DOCSLIB.ORG

COLLECTORS' CORNER with HENRY FOGEL Broadcast Schedule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
COLLECTORS' CORNER with HENRY FOGEL Broadcast Schedule COLLECTORS’ CORNER with HENRY FOGEL Broadcast Schedule - Fall 2020 PROGRAM #: CCF 20-28 RELEASE: September 28, 2020 The Art of Lauritz Melchior – Program 2 Program to include scenes from operas by Wagner and other composers. Please consult cue sheet for details. PROGRAM #: CCF 20-29 RELEASE: October 5, 2020 Leonard Bernstein, the Composer All pieces composed by Leonard Bernstein. Please consult cue sheet for details. On the Waterfront: Suite. (Bernstein, NY Philharmonic) Symphony No. 2 (“The Age of Anxiety”). Zimmerman, Rattle, Berlin Philharmonic) Chichester Psalms. (Bogart, Bernstein, NY Philharmonic) Serenade after Plato. (Kremer, Bernstein, Israel Philharmonic) PROGRAM #: CCF 20-30 RELEASE: October 12, 2020 Two Rare Bruckner Recordings Conducted by Jascha Horenstein Please consult cue sheet for details. BRUCKNER: Symphony No. 6. (London Symphony) BRUCKNER: Symphony No. 3. (BBC Northern Orchestra) PROGRAM #: CCF 20-31 RELEASE: October 19, 2020 Grigory Sokolov: The 2008 Salzburg Recital Please consult cue sheet for details. MOZART: Sonata in F major, K. 280 MOZART: Sonata in F major, K. 332 CHOPIN: Preludes, Op. 28 SCRIABIN: Poeme, Op. 69, #1 CHOPIN: Mazurka in A minor, Op. 68, No. 2 SCRIABIN: Poeme, Op. 69, #2 CHOPIN: Mazurka in C-sharp minor, Op. 63 RAMEAU: Les Sauvages BACH: Chorale Prelude “Ich ruf zu dir” PROGRAM #: CCF 20-32 RELEASE: October 26, 2020 Grigory Sokolov plays Schubert Sonatas and Impromptus All works performed by Grigory Sokolov, piano. Please consult cue sheet for details. PROGRAM #: CCF 20-33 RELEASE: November 2, 2020 Fritz Wunderlich – Swiss Radio Lieder Recordings A compilation of broadcasts of songs by Brahms, Schubert, Beethoven, Wolff, Strauss and Schumann. Recorded between 1955 and 1966 by the great tenor Fritz Wunderlich. Please consult cue sheet for details. PROGRAM #: CCF 20-34 RELEASE: November 9, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 1 All works conducted by Furtwängler. Please consult cue sheet for details. STRAUSS: Four Songs. (Peter Anders, tenor) STRAUSS: Don Juan WAGNER: Die Meistersinger: Prelude SCHUMANN: Cello Concerto. (Tibor de Machula, cello) BEETHOVEN: Symphony No. 7 PROGRAM #: CCF 20-35 RELEASE: November 16, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 2 All works conducted by Furtwängler. Please consult cue sheet for details. GLUCK: Alceste: Overture WAGNER: Tristan and Isolde: Prelude and Liebestod BEETHOVEN: Symphony No. 9 (Briem, Hongen, Anders, Watzke, Kittel Choir) PROGRAM #: CCF 20-36 RELEASE: November 23, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 3 All works conducted by Furtwängler. Please consult cue sheet for details. BRUCKNER: Symphony No. 5 in B‐Flat MOZART: Symphony No. 39 in E‐Flat BRAHMS: Variations on a Theme of Haydn PROGRAM #: CCF 20-37 RELEASE: November 30, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 4 All works conducted by Furtwängler. Please consult cue sheet for details. SIBELIUS: Violin Concerto (Georg Kulenkampff) BEETHOVEN: Symphony No. 5 BRAHMS: Piano Concerto No. 2 (Edwin Fischer) PROGRAM #: CCF 20-38 RELEASE: December 7, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 5 All works conducted by Furtwängler. Please consult cue sheet for details. STRAUSS: Till Eulenspiegel BRAHMS: Symphony No. 4 BEETHOVEN: Violin Concerto (Erich Röhn, violin) PROGRAM #: CCF 20-39 RELEASE: December 14, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 6 All works conducted by Furtwängler. Please consult cue sheet for details. STRAUSS: Symphonia Domestica WEBER: Der Freischütz: Overture BEETHOVEN: Symphony No. 6 PROGRAM #: CCF 20-40 RELEASE: December 21, 2020 The Berlin Philharmonic’s release of Furtwängler Broadcasts, 1939‐1945 – Program 7 All works conducted by Furtwängler. Please consult cue sheet for details. BRUCKNER: Symphony No. 9. RAVEL: Daphnis and Chloe: Suites 1, 2 BRAHMS: Symphony No.1: Finale PROGRAM #: CCF 20-41 RELEASE: December 28, 2020 Ruggero Ricci – Rediscovered Live Recordings – Program 1 All works performed by Ruggero Ricci, violin. Please consult cue sheet for details. PAGANINI: Violin Concerto No. 4. (Ricci, Bour, SW German Radio) BRAHMS: Violin Concerto in D major. (Ricci, Jochum, LA Philharmonic) SIBELIUS: Violin Concerto in D minor (Ricci, Swarowsky, LA Philharmonic) GLAZUNOV: Violin Concerto in A minor (Ricci, Kletzki, Berne Symphony) PROGRAM #: CCF 20-42 RELEASE: January 4, 2020 Ruggero Ricci – Rediscovered Live Recordings – Program 2 All works performed by Ruggero Ricci, violin. Please consult cue sheet for details. PAGANINI: Violin Concerto No. 1. (Ricci, Schippers, NY Philharmonic) DVORAK: Violin Concerto. (Ricci, Muller‐Kray, Stuttgart Symphony) GINASTERA: Violin Concerto. (Ricci, Bernstein, NY Philharmonic) STRAVINSKY: Violin Con in D. (Ricci, Dixon, Hessian Radio) .
Load more

Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Pathetique Symphony New York Philharmonic/Bernstein Columbia
    Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No.
    [Show full text]
  • Diese Aufnahme Ist Bezaubernd Schön Deutsche Grammophon’S 1964 Recording of the Magic Flute
    Diese Aufnahme ist bezaubernd schön Deutsche Grammophon’s 1964 Recording of The Magic Flute Aaron Dalton inging speaks most eloquently for itself in real time and doesn’t fall into S words on paper very easily,” writes a former voice teacher of mine. “It is either beautiful or it isn’t. If it’s beautiful, words aren’t adequate. If it ₁ isn’t, words about it have to be either false or cruel.” Why, then, would I offer the following dissection of what I believe to be the greatest recording of arguably the greatest opera? And how, with a glut of Magic Flute record- ings on the market (I aborted my tally at over forty casts on dozens of labels), can I presume to identify one particular recording as the greatest among them? After all, if you believe my teacher’s claim above, would not even the most rapturous hyperbole prove inadequate? Trusting that what you have read in this publication has piqued in you some trace of musical, cultural, historical, intellectual, or spiritual interest regarding The Magic Flute, I want to channel your simmering impulses and ensure that your next step is a good one. Expectedly, opera enthusiasts champion nearly as many “quintessential” Magic Flute recordings as there are, well, Magic Flute recordings. But as one having familiarity with the opera as both a fan and a performer, I would do you a disservice by recom- ₂ mending anything other than the 1964 Deutsche Grammophon set as your starting point. My defense, meaning both my justification for writing this article as well as for the claims made in it, rests primarily on the otherworldly per- formances of tenor Fritz Wunderlich as Prince Tamino and baritone Diet- rich Fischer-Dieskau as the bird catcher Papageno.
    [Show full text]
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
    [Show full text]
  • Year of Recording* Conductor Soloists Orchestra Live Label Date
    Year of Conductor Soloists Orchestra Live Label Date of Recording* Recording 1 1936 Bruno Walter Kerstin Thorborg, Wiener Philharmoniker Live EMI May 23 & 24, Charles Kullman 1936 2 1939 Carl Schuricht Kerstin Thorborg, Koninklijk Live MINERVA Oct 5, 1939 Carl-Martin Öhmann Concertgebouworkest, Amsterdam 3 1948 Otto Klemperer Judit Sándor, A Magyar Rádió Live archiphon Nov 2, 1948 Endre Rösler Szimfonikus Zenekarát [CD 2012] 4 1948 Bruno Walter Kathleen Ferrier, New York Philharmonic Live NYP Jan 18, 1948 Set Svanholm Editions 5 1951 Otto Klemperer Elsa Cavelti Wiener Symphoniker Live VOX May 1951 Anton Dermota 6 1952 Bruno Walter Kathleen Ferrier, Wiener Philharmoniker DECCA May 14, 15 & 16, Julius Patzak 1952 7 1964 Josef Krips Dietrich Fischer-Dieskau, Wiener Symphoniker Live DGG Jun 14, 1964 Fritz Wunderlich 8 1966 Otto Klemperer Christa Ludwig, Philharmonia/New EMI Feb 18–22 & Fritz Wunderlich Philharmonia Orchestra Nov 7–8, 1964, Jul 6–9, 1966 9 1966 Leonard Bernstein Dietrich Fischer-Dieskau, Wiener Philharmoniker DECCA Mar 1966 James King 10 1972 Leonard Bernstein Christa Ludwig, Israel Philharmonic Live SONY May 18, 20 & 23, René Kollo Orchestra 1972 11 1972 Jascha Horenstein Alfreda Hodgson, BBC Northern Symphony Live BBC Apr 28, 1972 John Mitchinson Orchestra Legends 12 1972 Sir Georg Solti Yvonne Minton, Chicago Symphony DECCA May 1972 René Kollo Orchestra 13 1974 Herbert von Christa Ludwig, Berliner Philharmoniker DGG Dec 7–10, 1973, Karajan René Kollo Oct 14, 1974 14 1975 Bernard Haitink Janet Baker, Koninklijk PHILIPS Sep
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • The Brigitte Fassbaender Edition 2 BRIGITTE FASSBAENDER CAN SING EVERYTHING NOWADAYS
    The Brigitte Fassbaender Edition 2 BRIGITTE FASSBAENDER CAN SING EVERYTHING NOWADAYS Carlo Maria Giulini (1984) 3 VOL. 1 71:25 FRANZ SCHUBERT (1797–1828) U Blümlein Vergissmein 1:21 V 18. Trockne Blumen 3:42 Die schöne Müllerin D 795 W 19. Der Müller und der Bach 3:37 (Wilhelm Müller) X 20. Des Baches Wiegenlied 6:52 A Prolog: Ich lad euch, schöne Damen, kluge Herrn 2:49 Y Epilog: Weil gern man schließt mit einer runden Zahl 1:40 B 1. Das Wandern 2:42 C 2. Wohin? 2:22 Aribert Reimann piano D 3. Halt! 1:46 E 4. Danksagung an den Bach 2:10 F 5. Am Feierabend 2:51 G 6. Der Neugierige 3:39 H Das Mühlenleben 1:53 I 7. Ungeduld 3:06 J 8. Morgengruß 3:58 K 9. Des Müllers Blumen 3:18 L 10. Tränenregen 3:44 M 11. Mein! 2:28 N 12. Pause 4:46 O 13. Mit dem grünen Lautenbande 2:04 P 14. Der Jäger 1:21 Q 15. Eifersucht und Stolz 1:40 R Erster Schmerz, letzter Scherz 1:44 S 16. Die liebe Farbe 3:42 T 17. Die böse Farbe 2:10 with Aribert Reimann 4 VOL. 2 67:42 FRANZ SCHUBERT (1797–1828) Schwanengesang D 957 · 5 Lieder A Die Taubenpost D 965 A 3:38 (Johann Gabriel Seidl) B Sehnsucht D 879 2:47 (Johann Gabriel Seidl) C Der Wanderer an den Mond D 870 2:21 (Johann Gabriel Seidl) D Wiegenlied D 867 5:28 (Johann Gabriel Seidl) E Am Fenster D 878 4:18 (Johann Gabriel Seidl) F Liebesbotschaft D 957/1 2:50 (Ludwig Rellstab) G Kriegers Ahnung D 957/2 4:56 (Ludwig Rellstab) H Frühlingssehnsucht D 957/3 3:29 (Ludwig Rellstab) I Ständchen D 957/4 3:29 (Ludwig Rellstab) J Aufenthalt D 957/5 3:00 (Ludwig Rellstab) 5 VOL.
    [Show full text]
  • The Blake Collection in Memory of Nancy M
    The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Journal of the Conductors Guild
    Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F.
    [Show full text]
  • Year of Recording* Conductor Soloists Orchestra Live Label Date
    Year of Conductor Soloists Orchestra Live Label Date of Recording* Recording 1 1936 Bruno Walter Kerstin Thorborg, Wiener Philharmoniker Live EMI May 23 & 24, Charles Kullman 1936 2 1939 Carl Schuricht Kerstin Thorborg, Koninklijk Live MINERVA Oct 5, 1939 Carl-Martin Öhmann Concertgebouworkest, Amsterdam 3 1948 Otto Klemperer Judit Sándor, A Magyar Rádió Live archiphon Nov 2, 1948 Endre Rösler Szimfonikus Zenekarát [CD 2012] 4 1948 Bruno Walter Kathleen Ferrier, New York Philharmonic Live NYP Jan 18, 1948 Set Svanholm Editions 5 1951 Otto Klemperer Elsa Cavelti Wiener Symphoniker Live VOX 28–30 Mar 1951 Anton Dermota 6 1952 Bruno Walter Kathleen Ferrier, Wiener Philharmoniker DECCA May 14, 15 & 16, Julius Patzak 1952 7 1964 Josef Krips Dietrich Fischer-Dieskau, Wiener Symphoniker Live DGG Jun 14, 1964 Fritz Wunderlich 8 1966 Otto Klemperer Christa Ludwig, Philharmonia/New EMI Feb 19–22 & Fritz Wunderlich Philharmonia Orchestra Nov 7–8, 1964, Jul 6–9, 1966 9 1966 Leonard Bernstein Dietrich Fischer-Dieskau, Wiener Philharmoniker DECCA Mar 1966 James King 10 1972 Leonard Bernstein Christa Ludwig, Israel Philharmonic Live SONY May 18, 20 & 23, René Kollo Orchestra 1972 11 1972 Jascha Horenstein Alfreda Hodgson, BBC Northern Symphony Live BBC Apr 28, 1972 John Mitchinson Orchestra Legends 12 1972 Sir Georg Solti Yvonne Minton, Chicago Symphony DECCA May 1972 René Kollo Orchestra 13 1974 Herbert von Christa Ludwig, Berliner Philharmoniker DGG Dec 7–10, 1973, Karajan René Kollo Oct 14, 1974 14 1975 Bernard Haitink Janet Baker, Koninklijk PHILIPS
    [Show full text]