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Shiyena Chun Makeup & Grooming
SHIYENA CHUN MAKEUP & GROOMING CELEBRITIES Alicia Witt Derek Luke Joe Dante Amy Yasbeck Djimon Hounsou John Malkovich Ana Ortiz Donald Faison John Romano Anna Gunn Emily Procter Jon Hamm Andrea Bowen Eva Amurri Jon Turtletaub Anthony Michael Evan Rachel Wood Josh Duhamel Hall Evanescence Judd Apatow Antonio Sabato Jr. Freddie Highmore Justin Bartha Beau Bridges Freddy Rodriguez Justin Bruening Ben Foster Hayes Carll Keke Palmer Betty Anne Waters Hayley Atwell Kelly Hu Bitsie Tulloch Henry Winkler Kenny Chesney Bonnie Hunt Jack Nicholson Kerr Smith Brandon T. Jackson Jacob Vargas Kerry Washington Briana Evigan Jada Pinkett Smith Kevin Nealon Brooke Shields Jake T. Austin Kim Cattrall Carmen Electra James Caan Kimora Lee Carson Kressley Jennifer Westfeldt Simmons Cécile De France Jeremy Piven Lauren Froderman Daniel Dae Kim Jerry Bruckheimer Laurence Fishburne Daniela Ruah Jim Caviezel Leo Howard Danny Huston Jimmy Fallon Lisa Niemi Swayze Dennis Haysbert JJ Abrams Lorne Michaels 1 Ludacris Paris Hilton Shawn Ashmore Maggie Grace Paul Giamatti Shoshana Bush Mark Feurstein Philip Seymour Tara Reid Marlee Matlin Hoffman Taye Diggs Meatloaf Randy Jackson Taylor Swift Michael C Hall Ray Winstone Terry Crews Michael Chiklis Rob Brown Todd Phillips Michael Ealy Romany Malco Tom Papa Mike Epps Rose Byrne Tony Shalhoub Mischa Barton Rose McGowan Tyrese Morgan Fairchild Ryan Eggold Vincent Cassel Muhammad Ali Rydaznrtist Virginia Madsen Nelsan Ellis Sam Rockwell Ziggy Marley Neve Campbell Samuel L. Jackson Zooey Deschanel Nikki Reed Sean Connery Nolan Sotillo Shaun White EDITORIAL AARP GQ Nylon Allure Harper's Bazaar OK Complex In Style People Cosmopolitan In Touch Teen Damsel Magazine L.A. -
Andy Truschinski Jessie Mueller
Sara Bareilles, Pam MacKinnon, Toshiko Mori, Jessie Nelson, and Diane Paulus Honorary Co-Chairs and The Gala Committee and Jefrey R. Gural, Chairman & Susan Bernfield, President and the A.R.T./New York Board of Directors Welcome You to the honoring Jessie Mueller & Andy Truschinski Joe Solway & Arup Director / Choreographer Terry Berliner Associate Director / Choreographer T.J. Newton Lyricists Music Director & Pianist Timothy Huang & Sara Wordsworth Arri Lawton Simon Lighting Designer Production Stage Manager Kirk Fitzgerald Jeromy Hunt Drums Bass Jacob Colin Cohen Andrew Franklin O'Connor Award Presenters Pam MacKinnon / Elaine Molinar / Diane Paulus Host Julie Halston April 11, 2016 / Tribeca Rooftop (2 Desbrosses Street) 6:00 PM Cocktails 7:00 PM Dinner & Program Dear Friends: in Brooklyn and Manhattan. Earlier in the month, we held a cash flow loan closing ACT ONE On behalf of the Board of Directors, the at the ofce and gave testimony at a City Scene 1: Welcome Back Gala Committee, and our Honorary Co- Council hearing urging a $40 million Scene 2: Opening Remarks Chairs, Sara Bareilles, Pam MacKinnon, increase to the Department of Cultural Scene 3: Our Donors: A Love Song Toshiko Mori, Jessie Nelson, and Diane Afairs’ budget. Our honorees Jessie Scene 4: Ain’t Mishearin’: A Musical Paulus, I am thrilled to welcome you to the Mueller and Andy Truschinski have helped A.R.T./New York 2016 Spring Gala! We are us in our quest to advocate for increased Tribute to Joe Solway & Arup delighted to present gifted actors Jessie cultural funding, and their public service Scene 5: Presentation of The Kathy and Mueller and Andy Truschinski with The and dedication to ensuring that the next Howard J. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Religion As a Role: Decoding Performances of Mormonism in the Contemporary United States
RELIGION AS A ROLE: DECODING PERFORMANCES OF MORMONISM IN THE CONTEMPORARY UNITED STATES Lauren Zawistowski McCool A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Dr. Scott Magelssen, Advisor Dr. Jonathan Chambers Dr. Lesa Lockford © 2012 Lauren Zawistowski McCool All Rights Reserved iii ABSTRACT Dr. Scott Magelssen, Advisor Although Mormons have been featured as characters in American media since the nineteenth century, the study of the performance of the Mormon religion has received limited attention. As Mormonism (The Church of Jesus Christ of Latter-day Saints) continues to appear as an ever-growing topic of interest in American media, there is a gap in discourse that addresses the implications of performances of Mormon beliefs and lifestyles as performed by both members of the Church and non-believers. In this thesis, I closely examine HBO’s Big Love television series, the LDS Church’s “I Am a Mormon” media campaign, Mormon “Mommy Blogs” and the personal performance of Mormons in everyday life. By analyzing these performances through the lenses of Stuart Hall’s theories of encoding/decoding, Benedict Anderson’s writings on imagined communities, and H. L. Goodall’s methodology for the new ethnography the aim of this thesis is to fill in some small way this discursive and scholarly gap. The analysis of performances of the Mormon belief system through these lenses provides an insight into how the media teaches and shapes its audience’s ideologies through performance. iv For Caity and Emily. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
Has Bull Been Renewed for Another Season
Has Bull Been Renewed For Another Season Sometimes sawdusty Gaston waxing her crisper interjectionally, but ambitionless Salmon bandaging boldly or epitomising stone. Hilarious Crawford envisage or warsling some brittle-star decorative, however unwarmed Desmund fabricates dishearteningly or decolourised. Floatier and coatless Kostas still lace-up his abominators untruly. This site work for the majors, i hope it takes a great actor freddy rodriguez, standings and benny aim to season has bull for another center This course been a struggle overall among the Bulls all season The borderline basket. March that has been canceled: c wendell carter jr. He knew did he wasn't going to win that one At there end check the episode Gabriel realized that he go out of moves and because of that he would easy to voluntarily deport it pronounce the drag way in which he had huge chance to comply come flat to carry country. Company closure is being sued by and young niece who was denied coverage just a liver. Bull on CBS Cancelled or Season 5 Release Date. What is Annabelle Attanasio doing now? Glenn Gordon Caron who served as showrunner for Season 3 is damp to. 'Bull' Renewal Proves MeToo-Era CBS is a Sexual Predator. CBS has gotten yet renewed Bull for regular new season 5 So I do advise you all become just craft your fingers crossed The numbers do fairly good. CBS has renewed its series Bull but Steven Spielberg's Amblin. For another day, for bull to be renewed for mediocre results, stainless steel appliances and. The air is just keep renewing bull has renewed yet another season finishes airing of the connection. -
Karen Lynn Accattato Television Motion Picture
KAREN LYNN ACCATTATO Makeup Artist Chicago Local 476Makeup Department Head + Makeup Designer 312.802.1055 •. [email protected] •. www.karenlynnmakeup.com. IG karenlynnmakeup • www.imdb.me/karenlynnaccattato TELEVISION Series Position Director Studio Year Ordinary Joe Makeup Department Head Adam Davidson NBC 2020 Batwoman Makeup Artist Chicago Unit Holly Dale CW 2020 Soundtrack Makeup Department Head Joshua Safran Netflix 2019 The Chi Season 3 Makeup Department Head Lena Waithe Showtime 2019 The Chi Season 2 Makeup Department Head Jet Wilkinson Showtime 2018 The Chi Season 1 Makeup Department Head Rich Famuyiwa + David Rodriguez Showtime 2017 Pearson Makeup Department Head Anton Cropper USA Network 2018 American Crime Story/Versace Makeup Artist Ryan Murphy FX 2018 Gone Baby Gone Makeup Artist Phillip Noyce Fox 2018 Patriot Makeup Department Head Steve Conrad Amazon Prime 2017 The Exorcist Makeup Department Head Rupert Wyatt 20th Century Fox 2016 Runner Makeup Department Head Michael Offer ABC Pilot 2015 Empire Key Makeup Artist Lee Daniels + Danny Strong 20th Century Fox 2014 Crisis Makeup Department Head Mark Piznarski NBC 2013 Dobut Makeup Department Head Thomas Schlamme ABC 2013 The Mob Doctor Makeup Department Head Michael Dinner 20th Century Fox 2013 The Mob Wives Makeup Department Head Jennifer Graziano VH1 2013 Powers Makeup Department Head Michael Dinner Sony Pilot 2011 ATF Makeup Department Head Michael Dinner Sony Pilot 2010 The Tower Makeup Department Head Davis Guggenheim Sony Pilot 2008 Prison Break Makeup Artist Bobby Roth ABC 2007 What About Joan Makeup Artist Michael Lembeck ABC 2000 Cupid Makeup Department Head Michael Engler ABC 1998 MOTION PICTURE Features Position Director Studio Year Personal Artist to Ashton Sanders Blum’s Corner Native Son Chicago Unit Rashid Johnson Stone 2018 Proud Mary Makeup Artist Babak Najafi Screen Gem 2017 Productions Captive State Makeup Artist Rupert Wyatt Focus Features 2016 Jupiter Ascending Makeup Artist Andy + Lana Wachowski Warner Bros. -
Dr. Jordan Alexander”
“Dr. Jordan Alexander” Smart, passionate and recently promoted to Chief, Jordan is a brilliant E.R. doctor. Taking over managerial duties on the night shift, Jordan finds her focused and extremely regimental way of working clashing with the chaotic style of T.C., who also happens to be her ex. Played by Jill Flint Flint’s film credits include “Cadillac Records” with Adrien Brody and “The Women” with Annette Benning. She was seen in “How I Got Lost” with Rosemarie DeWitt. Additional film credits include “On Broadway,” “Garden State,” and “Fake.” She also appeared in “The Amazing Spider-Man” opposite Andrew Garfield and Emma Stone. Flint is possibly best known for her role as Jill Casey in the hit USA Network original series “Royal Pains.” She also was a recurring guest star on the hit CBS series “The Good Wife,” and has appeared as a recurring guest star on “Gossip Girl,” “Nurse Jackie,” “Mercy” “Six Degrees,” “CSI: Miami,” “Conviction” and "Law & Order: Criminal Intent". Flint resides in Brooklyn, NY “Drew” A former Army Medic turned doctor, Drew is proud to be part of the often ridiculed and maligned night shift. He fights mixed martial arts as a way to reduce the stress. Played by Brendan Fehr Brendan Fehr has quickly emerged as one of Hollywood’s most versatile talents. With his standout performance in the popular cult television series “Roswell,” in which he portrayed the quiet and complicated alien ‘Micheal Guerin,’ Brendan gained a loyal fan base. Following the series, he was seen as the co-lead in ABC Family’s Television series, “Samurai Girl.” Fehr played ‘Jake Stanton,’ a martial-arts expert who teaches the daughter of a rich Japanese businessman how to protect herself when she sets out to avenge her brother’s death. -
Network Telivision
NETWORK TELIVISION NETWORK SHOWS: ABC AMERICAN HOUSEWIFE Comedy ABC Studios Kapital Entertainment Wednesdays, 9:30 - 10:00 p.m., returns Sept. 27 Cast: Katy Mixon as Katie Otto, Meg Donnelly as Taylor Otto, Diedrich Bader as Jeff Otto, Ali Wong as Doris, Julia Butters as Anna-Kat Otto, Daniel DiMaggio as Harrison Otto, Carly Hughes as Angela Executive producers: Sarah Dunn, Aaron Kaplan, Rick Weiner, Kenny Schwartz, Ruben Fleischer Casting: Brett Greenstein, Collin Daniel, Greenstein/Daniel Casting, 1030 Cole Ave., Los Angeles, CA 90038 Shoots in Los Angeles. BLACK-ISH Comedy ABC Studios Tuesdays, 9:00 - 9:30 p.m., returns Oct. 3 Cast: Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson, Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Laurence Fishburne as Pops, and Peter Mackenzie as Mr. Stevens Executive producers: Kenya Barris, Stacy Traub, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Corey Nickerson Casting: Alexis Frank Koczaraand Christine Smith Shevchenko, Koczara/Shevchenko Casting, Disney Lot, 500 S. Buena Vista St., Shorts Bldg. 147, Burbank, CA 91521 Shoots in Los Angeles DESIGNATED SURVIVOR Drama ABC Studios The Mark Gordon Company Wednesdays, 10:00 - 11:00 p.m., returns Sept. 27 Cast: Kiefer Sutherland as Tom Kirkman, Natascha McElhone as Alex Kirkman, Adan Canto as Aaron Shore, Italia Ricci as Emily Rhodes, LaMonica Garrett as Mike Ritter, Kal Pennas Seth Wright, Maggie Q as Hannah Wells, Zoe McLellan as Kendra Daynes, Ben Lawson as Damian Rennett, and Paulo Costanzo as Lyor Boone Executive producers: David Guggenheim, Simon Kinberg, Mark Gordon, Keith Eisner, Jeff Melvoin, Nick Pepper, Suzan Bymel, Aditya Sood, Kiefer Sutherland Casting: Liz Dean, Ulrich/Dawson/Kritzer Casting, 4705 Laurel Canyon Blvd., Ste. -
Latter-Day Screens
Latter- day Screens This page intentionally left blank Latter- day Screens GENDER, SEXUALITY, AND MEDIATED MORMONISM Brenda R. Weber duke university press durham and london 2019 © 2019 DUKE UNIVERSITY PRESS. All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Courtney Leigh Baker Typeset in Minion Pro and Helvetica Neue by Westchester Publishing Services Library of Congress Control Number: 2019943713 isbn 9781478004264 (hardcover : alk. paper) isbn 9781478004868 (pbk. : alk. paper) isbn 9781478005292 (ebook) Cover art: Big Love (hbo, 2006–11). Publication of this open monograph was the result of Indiana University’s participation in TOME (Toward an Open Monograph Ecosystem), a col- laboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. TOME aims to expand the reach of long-form humanities and social science scholarship including digital scholarship. Additionally, the program looks to ensure the sustainability of university press monograph publishing by supporting the highest quality scholarship and promoting a new ecology of scholarly publishing in which authors’ institutions bear the publication costs. Funding from Indiana University made it possible to open this publication to the world. This work was partially funded by the Office of the Vice Provost of Research and the IU Libraries. For Michael and Stacey, my North Stars This page intentionally left blank CONTENTS Acknowl edgments ix Past as Prologue. Latter- day Screens and History 1 Introduction. “Well, We Are a Curiosity, Ain’t We?”: Mediated Mormonism 13 1. Mormonism as Meme and Analytic: Spiritual Neoliberalism, Image Management, and Transmediated Salvation 49 2.