Reformulating Physical Disability in Dance Name: Eimir Mcgrath
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Confidence-Man's
"Secret Emotions": Disability in Public and Melville's The Confidence-Man Yoshiaki Furui Leviathan, Volume 15, Number 2, June 2013, pp. 54-68 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/lvn.2013.0012 For additional information about this article http://muse.jhu.edu/journals/lvn/summary/v015/15.2.furui.html Access provided by Emory University Libraries (13 Oct 2013 22:58 GMT) “Secret Emotions”: Disability in Public and Melville’s The Confi dence-Man YOSHIAKI FURUI Emory University e is quite worthy?” (NN CM 29).1 In Herman Melville’s The Con- “ fi dence-Man: His Masquerade (1857), this query is posed in refer- Hence to Black Guinea, a “grotesque negro cripple” (NN CM 10) whose disability is suspected of being imposture. Who counts as worthy of sympathy and charity? Who counts as “disabled” in the fi rst place? These are the questions that Melville’s ninth book asks through its representation of dis- abled characters. In recent years, disability studies scholarship has led critics to notice the cultural and historical signifi cance of disability represented in Melville’s works.2 Among others, David Mitchell and Sharon Snyder’s and Ellen Samuels’s analyses have contributed signifi cantly to the understanding of The Confi dence-Man’s treatment of disability. Building on such developments, this essay interrogates The Confi - dence-Man’s engagement with disability by focusing on its situatedness in pub- lic space. Disabled bodies in the novel appear not in enclosed institutions, but in the open public space that is the riverboat Fidèle. -
Customer Preferences and the Americans with Disabilities Act
Brigham Young University Journal of Public Law Volume 34 Issue 1 Article 7 11-1-2019 Unfit ot Be Seen: Customer Preferences and the Americans with Disabilities Act Craig Westergard Follow this and additional works at: https://digitalcommons.law.byu.edu/jpl Part of the Law Commons Recommended Citation Craig Westergard, Unfit ot Be Seen: Customer Preferences and the Americans with Disabilities Act, 34 BYU J. Pub. L. 179 (2019). Available at: https://digitalcommons.law.byu.edu/jpl/vol34/iss1/7 This Comment is brought to you for free and open access by BYU Law Digital Commons. It has been accepted for inclusion in Brigham Young University Journal of Public Law by an authorized editor of BYU Law Digital Commons. For more information, please contact [email protected]. WESTERGARD REVIEWED.DOCX (DO NOT DELETE) 3/26/2020 9:39 AM Unfit to Be Seen: Customer Preferences and the Americans with Disabilities Act ABSTRACT Disability discrimination is a persistent and pervasive problem. Its history in the United States stretches from the "ugly laws" of the late- 1800s to modern-day employment discrimination. In general, the Americans with Disabilities Act (ADA) prohibits employers from dis- criminating against disabled employees and job applicants. Employers often disregard this law, however, in order to cater to the untoward preferences of their customers. In theory, customer preferences are not a defense to discrimination, unless they pertain to safety, privacy, or authenticity. In practice, however, many courts seem to recognize an unseemly fourth exception to the general rule against customer pref- erence-based defenses. This occurs when disabled persons are deemed "unfit to be seen." This Note first chronicles the history of the ADA and the eco- nomic and psychological realities of customer preference-based de- fenses. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
A Comparison of Modern and Historical Criminalization Laws
Seattle University School of Law Seattle University School of Law Digital Commons Homeless Rights Advocacy Project Law School Archives 5-8-2015 The Wrong Side of History: A Comparison of Modern and Historical Criminalization Laws Javier Ortiz Matthew Dick Sara Rankin Seattle University School of Law Follow this and additional works at: https://digitalcommons.law.seattleu.edu/hrap Recommended Citation Ortiz, Javier; Dick, Matthew; and Rankin, Sara, "The Wrong Side of History: A Comparison of Modern and Historical Criminalization Laws" (2015). Homeless Rights Advocacy Project. 7. https://digitalcommons.law.seattleu.edu/hrap/7 This Article is brought to you for free and open access by the Law School Archives at Seattle University School of Law Digital Commons. It has been accepted for inclusion in Homeless Rights Advocacy Project by an authorized administrator of Seattle University School of Law Digital Commons. For more information, please contact [email protected]. THE WRONG SIDE OF HIstORY: A Comparison of Modern & Historical Criminalization Laws Electronic copy available at: http://ssrn.com/abstract=2602533 The Wrong Side of History May 2015 The Wrong Side of History: A Comparison of Modern and Historical Criminalization Laws AUTHORS Javier Ortiz and Matthew Dick EDITOR Sara K. Rankin Electronic copy available at: http://ssrn.com/abstract=2602533 The Wrong Side of History May 2015 ACKNOWLEDGMENTS The Homeless Rights Advocacy Practicum (HRAP) is a section of the Homeless Rights Advocacy Project at Seattle University School of Law’s Korematsu Center. Javier Ortiz and Matthew Dick, law students at Seattle University School of Law and members of the founding cohort of HRAP, authored this policy brief under the supervision of Professor Sara Rankin of Seattle University School of Law. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Aberdeen / Matawan
■ 1 . CRPE PUB LIBRARY MATAWAN FREE 165 MAIN, ST _ B u l k R a t e m a t a w a n , - ; US Postage Paid P o t n n t n u / n IM 1 taioruuw n, p i j . P e r m i t # 6 6 BAYSHOREHUM SERVING ABERDEEN, HAZLET, KEYPORT, MATAWAN, UNION BEACH AND KEANSBURG JULY 8, 1992 25 CENTS VOL. 22 NUMBER 28 K e y p o r t m e r c h a n t s ‘ugly law’ cause split ardship? o v e r S I D Page 8 Page 3 H a z l e t Is M i l l e r A v e n u e p r o j e c t d u m p e r s Page 10 Page 11 Raring to go Bobby Bodak, 8, and his sister, Cheryl, 5, are eager to head out for a day at the beach. The u i t t m g Independent focuses on some favorite places for day trips. Pages 24-26 2 JULY 8, 1992, THE INDEPENDENT 2 2 55 2 r ! t i E E EirooD 2 ? o f 2 5 ° ° blue STAB i Beautiful Color 1 Gal. Cont. ' HARDY “THE HELPFUL GARDEN CENTERS’ for RHODOS. PERENNIALS 0 0 2 5 Hundreds to choose from Beautiful Lace Leaf PRIVET Large selection-3 gal. cont. fLAMOSCAPtbiir WEEPING 7Q99 He°GE 25 for 3 f o r ' 1 0 f o r SPREADHJGW fhuit tre f* JAPANESE ' ^ 0 0 3 f0 r3 9 » ES 19.99 each if RED MAPLE 2 ’/*’ t o 3 ’ 25 6 9 " 8.95 ea.________ 1U3 Kwazan lately teg. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
Ugly Law Then and Now ______
*1 Harvard Civil Rights-Civil Liberties Law Review Amicus [Vol. 46 Kicked to the Curb: Ugly Law Then and Now _______________________________ By Susan Schweik* ABSTRACT For most CRCL readers, discussion of the Americans with Disabilities Act (“ADA”) in the context of the politics of urban space will probably invoke images of frivolous lawsuits, backlash against civil rights law, and so on. This essay concerns a more unexpected and surprisingly blunt consequence of the ADA. I will focus on Portland, Oregon, where a new and cynical manipulation of the ADA pits disability rights against homeless rights. Setting this development in the historical context of a previous ordinance, the infamous “ugly law” that targeted poor disabled people in Portland and elsewhere, I will show how repudiation of that ordinance played a part in the creation of the ADA—an act now not only failing to prevent but even actively prescribing the targeting of poor disabled people. The case of Portland provides a broader opportunity to explore the relationship between people and physical space, considering: how city ordinances, and even federal civil rights law, can turn people into objects; how at the same time urban objects can enjoy protected status almost as if they were people; and how disability oppression, in the context of classed and capitalist social relations, has played a shifting role in these dynamics. Portland will also provide a location and occasion for exploring the relation between law and poetry (particularly street poetry) as forms of urban expression. Poems like those I take up here may be valuable tools for legal scholars, not simply because they document a stance, but because, in complex ways, they allow us to place laws in local dialogue with the people they affect. -
The Victorian-Era Freak Show and Its Legacy in Contemporary Popular Culture
Southern New Hampshire University Otherness as Entertainment The Victorian-Era Freak Show and its Legacy in Contemporary Popular Culture A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Ernst O Ploeger IV Chehalis, Washington Submitted December 2018 Copyright © 2018 by Ernst O Ploeger IV All Rights Reserved ii Student: Ernst O. Ploeger IV I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. __________________________________________ December 12, 2018 Capstone Instructor Date December 12, 2018 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract This research seeks to provide a more detailed examination of the fate of the Victorian- era freak show than provided in the historiography. The prominent contention is that once the specific maladies became known, the performers lost their draw as being mysterious and inexplicable. Consequentially, the freaks became human in the eyes of society and our ‘wonder’ was supplanted by sympathy and shame at our subjecting them to such degrading exploitation. The problem addressed in the following thesis is that there is little, if any, historical evidence to support this notion other than the conclusions drawn by a prominent sociologist. On the contrary, there exists ample evidence in the historical record that support three connected conclusions: First, the demise of the freak show cannot be divorced in the timeline from the decline of the circus and there exist numerous causal factors for the decline of both. -
Table of Contents
IDHS Human Rights Committee Chairperson Training Table of Contents Course Objectives ..................................................................................................... 4 Role of Human Rights Committee............................................................................... 5 Freedoms of Everyday Life ........................................................................................ 6 Perspectives on the Historical Treatment of People with Disabilities ............................. 7 Wyatt v. Stickney .................................................................................................... 10 Rules ...................................................................................................................... 11 Rules Quiz .............................................................................................................. 12 HRC Membership .................................................................................................... 13 Some Common HRC Models..................................................................................... 13 Stand Alone ......................................................................................................... 13 Consortium ......................................................................................................... 13 Combined HRC/Behavior Management Committee (BMC) ....................................... 13 What is a Rights Restriction? .................................................................................. -
A Brief History of Disability in the United States and Massachusetts
A Brief History of Disability In the United States and Massachusetts A Publication of the Massachusetts Office on Disability 2016 Page 1 of 36 “The governor shall annually issue a proclamation setting apart the month of October as Disability History Month to increase awareness and understanding of the contributions made by persons with disabilities. Appropriate state agencies and cities and towns and public schools, colleges and universities shall establish programs designed to educate and promote these objectives.” — Massachusetts General Law Chapter 6, Section 15LLLLL. Page 2 of 36 The Massachusetts Office on Disability (MOD) is pleased to present this publication which will provide a brief history of significant disability policies, developments, and figures in the United States and Massachusetts throughout the past two centuries in commemoration of Disability History Month. Note: The Massachusetts Office on Disability recognizes that the following Timeline includes language used to describe people with disabilities that is deemed inappropriate and insensitive today. However, we maintain that these descriptions are being used in their historical context for educational purposes. MOD’s primary mission is to ensure the full and equal participation of all people with disabilities in all aspects of life by working to advance legal rights, maximum opportunities, supportive services, accommodations and accessibility in a manner that fosters dignity and self- determination. Page 3 of 36 Chapter One: 1776-1900 The period from our nation’s founding to the end of the Nineteenth Century saw many hardships for Americans with disabilities. Exploitation, exclusion, ignorance and poor living conditions marked this early time in U.S. history. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.