Repertoire Zamirchor (Stand: 02.02.2020)

Total Page:16

File Type:pdf, Size:1020Kb

Repertoire Zamirchor (Stand: 02.02.2020) Repertoire Zamirchor (Stand: 02.02.2020) , Werke Issak Taviors Werk Uraufführung Gattung Sh`ma Yisrael Mai 2005 Kantate für Chor, Soli & Klavier Chazon Ha Azamot Mai 2008 Symphonische Dichtung für Chor, Soli (“The Vision of the Dry Bones”) & Orchester 1.Kulturpreis des Staates Israel Mount Sinai Mai 2008 Kantate für Chor, Soli & Orchester The Prophecy Suite Januar 2010 Oratorium für Chor, Soli & Orchester Sh´ma Yisrael Januar 2011 Symphonische Dichtung für Chor, Soli & Orchester Shir Ha Shirim Oktober 2012 Oratorium für Chor, Soli & Orchester In the Blood, live Januar 2014 Overtüre für Chor und Orchester In the Land of Moriah 2018 Oratorium für Chor, Soli & Orchester Last days to come September 2009 Oratorium für Chor, Soli & Orchester Va Et Chanan Januar 2017 Oratorium für Chor, Soli & Orchester Oper – Operette Werk Komponist Gattung Ort der Aufführung Die Csardasfürstin Emmerich Operette Bayreuth, Bad Berneck, Weißenburg (2006/2007) Kalman Eine Nacht in Venedig Johann Strauß Operette Stadthalle Bayreuth, Bad Berneck (2006-2007) Der Zigeunerbaron Johann Strauß Operette Stadthalle Bayreuth, Bad Berneck (2008) Schwarzwaldmädel Leon Jessel Operette Stadthalle Bayreuth, Bad Berneck Wilhelmine Hans-Martin- Semi- Markgräfliches Opernhaus Bayreuth (April 2009) Gräbner Oper Dido and Aeneas Henry Purcell Oper Schloss Thurnau, Schloss Ehrenhof (August 2009) Bayreuth Frau Luna: Finale Paul Linke Operette Zamirhalle Bayreuth La Traviata: „Brindisi“ G. Puccini Oper Zamirhalle Nabucco: Coro di Schiavi Ebrei G. Verdi Oper Kepno (PL) August 2017, Lviv (Gefangenenchor) (Ukraine) Mai 2018, UN Genf, Jan.2017, Bayreuth, Weidenberg Zar und Zimmermann A. Lorzing Oper Zamirhalle „den hohen Herrscher würdig zu empfangen“ Tannhäuser Einzug der Gäste: R Wagner Oper Zamirhalle 01.07.2007 „Freudig begrüßen wir die edle (Arr. K.L.Peters) Halle“ Neujahrskonzert Bamberg 01.01.2020 Figaros Hochzeit: W.A. Mozart Oper Warmensteinach, Bayreuth, „Giovanni lieti“ Weidenberg Entführung aus dem Serail W.A. Mozart Oper Warmensteinach, Bayreuth „Singt dem großen Bassa“ Das Nachtlager von Granada Conradin Oper April 2015, Bayreuth „Schon die Abendglocken klangen“ Kreutzer Lohengrin: „treulich geführt“ R Wagner Oper Hochzeit Der Freischütz: Wir winden dir Carl Maria von Oper Konzert Kath. Pfarrkirche St. Michael den Jungfernkranz Weber am 01.07.2018 Duetto Buffo di due gatti G. Rossini Duett Konzert „Opernträume“ 26.07.2019 (Katzenduett) Romantikbühne Bad Berneck Zauberflöte: Schlußchor W.A. Mozart Oper Warmensteinach, Bayreuth, Seybothenreuth, Weidenberg Zauberflöte; Chor der Priester „O W.A. Mozart Isis und Osiris Ernste Musik Stück / Werk Komponist Gattung Requiem:Ihr habt nun Traurigkeit Brahms Requiem Petite Messe Solennelle Rossini geistliche Messvertonung Sinfonie Nr. 2 „Lobgesang“ Mendelssohn-Bartholdy Sinfonie Hör mein Bitten Mendelssohn-Bartholdy Hymne Wie der Hirsch schreit:“Der Herr Mendelssohn-Bartholdy Kantate hat des Abends..“ Locus iste Bruckner Mottete Ave verum Mozart Mottete Laudate Dominum Mozart Mottete Adon Olam de Sola Hebräisches Lied Eli, Eli Zehavi Hebräisches Lied Pie Jesu Andrew Lloyd Requiem Leih aus deines Himmels Höhen Christoph Willibald Gluck Auszug aus der Oper „I of Taunris“ Heilig, heilig Franz Schubert geistliche Musik Verleih uns Frieden gnädiglich Felix Mendelssohn-Bartholdy geistliche Musik Jesu meine Freude Johann Sebastian Bach geistliche Musik Oh Haupt voll Blut und Wunden Hassler/J.S. Bach geistliche Musik Jesu meine Freude J.S.Bach O bone Jesu Marc´Antonio Ingegneri geistliche Musik O crux ave Rihards Dubra, Text: geistliche Musik Venantius Fortunatus Requiem Mozart geistliche Musik Ave Maria Strawinsky geistliche Musik Pater Noster Strawinsky geistliche Musik Sicut Cervus Giovanni Pierluigi da geistliche Musik Palestrina The silver swan Orlando Gibbons Barocker Chorsatz Babij jar 4. Satz Symphonie Nr.13 D. Schostakowitsch Symphonie Ode an die Freude L.v. Beethoven 4. Satz der 9. Symphonie Hatikva Samuel Cohen Israelische Nationalhymne Unterhaltungsmusik, Volkslied und Lieder zur Nacht Stück / Werk Komponist Gattung Warm up Leonard Berstein Song Michelle John Lennon/Paul McCartney Song When I get older Beatles Song Yesterday John Lennon/Paul McCartney Song When I get older John Lennon/Paul McCartney Song Ascot Gavotte (my fair Lady) Frederick Löwe Musical Ich brauche keine Millionen Peter Kreuder Unterhaltungsmusik Les Choriste:Cerf volant Christophe Barratier Song (Mädchenchor) Sag beim Abschied leise Servus Peter Kreuder Unterhaltungsmusik Die drei von der Tankstelle: Werner Richard Heymann Filmmusik „Liebling, mein Herz läßt dich grüßen“ Hab oft im Kreise der Lieben Friedrich Silcher Unterhaltungsmusik Ich fahr dahin Johannes Brahms Wach auf! Johannes Brahms Volkslied Erlaube mir Johannes Brahms Volkslied Der Fiedler Johannes Brahms Volkslied Des Abends Johannes Brahms Volkslied Waldesnacht Johannes Brahms Volkslied Untreue Max Reger Volkslied Nun sich der Tag geendet hat Max Reger Volkslied Ich hab die Nacht geträumet Max Reger Volkslied Die würzburger Glöckli Max Reger Volkslied Gruß Max Reger Volkslied Der Jäger längs dem Weiher Volkslied ging Hoch drobn auf dem Berg Werner Müller Filmmusik Abendlied Josef Rheinberger Geistl. Chor Op.69 No.3 Die Nacht ist kommen Max Reger Geistliches Chorstück Look at the world John Rutter Geistl.Satz für Chor+ Klavier bzw.Orgel Schon die Abendglocken klangen Conradin Kreutzer Volkslied Ariel Fanny Hensel, Text: J. W. v. Lieder Wer will mir wehren zu singen Goethe Sternennacht Aus Finnland, dt. Text Heinrich Abendlied Huber La Nuit Jean-Philippe Rameau/ Volkslied Arrangement Joseph Noyon Le Chant Des Oyseux Clement Janequin , Arr. John 4-stimmiger Satz für gemischten Henry Fowler Chor Es ist so still geworden Engelbert Humperdinck Volkslied Calme des nuits C. Saint-Saens Opus 68 No.1 Hitragut Ladinisch Hebräisches Volkslied Zion Tamati ( Kibbuz ) Hebräisches Volkslied Div Lieder von Viktor Ullmann: Elijahu Hanawi Hebräisch,gemischter Chor Anu olim arza Hebräisch,gemischter Chor Scha, schtil Männerchor jiddisch As der Rebe Elimelech Männerchor jiddisch Fregt die welt Jiddisch, Männerchor Hal´a jarden Chassidisch, Frauenchor Ura, ura Jisssrael Chassidisch, Frauenchor Du olst nischt gejn Jiddisch, Frauenchor Weihnachtslieder Stück / Werk Komponist Gattung All My Trials N. Luboff Babamian Spiritual All Night, all day Verfasser unbekannt Lied Deck the hall with boughs of holly J. P. Mc Cascey Text Original Lied aus Wales Schmückt das Haus mit Christine Hartlieb Text Palmenzweigen Deutsch Adeste fideles Arr. Carl Thiel Lied Es ist ein Ros entsprungen Michael Praetorius Lied Ich steh an deiner Krippen hier Joh. Seb. Bach Lied Lulaize Jezunju unbekannt Lied aus Polen Mitten in der kalten Nacht Text: Albrecht Gralle, Melodie und Satz: Jochen Rieger Star Carol John Rutter Lied The virgin Mary unbekannt Gospel White christmas Irwing Berlin Song Geburtstagslieder Geburtstagslied Rupert Demick Kanon zu vier Stimmen Wir gratulieren Johannes Matthias Michel Kanon zu vier Stimmen Weblinks Kyrie Rossini: http://www.youtube.com/watch?v=8mB2ylut9vI UN Genf http://webtv.un.org/watch/remembrance-and-beyond-international-day-of-commemoration-in- memory-of-the-victims-of-the-holocaust/3118171212001/ http://www.barbara-baier.com/ Holocuastgedenktag UN Genf 2011: Nachamuh Ami http://www.youtube.com/watch?v=3XLwV6cZhDM Holocuastgedenktag UN Genf 2011: Ihr habt nun Traurigkeit: https://www.youtube.com/watch?v=Ty8gUNyyE-0 Holocuastgedenktag UN Genf 2011: Last days to come Genf: https://www.youtube.com/watch?v=3XLwV6cZhDM Holocuastgedenktag UN Genf 2011: Nachamuh Ami: https://www.youtube.com/watch?v=3XLwV6cZhDM Holocaustgedenktag Bayerischer Landtag 2014: http://www.br.de/mediathek/video/gedenken-an-die-opfer-des-holocaust-102.html Kurzvideo https://www.youtube.com/watch?v=MZ_pZtBdbbs&feature=youtu.be Be a Jew Satire http://www.youtube.com/watch?v=Bskdg7YWL9M Zamirsternchen Genf 2011 www.youtube.com/watch?v=keIzsf1O3_M Offizieller Trailer One White Light 2019 https://www.youtube.com/watch?v=SKqy7UDxi9c One Wight Light Facebook: https://www.facebook.com/ONE-WHITE-LIGHT-464245857643881/?modal=admin_todo_tour .
Recommended publications
  • A Meditative and Musical Guide to by John Rutter
    A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song.
    [Show full text]
  • John Rutter: Choral Ambassador
    October 2017 Issue 56 Hemiola St George’s Singers JOHN RUTTER: CHORAL AMBASSADOR INSIDE THIS ISSUE: BY NEIL TAYLOR Rachmaninov Vespers 2 Chanting Russia’s history 3 To my mind, John Rutter is a He’s also a thoroughly engag- Verdi Requiem review 4 skilled craftsman, a gifted com- ing, warm and generous man. I Christmas with Rutter 5 poser and a classy interpreter. first met him when, as a student, I had a call one Saturday after- Letter from the Editor 5 Let’s look: a definitive version of noon asking if I could come and SGS News 6 the Fauré Requiem in its original make drinks at a Cambridge scoring; many brilliant record- Singers’ recording session in Kath Dibbs remembered 6 ings with his own group, The Robert Brooks: interview 7 Hampstead, North London. Everybody tells me, who has sung in a choir, I hopped on the tube, arrived Costa Rica: final memories 8 that they feel better for doing it. Whatever the Song for Diana 9 at University College cares of the day, if they meet after a School, listened to the ses- long day’s school or work, somehow Beethoven’s Fantasy 10 they leave their troubles at the door. sions with that amazing Carol concert and Messiah 11 group and the wonderful Jill White as producer, and Cambridge Singers over the past brewed up. 35 years; such an accomplished Since then, I’ve had the privi- eye and ear for instrumental and vocal colours; beautifully hand- lege of working with John and ST GEORGE’S SINGERS whilst he is charming and anec- written music notation; well- dotal, he does demand much of PRESIDENT: crafted melodies; skilled and apt use of texts; a brilliant interpreter his fellow musi- Choral music is not one of life’s frills.
    [Show full text]
  • SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC
    SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC Volume 97, Number 2, Summer 1970 PROBLEMS OF AMERICAN CHURCH MUSIC 3 Arthur B. Hunkins SINGING FOR AN ENGLISH LITURGY 8 Rev. Bruno Becker, O.S.B. MUSICAL SUPPLEMENT 19 · REVIEWS 27 FROM THE EDITOR 32 NEWS 33 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874 and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne­ sota 55!03. Editorial office : Route 2, Box 1, Irving, Texas 75060. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75060. News: Rev. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 Advertising: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. Blanchard Rev.
    [Show full text]
  • Classical Christmas
    Classical Friday, Dec. 9 CHristmas 10:30am Stefan Sanders leads the BPO and Buffalo Philharmonic Chorus in this festival celebration of timeless musical treasures, including Bach’s Christmas Oratorio REPERTOIRE: and Handel’s Messiah . Rimsky-Korsakov: Suite from Christmas Eve Eric Whitacre: Winter, Naryan Padmanabha, sitar Respighi: L’Adorazione dei Magi from Trittico Botticelliano Bach: Weihnachtsoratorium, BWV 248 [Christmas Oratorio] Cantana IV: On New Year’s Day (The Feast of Circumcision) No. 36 Fallt mit Danken, fallt mit Loben (chorus) No. 38 Recitativ: Immanuel, o susses Wort ! (baritone and soprano) No. 39 Aria: Flost, mein Heiland, lost dein Namon (soprano and boy soprano) Cantata V: On the Sunday After New Year (King Herod) No. 53 Choral: Zwar ist solche Herzensstube Cantata VI: On the Feast of the Epiphany (The Adoration of Magi) No. 64 Choral: Nun said ihr wohl gerochen Emily Helenbrook, Brad Hutchings, Ayden Herried, Buffalo Philharmonic Chorus Intermission: Randol Bass: Festival Magnificat. Buffalo Philharmonic Chorus Arr. John Rutter: I saw Three Ships. Buffalo Philharmonic Chorus John Rutter: Mary’s Lullaby. Buffalo Philharmonic Chorus Adam/ John Rutter: O Holy Night. Buffalo Philharmonic Chorus Handel/ John Rutter: Joy to the World. Buffalo Philharmonic Chorus Tchaikovsky: Finale to Act 1 of The Nutcracker, Op. 71 6. Scena 7. Scena (Battle) 8. Scena 9. Waltz of the Snowflakes Women of the Buffalo Philharmonic Chorus Handel: Hallelujah Chorus from Messiah. Buffalo Philharmonic Chorus Nikolai Rimsky-Korsakov: “Christmas Eve” Russian Composer (1844-1908) Rimsky-Korsakov’s Opera Christmas Eve was completed in 1895. The four act libretto (text of the opera) by the composer is based on a short story by Nikolai Gogol from his collection titled “Evenings on a farm near Dikanka”, published in 1832.
    [Show full text]
  • A Festival of Nine Lessons & Carols
    A FESTIVAL OF NINE LESSONS & CAROLS SUNDAY, DECEMBER 22, 2013 S T . P A U L ’ S E PISCOPAL C HURCH F AIRFIELD , C ONNECTICUT 2 ELCOME TO THIS SERVICE , which anticipates the great feast of the Nativity of Our Lord Jesus Christ. The liturgy of Lessons and Carols was first used in the chapel of King’s WCollege, Cambridge, on Christmas Eve, 1918, with the candle-lit splendor of the chapel, the prayers and scripture readings, the great hymns and the soaring music of the choir and organ standing in eloquent contrast to the darkness of a cold winter night and the tragic shadows of the recently concluded Great War. The intervening years have seen the worldwide broadcast of this service become a much beloved Christmas tradition. As in 1918, we in our own day turn again to these sacred words and songs in a world troubled by war, natural disaster, violence, and economic uncertainty. Tonight’s service is offered in the spirit of that first service at King’s, as a light shining in the darkness; with fervent prayer for peace, goodwill and understanding among all people rising amidst the strains of glorious hymns and carols. Although much of the music at this service is sung by the choir, the congregation plays a central role. Please listen intently, pray and sing with your heart and voice, as indicated below. Again, welcome ! Of course, a major part of this service involves the joining together of everyone in making a joyful noise to the Lord. Should your child be further inspired to the making of extended joyful noise while others are trying to listen, we do ask that you escort your little one to the gathering area or outside for a brief moment or two until he or she becomes more contemplative.
    [Show full text]
  • Music by John Rutter (B.1945)
    First Parish Church, Congregational On the Village Green Manchester-by-the-Sea, Massachusetts Rev. John G. Hughes, II, Senior Pastor Donald R. Dunn, Director of Music-Organist Judy Haley, Pastoral Assistant Priscilla Duda, Christian Education Director Jared Hamilton, Youth Director Church office: 978-526-7661 ext. 1 Fax: 978-526-7882 Email: [email protected] Website: First Parish Church Congregational MORNING WORSHIP SERVICE January 15, 2012 – 10:00 a.m. ORGAN PRELUDE: “Sicilienne” Maria Theresia von Paradis (1759-1824) OPENING SENTENCE May the peace of God our Creator and the love of Jesus Christ our Lord be with you. And also with you. * [Please stand for the “Presentation of the Flame”] CALL TO WORSHIP Eternal Light, you have shown us your glory in Christ, the Word made flesh. Your light is strong, your love is near. Draw us beyond the limits that this world imposes, to the life where the Spirit makes all life complete, through Jesus Christ our Lord. Praise be to God. *HYMN: “Come, O Fount of Every Blessing” NCH 459 ANNOUNCEMENTS *PRAYER OF INVOCATION O the depth of the riches of wisdom and knowledge of God! How unsearchable are God’s judgments and how mysterious God’s ways! For from God and through God and to God are all things. To God be the Glory forever. *THE LORD'S PRAYER (trespasses) Our Father who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread and forgive us our trespasses as we forgive those who trespass against us.
    [Show full text]
  • Download CD Booklet
    John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history.
    [Show full text]
  • Programm KOMPONISTEN ENGLISCHE
    ENGLISCHE KOMPONISTEN John Rutter Mass of the Children für Soli, Kinderchor, Chor und Orchester Benjamin Britten Festival Te Deum für Soli, Chor und Orgel und andere... Samstag, 22. Januar 2005 19 Uhr Pallotti-Kirche Stuttgart-Birkach Sonntag, 23. Januar 2005 17 Uhr St. Elisabeth Stuttgart-West Programm Impressum Programm n Charles Villiers Stanford Justorum animae (aus: Three Motets) Chor n Edward Elgar Ave Maris stella Chor und Orgel n Edgar L. Bainton And I Saw A New Heaven Chor und Orgel n John Tavener The Lamb Chor n Benjamin Britten Festival Te Deum Chor und Orgel n Vaughan Williams The Wasps Orchester n Florian Linckus 1. Sinfonie, 1. Satz – Uraufführung Chor und Orchester n John Rutter Mass of the Children Chor und Orchester Beate Hofmann, Sopran Redaktion: Tanja Dörfner Patrick Pobeschin, Bariton Anselm Koch, Sopran Einführung: Klaus Breuninger Tobias Schwaab, Sopran Jeanette Hauger Raphael Ettle, Orgel Solitude-Chor Stuttgart Gestaltung: Petra Hagelauer belcanto Stuttgart Mediengestaltung, Gerlingen Sinfonieorchester der Universität Hohenheim Druck: Müller Grafik Medien, Ditzingen Leitung: Klaus Breuninger 2 3 Einführung Die Komponisten Chormusik hat in England eine Jahrhunderte alte Charles Villiers Stanford Tradition! Nicht zuletzt aufgrund der engen Verbin- dung von Königshaus, Hochadel und Kirche waren zu Charles Villiers Stanford (1852-1924) war schon in allen Zeiten hervorragende Chöre an allen großen Kir- jungen Jahren ein hoch angesehener Dirigent und chen in Großbritannien. Komponist. Er studierte in Deutschland bei Reinecke Eine Besonderheit dabei ist, dass diese Chöre fast und Kiel und hatte eine enge Freundschaft zu Johan- ausschließlich Knabenchöre waren und es bis heute nes Brahms. Bereits mit 35 Jahren wurde er in geblieben sind.
    [Show full text]
  • [Program Notes for the Gift of Life, by Pamela Grooms] John Rutter Was Born in London in 1945 and Received His First Musical
    [Program notes for The Gift of Life, by Pamela Grooms] John Rutter was born in London in 1945 and received his first musical education as a chorister at Highgate School. He went on to study music at Clare College, Cambridge, where he wrote his first published compositions and conducted his first recording while still a student. His compositional career has embraced both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children’s operas, music for television, and specialist writing for such groups as the Philip Jones Brass Ensemble and the King’s Singers. His larger choral works, Gloria (1974), Requiem (1985), Magnificat (1990), Psalmfest (1993) and Mass of the Children (2003) have been performed many times in Britain, North America, and a growing number of other countries. From 1975 to 1979 he was Director of Music at Clare College, whose choir he directed in a number of broadcasts and recordings. After giving up the Clare post to allow more time for composition, he formed the Cambridge Singers as a professional chamber choir primarily dedicated to recording, and he now divides his time between composition and conducting. In 1996 the Archbishop of Canterbury conferred a Lambeth Doctorate of Music upon him in recognition of his contribution to church music. He was honored in the 2007 Queen’s New Year Honours List, being awarded a CBE for services to music. (www.johnrutter.com) John Rutter’s long-awaited new major work The Gift of Life is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational.
    [Show full text]
  • Michaelmas Term 2018 Chapel Services and Music MAGDALEN
    Michaelmas Term 2018 Chapel Services and Music MAGDALEN COLLEGE OXFORD COVER IMAGE: DETAIL FROM MAGDALEN COLLEGE MS LAT 223, GOSPEL LECTIONARY COMMISSIONED BY CARDINAL WOLSEY (1529, LONDON) We welcome you to our worshipping community at Magdalen. Prayer and praise have been offered to God in this place since the fifteenth century, when the College was founded by William of Waynflete, Bishop of Winchester. The statutes of 1480 make provision for a Choir comprising sixteen boy Choristers and a number of adult Clerks, ‘that the worship of God, from whom all good things come, might be increased more widely and better sustained’. That tradition continues unchanged today. The Choirmaster at Magdalen retains the ancient Latin title Informator Choristarum, and among those who have held the post over the centuries are John Sheppard, Daniel Purcell, Sir John Stainer, Sir William McKie, and, in more recent years, Dr Bernard Rose. It is the aim of the Dean of Divinity and the Informator Choristarum that all our services here should be dedicated to the glory of God. Our music is not an end in itself but part of a larger whole. We hope that in the singing and in the silence, in the spoken word and in the beauty of this house of God, you will feel that greater presence, and be blessed by the peace that passes all understanding. MARK WILLIAMS JONATHAN ARNOLD Informator Choristarum Dean of Divinity MICHAELMAS TERM Choral Services Services are normally sung by Magdalen College Choir (men and boys). Evensong on Saturdays is normally sung by Magdalen Consort of Voices (men and women).
    [Show full text]
  • REPERTOIRE 1984 to 2020
    REPERTOIRE Title Composer Arranger/Editor A Birthday Greeting Zoltan Kodaly Robert A. Boyd A Christmas Round John Tavener A Fancy of Folk Songs Traditional Cecilia McDowall 1. Green Bushes 2. The Rambling Sailor 3.The Crystal Spring "4. O No, John! " A Gaelic Blessing John Rutter A Hymn to the Mother of God John Tavener A Hymn of the Nativity Richard Crashaw/Kenneth Leighton A Hymn to the Virgin Benjamin Britten A Little Christmas Music Daryl Runswick A Nightingale Sang in Berkley Square Traditional Gene Puerling A Spotless Rose Ola Gjeilo A Spotless Rose Herbert Howells A Virgin Most Pure Martin Shaw "A Virgin Unspotted, By Prophet Fortold" William Billings Abendlied Josef Rheinberger "Ach elslein, liebes elslein" Ludwig Senfl Adam lay Ybounden Boris Ord "Adieu, Sweet Amaryllis" John Wilbye African Noel African Melody Andre Thomas Afton Water English Folksong David Willcocks Aftonen Hugo Alfven African Carol Andre J. Thomas Agnus Dei Samuel Barber Ah! Dear Heart Orlando Gibbons Robert A. Boyd Ain'-a that Good News Spiritual William Dawson All Creatures Now are Merry Minded John Bennet Robert A. Boyd All My Heart this Night Rejoices Johann Eberling All My Trials Bahamian Spiritual Norman Luboff Alleluia Jakob Obrecht Alleluia Randall Thompson "Allon, Gay Bergeres" Guillaume Costeley Alice Parker/Robert Shaw Alma Dei creatoris K.277 W.A. Mozart Alma Redemptoris Giovanni Palestrina Alma Redemptoris Mater Tomas Luis de Victoria Almighty and Everlasting God Orlando Gibbons "Among the Leaves So Green, O" John Byrt "Angel Gabriel from Heaven
    [Show full text]
  • Program Notes
    The theme of this concert, “Reflections,” finds its way into every crevice of the program: reflections in the water, reflections on love and loss, on death, and on the transcendent affirmation of life. Both featured composers--John Rutter and Gwyneth Walker—write unabashedly tonal and accessible, audience-pleasing music. Both are prolific by modern standards, their music widely performed. (Rutter may be the most frequently performed and highly cherished composer of church anthems in the English-speaking world). And both draw special inspiration from spirituality, though in ecumenical ways that transcend denomination and religious doctrine. Despite his upbringing in the Church of England, Rutter has described himself (in a 2003 interview on 60 Minutes) as not particularly religious, yet inspired by the spirituality of sacred verses and prayers. For her part, Walker has credited her Quaker upbringing for the direct expression, pragmatism, and studied simplicity of her works, yet likewise distances herself from specific doctrine. As with Rutter, her generalized spiritual vision is the well-spring of her inspiration: “If your eye is on something a little higher, a general feeling that you might be in touch with something large, you do have incoming energy and inspiration.” John Rutter-Requiem (1985) Born in 1945, John Rutter’s musical education was as a chorister, his future interests as a composer shaped by singing as a choirboy. At 17, he participated in the world premiere of Britten’s War Requiem, by 18 he had published one of his most popular Christmas carols, the ear-worm “Shepherd’s Pipe Carol,” and, while singing in the choir as a music major at Clare College, he encountered many of the leading figures of the British compositional and choral singing worlds that would influence his professional and compositional life.
    [Show full text]