DOCSLIB.ORG

In the Shadow of Plenty

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
In the Shadow of Plenty . ., ‘, IN THE SHADOW OF PLENTY 1. ,. , ,. ,, , , Other books by George Grant Brzkging in the Sheaves: Transforming Poverty into Productivity, 1985 ,. ‘ The Dispossessed: ,,, Horw?essn& in America, 1986 To the Work: Ueas ., fbr Biblical Charity, 1987 IN THE SHADOW OF PLENTY The Biblical Blueprint for Welfare . George Grant DOMINION PRESS ● FT. WORTH. TEXAS THOMAS NELSON, INC. “ NASHVILLE ● CAMDEN O’ NEW YORK ~ “ ,,. ,,, :-, ,,, ,. , ,, ,. ., ,, . Copyright 01986 by George Grant All righti reserved. Written permission must be secured from the publisher to use or reproduce any part of this book, except for brief quota ions in critical reviews or articles. - ‘i Co~publish Jd by Dominion Press, Ft. Worth, Texas, and Thomas Nelson, Inc., Nashville,\ Tennessee., . Printed in t+ United States of Amm”ca Unless othIi rwise noted, all Scripture quotations w from the New King James Version of the Bible, copyrighted 1984 by Thomas Nelson, Inc., Nashville, Temessee. Library of Congress Cata.Iog Card Number 86-050794 ISBN O-93C462-17-3 .,. , To my family: Karen, my lovely wife Joel, Joanna and Jesse, my three wonderful children the Blakleys, Grants, Dougherty, Casons, and McCartkys ,, as well as my BF kith and kln . TABLE OF CONTENTS Editor’s Introduction . .. .xi Part I: THE BIBLICAL BLUEPRINT: 10 PRINCIPLES Author% Introduction, . ., . ...3 1. Wordand Deed Evangelism . ...9 2. The Samaritan Legacy. ...25 3. Dominion by Service . ...38” , 4. HiHo, HiHo, It’s Offto Work WeGo . ...49 5. Sheaves Forthe~rovident . ...58 6. Charity Begins at Home . ...67 7. Uplifting the Uplifters . ..’ . ...78 8. The Unbroken Circle . ...88 9. Exceeding Whatis Written . ...96 10. The Foundation of Peace. ...107 Part II: THEBIBLICALB LUEPRINT: 3 STRATEGIES 11. Whatthe Government Should Do . ...121 12. Whatthe Church Should Do . ...136 13. What Families Should Do . ...151 For Further Reading . ...159 Scripture Inde. x . .161 Subject Index . ..”’ . ...173 What Are Biblical Blueprints? . ...175 vii ACKNOWLEDGEMENTS’ In his renowned Memoirs Sir Jarnes Mackintosh, the 18th century’s “philosophical politician” wrote a noble tribute to his devoted wife. In acknowledging the eflorts of my beloved Karen, I can do little better than to re-phrase his sentiments, his divine union being so ah to my own. “1 was guided in my choice only by the blind affection of my youth. I found an intelligent companion and a tender friend, a prudent monitress, the most faithful of wives, and a mother as tender as children ever had the fortune to have. I met a woman who by the tender management of my weaknesses, has painlessly taken to correcting the most pernicious of them . During the most critical periods of my life, she has presemed order in my affairs, from the care of which she relieved me. She has gently re- claimed me from depression; she has propped my weak and irres- olute nature; and she has been perpetually at hand.to admonish my heedlessness and improvidence. To her I owe whatever I am; to her whatever I shall be.” Others, who have stood in the gap as I have labored to “tangi- bilitate” this manuscript include: my elders Frank Marshall, Kemper Crabb, Dave Marshall, and Brian Martin; my mentors James B. Jordan, David Chilton, and Gary North; my publishers David Dunham and John Mauldin; my HELP co-workers J. D. McWilliarns and Suzanne Martin; my “midnight oil compatriots G. K. Chesterton, Lloyd Billingsley, William Gibson, Bruce Sterling, ” Alexander Schrne.mann, R. L. Dabney, ‘R. J. Rush- ix x In &Shaabw of Plenty doony, J. R. R. Tolkien, and (believe it if you can, Captain) Wil- liam Ashbless; and of course my dearest friends in life,.: Ponch,’ Peut, and Punk. - - The Second Sunday of Epiphany, 1986 ‘, Humble, Texas EDITOR’S INTRODUCTION ty G(ny N&h “But would you let people starve?” Thk question is the standard last-ditch response by a person who has heard half a dozen arguments, with the supporting evi- dence, that public welfare financed by taxation (1) increases the number of people who are poor, (2) increases the dependence on the state of welfare recipients, (3) reduces per capita productivity in the society and therefofe reduces per capita wealth, (4) creates resentnient among voters, (5) keeps growing despite the failure of the programs, and (6) benefits mostly middle-class, welfare bu- reaucrats. The evidence is clear; hardly anyone disputes it any , more (ten years ago, they still did). Nevertheless, millions-of voters (including Christians) cannot follow with their hearts where their minds are takkg them. So they argue that the person who is bringing them thk unpleasant information is himself callous. He is heartless. He doesn’t care about the poor. “Would you let people starve?” Now,, George Grant has answered .&at question. He has avoided the trap of liberal humanism by facing squarely the com- plete failure of the welfare system. He has also avoided the trap of conservative humuni.sm by. embracing the necessity to demonstrate compassion and justice. In short, he has done what has seldom- if ever— been done before: He has answered the poverty questigm Biblically. And he has answered with more than mere words. George Grant is the pastor of a small church that has effect- ively implemented the principles described in this book in their local community. In fact, they have so effectively implemented~ them that they have gained national media attention and notoriety xi i xii In the Shaabw ofPlenty over the past several years. What have they done that is so unique, so provocative, and so successful that ABC, CBS, and Z%e WhZZ StreetJournal have had to sit up and t e notice? %-y simply, they have believed’hnd prac- ticed the Bif Iical blueprint for welfare. They have undersood that poverty is a spirihuzl concern that can only be addressed in a spirit- uai fashion. L Poverty and Hell Questior:. What is temporal hunger compared to eternal hell? Physical hunger is a down payment from God on what lies ahead: spiritual hunger for eternity. Of course the humanist rejects the ,Bible’s explanation of the origin of hunger. In his view, there is no God who interacts with men in histo~. There never was an Ad~ and Eve who ate fmrn a forbidden tree. The Lord’s Supper does not restore fellowship between regenerate Christians and some sovereign God who’ judges men and nations in history. So there obviously is no link between foo~ and salvation, or especially betweep hunger and damnation. herefore, the humanist demands a solution to the. problem of hungerF that make: no reference to God, the church, salvation, heaven, and hell. Well, the Bible also has a more earth-bound apswer to the qtiestion of why people are hungry. This answer doesn’t make hu- manists happy, either, but there is one. The Biblical answer is: ,“People who don’t produce anything of value are going to starve, whether we legislate any tax-financed welfare programs or not.” Thk answer also bothers the critics. Thk answer categorically denies that the state, with its powers of taxation, can cure man- kind’s fundamental problems. But these people believe in the state. (These days, this twentie”th-century faith is rapidly waning; but so far they don’t believe in anything else higher than the state, or more effec:ive than the state, so by default, they still believe in the state.) They believe that man can save himself. They believe that God doesn’t hold men responsible for their actions. Ulti- mately, they elieve in salvation through legisl~ion, the ancient her- l’ 1 ,. ‘ Editor% Introduction Xlll my that the New Testament preaches against, sahxztion t5y law.’ The Bible is verj clear: each individual is fully responsible be- fore God for his sin. God really does send people to,hell for eternity. If they die in their sins without proclaiming their faith in Jesus’ Christ as the sin-bearer who became God’s substitute sacrifice at Calvary, then they are judged by God and put into eternal screaming agony forever. The argument over poverty and its cure h ultimate~ an ar@rnmt over ‘ hell and its cure. The cm-e for,hell is faith in the saving work ofJesus Christ at Ca&ary. This is also the cure for poverty. ~ ,/ . The Bible’s.Cure for Poverty ~ ,’. ‘ Has Biblical law anything to do with the Bible’s stiiumon to pcwerty? It has everything to do with it. The Psalmist-says: ‘ I have been young, and now am old; yet I have not seen the . righteous ‘forsaken, Nor hk descendants begging bread. ‘He is ever,, ‘ “merciful, and lends; “And his,descendants are blessed. ~pti fmm evil, and do good; And dwell forevermore. For the Lord, loves jus- tice, And does not forsake His saintv They are preserved forever, But the descendants of the wicked shall be cut off. The righteous shall inherit the land, And dweIl in it forever (Psalms 37:25-29). There is a tight relationship between wickedness and @verty. There is alsoa tight connection between righteousness and having enough to eat. ‘God places ‘the unrighteous! under covenanted judgment: cursing. Their descendants are cut off. He places the righteous under covenantal judgment, too: blessing. They &e never found begging, and their descendants inherit the earth. This is what outrages the humanists, pagan Third World tyrants, theologically liber~’ Christians, Christian collegd soci~ science professors, and the welfare state politicians who are buy- ing people’svotes with tax money. It means that the cure for pov- erty is faithfulness to ,God and obedience to His revealed Word, the Bible. Furthermore j there is no othar curefor long-tam ~oukty except o@uard obedience to, God% Kingdom princz>les. Even God-haters &n benefit exte,mally if they conform themselves outwardly to these ,- ,.
Load more

Recommended publications
  • Ratner Kills Mr
    Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper.
    [Show full text]
  • Figure 56A-B. Professors Theodore Allen Heinrich and Brayton Polka (York University), Bird Watching in Peru.1
    Figure 56a-b. Professors Theodore Allen Heinrich and Brayton Polka (York University), bird watching in Peru.1 1 19. Domains of Study and Mentors For the first sixteen years of my education, study was simply a passive exercise, doing the homework that others had imposed. The teachers were the bearers of knowledge: I was simply a receptacle. If I was a sufficiently good receptacle, I would one day know all there was to be known, at least in my field of study. 20.1 Undergraduate (1966-1969) In the second year of university, I took a course with Professor Theodor Allen Heinrich (fig.56a). He was an American, had studied with Roger Fry2, had been a Monuments Man during the war. He had found Nefertite (fig.10a) in a salt mine and carried her back to West Berlin three days before the new boundaries were set. He opened my eyes to the world of art. In the third year of university, I took a fourth-year course on intellectual history with Professor Brayton (Brady) Polka,3 who was also a “birder” (fig. 56b). It was a seminar. Each week we read a sample from a great thinker including Plotinus, Augustine, Abelard, Valla, Vico and each week we were plunged more deeply into the complexities of a Western tradition that continually built on Plato and Aristotle, while also transforming their original premisses. The most important thing that I learned was that the great texts were more than clever answers: The greater the text, the more it raised questions for which there were no simple answers.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • RNCM-Brochure-Summer-19-Web.Pdf
    FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize.
    [Show full text]
  • The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
    THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
    [Show full text]
  • Kelley Hunt Winter Series Sun 1/4 • 7:00Pm Bar Fly Greg Koch and the 707 N
    VOLUME THIRTEEN, NUMBER ONE • JANUARY 2009 NORTH MISSISSIPPI ALLSTARS —— Do it Like We Used To Do Tour —— w/ special guest Hill Country Revue Wednesday, Feb. 4th, 2009 • Slowdown • 729 N 14th St • Omaha, NE Doors: 8pm • Show: 9pm • All Ages Buy any level BSO Membership Tickets.available.at at Murphy’s, and get two www.radkadillac.com,.www.etix.com, tickets to the concert www.theslowdown.com, or.locally.at.all.Etix.locations ABSOLUTELY FREE. (Homer’s.Music.Stores.in Otherwise tickets $18 Omaha.and.Lincoln) PLAYING WITH FIRE GREG KOCH Kelley Hunt WINTER SERIES Sun 1/4 • 7:00pm www.PlayingWithFireOmaha.com BAR FLY Greg Koch and the 707 N. 114th St. Other Bad Men featuring MALfoRD MILLIGAN 1200 Club at the Holland Sat., Jan. 24, 2009 • 7:30pm MALFORD Holland Performing Arts Center MILLIGAN The. BLUes ORCHesTRA,. based. HAMILTON LOOMIS in.Lincoln,.NE.is.the.latest.vision. of.bluesman.Harvey.Brindell..The. 1/8............................... Magic.Slim.and.The.Teardrops Blues.Orchestra.began.as.an.ever- 1/15............................................................. Levee.Town. changing. line-up. of. some. of. the. 1/22.......................... Studebaker.John..&.The.Hawks best.blues.musicians.in.the.area..In. 1/29.................................................... Hamilton.Loomis addition.to.Harv.on.vocals,.guitar,. 2/5.............................................. Moreland.&.Arbuckle and. harmonica,. the. “Orchestra”. 2/12..........................................................Michael.Burks currently.consists.of.Gary.Wright. 2/19........................................................... Eric.Sardinas on.drums,.Keith.Cornelius.on.bass. 2/26................................................. The.Nace.Brothers and. vocals,. and. Brian. “B”. Hull. 3/5..................................Lil.Ed.&.The.Blues.Imperials playing.keyboards.. 3/12......................................................... Debbie.Davies Check.them.out.at.The.Roadhouse.in.Lincoln.on.Janu- 4/16............................................................
    [Show full text]
  • FREDDIE HUBBARD TRIBUTE Fri-Aug-27, 2021, 7:00Pm -- TUNELIST (18 Tunes) @ Supermarket, 268 Augusta Ave., Toronto
    FREDDIE HUBBARD TRIBUTE Fri-Aug-27, 2021, 7:00pm -- TUNELIST (18 tunes) @ Supermarket, 268 Augusta Ave., Toronto SET 1 - AKOUSTIC TUNES A01 - Up Jumped Spring (Backlash - 1967) A03 - Bolivia (Bolivia - 1991) A04 - Crisis (Ready for Freddie - 1961) A07 - One Finger Snap (Herbie’s Empyrean Isles - 1964) A08 - Dolphin Dance (Herbie’s Empyrean Isles - 1964) A09 - One By One (Blakey’s Ugetsu - 1963) A02 - Byrdlike (Ready for Freddie - 1961) A10 - Fee-Fi-Fo-Fum (Wayne’s Speak No Evil - 1965) A13 - Caravan (Blakey’s Caravan - 1963) SET 2 - ELECTRIC TUNES E02 - Red Clay (Red Clay - 1970) E03 - First Light (First Light - 1971) E01 - Sky Dive (Sky Dive - 1972) E06 - Love Connection (The Love Connection - 1979) E05 - Little Sunflower (Backlash - 1967) E07 - Povo (Sky Dive - 1972) E08 - Neo Terra (Windjammer - 1976) E13 - Mr. Clean (Straight Life - 1970) E14 - Chameleon (Herbie’s Headhunters – 1973) FOR INTROS Frederick Dewayne " Freddie " Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He was known primarily for playing in the bebop, hard bop and post bop styles from the early 1960s and on. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop In the pantheon of jazz trumpeters, Freddie Hubbard stands as one of the boldest and most inventive artists of the bop, hard-bop and post-bop eras. Although influenced by titans like Miles Davis and Clifford Brown, Hubbard ultimately forged his own unique sound – a careful balance of bravado and subtlety that fueled more than fifty solo recordings and countless collaborations with some of the most prominent jazz artists of his era.
    [Show full text]
  • Azzschool at CALIFORNIA JAZZ CONSERVATORY
    the azzschool at CALIFORNIA JAZZ CONSERVATORY 2019 SPRING CATALOG CLASSES • WORKSHOPS • CONCERTS Contents “The most successful INTRODUCTION ADULT VOCAL CLASSES (continued) jazz education startup CJC Concert Series 2 Composition/Songwriting 28 The California Jazz Conservatory 4 Young Singers 28 The Jazzschool 6 Vocal Mentor Program 29 Vocal Workshops 30 in the United States” ADULT PERFORMANCE ENSEMBLES YOUNG MUSICIANS PROGRAM — Ted Gioia Jazz 8 World 12 Introduction 32 Latin 12 Program Requirements 32 Thank you, jazz historian Brazilian 13 Placement and Audition Ted Gioia, for recognizing the Blues 13 Requirements 33 California Jazz Conservatory Funk 13 Instrumental Ensembles 34 and our 20+ years of success Voice 35 ADULT INSTRUMENTAL CLASSES in teaching people how WORKSHOPS Piano and Keyboards 14 to play, study and Guitar 16 Workshops 36 enjoy jazz. Saxophone 1 9 Percussion Series 40 Bass 1 9 Raul Midón / Lionel Loueke Drums and Percussion 20 Workshop 46 THEORY, IMPROVISATION, SUMMER PREVIEW COMPOSITION Introduction 47 Theory 21 Summer Youth Program 48 Harmony 21 High School Jazz Intensive 49 Improvisation 22 Girls’ Jazz & Blues Camp 50 Composition 22 Theo Bleckmann / Laurie Antonioli Vocal Intensive 51 ADULT VOCAL CLASSES Jazz Guitar Intensive 52 Vocal Technique 23 Jazz Piano Intensive 53 Performance 23 INFORMATION Jazz 23 R&B/Pop/Latin 25 Jazzschool Faculty 54 Vocal Ensembles 26 Board and Staff 60 Salsa Singing 26 Instructions and Funk 26 Application Form 62 World Groove 27 Map 63 Blues and Groove 27 Support 64 Brazilian 27 IMPORTANT INFORMATION • The Jazzschool Spring Quarter runs from April 8 – June 10. • Spring Performance Series takes place June 11 – 17.
    [Show full text]
  • September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
    Keith jarrett Disco Version 17 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tra delist.html Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA .
    [Show full text]
  • 2020-2021 Town Report
    2020-20212019-2020 AnnualAnnual ReportReport AnnualAnnual TownTown MeetingMeeting -- MarchMarch 2,3, 20212020 AnnualAnnual RepresentativeRepresentative TownTown MeetingMeeting -- MarchMarch 20,21, 20212020 TownTown ofof Brattleboro,Vermont Brattleboro, Vermont Town of Brattleboro Fiscal Year Budget (7/1/20 to 6/30/21) TownTown and Townof Brattleboro School District Fiscal FiscaYear lBudget Year Audits (7/1/21 (7/1/18 to 6/30/22) to 6/30/19) Town of Brattleboro Fiscal Year Audit (7/1/19 to 6/30/20) 1 2 HOW TO USE THIS BOOK The Annual Town Report is released each year prior to Town Meeting and Representative Town Meeting so that the public and Representative Town Meeting members can familiarize themselves with the materials that they are asked to consider during Town Meeting and Representative Town Meeting. It is filled with information about the operations of the Town of Brattleboro. You will find: • Table of Contents, located immediately following this page, provides a summary of the information contained in this book. The corresponding page numbers indicate where to find the information. Some significant items are as follows: • Essential Steps to Participate in RTM on Zoom, includes instructions for RTM Members on how to set up a Zoom account and provide notification to the Town. It also contains a list of meeting dates. • Warning for State-wide Town Meeting Day (March 2, 2021) contains articles from the Town and Wind- ham Southeast School District that will be voted upon by registered voters of the Town of Brattleboro, including the hours and location of the polls. • Warning for Representative Town Meeting (March 20, 2021) contains articles from the Town that will be voted upon by Representative Town Meeting members.
    [Show full text]
  • The Pride of New Orleans
    DOWNBEAT 76th Annual Readers Poll Winners! 76TH 76TH A NNUAL REA NNUAL D E R S POLL POLL S W INNE Trombone R S // Tr OM B ONE ONE SHORTY S HO R TY // The Pride of A HMA D JAMAL New Orleans // E S P Poll Winners E R ANZA ANZA Ahmad Jamal Sp HALL OF FaME AL D ING Esperanza Spalding // B R A D Brad Mehldau M EHL D AU Miles Davis Jeff Beck COMPLETE RESULTS INSIDE! Rudresh DECEMBER 2011 U.K. £3.50 Mahanthappa BLINDFOLD TEST D E C EM Holiday B E R 2 011 Gift Guide DOWNBEAT.COM DECEMBER 2011 VOLUME 78 – NuMBER 12 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 | Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Transculturals As Agents of Change by Chris J. Harriss B.A. In
    Transculturals as Agents of Change by Chris J. Harriss B.A. in International Business, January 1994, American University of Paris M.B.A. in Management of International Business, June 1996, Université Paris 1 Panthéon-Sorbonne - Institut d’Administration des Entreprises A Dissertation submitted to The Faculty of The Graduate School of Education and Human Development of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Education January 19, 2018 Dissertation directed by Shaista E. Khilji Professor of Human and Organizational Learning The Graduate School of Education and Human Development of the George Washington University certifies that Chris J. Harriss has passed the final examination for the degree of Doctor of Education as of December 7, 2017. This is the final and approved form of the dissertation. Transculturals as Agents of Change Chris J. Harriss Dissertation Research Committee: Shaista E. Khilji, Professor of Human and Organizational Learning, Dissertation Director Katherine Rosenbusch, Assistant Professor of Management, George Mason University, Committee Member Michael Pobát, Adjunct Professor of Human and Organizational Learning, Committee Member ii © Copyright 2018 by Chris J. Harriss All rights reserved iii Dedication To Claudie, representing the Meunier family of the Old World, and Joe, representing the Harriss family of the New World, for having given me a transcultural life and 46 years of dedicated support and love. iv Acknowledgments This dissertation is the accomplishment of a 5-year academic marathon at the heart of GSEHD. Such dedication would have been meaningless without the guidance, support, and encouragement of a number of key individuals, including my chair, Dr.
    [Show full text]