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"Spotlight" Interview with Christina Crawford
H-Ukraine H-Ukraine "Spotlight" Interview with Christina Crawford Discussion published by John Vsetecka on Tuesday, July 6, 2021 H-Ukraine “Spotlight” Interview with Christina Crawford Dr. Christina E. Crawford is Assistant Professor of Modern and Contemporary Architecture in the Art History Department at Emory University and faculty of Emory’s Russian, East European, and Eurasian Studies Program. H-Ukraine: Not only are you a historian of architecture, but you are also a licensed architect and urban designer. You have produced designs and plans for a number of buildings and municipalities both domestically and internationally. What drew you to architecture as a profession, and what made you decide to teach architectural history? CC: I have always loved buildings and dreamed about becoming an architect from a pretty young age. I grew up in Maine in a house built in 1825 that provided countless spooky corners to explore and that sparked my imagination about who and what inhabited it before me. In college, I double majored in Architecture and Russian & Eastern European Studies (I’ll explain that below). I crafted a senior project that worked for both majors: a written thesis about the construction of the first line of the Moscow Metro in 1935, and a design for a contemporary Moscow Metro station. The project won a big prize at graduation—validation to pursue these disparate interests in tandem—but it took me a long time to figure out how to make a career of it. After serving as a Vice Consul in the US Consulate in St. Petersburg, Russia for a year (interviewing for and adjudicating US visas, a truly awful job), I went to architecture school at the Harvard Graduate School of Design (GSD) and then practiced as a licensed architect in Boston for nearly a decade while also teaching architectural history as an adjunct at Northeastern University—really, just for fun. -
Russian Arts on the Rise
Arts and Humanities Open Access Journal Proceeding Open Access Russian arts on the rise Proceeding Volume 2 Issue 1 - 2018 The fifth Graduate Workshop of the Russian Art and Culture Miriam Leimer Group (RACG) once again proofed how vivid the art and culture of Free University of Berlin, Germany Russia and its neighbours are discussed among young researchers. th Though still little represented in the curricula of German universities Correspondence: Miriam Leimer, 5 Graduate Workshop of the Russian Art and Culture Group (RACG), Free University of the art of Eastern Europe is the topic of many PhD theses. But also in Berlin, Germany, Email [email protected] a broader international context-both in the East and the West-Russian art has gained importance in the discipline of art history. Received: December 22, 2017 | Published: February 02, 2018 The Russian Art and Culture Group that was founded in 2014 by Isabel Wünsche at Jacobs University Bremen provides an international platform for scholars and younger researchers in this The second panel “Intergenerational Tensions and Commonalities” field. At least once a year members of the group organize a workshop focused on the relation between the representatives of the different to bring together recent research-mostly by PhD candidates as well as succeeding art movements at the turn of the century. Using the by already well-established academics. example of Martiros Saryan, an Armenian artist, Mane Mkrtchyan from the Institute of Arts at the National Academy of Sciences of For the first time the workshop did not take place in Bremen the Republic of Armenia shed light on Russia’s Symbolism. -
Eisenstein's "Ivan the Terrible, Part II" As Cultural Artifact Beverly Blois
Eisenstein's "Ivan The Terrible, Part II" as Cultural Artifact Beverly Blois In one of the most famous Russian paintings, Ilya Repin's "Ivan the Terrible with his murdered son," an unkempt and wild-eyed tsar clutches his expiring son, from whose forehead blood pours forth. Lying beside the two men is a large staff with which, moments earlier, Ivan had in a fit of rage struck his heir-apparent a mortal blow. This was a poignant, in fact tragic, moment in the history of Russia because from this event of the year 1581, a line of rulers stretching back to the ninth century effectively came to an end, ushering in a few years later the smutnoe vermia ("time of trouble") the only social crisis in Russian history that bears comparison with the revolution of 1917. Contemporary Russians tell an anekdot about this painting in which an Intourist guide, leading a group of Westerners rapidly through the rooms of the Tretiakov Gallery in Moscow, comes to Repin's canvas, and wishing, as always, to put the best face on things, says, "And here we have famous painting, Ivan the Terrible giving first aid to his son." The terribilita of the sixteenth century tsar had been modernized to fit the needs of the mid-twentieth century. Ivan had been reinterpreted. In a similar, but not so trifling way, Sergei Eisenstein was expected to translate the outlines of Ivan's accomplishments into the modern language of socialist realism when he was commissioned to produce his Ivan films in 1941. While part one of his film, released in 1945, won the Stalin Prize, First Class, part two, which was very dose to release in 1946, was instead withheld. -
Karl Schlögel: Toward a Holistic View of Ukraine Serhiy Bilenky
Document generated on 09/28/2021 11:28 p.m. East/West Journal of Ukrainian Studies Karl Schlögel: Toward a Holistic View of Ukraine Serhiy Bilenky Empire, Colonialism, and Famine in the Nineteenth and Twentieth Centuries Volume 8, Number 1, 2021 URI: https://id.erudit.org/iderudit/1077130ar DOI: https://doi.org/10.21226/ewjus648 See table of contents Publisher(s) Canadian Institute of Ukrainian Studies University of Alberta ISSN 2292-7956 (digital) Explore this journal Cite this review Bilenky, S. (2021). Review of [Karl Schlögel: Toward a Holistic View of Ukraine]. East/West, 8(1), 241–250. https://doi.org/10.21226/ewjus648 ©, 2021 East/West: Journal of Ukrainian Studies This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Review Essay: Karl Schlögel: Toward a Holistic View of Ukraine 241 Review Essay Karl Schlögel: Toward a Holistic View of Ukraine Serhiy Bilenky Canadian Institute of Ukrainian Studies, Toronto Office, University of Alberta Karl Schlögel. Ukraine: A Nation on the Borderland. Translated by Gerrit Jackson, Reaktion Books, 2018. 288 pp. Illustrations. Further Reading. £25.00, cloth. I. IMAGINING UKRAINE The Ukraine will one day become a new Greece; the beautiful climate of this country, the gay disposition of the people, their musical inclination, and the fertile soil will all awaken. -
Ilya Repin and the Zaporozhe Cossacks
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-17-2008 Ilya Repin and the Zaporozhe Cossacks Kristina Pavlov-Leiching Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the European History Commons, and the Other History of Art, Architecture, and Archaeology Commons Recommended Citation Pavlov-Leiching, Kristina, "Ilya Repin and the Zaporozhe Cossacks" (2008). MALS Final Projects, 1995-2019. 50. https://creativematter.skidmore.edu/mals_stu_schol/50 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Ilya Repin and the Zaporozhe Cossacks by Kristina Pavlov-Leiching FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE May 2008 Advisors: Kate Graney, Ken Klotz THE MASTER OF ARTS PROGRAM IN LIBERAL STUDIES SKIDMORE COLLEGE CONTENTS ABSTRACT . .. .. iv LIST OF ILLUSTRATIONS . v Chapter INTRODUCTION . .. .. .. 1. Goals of the Study 1. HISTORICAL BACKGROUND . .. .. .. 3. Repin and the Academy of Arts in St. Petersburg Repin's Experiences Abroad Repin and the Wanderers Association Repin as a Teacher and Reformer Repin's Final Years 2. REPIN'S AESTHETIC BELIEFS AS AN ARTIST AND TEACHER . .................................. 15. An Artist Driven by Social Obligation A Painter of the Peasantry and Revolutionary A Devout Nationalist An Advocate of Art forAr t's Sake(1873-1876 & 1890s) Impressionist Influence An Encounter with Tolstoy's Aesthetics Repin as a Teacher and Reformer of the Academy The Importance of the Creative Process A Return to National Realism 11 3. -
Kharkiv, EWJUS, Vol. 7, No. 1, 2020
Borderland City: Kharkiv Volodymyr Kravchenko University of Alberta Translated from Ukrainian by Marta Olynyk1 Abstract: The article attempts to identify Kharkiv’s place on the mental map of the Russian Empire and the Soviet Union, and traces the changing image of the city in Ukrainian and Russian narratives up to the end of the twentieth century. The author explores the role of Kharkiv in the symbolic reconfiguration of the Ukrainian-Russian borderland and describes how the interplay of imperial, national, and local contexts left an imprint on the city’s symbolic space. Keywords: Kharkiv, city, region, image, Ukraine, Russia, borderland. harkiv is the second largest city in Ukraine after Kyiv. Once (1920-34), K it even managed to replace the latter in its role of the capital of Ukraine. Having lost its metropolitan status, Kharkiv is now an important transport hub and a modern megapolis that boasts a greater number of universities and colleges than any other city in Ukraine. Strategically located on the route from Moscow to the Crimea, Kharkiv became the most influential component of the historical Ukrainian-Russian borderland, which has been a subject of symbolic and political reconfiguration and reinterpretation since the middle of the seventeenth century. These aspects of the city’s history have attracted the attention of numerous scholars (Bagalei and Miller; Iarmysh et al.; Masliichuk). Recent methodological “turns” in the humanities and social sciences shifted the focus of urban studies from the social reality to the city as an imagined social construct and to urban mythology and identity (Arnold; Emden et al.; Low; Nilsson; Westwood and Williams). -
Laravel Mpdf
7 Day Kyiv/Kharkiv tour Day 1 Arrival to Kyiv Transfer to hotel Time for leisure HIGHLIGHTS: Kyiv city, Day 2 Breakfast at the hotel Inspection of Kyiv Universities. Kyiv sightseeing tour (duration 3 hours). You will see the most popular tourist sights, including the ancient Golden Gates, magnificent St. Sofia Cathedral and the dazzling St. Michel’s Golden-Domed Cathedral. You will visit one of the most beautiful Orthodox churches of the world, the St. Vladimir Cathedral. Moreover, you will admire the Dnieper River, the Kyiv bridges from Khreshchatik Park. We are sure that you will fall in love with Kyiv after this tour! Back to hotel Free time Day 3 Breakfast at the hotel Check-out from hotel Inspection of Kyiv Universities Kyiv aviation museum tour (duration: 3 hours) Explore a unique collection of airliners, fighters, bombers, helicopters and support aircraft on an extremely interesting guided tour of the Kyiv State Aviation Museum. During this tour, you will: Visit one of the biggest historical and technical museums of Ukraine. Learn interesting facts about aviation from the Soviet times until present days. Get inside the aircraft and sit in the pilot’s seat of some of them. Explore the huge territory of the museum that counts with over 70 exhibits. See some rare models, including MiG-15 UTI and the first production aircraft TU 104 17:00 transfer to the railway station 18:00 departure to Kharkiv by Intercity train 22:41 arrival to Kharkiv Transfer to hotel, accommodation HIGHLIGHTS: Kyiv aviation museum, Kharkiv, Day 4 Breakfast at the hotel Inspection of Kharkiv Universities. -
Visitor's Programme Kharkiv and Kyiv
Monday, 16 September (for Belgian participants) Arrival in Kyiv (transfer airport-train station) Train to Kharkiv (option #1 18.02-22.47 or option #2 21.20-06.42 (night train) Tuesday, 17 September 11.00- 13.00 – City tour with the artist Polina Karpova [+380(93)043 82 85] meeting at Derzhprom, Freedom square 5/1 13.00-14.00 – Lunch 14.00-16.30 – visiting Biennale locations (YermilovCentre and Observatory of the Institute of Astronomy, Freedom square 4) 18.00 – Opening of the Biennale (Derzhprom, Freedom square 5/1) 19.00-20.30 – welcome-drink at the Hotel Kharkiv (Freedom square 7) 21.00 – after party at the DK Arteria (Chernyshevska st. 13) Wednesday, 18 September 10.00-11.00 – Breakfast with the curators of the Biennale (meeting place TBC) 11.00-13.00 – visiting Biennale locations (Botanical garden, Klochkovskaya st. 52) 13.00-14.00 – Lunch (Nonni Bertoni, Chernyshevska st. 4) 14.00-15.00 – Visiting AzaNiziMaza meeting the artist Mykola Kolomiets (AzaNiziMaza, Chernyshevska st. 4) 16.00-17.00 – Meeting artist Volodymyr Kohut (Municipal Gallery, Chernyshevska st. 15) 19.00 - Discussion (Kharkiv Literature Museum, Bahaliia st. 6) Thursday 19 September 10.00-12.00 – visiting Biennale locations (Kharkiv Art Museum, Zhon Myronosyts st. 11) 12.00-13.00 – Meeting the artist Andrii Dostliev (Municipal Gallery, Chernyshevska st. 15) 13.00-14.00 – Lunch Train to Kyiv option #1 15.10-21.49 or option #2 23.16-06.14 Friday 20, September 11.00-12.00 – visiting the National Art Museum of Ukraine (6 Mykhaila Hrushevskoho str.) meeting the Senior Research Fellow Daryna Yakymova [tel. -
Abstract Vladimir Makovsky
ABSTRACT VLADIMIR MAKOVSKY: THE POLITICS OF NINETEENTH-CENTURY RUSSIAN REALISM Tessa J. Crist, M.A. School of Art and Design Northern Illinois University, 2015 Barbara Jaffee, Director This thesis examines the political work produced by a little-known Russian Realist, Vladimir Makovsky (1846-1920), while he was a member of the nineteenth-century art collective Peredvizhniki. Increasingly recognized for subtle yet insistent opposition to the tsarist regime and the depiction of class distinctions, the work of the Peredvizhniki was for decades ignored by modernist art history as the result of an influential article, “Avant-Garde and Kitsch,” written by American art critic Clement Greenberg in 1939. In this article, Greenberg suggests the work of Ilya Repin, the most renowned member of the Peredvizhniki, should be regarded not as art, but as “kitsch”--the industrialized mass culture of an urban working class. Even now, scholars who study the Peredvizhniki concern themselves with the social history of the group as a whole, rather than with the merits of specific artworks. Taking a different approach to analyzing the significance of the Peredvizhniki and of Makovsky specifically this thesis harnesses the powerful methodologies devised in the 1970s by art historians T.J. Clark and Michael Fried, two scholars who are largely responsible for reopening the dialogue on the meaning and significance of Realism in the history of modern art. NORTHERN ILLINOIS UNIVERSITY DE KALB, ILLINOIS MAY 2015 VLADIMIR MAKOVSKY: THE POLITICS OF NINETEENTH-CENTURY RUSSIAN REALISM BY TESSA J. CRIST ©2015 Tessa J. Crist A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTERS OF ARTS SCHOOL OF ART AND DESIGN Thesis Director: Barbara Jaffee TABLE OF CONTENTS Page LIST OF FIGURES .................................................................................................... -
Some Highlights of Russian Realism from the Golden Age Awarded an Honorary Professorship by Provincial Cities, Not Just St
FROM RUSSIA WITH LOVE By Melville Holmes In 1863, the same year that disaffection with the Paris Salon reached such a pitch that Napoleon III felt obliged to mount the Salon des Refusés, concurrent with the offcial Salon, a minor insurrection took place in the Imperial Academy in St. Petersburg, but one that would go down in the annals of Russian culture as a turning point and a milestone in the history of Russian art. A group of art students at the Academy, largely led by Kramskoi, refused to take part in a competition for a gold medal, which included the prize of a scholarship to study abroad, in Paris or Italy. The reason given had to do with certain rules of the contest and wanting the freedom to select one’s own subject matter. This was the frst time the students stood up to the authorities, though the real upshot was rather indefnite. Eight of the rebels would go on to become offcially acknowledged Academicians, including Kramskoi. In fact, the Russian Academy seems largely to have been much more kindly and encouraging to gifted artists Vasili Pukirev (1832-1890) From with fresh ideas than their Parisian The Unequal Marriage 1862 counterparts. oil on canvas 68.5 х 54” One example is Vasili Pukirev (1832- Tretyakov Gallery, Moscow 1890), best known for The Unequal The fgure on the far right is thought to be Pukirev. Marriage. There were lots of scenes of daily, often peasant life (“genre” paintings), being done at the time but they weren’t wandering or traveling infuential critic Vladimir Stasov this representation of a marriage between artists. -
Important Russian Art November 26, 2018
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE | 2 NOVEMBER 2018 MONUMENTAL IMPERIAL VASE AND MASTERPIECES BY AIVAZOVSKY, REPIN AND KUSTODIEV TO BE OFFERED IN THE AUCTION OF IMPORTANT RUSSIAN ART NOVEMBER 26, 2018 Previews in Moscow (November 8–10) and in London (November 22–25) London – Kicking off London’s Russian Art Week, on 26 November Christie’s Important Russian Art auction will present 268 lots featuring important paintings that are fresh to the market and valuable works of art. Highlights of the painting section include Ivan Aivazovsky's Venice at sunset, 1873 (£400,000 – 600,000, illustrated above left); Vasilii Shukhaev’s Self-portrait in a grey smock and Portrait of Vera Shukhaeva, the artist’s wife which are offered together as a single lot with an estimate of £300,000 – 500,000; and an astonishing group of works by Léon Bakst from the Constantinowitz Collection, never before seen at auction. The works of art section is highlighted by a monumental and extremely rare Imperial porcelain vase decorated with an equestrian portrait of Emperor Franz I after Johann Peter Kraft by Nesterov (£800,000 – 1,200,000, illustrated above right). RUSSIAN PAINTINGS The top lot of the sale is Ivan Aivazovsky's (1817–1900) Venice at sunset from 1873 (lot 30, £400,000 – 600,000). With its history and refined architectural landscapes, Venice captivated Aivazovsky, who first visited the city in the summer of 1840 as a recent alumnus of the Imperial Academy of Arts in St Petersburg. Renowned for his ability to paint from memory within the comfort of his own studio, which was especially equipped for large-scale canvases, Aivazovsky rarely sought to achieve topographical accuracy of a given place; rather, he aimed to convey its very essence and atmosphere. -
The Russian Revolution
The Russian Revolution PREVIEWDistribution for Not Copyright and Permissions This document is licensed for single-teacher use. The purchase of this curriculum unit includes permission to make copies of the Student Text and appropriate student handouts from the Teacher Resource Book for use in your own classroom. Duplication of this document for the purpose of resale or other distribution is prohibited. Permission is not granted to post this document for use online. Our eText Classroom Editions are designed to allow you to post individual readings, study guides, graphic organizers, and handouts to a learning management system or other password protected site. Visit http://www.choices.edu/resources/e-text.php for more details. The Choices Program curriculum units are protected by copyright. If you would like to use material from a Choices unit in your own work, please contact us for permission. PREVIEWDistribution for Not THE CHOICES PROGRAM ■ WATSON INSTITUTE FOR INTERNATIONAL STUDIES, BROWN UNIVERSITY ■ WWW.CHOICES.EDU CHOICES for the 21st Century Education Program February 2005 Director Susan Graseck Curriculum Developer Andy Blackadar Curriculum Writer Sarah Cleveland Fox International Education Intern Acknowledgments Rebecca Leaphart The Russian Revolution was developed by the Choices for the 21st Century Education Program with the assistance of the research Office Assistant Bill Bordac staff at the Watson Institute for International Studies, scholars at Brown University, and other experts in the field. We wish to thank the following researchers for their invaluable input: Professional Development Coordinator Lucy Mueller Daniel Field Professor of History, Emeritus, Syracuse University Program Coordinator for Capitol Forum Distribution Barbara Shema Stephen P.