Volume Thirteen, Number Four • April 2009
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
Figure 56A-B. Professors Theodore Allen Heinrich and Brayton Polka (York University), Bird Watching in Peru.1
Figure 56a-b. Professors Theodore Allen Heinrich and Brayton Polka (York University), bird watching in Peru.1 1 19. Domains of Study and Mentors For the first sixteen years of my education, study was simply a passive exercise, doing the homework that others had imposed. The teachers were the bearers of knowledge: I was simply a receptacle. If I was a sufficiently good receptacle, I would one day know all there was to be known, at least in my field of study. 20.1 Undergraduate (1966-1969) In the second year of university, I took a course with Professor Theodor Allen Heinrich (fig.56a). He was an American, had studied with Roger Fry2, had been a Monuments Man during the war. He had found Nefertite (fig.10a) in a salt mine and carried her back to West Berlin three days before the new boundaries were set. He opened my eyes to the world of art. In the third year of university, I took a fourth-year course on intellectual history with Professor Brayton (Brady) Polka,3 who was also a “birder” (fig. 56b). It was a seminar. Each week we read a sample from a great thinker including Plotinus, Augustine, Abelard, Valla, Vico and each week we were plunged more deeply into the complexities of a Western tradition that continually built on Plato and Aristotle, while also transforming their original premisses. The most important thing that I learned was that the great texts were more than clever answers: The greater the text, the more it raised questions for which there were no simple answers. -
Soaring Wings Vineyard Bluesfest
Volume FiFteen, number Six • June 2011 Soaring Wings Vineyard Bluesfest Saturday, June 4, 2011 17111 S 138th St • Springfield, NE 68059 5:30-6:30 Elwin James Band - 2012 Nebraska NBC finalist 7:00-8:00 Shannon & The Rhythm Kings Popular - KC Blues Band 8:30-9:30 The Candymakers - Winner of the Iowa Blues Challenge 9:30-10:00 JAM Session 2011 OutdOOr cOncerts at a glance Big James and The Chicago Playboys are 6/4.............................................................Soaring.Wings.Vineyard.Bluesfest confirmed to headline “The Blues Society of 6/4........................................................................ Lincoln.BBQ.and.Blues.Fest. Omaha presents The Aksarben Village BluesFest” 6/10...........................................................Big.Head.Todd.&.The.Monsters.w/ on Saturday, June 25th. The Fest will be held at . Toots.&.The.Maytals.at.STIR Stinson Park on 64th & Center. Opening the show 6/10-12..............................................................Omaha.Summer.Arts.Festival at 4pm will be (2) BluesEd Bands, Us & Them and 6/12............................................BluesEd.Benefit.at.Slattery.Vintage.Estates Mojo Bag, followed by Lou DeLuca and the R&M 6/19..................................................Blues.at.Bel.Air.(120th.&.W..Center.Rd.). Blues Band, and then Blue House with the 6/25..............................................BSO.presents.Aksarben.Village.BluesFest. Rent to Own Horns, prior to Big James’ set. 6/25.................................Carolyn.Wonderland.at.Glenwood.Amphitheater -
![Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels](https://docslib.b-cdn.net/cover/8862/archons-commanders-notice-they-are-not-anlien-parasites-and-then-in-a-mirror-image-of-the-great-emanations-of-the-pleroma-hundreds-of-lesser-angels-438862.webp)
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
LCBS Members Pack Limos to Kalona for a Night of Blues!
I read the news today, oh boy!I read the today, news Issue 164 The Publication of the Linn County Blues Society- lcbs.org March 2008 LCBS Members Pack Limos to Kalona for a 52406-2672 Cedar Rapids, IA Rapids, Cedar Night of Blues! PO Box 2672 Box PO Linn County Blues Society Blues County Linn A very special THANK YOU to these businesses who have signed up to help us kcck.org Keep the Blues Alive! • C.R. Bank & Trust • The Fifth Gear Friday Blues- • Chappy’s Safari • 16th Avenue Prod. • 6-10 PM - Da Friday Blues In this cool issue — • Chrome Horse • KCCK 88.3 • 10-11 PM - Backstage Blues • Longbranch • Checkers Tavern • 11 PM to midnight - KCCK Jams LCBS Blues Bash at Tuscan Moon! • Dudley Bros. Co. • Home Town Restyling • Midnight Blues CD Perry Weber Band at Checkers! • Cocktails & Co. • Next Door Saturday Blues - KUNI Blues Blowout photos • Ron Schantz Const. • Tomaso’s Pizza • 6-10 PM - Da Blues with Bobby D Big Mo’s CD Review • J.M. O’Malley’s • Mahoney’s Irish Pub • 10-11 PM - The Crawfish Circuit Francis Clay 1923-2008 More photos inside! • 11 PM -midnight - The Melting Pot Vinyl LPs From Blind Pig Records “I complained about the salt in her blackeyed peas, and she • Midnight Blues CD Local LIVE Music Schedules put her hand on her hip and she told me to leave” – Keb Mo ©2008-Linn County Blues Society ©2008-Linn County Blues Society The Linn County Blues Society is a way continued from page 4 cool, non-profit organization dedicated to we were both raised up in the same town tavern the preservation of Blues music in Eastern CEDAR RAPIDS,IA. -
COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com GuitarDMasterEEP ROOTS COLIN LINDEN’S Journey from Howlin’ Wolf to Hollywood by Larry Nager WHO YOU THINK sideman deluxe flying under the radar for pre-war blues to his eerie recreation Colin Linden is depends on which side in his trademark black hat and shades. of Skip James’ “Hard Time Killing Floor.” of the border you call home. In his native Specializing in the bluesier side of He toured arenas with the O Brother Canada, he’s long been known as one Americana, he can be heard on spinoff tour Down From The Mountain of the world’s premier blues and roots wide-ranging, high profile projects and put in a year backing Country Music guitarists and producers, lending his including the O Brother Where Art Thou? Hall of Famer Emmylou Harris. -
Formal Education Academic and Professional Positions Held
SONIA KHATCHADOURIAN CURRICULUM VITAE Formal Education Degree: Master of Arts, University of Hawaii-Manoa, Honolulu, HI, December 1987 Area: Creative Writing Thesis: What They Were Desperate For, collection of short fiction Degree: Bachelor of Arts, University of Wisconsin-Milwaukee, August 1984 Majors: Philosophy; English: Creative Writing concentration Academic and Professional Positions Held Senior Lecturer: English Department, University of Wisconsin-Milwaukee, August, 2002-present (with 50% Indefinite Status appointment granted January 2012) (Senior Lecturer Status granted in 2002) Lecturer: Lubar School of Business, University of Wisconsin-Milwaukee, August 2014-March 2015 Lecturer: English Department, University of Wisconsin-Milwaukee, September 1988-May 2002 Lecturer: Department of Learning Skills and Educational Opportunity/ Academic Opportunity Center, College of Allied Health-Health Care Opportunities Summer Program, Bridge Program, Upward Bound Program, University of Wisconsin-Milwaukee, August, 1988-August-1994 Visiting Lecturer: Institut fur Anglistik und Amerikanistik, Justus Liebig Universitat, Giessen, Germany, September 1994-August 1996 Lecturer: Milwaukee Institute of Arts and Design, August-December, 1996 Visiting Lecturer: Indiana University-Bloomington/Midwest Universities Consortium for International Activities at Institut Teknologi Mara, Shah Alam, Malaysia, January-June 1991 Lecturer: English Department, Marquette University, Milwaukee, WI, January 1989-December 1991 1 Copyeditor: Department of Religion, Buddhist-Christian Studies scholarly journal, University of Hawaii-Manoa, Honolulu, HI. January-May 1988 Professional Tutor: Learning Center, Chaminade University of Honolulu, Honolulu, HI, January-May 1988 Graduate Teaching Assistant: English Department, University of Hawaii-Manoa, August 1984-December 1987 Freelance Writer: August 1988-Present Awards, Research Grants, Honors, Certificates UWM Certificate in Online and Blended Teaching: April 2013 Learning Technology Center Open Education Resource Grant: Fall 2013. -
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
Capital Blues Messenger
Capital Blues Messenger Celebrating the Blues in the District of Columbia, Maryland and Virginia January 2016 Volume 10, Issue 1 Good Luck to DCBS Reps at International Blues Challenge by Pat Bransford (Australia, Israel, Philippines, etc.). The Baltimore Blues Society does not have an IBC Update: The 32nd International Blues Challenge entry this year. (IBC) is set for Jan. 26–30, at numerous Reggie Wayne Morris’ CD, Don’t Bring Me venues in the Beale Street Historic District However, the River City Blues Society of Daylight, last week advanced to Round 2 of Memphis, TN. It is five days filled with Virginia, Richmond, is sponsoring The of the competition, joining 27 other self- music and music competitions involving (at Forrest McDonald Band and in the Solo/ produced domestic and international CDs. last count) 120 bands and 94 solo/duo acts, Duo category, Root2 Music. Unfortunately, Don’t Bring Me Daylight did plus 41 Youth Showcase entries. The largest not make the cut to be part of the final five. The Central Virginia Blues Society is being increase from last year’s entry is in the Youth represented by Vintage #18, a band known Duke and Theresa Richmond in the Solo/ Showcase, which jumped from 31 entries in to many DCBS members, and by Adrian Duo category. 2015 to 41 this year—a good sign that more continued page 6 youth are getting involved in the Blues? This year’s IBC begins Tuesday, Jan. 26 with the International Showcase. Quarter Finals DC Blues Society: 2015—A Year at a Glance are Wednesday and Thursday, Jan. -
(KBA) Award Page 1 of 11
2011 Keeping the Blues Alive (KBA) Award Page 1 of 11 2011 Keeping the Blues Alive (KBA) Award The Blues Foundation Press Release The Blues Foundation Keeps the Blues Alive With Its 30th Annual Awards Ceremony in Memphis this February Honorees Include Key Movers from Around the Globe [For Immediate Release November 9, 2011] Memphis, TN - On the heels of achieving its all- time high membership (quickly approaching 4,000 total), The Blues Foundation will honor 21 individuals and organizations with its 2011 Keeping the Blues Alive (KBA) Award during a recognition brunch on Saturday, February 5, 2011, in Memphis, Tennessee. Each year, The Blues Foundation presents the KBA Awards to individuals and organizations that have made significant contributions to the blues music world. The KBA ceremony begins at 10:00 A.M. and will be held in conjunction with the 27th International Blues Challenge (IBC) weekend of events that will feature the final rounds of the world's most prestigious blues competition and largest gathering of blues acts, as well as seminars, showcases, and receptions for blues societies, fans, and professionals on February 1-5. The KBAs are awarded strictly on the basis of merit by a select panel of blues professionals to those working to actively promote and document the music. Nominations are accepted from affiliated blues societies, past KBA recipients and current members of The Blues Foundation's Board of Directors. "The recipients of this year's awards - as with every year - are people and organizations who are an integral part of not only promoting blues music, but of preserving it as well. -
BLUES-A-THON 2017-Description And
BLUES-A-THON 2017-Description and Rules What is the Blues-A-Thon? The Blues-A-Thon is a fundraising event intended to raise money to support the Uptown Music Collective, a 501(c)(3) nonprofit school of music. All funds raised will go directly to the school’s free class and workshop initiative. The fundraising goal for this ninth annual event is $5,000. The Blues-A-Thon will take place at multiple locations during the 24hr period: 6pm to 8pm - First Friday on Pine St. (420 Pine St. Williamsport, Pa) 8pm to 10pm – Pine Square Stage (343 Pine St. Williamsport, Pa) 10pm to 12pm - Uptown Music Collective (144 West Third St. (2nd Floor) Williamsport, Pa) 12pm to 6pm – The Mid-Town Landing (behind the Uptown Music Collective) & Pine Square Stage 6pm – The Michael Ross Event Center (144 West Third St. (3rd Floor) Williamsport, Pa) The public is welcome throughout the event, and is encouraged to make donations to help the organization. The event will feature international blues recording artist Bob Margolin, who will perform with the participants and solo during the opening ceremonies and closing concert. All participants must pledge a number of hours that they intend to perform and seek donations from individuals and companies for each hour pledged. A minimum of $25 in sponsor pledges is required for each participant. Rules of Participation 1. The number of hours each participant pledges to perform and what times they plan to play must be turned into Brendan Mondell, [email protected] by June 2nd. 2. Participants must turn in a completed registration form with a sponsor sheet and envelope with a minimum of $25 in pledges by 5:00 pm on Friday, June 2nd to participate.