July 2018 BLUESLETTER Washington Blues Society in This Issue
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Bar & Restaurant Sound System Installation
CASE STUDIES Bars and Restaurants Unite Your Audience The Martin Audio Experience BARS AND RESTAURANTS Martin Audio At Martin Audio we believe that uniting audiences with exciting sound creates shared memories that sear into the consciousness delivering more successful tours, events and repeatedly packed venues. We achieve this by an obsessive attention to detail on the professional sound system’s acoustic performance, frequently challenging convention and involving a sophisticated mix of design, research, mathematical modelling and software engineering, to deliver dynamic, full-frequency sound right across the audience. With over forty years of live sound and installation expertise to our name, Martin Audio offers a wide range of premium professional loudspeakers so customers can be assured of selecting the right system for their chosen application, whether it’s a small scale installation or a festival for over 150,000 people. La Playa in Varna, Bulgaria Bars and Restaurants Designed to offer performance features not normally associated with install product, Martin Audio brings innovation and sound quality to this market sector. For Bars & restaurants with a premium reputation to uphold and to fulfil their varied sound reinforcement needs for their clientele, Martin Audio product solutions truly deliver. Bunga Bunga, London Skylark, New York 2 BARS AND RESTAURANTS Martin Audio Install at Caesar’s Vista Lounge experience with Martin Audio in both the live sound and installation markets. “Vista is supposed to be a relaxed, low-key alternative to some of the more over the top clubs at Caesar’s,” says Bill. “There’s a DJ who plays what I’d call chill-out music that doesn’t overwhelm the patrons with sound and reinforces the romantic mood. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
The Music of Elton John & More
2017 2018 SEASON Ron Spigelman, conductor Friday, June 15, 2018 at 7:30PM Michael Cavanaugh, vocals and piano The Music of Elton John & More Program to be announced from the stage. There will be one 20-minute intermission. ACKNOWLEDGMENTS Summer at the Symphony is presented by Wells Fargo Advisors. This concert is supported by AARP. This concert is supported by Merrill Lynch, U.S. Trust and Bank of America. RON SPIGELMAN A native of Australia, conductor Ron Spigelman is an honors graduate of the Royal Academy of Music, London. He has been the Associate Conductor of the Buffalo Philharmonic Orchestra and the Fort Worth Symphony Orchestra, Music Director of the Fort Worth Dallas Ballet, the San Angelo Symphony, the Texas Chamber Orchestra, Springfield Symphony Orchestra (MO), and is currently the Music Director of the Lake Placid Sinfonietta (NY) and Pops Conductor of the Tulsa Symphony Orchestra. Spigelman has appeared as guest conductor with many orchestras in the United States including the Dallas, San Antonio, Phoenix, Virginia, and North Carolina Symphonies as well as the Louisiana, Rochester, and Naples Philharmonic. In Australia, he has conducted the Adelaide, Queensland, West Australian, and Sydney symphony orchestras. A champion of new music, Spigelman has conducted over 30 world premieres. He was James Conlon’s assistant conductor at the Van Cliburn International Piano Competition four times. Guest artists he has accompanied include: Horacio Gutierrez, Sharon Isbin, Rachel Barton Pine, Richard Stoltzman, and Pops artists including Marvin Hamlisch, Peter Paul and Mary, James Taylor, Audra McDonald, Ben Folds, Kenny G, Jason Alexander, Audra McDonald, Asleep at the Wheel, and Arturo Sandoval. -
October 1-3, 2017 Greetings from Delta State President William N
OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful. -
Fried Okra Band They Released 4 Records and Was Nominated for a Danish Music Award Blues Twice
Fried Okra Fried Okra won The Danish Blues Challenge 2017 and reached the 2. place in The European Blues Challenge 2018. In 2018 Fried Okra also released a new album - Fried Alive. The live album - as the title very much indicates - has gotten fine reviews in Scandinavia. Fried Alive is out on itunes/spotify and so on…and for sale as an old-fashioned CD everywhere Fried Okra turns up. ”…takes the listener to ” This is the future in blues small and dusty American for me…the vocal of roads… drummer Thomas Morten Lunn is kind of Crawfurd and bass player hypnotic…Fried Okra Anders Wallin plays a should reach an audience tight groove while lead far beyond the traditional singer Morten Lunn blues circles with their throughs out dirty guitar «alternative blues»…” riffs…” Jacob Wandam, Johnny Andreassen, Bluesnews, Norway, 2018 Bluesnews.dk 2018 Fried Alive www.friedokraband.dk www.facebook.dk/friedokraband About Fried Okra Fried Okra (photo: Frank Nielsen) Fried Okra is a band based in Copenhagen, Denmark. Their music has been called alternative blues. It gets its main inspiration from the Hill Country blues of the North Mississippi. However, nowadays the band write their own material and the live set consists of original songs. Fried Okra plays regularly in Copenhagen's (and perhaps Scandinavia's) number one blues bar - Mojo blues Bar - and has toured around Denmark and Europe. In 2018 Fried Okra played Mönsterås Roots and Blues Festival in southern Sweden and Copenhagen Blues Festival. In 2019 Fried Okra returned to Finland and Sweden to play and visited Germany for the first time to play at Eutin Bluesfest. -
February 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, We are into the New Year and WASHINGTON BLUES SOCIETY time is already moving by at Proud Recipient of a 2009 high speed! It’s time to get Keeping the Blues Alive Award your Best of the Blues nomi- nations in! They are due on OFFICERS Tuesday, February 12th! You President, Tony Frederickson [email protected] need them postmarked by Vice President, Rick Bowen [email protected] the 12th if you mail them in; Secretary, Open [email protected] you can email them in from Treasurer, Ray Kurth [email protected] the email address associated Editor, Eric Steiner [email protected] with your membership; or bring them to the Blues Bash DIRECTORS at Collectors Choice! This Music Director, Amy Sassenberg [email protected] is one of the biggest benefits Membership, Open [email protected] of being a Washington Blues Education, Open [email protected] Society member. Be sure to Volunteers, Rhea Rolfe [email protected] exercise your voice to nomi- Merchandise, Tony Frederickson [email protected] nate your favorite musicians, Advertising, Open [email protected] venues, jams, radio DJs and festivals!. THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM We will be returning to the Northwest Music Hall at the Everett Downtown Seattle, Tim & Michelle Burge [email protected] Mall for the BB Awards so keep an eye out for information on this West Seattle, Jeff Weibe (206) 932-0546 year’s show. We will have the event posted on our Facebook page North Sound, Malcolm Kennedy [email protected] and there will be more information in next month’s Bluesletter. -
Capital Blues Messenger
Capital Blues Messenger Celebrating the Blues in the District of Columbia, Maryland and Virginia January 2016 Volume 10, Issue 1 Good Luck to DCBS Reps at International Blues Challenge by Pat Bransford (Australia, Israel, Philippines, etc.). The Baltimore Blues Society does not have an IBC Update: The 32nd International Blues Challenge entry this year. (IBC) is set for Jan. 26–30, at numerous Reggie Wayne Morris’ CD, Don’t Bring Me venues in the Beale Street Historic District However, the River City Blues Society of Daylight, last week advanced to Round 2 of Memphis, TN. It is five days filled with Virginia, Richmond, is sponsoring The of the competition, joining 27 other self- music and music competitions involving (at Forrest McDonald Band and in the Solo/ produced domestic and international CDs. last count) 120 bands and 94 solo/duo acts, Duo category, Root2 Music. Unfortunately, Don’t Bring Me Daylight did plus 41 Youth Showcase entries. The largest not make the cut to be part of the final five. The Central Virginia Blues Society is being increase from last year’s entry is in the Youth represented by Vintage #18, a band known Duke and Theresa Richmond in the Solo/ Showcase, which jumped from 31 entries in to many DCBS members, and by Adrian Duo category. 2015 to 41 this year—a good sign that more continued page 6 youth are getting involved in the Blues? This year’s IBC begins Tuesday, Jan. 26 with the International Showcase. Quarter Finals DC Blues Society: 2015—A Year at a Glance are Wednesday and Thursday, Jan. -
Luther Dickinson and Sisters of the Strawberry Moon Solstice
Luther Dickinson and Sisters of the Strawberry Moon Solstice “Most of the work was in getting the spark lit,” Luther Dickinson says of assembling the all-star cast for his extraordinary new project, Luther Dickinson and Sisters of the Strawberry Moon. “It was sort of like throwing a party. Once you manage to get everybody together, you can just step back and let it all happen.” Like any good party, Luther Dickinson and Sisters of the Strawberry Moon’s debut album, Solstice, comes complete with a great soundtrack and an impeccable guest list, one that boasts Amy Helm, Birds of Chicago, Amy LaVere, and Shardé Thomas among others. And like any good host, Dickinson manages to put the spotlight on his friends here, taking a step back from the microphone in order to focus his efforts behind the scenes and flex his considerable muscles as both a producer and a guitarist. The result is an album that stands apart in Dickinson’s extensive catalog, a collection that brings together some of the most captivating female voices in modern American roots music and filters each of their distinctive personalities through a singular vision of artistic community and musical exploration. “The whole idea of this album was to introduce a bunch of friends and get them to collaborate with each other,” says Dickinson. “I wanted to let the chemistry flow, to create an environment where everyone’s flavors naturally blended together and each artist could just be themselves. I think you can feel that freedom in the music.” Freedom has long been Dickinson’s sonic signature, both on the stage and in the studio. -
Orange Blossom Blues Society All Rights Reserved
Orange Blossom S p e c i a l E d i t i o n “ T o P r e s e r v e , P r o m o t e a n d P r e s e n t B l u e s M u s i c i n t h e O r l a n d o R e g i o n ” V O L U M E 4 , I S S U E 1 - J u n e 2 0 0 7 J A N U A R Y - M A R C H , 2 0 0 8 In This Issue MESSAGE FROM THE PRESIDENT THE EDITOR’S PEN: A RECAP OF 2007 ZAC HARMON IGNITES MCWELLS Goin’ to BACKSTAGE AT THE IBC CENTRAL FLORIDA IBC: REFLECTIONS BLUES TALENT JOEY GILMORE IN ORLANDO BLUES FOUNDATION ANNOUNCES 2008 MUSIC AWARD NOMINEES Memphis! CURFMAN TEARS IT UP AT BALDWIN’S TAKING THE TORCH PINETOP PERKINS HITS BIG IN 2008 GRAMMY AWARDS OBBS MEMBER WINS CRUISE NATIONAL WOMEN IN BLUES EDITOR: Zaida Zoller CONTRIBUTORS: Ben Basile Daryll Davis Peter “Blewzzman” Lauro Wayne Valzania Jerry Waller LAYOUT: Susan Baumann Brian Birkhofer Design Advertising: For rate info contact [email protected] Copyright © 2008 Orange Blossom Blues Society All rights reserved S e e IIB C d e t aiills b e g iinniin g on Pa g e 5 ! 2 O r a n g e B l o s s o m B l u e s S o c i e t y MESSAGE FROM THE PRESIDENT JERRY WALLER ? s t n e v e g n i m o c p u t m u o o c . -
If3 LLPU-- Mmmxm&'Mmi
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