Rodney Graham b.1949 Vancouver, Canada
Education
1968-71 University of British Columbia
Solo Exhibitions
2012 ‘Rodney Graham - Canadian Humourist’, Vancouver Art Gallery, Vancouver, Canada ‘Rodney Graham’, Johnen Galerie, Berlin, Germany 2011 ‘Rodney Graham,’ Donald Young Gallery, Chicago, IL, USA ‘Vignettes of Life’, Hauser & Wirth, Zurich ‘Rollenbilder – Rollenspiele’, Museum der Moderne, Salzburg, Austria
2010 ‘Painter, Poet, Lighthouse Keeper’ Lisson Gallery, London ‘Rodney Graham’, 303 Gallery, New York, NY, USA ‘Rodney Graham – Through the Forest’, Hamburger Kunsthalle, Hamburg, Germany ‘Rodney Graham – Through the Forest’, Museum für Gegenwartskunst, Basel, Switzerland ‘Rodney Graham – Through the Forest’, MACBA – Museum of Contemporary Art, Barcelona, Spain ‘Possible Abstractions’, Museu Picasso, Barcelona, Spain
2009 ‘Harun Farocki / Rodney Graham’, Jeu de Paume, Paris, France
2008 “Rodney Graham”, 303 Gallery, New York, NY, USA ‘A Glass of Beer’, CAC Malaga, Malaga, Spain ‘It’s All Black and White, Galerie Rüdiger Schöttle, Munich, Germany ‘Rodney Graham', Donald Young Gallery, Chicago IL, USA
2007 ‘Rodney Graham, Lobbing Potatoes at a Gong’, Bawag Foundation, Vienna, Austria ‘Wet on Wet: My Late Early Styles’, Lisson Gallery, London, UK Kurt-Schwitters-Preis 2006, Sprengel Museum, Hanover, Germany
2006 ‘Rodney Graham: Awakenings’, Bergen Kunstahll, Bergen, Norway ‘Awakening’, Donald Young Gallery, Chicago, IL, USA ‘Rodney Graham, Renaissance Man, Works 1400–1977”, Hauser & Wirth Zürich ‘Rodney Graham’, Musée d’art contemporain de Montréal, Canada
2005 ‘Rodney Graham: A Little Thought’, Vancouver Art Gallery, Vancouver, Canada ‘Torqued Chandelier Release’, Donald Young Gallery, Chicago, IL, USA ‘A Glass of Beer and Other Works’, Lisson Gallery, London, UK
‘Rodney Graham: A Little Thought’ Institute of Contemporary Art, Pennsylvania, USA Johnen Galerie, Berlin, Germany Le Magasin, Grenoble, France
2004 “A Little Thought”, Art Gallery of Ontario, Toronto, Canada “Rodney Graham”, 303 Gallery, New York, NY, USA “Rodney Graham, A Little Thought”, Museum of Contemporary Art, Los Angeles, LA, USA ‘Rodney Graham, Save the Date’, La Coeccion Jumex, Mexico ‘Rodney Graham. Filme. Witz und Wiederholung’, Hochschule fur Bildende Kunste, Dresden, Germany
2003 “Rodney Graham”, K21, Dusseldorf, Germany “Rodney Graham”, MAC Marseilles, Marseilles, France “Rodney Graham”, Madison Art Centre, Wisconsin, USA “La Caja Negra”, Centro Atlantico de Arte Moderno, Spain “Rodney Graham”, Donald Young Gallery, Chicago, IL, USA “Rodney Graham, Millennial Time Machine”, Morris and Helen Belkin Art Gallery, Vancouver, Canada “Rodney Graham”, Galerie Hauser & Wirth, Zurich, Switzerland “The Phonokinetoscope”, The Power Plant Contemporary Art Gallery, Toronto, Canada
2002 “Conversation? Recent acquisitions of the Van Abbemuseum”, Athens School of Fine Arts, Athens, Greece “Rodney Graham”, Whitechapel Art Gallery, London, UK (exh cat) “Rodney Graham, Music and Some Noise”, Kunsthalle Zurich, Switzerland “Rodney Graham”, 303 Gallery, New York, NY, USA “Rodney Graham, Sunshine Superman”, Isabelle Du Moulin & Niels Borch Jensen Gallery, Berlin, Germany “How I Became a Ramblin’ Man”, Johnson City Community College, Overland Park, Kansas, USA
2001 “The Invention of Kineto-Phonograph”, Galerie Nelson, Paris, France “What I Did on My Summer Vacation”, 303 Gallery, New York, NY, USA “Rodney Graham: Films”, Daad Galerie, Berlin, Germany “City Self/Country Self”, Donald Young Gallery, Chicago, IL, USA “Currents 29: Rodney Graham”, Milwaukee Art Museum, Milwaukee, WI, USA “What is Happy Baby?”, Lisson Gallery, London, UK Art Gallery of Calgary, Toronto, Canada Art Basel, Galerie Nelson, Basel, Switzerland “City Self/Country Self: Edge of a Wood”, Hamburger Bahnof – Museum fur Gegenwart, Berlin, Germany “Solo Concert”, Galerie Micheline Szwajcer, Antwerp, Belgium “Solos for Video”, Kunstsammlung Nordhein-Westfalen, Dusseldorf, Germany Index, Stockholm, Sweden
2000 “Some works with Sound Waves, Some Works with Light Waves and Some other experimental works”, Kunstverein Munich, Germany and touring to Westfalischer Kunstverein, Munster, Germany (exh cat with an 11inch record) “City Self / Country Self”, Lisson Gallery, London, UK
Fraenkel Gallery, San Francisco, USA Presentation House, North Vancouver, Canada “Rodney Graham”, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany “…the nearest faraway place…”, Dia Center for the Arts, New York, NY, USA “Rodney Graham: Neue Arbeiten”, Westfalischer Kunstverein, Munster, Germany
“Rodney Graham. Getting it Together in the Country”, Presentation House Gallery, San Francisco, CA, USA
1999 “Rodney Graham – Cinema, Music, Video”, Kunsthalle Wien, Vienna, Austria (exh cat) “How I became a Ramblin’ Man”, Donald Young Gallery, Chicago, USA Christine Burgin, New York, NY, USA “Vexation Island”, Museum of Contemporary Art, Miami, FL, USA “Rodney Graham”, National Gallery of Canada, Ottawa, Canada “Two Generations ( Deux génerateurs ) / Oeuvres de la collection Frac Rhône- Alpes”, Angle Art Contemporain, Saint-Paul-Trois-Châteaux, France “Time Traced”, Dia Center for the Arts, New York, NY, USA “Vexation Island”, Belkin Art Gallery, Vancouver, Canada
1998 Galerie Rüdiger Schöttle, (together with Stephan Balkenhol), Munich, Germany Galerie Johnen & Schottle, Cologne, Germany “Rodney Graham”, Wexner Center for the Arts, Columbus, OH, USA “Rodney Graham. Vexation Island and Other Works”, Art Gallery of York University, North York, Canada (exh cat) Micheline Szwajcer Gallery, Antwerp, Belgium
1997 303 Gallery, New York, NY, USA Angles Gallery, Santa Monica, CA, USA “Vexation Island”, La Biennale di Venezia, Venice, Italy “Parcours autour de la Camera Obscura Mobile”, Chateau d’Harcourt, Harcourt, France
1996-7 Lisson Gallery, London, UK Canadian pavilion, XLVII Biennale de Venezia, Venice Italy (exh cat)
1996 FRAC de Haute Normandie, Rouen, France “Rodney Graham: Editions”, Nicole Klagsbrun, New York, NY, USA Morris and Helen Belkin Art Gallery, Vancouver, Canada
1995-96 Galerie Rüdiger Schöttle, Munich, Germany
1995 Fundacio Espai Poblenou, Barcelona, Spain “School of Velocity & Parsifal”, The Renaissance Society, Chicago, USA Johnen & Schöttle, Cologne, Germany Musée Départemental de Rochcenouart, Haute Vienne, France 303 Gallery, New York, NY, USA
1994 “Rodney Graham”, Art Gallery of York University, North York, Canada
“Rodney Graham: Works From the Permanent Collection”, Art Metropole, Toronto, Canada “Rodney Graham”, office of Bernhard Starkmann, Boston, MA, USA 303 Gallery, New York, NY, USA Fundacio Espai Poblenou, Barcelona, Spain “Rodney Graham: Works from the Permanent Collection”, Art Metropole, Ontario, Canada
1993-94 Angles Gallery, Santa Monica, CA, USA
1993 Galerie Micheline Szwajcer, Antwerp, Belgium (exh cat) Lisson Gallery, London, UK Angles Gallery, Santa Monica, CA, USA
1992 Galerie Nelson, Lyon, France Galerie Rüdiger Schöttle, Paris, France “Adjacent Film Frames”, Galerie One Five, Antwerp, Belgium
1991 “Stanley Park Cedars”, Maison de la Culture et de la Communication de Saint- Etienne, Saint-Etienne, France “Ponderosa Pines”, Galerie Rudiger Schottle, Munich, Germany
1990 “Parsifal”, Johnen & Schöttle Galerie, Cologne, Germany (exh cat) “Oxfordshire Trees”, Christine Burgin Gallery, New York, NY, USA “Books”, Lisson Gallery, London, UK
1989 “Flanders Trees”, Galerie Micheline Szwajcer, Antwerp, Belgium “Books and Writings by Rodney Graham”, Yves Gevaert, Brussels, Belgium Galeria Marga Paz, Madrid, Spain “Rodney Graham”, Stedelijk Van Abbemuseum, Eindhoven, Netherlands (exh cat)
1988 Christine Burgin Gallery, New York, NY, USA Galerie Philip Nelson, Lyon, France Johnen & Schöttle Galerie, Cologne, Germany Vancouver Art Gallery, Vancouver, Canada (exh cat)
1987 “The System of Landor’s Cottage”, Art Gallery of Ontario, Toronto, Canada “Freud Sculptures”, Ydessa Gallery, Toronto, Canada
1986 Johnen & Schöttle Galerie, Cologne, Germany
1979 “Camera Obscura”, Abbotsford, Canada “Illuminated Ravine”, Simon Fraser University, Burnaby, Canada
Group Exhibitions
2012 ‘Les Dérives de l'imaginaire [Letting the Imagination Drift]’, Palais de Tokyo, Pairs, France ‘Atelier + Kitchen = Laboratories of the Senses’, Marta Herford, Herford, Germany
‘Resonance and Silence - Goetz Collection at Haus der Kunst’, Haus der Kunst, Munich, Germany 2011 ‘Contour 2011 – 5th Biennial of Moving Image’, Contour vzw, Mechelen, Belgium ‘Ha Ha Road’, Quad Gallery, Derby, UK. Travelling to Oriel Mostyn Gallery, Llandudno, UK ‘Round and Round and Round (Part 2)’, Parc Culturel de Rentilly, Bussy Saint- Martin, France ‘Locus Solus. Impressions of Raymond Roussel’, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain ‘Rollenbilder – Rollsenspiele’, Museum der Moderne Salzburg, Salzburg Monchsberg, Austria ‘La Carte D’Apres Nature’, Matthew Marks Gallery, New York, NY, USA ‘Out of Storage’, De Timmerfabriek, Maastricht, Netherlands ‘Time and Place’, Kunsthalle Detroit, Detroit, MI, USA ‘Biennale of Montreal’, Centre international d’art contemporain de Montreal, Montreal, Canada ‘The Cinema Effect: Illusion, Reality, and the Moving Image. Dreams’, Caixa Forum, Barcelona, Spain ‘101 Collection: Route 2: Undisclosed Destination’, San Francisco CA ‘Legacy: The Emily Fisher Landau Collection’, Whitney Museum of American Art, New York, NY, USA ‘Big Picture (Orte / Projektionen)’, K21 Standehaus, Dusseldorf, Germany ‘Faces. Works from the Permanent Collection’, Morris and Helen Belkin Art Gallery, Vancouver, Canada ‘The Voyage or Three Years at Sea – Part. Rodney Graham – Tacita Dean’, Charles H. Scott Gallery, Emily Carr University of Art – Design, Vancouver, Canada
2010 ‘Conversation Pieces. A Chamber Play, Act 1’, Berlin, Johnen Galerie, German ‘Kurt’, Seattle Art Museum, Seattle, WA, USA ‘fast forward 2. The Power of Motion. Media Art Sammlung Goetz’, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany ‘Conversation Pieces. A Chamber Play, Act 1’, Johnen Galerie, Berlin, Germany ‘17th Biennale of Sydney. THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age’, Museum of Contemporary Art, Sydney, Australia ‘Huckleberry Finn’, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA
2009 ‘Picturing the Studio’, Sullivan Galleries, SAIC School of the Art Institute of Chicago, Chicago IL, USA ‘Die Kunst ist super!’, Hamburger Bahnhof Museum für Gegenwart, Berlin, Germany ‘Continuous Present’, Yale University Art Gallery, New Haven, CT, USA ‘See This Sound. Promises in Sound and Vision’, Lentos Kunstmuseum Linz, Austria ‘Little Theatre of Gestures’, Malmö Kunsthall, Malmo, Sweden (Travelling Exhibition) ‘Little Theatre of Gestures’, Museum für Gegenwartskunst, Basel, Switzerland (Travelling Exhibition) ‘Invasion of Sound’, Zacheta National Art Gallery, Warsaw, Poland
‘Holbein to Tillmans. Prominent Guests from the Kunstmuseum Basel’, Schaulager Basel, Switzerland ‘Sonic Youth etc.: Sensational Fix’, Kunsthalle Düsseldorf, Dusseldorf, Germany (Travelling Exhibition) ‘Magnetic Landscape’, The Columbus Museum, Columbus, OH, USA ‘Fantopia – A state of impossible perfection’, Mother’s Tankstation, Dublin, Ireland
2008 ‘Notation. Kalkül und Form in den Künsten,’ Akademie der Künste, Berlin ‘Revolutions 1968’, Zacheta National Gallery of Art, Warsaw Made up. International 08 Exhibition’, Liverpool Biennial, Liverpool, UK ‘The Art of the Real. Vanmoerkerke Collection’, Oud Vliegveld, Oostende, Netherlands ‘Sound of Art. Musik in der Bildenden Kunst’, MdM Museum der Moderne, Salzburg, Austria ‘Un coup de Dés’. Bild gewordene Schrift, ein ABC der nachdenklichen Sprache, Generali Foundation, Vienna, Austria ‘Time Crevasse’. Yokohama Triennale 2008, Yokohama, Japan ‘Made up. International 08 Exhibition’, Liverpool Biennial, Liverpool, UK ‘Peripherer Blick und kollektiver Körper’, Museion, Bozen, Italy ‘Revolutions – Forms That Turn, 16th Biennale of Sydney’, Australia ‘REAL – Fotografien aus der Sammlung der DZ Bank’, Städel Museum, Frankfurt am Main, Germany ‘Kavalierstart 1978 – 1982’. Aufbruch in die Kunst der 80er, Museum Morsbroich, Leverkusen, Germany ‘To Burn Oneself with Oneself: the Romantic Damage Show’, Stichting De Appel, Amsterdam, Netherlands ‘Paraisos Indomitos’, MARCO Museo de Arte Contemporanea de Vigo, E ‘(loverboy), sleep, shatter, handheld bird’, CCS Galleries at CCS Bard College, Annandale-on-Hudson, NY, USA ‘You Dig the Tunnel, I’ll Hide the Soil’, White Cube Hoxton Square / Shoreditch Town Hall, London, UK ‘The Cinema Effect: Illusion, Reality, and the Moving Image. Part 1: Dreams’, Hirshhorn Museum and Sculpture Garden, Washington, D.C., UK ‘peer to peer’, Échanges, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg ‘The Practice of Everyday Life. Fundacion/Coleccion Jumex’, Museo Nacional de Arte, Mexico City, Mexico ‘Made in Munich’, Haus der Kunst, Munich, Germany ‘Blickmaschinen’, Museum fur Gegenwartskunst, Siegen, Germany ‘Malcolm McLaren – Musical Paintings’, ScheiblerMitte, Berlin, Germany ‘Crossroads. Interfaces Between Rock Music and Contemporary Art’, Domus Artium 02, Salamanca, Spain ‘Idle Youth’, Gladstone Gallery, New York, NY, USA ‘On History’, Santander Central Hispano Foundation, Madrid, Spain ‘Archeology of Mind. Morra Greco Collection’, Malmo Art Museum, Malmo, Sweden ‘Solo 24 Ore 24 Stunden’, Museion, Bolzano, Italy ‘Blasted Allegories. Works from the Ringier Collection’, Kunstmuseum Luzern, Lucerne, Switzerland ‘Painting Now and Forever, Part III’, Matthew Marks Gallery/ Greene Naftali Gallery, New York, NY, USA
‘Reality Check’, Statens Museum for Kunst, Copenhagen, Denmark ‘Playback’, ARC-Musee d’Art Moderne de Paris, Paris, France ‘Deep Comedy’, Marian Goodman Gallery, New York, NY, USA
2007 ‘The Invisible Show’, Centro José Guerrero de Granada, Granada, Spain ‘Sublimes Objets’, Musée national d’art contemporain, Bucarest, Romania ‘Concept: Photography – Dialogues & Attitudes’, Ludwig Museum, Budapest ‘Passage du Temps’, Collection Francois Pinault Foundation, Tripostal, Lille, France ‘MACBA im Frankfurter Kunstverein’, Frankfurter Kunstverein, Frankfurt, Germany ‘Auto Emotion’, The Power Plant, Toronto, Canada ‘Destroy Athens’, Athens Biennal, Athens, Greece ‘From the Audible to the Visible’, (cur. By Peter Coffin), Galerie Frank Elbaz, Paris, France ‘Brave Lonesome Cowboy’, Villa Merke, Esslingen, Germany, Kunstmuseum St. Gallen, St. Gallen, Switzerland (Travelling Exhibition) ‘Sympathy for the Devil: Art and Rock and Roll since 1967’, Museum of Contemporary Art, Chicago, IL, USA ‘Elsewhere’, University of South Florida, Tampa, FL, USA ‘Intocable’, Patio Herreriano, Valladolid, Spain ‘Her(his)tory’, Museum of Cycladic Art, Athens, Greece ‘Collezione La Gaia’, CESAC – Centro Sperimentale per le Arti Contemporanee, Caraglio, Italy ‘Romantischer Konzeptionalismus’, BAWAG Foundation, Vienna, Austria (Travelling Exhibition) ‘Mapas, Cosmogonias e Puntos de Referencia’, CGAC – Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain ‘All About Laughter: Humor in Contemporary Art’, Mori Art Museum, Tokyo, Japan ‘If Everybody Had an Ocean: Brian Wilson and Art’, Tate St. Ives, St Ives, UK ‘Situation Comedy: Humor in RecentArt’, Salina Art Center, Salina KS, Museum of Art, Fort Lauderdale, FL, USA (Travelling Exhibition) ‘On History’, Santander Central Hispano Foundation, Madrid, Spain ‘Deep Comedy’, Ballroom Marfa, Texas, USA ‘Vollevox’, Komplot at Les Halles, Brussels, Belgium ‘Depth of Field: Modern Photography at the Metropolitan’, The Metropolitan Museum of Art, New York, NY, USA ‘Come, come, come into my world’, Ellipse Foundation, Cascais, Portugal ‘Music is a Better Noise’, P.S.1 Contemporary Art Center, New York, NY, USA
2006 ‘The 80s: A Topology’, Museu Serralves, Oporto, Portugal ‘Beyond Cinema: The Art of Projection’, Hamburger Bahnhof, Berlin, Germany ‘Le Printemps de Septembre’, Les Abattoirs/FRAC – Fonds Regional d’Art Contemporain Midi-Pyrenees, Toulouse, France ‘The Invisible Show’, Museum of Contemporary Art Vigo, Vigo, Spain ‘Moving On: Motion’, Galerie Thomas Schulte, Berlin, Germany ‘Intouchable. L’ideal transparence’, Villa Arson, Nice, France ‘Helga de Alvear. Concepts for a Collection’, Exhibition Centre of Centro Cultural de Belem, Belem, Brazil ‘Nothing But Pleasure’, BAWAG Foundation, Vienna, Austria ‘Good Vibrations. Visual Arts and rock music’, Palazzo delle Papesse, Siena, Italy
‘Le mouvement des images’, Centre Georges Pompidou, Paris, France ‘Video – Collection Pierre Huber’, Le Magasin, Centre National d’Art Contemporain, Grenoble, France ‘WRONG’, Klosterfelde Berlin, Berlin, Germany ‘Faking Death: Canadian Art Photography and the Canadian Imagination’, Jack Shainmang Gallery, New York, NY, USA ‘Whitney Biennal 2006. Day for Night’, Whitney Museum, New York, NY, USA ‘Dormir, rever…et autres nuits’, CAPC – Musee d’art contemporain de Bordeaux Entrepot, Bordeaux, France ‘Espai public/ Dues audiences, obres i documents de la Collecio Herbert’, MACBA – Museum of Contemporary Art, Barcelona, Spain ‘Music is a better Noise’, P.S.1 MoMA, Long Island, New York, NY, USA ‘Surprise, Surprise’, Institute of Contemporary Art, London, UK ‘Distortions (1), IAC/FRAC – Fonds Regional d’Art Contemporain Rhone – Alpes, Villeurbanne, France Art Basel, Basel, Switzerland ‘Situation Comedy: Humor in RecentArt’, Chicago Cultural Center, Chicago, IL, USA; Winnipeg Art Gallery, Manitoba, Canada; MacKenzie Art Gallery, Saskatchewan, Canada (Travelling Exhibition) ’50 Jahre Documenta’, Domus Artium, Salamanca, Spain (Travelling Exhibition) ‘Arr, Matey: Pirates and Piracy’, Pacific Film Archive, University of California-Berkeley, Berkeley, California, USA ‘Altered States’, Taipei Fine Arts Museum, Taipei City, Taiwan ‘Naturaleza: Experencia’, Espacio Contemporaneo de Arte de Toledo, Toledo, Spain
2005 ‘An Aside. Selected by Tacita Dean’, Camden Arts Centre, London, UK, moving on to Fruitmarket Gallery, Edinburgh, UK ‘De Natura’, Abbaye Saint-Andre, Meymac, France ‘Behind Closed Doors’, Dundee Contemporary Arts, Dundee, UK “Passport to Painting”, 303 Gallery, New York, NY, USA ‘Pass the Time of Day’, Castlefield Gallery, Manchester, UK “The Imaginary Number”, KW Institute for Contemporary Art, Berlin, Germany “Kunstprojekt Petuelpark”, Munich, Germany (exh cat) “Burleques Contemporains”, Jeu de Paume, Paris, France (exh cat) “Real Pictures: Photographs from the Collection of Claudia Beck and Andrew Gruft”, Vancouver Art Gallery, Vancouver, Canada (exh cat) Fundacion ‘La Caixa’ Collection. 20 Years with Contemporary Art. New Acquisitions. Caixaforum, Barcelona, Spain “Fast Forward. Avence Rapido. Media Arte de la Coleccion Goetz”, Centro Cultural Conde Duque, Madrid, Spain (exh cat) “Un Art de Lectuers”, Galerie Art & Essai de L’university Rennes, Rennes, France (exh cat) “Sons & Lumieres, A History of Sound in 20th Century Art”, Centre Pompidou, Paris, France “Multiple Spaces (3) – Film – Imagination and Illusion in Art”, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany “Richard Wagner. Vision d’artistes”, Musee Rath, Geneva, Switzerland “Intertidal. Vancouver Art and Artists”, Museum van Hedendaagse Kunst, Antwerp, Belgium “Superstars. Das Prinzip Prominenz in der Kunst”, Kunsthalle Wien, Vienna, Austria
“Ecstasy: In and About Altered States” (cur. Paul Schimmel), Museum of Contemporary Art, Los Angeles, CA, USA “Offwhite: Carte grise a Genevieve Cadieux”, Dazibao, Centre de Photographies actuelles, Montreal, Canada “Kontexte der Fotografie”, Museum fur Gegenwartskunst Siegen, Siegen, Germany “Police”, Landesmuseum Oberosterreich, Linz, Austria “Puppets and Heavenly Creatures”, Thyssen-Bornomisza Art Contemporary, Vienna, Austria “Don’t trust anyone over thirty. Entertainment by Dan Graham and Tony Oursler with Rodney Graham”, Wiener Festwochen, Vienna, Austria “La Collection en trois temps et quatre actes”, MAC – Musee d’Art Contemporain, Marseille, France “Post No Bills”, White Columns, New York, NY, USA “Long Playing”, Barbara Krakow Gallery, Boston, MA, USA
2004 “Pass the Time of Day”, London: Gasworks, UK “I am the Wrath of God”, MOT, London, UK “Facing History, Portraits from Vancouver”, Canadian Cultural Centre, Paris, France (exh cat) “Perspectives @ 25, A Quarter Century of New Art In Houston”, Contemporary Art Museum, Houston, USA (exh cat) “Los usos de imagen: fotografia, film y video en La Coleccion Jumex”, Fundaciion Telefonica and MALBA, Buenos Aires, Argentina “Videodreams”, Kunsthaus Graz, Graz, Austria Locarno International Film Festival, Locarno, Switzerland “Music Box”, White Box, New York, NY, USA “Drunk versus Stoned”, G.B.E. New York, NY, USA “Get a Little Closer…” Oakville Galleries, Oakville, Canada “Memory and Landscape”, La Casa Encendida, Madrid, Spain “Modeles”, Object Museum of Blois, Blois, France “Roving, Portable Culture”, Centro Andaluz de Arte Contemporaneo, Sevilla, Spain “Off the Record_Sound Arc”, Musee D’Art Moderne de la Ville de Paris, Paris, France “Friedrich Christian Flick Collection”, Hamburger Bahnhof, Berlin, Germany “Crosscurrents at Century’s End: Selections from the Neuberger Berman Art Collection”, Chicago Cultural Center, Chicago, IL, USA “Far Away So Close”, Center for Curatorial Studies, Bard College, Annandale- on-Hudson, New York, NY, USA “Feast of the Senses”, James Cohan Gallery, New York, NY, USA “Music/Video”, The Bronx Museum of the Arts, New York, NY, USA “Vollevox”, The Art Centre Vanderbroght, Brussels, Belgium
2003 “On Stage”, Kunstverein Hannover, Germany “VideoMix”, Arario Gallery, Korea “Eden”, Antiguo Colegio de San Ildefonso, Mexico City, Mexico “ Re-Produktion 2”, Vienna, AUstria “Gelijk het leven is”, S.M.A.K., Gent, Belgium “The Labyrinthine Effect”, ACCA, Victoria, Australia “Drawings”, Donald Young Gallery, Chicago, IL, USA “The Distance Between You And Me”, Lisson Gallery, London, UK
“within hours we would be in the middle of nowhere”, 303 Gallery, New York, NY, USA “From Dust to Dusk” International Exhibition of Contemporary Art, Charlottenborg Exhibition Hall, Copenhagen Morris and Helen Belkin Gallery, Vancouver, Canada “Extended Play: Art Remixing Music”, Govett-Brewster Art Gallery, New Zealand “On the Wall: Wallpaper and Tableau”, The Fabric Workshop and Museum, Philadelphia, PA, USA “Utopia Station”, Venice Biennale, Venice, Italy “Soundtracks”, Edmonton, Canada “Go Johnny Go! The Electric Guitar and Myth”, Kunsthalle Wien, Vienna, Austria “Regarde, Il Neige”, Centre National D’Art et du Paysage, France “Fast Forward: Media Works from the Goetz Collection”, ZKM – Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany “Outlook: International Art Exhibition Athens 2003”, Athens, Greece “La Biennale d’Art Contemporain de Lyon”, Lyon, France “Golden Oldies of Music Video”, Museum of Modern Art, New York, NY, USA “Liam Gillick, Rodney Graham, Joao Penalva”, The Power Plant Contemporary Art Gallery, Toronto, Canada “The Labyrinthine Effect”, Australian Center for Contemporary Art, Victoria, Australia “Doublures/Body Doubles”, Musee du Quebec, Quebec City, Canada “Music/Video”, Musee d’Art Moderne et Contemporain, Strasbourg, France “Le Beau Corps de la Memoire”, MAC’s, Grand-Hornu, Hornu, Belgium Christine Burgin, New York, NY, USA “Malerei”, Johnen & Schottle, Cologne, Germany “Sound Systems”, Kunstverein Salzburg, Salzburg, Austria
2002 “The House of Fiction”, Sammlung Hauser und Wirth/Teil 3, St. Gallen “New Deal”, Centre d’Art Contemporain, Geneve, Switzerland “Remix: contemporary art&pop”, Tate Liverpool, UK “Tableaux vivants: Living pictures and attitudes in Photography, Film and Video”, Kunsthalle Wien, Vienna, Austria “Inframince”, Cabinet, London, UK “Regarding Landscape”, Art Gallery of York University, Toronto, Canada “Urbane Sequenzen”, Velbert – Museum Schloß Hardenberg, Germany Kunsthalle Erfurt, Erfut, Germany “Subréel”, Galeries contemporaines des Musées de Marseille, Marseille, France “Loop. Back to the Beginning”, The Contemporary Arts Center, Fifth Street Space, Cincinnati, OH, USA “French Collection”, Musée d’art moderne et contemporain, Geneva, Switzerland “Rock my world”, CCAC, San Francisco, CA, USA “13th Sydney Biennial”, Sydney, Australia “Conversation, Recent acquisition of the Van Abbemuseum”, Athens School of Fine Arts, Athens, Greece “Kunst nach Kunst”, Neues Museum Weserburg Bremen, Bremen, Germany “Transformer”, Pori Taidemuseo, Pori, Finland Museum van Hedendaagse Kunst, Antwerp, Belgium
2001 “Rodney Graham and Bruce Nauman, the nearest faraway place”, Dia Centre for the Arts, New York, NY, USA Donald Young Gallery, Chicago, IL, USA “Making Time”, UCLA Hammer Museum, Los Angeles, CA, USA “Black Box: The Dark Room in Art”, Museum of Fine Arts, Bern, Switzerland “Devoler”, Institut d’art contemporain, Villeurbanne, France “Wechseltrom - Alternating Current”, Sammlung Hauser und Wirth in der Lokremise St. Gallen, Switzerland “La nature dans tous ses états”, frac, Provence-Alpes-Côtes d’azur “9e Biennale de I’Image en Mouvement”, Centre pour I’image contemporaine, Geneva, Switzerland “Sculpture Conemporaine: Œuvres de la Collection Frac Rhône-Alpes del’Institut d’art contemporain”, Substances, Lyon, France “Loop – Alles auf Anfang”, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, (cat.) “Let’s Entertain”, Miami Art Museum, Miami, FL, USA Istanbul Biennial, Istanbul, Turkey (exh cat) “Luminous”, Bellevue Art Museum, Seattle, WA, USA “Retake”, NAK, Germany (exh cat) “Nouvelles Acquisitions”, FRAC, Washington DC, USA “The Inward Eye: Transcendence in Contemporary Art”,CAM, Houston, TX< USA (exh cat) “Black Box”, Kunstmuseum, Bern, Switzerland (exh cat) “Feature: Art, Life and Cinema”, Govett-Brewster Art Gallery, New Zealand (exh cat) “9th Biennial of Moving Images”, MAMCO, Geneva, Switzerland “Loop – Alles auf Anfang”, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (exh cat) “Loop”, P.S.1/MOMA, New York, NY, USA (exh cat) “Neue Welt”, Frankfurter Kunstverein, Frankfurt, Germany “Wiederaufnahme”, Neuer Aachener Kunstverein, Aachen, Germany “Art / Music: Rock, Pop, Techno”, Museum of Contemporary Art, Sydney, Australia (exh cat) “010101: Art in Technological Times”, SF MOMA, San Francisco, USA “Short Stories”, Henry Art Gallery, Seattle, Washington “These Days”, Vancouver Art Gallery, Canada “Schaufenster mit Licht”, Galerie Kienzle & Gmeiner, Berlin, Germany
2000 “Time Traced”, Dia Centre for the Arts, New York, NY, USA “Dream Machines”, curated by Susan Hiller, Dundee Contemporary Arts, UK, touring to Mappin Art Gallery, Sheffield and Camden Arts Centre, London, UK “Sound Video Film”, Donald Young Gallery, Chicago, IL, USA “Making Time: Considering Time as a Material in Contemporary Video & Film”, Palm Beach Institute of Contemporary Art, Palm Beach, FL, USA “Au-delà du spectacle”, Centre Pompidou, Paris, France “The Greenhouse Effect”, Serpentine Gallery, London, UK (exh cat) “In Search of Experience: Reconsidering the Readymade”, Green on Red Gallery, Dublin, Ireland “Rodney Graham: Welsh Oaks” with Sol LeWitt, Fraenkel Gallery, San Francisco, CA, USA “Let’s Entertain”, Walker Art Center, Minneapolis, MN, USA “Drive”, Govett-Brewster Art Gallery, New Plymouth, New Zealand
“Music Works by Visual Artists”, Freunde Guter Musik Berlin, Berlin, Germany “The Oldest Possible Memory”, Sammlung Hauser and Wirth, St Gallen, Switzerland “Tout le Temps”, La Biennale de Montreal 2000, Montreal, Canada (exh cat) “Utopias”, Mead Gallery, Warwick Arts Centre, University of Warwick, UK “Lo Spazio Condiviso”, Palazzo Delle Papesse, Cemtro Arte Contemporanea, Siena, Italy (exh cat) “Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects”, Works from the collection of Annick and Anton Herbert, Casino Luxembourg, Luxembourg (exh cat) “The Lhoist Group’s Photographic Commissions”, Centre National de la Photographie, Paris, France, Musee d’Ixelles, Brussels, Belgium and in Germany (exh cat) “media_city seoul 2000”, Seoul, Korea (exh cat) “On stage”, Kunstverein Hannover and Villa Merkel, Galerien der Stadt Esslingen, Germany (exh cat) “Flight Patterns”, MOCA at The Geffen Contemporary, Los Angeles, CA, USA (exh cat) “@ the Cinema”, Real Art Ways, Hartford, CT, USA “Oktoberfest 2000”, VTO Gallery, London
1999 “Go away. Artist and Travel”, Royal College of Art Galleries, London, UK “Duration and Whenever”, Angles Gallery, Santa Monica, CA, USA “Plain Air”, Barbara Gladstone Gallery, New York, NY, USA “Searchlight: Consciousness at the Millenium”, The CCAC Institute, Califorinia College of Arts and Crafts, San Francisco, CA, USA (exh cat) “Regarding Beauty - A view of the late Twentieth Century, Hirshorn Museum and Sculpture Garden, Washington DC, USA National gallery of Canada, Ottawa, Canada “Rodney Graham, Sharon Lockhart”, Friedrich Petzel, New York, NY, USA “Oeuvres de la Collection du Frac Centre”, Frac des pays de la Loire, Nantes, France “Private Eye – Crimes and Cases”, Haus am Waldsee, Berlin, Germany (exh cat) “Halcion Sleep”, Lux Cinema and Gallery, London, UK “Culbutes oeuvre d’impertinence”, Musee d’art Contemporain de Montreal, Montreal, Canada (exh cat) “Millennium My Eye! Head Over Heels A Work of Impertinence”, Musee d’art contemporain de Montreal, Montreal, Canada “A Puzzling Strategy: Different Views of Landscape Photography”, James Kelly Contemporary, Santa Fe, New Mexico
1998 “Rodney Graham and Charles Ray”, Donald Young Gallery, Seattle, WA, USA “Single Screen”, Norwich Gallery, Norwich School of Art and Design, Norwich, UK “Composed”, Angles Gallery, Santa Monica, CA, USA “Projected Allegories”, Contemporary Arts Museum, Houston, Texas, USA (exh cat) “Then and Now”, Lisson Gallery, London, UK “A sense of place”, Angles Gallery, Santa Monica, CA, USA “Reservate der Sehnsucht / Zones of Desire”, Kulturburo Stadt, Dortmund, Germany “Sharawadgi”, Felsenvilla, Baden. (exh. cat. ed. Mathias Poledna)
“Speed - Vision of an Accelerated Age”, Whitechapel Art Gallery and The Photographers’ Gallery, London, UK (exh cat) “La Sphere de l’intime”, Printemps de Cahors Festival, France; Photographie et arts visuels, Saint-Cloud, France (exh cat) “The Magic of Trees”, Fondation Beyeler, Basel, Switzerland (exh cat) “Dust Breeding”, Fraenkel Gallery, San Francisco, CA, USA (exh cat) “Rodney Graham, Stephan Belkenhol”, Galerie Rudiger Schottle, Cologne, Germany Washington Convention Centre, Washington DC, USA “The Serial Attitude”, Wexner Center for the Arts, Columbus, OH, USA “Shared Vision: Photographs from the Collection”, Fischer Landau Center, Long Island City, New York, NY, USA
1997 “Sites of the visual”, Art Gallery of Windsor, Ontario, Canada (exh cat) “Patrick Painter Editions”, S.L. Simpson Gallery, Toronto, Canada “Citta/Natura”, Palazzo delle Exposizioni, Rome, Italy “Vexation Island”, Canadian Pavillon, XLVII Venice Biennale, Italy “Past, Present, Future” (curated by Germano Celant) Venice Biennale, Italy “Niemandsland”, Krefelder Kunstmuseen, Krefeld, Germany (exh cat) “Wood Work”, Fisher Landau Center, New York, NY, USA “Projected Allegories”, Contemporary Arts Museum, Houston, USA (exh cat) “Traversing Territory”, Portland Institute for Contemporary Art, Portland, OR, USA (exh cat) “From Here to There”, Centro de Arte Moderna Jose de Azeredo Perdigao, Lisboa, Portugal (exh cat)
1996 Johnen & Schöttle, Cologne, Germany “Lesen!”, Kunsthalle St. Gallen, Switzerland (exh cat) “Victor Burgin, Dan Grahm, Rodney Graham, John Hilliard”, Lisson Gallery, London, UK “The Architecture of Dreams”, Museo Regional of Guadalajara, Guadalajara, Mexico “Topographies: Aspects of recent BC Art”, Vancouver Art Gallery, Vancouver, Canada (exh cat) “The Culture of Nature”, Kamloops Art gallery, Kamloops, Canada “Rodney Graham, Geoffry James, Richard Long”, Angles Gallery, Santa Monica, CA, USA “Die Schrift des Raumes”, Kunsthalle Wien, Vienna, Austria
1995 Centre Genevois de Gravure Contemporaine, Geneve, Switzerland “About the place: Recent Art in the Americas”, Art Institute of Chicago, Chicago, IL, USA (exh cat) “Les fragments du désir”, Futur Musée des Instruments, Brussels, Belgium “Artistes/Architects”, Nouveau Musée/Institut d’Art Contemporain, Villeurbanne, France “Seeing Things”, Galeria Antoni Estrani, Barcelona, Spain “Spirits at the Crossing: Travellers to/from Nowhere”, Setagaya Art Museum, Tokyo. Touring to MOMA, Kyoto, MOMA, Hokkaido, MOMA Sapporo (exh cat) “N.E. Thing Co.”, Oakville Galleries, Oakville, Canada (exh cat) “Collection, fin XX, Douze ans d’acquisition d’art contemporain en Poitou- Charentes”, France (exh cat)
“Exposition Artistes / Architectes”, Le Nouveau Musee / Institut, Villeurbanne, France
1994 “Beeld”, Museum voor Hedendaagse Kunst, Citadelpark, Gent, Belgium “Serial”, Angles Gallery, Santa Monica, CA, USA Gimpel Fils Ltd, London, UK Nicole Klagsbrun, New York, NY, USA “In Field”, Margo Leavin Gallery, Los Angeles, CA, USA “Des objets sans fondation”, Residence Secondaire, Carrée Saint Nicholas, Paris, France “Dan Graham, Rodney Graham, Jenny Holzer. Fotografien und Multiples”, Galerie Rudiger Schottle, Munich, Germany
1993 “Canada, une nouvelle generation”, Musée municipal, La Roche-sur-Yon, France (exh cat) “Binaera: 14 Interaktionen - Kunst und Technologie”, Kunsthalle, Vienna, Austria Second Tyne International, Newcastle-upon-Tyne, UK (exh cat) “Voyage to Cythera”, Vendremin Calergi Palace, Venice Biennale Galerie Johnen & Schottle, Cologne, Germany “Corners filled with what is swept into corners”, Galerie Micheline Szwajcer, Antwerp, Belgium (exh cat) “Beneath the Paving Stones”, Charles H. Scott Gallery, Emily Carr College of Art and Design, Vancouver, Canada (exh cat) “Books, Prints & Objects”, Stedelijk Van Abbemuseum, Eindhoven, Netherlands “Hans-Peter Feldman, Rodney Graham, Allen Ruppersberg”, 303 Gallery, New York, NY, USA
1992 “Rodney Graham et Ken Lum”, Galerie Nelson, Lyon, France “Camera Indiscretes”, Centre d'Art Santa Monica, Barcelona, Spain (exh cat) “Art by numbers”, Angles Gallery, Santa Monica, CA, USA “Los ultimos días”, Galería del Arenal, Seville, Spain “Teatrojardin. Bestiarium”, Casino de la Exposición, Seville, Spain (exh cat) Documenta IX, Kassel, Germany (exh cat) “Stars Don't Stand Still in the Sky - Hommage à Stéphane Mallarmé”, Kunstmuseum Winterthur, Switzerland “The Binary Era: New Interactions”, Musee Communal d'Ixelles, (tour to Vienna and Japan) (exh cat) “C'Est Pas la Fin du Monde”, Rennes, France "Une Seconde Pensée du Paysage", Centre d'Art Contemporain, Locminé, France “Inscapes”, De Appel, Amsterdam, Netherlands (exh cat) “Books, Prints, Objects”, Stedelijk Van Abbemuseum, Eindhoven, Netherlands (exh cat) “Acquisitions. 1989-1993”, Stedelijk Van Abbemuseum, Eindhoven, Netherlands (exh cat)
1991 “Le Diaphane”, Musée des Beaux-Arts/ FRAC Nord/Pas deCalais, Tourcoing, France (organized in part by the British Council) Galerij Micheline Szwajcer, Antwerp, Belgium “La Revanche de l'Image”, Galerie Pierre Huber, Geneva, Switzerland (exh cat) “Vanitas”, Galerie Crousel-Robelin, Paris, France “Nieuwe vieugel”, Stedelijk van Abbemuseum, Eindhoven, Netherlands
“Crossroads”, Art Gallery of York University, North York, Canada (exh cat) “Lost Illusions: Recent Landscape Art”, Vancouver Art Gallery, Canada (exh cat) “Inscapes”, De Appel, Amsterdam, Netherlands (exh cat) “Graham Prina Williams”, S.L. Simpson Gallery, Toronto, Canada (exh cat) “Multiple-Multiplying-Multiplication”, Jan van Eyck Akademie, Maastricht, Netherlands (exh cat)
1990-91 “Weitersehen”, Museum Haus Esters and Museum Haus Lange, Krefeld, Germany (exh cat) S.L.Simpson Gallery, Toronto, Canada - Curated by Gordan Lebredt
1990 “Hacia el paisaje”, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (exh cat) “Figure et Lecture”, Souma Samia Gallery, Paris, France “Savoir-Vivre, Savoir –Faire, Savoir-Etre”, Centre International d'Art Contemporain, Montreal, Quebec, Canada “Rodney Graham, Ian Wallace”, Rüdiger Schöttle Gallery, Munich, Germany “Real Allegories”, Lisson Gallery, London, UK “Arbora Versa”, Contemporary Art Gallery, Vancouver, Canada (exh cat) “Hanne Darboven, Rodney Graham, Antonio Muntandas”, Galeria Marga Paz, Lawrence Weiner, Madrid, Spain
1989 Ralph Wernicke Galerie, Stuttgart, Germany “Bestiarium. Jardin-Théatre”, Entrepôt-Galerie de Confort Moderne, Poitiers, France (exh cat) Casino de la Exposicion, Sevilla, Spain “Eye of Nature”, Walter Phillips Gallery, Banff, Canada
1988 “Drawings”, Cable Gallery, New York, NY, USA “Essential Form”, Walter Philips Gallery, Banff, Alberta, Canada (exh cat) “Rodney Graham, Robert Kleyn, Jeff Wall, Ian Wallace”, Studio Casoli, Milan, Italy “Facsimile”, De Zaak, Groningen, Netherlands (exh cat) Galerij Micheline Swajcer, Antwerp, Belgium “Made in Camera”, Gallery Sten Eriksson, Stockholm, Sweden (exh cat) “Theatregarden Bestiarium”, P.S. 1, New York, NY, USA
1987 “Skulptur Projekte in Münster”, Münster, Germany (exh cat) Cash/Newhouse Gallery, New York, NY, USA “Cinema Objects”, De Appel Foundation, Amsterdam, Netherlands “Kunst Mit Photographie”, Ralph Wernicke Gallery, Stuttgart, Germany “Rodney Graham and James Welling”, Coburg Gallery, Vancouver, Canada “Dan Graham, Rodney Graham, Robert Smithson, Jeff Wall”, Christine Burgin Gallery, New York, NY, USA “Material Ethics”, Milford Gallery, New York, NY, USA “Non In Codice”, Galleria Pieroni and The American Academy in Rome, Rome, Italy (exh cat)
1986 “Ricochet”, Galleria Sala Uno, Rome, Italy (exh cat) “Fokus: Canada 1960-1985”, Internationale Kunstbeurs/International Artfair, Cologne, Germany
1985 “Rodney Graham, Ken Lum, Jeff Wall, Ian Wallace”, 49th Parallel Centre for Contemporary Canadian Art, New York, NY, USA (exh cat) “Barbara Ess, Rodney Graham, Kem Lum”, Rüdiger Schöttle Galerie, Munich, Germany “Thought Objects”, Cash/Newhouse Gallery, New York, NY, USA
1986 “Poco Rococo”, Port Coquitlam Mall, Port Coquitlam, Canada
1980 “Critics Choice”, Hal Bromm Gallery, New York, NY, USA
1979 “Local Colour”, Nova Gallery, Vancouver, Canada
1977 “Eight West Coast Artists”, Pender Street Gallery, Vancouver, Canada (exh cat) (travelled to Sydney)
1976 “Rodney Graham, Robert Kleyn”, Pender Street Gallery, Vancouver, Canada
1973 “Pacific Vibrations”, Vancouver Art Gallery, Vancouver, Canada
Books and Writings by Rodney Graham
1996 Oeuvres Freudiennes/Oeuvres Wagneriennes, Musée départemental de Rochechouart et Yves Gevaert Éditeur
1992 A Design for a Mirrored Slip-case for Les Dernières Merveilles de la science (A Children's Book Published by Garnier Frères circa 1900) (1991-1992).Yves Gevaert, Brussels (edition of 12, and 3 artist's copies) White Shirt (for Mallarmé) Spring 1993. Yves Gevaert, Brussels and Lisson Gallery, London (edition of 21,and 5 artist's copies) Five Interior Design Proposals for the Grimm Brothers'Studies in Berlin, Yves Gevaert, Brussels and Galerie Johnen and Schöttle, Cologne (single work, edition of 300 poster including 50 numbered and signed in ink by the artist) Parsifal (1882 - 38,969,364,735) (1990-1992). Yves Gevaert, Brussels and Galerie Johnen and Schöttle, Cologne (luxury edition of 3) Reading Machine for Parsifal. One Signature. Yves Gevaert, Brussels (edition of 12)
1994 Freud et le cas Katharina (1990). Yves Gevaert, Brussels and Émile Van Balberghe Libraire (edition of 300)
1990 Parsifal (1882 - 38,969,364,735). Johnen & Shöttle, Cologne (edition of 40) Shorter Notice, Or Gallery Society, Vancouver (edition of 50, signed and numbered) Shorter Notice. Or Gallery Society, Vancouver (edition of 450) Casino Royale (Sculpture de Voyage). Yves Gevaert, Brussels (edition of 5) Les Derniéres Merveilles de la Science. Yves Gevaert, Brussels and Galerie Nelson, Lyon (single work)
1989 Vathek*. Yves Gevaert, Brussels (edition of 2) The Piazza 4.1.. Yves Gevaert, Brussels, Christine Burgin Gallery, New York (edition of 25, signed and numbered)
La véranda/[La véranda]. 2 volumes, Yves Gevaert, Brussels (edition of 100,signed and numbered) Nouvelles impressions d'Afrique. Yves Gevaert, Brussels, Christine Burgin Gallery, New York (edition of 2) Images qui succèdent à la contemplation d'objects d'un grand éclat ou meme d'objets blancs bien éclairés.Yves Gevaert, Brussels and Christine Burgin Gallery, New York Alice's Adventures in Wonderland. Yves Gevaert, Brussels Casino Royale. Yves Gevaert, Brussels (edition of 15) Freud Supplement 170a-170d. Christine Burgin Gallery, New York, Yves Gevaert, Brussels, Philip Nelson, Lyon, Johnen & Shöttle, Cologne (edition of 100) Parsifal Score. One signature. Yves Gevaert, Brussels and Galerie Johnen & Shöttle, Cologne (edition of 12) Parsifal. Transformation Music. 12 volumes, Yves Gevaert, Brussels and Johnen & Schöttle, Cologne (edition of 2)
1988 "Projects", Facsimile. No 38/39, VII, Drukwerk De Zaak, Groningen Cours de Linguistique Générale. Yves Gevaert, Brussels
1987 Die Gattung Cyclamen L. (Installation for Münster).Westfälischer Landesmuseum, Münster (edition of 24) The System of Landor's Cottage. Yves Gevaert, Brussels and The Art Gallery of Ontario, Toronto (edition of 250, numbered) The System of Landor's Cottage. Yves Gevaert, Brussels and The Art Gallery of Ontario, Toronto (edition of 4) 1983 Lenz. Rodney Graham, Vancouver (edition of 10) Lenz. (prospectus) Rodney Graham, Vancouver (edition of 210)
Bibliography: Books and Catalogues
2009 HF | RG – Harun Farocki | Rodney Graham, Jeau de Paume, Paris/FR: Blackjack éditions, 2009 Rodney Graham, Halcion Sleep, in: Video Zone, The 4th International Video Art Biennial in Israel, p. 312, ill.
2008 Blickmaschinen, Bätzner, Nike, Nekes, Werner, Schmidt, Eva (ed.), Cologne: DuMont Buchverlag, 2008, pp. 135-137, 138-139, 162, 164, 282, ill. Rodney Graham. A Glass of Beer, Malaga: CAC Malaga, 2008 (exh. cat.) Art Basel, Art Unlimited, MCH Messe Schweiz (Basel) (ed.), Zurich: ProLitteris, pp. 76-77, ill., (exh. cat.)
2007 Rodney Graham: Wet on Wet – My Late Early Styles, London/Cologne: Lisson Gallery/Verlag der Buchhandlung Walther König (exh. cat.) Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Klemm, Christian, Lentzsch, Franziska, Zurich/Ostfildern: Zürcher Kunstgesellschaft/Hatje Cantz, 2007, p. 701, ill. Romantischer Konzeptualismus, Heiser, Jörg (ed.), ‘Nuremberg/Vienna: Kunsthalle Nürnberg / BAWAG Foundation Wien, 2007, pp. 84-85, ill.
Brave Lonesome Cowboy, Baur, Andreas/ Bitterli, Kornad, Nuremberg: Verlag für moderne Kunst, 2007 (exh. cat.) Plötzlich diese Uebersicht. Heiser, Jörg, Was gute Zeitgenössische Kunst ausmacht’, Berlin: claassen/ Ullstein, 2007, pp. 106-111
2006 The Invisible Show, Vigo: Museo de Arte Contemporanea de Vigo, 2006 (exh.cat.) Mouvement des images….. , Montréal: Musée d’art contemporain, 2006 (exh. cat.)
2005 Intertidal – Vancouver Art and Artists, Antwerpen: MUHKA, 2005 Don’t Trust Anyone Over Thirty(playbill), Vienna: Thyssen-Bornemisza, 2005 An Aside. Selected by Tacita Dean, (exh.cat.), London: Hayward Gallery, 2005, pp. 40-41, ill. Friedrich Christian Flick Collection im Hamburger Bahnhof’, Blume, Eugen (ed.), Berlin: Staatliche Museen zu Berlin, 2005, pp. 152-171, ill.
2004 VideoMix, exhibition book at Arario Gallery, Korea The Labyrinthine Effect, ACCA, Juliana Engberg, ISBN 0-947220-78-X From Dust to Dusk International Exhibition of Contemporary Art, Charlottenborg Exhibition Hall, Copenhagen 30/10/03-07/12/03, (ext.cat), text Pontus Kyander Rodney Graham texts by Dorothea Zwirner, Cologne: Dumont 2003 Rodney Graham, Whitechapel Art Gallery (exh cat.) Introduction by Iwona Blazwick; Natalie Ergino & Julian Heynen. Texts by Carolyn Christov-Bakargiev; Darian Leader; Russell Ferguson; Rodney Graham & Matthew Higgs; Anthony Spira.
2002 “The Libraries of Thought &Imagination – an anthology of books and bookshelves”, edited by Alec Finlay, published by Pocketbooks, Morning Star Publications Polygon, p.: 156-159
1998 The Magic of Trees, Fondation Beyeler, Basel (exh cat), Texts by Markus Bruderlin, Bernhard Gardy, Reinhold Holh, Christian Kaufmann Rodney Graham - Vexation Island and other works, Art Gallery of York University (exh cat), texts by Jack Liang Trafic, FRAC Haute-Normandie, text by Alexandra Midal, collection catalogue Cream - Contemporary Art in culture, Phaidon, text by Susan Kandel Dust Breeding - Photographs, Sculpture and Film, text by Steven Wolfe, Fraenkel Gallery (exh cat) Speed - Visions of an Accelerated Age, Whitechapel Art Gallery Projected Allegories, Contemporary Arts Museum Houston, text by Dana Friis- Hansen (exh cat) La Sphere de L’intime, Le Printemps de Cahors, Photographies et arts visuels, texts by Marie-Therese Perrin, Jerome Sans, Daniel Sibony, Philippe Lejeune , Wim Wenders, Yann Beauvais
1997 Island Thought, Canada XLVII Biennale di Venezia, Texts by Loretta Yarlow, Rodney Graham, William Gibson, Robert Lindsley and Shep Steiner (exh cat)
1995 Contemporary Photographs. Group Lhoist Collection, Collection catalogue Lesen!, Kunsthalle St. Gallen, Switzerland (exh cat)
1994 Rodney Graham: Works from 1979 to 1994. Art Gallery of York University, Ontario (exh cat). Texts by Jeff Wall, Matthew Titelbaum, Boris Groys, D. Tuen
1993 Canada, Une Nouvelle Génération, Musée des Beaux-Arts et FRAC Franche Second Tyne International. Newcastle-upon-Tyne (exh cat).
1992 Càmeres indiscretes. Centre d'Art Santa Mònica, Barcelona (exh cat).
1991 Crossroads. Art Gallery of York University, North York, Ontario (exh cat). Texts by Loretta Yarlow, Robert Kleyn and Richard Storr.
1990 Weitersehen. Museum Haus Esters and Museum Haus Lange, Krefeld (exh cat) Rodney Graham. Parsifal. Johnen & Schöttle Galerie, Cologne (exh cat). Text by Rodney Graham. Christine Burgin Gallery, New York
1989 Essential Form. Walter Philips Gallery, Banff, Alberta, Canada (exh cat). Text by D. Augaitis. Rodney Graham. Stedelijk Van Abbemuseum, Eindhoven (exh cat). Texts by Jan Debbaut and Frank Lubbers.
1988 Rodney Graham. Vancouver Art Gallery, Vancouver (exh cat). Text by J. Wall. Made in Camera. Gallery Sten Eriksson, Stockholm (exh cat)
1986 Ricochet. Galleria Sala Uno, Roma (exh cat). Text by I. Wallace.
1977 Mowry Baden, Roland Brener, Christos Dikeakos, Fred Douglas, Dean Ellis, Rodney Graham, Tod Greenaway, Ian Wallace. Pender Street Gallery, Vancouver (exh cat). Text by W. Holmes.
Bibliography: Articles and Reviews
2010 ‘Rodney Graham, a winner fascinated by losing’, Globe and Mail, 24th February, ‘Rodney Graham – Through the Forest’, Art Newspaper, 1 January 2010, p72
2009 ‘Paris, “HF/RG“ Jeu de Paume’, Joanna Fiduccia, Artforum International, New York, September 2009 ‘Holbein to Tilmans’, Mary Krienke, ARTnews, New York, June 2009, p.113 ‘Rodney Graham’, ArtForum International, New York, March 2009 ‘HF/RG. Jeu de Paume’, Fionn Meade, Artforum International, New York, January 2009 ‘Rodney Graham, Galerie Rüdiger Schöttle’, Michael Robinson (ed), Flash Art, Milan, No. 264, January 2009, p. 101
2008 ‘Un Coup de Dés: Writing Turned Image. An Alphabet of Pensive Language’, Tim Griffin, ArtForum, September 2008, p. 239 ‘Rodney Graham. Ein Moderner nach der Postmoderne’, Dieter Buchhart, Kunstforum, Ruppichteroth, vo. 190, March-April 2008, pp. 252-263
‘The 1970s bite back at MoMA’, Art World, London, no. 2, December 2007- January 2008, p. 18
2007 ‘Questionnaire’, Frieze no. 104, Jan-Feb 2007 ‘In the Studio with the Gifted Amateur’, Shepherd Steiner, Modern Painters, March 2007, pp. 64-69 ‘Rodney Graham on Morris Louis’, Dennis Schoenberg, Art Review, New York, Issue 17, December 2007, p. 34 ‘< Brave Lonesome Cowboy > in der Villa Merkel’, in: Kunstbulletin, Zurich, June 2007, p. 89 ‘Rodney Graham’, in: Flash Art, Milan, vol. XL, no. 254, May–June 2007, p. 96
2006 ‘Pataphysical Graham’, by Steven Harris, Tate Research, Autumn 2006
2005 Puppets and Heavenly Creatures” by Walter Seidl, Contemporary No. 75. “Cross Platform: Sound in other media. This month: Rodney Graham reveals why strapping on a guitar is good for his art.” By Pablo Lafuente, The Wire, p.78- 79 “When banned becomes bland” by Sue Hubbard, The Independent, Friday 18th of November 2005, p. 50 “Rodney Graham and Lawrence Weiner”, Kultureflash, Wednesday 2 November “Punk rockers are still out to shock”, by Alison Oldham, Ham & High, Friday 4 of November 2005, Page 5 The Art Newspaper/ Frieze Art Fair Daily, Thursday 20 October 2005, P.5 Art Newspaper, Tuesday 1 November 2005, p.7 “Eclectic selection is really no Aside”, South Wales Evening Post (Swansea), Friday 7 October 2005, p.8
2004 Rodney Graham’ by Kim Gordon, Bomb magazine, autumn
2003 Pablo Lafuente, “Repeat After Him”, Art Review, Dec/Jan 2004, Vol. LIV, 80-1. Catrin Lorch, “Rodney Graham im Standehaus”, Kunst-Bulletin, April 03, p.47 Susanne Boecker, “Rodney Graham”, Kunstforum, N.165, June-July 03, p.300- 302. “Ramblin’ Man”, Pernilla Holmes, Art News, March 2003, 102-105. “buzzes…others, inside out…”, Hans Jurgen Hagner on Rodney Graham, International Contemporary Art, Spring 2003, 22-25. “Lisson Gallery”, The Metrolife Magazine(supp.to London Evening Standard), 4 July 03 “The Distance Between Me and You”, Art Review, July 03 “The Distance Between Me And You’, The Metrolife Magazine, 11 July 03 Shep Steiner “L’autobiographie dans l’œvre de Rodney graham” Art Press, November 2003.
2002 Michael Wilson, “Loop”, Art Monthly, No 253, Feb 02 Christopher Kul-Want, “Melancholy”, Art Monthly, No 253, Feb 02 Kristen VanDeventer, “Chicago”, Contemporary, April 2002 Tim Griffin, “Circular logic, P.S. 1 throws viewers for a “Loop”, Time out, January 17-24 2002, p. 55 Hans-Jürgen Hafner, “Loop - Alles auf Anfang”, Kunstforum, Bd. 158, Jan – Marz 2002
Birgit Sonna, “Endlos rotierende Tranquilizer”, Frame, Nr. 10, Januar-Marz 2002 p. 124 ArtForum, “Rodney Graham”, September 2002, p. 93 Martin Gayford, “Here we go again”, The Daily Telegraph, 25 Sept. 2002, p. 20 Fisun Güner, “A mixture of madness”, Metro, 27 Sept. 2002, p. 26 Adrian Searle, “Weird and wonderful”, Guardian, 24 Sept. 2002, p. 12-13 Laura Cumming, “Watch carefully…oh you missed it? I’ll do it again”, The Art Newspaper, “Rodney Graham”, Sept. 2002 Time Out, 18 Sept. 2002 Nick Hackworth, “An upside-downer”, Evening Standard, 26 Sept. 2002, p. 52 Tema Celeste, 93, Sept/Oct 2002, p. 119 “Coconut shy”, Modern Painters, autumn 2002, p. 153 Steven Stern, “River deep mountain high”, Frieze, issue 71, p. 63-67 Jörg Heiser, “Emotional rescue”, Frieze, issue 71, p. 70-75 “Rodney Graham in der Kunsthalle”, Kunst-Bulletin, No. 12, Dec 2002, p. 62-63 “Toronto: Susan Hobbs Gallery”, Contemporary, Dec 2002, p. 33 Andrew MacKenzie, “Melbourne: Australian Centre for Contemporary Art”, Contemporary, Dec 2002, p. 83 Peter Suchin, “London: Whitechapel Art Gallery”, Contemporary, Nov 2002, p. 91-92
2001 Richard Cork, “Richard Cork’s choice: Rodney Graham”, The Times, Jan 6, 01 Alexander Alberro “Rodney Graham Vexation Island: Loop Dreams”, “Loop”, cat; p. 92-95 Richard Cork, “A tale of class and polish”, The Times, p.14, Jan 3, 01 Paul Clark, “What is happy, baby?”, Evening Standard, 30 January 2001 Duncan McLaren, “What is happy, baby?”, The Independent on Sunday, Jan 7, Claire Bishop, “Fop and bumpkin fight the good fight”, Evening Standard, Jan 4, Claire Bishop, “Rodney Graham: What is happy, baby?, Lisson Gallery”, Evening Standard, Jan. 4, 01 John Slyce, “Rodney Graham”, Art Monthly, no. 243, February 01, pp 40-41 Michele Robecchi, “Rodney Graham/Bruce Nauman”, InterVista, p. 20, Fall- Winter 2000 2001 Craig Burnett, “Who is the artist, baby?”, pp. 70-71, Modern Painters, Spring ‘01 Martin Coomer, “Rodney Graham”, Time Out, 10 Jan 2001 Laurent Boubounelle, artpress, May 01, pp. 71-72 David Bussel, “history repeating”, i-D magazine, January 01 “What is happy, baby?”, Alley Magazine, Jan/Feb 01 Matthew Higgs, “Top Ten/Number 1: Rodney Graham”, Artforum, Summer 01, p. 62 Shepherd Steiner, ‘“What is Happy, Baby?’Or Jokes and their Relation to the Work of Rodney Graham”, para-para (published by Parachute), Issue 003 Dora Imhof, “Black Box/Der Schwarzraum in der Kunst”, Kunstforum, Bd. 156, Aug-Oct 01, pp. 458-459 9e Biennale de I’Image en Mouvement, Kunst-Bulletin, November 2001 Marietta Piekenbrock, “Recherchen in der Wiederholungsschleife”, Frankfurter Rundschau, 21.09.2001, p. 21
2000 Edgar Schmitz, “A Shot in the Head”, Kunstforum, Germany, pp.417-418, Oct.- Dec.00 John Slyce, Matthew Collings “Video Art, A Top Twenty”, Modern Painters, pp.30-33, summer 00
Mark Wilsher, “Rodney Graham: What is happy, baby? /Lisson”, Whats on in London, Dec. 00 Adrain Searle, “The Great Pretender”, The Guardian, p.12, Dec 12, 00 Richard Dorment, “The video loop kicks into its own”, The Daily Telegraph, Dec 20, 00 Laura Cumming, “Blood, blood, blood”, The Observer, Dec 17, 00 Louisa Buck, “Rodney Graham combines history and rock’n’roll at the Lisson”, The Art Newspaper, Dealer’s Gazette, p.71, Dec. 00 Helen Smithson, “Loopy mannequins put twist on the past”, Hampstead & Highate Express, Dec. 22, 00 Charles Darwent, “A strange tale of neuroses and a good kicking”, Independent on Sunday, Dec 3, 00 CA, “London”, pp.26-27, Arts Review, Dec 00 Jonathan Jones, “Warning: this woman is inside your head”, The Guardian, p.10 Feb 10, 00 Duncan Mc Milan, “Like a dream”, The Scotsman, p.24, Feb 11, 00 JL, “Dream on”, Tate, The Art Magazine, p. 14, Spring 00 “Dream Machines, Dundee, Scotland”, Flash Art, March -April, p.44, 2000 Michael Wilson, “Rodney Graham”, Untitled, p.34-34, Spring 2000 William Packer, “Screening Time”, Financial Times, May 6, 00 Sarah Kent, “The Greenhouse Effect”, Time Out, p.52, April, 14, 00 Nina Caplan, “The Greenhouse Effect”, Metro, Apr. 4, 00 Michael Hauffen, “Rodney Graham”, Kunstforum, Germany, pp.382-383, Oct.- Dec. 2000
1999 Dale McFarland, “Speed”, Frieze, January-February, issue 44, pp. 76-77 Murray Whyte, “Amid Serene natural beauty, A residue of Brutal Trauma”, The New York Times, January 24 Alan Riding, “Root and Branch, a Swiss Exhibition Fights Chainsaws”, The New York Times, February 3 “Rodney Graham. Kunsthalle Wien”, Artforum, May, p.89 “Catriona Jeffries. Director, Jeffries Gallery”, FlashArt, May-June, vol 32, no 206, p. 69 Diane Shamash, “The Museum as a Muse: Artists Reflect”, Art Monthly, no.227, June, pp. 22-24 Stephen Prina, ‘Best of the ‘90s: Music’, Art Forum International / Special Issue ‘Best of the ‘90s’, Dec. ‘99, p.127 James Yood, “Rodney Graham”, Art Forum International, Nov. 99, p.147 Martin Pesch, “Rodney Graham, Kunsthelle Wien”, Frieze, issue 49, Nov-Dec 99
1998 Alexander Alberro, “Rodney Graham’s Vexation Island Loop Dreams”, Artforum, February 1998, pp.73-75 Mariah Walsh, “EV+A 98”, Art Monthly, No.221, November Rodney Graham, “Siting Vexation Island”, Art/Text, issue 59, January Cloe Piccoli, “Forme visive”, Vogue (Italian Edition), no.576, August Kenneth Baker, “Dust Breeding”, ARTnews, November
1997 Richard Dorment, “Brits are best - and I’m not biased”, The Daily Telegraph, 18 June Peggy Gale, “The Sleeper: Rodney Graham in Venice”, Canadian Art, Vol.14, No.2, Summer, pp.54-59
Thomas Wagner, “Trapped in the Continual Loop”, Frankfurter Allgemeine Zeitung, June 14 Michael Archer, “47th Venice Biennale”, Art Monthly, September, pp. 26-27 Rodney Graham, “Project Canada”, Art/Text, Europe 97 Special Report, November 97-January 98, p.54 Ken Johnson, “Rodney Graham”, The New York Times, December 12 Howard Jacobson, “Having a Benign Biennale, Modern Painters Roberta Smith, “Another Venice Biennale”, The New York Times, June 16 Roberta Smith, “Silence in Venice: Bad sign for Biennale”, The New York Times Richard Shone, “Venice Biennale and other exhibitions”, Das Kunst - Bulletin, 7/8, July/August
1997 Sarah Kent, “Rodney Graham”, Time Out, London, 1 January Art Gallery of Windsor Quarterly Newsletter, Vol. 6 No. 4, Winter Patrik Andersson, “Rodney Graham”, Material, Stockholm, No 31, Winter Michael Archer, “Rodney Graham”, Art Forum, March William Furlong , “Interview with Rodney Graham, February 1997”, AUDIO ARTS magazine, Volume 16 No. 2 Olivier Richon, “Rodney Graham”, Untitled, No. 13, Spring, p.22 Jorn Ebner, “Traumdeutung und Befragung”, Neue bildende kunst, 1/1997 (Feb- Mar) pp.80
1996 Mark Currah, “Burgin, Graham, Hilliard”, Time Out, London, 14 August Brian Hatton, “Victor Burgin/Dan Graham/Rodney Graham/John Hilliard”, Art Monthly, No.199, London, September, pp.29-31 Val Ross, “Vancouver Artist chosen for Biennale”, The Globe and Mail, December 17 Sarah Milroy, “Primeval meets Postmodern on B.C. show”, The Globe and Mail, September 28
1995 "Rodney Graham Exhibition", Flash Art, New York, Vol.XXVIII, No.180, Jan- Feb 1995, p.33 Santiago B. Olmo, "Rodney Graham", Lapiz, No. 108, Madrid, Jan. 1995, pp. 85-86 Jeffrey Swartz, “Rodney Graham”, ARTnews, Vol.94, No.4, New York, April, p.159 Ronald Jones, “Rodney Graham”, Frieze, Issue 23, London, Summer 1995, pp.76-77
1994 William Wood, "Rodney Graham", Canadian Art, Spring, Vol.11, No.1, pp.70-71 Marie-Ange Brayer, “Rodney Graham. Une involution optique: le nom augmenté”, Exposé, No. 1, Spring-Summer, pp. 116-23 Christiane Berndes, “Raymond Roussel en Marcel Duchamp.De invloed van het spel met woorden op de beeldende kunst”, Raymond Roussel, Arnhem, pp.54- 67 Nikkei Art, No. 66, March, p.87 "Rodney Graham", Art Gallery of York University Newsletter, Ontario, Fall 1994 John Bentley Mays, "A Rare Chance to View the Talent of Two Home Boys", The Globe and Mail, Toronto, 15 October 1994 Christopher Hume, "Graham Show a Proper Puzzler", The Toronto Star, Toronto, 20 October 1994
1993 Anon, “Window Shopping”, Flash Art, No.171, Summer, p. 140 Ross Sinclair, "II Tyne International", Art Monthly, September, pp.27-28 Angela Choon, "Not What You'd Expect", Art and Antiques, December, Vol.XV, no.10 "Rodney Graham, Lisson Gallery", Time Out, 1 Dec Roger Bevan, "London", The Art Newspaper, Oct A. Bellotti, "Cork Street: A Walk on the Safe Side", Galeria Magda Bellotti Newsletter, December Jean-Christophe Royoux, "Tyne International", Galeries Magazine, Oct/Nov, pp.138-139
1992 Hervé Legros, “Rodney Graham”, Beaux-Arts Magazine, No. 97, Jan, 84-87 Luk Lambrecht. "The Binary Era: New Interactions",Forum International, Belgium, November-December, p.110 Kunstforum, Germany, p.459 Antonio Guzman, “Rodney Graham”, Opus International, No. 128
1991 Flash Art, Vol 24, No.156, p.155 James Lewis. "Rodney Graham, Christine Burgin Gallery", Artforum, February Scott Watson. "The Generic City and Its Discontents", Arts Magazine, February, pp. 60-64. Robert Linsley. "Rodney Graham", Artefactum, February/March, pp.6-9 Peggy Cyphers. Arts Magazine, March Hervé Gauville, “Parsifal a trouvé son Saint-Graham. Saint-Étienne, Maison de la Culture”, Libération, No. 3067, March 25, p. 43 Éric de Bruyn, “Rodney Graham. Christine Burgin Gallery”, Artscribe, No. 86 March-April, p. 71 Ken Johnson, “Rodney Graham at Christine Burgin”, Art in America, April Dolène Ainardi, “Rodney Graham. Maison de la Culture, Saint-Étienne”, Art Press, No. 159, June, p.90 Olivier Zahm, “Rodney Graham: Parsifal 1882-38, 969, 364, 735 AD”, Texte zur Kunst, No. 3, Summer , pp. 183-5 Eric Troncy. "Soft Touch", Artscribe, September, pp.56-57 Marie-Ange Brayer, “Rodney Graham”, Forum International, November- December, pp.46-51
1990 Jan Braet. "Een droom over een boek. Een gesprek met Rodney Graham", Knack Magazine, January, pp.124-127. Pietje Tegenbosce, “Soloprestaties in Van Abbe. Van een proces dat geen einde kent”, Volkskrant, January 5 Camel van Winkel, “Rodney Graham at the Van Abbemuseum, Eindhoven”, Kunst & Museum Journaal, No. 5, pp. 41-2 Jeffrey Swartz, “Rodney Graham. Opening to Equivocal Strictures”, Lapiz, No.67, April, pp. 30-7 Maribel Königer, “Rodney Graham / Ian Wallace. Galerie Rüdiger Schöttle”,Kunstforum, June, pp. 333-4 Dalya Alberge. "Concept of "see-through" art remains a closed book", The Independent, 8 October Anon, “Parsifal unterwegs”, Kunst-Bulletin, October, pp.12-13 José Luis Brea, “Neo-Baroque. A Wind Without a North. A Certain Uncertainty”, Flash Art, No. 154, October, pp. 125-8
José Lebrero Stals, “Rodney Graham. Johnen & schöttle, Flash Art, No, 155, November-December, pp. 158-9 Piet Vanrobeys. "Jan Debbaut: Kiezen voor subjectiviteit" (interview), Arte Factum, No 32, p 27 Fiona Dunlop, “Contemporary Visions of Utopia”, Art International, Autumn, pp. 95-97 Andy Grundberg, “When Upside Down is Right Side Up”, New York Times, December 21
1989 Alan Jones, "Christine Burgin Gallery", New Art International, March, p.110 Robert Kleyn. "Method, Method", C' Magazine, No 2, June, pp.38-45 Santiago Mercado, “Rodney Graham, Jan Vercruysse, Galeria Marga Paz”, Arena, June, pp. 95-6 Ida Panicelli. "Sono sei americani peró non in codice", La Repubblica, Rome, 24 November Luk Lambrecht, “Rodney Graham. Micheline Szwajer, Antwerp”, Flash Art. No. 149, November-December, p.151
1986 Wil Botden, “Ingewikkelde en eenvoudige kunst in Van Abbe”, Eindhovens Dagblad, December 23 B. Schwabsky. "Non In Codice", Flash Art, No 138, January - February, p.117 C. Christov-Bakargiev. "Something Nowhere", Flash Art, No 140, May-June, pp.80-85. R. Smith. "Art: An Array of Styles and Trends in Galleries", New York Times, 26 February S. Chaine. “Rodney Graham. A Minima”, Lyon Poche, April 13-19, p. 17 F. Wagemans. "Gelukkig en prettig geconditioneerd, een keuze door Fred Wagemans", HP (special edition), 21 May, pp.86-107 T. Diep. "La Bibliothèque en Volumes de Rodney Graham", Lyon Libération, Lyon, 8 April C. Hart. "Rodney Graham, Christine Burgin Gallery, N.Y.", Artforum, Vol 26, No 10, Summer, p.137 G. Lebredt. "A Piece of Poe", Vanguard, Vol 17, No 2, April-May, pp.45-46 G. Lebredt. "Cleft/Rodney Graham, Ydessa Gallery, Toronto", C' Magazine, No17, March, pp.52-53. S. Watson. "Zweimal Canada Dry: Sechs Künstler aus Vancouver", Wolkenkratzer Art Journal, No 2, March-April, pp.28-33 B. Jefferies, “Rodney Graham. Vancouver Art Gallery”, Parachute, December- February
1987-88 R. Linsley. "In Pursuit of the Vanishing Subject: James Welling and Rodney Graham", C' Magazine, No 16,Winter, pp.26-29 A. Rodante. "Non In Codice", Tema Celeste Magazine, December - February
1987 E. Heartney. "Sighted in Münster", Art in America, Vol 75, No 9, September, p.140 R. Jones. "Group Show Cash/Newhouse", Artscribe International, Summer, pp.84-86. D. Kuspit, M. Wechsler, D. Cameron, P.L. Tazzi, I. Rein. "The Critic's Way", Artforum, Vol 26, No 1, September, pp. 109-120 J.B. Mays. "When is a Book Not a Book?", The Globe and Mail, Toronto, 5 December
E. Ramsay. "Rodney Graham, James Welling", Vanguard, Vol 16, No 1, February- March, pp.33-34 Arni Runar Haraldson. "In quest of folly: reading Rodney Graham's Lenz", C Magazine, p 34-38
1986 A.R. Haraldson. "In-Quest of Folly, Reading Rodney Graham's Lenz", C' Magazine, No 5, Spring, pp.34-38. 1986 1979 R. Keziere. "Rodney Graham: Illuminated Ravine, Camera Obscura", Vanguard, Vol 8, No 9, November, p.29