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Geshem’ by Cantor Moshe Haschel
The Outpouring for ‘Geshem’ by Cantor Moshe Haschel The Mishna (Rosh Hashanah, chapter 1 mishna 2) tells us that on Sukkot the world is judged for rain. The Talmud (Taanit 7a) says in the name of Rav Yosef that the world’s dependence on rain for its sustenance is so total that rainfall is compared to the revival of the dead. This is the reason says Rav Yosef, why the Rabbis put the phrase – ‘ Mashiv Haruach uMorid Hageshem’ – ‘He makes the wind to blow and the rain to fall’ in the second blessing of the Amida which speaks about Divine Might and concludes with ‘Blessed are You, Lord, who revives the dead’. The Talmud (Rosh Hashanah 16a) brings Rabbi Yehuda’s view that the world is judged on all aspects already on Rosh Hashanah but the final judgment is sealed for each feature only in its specific time; for grain on Pesach, for fruits of trees on Shavuot and for rain on Sukkot. Rabbi Yehoshua Ibn Shuaib (13th century Spain) in his work ‘Derashot al haTorah’ (derasha for Shemini Atzeret) explains this notion in connection with rain that the amount of rain that will fall during the coming year is in fact determined already on Rosh Hashanah. However, on Sukkot it is decided where i.e. on which parts of the world it would fall, and how i.e. whether it would be beneficial to the world or otherwise. This idea is reflected in the Liturgical poem ‘Af Beri’ by Rabbi Eleazar haKalir recited at the Shemini Atzeret Mussaf repetition. -
Yom Kippur Additional Service
v¨J¨s£j jUr© rIz§j©n MACHZOR RUACH CHADASHAH Services for the Days of Awe ohrUP¦ ¦ F©v oIh§k ;¨xUn YOM KIPPUR ADDITIONAL SERVICE London 2003 - 5763 /o¤f§C§r¦e§C i¥T¤t v¨J¨s£j jU© r§ «u Js¨ ¨j c¥k o¤f¨k h¦T©,¨b§u ‘I will give you a new heart and put a new spirit within you.’ (Ezekiel 36:26) This large print publication is extracted from Machzor Ruach Chadashah EDITORS Rabbi Dr Andrew Goldstein Rabbi Dr Charles H Middleburgh Editorial Consultants Professor Eric L Friedland Rabbi John Rayner Technical Editor Ann Kirk Origination Student Rabbi Paul Freedman assisted by Louise Freedman ©Union of Liberal & Progressive Synagogues, 2003 The Montagu Centre, 21 Maple Street, London W1T 4BE Printed by JJ Copyprint, London Yom Kippur Additional Service A REFLECTION BEFORE THE ADDITIONAL SERVICE Our ancestors acclaimed the God Whose handiwork they read In the mysterious heavens above, And in the varied scene of earth below, In the orderly march of days and nights, Of seasons and years, And in the chequered fate of humankind. Night reveals the limitless caverns of space, Hidden by the light of day, And unfolds horizonless vistas Far beyond imagination's ken. The mind is staggered, Yet soon regains its poise, And peering through the boundless dark, Orients itself anew by the light of distant suns Shrunk to glittering sparks. The soul is faint, yet soon revives, And learns to spell once more the name of God Across the newly-visioned firmament. Lift your eyes, look up; who made these stars? God is the oneness That spans the fathomless deeps of space And the measureless eons of time, Binding them together in deed, as we do in thought. -
KMS Sefer Minhagim
KMS Sefer Minhagim Kemp Mill Synagogue Silver Spring, Maryland Version 1.60 February 2017 KMS Sefer Minhagim Version 1.60 Table of Contents 1. NOSACH ........................................................................................................................................................ 1 1.1 RITE FOR SERVICES ............................................................................................................................................ 1 1.2 RITE FOR SELICHOT ............................................................................................................................................ 1 1.3 NOSACH FOR KADDISH ....................................................................................................................................... 1 1.4 PRONUNCIATION ............................................................................................................................................... 1 1.5 LUACH ............................................................................................................................................................ 1 2. WHO MAY SERVE AS SH’LIACH TZIBUR .......................................................................................................... 2 2.1 SH’LIACH TZIBUR MUST BE APPOINTED .................................................................................................................. 2 2.2 QUALIFICATIONS TO SERVE AS SH’LIACH TZIBUR ..................................................................................................... -
Reform Judaism Through the Lens of Its Music
Durham E-Theses MOUTHS FILLED WITH SONG: BRITISH REFORM JUDAISM THROUGH THE LENS OF ITS MUSIC BORTS, BARBARA How to cite: BORTS, BARBARA (2014) MOUTHS FILLED WITH SONG: BRITISH REFORM JUDAISM THROUGH THE LENS OF ITS MUSIC , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10797/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 MOUTHS FILLED WITH SONG: BRITISH REFORM JUDAISM THROUGH THE LENS OF ITS MUSIC Barbara Borts A thesis submitted in fulfilment of the requirements For the degree of Doctor of Philosophy Department of Theology and Religion, Durham University 2014 1 | P a g e ABSTRACT The Movement for Reform Judaism [MRJ] - has been undergoing substantial changes in its style and patterns of worship. The introduction of a new prayer book has been accompanied by a pronounced focus on the music of the various synagogues, as a key element in the re- envisioning of prayer and spirituality in 21st century congregations. -
Miss Lisa's Preschool Songbook
Miss Lisa’s Preschool Songbook by Lisa Baydush Early Childhood Music Specialist www.Lisa Baydush.com © 2018 Miss Lisa’s Preschool Songbook Themes: Holidays: All About Me… 01 Havdalah & Animals… 02 Rosh Chodesh… 31 Classroom Routines… 03 Shabbat Sings… 32 Colors… 04 Rosh Hashanah… 34 Community… 05 Yom Kippur… 36 Counting… 06 Sukkot… 37 Creation… 07 Simchat Torah… 39 Finger-Plays Thanksgiving… 40 & Chants… 08 Chanukah… 41 Friendship… 09 Tu B’shvat… 44 Giving Thanks… 10 Purim… 46 Hello & Goodbye… 11 Pesach… 48 Just for Fun… 13 Yom Ha-atzmaut… 51 Movement… 15 Movement with Stretchy Bands… 18 Nature/Weather… 19 Noah… 20 Percussion/Rhythm… 21 Planting & Growing… 22 Prayer… 23 Seasons-Fall... 24 Seasons-Winter... 25 Seasons-Spring... 26 Story Songs… 27 Tikkun Olam… 28 Transportation… 30 All About Me Big My Body is Part of Me by Wayne Potash (video) by Ellen Allard (audio) I once was one but now I'm two, This is my head, it is my rosh! (2x) I'm almost as big as you! My rosh is part of my body… and my body is part of me, Chorus: and I’m as happy as can be! B, I, G, I'm big (3x) I'm big, big, big! This is my eye, it is my a-yin… This is my nose, it is my af… I once was two but now I'm three, This is my mouth, it is my peh… I'm as big as I can be! (chorus) This is my hand, it is my yad… This is my leg, it is my regel… I once was three but now I'm four, Look at me I've grown some more! (chorus) Af, Peh, Ozen by Jeff Klepper (audio) Look at Me Af, peh, ozen, ayin, regel, by Lisa Baydush (audio) Af, peh, ozen, yad v’rosh! (repeat) Chorus: Every part of my body Look at me, look at me, has a Hebrew name. -
MS-603: Rabbi Marc H. Tanenbaum Collection, 1945-1992
MS-603: Rabbi Marc H. Tanenbaum Collection, 1945-1992. Series D: International Relations Activities. 1961-1992 Box 66, Folder 4, Judaism - Jewish law, 1981-1982. 3101 Clifton Ave, Cincinnati, Ohio 45220 (513) 221-1875 phone, (513) 221-7812 fax americanjewisharchives.org THE RABBINICAL ASSEMBLY 3080 B ROADWAY NEW YORK . N .. Y 10027 212 RIVCASIO& 9•9000 Cable Addreu: RABBISEM; New Yark August 18,, ~~f Dear Colleague: . We are pleased to· enclose the first mailing of the New Year, from the Rabbinical Ass.embly·' s Homiletics ·Service. We hope that you will find it helpful in. your preparations for the holy days. This material replaces the se:rmonic material. for- the. High Holy Days formerly sent out under t-he auspices of the Seminary. We hope that we will be able to live up to. the high standards which were characteristic of those mailings. This issue contains sermons for Rosh Hashanah, Shabbat Shuvah, Yom Kippur and Sukkot. We are pleased to be able to include texts for ·preaching· recommended by Professor Moshe Zucker, we well as sermons written by· our colleagues Rabbis Samuel Chiel, Irwin Groner, ·Theodore Steinberg and Gerald Zelizer. On the back .'of this letter we have reprinted a-..D'var Torah delivered at one -of our Conventions by Rabbi Shamai Kanter. Past Proceedings of· the Rabbinical Assembly contain· many wonderful sermonic ideas. We are now in our second year of publication. The response to the material that we have distributed has been very gratifying. We are grateful to our many colleagues who hav~ submitted sermons for publication. We have not been able to reprint ail of them; some we hope to in.elude in future mailings. -
Hersh Gross and His Boiberiker Kapelye (1927-1932)1
JEFFREY WOLLOCK Historic Records as Historical Records: Hersh Gross and His Boiberiker Kapelye (1927-1932)1 The Boiberiker Kapelye was a Jewish ensemble – what would today be called a “klezmer” band – active in the late 1920s and early 1930s. Although now mainly cited as an early vehicle for the great clarinetist Dave Tarras, the Boiberiker was much more. Tarras plays no major role on the three 1927 Boiberiker discs, but they are classics of klezmer artistry in their own right. Indeed, the Boiberiker, with its huge repertoire, consummate musicali- ty, creativity, and idealistic musical and cultural goals, was one of the best and most interesting klezmer ensembles ever to record. With deep roots in the conservative Hasidic traditions of Galicia and Ukraine, also at home in more modern styles, the Boiberiker was the first “klezmer band” that owed its fame to the new medium of radio. This article gives a detailed account of the ensemble’s recordings, broadcasting career, and personnel, with special emphasis on long-forgotten founder and leader Hersh Gross. It presents evi- dence indicating that the Boiberiker made additional recordings under other names. __________________________________________________________________________________ esearch on the history of klezmer music, at least in the English language, was virtually nonexistent until about 25 years ago, and only in the past decade has it R really taken off. Although it is now possible to get a basic overview of the subject, vast fields remain to be explored. Given the paucity of written documentation and even of oral history, the backbone of this new research effort has been discography and recording history. -
Magnified and Sanctified: the Music of Jewish Prayer
Magnified and Sanctified – the music of Jewish Prayer June 2015 Leeds University Full Report Magnified and Sanctified: The Music of Jewish Prayer International Conference held at Leeds University, 16-19 June 2015 A Report by Dr Malcolm Miller and Dr Benjamin Wolf Pictured: Torah Mantle, Amsterdam c 1675© Victoria and Albert Museum, London Introduction and Overview A historically significant and ground-breaking event in the field of music and musicology, held at Leeds University in June 2015, set a benchmark in the field and a stimulus for rich avenues of research. Entitled Magnified and Sanctified: The Music of Jewish Prayer, the conference was the first ever International Conference on Jewish Liturgical Music in the UK , which, during the week of 16-19 June 2015, attracted an international array of leading scholars and musicians from Europe, Australia, USA and Israel to share cutting-edge research on all aspects of synagogue music past and present. The stimulating and diverse program featured an array of keynote lectures, scholarly papers, panel discussions and musical performances, and was followed by the 10th Annual European Cantors Convention weekend. The conference, presented by the European Cantor’s Association and the music department of Leeds University, was one of the inaugural events in the three-year international project ‘Performing the Jewish Archive’ (2015-2018) which has seen several major conferences and festivals across the world. Spearheaded by Dr Stephen Muir, Senior Lecturer at Leeds and Conference Director, the project has given rise to revivals of and research into much music lost during the period of the Holocaust and Jewish migrations in the 20th century. -
לב שלם Siddur Lev Shalem לשבת ויום טוב for Shabbat & FESTIVALS Tal and Geshem טל וגשם Tal and Geshem
סדור לב שלם Siddur Lev Shalem לשבת ויום טוב for shabbat & fEstIVaLs Tal and Geshem טל וגשם Tal and Geshem The Land of Israel The ark is opened and we rise. The ark is opened amd we rise. tal and geshem. In the Land of Israel, there are As I proclaim God’s name, Adonai, exalt our God. essentially two seasons, the ִכֵּי שׁם יהֶוה אְקָרָא, הבוּ ֽ ֹג ֶדֵל ֽלֵאֹלהינוּ. -Throughout the genera dry season (roughly the six ֲאדֹנָ י שׂ ָפַתי ִתְּפָתִּח, וּפַי יִגּיד ֽתִּהָלֶּתָך. .tions, the geography, the Adonai, open my lips that my mouth may speak Your praise landscape, and the seasons months from mid-March that defined the Land of First Introductory B’rakhah: Our Ancestors With Patriarchs and Matriarchs: With Patriarchs: through mid-September, Israel were prominently (when rainfall is unusual & בָּ ר וּ ְך אַתָּ ה יהוה, & בָּ ר וּ ְך אַתָּ ה יהוה, :With Patriarchs: With Patriarchs and Matriarchs imprinted in the minds of and the rainy season (in Jews. Frequently the rivers a a the other months). Should ֱֽאֵֹלה ינֵוּוֵאֹלהֲי ֽאבוֵֹתינוּ, ֱֽאֵֹלה ינֵוּוֵאֹלהֲי ֽאבוֵֹתינוּ ,Barukh atah Adonai, Barukh atah Adonai and the mountains of the our God and God of our our God and God of our insufficient rain fall in this Land of Israel seemed latter season, the land ֱאֵֹלהַיאְבָרָהֱם, אֵֹלהי ֽ]וִאמּוֵֹתינֱוּ[, אֵֹלהַי אְבָרָהם, more real to our ancestors ancestors, ancestors, suffers a drought. The ִיְצָחקֵ,וֵאֹלהַי ֹיֲעק ָב, הֵאל ֱאֵֹלהִי יְצָחקֵ,וֵאֹלהַי ֹיֲעקב, -than what they encoun God of Abraham, God of God of Abraham, God of Mishnah declares that on tered in the lands where Sukkot—approximately הַגָּ דוֹל הַגִּ בּוֹר והַ נּוֹרָ א, ֱאֵֹלהי ָשָׂרֱה, אֵֹלהִי רְבָקה, ,Isaac, and God of Jacob, Isaac, and God of Jacob they dwelled. -
Michael Strassfeld Papers Ms
Michael Strassfeld papers Ms. Coll. 1218 Finding aid prepared by John F. Anderies; Hebrew music listed by David Kalish and Louis Meiselman. Last updated on May 15, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 December 14 Michael Strassfeld papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Related Materials........................................................................................................................................... 8 Controlled Access Headings..........................................................................................................................8 Collection Inventory.................................................................................................................................... 10 Series I. Education.................................................................................................................................10 Series -
Jews, a Media Report By
I Notjystacheese, a traClition•••. Haolam, the most trusted name in Cholov Yisroel Kosher Cheese. A reputation earned through ZS years of scrupulous devotion to quality and kashnith.\X!ith 12 delicious varieties. Under the strict Rabbinical supervision ofK'ha\ Adas Jeshuru~, N. Y. Haolam, a tradition you'll enjoy keeping. I I Kosher for Passover Cholov Yisroel ao THURM BRO::.. WORLllCHEESECO JN(: NEWYORX. NY AJ........ The Thurm families wish Kial Yisroel I a n'.li~ no.,rini n:i.,ri:J Look for the Green & White Box ,• I THE~SH OBSERVER I THE JEWISH OBSERVER (ISSN 0021-6615) is published monthly, except July and August, by the Agudath Israel of America, 5 Beekman Street, New York, N.Y. 10038. Second class postage paid at New York, N.Y. Subscription $15.00 per year; two years, $27 .00; three years, $36.00 outside of the United States, US funds only. in this issue ... $20.00 in Europe and Israel. $25.00 in So. Africa and Australia. Single copy: $2.00, foreign $2.50. Send address changes to The Jewish I Observer, 5 Beekman St., N.Y., N.Y. 10038. Printed in the U.S.A. Bringing G-d ... Into The Classroom, Chaim David Zwiebel . 4 Civilization and The Jews, a media report by RABBI NISSON WOLl'lN Dr. Bernard Fryshman . • . • • . • . • . B Editor Junkies Without Drugs, Nehama Consuelo Nahmoud • . 13 Editorial Board Who Will Live and Who Will Die (Tra-La-La), OR. ERNST BODENHEIMER Rabbi Yehuda Herzl Henkin . • . 18 Chairman L. RABBI JOSEPH ELIAS Hacham Shaya's Simhat Tora, M. Reisman . -
Lev Shalem לשבת ויום טוב for Shabbat & FESTIVALS
סדור לב שלם Siddur Lev Shalem לשבת ויום טוב for shabbat & fEstIVaLs the rabbinical assembly Siddur Lev Shalem for Shabbat and Festivals Copyright © 2016 by the Rabbinical Assembly Copyright © 2016 by The Rabbinical Assembly, Inc. First edition. All rights reserved. No part of this book may be reproduced or transmitted in any form The Siddur Lev Shalem Committee or by any means, electronic or mechanical, including photocopy, recording or any information storage or retrieval system, except Rabbi Edward Feld, Senior Editor and Chair for brief passages in connection with a critical review, without permission in writing from: Rabbi Jan Uhrbach, Associate Editor The Rabbinical Assembly Rabbi David M. Ackerman 3080 Broadway New York, NY 10027 Ḥazzan Joanna Dulkin www.rabbinicalassembly.org Rabbi Amy Wallk Katz Permissions and copyrights for quoted materials may be found on pages 463–465. Rabbi Cantor Lilly Kaufman isbn: 978-0-916219-64-2 Rabbi Alan Lettofsky Library of Congress Cataloging-in-Publication Data is available. Rabbi Robert Scheinberg Designed, composed, and produced by Scott-Martin Kosofsky at The Philidor Company, Rabbi Carol Levithan, ex officio Rhinebeck, New York. www.philidor.com The principal Hebrew type, Milon (here in its second and third Rabbi Julie Schonfeld, ex officio iterations), was designed and made by Scott-Martin Kosofsky; it was inspired by the work of Henri Friedlaender. The principal roman and italic is Rongel, by Mário Feliciano; the sans serif is Cronos, by Robert Slimbach. The Hebrew sans serif is Myriad Hebrew, by Robert Slimbach with Scott-Martin Kosofsky. Printed and bound by LSC Communications, Crawfordsville, Indiana.