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PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
Larissa Palaszczuk
Laissa Palaszczuk - Makeup Artist - Film & TV NABET 700 UNIFOR member 647-295-2817 * [email protected] * www.blondemoxiemakeup.com Getting To Know You / Love of My Life Productions Ltd. / Head of Makeup Department / 2018 Feature Film Director: Joan Carr-Wiggin / Production Manager: Borga Dorter Talent: Natasha Little, Rupert Penry-Jones, Rachel Blanchard, Linda Kash Natalie / The Road Back Productions Inc. / Head of Makeup Department / 2018 Feature Film Director: Rama Rau / Production Manager: Justin Kelly Talent: Julia-Sarah Stone, Martha Plimpton, Michelle McLeod, Peter Outerbridge Anne, Season 2 / Northwood Anne Duo Inc. / 1st Assistant Makeup Artist / 2017 Television Series Director: Various / Production Manager: Sandra Lum Lock / Head of Department: Diane Mazur Talent: R.H Thomson, Dalila Bela, Helen Johns, Lucas Jade Zumann & Various * Nominated for Best Makeup at Hollywood (Local 706) Makeup Artist/Hairstylist Guild Awards Georgetown / Georgetown Film Productions Inc. / 1st Assistant Makeup Artist / 2017 Feature Film Director: Christoph Waltz / Production Manager: Brandon Tataryn / Head of Department: Cathie Davies-Irvine Talent: Laura de Carteret, Victoria Snow, Vickie Papavs, Amin Bhatia & Various The Bet / Love of My Life Productions Ltd. / Head of Makeup Department / 2017 Feature Film Director: Joan Carr-Wiggin / Production Manager: Borga Dorter Talent: Natasha Little, Douglas Hodge, Colin Salmon, Linda Kash, Katie Boland Little Italy / Pizza Lovers Productions, Ltd. / 2nd Assistant Makeup Artist / 2017 Feature -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
La Vuelta Del Miedo Escriben CASTAÑO / Vallarelli / ACEVEDO / FONTE ELESGARAY / REAL / LEMA HUERGO / Minevitz / Mujica / DUARTE/ SALGADO / Osorio / VAZQUEZ PLOT
PLOT 24 CUADROS NÚMERO 35 - DiC 2020 La vuelta del Miedo ESCRiBEN CASTAÑO / VALLARELLi / ACEVEDO / FONTE ELESGARAY / REAL / LEMA HUERGO / MiNEViTZ / MUJiCA / DUARTE/ SALGADO / OSORiO / VAZQUEZ PLOT REVISTA 24 CUADROS - AÑO 13 Nº 35 Revista 24 Cuadros - N° 34 - Fundada el 17 de Agosto de 2007 PLOT por Mariano Castaño acía un rato largo que no escribía un se comparten los contenidos con la Plot. Hay razones válidas para ello. esperanza de reciprocidad. Análisis vacíos, HLa revista creció y hoy es mucho más transformados en hilos de twitter, en los que que la voluntad de un par de amigos. No es se vinculan témpera y dulce de leche, que nos hayamos convertido en un buscando significados ocultos, homenajes conglomerado editorial tampoco. Pero, inexistentes e influencias improbables, con la ciertamente, el sueño de un proyecto esperanza de muchos likes y seguidores a colectivo ha sido alcanzado. No solo con las granel. Por suerte, me rodeo de gente que me publicaciones periódicas en la página, sino recuerda que no es por ahí. Que nuestro en la cantidad y calidad de las plumas que camino es este, como dice el mandaloriano. alimentan cada número de la renovada edición en PDF. El número 35 de la revista, que estoy presentando en estas breves palabras, nos Ese crecimiento y el ímpetu por seguir llevará por los caminos del nuevo terror. No saliendo en formato revista tienen un sé si decirle revival a algo que nunca se fue, responsable, que es Fabio Vallarelli, Editor in pero puedo arriesgar que esta encarnación Chief. Si no fuera por él, nuestro presente está lejos del terror del explotación de la sería distinto: la edición clásica no se década pasada, y más cerca de un terror de publicaría, seríamos la mitad de redactores y qualité setentista. -
Productions in Ontario 2015
SHOT IN ONTARIO 2015 Feature Films – Theatrical 22 CHASER 22 Chaser Productions Inc. Producer: Don Carmody, Dan Bekerman, Aeschylus Poulos Exec. Producer: Justine Whyte Director: Rafal Sokolowski Production Manager: Jessica Cheung D.O.P.: Cabot McNenly Key Cast: Brian J. Smith Shooting Dates: Oct 7 - Nov 1/15 ANTIBIRTH Hideaway Pictures Inc. Producers: David Anselmo, Natasha Lyonne, Roger M. Mayer Exec. Producers: Lee Broda, Tom Butterfield, Jeremy Loethen, Ben McConley, Jeff Rice, Jason Van Eman, Rob Weston Director: Daniel Ignacio Perez-Triana Production Manager: Justin Kelly D.O.P.: Rudi Blahacek Key Cast: Natasha Lyonne, Chloe Sevigny Shooting Dates: Mar 18 - Apr 1/15 BACKCOUNTRY Wild Ontario Men Inc. Producer: Kyle Mann Exec. Producers: Jeff Sackman, Jonathan Bronfman Director: Rob Connolly Production Manager: Aaron Barnett D.O.P.: Norm Li Key Cast: Joel Kinnaman, Percy Hynes White, Tom Holland Shooting Dates: Mar 2 – Mar 27/15 BELOW HER MOUTH Serendipity Point Films Inc. Producers: Robert Lantos, Melissa Coghlan Director: April Mullen Line Producer: Aaron Barnett D.O.P.: Maya Bankovic Key Cast: Erika Linder, Natalie Krill Shooting Dates: Sep 24 - Oct 22/15 BEYOND SKYLINE Copperheart Entertainment Producers: G. Stause, M. Chausse Exec. Producers: Maguy R. Cohen, Roman Kopelevich, Joe Listhaus, Allen Liu Director: Liam O'Donnell Production Manager: Derek Rappaport D.O.P.: Christopher Probst Key Cast: Frank Grillo, Bojana Novakovic, Jonny Weston, Iko Uwais, Callan Mulvey Shooting Dates: May 04 - May 16/15 FEBRUARY FebruaryFilm Productions Inc. As of December 22, 2015 1 SHOT IN ONTARIO 2015 Producer: Robert Menzies Exec. Producers: Carissa Buffel, Kevin Matusow Director: Osgood Perkins Production Manager: Sarah Deline D.O.P.: Julie Kirkwood Key Cast: Emma Roberts, Kiernan Shipka, Lucy Boynton, James Remar, Lauren Holly Shooting Dates: Feb 17 - Mar 20/15 GOON 2: LAST OF THE ENFORCERS Producers: David Gross, Hartley Gorenstein Exec. -
Tutaj Czego Szukać, Bo Tego Zdefiniowania Statusu Wytwórni, a Nawet Film Wypchany Jest Aluzjami
www.splatfilmfest.com 4 INTERNATIONAL FANTASTIC FILM FESTIVAL WARSZAWA: 5—9 grudnia | Kinoteka LUBLIN: 26 listopada—2 grudnia | Centrum Kultury w Lublinie podczas festiwalu widzowie przyznają nagrody publiczności w kategoriach: najstraszniejszy film najbardziej szokujący film najlepsze efekty specjalne najlepszy film najlepszy scenariusz najlepsza reżyseria bilety: www.splatfilmfest.com www.kinoteka.pl ck.lublin.pl oraz w kasach Kinoteki i Centrum Kultury w Lublinie adresy: lublin: Centrum Kultury w Lublinie ul. Peowiaków 12 warszawa: Kinoteka Pałac Kultury i Nauki Plac Defilad 1 www.splatfilmfest.com facebook.com/splatfilmfest instagram.com/splatfilmfest twitter.com/splatfilmfest Hello darkness, my old friend! Drogie widzki i widzowie Splat!FilmFest sercach i programie. Z wielką radością ‒ najbardziej niepokornego festiwalu obserwujemy, jak kino grozy wciąż ewo- w Polsce. Rok 2018 jest dla nas wyjątko- luuje, przybiera różne formy i ma się na- wy, bo straszymy aż w dwóch miastach ‒ prawdę bardzo dobrze. W XXI wieku nie jak zwykle w rodzinnym Lublinie i pierw- istnieje już coś takiego jak typowy horror, szy raz na nowym terenie w Warszawie, o ile kiedykolwiek istniało takie zjawisko. co przyprawia nas o przyjemny dreszcz Mamy nadzieję, że program festiwalu emocji. Jakby tego było mało, rozszerzy- umiejętnie odzwierciedla różnorodność liśmy również formułę festiwalu i poza tego gatunku ‒ najbardziej zuchwałego horrorami z całego worka filmowego sza- ze wszystkich. leństwa wyciągamy coś jeszcze bardziej zaskakującego dla tych, co boją się bać. Splat!FilmFest to kino niepokorne, rady- Na tegorocznym Splat!FilmFest serwuje- kalne, mroczne, dzikie i piękne, starannie my przede wszystkim bogactwo najlep- wyselekcjonowane przez pasjonatów dla szego i najnowszego kina gatunkowego. pasjonatów. Setki obejrzanych filmów, litry wypitej yerba mate, krew, pot, łzy.. -
Grimmfest-2015-Br.1A
GRIMMFEST 2015 GRIMMFEST 2015 | Contents | Page 4 CONTENTS Introduction from the Festival Director 3 Bitlord & Festival Hub at Grimmfest 2015 17 Closing Night Films 29 Gala Opening Night 5-9 Film Programme: Antisocial 2 26 Blood Sucking Bastards 9 The Box 7 Cherry Tree 15 Cowboy Ben 21 A Christmas Horror Story 29 Dark_net 21 Deathgasm 25 Driven 7 DXM 29 Excess Flesh 19 El Gigante 9 German Angst 11 The Hallow 5 He Never Died 13 Hellions 26 Hellraiser 27 Howl 22 The Hive 15 Judith 21 Landmine Goes Click 13 The Nightmare 22 Process 7 Scream 12 [shut-in] 21 The Sun has Died 26 Snatchers 7 A Stranger Kind 21 Synchronicity 22 Turbo Kid 15 We are still here 25 Whisper 21 Willa 21 hallow Film Schedule 17 Northern Showcase 7 Short Film Showcase 21 Special Guests 24 Tickets and Venue Information CONTENTS 24 Wes Craven Tribute Screening 12 The Thursday 1st October | Odeon Printworks, Manchester | Page 7 NORTHERN SHOWCASE SCREENING FROM 9.00pm - 10.10pm + Guest Speaker Panel A celebration of northern talent with a selection of short film premieres and special guests discussing the pros and cons of making films ‘Up north’! Movies include THE BOX, SNATCHERS, DRIVEN and PROCESS. Guest speakers include: Dom- inic Brunt, Shaune Harrison, Simeon Halligan, Joanne Mitchell, Drew Lovett Scott Feast and Stephanie Bryant. THE BOX UK; 2015; 13 min 40 sec DRIVEN UK; 2015; 6 min 25 sec Director: Shaune Harrison Director: Stephanie Bryant Starring: Dominic Brunt, Joanne Mitchell Starring: Rupert Proctor Status: World Premiere Status: Manchester Premiere A loner buys a mysterious package SHOWCASE A dark, eerie thriller in which a man’s Sat online. -
The Future Is Female
WINTER 2018 WE SET OUT TO FIND CANADA’S MOST IMPRESSIVE YOUNG PRODUCERS AND DISCOVERED THE FUTURE IS FEMALE PAW PATROL-ING THE WORLD OVER THE TOP? How Spin Master found the right balance We ask Netflix for their of story, product and marketing to create take on the public reaction a global juggernaut to #CreativeCanada 2 LETTER FROM THE CEO TABLE OF 3 LETTER FROM THE CMPA ADDRESSING HARASSMENT WITHIN CONTENTS CANADA’S PRODUCTION SECTOR 12 OVER THE TOP? A CONVERSATION WITH NETFLIX CANADA’S CORIE WRIGHT 4 18 S’EH WHAT? THE NEXT WAVE A LEXICON OF CANADIANISMS FROM YOUR FAVOURITE SHOWS CHECK OUT SOME OF THE BEST AND BRIGHTEST WE GIVE OF CANADA’S EMERGING CREATOR CLASS 20 DON’T CALL IT A REBOOT MICHAEL HEFFERON, RAINMAKER ENTERTAINMENT 22 TRAILBLAZERS CANADA’S INDIE TWO ALUMNI OF THE CMPA MENTORSHIP PROGRAM RISE HIGHER AND HIGHER 24 IN FINE FORMAT PRODUCERS MARIA ARMSTRONG, BIG COAT MEDIA 28 HOSERS TAKE THE WORLD THE TOOLS MARK MONTEFIORE, NEW METRIC MEDIA THEY NEED PRODUCTION LISTS so they can bring 6 30 DRAMA SERIES 44 COMEDY SERIES THE FUTURE IS FEMALE diverse stories to 55 CHILDREN’S AND YOUTH SERIES MEET NINE OF CANADA’S BARRIER-TOPPLING, STEREOTYPE-SMASHING, UP-AND-COMING PRODUCERS 71 DOCUMENTARY SERIES life on screen for 84 UNSCRIPTED SERIES 95 FOREIGN LOCATION SERIES audiences at home and around the world 14 WINTER 2018 THE CMPA A FEW GOOD PUPS HOW SPIN MASTER ENTERTAINMENT ADVOCATES with government on behalf of the industry TURNED PAW PATROL INTO AN PRESIDENT AND CEO: Reynolds Mastin NEGOTIATES with unions and guilds, broadcasters and funders UNSTOPPABLE SUPERBRAND OPENS doors to international markets CREATES professional development opportunities EDITOR-IN-CHIEF: Andrew Addison CONTRIBUTING EDITOR: Kyle O’Byrne SECURES exclusive rates for industry events and conferences 26 CONTRIBUTOR AND COPY EDITOR: Lisa Svadjian THAT OLD EDITORIAL ASSISTANT: Kathleen McGouran FAMILIAR FEELING CONTRIBUTING WRITER: Martha Chomyn EVERYTHING OLD IS NEW AGAIN! DESIGN AND LAYOUT: FleishmanHillard HighRoad JOIN US. -
Nickelodeon the TRENDERA FILES: the NEW MEDIA ISSUE
THE TRENDERA FILES Trendera THE NEW MEDIA ISSUE Volume 9, Issue 3, September 2018 Nickelodeon THE TRENDERA FILES: THE NEW MEDIA ISSUE CONTENTS INTRO 4 CONTENT OVERLOAD 39 40 Short Form Content 41 Long Form Content 42 Gaming MACRO TRENDS 43 Music 7 44 Internet Culture 8 Hype Machine 45 New Media: Who’s Doing It Right 12 Gaming the System 16 Why So Serious? NOW TRENDING 48 BY THE NUMBERS 49 Entertainment 20 51 Lifestyle 21 Methodology 54 Fashion / Retail / Shopping 22 Streaming & Mobile Reign TrenderaSupreme 57 Digital / Technology 26 TV Personalities & Shows 28 Entertainment Behaviors 30 Online Videos 32 Movies STANDOUT MARKETING 60 33 Gaming 35 Social Media 37 Putting It All Together Nickelodeon2 TABLE OF CONTENTS WHAT’S HOT 65 66 Gen Z Kids 68 Gen Z 13+ 70 Millennials 72 Who’s Hot 76 Digital Download KNOW THE SLANG 78 STATISTICS: GEN X, YTrendera & Z 81 Nickelodeon3 THE TRENDERA FILES: THE NEW MEDIA ISSUE You heard it here first: the golden age of entertainment is officially over. However, before the alarm bells start ringing, let us clarify: we are no longer in the golden age of entertainment because today, entertainment is everything. We live in an attention economy where viewership, clicks, and likes control influence, relevance, and the bottom line. Consequently, every experience, product, and piece of content is being created with the entertainment factor in mind—from news stories and video tutorials to influencer personas and bathrooms (yes, bathrooms). All of this sounds good in theory—after all, who doesn’t love to be entertained?! But for marketers and content creators, it means that creating compelling media has gotten that much harder. -
LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers. -
JEAN SEBERG Von Benedict Andrews Mit Kristen Stewart, Jack O’Connell, Margaret Qualley, Anthony Mackie, Zazie Beetz, Vince Vaughn U.A
JEAN SEBERG von Benedict Andrews Mit Kristen Stewart, Jack O’Connell, Margaret Qualley, Anthony Mackie, Zazie Beetz, Vince Vaughn u.a. Kinostart: 17. September 2020 Dauer: 102 Minuten Pressematerial: https://www.frenetic.ch/katalog/detail//++/id/1186 Medienbetreuung DISTRIBUTION Valentina Romero / Mischa Schiwow FRENETIC FILMS AG 044 488 44 26 / 044 488 44 25 Lagerstrasse 102 • 8004 Zürich [email protected] / [email protected] Tel. 044 488 44 00 • Fax 044 488 44 11 www.frenetic.ch LOGLINE Biopic über die Nouvelle Vague-Ikone Jean Seberg, die als Anhängerin der Black Panthers zur Zielscheibe des FBI wurde. Mit Kristen Stewart in der Titelrolle. SYNOPSIS Die amerikanische Schauspielerin Jean Seberg (Kristen Stewart) wird 1960 mit ihrer Rolle in Jean- Luc Godards «A bout de souffle» von einem Tag zum anderen zur Schauspielikone. In der Aufbruchsstimmung des Pariser Mai kehrt sie 1968 für ein Comeback in einem US-Film nach Hollywood zurück. Auf dem Flug nach Los Angeles begegnet sie dem bekannten schwarzen Bürgerrechtskämpfer Hakim Jamal (Anthony Mackie). Durch ihre Sympathien für die Black-Panther- Bewegung gerät Seberg schnell ins Fadenkreuz des FBI. Jack Solomon (Jack O'Connell), ein ebenso junger wie ambitionierter Agent erhält den Auftrag, Jeans Privatleben aufzumischen. Doch je tiefer er zu der verletzlichen Frau vorstösst, desto mehr beginnt er seinen Einsatz zu hinterfragen. Aus der polizeilichen Überwachung ist längst eine öffentliche Hetzkampagne geworden. «In Anbetracht der üblen politischen Situation im heutigen Amerika ist Seberg aktueller denn je.» THE OBSERVER «Ein glanzvoller und bestechender Thriller.» The Hollywood Reporter 2 KURZINHALT & PRESSENOTIZ _______________________________________________________________________________________ Sie war eine Ikone der Nouvelle Vague: Die US-amerikanische Schauspielerin Jean Seberg sorgte nicht nur durch ihre Rollen in Filmen wie „Ausser Atem“, sondern auch durch ihr Engagement für die radikale Bürgerrechtsbewegung der Black Panthers Ende der 1960er Jahre in ihrer Heimat für Aufsehen. -
150 Canadian Films
150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150.