Scandinavia After the Fall of the Kalmar Union: a Study in Scandinavian Relations, 1523-1536
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Das Wittenberger Fest 9. Bis 11. Juni 2017
Das Wittenberger Fest 9. bis 11. Juni 2017 Präsentiert vom Verändern wir die Welt oder verändert die Welt uns? Reformation heißt, die Welt zu hinterfragen. Feiern Sie mit uns 500 Jahre Reformation! AZ – wbg Weltausstellung Reformation 20. Mai–10. September 2017 Lutherstadt Wittenberg Infotelefon 03491 6434-700 2 Das Lutherpaar 2017 wird dargestellt von Katja Köhler und Bernhard Naumann Foto: Marko Schoeneberg Bürger von Wittenberg, Volk von Sachsen und Anhalt, geschätzte Männer und Frauen aller Herren Länder! Ich freue mich, Sie zum traditionsreichsten Wittenberger Fest begrüßen zu dürfen. Seien Sie dabei, wenn die kleinste Großstadt Das Lutherpaar 2017 der Welt heiter und ausgelassen zum 23. Mal die Hochzeit unseres des Kinderfestumzuges Martin und seiner Käthe feiert. Erleben Sie den Geburtsort der wird dargestellt von Reformation in seiner authentischen Form. Tauchen Sie 500 Jahre Zoe Charlotte Köhler nach dem weltverändernden Thesenanschlag ein in die Zeit des und Fiete Reuter Mittelalters. Genießen Sie die Atmosphäre von historischen Marktständen, traditionellem Handwerk, Musikanten, Gauklern In jedem Jahr nehmen und dem Lagerleben. Feiern Sie mit, wenn das Brautpaar und Paare die Gelegenheit seine 2.000 Hochzeitsgäste in farbenfrohen Gewändern durch wahr, sich im Rahmen die Gassen der Altstadt ziehen. Mit einem vielseitigen Angebot von „Luthers Hochzeit“ für Jung und Alt wird die Altstadt zur Bühne und Erlebnismeile das Ja-Wort zu geben. zugleich. Sie haben damit nicht 2017 ist für die Lutherstadt Wittenberg das Jahr der Jahre. Deshalb nur die Möglichkeit, wartet auf Sie zu Luthers Hochzeit auch eine Besonderheit. im historischen Nicht nur, dass das Wittenberger Fest Bestandteil der weltweit Bürgermeisterzimmer getraut zu werden, einzigartigen „Weltausstellung Reformation“ sein wird, es wird in sondern auch am diesem besonderen Jahr auch kostenfrei für alle Besucherinnen historischen Festumzug teilzunehmen und sich auf der und Besucher sein. -
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp. -
The Origin, Development, and History of the Norwegian Seventh-Day Adventist Church from the 1840S to 1889" (2010)
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2010 The Origin, Development, and History of the Norwegian Seventh- day Adventist Church from the 1840s to 1889 Bjorgvin Martin Hjelvik Snorrason Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Christian Denominations and Sects Commons, Christianity Commons, and the History of Christianity Commons Recommended Citation Snorrason, Bjorgvin Martin Hjelvik, "The Origin, Development, and History of the Norwegian Seventh-day Adventist Church from the 1840s to 1889" (2010). Dissertations. 144. https://digitalcommons.andrews.edu/dissertations/144 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. ABSTRACT THE ORIGIN, DEVELOPMENT, AND HISTORY OF THE NORWEGIAN SEVENTH-DAY ADVENTIST CHURCH FROM THE 1840s TO 1887 by Bjorgvin Martin Hjelvik Snorrason Adviser: Jerry Moon ABSTRACT OF GRADUATE STUDENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: THE ORIGIN, DEVELOPMENT, AND HISTORY OF THE NORWEGIAN SEVENTH-DAY ADVENTIST CHURCH FROM THE 1840s TO 1887 Name of researcher: Bjorgvin Martin Hjelvik Snorrason Name and degree of faculty adviser: Jerry Moon, Ph.D. Date completed: July 2010 This dissertation reconstructs chronologically the history of the Seventh-day Adventist Church in Norway from the Haugian Pietist revival in the early 1800s to the establishment of the first Seventh-day Adventist Conference in Norway in 1887. -
What Did They Sound Like?
Háskóli Íslands Hugvísindasvið Íslensk miðaldafræði What did they sound like? Reconstructing the music of the Viking Age Ritgerð til MA-prófs í íslenskum miðaldafræðum Chihiro Tsukamoto Kt.: 250493-3209 Leiðbeinandi: Þórir Jónsson Hraundal Janúar 2017 Abstract There has been much scholarship over the years regarding Scandinavian culture during the Viking Age (c. 793–1066 CE). However, often missing from these discussions is the study of music. This paper attempts to fill that gap by offering a reconstruction of Viking Age Scandinavian music. Archaeological evidence, literary records, and medieval music theories were used as the basis of this study. Archaeology indicates that Scandinavians played wind, string, and percussion instruments, while later Old Norse literary accounts detail the many circumstances wherein music was performed, and suggest the likely existence of different musical genres. I have consulted Arabic, Greek, and Latin accounts for contemporary sources, as the Scandinavian people did not have a written culture during this time. Marking a departure from typical historical analyses, I have also conducted a cross- cultural comparison of medieval Arabic, Greek, and Western European music theories in order to recognize what Scandinavian music could not have resembled. By combining archaeological, literary, and musical evidence, it is possible to propose a highly educated hypothesis on how Viking Age Scandinavian music may have sounded. Ágrip Mikið hefur verið rætt og ritað í gegnum árin um Skandinavíska menningu á Víkingaöld (um 793–1066 e.Kr.). Hins vegar er tónlist viðfangsefni sem oft virðist vanta í þessar umræður. Þessi ritgerð mun reyna að fylla það skarð með því að leggja fram tilgátu um endurgerð Skandinavískrar tónlistar frá Víkingaöld. -
Doing Business in Norway
Doing Business in Norway 2020 Edition 1 Norway • Hammerfest • Tromsø 5.4 million Population • 119th most populous country on earth Constitutional monarchy Form of government • Constitution day: 17 May • Head of State: King Harald V • Prime Minister: Erna Solberg, conservative • Member of the EEA from 1 January 1994 • Member of the EU: No Oslo Capital of Norway • 5 regions • Highest mountain: Galdhøpiggen 2,469 m. • Largest lake: Mjøsa 365 sq.m. • The distance from Oslo to Hammerfest is as far as from Oslo to Athens Gross domestic product ca. NOK 3300 billion Economy • Trondheim • Currency: Krone (NOK) • GDP per capita: ca. NOK 615,000 • The largest source of income is the extraction and export of subsea oil and natural gas • Bergen Norway • Oslo • Stavanger ISBN2 978-82-93788-00-3 3 Contents 8 I Why invest in Norway 11 II Civil Law 23 III Business Entities 35 IV Acquisition Finance 43 V Real Estate 59 VI Energy 69 VII Employment 83 VIII Tax 103 IX Intellectual Property 113 X Public Procurement 121 XI Dispute Resolution 4 5 Norway is known for nature attractions like fjords, mountains, northern lights and the midnight sun. Because of the Gulf Stream, Norway has a friendlier climate than the latitude indicates, leaving it with ice-free ports all year round. The Gulf Stream is a warm ocean current leading water from the Caribbean north easterly across the Atlantic Ocean, and then follows the Norwegian coast northwards. 6 7 I. Why invest in Norway In spite of being a small nation, Norway is a highly developed and modern country with a very strong, open and buoyant economy. -
Black British History Tudors & Stuarts Ad 1485 - 1714
A TIMELINE OF BLACK BRITISH HISTORY TUDORS & STUARTS AD 1485 - 1714 The Tudor and Stuart periods saw monumental change in the relationship between Europe and their continental neighbours. As the period begins, we see evidence of integrated societies at different levels of local and national life. By the close, Britain is embarked on a frenzied mission to extend their colonial reach and primed to step into an industrial revolution, powered by the outrageous wealth accumulation made possible by the triangular slave trade. THE COURT OF JAMES IV AD 1488 - 1513 King James IV Scotland had numerous qualities and successes; he united the highlands and lowlands; he created a Scottish navy; and maintained alliances with France and England. It is clear that he was also something of a forerunner in regards multi-culturalism. Records show that many black people were present at the court of James IV – servants yes but also invited guests and musicians. Much of what we know comes from the royal treasurers accounts which show that James’ purse paid wages and gifts to numerous ‘moors’. African drummers and choreographers were paid to perform, to have instruments repainted, or bought horses to accompany James on tour. The records also show black women present being gifted clothing, fabric and large sums of money. CATALINA & CATALINA AD 1501 In 1501 ‘la infant’ Catalina, daughter of Ferdinand and Isabella of Spain, arrived in Plymouth to begin a new life in England. She came from one royal household and was travelling in preparation to be married into another, the fledgling Tudor dynasty. She was promised to Arthur, heir to the English throne. -
European Collection 2015
European Collection 2015 WESTERN MEDITERRANEAN & THE RIVIERAS EASTERN MEDITERRANEAN & GREEK ISLES NORTHERN EUROPE & BRITISH ISLES CONTINENTAL EUROPE CONTENTS 2 EXPERIENCE 96 TRANSOCEANIC VOYAGES The OlifeTM 104 gRAND VOYAGES 16 TASTE The Finest Cuisine at Sea 114 EXPLORE ASHORE Shore Excursion Collections & Land Tour Series 28 VALUE Best Value in Upscale Cruising 123 HOTEL PROGRAMS Pre- & Post-Cruise Hotel Programs 32 OcEANIA CLUB 126 SUITES & STATEROOMS 34 DESTINATION SPECIALISTS Culinary Discovery ToursTM & New Ports of Call 136 DECK PLANS 42 WESTERN MEDITERRANEAN 140 PROGRAMS & INFORMATION & THE RIVIERAS Travel Protection & Air Program Details 62 EASTERN MEDITERRANEAN 142 CRUISE CALENDAR & GREEK ISLES 144 EXPERIENCE OcEANIACRUISES.COM 74 NORTHERN EUROPE & BRITISH ISLES 145 GENERAL INFORMATION Oceania Club Terms & Conditions 90 CONTINENTAL EUROPE ON THE COVER Scottish kilts originate back to the 16th century and were traditionally worn as full length garments by Gaelic-speaking male Highlanders of northern Scotland POINTS OF DISTINCTION n FREE AIRFARE* on every voyage n Mid-size, elegant ships catering to just 684 or 1,250 guests n Finest cuisine at sea, served in a variety of distinctive open-seating Europe Collection restaurants, at no additional charge n Gourmet culinary program crafted 2015 by world-renowned Master Chef Jacques Pépin THE MAGIC OF THE OLD WORLD | When millenniums of history and great works n of art meet captivating cultures and generous smiles, you know you’ve arrived in Europe. Spectacular port-intensive itineraries featuring overnight visits and extended From Michelangelo’s David in Florence to Rembrandt’s masterpieces in Amsterdam, you evening port stays will be awed and inspired. Stand on the Acropolis in Athens or explore the gilded czar palaces in St. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Clothing, Memory and Identity in 16Th Century Swedish Funerary Practice
Joseph M. Gonzalez 6 Fashioning Death: Clothing, Memory and Identity in 16th Century Swedish Funerary Practice Introduction King Gustav Vasa was married three times. In 1531, less than a decade after his election as King of Sweden, he made a match calculated to boost his prestige and help consolidate his position as king and married Katarina von Sax-Lauenburg, the daughter of Duke Magnus and a relative of the emperor. She bore the king one son, Erik, and died suddenly in 1535 (Svalenius, 1992). After her death, the king married the daughter of one of the most powerful noble houses in Sweden, Margareta Eriksdotter Leijonhufvud in 1536. Queen Margareta bore the king eight children before she died in 1551. By August of 1552, the fifty-six year old Gustav Vasa had found a new queen, the 16-year-old Katarina Gustavsdotter Stenbock, daughter of another of Sweden’s leading noble houses. Despite the youth of his bride, the marriage bore no children and the old king died eight years later (Svalenius, 1992). The king’s death occasioned a funeral of unprecedented magnificence that was unique both in its scale and in its promotion of the Vasa dynasty’s image and interests. Unique to Vasa’s funeral was the literal incorporation of the bodies of his two deceased wives in the ceremony. They shared his bed-like hearse on the long road to Uppsala and the single copper casket that was interred in the cathedral crypt. Six months after the funeral, Gustav Vasa’s son with Katarina von Sax-Lauenburg, Erik, was crowned king. -
Forgery and Miracles in the Reign of Henry Viii*
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Peter Marshall Article Title: Forgery and Miracles in the Reign of Henry VIII Year of publication: 2003 Link to published version: http://dx.doi.org/10.1093/past/178.1.39 Publisher statement: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Past and Present following peer review. The definitive publisher-authenticated version Marshall, P. (2003). Forgery and Miracles in the Reign of Henry VIII. Past and Present,Vol. 178, pp. 39-73 is available online at: http://dx.doi.org/10.1093/past/178.1.39 FORGERY AND MIRACLES IN THE REIGN OF HENRY VIII* Peter Marshall, University of Warwick In June 1534, as the final ties connecting the English Church to Rome were inexorably being severed, Archbishop Thomas Cranmer issued an order for the preservation of ‘unity and quietness’. For the space of a year, preachers were to steer clear of six topics which ‘have caused dissension amongst the subjects of this realm’, namely, ‘purgatory, honouring of saints, that priests may have wives, that faith only justifieth, to go on pilgrimages, to forge miracles’.1 The first four items on this list represent important doctrinal flash-points of the early Reformation; the fifth, an increasingly contentious ingredient of popular religious culture. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
NORDIC COOL 2013 Feb. 19–Mar. 17
NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis).