DOCSLIB.ORG

Ken-Lum-CV.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

royale projects KEN LUM Born: Vancouver, Canada (1956- ) Works: Philadelphia, PA Education 1985 MFA, Department of Fine Arts, University of British Columbia, Vancouver, Canada 1982 Graduate studies, Department of Art Education, New York University, NY, New York 1980 BSc, Department of Biological Sciences, Simon Fraser University, Burnaby, Canada Solo Exhibitions 2021 Magenta Plains Gallery, New York, NY 2018 Royale Projects, Necrology and Four French Deaths in Western Canada, Los Angeles, CA The Wattis Institute for Contemporary Arts, What's old is old for a dog, San Francisco, CA 2017 Art Gallery of Mississauga, A Matter of Life and Death, Ontario, Canada 2016 L.A. Galerie (Lothar Albrecht), Ken Lum Works and Videos, Frankfurt, Germany Richard Rhodes Dupont Projects, Necrology, Toronto, Canada Artspace, Window, Winnipeg, Canada Base Progetti per l’Arte, Necrology, Firenze, Italy Siemens Stiftung/Chilean Cultural Council for the Arts, Espacios Revelados/Changing Places: Torres de Tajamar, Santiago, Chile 2015 Royale Projects, Ken Lum, Los Angeles, CA Vienna Kunsthalle Karlsplatz Public Space, Ken Lum. Coming Soon, Vienna, Austria 221A Semi Public, Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold), Vancouver, Canada I-70 Sign Show, Bindy Sangeet: Employee of the Month/Alia Naffouj: Hooked on Tennis, various locations by I-70 near Hatton, MO 2014 Rosenwald-Wolf Gallery, Ken Lum: The Mini Mall Series, University of the Arts, Philadelphia, PA 2013 Galerie Marc Jancou, Ken Lum: The Mini-Mall Series, New York, NY 2012 Galerie Marc Jancou, Ken Lum: The Shopkeeper series, Geneva, Swizerland L.A. Galerie Lothar Albrecht, Ken Lum, Frankfurt, Germany Galerie Nelson-Freeman, Paris, France 2011 Misa Shin Gallery, Ken Lum: 2000s to Present, Tokyo, Japan Vancouver Art Gallery, Ken Lum, Vancouver, Canada 2010 Vancouver Art Gallery Off-Site, From Shangri La to Shangri La, Vancouver, Canada Audain Gallery (windows), I Said No, Vancouver, Canada 432 Alameda Street Los Angeles California 90013 213.595.5182 | www.royaleprojects.com [email protected] royale projects 2009 L.A. Galerie (Lothar Albrecht), Works and Videos, Galerie, Frankfurt, Germany Galerie Christian Nagel, Berlin, Germany 2008 Galeria Llucia Homs, Barcelona, Spain Galerie Grita Insam, Ken Lum: Rorschach Shopkeepers, Vienna, Austria Galerie Nelson-Freeman, Paris, France Galerie Christian Nagel, Berlin, Germany 2007 Galerie Lothar Albrecht, Ken Lum: Rorschach Shopkeeper Series, Frankfurt, Germany Tang Contemporary Art, Beijing (catalog), China Centro de Arte Contemporáneo De Huarte, Navarro, Spain (catalog) 2006 West Passage, Pi, permanent public art installation, Karlsplatz, Vienna, Austria Galerie Grita Insam, Vienna, Austria 2005 City of Vancouver National Works Yard Commission, permanent installation, Vancouver, Canada 2004 Galerie Grita Insam, Vienna, Austria The Power Plant Contemporary Art Centre, Toronto (catalog), Canada Xpo September, Stockholm, Sweden Schnitzel Company, Museum in Progress/ Arbeiterkammer Wien, Vienna, Austria LA Galerie (Lothar Albrecht), Frankfurt, Germany 2003 Galerie Nelson, Paris, France Art Gallery of Windsor, I don’t know whether to laugh or cry, Contact Photo/ Art Gallery of Ontario, Canada Art Gallery of Calgary, Calgary, Canada Galerie Art & Public, Geneva, Switzerland 2002 Canadian Museum of Contemporary Photography, Ottawa (catalog), Canada LA Galerie (Lothar Albrecht), Frankfurt, Germany Centre Culturel Canadien, Paris (catalog), France 2001 Galerie Grita Insam, Vienna, Austria Galeria Espacio Electico, Buenos Aires, Argentina (brochure) Haus der Kulturen der Welt, There is No Place Like Home, Berlin, Germany The Agency Contemporary Art, London, United Kingdom Andrea Rosen Gallery, New York, NY Centre for Contemporary Art, Kitakyushu, Japan (artist’s book) Contemporary Art Gallery, Vancouver (catalog) Galerie im Taxispalais, Innsbruck, Austria (brochure) 2000 Museum in Progress, There is No Place Like Home, Vienna, Austria LA Galerie Lothar Albrecht, Frankfurt, Germany 1999 Plug-In Gallery, Winnipeg, Canada Mendel Art Gallery, Saskatoon, Canada Walter Phillips Gallery, The Banff Centre, Banff, Canada 1998 XXIV Sao Paulo Bienal, Sao Paulo (catalog), Brasil 432 Alameda Street Los Angeles California 90013 213.595.5182 | www.royaleprojects.com [email protected] royale projects The Agency Contemporary Art, London, United Kingdom Galerie Drantmann, Brüssels, Belgium 1997 Camera Oscura, San Casciano dei Bagni, Italy FRAC de Haute-Normandie, Galerie Duchamp, Yvetot, France (catalog) Galerie Art & Public, Geneva, Switzerland Andrea Rosen Gallery, New York, NY 1996 Stills Gallery, Edinburgh, Scotland 1995 Galerie Drantmann, Brussels, Belgium Camden Arts Centre, London, United Kingdom San Francisco Art Institute, San Francisco, CA Galerie Nelson, Paris, France l'Aquarium—Galerie de l'Ecole des Beaux Arts, Valenciennes, France Salle d'Expositions, Ecole Nationale des Beaux Arts, Nancy, France 1994 Andrea Rosen Gallery, New York, NY Catriona Jeffries Gallery, Vancouver, Canada Oakville Galleries, Oakville, Canada 1993 Galerie Daniel Buchholz, Cologne, Germany Galerie Johnen & Schöttle, Cologne, Germany Städtische Galerie im Lenbachhaus, Munich, Switzerland Badischer Kunstverein, Karlsruhe, Germany Stadtgalerie Saarbrücken, Saarbrücken, Germany Neue Galerie am Landesmuseum Joanneum, Graz, Austria 1992 Andrea Rosen Gallery, New York, NY Galleria Massimo De Carlo, Milan, Italy 1991 Galerie Rüdiger Schöttle, Paris, France Galerie Daniel Buchholz, Cologne, Germany Fine Arts Gallery, UBC, Vancouver, Canada Galerie Rüdiger Schöttle, Munich, Switzerland Kunstmuseum Luzern, Lucerne, Switzerland (catalog) 1990 Witte de With Center for Contemporary Art, Rotterdam, Netherlands Galerie Meert Rihoux, Brussels, Belgium Galleri Nordanstad-Skarstedt, Stockholm, Sweden Andrea Rosen Gallery, New York, NY Vancouver Art Gallery, Vancouver, Canada Winnipeg Art Gallery, Winnipeg, Canada Artspeak Gallery, Vancouver, Canada 1989 Galerie Johnen & Schöttle, Cologne, Germany Galerie Daniel Buchholz, Cologne, Germany Galleria Massimo De Carlo, Milan, Italy 432 Alameda Street Los Angeles California 90013 213.595.5182 | www.royaleprojects.com [email protected] royale projects 1988 Cold City Gallery, Toronto, Canada Galerie Ralph Wernicke, Stüttgart, Germany Musée d'Art Contemporain, Montréal, Canada Galerie Nelson, Lyon, France Nature Morte Gallery, New York, NY 1987 Galerie Daniel Buchholz, Cologne, Germany Robbin Lockett Gallery, Chicago, IL 1986 The Ydessa Gallery, Toronto, Canada Convertible Showroom Gallery, Vancouver, Canada Nature Morte Gallery, New York, NY 1985 Plug-In Inc., Youth Portraits, Winnipeg, Canada Coburg Gallery, Vancouver, Canada YYZ Gallery, Toronto, Canada 1984 SFU Downtown Studio Gallery, Partially Buried Sofa, Vancouver, Canada Coburg Gallery, Portrait/Logos, Vancouver, Canada 1983 OR Gallery, World Portraits, Vancouver, Canada 1982 Artists Space, New York, NY SFU Downtown Studio Gallery, Vancouver, Canada 1980 505 Hamilton Street Studio, Sculpture For Dream Home, Syracuse, NY 1979 Ian Wallace Studio, Architectural Digest Presents, Vancouver, Canada 1978 Ian Wallace Studio, 303 Abbott Street, Sculpture for Livingroom/Public Lounge, Vancouver Walk Piece, outdoor performance, Simon Fraser University campus Entertainment for Surrey, B.C., outdoor performance in Surrey, Canada Anonymous, outdoor project, downtown streets of Vancouver, Canada Group Exhibitions 2020 Front Gallery, Thought Outside, Vancouver, Canada Vancouver Art Gallery, Uncommon Language, Vancouver, Canada Der Neue Berliner Kunstverein (NBK), Lost in America, Berlin, Germany Kunstmuseum Luzern, Alles Echt!, Luzern, Switzerland Remai Modern, Next Year’s Country, Sakatoon, Canada 2019 Munich Documentation Centre for the History of National Socialism, Tell me about yesterday tomorrow, Munich, Germany, Galerie Klemm’s Berlin, Form, Class & Beauty, Berlin, Germany 432 Alameda Street Los Angeles California 90013 213.595.5182 | www.royaleprojects.com [email protected] royale projects Musée d’Art Moderne et Contemporain, Collection(s), Geneva, Switzerland Judith & Norman Alix Art Gallery, Photography in Canada: 1960 – 2000, Sarnia, Ontario Vancouver Art Gallery, Views from the Collection: The Street, Vancouver, Canada Witte de With Center for Contemporary Art, On Melly Shum, Rotterdam, Netherlands Vancouver Art Gallery, Displacement, Vancouver, Canada Royale Projects, Come Together, Los Angeles, CA Church of San Paolo Converso, Schengen Baroque Pasolini, Milan, Italy 2018 Plug In Institute of Contemporary Art, Days of Reading, Winnipeg, Manitoba Winnipeg Art Gallery, The 80s Image, Winnipeg, Manitoba International Dumpling Festival, Nuit Blanche, Toronto Fonds régional d’art contemporain, L, Le Chateau Rentilly, Ile-de-France Terminal Creek Contemporary, Serpentine Path, Bowen Island, British Columbia, Canada Converso Arte Contemporanea, High Life: John Knight, Ken Lum, Gianni Pettena, Cameron Rowland, Superstudio, Sergio Zevallos, Milano, Italy Swiss Institute Contemporary Art, READYMADES BELONG TO EVERYONE, New York, NY Art Asian Initiative, Then and Now, Philadelphia, PN Royale Projects, Note to Self, Los Angeles, CA Hirshhorn Museum, Brand New: Art and Commodity in the 1980s, Washington, D.C. The Rooms, St. John’s, Photography in Canada: 1960 – 2000, Newfoundland, Canada 2017 Walter C. Koerner Library, Sites of Assembly, Vancouver, University of British Columbia, Canada Art Gallery of Mississauga, Transcending Signs:
Recommended publications
  • Rodney Graham Biography

    Rodney Graham Biography

    Rodney Graham Rodney Graham pulls at the threads of cultural and intellectual history through photography, film, music, performance and painting. He presents cyclical narratives that pop with puns and references to literature and philosophy, from Lewis Carroll to Sigmund Freud to Kurt Cobain, with a sense of humour that betrays Graham’s footing in the post-punk scene of late 1970s Vancouver. The nine-minute loop Vexation Island (1997) presents the artist as a 17th-century sailor, lying unconscious under a coconut tree with a bruise on his head; after eight and a half minutes he gets up and shakes the tree inducing a coconut to fall and knock him out, and for the sequence to start again. Graham returns as a cowboy in How I Became a Ramblin’ Man (1999) and as both city dandy and country bumpkin in City Self/Country Self (2001) – fictional characters all engaged in an endless loop of activity. Such dream states and the ramblings of the unconscious are rooted in Graham’s earlier upside-down photographs of oak trees. Inversion, Graham explains, has a logic: ‘You don’t have to delve very deeply into modern physics to realise that the scientific view holds that the world is really not as it appears. Before the brain rights it, the eye sees a tree upside down in the same way it appears on the glass back of the large format field camera I use.’ (2005) Rodney Graham was born in Abbotsford, British Columbia, Canada in 1949. He graduated from the University of British Columbia, Burnaby, Canada in 1971 and lives and works in Vancouver, Canada.
  • CCA Wattis Institute for Contemporary Arts Presents: Abbas Akhavan: Cast for a Folly May 9 Through July 27, 2019 Curated by CCA Wattis Institute Curator Kim Nguyen

    CCA Wattis Institute for Contemporary Arts Presents: Abbas Akhavan: Cast for a Folly May 9 Through July 27, 2019 Curated by CCA Wattis Institute Curator Kim Nguyen

    CCA Wattis Institute for Contemporary Arts presents: Abbas Akhavan: cast for a folly May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Akosua Adoma Owusu: Welcome to the Jungle May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Above: Abbas Akhavan, Study for a Garden: Fountain (installation view, Delfina Foundation, London), 2012. Oscillating water sprinkler, pump, hose, pvc pond liner, water, dimensions variable. Courtesy of Catriona Jeffries, Vancouver. Photo: Christa Holka. Below: Akosua Adoma Owusu, Split Ends, I Feel Wonderful, 2012 (still). 16mm film transfer to video, 4 mins. Courtesy of the artist. San Francisco, CA—March 12, 2019—CCA Wattis Institute for Contemporary Arts proudly presents two new solo exhibitions, Abbas Akhavan: cast for a folly and Akosua Adoma Owusu: Welcome to the Jungle. For multi- disciplinary artist Abbas Akhavan, this exhibition is his first U.S. solo show and the culmination of his year as the 2018–2019 Capp Street Artist-in- Residence. Ghanaian-American filmmaker Akosua Adoma Owusu will present a medley of her films in an installation format—new territory for Owusu—in which two of her films will have their institutional premiere at CCA Wattis. Although these are two independent shows, both artists navigate histories, identities, politics, and materiality through distinct international lenses. “We are thrilled to present the newest works by each of these incredible artists,” says Kim Nguyen, CCA Wattis Institute curator and head of programs. “Abbas Akhavan’s time and attention to place made him a perfect fit for the Capp Street residency, where he can really delve into the ethos of San Francisco and its communities.
  • Marian Penner Bancroft Rca Studies 1965

    Marian Penner Bancroft Rca Studies 1965

    MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY
  • Ingram 2010 Squatting in 'Vancouverism'

    Ingram 2010 Squatting in 'Vancouverism'

    designs for The Terminal City www.gordonbrentingram.ca/theterminalcity 21 March, 2010 Gordon Brent Ingram Re-casting The Terminal City [part 3] Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics Public art was part of the 2010 Olympics in Vancouver; there was some funding, some media coverage, and a few sites were transformed. What were the new spaces created and modes of cultural production, in deed the use of 21 March, 2010 | Gordon Brent Ingram Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics designs for The Terminal City www.gordonbrentingram.ca/theterminalcity page 2 culture in Vancouver, that have emerged in this winter of the Olympics? What lessons can be offered, if any, to other contemporary arts and design communities in Canada and elsewhere? And there was such celebration of Vancouver, that a fuzzy construct was articulated for 'Vancouverism' that today has an unresolved and sometimes pernicious relationship between cultural production and the dynamics between public and privatizing art. In this essay, I explore when, so far, 'Vancouverism'1 has become a cultural, design, 'planning', or ideological movement and when the term has been more of a foil for marketing over‐priced real estate.2 In particular, I am wondering what, in these supposedly new kinds of Vancouveristic urban designs, are the roles, 'the place' of public and other kinds of site‐based art. The new Woodward's towers and the restored Woodward's W sign from the historic centre of 19th Century Vancouver at Carrall and Water Street, January 2010, photograph by Gordon Brent Ingram 21 March, 2010 | Gordon Brent Ingram Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics designs for The Terminal City www.gordonbrentingram.ca/theterminalcity page 3 January and February 2010 were the months to separate fact from fiction and ideas from hyperbole.
  • Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on Documenta 12

    Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on Documenta 12

    December 2007 | Winter Issue Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on documenta 12 US$12.00 NT$350.00 china square 1 2 Contents 4 Editor’s Note 6 Contributors 8 Contemporary Chinese Art: To Get Rich Is Glorious 11 Britta Erickson 17 The Surplus Value of Accumulation: Some Thoughts Martina Köppel-Yang 19 Seeing Through the Macro Perspective: The Chinese Art Market from 2006 to 2007 Zhao Li 23 Exhibition Culture and the Art Market 26 Yü Christina Yü 29 Interview with Zheng Shengtian at the Seven Stars Bar, 798, Beijing Britta Erickson 34 Beyond Selling Art: Galleries and the Construction of Art Market Norms Ling-Yun Tang 44 Taking Stock Joe Martin Hill 41 51 Everyday Miracles: National Pride and Chinese Collectors of Contemporary Art Simon Castets 58 Superfluous Things: The Search for “Real” Art Collectors in China Pauline J. Yao 62 After the Market’s Boom: A Case Study of the Haudenschild Collection 77 Michelle M. McCoy 72 Zhong Biao and the “Grobal” Imagination Paul Manfredi 84 Export—Cargo Transit Mathieu Borysevicz 90 About Export—Cargo Transit: An Interview with Liu Jianhua 87 Chan Ho Yeung David 93 René Block’s Waterloo: Some Impressions of documenta 12, Kassel Yang Jiechang and Martina Köppel-Yang 101 Interview with Shan Shan Sheng Brandi Reddick 109 Chinese Name Index 108 Yishu 22 errata: On page 97, image caption lists director as Liang Yin. Director’s name is Ying Liang. On page 98, image caption lists director as Xialu Guo.
  • Oware/Mancala) Bonsai Trees

    Oware/Mancala) Bonsai Trees

    Carved game boards (Oware/Mancala) Bonsai Trees Raw glass dishware sintered rusted moodust “Luna Cotta” Hewn and carved basalt water features INDEX MMM THEMES: ARTS & CRAFTS (Including Home Furnishings and Performing Arts) FOREWORD: Development of Lunar Arts & Crafts with minimal to zero reliance on imported media and materi- als will be essential to the Pioneers in their eforts to become truly “At Home” on the Moon. Every fron- tier is foreign and hostile until we learn how to express ourselves and meet our needs by creative use of local materials. Arts and Crafts have been an essential “interpretive” medium for peoples of all lands and times. Homes adorned with indigenous Art and Crafts objects will “interpret” the hostile outdoors in a friendly way, resulting in pioneer pride in their surroundings which will be seen as far less hostile and unforgiving as a result. At the same time, these arts and crafts, starting as “cottage industries.” will become an important element in the lunar economy, both for adorning lunar interiors - and exteriors - and as a source of income through sales to tourists, and exports to Earth and elsewhere. Artists love free and cheap materials, and their pursuits will be a part of pioneer recycling eforts. From time immemorial, as humans settled new parts of Africa and then the continents beyond, development of new indigenous arts and crafts have played an important role in adaptation of new en- vironments “as if they were our aboriginal territories.” In all these senses, the Arts & Crafts have played a strong and vital second to the development of new technologies that made adaptation to new frontiers easier.
  • Rodney Graham CV

    Rodney Graham CV

    Rodney Graham Lives and works in Vancouver, Canada 1979–80 Simon Fraser University, Burnaby, Canada 1968–71 University of British Columbia, Vancouver, Canada 1949 Born in Vancouver, Canada Selected Solo Exhibitions 2020 ‘Artists and Models', Serlachius Museum Gösta, Mänttä, Finland ‘Painting Problems’, Lisson Gallery 2019 303 Gallery, New York, NY, USA 2018 ‘Central Questions of Philosophy’, Lisson Gallery, London, UK 2017 ‘Lightboxes’, Museum Frieder Burda, Baden-Baden, Germany 303 Gallery, New York, NY, USA ‘That’s Not Me’, BALTIC Centre for Contemporary Art, Gateshead, UK; Museum Voorlinden, Wassenaar, Netherlands; Irish Museum of Modern Art, Dublin, Ireland ‘Canadian Impressionist’, Canada House, London, UK ‘Media Studies’, Hauser & Wirth, Zurich, Switzerland 2016 ‘You should be an Artist’, Le Consortium, Dijon, France ‘Waterloo Billboard Commissions’, Hayward Gallery, London, UK ‘Jack of All Trades’, Prefix Institute of Contemporary Art, Toronto, Canada ‘Più Arte dello Scovolino!’, Lisson Gallery, Milan, Italy Alt Art Space, Istanbul Turkey 2015 Sammlung Goetz, Munich, Germany ‘Kitchen Magic Drawings’, Galerie Rüdinger Schöttle, Munich, Germany 2014 ‘Rodney Graham: Props and Other Paintings’, Charles H. Scott Gallery, Emily Carr University of Art + Design, Vancouver, Canada ‘Collected Works’, Rennie Collection, Vancouver, Canada ‘Torqued Chandelier Release and Other Works’, Belkin Gallery, University of British Columbia, Vancouver, Canada 2013 Lisson Gallery, London, UK 303 Gallery, New York, NY, USA ‘The Four Seasons’, Hauser & Wirth, Zurich, Switzerland 2012 ‘Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada Johnen Galerie, Berlin, Germany 2011 Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich, Switzerland ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria ‘The Voyage or Three Years at Sea: Part 1.
  • Asian Canadian Art and Artists Bibliography

    Asian Canadian Art and Artists Bibliography

    ASIAN CANADIAN ART AND ARTISTS BIBLIOGRAPHY Compiled by the Ethnocultural Art Histories Research group (EAHR) Founded in 2011, The Ethnocultural Art Histories Research group (EAHR) is a student-led research community that facilitates opportunities for exchange and research-creation in the examination of issues of ethnic and cultural representation within the visual arts in Canada. Based within the Department of Concordia University, EAHR leads an annual public programming agenda of symposia, artist talks, public lectures, and curatorial projects as a means to disseminate knowledge and provoke discussion. Allen, Jan and Baerwaldt, Wayne. Germaine Koh : Personal. Kingston, ON: Agnes Etherington Art Centre, 1997. Anon.. Gu Xiong : The Mirror : A Return To China. Whitehorse, YT: Yukon Arts Centre, 1999. Anon.. The Lab 6.2 : Ho Tam : Romances. Victoria, BC: Art Gallery of Greater Victoria, 2006. Anon.. Lost Secrets of the Royal : SoJin Chun, Louise Noguchi. Toronto, ON: A Space Gallery, 2011. Anon.. Resistance is Fertile : Dana Claxton ; Thirza Cuthand ; Richard Fung ; Shani Mootoo ; Ho Tam ; Paul Wong. Toronto, ON: A. Space Gallery, 2010. Anon.. REviewing the Mosaic : Canadian Video Artists Speaking Through Race. Saskatoon, SK: Mendel Art Gallery, 1995. Anon. Seven Years in Korea. Seoul, South Korea: Dongsoong Cinematheque, 1999. Anon.. Strangers in a Strange Land. Regina, Sask.: Rosemont Art Gallery, 2001. Arnold, Grant. Ken Lum. Vancouver BC: Vancouver Art Gallery, 2010. Arnold, Grant and Enwezor, Okwui and Schõny, Roland. Ken Lum. Vancouver BC: Vancouver Art Gallery, 2011. Arnold, Grant and Qiang, Zhang and Li, Jin. Here not There. Vancouver, BC: Vancouver Art Gallery, 1995. Baden, Mowry. Yoko Takashima. Kamloops, BC: Kamloops Art Gallery; Lethbridge, AB: s.n., 2003.
  • From Squatting to Tactical Media Art in the Netherlands, 1979–1993

    From Squatting to Tactical Media Art in the Netherlands, 1979–1993

    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots.
  • Ian Wallace: at the Intersection of Painting and Photography

    Ian Wallace: at the Intersection of Painting and Photography

    Ian Wallace: At the Intersection of Painting and Photography Lookout , 1979 (detail) hand-coloured silver gelatin print Collection of the Vancouver Art Gallery, Acquisition Fund TEACHER’S STUDY GUIDE Winter 2013 1 Contents Page Program Information and Goals ................................................................................................................. 3 Background to the Exhibition...................................................................................................................... 4 Artist Information......................................................................................................................................... 5 Ian Wallace: Essential Terms 101.............................................................................................................. 6 Pre- and Post-Visit Activities 1. Ian Wallace and His Art ................................................................................................................... 7 Artist Information Sheet 1 (intermediate/secondary students) ................................................... 8 Artist Information Sheet 2 (primary students)............................................................................... 9 Student Worksheet........................................................................................................................10 2. History Paintings Now....................................................................................................................11 3. Heroes in the Street.......................................................................................................................13
  • Thewordaliveinthismom

    Thewordaliveinthismom

    Metalcore Bands - Free Printable Wordsearch THEWORDALIVEINTHISM OMENTL LIVINGSACRIFICE UNBROKENA DESPISEDICONINHEAR TSWAKEIPREVAIL WECAMEASROMANSED RGS CHIODOSPM YEUN E BORNOFOSIRIS REBCIYT I FORTODAYSE ASEKAAA AN FASRC HSADLTAGF RRHMCS TRESSIS NE WIOTA TERORTE BIOA HPASRMYE ETEFAYT ALSR IMRAAFIGI THTEEAO NATA LIBEOBVID FIEYLVK YIN EBHNLLTLIIRA FWVEE IDCD SCEUEAEENS EEEIN LYFF HHAISMSEGT NRILG LIRA EASNMISBTDGT GLE ENOI SSKGTYTOTIR OND SGNT LTYAEHF HNALIST RIVIUMTH EERLSCNEGE GCANEE ES ETETIAREF OHTESOV TWI PHVHITNAMA DEHTEE AHL SEEADOZ ILRRRN FIE DRMTRCYE LOONOFMICEMENTN AEGHI EFSIUO HET YDHE VAIIGGL TTCS COAENSN HDEEHC HSR ITP RAR OTRL SAR PE RL SC OEA DA SR LM FE S FALLING IN REVERSE AFTER THE BURIAL THE RED CHORD MISS MAY I FROM FIRST TO LAST PIERCE THE VEIL NEW YEARS DAY I AM GHOST BEING AS AN OCEAN ESCAPE THE FATE DESPISED ICON I PREVAIL AVENGED SEVENFOLD GREELEY ESTATES HASTE THE DAY FOR TODAY IN FEAR AND FAITH AS I LAY DYING SAVING GRACE THE ARRS WE CAME AS ROMANS A SKYLIT DRIVE BLESSTHEFALL ILL NINO EVERY TIME I DIE IN HEARTS WAKE WHITECHAPEL UNBROKEN LIVING SACRIFICE AGNOSTIC FRONT MY ENEMIESI CHIMAIRA WHILE SHE SLEEPS SILENT SCREAMS LAMB OF GOD UNEARTH BLEEDING THROUGH BORN OF OSIRIS OF MICE MEN CALIBAN EYES SET TO KILL THE WORD ALIVE GET SCARED TRIVIUM PROTEST THE HERO FIT FOR A KING CRAZYFISTS CHIODOS IN THIS MOMENT TERROR Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Metalcore Bands - Free Printable Wordsearch POISONTHEWELL BA MEMPHISMAYFIREEE LT CANCERBATSURCCONVE

  • Public Public of Variety a Includes Brochure *This % Friday

    CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square.