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Radio City 2 and City Talk Requests to Change Formats
Radio City 2 and City Talk Requests to change Formats Consultation Publication date: 21 July 2015 Closing date for responses: 2 September 2015 Requests to change Formats – Radio City 2 and City Talk Contents Section Page 1 About this document 2 2 Details and background information 3 Annex Page 1 Responding to this consultation 6 2 Ofcom’s consultation principles 8 3 Consultation response cover sheet 9 4 Consultation questions 11 5 Format Change Requests - Radio City 2 & City Talk 22 6 Existing Formats of Radio City & City Talk 23 7 Other commercial and community radio stations in the Liverpool area 24 1 Requests to change Formats – Radio City and City Talk Section 1 1 About this document 1.1 Ofcom has received two Format change requests from Radio City (Sound of Merseyside) Ltd, which holds an AM and two FM commercial radio licences for Liverpool. 1.2 A station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. 1.3 Radio City (Sound of Merseyside) Ltd wishes to change the ‘Character of Service’ of its AM licence (currently Radio City 2) and one of its FM licences (currently City Talk). 1.4 Radio City 2’s published Format requires the service to broadcast “a classic soft pop music-led service”. The licensee wishes to change this to a service of “rock hits with news, local sport and information programming.” 1.5 City Talk’s published Format requires the service to broadcast “speech and soft pop- led music programming”. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Trade Marks Inter Parte Decision,O/117/06
O-117-06 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION NO 2328312 BY POOL FM LIMITED TO REGISTER THE TRADE MARK: Pool FM IN CLASSES 38 AND 41 AND THE OPPOSITION THERETO UNDER NO 92441 BY GARRISON RADIO LTD Trade Marks Act 1994 In the matter of application no 2328312 by Pool FM Limited to register the trade mark: Pool FM in classes 38 and 41 and the opposition thereto under no 92441 by Garrison Radio Ltd BACKGROUND 1) On 2 April 2003 Pool FM Limited, which I will refer to as PFM, applied to register the trade mark Pool FM (the trade mark). The application was published for opposition purposes in the “Trade Marks Journal” on 23 January 2004 with the following specification: radio broadcasting services, telecommunication services, electronic communication services; production of radio programmes; provision of information over the radio. The above services are in classes 38 and 41 respectively of the Nice Agreement concerning the International Classification of Goods and Services for the Purposes of the Registration of Marks of 15 June 1957, as revised and amended. 2) On 23 April 2004 Garrison Radio Ltd, which I will refer to as Garrison filed a notice of opposition to the registration of the application. The original grounds of opposition were amended. 3) Garrison states that it was incorporated under the Companies Act 1985 on 10 April 2001 and commenced to trade as soon as it was incorporated. Garrison states that it is a Hartlepool based company that runs radio stations. Its main contract is with the British army and it provides four fully staffed broadcasting stations around the United Kingdom. -
Evaluation of the Cheshire and Merseyside Drink Less Enjoy More Intervention
October 2018 Evaluation of the Cheshire and Merseyside Drink Less Enjoy More intervention Zara Quigg, Nadia Butler, Rebecca Bates, Hannah Grey, Kim Ross-Houle, Charlotte Bigland PHI, Faculty of Education, Health and Community, Liverpool John Moores University, 3rd Floor Exchange Station, Tithebarn Street, Liverpool, L2 2QP 0151 231 4542 | [email protected] | www.ljmu.ac.uk/phi | ISBN: 978-1-912210-45-9 (web) Contents Infograph ................................................................................................................................................. 2 1. Introduction ........................................................................................................................................ 4 2. Methods .............................................................................................................................................. 9 3. Findings ............................................................................................................................................. 11 3.1 Nightlife users’ experiences and perceptions of Cheshire and Merseyside nightlife settings (pre- DLEM) ................................................................................................................................................ 11 3.1.1 Nightlife usage ..................................................................................................................... 11 3.1.2 Alcohol consumption .......................................................................................................... -
Journalism and Broadcasting
Journalism and Broadcasting Including TV and Film Version 7.18 Contents Introduction ............................................................................ 3 Journalism .............................................................................. 5 Broadcasting ........................................................................... 9 Film ............................................................................... ………12 Further sources of media job vacancies ............................... 13 Learning about the industry and networking opportunities . 14 Media Schemes and websites for people for people from groups that are under-represented in the media ............................. 15 © The University of Manchester Careers Service 2 Introduction to careers in Journalism and Broadcasting The media is a popular career area and students and graduates who successfully apply for jobs can usually show evidence of a commitment to working in this sector. It’s therefore worth doing your homework and looking for ways to develop the skills and experience that will make you a good applicant. You can read about the different roles, and check entry requirements and typical salaries, on websites like www.prospects.ac.uk and www.creativeskillset.org Take part in the Careers Service’s Media Club . We regularly run Media Club sessions that are delivered by employers and Manchester graduates who work in the industry www.manchester.ac.uk/careers/events/themediaclub All events are listed on www.manchester.ac.uk/careerslink . Keep up-to-date with -
On Air No 100 Fcover
SEPTEMBER/OCTOBER 2004 Issue 100 The Official Journal of the 100th Hospital Broadcasting Association ISSUE in this issue ... Dear Reader, Welcome to our very special 100th issue of On Air. As you Committee Report ................................................................ 3 can see from the front cover, the format has changed consid- A Page from the Presidents ................................................ 5 erably over the years – you can read from former Editors how Hundred Not Out by Dennis Rookard ............................ 6 they tried to make their mark on the magazine. I took over as So Who Has Edited On Air Over the Years?....................7 Editor at the beginning of 2001, when, unfortunately a maga- Why Are You Involved in Hospital Radio?..........................8 zine had not been published for nearly a year. Now three and a half years later and 19 issues on, I have hopefully established Feeling Good/A Message from Jimmy Savile ......................9 a regular routine for publishing on time; alright with a slight The View From The Bed .................................................... 11 hiccup last year. I think I may be excused that one. News from the Stations ...................................................... 12 I was delighted to receive congratulatory messages from Across the Sea – Jimmy Savile, Ken Bruce and the Duchess of Devonshire, in the Land of Green by Patrick Lynch ........................22 which you can read in the magazine. The Power of Radio by John Whitney ............................24 I make no apology for publishing some features from previ- June’s Travels .......................................................................... 25 ous On Airs. I am sure newer members will find them fasci- Early Days at Leeds ................................................................26 nating and older members (in years served, not age!) find they The Dimmer and More Distant Past ............................. -
Hallett Arendt Rajar Topline Results - Wave 3 2019/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 3 2019/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W3 2019 000's % Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 Bauer Radio - Total 55032 55032 0 0% 18083 18371 288 2% 33% 33% 156216 158995 2779 2% 8.6 8.7 15.3% 15.9% Absolute Radio Network 55032 55032 0 0% 4743 4921 178 4% 9% 9% 35474 35522 48 0% 7.5 7.2 3.5% 3.6% Absolute Radio 55032 55032 0 0% 2151 2447 296 14% 4% 4% 16402 17626 1224 7% 7.6 7.2 1.6% 1.8% Absolute Radio (London) 12260 12260 0 0% 729 821 92 13% 6% 7% 4279 4370 91 2% 5.9 5.3 2.1% 2.2% Absolute Radio 60s n/p 55032 n/a n/a n/p 125 n/a n/a n/p *% n/p 298 n/a n/a n/p 2.4 n/p *% Absolute Radio 70s 55032 55032 0 0% 206 208 2 1% *% *% 699 712 13 2% 3.4 3.4 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1779 1824 45 3% 3% 3% 9294 9435 141 2% 5.2 5.2 0.9% 1.0% Absolute Radio 90s 55032 55032 0 0% 907 856 -51 -6% 2% 2% 4008 3661 -347 -9% 4.4 4.3 0.4% 0.4% Absolute Radio 00s n/p 55032 n/a n/a n/p 209 n/a n/a n/p *% n/p 540 n/a n/a n/p 2.6 n/p 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 741 721 -20 -3% 1% 1% 3438 3703 265 8% 4.6 5.1 0.3% 0.4% Hits Radio Brand 55032 55032 0 0% 6491 6684 193 3% 12% 12% 53184 54489 1305 2% 8.2 8.2 5.2% 5.5% Greatest Hits Network 55032 55032 0 0% 1103 1209 106 10% 2% 2% 8070 8435 365 5% 7.3 7.0 0.8% 0.8% Greatest Hits Radio 55032 55032 0 0% 715 818 103 14% 1% 1% 5281 5870 589 11% 7.4 7.2 0.5% -
Bauer Media Group Phase 1 Decision
Completed acquisitions by Bauer Media Group of certain businesses of Celador Entertainment Limited, Lincs FM Group Limited and Wireless Group Limited, as well as the entire business of UKRD Group Limited Decision on relevant merger situation and substantial lessening of competition ME/6809/19; ME/6810/19; ME/6811/19; and ME/6812/19 The CMA’s decision on reference under section 22(1) of the Enterprise Act 2002 given on 24 July 2019. Full text of the decision published on 30 August 2019. Please note that [] indicates figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. SUMMARY 1. Between 31 January 2019 and 31 March 2019 Heinrich Bauer Verlag KG (trading as Bauer Media Group (Bauer)), through subsidiaries, bought: (a) From Celador Entertainment Limited (Celador), 16 local radio stations and associated local FM radio licences (the Celador Acquisition); (b) From Lincs FM Group Limited (Lincs), nine local radio stations and associated local FM radio licences, a [] interest in an additional local radio station and associated licences, and interests in the Lincolnshire [] and Suffolk [] digital multiplexes (the Lincs Acquisition); (c) From The Wireless Group Limited (Wireless), 12 local radio stations and associated local FM radio licences, as well as digital multiplexes in Stoke, Swansea and Bradford (the Wireless Acquisition); and (d) The entire issued share capital of UKRD Group Limited (UKRD) and all of UKRD’s assets, namely ten local radio stations and the associated local 1 FM radio licences, interests in local multiplexes, and UKRD’s 50% interest in First Radio Sales (FRS) (the UKRD Acquisition). -
Download Here
Spring 2014 issue 145 The Official Journal of the Hospital Broadcasting Association Hi Everyone, Doesn’t time fly ... it’s Conference time again and this in this issue ... year Bristol promises to have something for everybody. The conference venue is right in the heart of Bristol and just a Board Report .................................................................................................. 2 stone’s throw from one of Bristol’s main shopping areas. Alan’s New Year Honours List .................................................................. 3 You can now pay for conference by credit/debit card for HBA Conference and Awards ......................................................................4 a small payment processing fee. If you'd rather not pay the Meet the Awards Judges .............................................................................. 6 fee, you can still pay by cheque or bank transfer – contact Sean’s Soapbox ................................................................................................ 7 Brenda Massie for more details. Regional Round-Up ........................................................................................ 8 June’s Travels .................................................................................................. 9 There are two new features in this edition: firstly Sean HBS Glasgow’s New Studio ...................................................................... 10 Dunderdale, our Public Relations manager offers some tips Another Can of Worms? ........................................................................... -
Celebrating 40 Years of Commercial Radio With
01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22. -
Health-Fm-Workshop-Notes-Sep-16
Community Media Association conference - 10 th Sep 2016 HEALTH FM 1 year Community Radio Fund project that aims to: o set up a network of community radio stations interested in the field of community radio broadcasting and health o collate and share information on community radio health projects - evidence that they work, project ideas, potential partners/sources of funding … o support around 10 stations with small grants to develop new work in the area of health radio (UK-wide but with a focus on Greater Manchester stations to explore the City Region’s devolved health budget) The project is NOT about providing health content. Why do health radio? - Benefit to local people/community - furthering social gain objectives (and supporting case for charity registration) - Income-generating activities - sustaining the station Hopefully both! Ways in which community radio can be used to promote health/health issues: Broadly speaking: - The station’s programming publicises issues - People benefit by participating at the station More specifically: - Community engagement - Support individual volunteers with mental health issues o 1 in 4 of population have or have had mental health issues o Station staff can attend a ‘Mental Health 1 st Aid’ course (MHFA) or suicide prevention training (MIND). Your local Mental Health NHS Trust might pay for this. Cost for MHFA course is £2-300 for 3 day course or £70 for 3 hr session. See http://mhfaengland.org/first-aid-courses/first- aid-standard/ - Tackle isolation. Penrith has a sparse population, they attempt to address this issue, produce a (paper) magazine and wire listeners in in remote areas. -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values .........................................................................................................