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Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
ALTCAR Training Camp
ALTCAR TraINING CAMP A unique wildlife habitat on the Sefton Coast I I I I I I I I I I I Cabin Hill I I I I Formby I I I Dry Training Area I I Alt Grange I I Altcar Training Camp I Altcar Training Camp North Lookout I I River Alt I I R i v I e I r A I l t I I I Pumping I Station I I Lookout I I Hightown I Range Control I I I I Ranges I I I Boat Yard Danger Area I I I I I I South Lookout I I I I I I I I I Crosby I I FOREWORD Altcar Training Camp is owned and managed by the unique habitats. As part of this coast Altcar is a genuine Reserve Forces and Cadets Association for the North sanctuary for nature, the foreshore danger area giving West of England and the Isle of Man as one of the UK’s protection to thousands of passage and over-wintering premier facilities for small arms marksmanship training. birds, the dunes a home to internationally protected species such as the Sand Lizard and Natterjack Toad and In any year over thirty five thousand soldiers learn their the more recent woodland plantations harbouring the rifle skills at Altcar before being deployed to military nationally rare Red Squirrel. activity throughout the world. Since 1977, a Conservation Advisory Group has Altcar Training Camp is also part of the Sefton Coast, supported the management of the Altcar estate, giving a wild stretch of beaches, dunes and woodlands lying advice to ensure that nature conservation sits alongside between Liverpool and Southport. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
ART NORTH WEST July 2019 Open Call for Artists Based in North West England Application Deadline: 10 September, 12:00 Tate Liver
ART NORTH WEST July 2019 Open call for artists based in north west England Application deadline: 10 September, 12:00 Tate Liverpool Royal Albert Dock Liverpool L3 4BB United Kingdom Website <http://www.tate.org.uk> Twitter <https://www.twitter.com/tateliverpool> Facebook <https://www.facebook.com/tateliverpool> Instagram<http://www.instagram.com/tateliverpool> Tate Liverpool is launching a new programme for artists living and working in the north west of England (Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside), offering the opportunity for one selected artist or artist collective to have their work represented at the internationally renowned art museum in spring 2021. We invite artists to respond to this open call for a new commission or exhibition of new or existing work. The selected artist will work closely with Tate Liverpool staff throughout an 18-month period between November 2019 and March 2021 to develop a presentation of their work in Spring 2021 (exact dates tbc), in either the ground floor Wolfson gallery or part of the 4th floor galleries. The exhibition or project will be free and open to all our visitors. The artist will receive a fee and production/presentation budget of up to £30,000 and will have the opportunity to spend time with Tate Liverpool staff across Curatorial, Learning, Development, Communications and Art Handling as required, in support of their artistic development and project planning. A schedule will be agreed with the artist depending on their other commitments. Tate Liverpool is the most visited gallery of modern and contemporary art outside of London, showing the Tate Collection alongside ambitious temporary exhibitions. -
Liverpool Development Update
LIVERPOOL DEVELOPMENT UPDATE November 2016 Welcome Welcome to the latest edition of Liverpool Development Update. When I became Mayor of the city in 2012, I said that Liverpool’s best days were ahead of it. If you consider the levels of investment being seen across the city today in 2016, my prediction is now ringing true. Since the start of 2012, we have seen over £3.8 billion worth of investment which has brought new businesses, new homes, new schools, and new and improved community and health facilities to Liverpool. We have seen the creation of nearly 15,000 job spaces, many of which will be filled with new jobs to the city. We have also created thousands more construction jobs. There is more good news. Several major new schemes are now in delivery mode. I am pleased to see rapid progress on Derwent’s Liverpool Shopping Park at Edge Lane, whilst Project Jennifer is now well underway with construction about to commence on its new Sainsburys and B&M stores. In addition, Neptune Developments have started work on the Lime Street Gateway project, and I can also report that work is underway on the first phase of the Welsh Streets scheme that will now see many of the traditional terraces converted to larger family homes. Meanwhile, some of the new schemes have started under the Strategic Housing Delivery Partnership which will build a further 1,500 new homes and refurbish another 1,000 existing ones. Plans for new schemes continue to be announced. The Knowledge Quarter is to be expanded with a new £1billion campus specialising in FRONT COVER: research establishments, whilst we are now also seeking to expand the Commercial Office District with new Grade A office space at Pall Mall which this city so vitally needs. -
Best Enjoyed As Property, Shoe and Hairdo Porn.”
”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin -
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THE MUSEUM OF MODERN ART’S PERFORMANCE EXHIBITION SERIES CONTINUES WITH U.S. PREMIERE OF MARK LECKEY IN THE LONG TAIL Performance 5: Mark Leckey October 1, 2, and 3, 2009, 8:00 p.m. The Abrons Arts Center at the Henry Street Settlement, 466 Grand Street, New York, NY NEW YORK, September 2, 2009—The Museum of Modern Art presents the North American premiere of Mark Leckey in the Long Tail (2009), a performance-based work presented in a theater for performing arts at the Abrons Arts Center on October 1, 2, and 3, 2009, at 8:00 p.m. Throughout the performance—which is part lecture, part monologue, and part living sculpture— Leckey (British, b. 1964) engages the topics of television and broadcasting history, from the BBC (British Broadcasting Corporation) to the icon of Felix the Cat, while simultaneously addressing the “Long Tail” theory of internet-based economics. Performance 5: Mark Leckey is organized by Klaus Biesenbach, Chief Curator, with Jenny Schlenzka, Assistant Curator for Performance, Department of Media and Performance Art, The Museum of Modern Art. The work made its debut earlier this year at the Institute of Contemporary Arts, London. Mark Leckey in the Long Tail is a multimedia lecture delivered by the artist in an installation resembling the soundstage of a movie. Incorporating a series of props—a blackboard, a desk, a lectern—the performance involves a live reconstruction of the first television broadcast, with Leckey moving between props and locations throughout. At the start of the lecture Leckey begins at the podium, demonstrating how a doll of Felix the Cat became the first image of the twentieth century transmitted into public consciousness and how, for Leckey, the figure becomes the embodiment of the Long Tail phenomenon of the twenty-first century. -
Guide to Liverpool Waterfront
Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary. -
Reynier Leyva Novo
GALLERIA CONTINUA Via del Castello 11, San Gimignano (SI), Italia tel. +390577943134 fax +390577940484 [email protected] www.galleriacontinua.com REYNIER LEYVA NOVO El peso de la muerte Opening: Saturday 13 February 2016, via del Castello 11 and via Arco dei Becci 1, 6pm–12 midnight Until 1 May 2016, Monday–Saturday, 10am–1pm / 2–7pm Galleria Continua is pleased to present the first solo exhibition by Reynier Leyva Novo in Italy. One of the latest generation of Cuban artists, Novo has already had occasion to show his work in important international events and venues such as the Havana Biennial, the Venice Biennale, MARTE Museo de Arte de El Salvador and the Liverpool Biennial. El peso de la muerte is a project specially conceived for Galleria Continua and brings together a series of new works in which investigation and procedure are key elements. Deeply poetic but also alive with questions, Novo’s work is situated in the context of the daily battles to get to the bottom of individual and collective identity. In his artistic practice he moves forward turning his back on the future, penetrating into the most hidden folds of history to offer us a fresh dialogue and a different point of observation. His works are often the result of joint efforts involving historians, cartographers, alchemists, botanists, musicians, designers, translators and military strategists, all engaged in the eternal struggle to gain freedom – individual and collective – , in the attempt to set into motion ideological mechanisms blocked by the rust and sediment that have accumulated over years of immobility and lethargy. -
THE CHILD MARRIAGE of RICHARD, SECOND VISCOUNT MOLYNEUX, with SOME NOTICES of HIS LIFE, from CONTEMPORARY DOCUMENTS. by T. Alger
THE CHILD MARRIAGE OF RICHARD, SECOND VISCOUNT MOLYNEUX, WITH SOME NOTICES OF HIS LIFE, FROM CONTEMPORARY DOCUMENTS. By T. Algernon Earle, and R. D. Radcliffe, m.a., f.s.a. Read 5 th March, 1891. MONG the many interesting documents in A the muniment room at Croxteth, is a copy of a curious Case and Opinions, dated 12th July, 1648, relating to a contract of marriage, made when under age, by Richard, afterwards second Viscount Molyneux, and the Lady Henrietta Maria Stanley, daughter of the seventh Earl of Derby. Inasmuch as this gives an interesting statement of the law governing such contracts, and is a contemporary commentary on a custom, at the time it was written of frequent occurrence and long standing, it seems to be well worth recording at length. Of these " Child Marriages," Strype says in his Memorials (b. ii, p. 313), that " in the latter part of " the sixteenth century the nation became scan- " dalous for the frequency of divorces, especially " among the richer sort, one occasion being the " covetousness of the nobility and gentry, who " used often to marry their children when they " were young boys and girls, that they might join 246 Richard, second Viscount Molyneux. " land to land ; and, being grown up, they many " times disliked each other, and then separation "and divorce followed, to the breach of espousals " and the displeasure of God." Instances in our own two counties are numerous enough ; and, strange to say, the first Lord Moly- neux was in early life contracted in marriage to Fleetwood, daughter and heiress of Richard Barton, of Barton Row, co. -
At National Museums Liverpool
The Jerwood Supplement Acquisitions (1987?2007) at National Museums Liverpool a previous supplement in the July 1996 issue of this Bruce McLean, Lisa Milroy and Michael Raedecker. Now Magazine published a selection from the first ten years of works such as Alexis Harding's Slump/fear (orange/black) acquisitions by National Museums and Galleries on Mersey (Fig.XXV), winner in 2004, are purchased by the Gallery. side in the fields of fine and decorative art, antiquities and National Museums Liverpool benefit from a longstanding rela oriental art. The present Supplement of acquisitions of tionship with the Contemporary Art Society and many of our National Museums Liverpool (NMGM's successor) is limited acquisitions are made with the help of the Art Fund. to paintings, drawings and sculpture, including works omitted By contrast, the Lady Lever Art Gallery represents the in 1996.1 The fine art collections of National Museums Liver highly individual taste of one collector, the soap manufacturer are pool spread across three venues: theWalker Art Gallery in William Hesketh Lever (1851?1925), ist Viscount Lever the centre of Liverpool; Sudley House, in one of its southern hulme, and was named inmemory of his wife. It is noted for suburbs, a Liverpool shipping-line owner's art collection its collections of furniture,Wedgwood and Chinese ceramics recendy reopened to the public; and across the riverMersey at and eighteenth- and nineteenth-century paintings, drawings the Lady Lever Art Gallery, Port Sunlight. and sculpture, predominandy British. It is primarily a static The displays at theWalker Art Gallery now cover medieval collection and acquisitions are made only when they have tomodern Western art, but itwas originally built in 1877 by connections with the Lever farnily.Not all of Leverhulme's Liverpool City Corporation to house the newly established collection was given to the Gallery when it opened in 1922. -
The Augustinian Nursing Sisters Ince Blundell Hall Inspection Report
The Augustinian Nursing Sisters The Augustinian Nursing Sisters Ince Blundell Hall Inspection report Ince Blundell Hall Ince Blundell Liverpool L38 6JL Date of inspection visit: 7 and 9 October 2015 Tel: 0151 929 2596 Date of publication: 30/12/2015 Ratings Overall rating for this service Requires improvement ––– Is the service safe? Requires improvement ––– Is the service effective? Requires improvement ––– Is the service caring? Good ––– Is the service responsive? Requires improvement ––– Is the service well-led? Requires improvement ––– Overall summary This unannounced inspection of The Augustinian Nursing respite care. The home is a Catholic service although is Sisters Ince Blundell Hall took place on 7 & 9 October open to people outside this faith. The home is a listed 2015. building, set within 55 acres of well-maintained grounds and has many features within it, such as a private chapel. Ince Blundell Hall provides accommodation, support and nursing care for up to 22 people. The service is owned A registered manager was in post. A registered manager is and managed by the Augustinian Nursing Sisters, several a person who has registered with the Care Quality of whom have lived and worked in the service for many Commission to manage the service. Like registered years. The service admits people for long term care but also offers short term support for people who require 1 The Augustinian Nursing Sisters Ince Blundell Hall Inspection report 30/12/2015 Summary of findings providers, they are ‘registered persons’. Registered however a needs based assessment tool to identify the persons have legal responsibility for meeting the number of staff required, was not in place.