Mediated Constructions and Audience Responses to Polygamist Controversies
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DWF Lineup Release FINAL 051017
**EMBARGOED UNTIL WEDNESDAY, MAY 10, 2017 AT 8:00AM PST** DANCES WITH FILMS CELEBRATES 20 YEARS WITH A BOLD LINEUP OF TRULY INDEPENDENT FILMS The unstoppable festival, for two decades a champion of independent filmmakers, takes over the TCL Chinese Theaters June 1-11 with 74 world premieres, 36 west coast premieres, and opening and closing night films from DWF alumni. LOS ANGELES, CA (May 10, 2017) – The fiercely independent film festival Dances With Films (DWF) announced today its 2017 lineup of narrative and documentary features and short films for its 20th annual edition. Opening the festival on June 1 are two alumni projects: filmmaker David Heinz’s modern musical, AMERICAN FOLK in its Los Angeles debut and the world premiere of Tamar Halpern’s intellectual thriller, MISSING IN EUROPE. Another DWF alumni project, AUSTIN FOUND, by director Will Raée, closes the festival with its world premiere on June 11. Tickets and passes will be available for sale on Friday, May 12 at http://www.tclchinesetheatres.com/ or thru the festival's own site: https://danceswithfilms.com. The festival, proving itself to be unstoppable after 20 consecutive years, is widely recognized as the premiere showcase of innovative independent cinema in the U.S., presenting amazing, undiscovered talent to an industry audience in Hollywood. DWF will run June 1-11, 2017 in Los Angeles, CA at the TCL Chinese Theaters, located at: Hollywood & Highland, 6801 Hollywood Blvd, Hollywood, CA 90028. “We consider ourselves a true festival of discovery,” said festival co-founders Michael Trent and Leslee Scallon. “Our aim is to showcase films that have unique voices from the indie scene, stories that bring a touch of magic to the screen. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
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International Journal for the Study of New Religions 3.1 (2012) 117–122 ISSN 2041-9511 (print) ISSN 2041-952X (online) doi:10.1558/ijsnr.v3i1.117 Book Reviews Saints under Siege: The Texas State Raid on the Fundamentalist Latter Day Saints, edited by Stuart A. Wright and James T. Richardson. New York University Press, 2011, 270pp., pb., $25.00; e-edition, $9.99. ISBN-13: 9780814795293. Keywords anticult movement (ACM), apostates, child abuse, Fundamentalist Latter Day Saints (FLDS), polygamy, Yearning For Zion Ranch Reviewed by Spencer L. Allen, University of Pennsylvania, [email protected]. edu Identifying herself as Sarah Jessop—pregnant mother, abused 15 year old, and the seventh wife of the fictitious Yearning for Zion (YFZ) Ranch resi- dent Dale Barlow—Rozita Swinton’s call to the domestic violence hotline on April 3, 2008, set in motion a rescue mission and Texas state raid that would become the largest state custodial detention of children in U.S. history. As Saints under Siege demonstrates, however, Swinton—a 33-year-old woman from Colorado Springs—may have served as the catalyst for the raid on the 800-member Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS) community near Eldorado, Texas, and the removal of 439 children from their families, but the raid on the YFZ Ranch was itself inevitable, given the state’s interest in minimizing the presence and influence of the FLDS community in Schleicher County, Texas. Saints under Siege’s strength resides in its multi-author and multi-hermeneutic approach as each chapter consid- ers a distinct set of historical, cultural, and political/legal realities underlying the raid. -
Bountiful Voices Angela Campbell
Osgoode Hall Law Journal Article 1 Volume 47, Number 2 (Summer 2009) Bountiful Voices Angela Campbell Follow this and additional works at: http://digitalcommons.osgoode.yorku.ca/ohlj Part of the Law and Gender Commons Article Citation Information Campbell, Angela. "Bountiful Voices." Osgoode Hall Law Journal 47.2 (2009) : 183-234. http://digitalcommons.osgoode.yorku.ca/ohlj/vol47/iss2/1 This Article is brought to you for free and open access by the Journals at Osgoode Digital Commons. It has been accepted for inclusion in Osgoode Hall Law Journal by an authorized editor of Osgoode Digital Commons. Bountiful Voices Abstract Common portrayals of Canada's only openly polygamous community cast it as a space frozen in time, both socially and intellectually. "Bountiful," British Columbia is a sixty-five-year-old community comprised of followers of the Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS). Many residents espouse plural marriage as a central tenet of their faith, believing that the practice leads not only to a good terrestrial life but, also, to facilitated entry into the "celestial kingdom." Visual and written accounts of Bountiful routinely present the women of this community as submissive, silenced, and isolated. Their traditional dress, and the number of children often captured following or clinging to them, suggest conservatism, and possibly also social regression and exploitation. This imagery bolsters current legal approaches to plural marriage in Canada. In particular, the notion that gender inequality and oppression are inherent to polygamy serves to support the criminal prohibition of plural marriage. This article presents a counter-narrative to this common portrayal of the FLDS wife. -
In the Supreme Court of British Columbia
BC su Poligamia IN THE SUPREME COURT OF BRITISH COLUMBIA Citation: Reference re: Section 293 of the Criminal Code of Canada, 2011 BCSC 1588 Date: 20111123 Docket: S097767 Registry: Vancouver In the Matter of: The Constitutional Question Act, R.S.B.C. 1986, c 68 And In the Matter of: The Canadian Charter of Rights and Freedoms And in the Matter of: A Reference by The Lieutenant Governor In Council Set Out in Order In Council No. 533 dated October 22, 2009 concerning the Constitutionality of s. 293 of the Criminal Code of Canada, R.S.C. 1985, c. C-46 Before: The Honourable Chief Justice Bauman Reasons for Judgment Counsel for the Attorney General of British Columbia: Counsel for the Attorney General of Canada: Counsel for the Reference Amicus: Counsel for the Interested Persons: Beyond Borders: Ensuring Global Justice for Children: British Columbia Civil Liberties Association: British Columbia Teachers’ Federation: Canadian Association for Free Expression: Canadian Coalition for the Rights of Children and the David Asper Centre for Constitutional Rights: Canadian Polyamory Advocacy Assoc.: Christian Legal Fellowship: James Marion Oler and the Fundamentalist Church of Jesus Christ of Latter Day Saints: REAL Women of Canada: Stop Polygamy in Canada: West Coast Legal Education and Action Fund: Place and Dates of Trial: Place and Date of Judgment: Table of Contents I. INTRODUCTION II. COURSE OF PROCEEDINGS A. The Reference Questions B. The Participants C. The Evidence D. Webcast of Final Submissions III. EVIDENTIARY ISSUES A. Factors Justifying a Liberal Approach to Admissibility in a Trial Reference 1. The Importance of Evidence in Charter Litigation 2. -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
Andy Truschinski Jessie Mueller
Sara Bareilles, Pam MacKinnon, Toshiko Mori, Jessie Nelson, and Diane Paulus Honorary Co-Chairs and The Gala Committee and Jefrey R. Gural, Chairman & Susan Bernfield, President and the A.R.T./New York Board of Directors Welcome You to the honoring Jessie Mueller & Andy Truschinski Joe Solway & Arup Director / Choreographer Terry Berliner Associate Director / Choreographer T.J. Newton Lyricists Music Director & Pianist Timothy Huang & Sara Wordsworth Arri Lawton Simon Lighting Designer Production Stage Manager Kirk Fitzgerald Jeromy Hunt Drums Bass Jacob Colin Cohen Andrew Franklin O'Connor Award Presenters Pam MacKinnon / Elaine Molinar / Diane Paulus Host Julie Halston April 11, 2016 / Tribeca Rooftop (2 Desbrosses Street) 6:00 PM Cocktails 7:00 PM Dinner & Program Dear Friends: in Brooklyn and Manhattan. Earlier in the month, we held a cash flow loan closing ACT ONE On behalf of the Board of Directors, the at the ofce and gave testimony at a City Scene 1: Welcome Back Gala Committee, and our Honorary Co- Council hearing urging a $40 million Scene 2: Opening Remarks Chairs, Sara Bareilles, Pam MacKinnon, increase to the Department of Cultural Scene 3: Our Donors: A Love Song Toshiko Mori, Jessie Nelson, and Diane Afairs’ budget. Our honorees Jessie Scene 4: Ain’t Mishearin’: A Musical Paulus, I am thrilled to welcome you to the Mueller and Andy Truschinski have helped A.R.T./New York 2016 Spring Gala! We are us in our quest to advocate for increased Tribute to Joe Solway & Arup delighted to present gifted actors Jessie cultural funding, and their public service Scene 5: Presentation of The Kathy and Mueller and Andy Truschinski with The and dedication to ensuring that the next Howard J. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
The Importance of Being Monogamous: Marriage and Nation Building in Western Canada to 1915
163 The Importance of Being Monogamous: Marriage and Nation Building in Western Canada to 1915 by Sarah Carter Edmonton, University ofAlberta Press, 2008. Pp. 383. 2009 CanLIIDocs 55 Sarah Carter's most recent book, The Importance of Being Monogamous: Marriage and Nation Building in Western Canada to 1915, is, if memory serves, the first historical academic text that I have read since graduating with a B.A. in History in 1995. The opportunity to read and review this book was a welcome treat not only because of a personal, rarely-indulged interest in colonial history, but more because of this book's relevance to my current research on polygamous marriages in Canada. The Importance of Being Monogamous is of crucial importance to all legal academics, practitioners and students interested in exploring critically law's understanding of and approach to "unorthodox" marriages. The thrust of Carter's argument is that what most Canadians perceive as "typ- ical" or "traditional" marriage is by no means the result of a natural social evolution. Rather, it is a consequence of calculated state objectives rooted in cultural suprema- cist, classist and sexist ideals. Carter's primary focus is on Canadian land settlement policies in the late nineteenth and early twentieth centuries. She demonstrates how these policies constructed an ideal of marriage that was used as a vehicle for the domestication of Western Canada by white Christian families. This nuptial model was one characterized, unsurprisingly, as monogamous, heterosexual, intra-racial, male- dominated and self-sufficient. Land policies were designed to marginalize and exclude communities who did not adhere to this spousal ideal. -
Religion As a Role: Decoding Performances of Mormonism in the Contemporary United States
RELIGION AS A ROLE: DECODING PERFORMANCES OF MORMONISM IN THE CONTEMPORARY UNITED STATES Lauren Zawistowski McCool A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Dr. Scott Magelssen, Advisor Dr. Jonathan Chambers Dr. Lesa Lockford © 2012 Lauren Zawistowski McCool All Rights Reserved iii ABSTRACT Dr. Scott Magelssen, Advisor Although Mormons have been featured as characters in American media since the nineteenth century, the study of the performance of the Mormon religion has received limited attention. As Mormonism (The Church of Jesus Christ of Latter-day Saints) continues to appear as an ever-growing topic of interest in American media, there is a gap in discourse that addresses the implications of performances of Mormon beliefs and lifestyles as performed by both members of the Church and non-believers. In this thesis, I closely examine HBO’s Big Love television series, the LDS Church’s “I Am a Mormon” media campaign, Mormon “Mommy Blogs” and the personal performance of Mormons in everyday life. By analyzing these performances through the lenses of Stuart Hall’s theories of encoding/decoding, Benedict Anderson’s writings on imagined communities, and H. L. Goodall’s methodology for the new ethnography the aim of this thesis is to fill in some small way this discursive and scholarly gap. The analysis of performances of the Mormon belief system through these lenses provides an insight into how the media teaches and shapes its audience’s ideologies through performance. iv For Caity and Emily. -
"Big Love"'?* the Recognition of Customary Marriages in South Africa Penelope E
Washington and Lee Law Review Volume 64 | Issue 4 Article 9 Fall 9-1-2007 "Big Love"'?* The Recognition of Customary Marriages in South Africa Penelope E. Andrews Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Comparative and Foreign Law Commons, Family Law Commons, and the Religion Law Commons Recommended Citation Penelope E. Andrews, "Big Love"'?* The Recognition of Customary Marriages in South Africa, 64 Wash. & Lee L. Rev. 1483 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss4/9 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. "Big Love"'?* The Recognition of Customary Marriages in South Africa Penelope E. Andrews" Abstract This Comment contextualizes the issue of polygamous marriages within the South African constitutional paradigm, one committed unequivocally to the principle of equality. This Comment analyzes how South African law, European in origin, had to incorporate the laws and institutions of indigenous communities within the national legal framework, as part of the overall transformativelegal project underway in the country since 1994. By focusing on the Recognition of Customary Marriages Act, this Comment examines such incorporation, while questioning its effect on the overall project of constitutionalism, human rights, and equality. Table of Contents I. Introduction ......................................................................... 1484 II. The Constitution and Gender Equality ................................ -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M.