OF-WORDS TO BERT AND BEYOND THROUGH PRACTICAL EXPERIMENTS - AN ECIR 2021 TUTORIAL WITH PYTERRIER AND OPENNIR (FULL DAY) 9:00 AM-10:30 AM, 11:00 AM-1:00 PM, 2:15 PM-4:15 PM TUTORIAL SEAN MACAVANEY UNIVERSITY OF GLASGOW CRAIG MACDONALD UNIVERSITY OF GLASGOW NICOLA TONELLOTTO UNIVERSITY OF PISA FAKENEWS: FAKE NEWS, DISINFORMATION, PROPAGANDA, MEDIA BIAS, AND FLATTENING THE CURVE OF THE COVID-19 INFODEMIC (HALF DAY) 9:00 AM-10:30 AM, 11:00 AM-1:00 PM TUTORIAL PRESLAV NAKOV QATAR COMPUTING RESEARCH INSTITUTE, HBKU GIOVANNI DA SAN MARTINO QATAR COMPUTING RESEARCH INSTITUTE BIAS: OPERATIONALIZING TREATMENTS AGAINST BIAS: CHALLENGES AND SOLUTIONS (HALF DAY) 9:00 AM-10:30 AM, 11:00 AM-1:00 PM TUTORIAL LUDOVICO BORATTO MIRKO MARRAS UNIVERSITY OF CAGLIARI PRIVACY: LARGE-SCALE INFORMATION EXTRACTION UNDER PRIVACY-AWARE CONSTRAINTS (HALF DAY) 9:00 AM-10:30 AM, 11:00 AM-1:00 PM TUTORIAL RAJEEV GUPTA MICROSOFT RANGANATH KONDAPALLY MICROSOFT INDIA R&D DOCTORAL CONSORTIUM 9:00 AM-10:30 AM, 11:00 AM-1:00 PM DOCTORAL CONSORTIUM WELCOME DEEP LEARNING SYSTEM FOR BIOMEDICAL RELATION EXTRACTION COMBINING EXTERNAL SOURCES OF KNOWLEDGE DIANA SOUSA INVITED: THE PHD JOURNEY JOHANNE TRIPPAS,
    [Show full text]
  • E Delle Colline Moreniche
    Dipende GIORNALEe delle del Colline GARDA Moreniche MENSILE DI CULTURA MUSICA TEATRO ARTE POESIA ENOGASTRONOMIA OPINIONI INTORNO AL GARDA DA BRESCIA A TRENTO DA VERONA A MANTOVA DA MILANO PASSANDO PER CREMONA FINO A VENEZIA GIORNALE DEL GARDA mensile edito da A.C.M. INDIPENDENTEMENTE via delle rive,1 Desenzano (BS) Tel. 030.9991662 E-mail: [email protected] SETTEMBRE 2011 n. 204 anno XIX Reg.Stampa Trib.diBrescia n.8/1993del29/03/1993 Poste Italiane S.p.A. - Spedizione in Abbonamento Postale - D.L.353/2003 (conv.L.27/02/2004 n.46) art.1, DCB Brescia - Abbonamento annuale 30 Euro copia omaggio prossima uscita 1 ottobre Tutti gli appuntamenti del Lago di Garda Alle termine am Gardasee Tag für Tag All the appointments of Lake Garda every day www.giornaledelgarda.info www.dipende.tv GRIFO - photo C.V.Gargnano 5 Editoriale 15 Giardini del Benaco a Gardone 25 Blog Fest a Riva del Garda 6 Lago di Garda tutto l’anno 16 - 17 Spettacoli in città 26 Omaggio a Mario Enrico Bossi 6 Sfida sul Lago 18 Ottobre in festa a Polpenazze 27 Spettacoli a Peschiera del Garda 7 Fai il pieno di cultura 19 Eventi sportivi 27 Festival Oriente Occidente 8 Festival Letteratura a Mantova 20 Progetti di nozze in Villa Sigurtà 28 Strada dei Vini e dei Sapori 9 Mosaicoscienze nelle Colline 21 Poesia Dipende Voci del Garda 29 Corsi per sommelier a Brescia 10 Carta Escursionistica del Garda 22 - 26 Calendario del Garda 29 Fiera di Puegnago 11 Escursioni & Visite guidate 22 Festa dei cinghialai bresciani 30 Amici cani 12 Centomiglia velica 23 Tortellini e dintorni a Valeggio
    [Show full text]
  • Sculpture Galleries Object List
    NATIONAL GALLERY OF ART New West Building Sculpture Galleries Checklist *measurements are given in centimeters with inches in parentheses. G1A: Lost-Wax Bronze Casting Display 2002.58.1 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: plaster model (first of ten steps), 1990 plaster .295 x .170 x .140 (11 5/8 x 6 11/16 x 5 1/2); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.2 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: mold, front half (second of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .180 (14 9/16 x 12 3/8 x 7 1/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.3 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: clay model (third of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .290 (14 9/16 x 12 3/8 x 11 7/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.4 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: clay model reduced by thickness of final bronze (fourth of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .230 (14 9/16 x 12 3/8 x 9 1/16); length of entire display: 3.962 (156) Gift of the Iris and B. Gerald Cantor Collection 2002.58.5 Coubertin Factory after Auguste Rodin Lost-Wax Casting Display: wax model (fifth of ten steps), 1990 wax, plaster, cement and bronze .370 x .315 x .290 (14 9/16 x 12 3/8 x 11 7/16); length of entire display: 3.962 (156) Gift of the Iris and B.
    [Show full text]
  • Between Italy and Argentina
    Between Italy and Argentina: Circular Accents in Contemporary Migration Literature by Francesca Minonne A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy !(Romance Languages and Literatures: Italian) in the University of Michigan! 2016 Doctoral Committee: Associate Professor Giorgio Bertellini, Chair Associate Professor Paulina L. Alberto Professor Vincenzo A. Binetti Associate Professor Katharine M. Jenckes © Francesca Minonne 2016 Per Guido, my mom, e mio padre ii Acknowledgements First of all, I want to thank all of the friends, colleagues, and mentors who have helped me laugh, learn, and grow as a teacher and a scholar. In particular, I want to acknowledge everyone in the Department of Romance Languages and Literatures and everyone I have worked with at the Center for Research on Learning and Teaching, the Sweetland Center for Writing, the Department of English, and the Department of Classical Studies. Thank you Grandma, Peggy, Guido, Jim, and Vincenzo for attending my oral defense. The initial idea for this dissertation came out of a final paper I wrote in Alejandro Herrero-Olaizola’s class Globalización, Consumo y Producción Cultural en América Latina. Muchísimas gracias to Matías Beverinotti for introducing me to Antonio Dal Masetto’s writing during that semester. Then a trip to Buenos Aires in 2012 gave me the chance to access numerous primary and secondary texts, put me in contact with local writers and scholars, and helped me experience firsthand the enormous influence Italian culture has had on Argentina’s capital city. The staff at the Istituto Italiano di Cultura di Buenos Aires, the Asociación Dante Alighieri, the Centro de Estudios Migratorios Latinoamericanos (CEMLA), and the Biblioteca Nacional were friendly and welcoming.
    [Show full text]
  • 1 N 1 1 N W Ashington 25 D
    r t(? iL SI I 1 « SO 1 I A 1 n 1 1 n W ashington 25 D . C NEWS RELEASE DATE Immediate release Washington, B.C., July 2, 1963. The Smithsonian Institution Travel­ ing Exhibition Service announces the fall openings of three major art exhibi­ tions of European origin, which will circulate under its auspices to a limited number of American museums. 01 "TURNER WATERCOLORS" is the first representative Turner exhibition to come to this country. It consists of 80 watercolors by the great English Romantic painter on loan from the British Museum. The watercolors come from the Turner Be.quest left to the British nation by the artist, with one excep­ tion, which is from the Vaughan Bequest. The selection was made by Edward Croft-Murray, Keeper of Prints and Drawings of the British Museum, who has included rare examples of the artist's early and late periods, and, by special permission, four watercolors of outstanding quality that have never befiaa^e been lent outside England. Mr* Croft-Murray has also written the catalogue. On September 1^, the exhibition will open at the National Gallery, Washington, D. C. Later it will be presented at the Museum of Fine Arts of Houston (No­ vember 1 - 30); the De Young Memorial Museum, San Francisco (December 14 - January 15, 196*0; "the Cleveland Museum of Art (January 28 - March l); Will­ iam Rockhill Nelson Gallery of Art, Kansas City, Mo. (March 15 - April 15); and the Brooklyn Museum (May 1 - 31)- The British Ambassador, the Right Honourable Sir David Ormsby Gore, K.
    [Show full text]
  • The Fiddle Fancier's Guide; a Manual of Information Regarding Violins, Violas
    CHAPTER VI. ^zconh Scrks of (EksBical anb Post-Classical Many of the following are mere names and' dates which have simply been carried on from one treatise to another. Wherever it has been possible, information is given. Where none is found it is to be understood that nothing further than the names, etc., has hitherto been known. AaChner, Philip, Mittenwald, about 1772. Absam, Thomas, Wakefield, 1810— 1849. His tickets are in English "Made by Thomas Absam, Wakefield," and he appears to have been particular enough to put in the date to the very day. Abbati, Gianbattista,, Modena; 1775— 1793- A fine maker of double basses and other large instruments. He was trained in the establishment of Antonio Casini, another Modenese maker—or, at least, followed his stj^le. His model is, good, his work careful, capital wood and brown varnish. Adams, C, Garmouth, Scotland, about 1800. Addison, William, London, 1670. Adler, Paris. A Swiss maker who settled in Paris beginning of present century. Aglio, Guiseppe Dall, Mantua, 1800— 1840. Albanesi, Sebastiano, Cremona. About the middle 136 , THE FIDDLE FANCIEr's GUIDE. of the 1 8th century. Said to be a pupil of Carlo Bergonzi. Alberti, Ferdinando, Mikn, 1749— 1760. Fairly good work. Light yellow varnish. Aldred, London. An old English viol maker of 1 6th or 17th century. Aldrovandi, Emilio, Bologna> 1850—80. Alessandro (called the Venetian), i6th century. A violin of this ' maker's was shown in aij exhibition in Turin in 1880. Alvani, Cremona. Said to be an imitator of Joseph Guarnerius. I have never seen any of his instruments.
    [Show full text]
  • Paper Sessions ALL SPEAKERS WILL HAVE 10 MINUTES to PRESENT THEIR PAPERS and THEN PARTICIPATE in a HALF HOUR PANEL DISCUSSION
    BSN Paper Sessions ALL SPEAKERS WILL HAVE 10 MINUTES TO PRESENT THEIR PAPERS AND THEN PARTICIPATE IN A HALF HOUR PANEL DISCUSSION Paper # Session Title Authors Session 1: Sensing for Rehabilitation Sleeve Based Knee Angle Calculation for Maurer, Mathias W; Zrenner, Markus; Reynolds, David; Dümler, 32 1 Rehabilitation Burkhard; Eskofier, Bjoern M VRInsole: An Unobtrusive and Immersive Mobility Oagaz, Hawkar; Sable, Anurag; Choi, Min-Hyung; Xu, Wenyao; Lin, 105 1 Training System for Stroke Rehabilitation Feng KneeHapp Textile: A Smart Textile System for 68 1 Rehabilitation of Knee Injuries Haladjian, Juan; Bredies, Katharina; Brügge, Bernd BiGRA: A Preliminary Bilateral Hand Grip Coordination Rehabilitation Using Home-Based Evaluation System Vu, Tri; Tran, Hoan; Song, Chen; Lin, Feng; Langan, Jeanne; 62 1 for Stroke Patients Cavuoto, Lora; Xu, Wenyao Upper extremity functional range of motion analysis in long-term stroke recovery using wearable motion 87 1 sensors and posture cubics Derungs, Adrian; Amft, Oliver; Schuster-Amft, Corina Automatic Classification of Knee Rehabilitation Exercises Using a Single Inertial Sensor: a Case Bevilacqua, Antonio; Huang, Bingquan; Argent, Rob; Caulfield, 7 1 Study Brian; Kechadi, Tahar Session 2: Gait, Motion and Activity Monitoring Packet Loss Concealment in Wireless Networks with 107 2 LSTM Sequence Predictors for Inertial Pose Tracking Xiao, Xuesu; Zarar, Shuayb A Novel Technique for Analysis of Postural Information Jeyhani, Vala; Mahdiani, Shadi; Viik, Jari; Oksala, Niku; Vehkaoja, 86 2 with Wearable
    [Show full text]