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Year of Recording* Conductor Soloists Orchestra Live Label Date Year of Conductor Soloists Orchestra Live Label Date of Recording* Recording 1 1936 Bruno Walter Kerstin Thorborg, Wiener Philharmoniker Live EMI May 23 & 24, Charles Kullman 1936 2 1939 Carl Schuricht Kerstin Thorborg, Koninklijk Live MINERVA Oct 5, 1939 Carl-Martin Öhmann Concertgebouworkest, Amsterdam 3 1948 Otto Klemperer Judit Sándor, A Magyar Rádió Live archiphon Nov 2, 1948 Endre Rösler Szimfonikus Zenekarát [CD 2012] 4 1948 Bruno Walter Kathleen Ferrier, New York Philharmonic Live NYP Jan 18, 1948 Set Svanholm Editions 5 1951 Otto Klemperer Elsa Cavelti Wiener Symphoniker Live VOX May 1951 Anton Dermota 6 1952 Bruno Walter Kathleen Ferrier, Wiener Philharmoniker DECCA May 14, 15 & 16, Julius Patzak 1952 7 1964 Josef Krips Dietrich Fischer-Dieskau, Wiener Symphoniker Live DGG Jun 14, 1964 Fritz Wunderlich 8 1966 Otto Klemperer Christa Ludwig, Philharmonia/New EMI Feb 18–22 & Fritz Wunderlich Philharmonia Orchestra Nov 7–8, 1964, Jul 6–9, 1966 9 1966 Leonard Bernstein Dietrich Fischer-Dieskau, Wiener Philharmoniker DECCA Mar 1966 James King 10 1972 Leonard Bernstein Christa Ludwig, Israel Philharmonic Live SONY May 18, 20 & 23, René Kollo Orchestra 1972 11 1972 Jascha Horenstein Alfreda Hodgson, BBC Northern Symphony Live BBC Apr 28, 1972 John Mitchinson Orchestra Legends 12 1972 Sir Georg Solti Yvonne Minton, Chicago Symphony DECCA May 1972 René Kollo Orchestra 13 1974 Herbert von Christa Ludwig, Berliner Philharmoniker DGG Dec 7–10, 1973, Karajan René Kollo Oct 14, 1974 14 1975 Bernard Haitink Janet Baker, Koninklijk PHILIPS Sep 1–3, 1975 James King Concertgebouworkest, Amsterdam 15 1981 Colin Davis Jessye Norman, London Symphony PHILIPS Mar 1981 Jon Vickers Orchestra 16 1984 Klaus Tennstedt Agnes Baltsa, London Philharmonic EMI Dec 1982 & Klaus König Orchestra Jul 1984 17 1991 Daniel Barenboim Waltraud Meier, Chicago Symphony Apr–May 1991 Siegfried Jerusalem Orchestra 18 1992 Michael Gielen Doris Soffel, SWR Sinfonieorchester Live SWR Nov 1992 Siegfried Jerusalem Baden-Baden und Freiburg 19 1992 Sir Georg Solti Marjana Lipovsek, Koninklijk Live DECCA Dec 1992 Thomas Moser Concertgebouworkest, Amsterdam 20 1995 Sir Simon Rattle Thomas Hampson, City of Birmingham EMI Dec 1995 Peter Seiffert Symphony Orchestra 21 1999 Pierre Boulez Violeta Urmana, Wiener Philharmoniker DGG Oct 1999 Michael Schade 22 2009 Kent Nagano Christian Gerharer, Orchestra Symphonique Live/ Sony Music Jan + Feb 2009 Klaus Florian Vogt de Montréal Studio 23 2017 Jonathan Nott Jonas Kaufmann Wiener Philharmoniker Sony Jun 2016 Classical *In case the recording took place in more than one year, only the last year is indicated. text Schon winkt der Wein im gold'nen Pokale, Das Lied vom Kummer Wenn der Kummer naht, Dunkel ist das Leben, ist der Tod. Doch trinkt noch nicht, erst sing' ich euch ein Lied! Soll auflachend in die Seele euch Liegen wüst die Gärten der Seele, strophe 1: 6 verses klingen. Welkt hin und stirbt die Freude, der Gesang. mm. 1–15 16 17–26 27–28 29–30 31–32 33–44 45–52 53–74 75–76 77–80 81–86 87–88 measures 15 1 10 2 2 2 12 8 22 2 4 6 2 TEMPO Allegro pesante Rit. a tempo Rit. a tempo Rit. Tempo I Etwas gehaltener Sempre l'istesso tempo Zurückhaltend Ruhig Sehr ruhig Rit. (Ganze Takte, nicht schnell) sostenuto harmony a – C B/g – a/A a/d d/g g FORM I.1 Introduction (15) I.2 Main Thematic Area (37) I.3 Subordinate Theme (24) I.4 Refrain 1 (12) Exposition 1 (88) text Herr dieses Hauses! Hier, diese Laute nenn' ich mein! Ein voller Becher Weins zur rechten Zeit Dunkel ist das Leben, ist der Tod. Dein Keller birgt die Fülle des goldenen Die Laute schlagen und die Gläser Ist mehr wert, als alle Reiche dieser Erde! strophe 2: 8 verses Weins! leeren, Das sind die Dinge, die zusammen passen. mm. 89–111 112–118 119–120 121–124 125–136 137–152 153–176 177–178 179–190 191 192–200 201–202 measures 23 10 2 4 12 16 22 2 12 1 9 2 TEMPO Tempo I subito Rit. A tempo [sostenuto] [Tempo I] [Etwas gehaltener] [Sempre l'istesso tempo] Rit. a tempo, Rit. a tempo, Rit. sehr ruhig [sehr ruhig] harmony g B/g – a a – B – Ges es/as As/as FORM II.1 Interlude (23) II.2 Main Thematic Area (41) II.3 Subordinate Theme (26) II.4 Refrain 2 (24) (114) Exposition 2 text Das Firmament blaut ewig und die Erde Du aber, Mensch, wie lang lebst denn du? Wird lange feststeh'n und aufblüh'n im Lenz. Nicht hundert Jahre darfst du dich ergötzen An all dem morschen Tande dieser Erde! mm. 203–229 230–260 261–280 281–290 291–325 measures 27 31 20 10 35 TEMPO a tempo [I] Leidenschaftlich harmony f – As – c f – As – c f – As f b – Es/Des – G/As/ganztönig –– E strophe 3: 12 verses FORM III.1 Interlude (27) III.2 Main Thematic Area 1 (31) III.3 Main Thematic Area 2 (20) III.3 Subordinate Theme (45) Development (123) text Seht dort hinab! Im Mondschein auf den Gräbern Jetzt nehmt den Wein! Jetzt ist es Zeit, Genossen! Hockt eine wild-gespenstische Gestalt. Leert eure gold'nen Becher zu Grund! Ein Aff' ist’s! Hört ihr, wie sein Heulen Dunkel ist das Leben, ist der Tod! Hinausgellt in den süßen Duft des Lebens! mm. 326–332 333–366 367–368 369–376 377–379 380 381–391 392 measures 7 34 2 8 3 1 11 1 Tempo I (Allegro pesante): 302 mm. TEMPO Rit. a tempo [sehr ruhig] Gehalten Rit. a tempo [Gehalten] Rit. [Tempo I] sostenuto: 6 mm. harmony a a – C – a – B – As A – a Etwas gehaltener: 24 mm. FORM IV.1 Introduction (7) IV.2 Main Thematic Area (36) IV.3 Refrain 3 (24) Recapitulation (67) Ruhig: 4 mm. Sehr ruhig: 35 mm. Gehalten: 14 mm. mm. 393–405 measures 13 Rit.: 18 mm. TEMPO Tempo I Zurückhaltend: 2 mm. harmony a FORM V.1 Postlude (1) Coda (13) 16 27-32 45-52 75-88 119-124 137-152 177-202 367-392 80 Nott 2017 60 40 20 0 80 Nagano 2007 60 40 20 0 80 Boulez 1999 60 40 20 0 80 Rattle 1995 60 40 20 0 80 Solti 1992 60 40 20 0 80 Gielen 1992 60 40 20 0 80 Barenboim 1991 60 40 20 0 80 Tennstedt 1984 60 40 20 0 80 Davis 1981 60 40 20 0 80 Haitink 1975 60 40 20 0 80 Karajan 1974 60 40 20 0 80 Solti 1972 60 40 20 0 80 Horenstein 1972 60 40 20 0 80 Bernstein 1972 60 40 20 0 80 Bernstein 1966 60 40 20 0 80 Klemperer 1966 60 40 20 0 80 Krisp 1964 60 40 20 0 80 Walter 1952 60 40 20 0 80 Klemperer 1951 60 40 20 0 80 Klemperer 1948 60 40 20 0 80 Walter 1948 60 40 20 0 80 60 Schuricht 1939 40 20 0 80 60 Walter 1936 40 20 0 1 11 21 31 41 51 61 71 81 91 101 111 121 131 141 151 161 171 181 191 201 211 221 231 241 251 261 271 281 291 301 311 321 331 341 351 361 371 381 391 401 Tempo I stdv % mean tempo stdv % Walter 1936 54.6 14.8 51.3 20.3 Schuricht 1939 52.8 14.2 48.9 21.2 Walter 1948 53.8 15.0 51.2 18.8 Klemperer 1948 67.9 13.3 63.5 18.9 Klemperer 1951 65.6 12.6 61.3 19.3 Walter 1952 51.9 12.7 49.2 17.1 Krisp 1964 61.0 12.6 56.4 20.5 Klemperer 1966 55.5 10.2 52.5 15.3 Bernstein 1966 56.4 15.4 52.2 22.3 Bernstein 1972 53.6 13.5 50.2 18.9 Horenstein 1972 46.0 11.2 43.8 15.8 Solti 1972 54.1 12.0 51.1 17.5 Karajan 1974 50.4 12.4 47.7 16.8 Haitink 1975 53.0 10.0 50.6 14.2 Davis 1981 57.9 11.7 55.5 15.0 Tennstedt 1984 45.5 12.9 43.1 17.3 Barenboim 1991 58.9 11.5 55.9 16.1 Gielen 1992 53.7 11.5 51.0 15.7 Solti 1992 55.7 12.0 52.3 18.4 Rattle 1995 54.4 11.0 51.2 16.9 Boulez 1999 54.7 11.1 50.9 18.1 Nagano 2007 52.5 11.2 49.9 15.4 Nott 2017 53.9 11.2 51.8 13.7 96 mm. 16 27–32 45–52 75–88 119–124 137–152 177–202 ... wie lang an all dem Seht dort Ein Aff’ ist’s... 367–392 lebst denn morschen hinab! 79.9 78.8 73.8 70.5 ...Duft 70.5 70.3 71.9 du? Tande ... 71.9 des Lebens 75.2 67.6 62.9 62.4 60.7 57.9 48 43.8 Bernstein 1966 38.2 38.9 Bernstein 1972 29.2 1966 Tempo I 28.6 1972 Tempo I 24 24.4 17.3 15.4 16.4 12 1 11 21 31 41 51 61 71 81 91 101 111 121 131 141 151 161 171 181 191 201 211 221 231 241 251 261 271 281 291 301 311 321 331 341 351 361 371 381 391 401 mm. 16 27-32 45-52 75-88 119-124 137-152 177-202 367-392 73.5 66.5 68.0 68.7 61.2 59.6 60 55.5 / 10.2 % 41.1 41.4 Klemperer 1966 34.5 30 25.5 15 1 11 21 31 41 51 61 71 81 91 101 111 121 131 141 151 161 171 181 191 201 211 221 231 241 251 261 271 281 291 301 311 321 331 341 351 361 371 381 391 401 67.9 57.6 58.2 60 56.1 51.5 54.5 49.3 50.8 48.9 45.7 46.0 / 11.2 % Horenstein 1972 38.9 30 27.5 24.6 25.1 23.7 22.8 20.8 19.5 20.0 15 1 11 21 31 41 51 61 71 81 91 101 111 121 131 141 151 161 171 181 191 201 211 221 231 241 251 261 271 281 291 301 311 321 331 341 351 361 371 381 391 401 66.2 66.8 63.1 61.3 60 52.2 53.0 / 10.0 % Hai�nk 1975 30 33.3 30.2 32.8 28.1 25.2 15 1 11 21 31 41 51 61 71 81 91 101 111 121 131 141 151 161 171 181 191 201 211 221 231 241 251 261 271 281 291 301 311 321 331 341 351 361 371 381 391 401 Refrain 1 Refrain 2 Refrain 3 Tempo I Walter 1936 42.5 37.7 37.2 54.6 Schuricht 1939 36.4 35.2 34.6 52.8 Walter 1948 41.0 41.0 41.5 53.8 Klemperer 1948 47.3 50.8 47.9 67.9 Klemperer 1951 47.8 49.0 45.3 65.6 Walter 1952 40.3 38.5 39.5 51.9 Krisp 1964 43.7 42.4 39.4 61.0 Klemperer 1966 43.7 42.8 40.6 55.5 Bernstein 1966 41.8 35.4 35.8 56.4 Bernstein 1972 40.3 38.5 37.2 53.6 Horenstein 1972 40.7 36.5 35.3 46.0 Solti 1972 42.6 39.7 39.3 54.1 Karajan 1974 42.4 36.5 37.6 50.4 Haitink 1975 41.7 43.3 43.4 53.0 Davis 1981 47.4 45.2 48.0 57.9 Tennstedt 1984 36.8 32.8 38.2 45.5 Barenboim 1991 45.8 42.2 48.2 58.9 Gielen 1992 45.0 41.5 43.1 53.7 Solti 1992 41.1 39.5 39.6 55.7 Rattle 1995 43.2 36.8 39.3 54.4 Boulez 1999 38.9 40.1 38.6 54.7 Nagano 2007 40.0 43.7 42.5 52.5 Nott 2017 41.7 44.6 48.0 53.9 Leidenschaftlich [Recapitulation] Subordinate Theme 60.1 56.7 55.5 55.3 (55.5) 54.5 54.5 54.3 (53.0) 53.1 54.9 53.5 51.4 53.3 52.9 50.6 Klemperer 1966 Horenstein 1972 47.8 47.7 Haitink 1975 45.1 44.6 (46.0) 44.2 45.6 Du aber, Nicht hundert An all dem morschen 42.8 Mensch, Jahre
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