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All-City Annual
ALL-CITY ANNUAL 1 Cover: John Watson HOLA. Thank you for your friendship and support IN our efforts to do good work, make nice things, and further the culture and community of cycling. XOXO, THE ALL-CITY TEAM 1 2 LOG LADY We love singletrack; we love being in the woods; we love it when the going gets tight, techy and nasty. We are beyond excited to bring that love further into the All-City lexicon with our first true mtb: The Log Lady. A.C.E. tubing, 27.5 wheels, singlespeed perfection All photos: John Watson 4 Charlie B. Ward #SQUAD For 2016, the All-City X Fulton cross team is 35 members strong and will be organizing 3 of the races on our local calendar. We are very proud of their contribution to our local cross community. With the addition of All-City X Blackhand in the mid-Atlantic and All-City X Alpha in Colorado, we’re expanding into several other areas of the country this Fall. Look for an All-City team rider on a cross course near you! 5 Todd Bauer NATURE GIRL: RIDE IT ALL WEEK RACE IT ON THE WEEKEND 6 Todd Bauer 7 KOSHI: SPEED & STYLE Our main man in Japan, Masahiro Koshiyama, or “Koshi” to his friends, is the only Category 1 cross racer in Japan to exclusively race single speed. He’s also an active BMX’er, helping to run many events and contests in his home country. His mantra is “Speed & Style” and he never fails to make cross racing look good! Photos: Kei Tsuji 8 Ryohei Wada 9 10 that could help me turn the page of my story. -
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セM ...............................____________________ ,._ ______ ______________ セ セ セM MARCH 2, 2012 ARCADE B4 Getting to know the Gentlemen of Verona BY DERRICK TOUPS DT: How was it working specifically on "Two SENIOR STAFF WRITER Gents;' a lesser-known Shakespeare play? It's one of his earliest, so it's not as strong as his lat- er works. With a colorful cast of vampires, skate- SE: It is a pretty clumsy play. There's a horrible boarders, potheads and preps, the department ending where Pr9teus has an attempted rape, of theatre and dance opened its "Clerks"-style then Valentine discovers him, rescues Sylvia, rendition of Shakespeare's "Two Gentlemen of and decides, "Oh, you can have her because Verona," directed by Gary Rucker, Tuesday in our friendship's more important." It's definite- conjunction with The Shakespeare Festival at ly a play of problems, but it's cool to see ear- Tulane. The Arcade sat down with the two gen- ly things that Shakespeare later develops like tlemen themselves, sophomore Jesse Friedman cross-dressing, the weird attraction to those in (Valentine) and senior Stephen Eckert (Prote- drag and the sympathetic servants. us), to discuss the process of putting on the de- JF: Something that I think is attractive about partment's first Shakespeare play since "Cym- a lot of Shakespearean comedies - this may beline" in 2004. sound weird - is the naivete of his protago- nists. I think it's pretty endearing and attracts Derrick Toups: You've both worked with the audience to the characters. Shakespeare before, through monologues and scenes. -
Descent V 1999
w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS. -
Darkthrone Is Absolutely Not a Political Band and We Never Were
THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Dr Keith Kahn-Harris, Independent social researcher 57 Goring Road London N11 2BT Tel: 0208 881 5742 E-mail: [email protected] Dr Keith Kahn-Harris (né Harris) received his PhD on the sociology of the global Extreme Metal music scene from Goldsmiths College in 2001. Since then he has been a fellow at the Mandel School for Advanced Jewish Educational Leadership, Jerusalem and a visiting fellow at the Monash University Centre for Jewish Civilization, Melbourne. He is currently working on a variety of projects as an independent social researcher in the British Jewish community. THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Abstract: This paper examines an enduring question raised by subcultural studies – how youth culture can be challenging and transgressive yet ‘fail’ to produce wider social change. This question is addressed through the case study of the Black Metal music scene. The Black Metal scene flirts with violent racism yet has resisted embracing outright fascism. The paper argues that this is due to the way in which music is ‘reflexively anti-reflexively’ constructed as a depoliticising category. It is argued that an investigation of such forms of reflexivity might explain the enduring ‘failure’ of youth cultures to change more than their immediate surroundings. Keywords: Subculture, reflexivity, politics, Black Metal, racism, youth culture, scenes. 1 Introduction: Subcultural theory and the ‘failure’ of youth culture It is hardly necessary to point out that cultural studies, and in particular the study of youth culture, owes a massive debt to subcultural theory, as developed by members of and those allied to the Birmingham Centre for Contemporary Cultural Studies in the 1970s (e.g. -
DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”.. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Extreme Metal: Subculture, Genre, and Structure
Université de Montréal Extreme metal: Subculture, Genre, and Structure par Samaël Pelletier Université de Montréal Faculté de Musique Mémoire présenté en vue de l’obtention du grade de Maîtrise en musique option musicologie avril 2018 © Samaël Pelletier. 2018 Abstract Extreme metal is a conglomeration of numerous subgenres with shared musical and discursive tendencies. For the sake of concision, the focus throughout this thesis will mainly be on death metal and black metal – two of the most popular subgenres categorized under the umbrella of extreme metal. Each chapter is a comparative analysis of death metal and black metal from different perspectives. Thus, Chapter One is historical account of extreme metal but also includes discussions pertaining to iconography and pitch syntax. Subsequently, Chapter Two concerns itself with the conception of timbre in death metal and black metal. More specifically, timbre will be discussed in the context of sound production as well as timbre derived from performance, in particular, vocal distortion. The conception of rhythm/meter will be discussed in Chapter Three which will simultaneously allow for a discussion of the fluidity of genre boundaries between death metal and progressive metal – largely because of the importance placed on rhythm by the latter subgenre. Instead of a focus on musical practices, Chapter Four will instead take a sociological approach with the aim of answering certain issues raised in the first three chapters. Ultimately, this thesis aims to elucidate two questions: What are the different aesthetic intentions between practitioners of death metal and black metal? And, how do fans conceptualize these aesthetic differences? Sarah Thornton’s notion of subcultural capital – which is derived from Pierre Bourdieu’s notion of cultural capital – will help to answer such questions. -
Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording
Méi-Ra St-Laurent: "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Laurent, M.-R. (2019). "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Qué- bec Black Metal Scene. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 267-286). Stock-holm: Royal College of Music (KMH) & Art of Record Production. Méi-Ra St-Laurent: "It’s kind of in the middle": The ‘Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene Abstract The designation of the black metal sound as “lo-fi” by academics is problem- atic, since it doesn’t reflect the contemporary black metal production. Field- work in the Québec scene show that the members designate their sound as being “in the middle” – or mid-fi as I advocate it. In this paper, I first define “hi-fi”, “lo-fi”, “authenticity” and “mid-fi” in the context of black metal. Then, I present different black metal sound aesthetic using audio extracts, frequency analysis, spectrogram images and ethnographic data. This analysis allow better qualify black metal aesthetic production today using the Québec scene as an example. Introduction Between April 2015 and December 2017, I conducted nineteen ethnographic interviews with twenty-five members of the black metal scene in the prov- ince of Québec (Canada) as a part of my doctoral thesis in musicology1. -
Complete Catalog
Complete Catalog NOTA SOBRE ATACADO A BlackMetalStore.com disponibilizou uma área especial de vendas para lojistas. Sigam as instruções abaixo: - Faça seu cadastro em: https://blackmetalstore.com/minha-conta/ - Envie um email para [email protected] solicitando alteração da conta para lojista. - Após alteração, com sua conta de lojista acesse o link abaixo: https://blackmetalstore.com/categoria-produto/exclusives/ Condições para compras no atacado (Leia com atenção): – Valor mínimo para cada compra: R$500.00 – Sem quantidade mínima! – Frete incluso – É possível misturar itens de atacado com itens de varejo ATENÇÃO: O pedido deve ser realizado somente pelo site sem exceção, não serão aceitos pedido por outros meios, pois o pedido realizado é integrado ao sistema dos Correios, onde automaticamente será gerado o seu código de rastreamento e o seguro do valor total do seu pedido. Dúvidas não mencionadas nas instruções acima, contate-nos em: Email: [email protected] Whatsapp: (11) 99463-6786 Agradecemos seu contato, equipe BMS Complete Catalog 10”MLPS Produto Preço MANZER / HEXECUTOR – Pictavian Hexecution (Gatefold 10″MLP) R$75,00 HELGEDOM – Svartkonst R$100,00 BANDEIRAS Produto Preço ABSURD - Death from the Forest (flag) R$80,00 Complete Catalog BATUSHKA STORE Produto Preço BATUSHKA - Hospodi (Deluxe Digibook CD) R$50,00 BATUSHKA - Litourgiya (Digipack CD) R$35,00 BATUSHKA - Litourgiya (Digipack CD) (Witching R$60,00 Hour) BATUSHKA - Litourgiya (Witching Hour) R$60,00 BATUSHKA - Pilgrim (cinza) R$85,00 BATUSHKA - Pilgrim (preta) -
True Black Metal: Authenticity, Nostalgia, and Transgression in The
1 True Black Metal: Authenticity, Nostalgia, and Transgression in the Black Metal Scene Joel Skadiang 430018518 A treatise submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) Department of Gender and Cultural Studies The University of Sydney June 2017 This thesis has not been submitted for examination at this or any other university 2 Table of Contents Page List of Figures 3 Abstract 4 Introduction 6 History of Black Metal 10 Aesthetics of the Second Wave 31 Subcultural Capital, Kvltness, and Authentic Participation 40 Virtual Ethnography 53 Conclusion 66 Bibliography 69 3 List of Figures Page Figure 1 Venom (Teamrock 2005) 14 Figure 2 Mayhem (The Quietus 2014) 17 Figure 3 Immortal Norwegian Arts 2015 17 Figure 4 Black Metal Logo from Helvete Basement (Wikipedia: Date Unknown) 25 Figure 5 Bathory’s (1985) and Venom’s (1981) Album Covers 25 Figure 6 Post on R/BlackMetal (Reddit 2016) 49 Figure 7 Post and Comment Karma of Reddit User (Reddit 2016) 49 Figure 8 Rules of R/BlackMetal (Reddit 2016) 58 Figure 9 Policing of Boundaries in R/BlackMetal (Reddit 2016) 59 Figure 10 Parody of Black Metal Aesthetic on R/MetalMemes (Reddit 2017) 59 Figure 11 Parody of Black Metal Fans and Response (Reddit 2017) 61 4 Abstract Black metal as a distinct genre of popular music is characterized by a general yearning for authenticity. This authenticity can be expressed through production values, musical techniques adopted, and style of dress and presentation among members of the scene. In this context, members of the scene are presented with a dilemma given the demand to both showcase individuality in their taste and style while also conforming to what it means to be “true” or authentic within the scene.