Theological Plunderphonics: Public Theology and "The Fragment"
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Spring Newsletter
New Camaldoli Hermitage SPRING 2017 CONTEMPLATION IN ACTION “The mysticism of compassion does not aim at a blind experience of God that is devoted exclusively to one’s own interiority, but to the disruptive experience that occurs when dealing with others, in the dynamics of interpersonal encounters, face to face. This is an experience that is mystical and political at the same time.” ~ Johann Baptist Metz pages 2–7 IN THIS ISSUE 2 Message from the Prior: A Time of Need and Gratitude 2 In Memoriam: Br. Emmanuel Wassinger, OSB Cam 3 Br. Emmanuel: Stories Gathered Along the Way 4 Contemplation in Action 5–6 Subversive Orthodoxy—Robert Inchausti 7–9 Reflections on a Comtemplative Life in Action 10 Becoming Shelter—Deborah Smith Douglas 11 Spirituality with Open Eyes—Prior General Alessandro Barban quoting Johann Baptist Metz 12 World Day of Peace—Fr. Cyprian Consiglio 13 Oblates and Contemplation in Action— Fr. Robert Hale 13 Vita Monastica 14 Monastery of the Risen Christ 14 Development 15 Activities and Visitors 62475 Highway 1, Big Sur, CA 93920 • 831 667 2456 • www.contemplation.com 62475 Highway 1, Big Sur, CA 93920 • 831 667 2456 • www.contemplation.com Message From the Prior In Memoriam: Br. Emmanuel A Time of Need and Gratitude Wasinger, OSB Cam As many of you know by now, the central coast of California was walloped by an atmospheric river of rain this winter, which destroyed sections of Highway 1 and badly damaged our own entrance road. Our property is right in the middle of the most fragile part of the coast, and the worst damage to Highway 1, called Paul’s Slide, was just south of our own entry road. -
Remix Survey 7-6-2010-2
Remix Culture Survey Instrument Which of the following do you currently own? (check all that apply) • High-definition television set • DVD Player • Personal Video Recorder (e.g. TiVo) • Cable/Satellite television connection • Video Game console (e.g. XBOX, PlayStation) • Portable video game device (e.g. Nintendo DS, PSP) • High-speed internet connection (e.g. DSL, cable modem) • Stereo system or portable CD player • Portable MP3 player (e.g. iPod) • Satellite radio (XM, Sirius) • Turntables • Video camera • E-book reader (e.g. Kindle) • Tablet computer (e.g. iPad) • Smartphone (e.g. iPhone, Blackberry, Droid) • A non-smartphone mobile phone (phone calls and text but doesn’t have more advanced features like video and web) How often have you done the following activities in the past month? Never Rarely Sometimes Often Daily or more • Watched TV shows or movies on a TV set (not computer) • Played non-online games on a console (e.g. XBOX, PlayStation) • Played non-online games on a computer • Listened to CDs • Listened to digital music (e.g. MP3s) • Listened to the radio • Read books • Read newspapers or magazines • Download or streamed a movie, television show, or video clip online. • Played a game online • Downloaded or streamed music online For the remainder of this survey, please consider the following definitions: Sample-based media: Creating something different using elements of preexisting media (pieces of music, games, shows, video, text, or photos). There are two specific subgenres of sample based media: • Remix: Adding, taking out, mixing, combining or editing your own elements or effects with preexisting media (e.g. film, music, video games) to produce something different • Mash-up: Combining only elements of preexisting media together (e.g. -
WHAT IS TRINITY SUNDAY? Trinity Sunday Is the First Sunday After Pentecost in the Western Christian Liturgical Calendar, and Pentecost Sunday in Eastern Christianity
The Blessed Trinity with Crown, by Max Fürst (1846–1917) Welcome to OUR 15th VIRTUAL GSP class! Trinity Sunday and the Triune God WHAT IS IT? WHY IS IT? Presented by Charles E.Dickson,Ph.D. First Sunday after Pentecost: Trinity Sunday Almighty and everlasting God, who hast given unto us thy servants grace, by the confession of a true faith, to acknowledge the glory of the eternal Trinity, and in the power of the Divine Majesty to worship the Unity: We beseech thee that thou wouldest keep us steadfast in this faith and worship, and bring us at last to see thee in thy one and eternal glory, O Father; who with the Son and the Holy Spirit livest and reignest, one God, for ever and ever. Amen. WHAT IS THE ORIGIN OF THIS COLLECT? This collect, found in the first Book of Common Prayer, derives from a little sacramentary of votive Masses for the private devotion of priests prepared by Alcuin of York (c.735-804), a major contributor to the Carolingian Renaissance. It is similar to proper prefaces found in the 8th-century Gelasian and 10th- century Gregorian Sacramentaries. Gelasian Sacramentary WHAT IS TRINITY SUNDAY? Trinity Sunday is the first Sunday after Pentecost in the Western Christian liturgical calendar, and Pentecost Sunday in Eastern Christianity. It is eight weeks after Easter Sunday. The earliest possible date is 17 May and the latest possible date is 20 June. In 2021 it occurs on 30 May. One of the seven principal church year feasts (BCP, p. 15), Trinity Sunday celebrates the doctrine of the Holy Trinity, the three Persons of God: the Father, the Son, and the Holy Spirit, “the one and equal glory” of Father, Son, and Holy Spirit, “in Trinity of Persons and in Unity of Being” (BCP, p. -
How Powerful Is God?
1 How powerful is God? GENESIS 18:10-11, 13-14 The LORD said…Sarah your wife shall have a son…11Now Abraham and Sarah were old, advanced in years…13The Lord said to Abraham…14Is anything too hard for the Lord? At the appointed time…Sarah shall have a son. The 4½ million-pound spaceship Columbia blasted off with a long fiery tail. Two minutes later, it had reached an altitude of 23 miles. It circled the globe at 17,000 miles per hour. Imagine the power that it took to push that huge rocket through space at that speed! Did you know God is more powerful than that? The Bible says, “The Lord is…great in power” (Nahum 1:3). He made the heavens and Earth. God spoke and it was there! He is almighty. He rules over all nations. God’s power has no limits. He can make anything happen. The Bible tells about Abraham and Sarah. God promised them that they would have many children, but no children were born. One day, God sent an angel to Abraham when he and Sarah were almost 100 years old. The angel told him that the following year Sarah would have a son. That was impossible! When Sarah laughed, the angel said, “Is anything too hard for the Lord?” (Genesis 18:14). Sure enough, Sarah had a son! Because God is all-powerful, He could make this impossible thing happen. The next time you have a problem, remember that God is very powerful and wants to help you. THINK ABOUT IT! What are some ways God shows His power? TALK TO GOD Tell God how great and powerful He is. -
Translation: an Advanced Resource Book
TRANSLATION Routledge Applied Linguistics is a series of comprehensive resource books, providing students and researchers with the support they need for advanced study in the core areas of English language and Applied Linguistics. Each book in the series guides readers through three main sections, enabling them to explore and develop major themes within the discipline: • Section A, Introduction, establishes the key terms and concepts and extends readers’ techniques of analysis through practical application. • Section B, Extension, brings together influential articles, sets them in context, and discusses their contribution to the field. • Section C, Exploration, builds on knowledge gained in the first two sections, setting thoughtful tasks around further illustrative material. This enables readers to engage more actively with the subject matter and encourages them to develop their own research responses. Throughout the book, topics are revisited, extended, interwoven and deconstructed, with the reader’s understanding strengthened by tasks and follow-up questions. Translation: • examines the theory and practice of translation from a variety of linguistic and cultural angles, including semantics, equivalence, functional linguistics, corpus and cognitive linguistics, text and discourse analysis, gender studies and post- colonialism • draws on a wide range of languages, including French, Spanish, German, Russian and Arabic • explores material from a variety of sources, such as the Internet, advertisements, religious texts, literary and technical texts • gathers together influential readings from the key names in the discipline, including James S. Holmes, George Steiner, Jean-Paul Vinay and Jean Darbelnet, Eugene Nida, Werner Koller and Ernst-August Gutt. Written by experienced teachers and researchers in the field, Translation is an essential resource for students and researchers of English language and Applied Linguistics as well as Translation Studies. -
Do This in Memory of Me‖: the Genealogy and Theological
―DO THIS IN MEMORY OF ME‖: THE GENEALOGY AND THEOLOGICAL APPROPRIATIONS OF MEMORY IN THE WORK OF JOHANN BAPTIST METZ A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Candace Kristina McLean J Matthew Ashley, Director Graduate Program in Theology Notre Dame, Indiana April 2012 © Copyright 2012 Candace Kristina McLean ―DO THIS IN MEMORY OF ME‖: THE GENEALOGY AND THEOLOGICAL APPROPRIATIONS OF MEMORY IN THE WORK OF JOHANN BAPTIST METZ Abstract by Candace Kristina McLean Many theologians have been influenced by Johann Metz‘s theology of memory. To examine Metz‘s sources and how others expand upon his work, I propose a two-part thesis. Part one arises from critical appraisal of sources upon which Metz relies in formulating his idea of memory. While the thinkers Metz draws upon are secular Jewish philosophers, Metz appropriates key notions in specifically theological ways by linking them with the memoria passionis of Jesus Christ and the Jewish religious roots of memory. Furthermore, Metz‘s apocalyptic/eschatological hope for the future differs from secular and postmodern hopes for something surprising, new, and redemptive because Metz advocates real, faith-filled content for these ideas. Part two of the thesis is critical-constructive. Metz‘s idea of memory has the potential to be more than an anthropological category. While reticent to speak of God‘s memory, anamnestic reason becomes a way of speaking about God‘s work of salvation for and with humanity. This becomes clearer when his idea of memory is considered in conjunction with the theology of God‘s memory in the writings of Latin American Candace Kristina McLean liberation theologian Gustavo Gutiérrez. -
1 the Versions Project: Exploring
THE VERSIONS PROJECT: EXPLORING MASHUP CULTURE By FRANCESCA LYN SUPERVISORY COMMITTEE: Benjamin DeVane, CHAIR Melinda McAdams, MEMBER James Oliverio, MEMBER A PROJECT IN LIEU OF THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF 1 MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 2 ©2011 Francesca Lyn To everyone who has encouraged me to never give up, this would have never happened without all of you. 3 ACKNOWLEDGMENTS It is a pleasure to thank the many people who made this thesis possible. Thank you to my thesis chair Professor Ben DeVane and to my committee. I know that I was lucky enough to be guided by experts in their fields and I am extremely grateful for all of the assistance. I am grateful for every mashup artist that filled out a survey or simply retweeted a link. Special thanks goes to Kris Davis, the architect of idealMashup who encouraged me to become more of an activist with my work. And thank you to my parents and all of my friends. 4 TABLE OF CONTENTS page ACKNOWLEDGEMENTS……………………………………………………………………….4 ABSTRACT……..………………………………………………………………………………...6 INTRODUCTION..……………………………………………………………………………….7 Remix Culture and Broader Forms………………………………………………………………..9 EARLY ANTECEDENTS………………………………………………………………………10 Hip-hop…………………………………………………………………………………………..11 THE MODERN MASHUP ERA………………………………………………………………..13 NEW MEDIA ARTIFACTS…………………………………………………………………….14 The Hyperreal……………………………………………………………………………………15 Properties of New Media………………………………………………………………………...17 Community……………………………………………………………………………...…18 -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Enjoy Your Journey with the Lord!
“Daily Confession of Faith” In Christ I am anointed and a powerful person of God. I am a joint-heir with Jesus and more than a conqueror. I am a doer of the Word of God and a channel for His blessings. If God be for me, who can be against me? I am blessed coming in and I am blessed Going out. My enemies are fleeing before me. God has commanded His blessing on my storehouses. He has opened His Good treasures and I shall lend and not borrow. I am the head and not the tail. He has given me power to make wealth. I dwell in the secret place I have His protection and provision. God is my refuge, my fortress I am not afraid of the snare of the fowler. No Evil shall befall me and no plague shall come nigh My dwelling. God has given his angels Charge over me and they are bearing me up in their hands lest I dash my foot against a stone, as declared in Psalms 91. I Peter 2:9 establishes I am a chosen generation, A royal priesthood, a holy nation. I am a peculiar person called out of darkness Into His marvelous light. I Peter 2:24 states, I have been healed by the stripes of Jesus. Cancer, sugar diabetes, heart disease, sickness, Afflictions, infections, or any other disease can not enter my body. I am without spot or blemish, An intercessor, the righteousness of God, saved, and washed in the Blood of Jesus. “No weapon formed against me shall prosper, and every tongue Which rises against me in judgment You shall condemn. -
Plunderphonics – Plagiarismus in Der Musik
Plagiat und Fälschung in der Kunst 1 PLUNDERPHONICS – PLAGIARISMUS IN DER MUSIK PLUNDERPHONICS – PLAGIARISMUS IN DER MUSIK Durch die Erfindung der Notenschrift wurde Musik versprachlicht und damit deren Beschreibung mittelbar. Tonträger erlaubten es, Interpretationen, also Deutungen dieser sprachlichen Beschreibung festzuhalten und zu reproduzieren. Mit der zunehmenden Digitalisierung der Informationen und somit der Musik eröffneten sich im 20. Jahrhundert neue Möglichkeiten sowohl der Schaffung als auch des Konsums der Musik. Eine Ausprägung dieses neuen Schaffens bildet Plunderphonics, ein Genre das von der Reproduktion etablierter Musikstücke lebt. Diese Arbeit soll einen groben Überblick über das Genre, deren Ursprünge und Entwicklung sowie einigen Werken und thematisch angrenzenden Musik‐ und Kunstformen bieten. Es werden rechtliche Aspekte angeschnitten und der Versuch einer kulturphilosophischen Deutung unternommen. 1.) Plunderphonics und Soundcollage – Begriffe und Entstehung Der Begriff Plunderphonics wurde vom kanadischen Medienkünstler und Komponisten John Oswald geprägt und 1985 in einem bei der Wired Society Electro‐Acoustic Conference in Toronto vorgetragenen Essay zuerst verwendet [1]. Aus musikalischer Sicht stellt Plunderphonics hierbei eine aus Fragmenten von Werken anderer Künstler erstellte Soundcollage dar. Die Fragmente werden verfälscht, beispielsweise in veränderter Geschwindigkeit abgespielt und neu arrangiert. Hierbei entsteht ein Musikstück, deren Bausteine zwar Rückschlüsse auf das „Ursprungswerk“ erlauben, dessen Aussage aber dem „Original“ zuwiderläuft. Die Verwendung musikalischer Fragmente ist keine Errungenschaft Oswalds. Viele Musikstile bedienen sich der Wiederaufnahme bestehender Werke: Samples in populär‐ und elektronischer Musik, Riddims im Reggae, Mash‐Ups und Turntablism in der Hip‐Hop‐Kultur. Soundcollagen, also Musikstücke, die vermehrt Fragmente verwenden, waren mit dem Fortschritt in der Tontechnik möglich geworden und hielten Einzug in den Mainstream [HB2]. -
James H. Cone: Father of Contemporary Black Theology
James H. Cone: Father Of Contemporary Black Theology RUFUS BURROW, JR. INTRODUCTION The purpose of this article is to provide pastors, laypersons, students and aca- demicians with a sense of the human being behind and in the thick of black lib- eration theology as well as his courage to both lead and change. I shall briefly discuss aspects of James Hal Cone's background, some early frustrations and challenges he confronted, and ways in which his theology has shifted. Since the late 1960s, Cone has been among the most creative and courageous of the contemporary black liberation theologians. Although he has been writing major theologi"tal treatises since 1968, there has been no booklength manuscript published on his work. There have, however, been a number of dissertations written on his theology since 1974, some of which are comparative studies. Cone has been the subject of much criticism by white theologians, although few of them have taken either him or the black religious experience seriously enough to be willing to devote the time and energy necessary to learn all they can about these in order to engage in intelligent dialogue and criticism. Considered the premier black theologian and the "father of contemporary black theology," it is strange that after more than twenty years of writing, lectur- ing on and doing black theology, no one has yet devoted a book to Cone's work.' To be sure, Cone's is not the only version of black liberation theology. However, it was he who introduced this new way of doing theology in a systematic way. -
Phenomenological Philosophy and Orthodox Christian Scientific Ecological Theology
Indo-Pacific Journal of Phenomenology, Volume 8, Edition 2 September 2008 Page 1 of 9 Phenomenological Philosophy and Orthodox Christian Scientific Ecological Theology by Allan M Savage Abstract Contemporary philosophy, to be useful to Orthodox Christian theology, must capture the “essence” of the divine and human activity in the world in the scientific sense of Edmund Husserl. Scholastic philosophy is no longer an academically privileged supporter of theology in the interpretation of the universe. In its place, this paper suggests that phenomenological philosophy becomes the unique and transcendent partner, as it were, in the interpretive dialogue. The methodological thinking of Edmund Husserl and Martin Heidegger offers a way of philosophical understanding that is more satisfactory than the traditional scholastic metaphysics in giving meaning to contemporary human experience. A phenomenological eco-theological approach captures the essences of a subject’s immediate and holistic perception of the environment. A Phenomenological Eco-Theological Approach: As William James (1902/1958) pointed out, there are Capturing “Essences” a variety of religious experiences. To understand these various forms, we must capture the “essence” of This paper arose out of my studious attempt to both the divine and human activity in the world in the develop a comprehensive theological understanding scientific sense of Edmund Husserl. Currently, in of ecology within the Western theological tradition. addressing the essence of divine and human activity The Western tradition is rooted in scholastic in the contemporary world, Ünal (2005) identifies philosophy, which has proved unsatisfactory, and I theological phenomenology as one component in his thus undertook a phenomenological approach to my understanding of a practical and comprehensive studies.