Liverpool Biennial 2016 Gu De

Total Page:16

File Type:pdf, Size:1020Kb

Liverpool Biennial 2016 Gu De Liverpool Biennial 2016 Gu de Festival of Contemporary Art 9 July – 16 October Free Pall Mall St Moss Churchill Way Hatton Garden Trueman St Old Hall St Norton St Islington 26 Cheapside St Daulby Brook St Churchill Way BIENNIAL EXHIBITION 23 London Rd Bixteth St Vernon St William Brown St Anson St Edmund St Hato and Childwall Academy Hello Future Me PARTNER EXHIBITION London Rd #SpaceBus Princes Parade New Quay Moorfields 0 1 2 3 4 5 6 7 8 9 ? ! . Crosshall St St. John’s ANNUAL COMMISSION Seymour St Tithebarn St Old Pembroke Rd HaymarketSt. John’sGardens Lane Sir Thomas St St. George's Lord Nelson St Check @arrivanorthwest on Exchange St Victoria St Hall Twitter to find out the routes Stanley St St. Georges Place Great Newton St Brownlow St Brownlow 13 Dale St for our artist designed Arriva Ashton St Rumford St Chapel St North John St buses on any given day Covent Garden Lime Street Queens Square Station Bus Station Russell St Castle St Victoria St WhitechapelWillamson Copperas Hill Square Renshaw St Fenwick St St Nicholas Pl Richmond St Drury Lane 22 Cook St Elliot St1 The Liver Water St chapel Building The Goree White Brownlow Hill Canada Boulevard Brunswick St Williamson St Tarleton St Lord St Lord St Church St Duckingfield St Basnett St Parker St South John St Brownlow Hill Clarence St 12 Ranelagh St 9 27 10 School Lane James StDerby Square Mount Pleasant Liverpool ONE Wood St Bold St Metropolitan Mount Pleasant Strand College Lane Renshaw St Mann Island 7 Hanover St Cathedral Chavasse Park 11 River Museum of Liverpool Gradwell Oxford St Mersey Fleet St Bold St 20 Liverpool ONE Seel St Canning Thomas Steers Way Hanover St Bus Station Paradise Street St Dock St Mulberry Wolstenholme Roscoe St Rodney St Square Liverpool Duke St Hope StEveryman Canning Place Parr St Seel St 6 Argyle St 18 Slater St Hardman St Maritime Museum Parr St York St Myrtle St Salthouse Quay Duke St Back Colquitt St Salthouse Henry St 19 Myrtle St 5 Dock Liver St Colquitt St Hope Place Berry St Roscoe St Eversley Street Henry St Rodney St Millenium Road Mulgrave Street Albert Dock Knight St Pilgrim St Park LaneUpper Frederick St 21 Falkner St Hope St Mount St St Bedford Kingsley Road Duke St Seaport Street Gower St Blackburne Place Wapping Kent St Cornwallis St Upper Duke St Gwent Street Beaconsfield Street Coltart Road LIVERPOOL 8 Granby Street 24 Cairns Street 3 Canning St Claribel Street Catharine St Big 16 Jeremyn Street Wheel St James St Bedford St Madelaine Street Nelson St N Hill Street Princes Avenue Loudon Grove 500 Gwendoline Street Maud Street metres Ducie Street Vining Street Princes Road Hope St 15 Blundell St Great George St Geraint Street ACC Liverpool Huskisson St Jamaica St Liverpool Fernhill Drive Cathedral 15 Enid Street Bentley Road Kings Parade 16 Croxteth Road Elaine Street 25 Chaloner St Kelvin Grove Princes Rd Upper Parliament St 17 Merlin Street Wynnstay Street Voelas Street 24 N Hill StreetLothian Street High Park Street Princes Rd 4 St James Upper Stanhope St Modred Street 300 metres Rhiwlas Street Parliament St Windsor St Elwy Street Queens 17 Grafton St 14 Powis Street Dock 0 100 200 300 Tello Street South Street 2 Madryn Street Place LIVERPOOL 8 Dovey Street metres Kinmel Street Stanhope St 14 Gwydir Street Sunnyside Admiral Park N Hill Street Admiral Street Devonshire Road Pengwern Street South Street Treborth Street Princes Park Letitia Street Melville Street High Park Street BIENNIAL EXHIBITION PARTNER EXHIBITIONS Liverpool Biennial 2016 9 July – 16 October 1 11 23 Free ABC Cinema Liverpool ONE John Moores Painting Prize Lime Street and Elliot Street Paradise Street, L8 8JF Walker Art Gallery L1 1JN William Brown Street 12 L3 8EL 2 Derby Square Cains Brewery L1 7NU 8 Stanhope Street, L8 5XJ Bloomberg New 14 weeks of exhibitions, performances, films, 13 Contemporaries 2016 3 Exchange Flags Bluecoat, School Lane talks and family events, taking place across The Oratory L2 3YL L1 3BX Liverpool Cathedral Liverpool’s public spaces, unused buildings, St James Mount, L1 7AZ 14 Toxteth Reservoir Centre for Chinese galleries and museums 4 High Park Street, L8 8DX Contemporary Art Blade Factory (Open Saturday and Sunday) Market Buildings Camp and Furnace 13 Thomas St 67 Greenland Street 15 Manchester, M4 1EU L1 0BY (relocated Granby Four Streets from Saw Mill) 143 Granby Street, L8 2UR Biennial Exhibition p.3 5 16 ANNUAL COMMISSIONS Tate Liverpool Rosebery Street Partner Exhibitions p.33 Albert Dock L8 2TN Liverpool Waterfront Annual Commissions p.39 L3 4BB 17 24 Welsh Streets Granby Workshop Performance & Public Programme p.43 6 Rhiwlas Street, L8 3UA 142 Granby Street, L8 2US FACT Visitor Information p.55 88 Wood Street, L1 4DQ 18 25 Funders and Supporters p.62 Epic Hotel Pullman Hotel 7 75 Duke Street, L1 5AA Kings Dock, L3 4FP Open Eye Gallery 19 Mann Island 19 26 Events Calendar is on the inside back cover Liverpool Waterfront Mr Chilli Restaurant Everton Park L3 1BP 92 Seel Street, L1 4BL Prince Edwin Street / Roscommon Street, L5 3NG 20 8 Bluecoat Master Chef Restaurant 27 School Lane, L1 3BX Renshaw Street, L1 2SJ Mersey Ferries Terminal Pier Head, Georges Parade 21 9 L3 1DP Exhibition Research Lab Hondo Chinese Supermarket John Lennon Art & Design 5–11 Upper Duke Street, L1 9DU Building, LJMU #Biennial2016 Duckinfield Street, L3 5RD 22 Liverpool Biennial @biennial 10 Associate Artists George’s Dock India Buildings @liverpoolbiennial Ventilation Tower Plaza 31 Water Street, L2 0RD George’s Dock Way, L3 1DD www.biennial.com 2 Liverpool Biennial 2016 www.biennial.com Liverpool Biennial 2016 www.biennial.com 3 Introduction Welcome to the 9th edition of Liverpool Biennial. Liverpool Visitor Information Biennial 2016 explores fictions, stories and histories, taking We hope you enjoy your viewers on a series of voyages through time and space, stay in Liverpool as you drawing on Liverpool’s past, present and future. These explore the Biennial journeys take the form of six ‘episodes’: Ancient Greece, exhibitions and events. Chinatown, Children’s Episode, Software, Monuments Visit our Visitor Hub from the Future and Flashback. They are sited in galleries, at Cains Brewery, public spaces, unused buildings, through live performance Stanhope Street, L8 5XJ. and online. Many of the artists have made work for It is open daily from more than one episode, some works are repeated across 10am – 6pm. different episodes, and some venues host more than one episode. For exhibition opening For Liverpool Biennial 2016, a Curatorial Faculty times, please consult has been assembled to work together, sharing different individual venue interests and expertise. I am grateful to all of them pages in the guide or for participating with me in such an open and www.biennial.com collaborative process. For the first time, artists have worked together with Contact Us children to produce new work for the Biennial. An exciting +44 (0)330 123 0584 new partnership with Arriva North West has enabled us [email protected] Bie nial to commission artists to paint three working buses that will be in service in the region during the Biennial. Booking Information We are excited to be collaborating with CACTUS Entrance to exhibitions and and Independent Curators International to present work events is free unless stated by ten Associate Artists who are participating in a new otherwise. Where booking long-term programme of mentoring and research. We are is required, visit Exhibiti n once more delighted to present the John Moores Painting www.biennial.com Prize and Bloomberg New Contemporaries, which have both been partners of the Biennial since the first edition Connect in 1999. Tate Liverpool, FACT, Open Eye Gallery, Bluecoat, #Biennial2016 The Centre for Chinese Contemporary Art and Liverpool @biennial John Moores University’s Exhibition Research Lab are @liverpoolbiennial our exhibition partners and we are grateful to them for /liverpoolbiennial their collaboration. We are also grateful to our many supporters and in Share your photos with particular Arts Council England and Liverpool City Council us using #Biennial2016 Ancient Greece for their continued support. There are many organisations presenting exhibitions Chinatown and projects in the city concurrently with the Biennial. Children’s Episode They have been listed in a separate guide. Monuments from the Future Sally Tallant, Director Flashback Software 4 Biennial Exhibition www.biennial.com #Biennial2016 Biennial Exhibition 5 Artists Episodes Lawrence Abu Hamdan Samson Kambalu Andreas Angelidakis Oliver Laric Alisa Baremboym Mark Leckey Lucy Beech Adam Linder Sarah Browne & Marcos Lutyens Jesse Jones Jumana Manna Mariana Castillo Deball Rita McBride Yin-Ju Chen Dennis McNulty Ian Cheng Elena Narbutaite Marvin Gaye Chetwynd Lu Pingyuan Céline Condorelli Michael Portnoy The Black-E and Chinese Arch. Photo: Shirlaine Forrest / Getty Images Audrey Cottin Sahej Rahal Koenraad Dedobbeleer Ramin Haerizadeh, ANCIENT GREECE CHINATOWN In the early 1800s, architects such as Liverpool’s Chinatown has existed since Jason Dodge Rokni Haerizadeh & John Foster and Harvey Lonsdale Elmes the late 1890s and is the oldest in Europe. Lara Favaretto Hesam Rahmanian built Liverpool’s neoclassical cityscape Its entrance is marked by a traditional arch as a second version of Ancient Greece. imported from Shanghai. In the same way Danielle Freakley Koki Tanaka This allowed the rising elite of merchants that the city’s merchant class linked itself Coco Fusco Suzanne Treister who benefitted from colonial trade to Ancient Greece through neoclassical Fabien Giraud & Villa Design Group and the industrial revolution to fashion architecture, this arch links Liverpool’s themselves, and their civic commitment, Chinese community to an image of home. Raphaël Siboni Krzysztof Wodiczko as a reenactment of the legendary cradle Chinese immigration was, as with many Hato Betty Woodman of democracy.
Recommended publications
  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema.
    [Show full text]
  • ALTCAR Training Camp
    ALTCAR TraINING CAMP A unique wildlife habitat on the Sefton Coast I I I I I I I I I I I Cabin Hill I I I I Formby I I I Dry Training Area I I Alt Grange I I Altcar Training Camp I Altcar Training Camp North Lookout I I River Alt I I R i v I e I r A I l t I I I Pumping I Station I I Lookout I I Hightown I Range Control I I I I Ranges I I I Boat Yard Danger Area I I I I I I South Lookout I I I I I I I I I Crosby I I FOREWORD Altcar Training Camp is owned and managed by the unique habitats. As part of this coast Altcar is a genuine Reserve Forces and Cadets Association for the North sanctuary for nature, the foreshore danger area giving West of England and the Isle of Man as one of the UK’s protection to thousands of passage and over-wintering premier facilities for small arms marksmanship training. birds, the dunes a home to internationally protected species such as the Sand Lizard and Natterjack Toad and In any year over thirty five thousand soldiers learn their the more recent woodland plantations harbouring the rifle skills at Altcar before being deployed to military nationally rare Red Squirrel. activity throughout the world. Since 1977, a Conservation Advisory Group has Altcar Training Camp is also part of the Sefton Coast, supported the management of the Altcar estate, giving a wild stretch of beaches, dunes and woodlands lying advice to ensure that nature conservation sits alongside between Liverpool and Southport.
    [Show full text]
  • Tate Report 08-09
    Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements.
    [Show full text]
  • ART NORTH WEST July 2019 Open Call for Artists Based in North West England Application Deadline: 10 September, 12:00 Tate Liver
    ART NORTH WEST July 2019 Open call for artists based in north west England Application deadline: 10 September, 12:00 Tate Liverpool Royal Albert Dock Liverpool L3 4BB United Kingdom Website <http://www.tate.org.uk> Twitter <https://www.twitter.com/tateliverpool> Facebook <https://www.facebook.com/tateliverpool> Instagram<http://www.instagram.com/tateliverpool> Tate Liverpool is launching a new programme for artists living and working in the north west of England (Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside), offering the opportunity for one selected artist or artist collective to have their work represented at the internationally renowned art museum in spring 2021. We invite artists to respond to this open call for a new commission or exhibition of new or existing work. The selected artist will work closely with Tate Liverpool staff throughout an 18-month period between November 2019 and March 2021 to develop a presentation of their work in Spring 2021 (exact dates tbc), in either the ground floor Wolfson gallery or part of the 4th floor galleries. The exhibition or project will be free and open to all our visitors. The artist will receive a fee and production/presentation budget of up to £30,000 and will have the opportunity to spend time with Tate Liverpool staff across Curatorial, Learning, Development, Communications and Art Handling as required, in support of their artistic development and project planning. A schedule will be agreed with the artist depending on their other commitments. Tate Liverpool is the most visited gallery of modern and contemporary art outside of London, showing the Tate Collection alongside ambitious temporary exhibitions.
    [Show full text]
  • Liverpool Development Update
    LIVERPOOL DEVELOPMENT UPDATE November 2016 Welcome Welcome to the latest edition of Liverpool Development Update. When I became Mayor of the city in 2012, I said that Liverpool’s best days were ahead of it. If you consider the levels of investment being seen across the city today in 2016, my prediction is now ringing true. Since the start of 2012, we have seen over £3.8 billion worth of investment which has brought new businesses, new homes, new schools, and new and improved community and health facilities to Liverpool. We have seen the creation of nearly 15,000 job spaces, many of which will be filled with new jobs to the city. We have also created thousands more construction jobs. There is more good news. Several major new schemes are now in delivery mode. I am pleased to see rapid progress on Derwent’s Liverpool Shopping Park at Edge Lane, whilst Project Jennifer is now well underway with construction about to commence on its new Sainsburys and B&M stores. In addition, Neptune Developments have started work on the Lime Street Gateway project, and I can also report that work is underway on the first phase of the Welsh Streets scheme that will now see many of the traditional terraces converted to larger family homes. Meanwhile, some of the new schemes have started under the Strategic Housing Delivery Partnership which will build a further 1,500 new homes and refurbish another 1,000 existing ones. Plans for new schemes continue to be announced. The Knowledge Quarter is to be expanded with a new £1billion campus specialising in FRONT COVER: research establishments, whilst we are now also seeking to expand the Commercial Office District with new Grade A office space at Pall Mall which this city so vitally needs.
    [Show full text]
  • Best Enjoyed As Property, Shoe and Hairdo Porn.”
    ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin
    [Show full text]
  • Dlkj;Fdslk ;Lkfdj;Lfdsjlkfdj
    THE MUSEUM OF MODERN ART’S PERFORMANCE EXHIBITION SERIES CONTINUES WITH U.S. PREMIERE OF MARK LECKEY IN THE LONG TAIL Performance 5: Mark Leckey October 1, 2, and 3, 2009, 8:00 p.m. The Abrons Arts Center at the Henry Street Settlement, 466 Grand Street, New York, NY NEW YORK, September 2, 2009—The Museum of Modern Art presents the North American premiere of Mark Leckey in the Long Tail (2009), a performance-based work presented in a theater for performing arts at the Abrons Arts Center on October 1, 2, and 3, 2009, at 8:00 p.m. Throughout the performance—which is part lecture, part monologue, and part living sculpture— Leckey (British, b. 1964) engages the topics of television and broadcasting history, from the BBC (British Broadcasting Corporation) to the icon of Felix the Cat, while simultaneously addressing the “Long Tail” theory of internet-based economics. Performance 5: Mark Leckey is organized by Klaus Biesenbach, Chief Curator, with Jenny Schlenzka, Assistant Curator for Performance, Department of Media and Performance Art, The Museum of Modern Art. The work made its debut earlier this year at the Institute of Contemporary Arts, London. Mark Leckey in the Long Tail is a multimedia lecture delivered by the artist in an installation resembling the soundstage of a movie. Incorporating a series of props—a blackboard, a desk, a lectern—the performance involves a live reconstruction of the first television broadcast, with Leckey moving between props and locations throughout. At the start of the lecture Leckey begins at the podium, demonstrating how a doll of Felix the Cat became the first image of the twentieth century transmitted into public consciousness and how, for Leckey, the figure becomes the embodiment of the Long Tail phenomenon of the twenty-first century.
    [Show full text]
  • Guide to Liverpool Waterfront
    Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary.
    [Show full text]
  • Reynier Leyva Novo
    GALLERIA CONTINUA Via del Castello 11, San Gimignano (SI), Italia tel. +390577943134 fax +390577940484 [email protected] www.galleriacontinua.com REYNIER LEYVA NOVO El peso de la muerte Opening: Saturday 13 February 2016, via del Castello 11 and via Arco dei Becci 1, 6pm–12 midnight Until 1 May 2016, Monday–Saturday, 10am–1pm / 2–7pm Galleria Continua is pleased to present the first solo exhibition by Reynier Leyva Novo in Italy. One of the latest generation of Cuban artists, Novo has already had occasion to show his work in important international events and venues such as the Havana Biennial, the Venice Biennale, MARTE Museo de Arte de El Salvador and the Liverpool Biennial. El peso de la muerte is a project specially conceived for Galleria Continua and brings together a series of new works in which investigation and procedure are key elements. Deeply poetic but also alive with questions, Novo’s work is situated in the context of the daily battles to get to the bottom of individual and collective identity. In his artistic practice he moves forward turning his back on the future, penetrating into the most hidden folds of history to offer us a fresh dialogue and a different point of observation. His works are often the result of joint efforts involving historians, cartographers, alchemists, botanists, musicians, designers, translators and military strategists, all engaged in the eternal struggle to gain freedom – individual and collective – , in the attempt to set into motion ideological mechanisms blocked by the rust and sediment that have accumulated over years of immobility and lethargy.
    [Show full text]
  • THE CHILD MARRIAGE of RICHARD, SECOND VISCOUNT MOLYNEUX, with SOME NOTICES of HIS LIFE, from CONTEMPORARY DOCUMENTS. by T. Alger
    THE CHILD MARRIAGE OF RICHARD, SECOND VISCOUNT MOLYNEUX, WITH SOME NOTICES OF HIS LIFE, FROM CONTEMPORARY DOCUMENTS. By T. Algernon Earle, and R. D. Radcliffe, m.a., f.s.a. Read 5 th March, 1891. MONG the many interesting documents in A the muniment room at Croxteth, is a copy of a curious Case and Opinions, dated 12th July, 1648, relating to a contract of marriage, made when under age, by Richard, afterwards second Viscount Molyneux, and the Lady Henrietta Maria Stanley, daughter of the seventh Earl of Derby. Inasmuch as this gives an interesting statement of the law governing such contracts, and is a contemporary commentary on a custom, at the time it was written of frequent occurrence and long standing, it seems to be well worth recording at length. Of these " Child Marriages," Strype says in his Memorials (b. ii, p. 313), that " in the latter part of " the sixteenth century the nation became scan- " dalous for the frequency of divorces, especially " among the richer sort, one occasion being the " covetousness of the nobility and gentry, who " used often to marry their children when they " were young boys and girls, that they might join 246 Richard, second Viscount Molyneux. " land to land ; and, being grown up, they many " times disliked each other, and then separation "and divorce followed, to the breach of espousals " and the displeasure of God." Instances in our own two counties are numerous enough ; and, strange to say, the first Lord Moly- neux was in early life contracted in marriage to Fleetwood, daughter and heiress of Richard Barton, of Barton Row, co.
    [Show full text]
  • At National Museums Liverpool
    The Jerwood Supplement Acquisitions (1987?2007) at National Museums Liverpool a previous supplement in the July 1996 issue of this Bruce McLean, Lisa Milroy and Michael Raedecker. Now Magazine published a selection from the first ten years of works such as Alexis Harding's Slump/fear (orange/black) acquisitions by National Museums and Galleries on Mersey (Fig.XXV), winner in 2004, are purchased by the Gallery. side in the fields of fine and decorative art, antiquities and National Museums Liverpool benefit from a longstanding rela oriental art. The present Supplement of acquisitions of tionship with the Contemporary Art Society and many of our National Museums Liverpool (NMGM's successor) is limited acquisitions are made with the help of the Art Fund. to paintings, drawings and sculpture, including works omitted By contrast, the Lady Lever Art Gallery represents the in 1996.1 The fine art collections of National Museums Liver highly individual taste of one collector, the soap manufacturer are pool spread across three venues: theWalker Art Gallery in William Hesketh Lever (1851?1925), ist Viscount Lever the centre of Liverpool; Sudley House, in one of its southern hulme, and was named inmemory of his wife. It is noted for suburbs, a Liverpool shipping-line owner's art collection its collections of furniture,Wedgwood and Chinese ceramics recendy reopened to the public; and across the riverMersey at and eighteenth- and nineteenth-century paintings, drawings the Lady Lever Art Gallery, Port Sunlight. and sculpture, predominandy British. It is primarily a static The displays at theWalker Art Gallery now cover medieval collection and acquisitions are made only when they have tomodern Western art, but itwas originally built in 1877 by connections with the Lever farnily.Not all of Leverhulme's Liverpool City Corporation to house the newly established collection was given to the Gallery when it opened in 1922.
    [Show full text]
  • The Augustinian Nursing Sisters Ince Blundell Hall Inspection Report
    The Augustinian Nursing Sisters The Augustinian Nursing Sisters Ince Blundell Hall Inspection report Ince Blundell Hall Ince Blundell Liverpool L38 6JL Date of inspection visit: 7 and 9 October 2015 Tel: 0151 929 2596 Date of publication: 30/12/2015 Ratings Overall rating for this service Requires improvement ––– Is the service safe? Requires improvement ––– Is the service effective? Requires improvement ––– Is the service caring? Good ––– Is the service responsive? Requires improvement ––– Is the service well-led? Requires improvement ––– Overall summary This unannounced inspection of The Augustinian Nursing respite care. The home is a Catholic service although is Sisters Ince Blundell Hall took place on 7 & 9 October open to people outside this faith. The home is a listed 2015. building, set within 55 acres of well-maintained grounds and has many features within it, such as a private chapel. Ince Blundell Hall provides accommodation, support and nursing care for up to 22 people. The service is owned A registered manager was in post. A registered manager is and managed by the Augustinian Nursing Sisters, several a person who has registered with the Care Quality of whom have lived and worked in the service for many Commission to manage the service. Like registered years. The service admits people for long term care but also offers short term support for people who require 1 The Augustinian Nursing Sisters Ince Blundell Hall Inspection report 30/12/2015 Summary of findings providers, they are ‘registered persons’. Registered however a needs based assessment tool to identify the persons have legal responsibility for meeting the number of staff required, was not in place.
    [Show full text]