10/01/21 ITALGF12: Genre in Italian Cinema | University College London
ITALGF12: Genre in Italian Cinema View Online
Altman, Rick and British Film Institute, Film/Genre (BFI Publishing 1999)
Amico M D’, La Commedia All’italiana: Il Cinema Comico in Italia Dal 1945 Al 1975, (Il Saggiatore 2008)
Barański, Zygmunt G., Lumley, Robert and University of Reading, Culture and Conflict in Postwar Italy: Essays on Mass and Popular Culture, vol University of Reading European and international studies (Macmillan, in association with the Graduate School of European and International Studies, University of Reading 1990)
Bayman, Louis and Rigoletto, Sergio, Popular Italian Cinema (Palgrave Macmillan 2013)
Benini S, ‘“To Untie the Tangle: Pietro Germi and The Awul Mess on via Merulana”’, Watching pages, reading pictures: cinema and modern literature in Italy (Cambridge Scholars 2008)
Bisoni, Claudio, Elio Petri: Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto, vol Universale/film (Lindau 2011)
Bolton, Lucy and others, Italy on Screen: National Identity and Italian Imaginary, vol New studies in European cinema (Peter Lang 2010)
Bondanella P (ed), ‘“La Comedie Métacinématographique d”Ettore Scola’’ 42 CinemAction 91
Bondanella, Peter E., A History of Italian Cinema (Continuum 2009)
Bonsaver G, ‘Dall’uomo Al Divo: Un'intervista Con Paolo Sorrentino’ (2009) 29 The Italianist 325
Bordwell, David and Thompson, Kristin, Film Art: An Introduction, vols Addison-Wesley series in speech, drama, and film (Addison-Wesley 1979)
Brizio-Skov, Flavia, Popular Italian Cinema: Culture and Politics in a Postwar Society, vol International library of visual culture (IB Tauris 2011)
Canova G, ‘“Dalla Commedia Italiana Alla Commedia All”italiana’,’ in Lino Micciché (ed), Una vita difficile di Dino Risi: Risate amare nel lungo dopoguerra (2000)
Corrigan, Timothy and White, Patricia, The Film Experience: An Introduction (Bedford/St Martin’s 2004)
1/3 10/01/21 ITALGF12: Genre in Italian Cinema | University College London
Curti R, Italia Odia. Il Cinema Poliziesco Italiano (2006)
Duggan, Christopher and Wagstaff, Christopher, Italy in the Cold War: Politics, Culture and Society, 1948-58 (Berg 1995)
Ginsborg, Paul, A History of Contemporary Italy: Society and Politics 1943-1988 (Penguin 1990)
Hollows, Joanne and Jancovich, Mark, Approaches to Popular Film, vol Inside popular film (Manchester University Press 1995)
Hope, William, Italian Film Directors in the New Millennium (Cambridge Scholars)
Lanzoni, Rémi Fournier, Comedy Italian Style: The Golden Age of Italian Film Comedies (Continuum 2008)
Leotta A, ‘“Do Not Underestimate the Consequences of Love: The Representation of the New Mafia in Contemporary Italian Cinema”,’ (2011) 88:2 Italica 286
Lumley, Robert and Forgacs, David, Italian Cultural Studies: An Introduction (Oxford University Press 1996)
O’Leary, Alan, Tragedia All’italiana: Italian Cinema and Italian Terrorisms, 1970-2010, vol Italian modernities (Peter Lang 2011)
O’Rawe C, ‘“I Padri E I Maestri”: Genre, Auteurs, and Absences in Italian Film Studies’ (2008) 63 Italian Studies 173
Pegoraro Petri, Paola, Basano, Roberta and Museo nazionale del cinema (Italy), Lucidità Inquieta: Il Cinema Di Elio Petri (Museo nazionale del cinema, Fondazione Maria Adriana Prolo)
Portis L, ‘The Director Who Must (Not?) Be Forgotten: Elio Petri and the Legacy of Italian Political Cinema, Part 2.’ (2010) 8 Film International 42
——, ‘The Director Who Must (Not?) Be Forgotten: Elio Petri and the Legacy of Italian Political Cinema, Part 1’ (2010) 8 Film International 17
Ricci A, ‘“Il Pasticciaccio Di Gadda a L’Imbroglio Di Germi: Letteratura E Cinema Noir a Confronto”’ 59 Symposium: a quarterly journal in modern literatures 84
Sesti M, Tutto Il Cinema Di Pietro Germi (1997)
Small P, ‘No Way Out: Set Design in Mafia Films’ (2011) 66 Italian Studies 112
Sorlin, Pierre, Italian National Cinema 1896-1996, vol National cinemas series (Routledge 1996)
2/3 10/01/21 ITALGF12: Genre in Italian Cinema | University College London
William H, ‘“Gabriele Salvatore”s Quo Vadis Baby? Investigate the State, the Individual, and Institutionalized Crime’’, Memoria in noir: un’indagine pluridisciplinare, vol Testi mobili = (PIE Peter Lang 2010)
Wood M, ‘“Lipstick and Chocolate: Paolo Sorrentino’s The Consequences of Love”’, Mafia movies: a reader, vol Toronto Italian studies (University of Toronto Press 2011)
Wood, Mary P., Italian Cinema (English ed, Berg 2005)
Wood MP, ‘“Italian Film Noir”’, European film noir (Manchester University Press 2007)
Zagarrio V, ‘La Sceneggiatura Circolare: Strutture Narrative in Tre Film Di Ettore Scola’ (2009) 29 The Italianist 265
3/3