Complete Song List – the " Original" Moonlighters
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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Red Lightnin Brochure
ESTABLISHED IN 1968 AS PURVEYORS OF CONTEMPORARY BLUES, OUR EDICT IS TO PUSH BLUES TO THE LIMIT! AS THE MOST INFLUENTIAL MUSICAL FORM RED LIGHTNIN’ OF THE 20TH CENTURY. THE ROLE OF THE BLUES CAN BE FOUND IN ALL FORMS OF The White House, MUSIC. THE BLUES MUST AND WILL ADAPT 42 The Street, TO THE FUTURE SOCIAL CLIMATE, AFTER North Lopham, ALL, THE PROBLEMS AND HENCE THE LYRICS THAT BLUES DERIVED FROM HAVE Diss, Norfolk, ’T L NOT ALTERED - ONLY THE TECHNOLOGY IP22 2LU, UK AN OS HAS! C E” TEL: 44 1379 687693 U WE HAVE OVER 1500 + MASTERS AVAILABLE FAX: 44 1379 687559 O AND CAN FILL ALL YOUR REQUIREMENTS FOR Mobile: 07710 230226 Y COMPILATIONS, LICENSING, ADVERTISING, S PREMIUM PRODUCTS, FILM, TV,, Email: [email protected] E PROMOTIONS, INTERNET, ETC. www.redlightnin.com U L B E KEEP THE TRAIN S E H T AROLLING, L © 2007 L A BUY BIGGER, H T I W “ BUY BETTER - BUY BLUES!! ARTIST’S INCLUDE: - ALBERT COLLINS• JOHN LEE HOOKER• BIG WALTER "SHAKEY" HORTON ( 2.5 discs worth)• EARL HOOKER• BILLY BOY ARNOLD• MUDDY WATERS• JOHNNY OTIS• JIMMY WITHERSPOON (with Duke Robbilard)• KING BISCUIT BOY ( 2 discs)• SCREAMING JAY HAWKINS• BUSTER BENTON & CAREY BELL• TROYCE KEY & JJ MALONE• BIG JOE WILLIAMS• LITTLE BROTHER MONTGOMERY• SMOKEY LOGG• THE MIGHTY HOUSEROCKERS• ROY GAINES & CRUSADERS• LUTHER ALLISON• TOMMY TUCKER• CHARLIE MUSSELWHITE• ISAAC SCOTT• OTIS RUSH• MARIA MULDAUR• LONG JOHN BALDRY• BRIAN KNIGHT• IKE TURNER• EDDIE CLEARWATER• JIMMY JOHNSON• MAGIC SLIM• BUDDY GUY & JUNIOR WELLS• MISSISSIPPI FRED McDOWELL• MEMPHIS SLIM• MATT 'GUITAR' MURPHY• SONNY BOY WILLIAMSON• PHIL GUY• LOUISIANA RED• PAUL deLAY BAND• UP WILSON• PAUL ORTA• CLARENCE EDWARDS• JIMMY REED• ROOSEVELT SYKES• PROFESSOR LONGHAIR• JO-EL SONNIER• AMOS GARRETT• DOUG SAHM• HANS THEESINK• PETER GREEN & MICK GREEN• BRIAN KNIGHT with MICKEY MOODY (WHITESNAKE)• LIGHTNIN' HOPKINS BREWERS DROOP with MARK KNOPFLER• THE ENEMY WITHIN FEATURING GYPIE MAYO• LOUISIANA BOB KIRKPATRICK• ETC,. -
The Blues Dogs Band Has Been Helping Him Discover Wisconsin, So Be Sure to Welcome Him
.After over 40 years playing blues in bars, these guys got it down. Dues have been paid and paid again. The Chippewa Valley Blues Society presents Harvey Fields started playing drums as a boy at the Checkerboard Lounge in Chicago with his mentors, Howlin' Wolf and Muddy Waters. His Uncle, Lucky Evans was an alumnus of the Howlin' Wolf band and took Harvey all around the world, playin' blues and payin dues. Steve John Meyer, lead vocalist, guitarist and harp player, is a graduate of thousands of smoky nights. He's led the 'dream life'... jammin' blues in every bar in Minnesota and Wisconsin, then spending the night on the road, in an old beat up van, usually cold, and snowing. Steve started blowin harp in '68, playin on the lakeshore, in laundry rooms and culverts to find 'the sound.' One night he was jamming with some guys he just met in an old roadhouse down by Cedar Lake and the place was packed. At one point the hot, sweaty crowd just stopped dancing to watch, and he never looked back. He knew he'd finally found it. Dean Wolfson plays bass. He's been jammin' round the twin cities since the 70's. Dean also plays for folk June 16, 2009 rocker Geno LaFond. The Blues Dogs band has been helping him discover Wisconsin, so be sure to welcome him. Kenny Danielson, from LacDuFlambeau, native American blues guitarist, singer and "long time blues enthusiast" rounds out the quartet for the evening. The Blues Dogs Next Week Upcoming Schedule The Pumps The Pumps If you haven't been to one of their June 20th Barnacles on Mille Lacs shows, you're missing out on a trio of cool cats, all June27th Smalley’s in Stillwater veterans of the local and national scene - Tom Brill July 4th Brewski's in Balsam Lake on guitar and vocals, Buck Barrickman on bass and July 11th Noon at the Harbor Bar Blues Fest vocals and Frank Juodis on drums and vocals. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Shilliam, Robbie. "Dread Love: Reggae, Rastafari, Redemption." the Black Pacific: Anti- Colonial Struggles and Oceanic Connections
Shilliam, Robbie. "Dread Love: Reggae, RasTafari, Redemption." The Black Pacific: Anti- Colonial Struggles and Oceanic Connections. London: Bloomsbury Academic, 2015. 109–130. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781474218788.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 11:28 UTC. Copyright © Robbie Shilliam 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Dread Love: Reggae, RasTafari, Redemption Introduction Over the last 40 years roots reggae music has been the key medium for the dissemination of the RasTafari message from Jamaica to the world. Aotearoa NZ is no exception to this trend wherein the direct action message that Bob Marley preached to ‘get up stand up’ supported the radical engagements in the public sphere prompted by Black Power.1 In many ways, Marley’s message and demeanour vindicated the radical oppositional strategies that activists had deployed against the Babylon system in contradistinction to the Te Aute Old Boy tradition of tactful engagement. No surprise, then, that roots reggae was sometimes met with consternation by elders, although much of the issue revolved specifically around the smoking of Marijuana, the wisdom weed.2 Yet some activists and gang members paid closer attention to the trans- mission, through the music, of a faith cultivated in the Caribbean, which professed Ethiopia as the root and Haile Selassie I as the agent of redemption. And they decided to make it their faith too. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER FREDDIE KING TITEL Texas Flyer, 1974 - 1976 LABEL Bear Family Records KATALOG # BCD 16778 PREIS-CODE EK EAN-CODE ÆxAKABMRy167781z ISBN-CODE 978-3-89916-550-0 FORMAT 5 CD-Box (LP-Format) mit 80-seitigem geb. Buch GENRE R&B / Rock Instrumental ANZAHL TITEL 64 SPIELDAUER 363:47 G Diese Box komplettiert die Freddie-King-Story: alle RSO-Studioaufnahmen von 1974/75 (einige mit Label- Kumpel Eric Clapton) sowie vier randvolle CDs mit Live-Tracks aus den Mittsiebzigern. G Unsere erste Freddie-King-Box gehörte zu den bestverkauften und am besten rezensierten, die wir je hatten! Dies ist die aufregende Fortsetzung. G Enthält das aufregende 'Burglar'-Album (in England von Mike Vernon produziert) sowie Raritäten und eine unveröffentlichte Version von That's All Right. G Viele der krachenden Livemitschnitte in dieser mächtigen Box hat es nie zuvor gegeben – alle sind in klarem, knackigen Stereo aufgenommen. Auch nicht der Hauch von Bootleg-Qualität! G Das optisch sehr gelungene Begleitbuch enthält viele Fotos, eine Komplett-Discographie und einen umfang- reichen Text mit neuen Interviews, u.a. mit Mike Vernon, dem Trompeter Darrell Leonard (er produzierte sechs der Live-Titel) und einem der bekanntesten King-Bandmusiker aus den 70ern, dem Pianisten David Maxwell. INFORMATIONEN Diese 5-CD-Ausgabe schließt nahtlos an BEAR FAMILYserste, umfangreiche und hochgelobte Freddie-King-Box 'Taking Care Of Business 1956-1973' an; sie dokumentiert die letzten Jahre des großen texanischen Bluesgitarristen für RSO RECORDS, bei denen auch Eric Clapton unter Vertrag stand. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Bargain Blues
100% unofficial newsletter for P&O Blues Cruises Bargain Blues – book now! Those of you who keep a close eye on our ‘Blues@Sea’ Facebook Page will be aware that last month there was a sudden, unannounced, increase by P&O in the price of the November Blues Revue. This decision was reversed with the alert that the £99 price may well increase on Tuesday 19th September. DON’T DELAY!!!! Phone 0800 130 0030 (Currently there are almost 250 ‘cruisers’ signed up) 5-4-3-2-1 (Countdown for Kaz) For many years it’s been the ultimate accolade for UK blues artists to appear on the Paul Jones BBC Radio 2 Blues Show. In this edition (which focusses primarily on the great ‘Swamp Blues’ harpist Slim Harpo) a Kaz Hawkins track is featured. Kaz is at the start of her final tour with this fabulous multi-national band – ‘Cruisers’, of course, get two ‘bites at the cherry’ in November. This programme is well worth a listen - http://www.bbc.co.uk/programmes/b09039ny Ciao! Perhaps the least well known ‘Blues Revue’ act (to UK fans at least) is Veronica Sbergia & Max De Bernardi (Italy)…but that’s about to change. They swept to victory in the 2013 European Blues Challenge (as ‘The Red Wine Serenaders) and since then have performed across the Continent with their country blues and ragtime, hokum, jug band and rural music from the 20’s and 30’s. Veronica and Max who use strictly acoustic instruments such ukulele, washboard, kazoo and resophonic guitars, are terrific musicians and a lot-of-fun! Check-them-out on this video - https://www.youtube.com/watch?v=nj1rWJBuUJI Out of the studio into the Spinning Top! Norman Beaker and his band seem to be constantly on the road …particularly on Mainland Europe. -
Early Blues Bibliography
EARLY BLUES BIBLIOGRAPHY In any selection of books the choice must inevitably be subjective as to what to include or exclude. This selection has ommitted some choices that other might have included. Also there are many articles, periodicals and magazines that provide information for the researcher that cannot be included here but are, perhaps, in Robert Ford's 'Blues Bibliography' or Edward Komara's '100 Books Every Blues Fan Should Have'. This selection is based very much on my own collection of books found in markets, second hand book shops but more recently through Amazon and the web site 'Abe Books' Many books are out of print, have reached the third, fourth or later edition but details are included here that will allow the collector to locate and purchase their own choice. I have not sought to comment on the accuracy, usefulness or expertise of each publication and care should be taken on choice of purchase as many are price inflated when a little more research will lead to better value for money. Where possible I have tended to provide details of hard cover books but many are also available in soft cover at a much reduced price. It should also be remembered that any list such as this is out of date the moment that it is produced. New books are regularly published. The University Presses of America provide a sound source of academic work under the general priciple of 'Publish or Perish' which reflects the wide range of books from the very simple history to the in depth difficult to read study of an aspect of my favourite genre of music - The Blues. -
Earnest Walker Jr
EARNEST WALKER JR. Smooth Groove Artist Earnest Walker Jr. spent the first 15 years of his life traveling the country with his family. The experience taught him an appreciation of different cultures and musical styles. At the age of nine, Walker started playing the guitar, but a year later he picked up the saxophone and it has been his passion ever since. When he was only 14 years old, the established musicians in Pensacola, Florida felt his playing was so essential they would sneak Walker into night clubs to showcase his talents. Walker studied music education at Bethune-Cookman College in Daytona Beach, and later attended Florida State University, quickly establishing himself as one of the most sought-after saxophonists on both campuses and all around the state of Florida. After college, Walker joined the Air Force, where he performed with different groups in each town he was stationed. After the military, Walker toured and performed in most of the central to eastern portions of the country, including Miami, Daytona Beach, Charleston SC, Philadelphia, New Orleans, Atlanta, Tampa, Orlando and Denver. In the late 90’s, he moved to Philadelphia and became a member of the prestigious smooth jazz band “Blind Date”. Returning to Miami in 2003, Earnest Walker Jr is well known in the city of South Beach as a show stopper that is sure to leave the audience breathless. Location: Miami, FL USA Influences: Grover Washington Jr, Cannonball Adderly, Maceo Parker, Earth Wind & Fire, Gerald Albright, Ronnie Laws Booking & Media Contact: HJ Entertainment | 816.945.0288 | www.EarnestWalkerJr.com ON STAGE As solid, compelling and in the pocket as Walker is on disc, he’s best known in the jazz world as a powerhouse performer whose stage presence and creative style guarantees that every crowd is in an uproar. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.