Michaelmas Term 2018 Chapel Services and Music MAGDALEN

Total Page:16

File Type:pdf, Size:1020Kb

Michaelmas Term 2018 Chapel Services and Music MAGDALEN Michaelmas Term 2018 Chapel Services and Music MAGDALEN COLLEGE OXFORD COVER IMAGE: DETAIL FROM MAGDALEN COLLEGE MS LAT 223, GOSPEL LECTIONARY COMMISSIONED BY CARDINAL WOLSEY (1529, LONDON) We welcome you to our worshipping community at Magdalen. Prayer and praise have been offered to God in this place since the fifteenth century, when the College was founded by William of Waynflete, Bishop of Winchester. The statutes of 1480 make provision for a Choir comprising sixteen boy Choristers and a number of adult Clerks, ‘that the worship of God, from whom all good things come, might be increased more widely and better sustained’. That tradition continues unchanged today. The Choirmaster at Magdalen retains the ancient Latin title Informator Choristarum, and among those who have held the post over the centuries are John Sheppard, Daniel Purcell, Sir John Stainer, Sir William McKie, and, in more recent years, Dr Bernard Rose. It is the aim of the Dean of Divinity and the Informator Choristarum that all our services here should be dedicated to the glory of God. Our music is not an end in itself but part of a larger whole. We hope that in the singing and in the silence, in the spoken word and in the beauty of this house of God, you will feel that greater presence, and be blessed by the peace that passes all understanding. MARK WILLIAMS JONATHAN ARNOLD Informator Choristarum Dean of Divinity MICHAELMAS TERM Choral Services Services are normally sung by Magdalen College Choir (men and boys). Evensong on Saturdays is normally sung by Magdalen Consort of Voices (men and women). Tuesdays are usually sung by the Choristers alone, and Fridays by the Academical Clerks alone. Details are given in the Music List when services depart from this pattern, such as during the school half-term holiday (19th to 26th October). At Festal Evensongs marking saints’ days and major feasts of the Church’s year, a seasonal antiphon is sung. On Sundays, at the Eucharist, there is a short homily of approximately five minutes, and at Evensong a sermon of approximately ten minutes. Evensong on Sundays is followed by drinks in the Antechapel. www.magdalencollegechoir.com Visiting Choirs It is a pleasure to welcome the Choir of Bradford Cathedral to sing Evensong at 6pm on Monday 22nd October, under the direction of Alexander Berry, former Assistant Organist at Magdalen. We are also very glad to welcome the Girl Choristers of Llandaff Cathedral to join the Academical Clerks for Evensong at 6pm on Friday 16th November. Organ music Organ music plays an integral part in our liturgy. Alexander Pott, Assistant Organist, and Rupert Jackson, Organ Scholar, play the organ for the majority of the services in Chapel. Retiring Collections Our retiring collections will go to support the work of the Chapel’s chosen charity for Michaelmas Term, Amnesty International, which campaigns to end abuses of human rights across the world. www.amnesty.org.uk SEPTEMBER TO DECEMBER 2018 Supporting the Choir and Chapel The Chapel and Choir are grateful for the generous support of the College for their core activities, but look to benefactors to support additional activities, including recordings, concerts and tours. If you are interested in joining the Friends of Magdalen College Choir or wish to discuss ways of supporting music at the College, please contact the Informator Choristarum, through Melanie Bennette, at [email protected], or collect a leaflet from the back of the Chapel. Membership of the Choir The Informator Choristarum, Mark Williams, is always pleased to hear from prospective applicants for Choristerships, Academical Clerkships and Organ Scholarships. To arrange an informal meeting, please email Melanie Bennette, the Chapel and Choir PA, at [email protected]. www.magd.ox.ac.uk/chapel-and-choir SERVICES BEFORE UNIVERSITY TERM SEPTEMBER 22 SATURDAY 6.00 pm Choral Evensong before the Gaudy (1958-62) INTROIT Stanford Beati quorum via PSALM 108 RESPONSES Rose HYMN 461 READINGS Exodus 15: 19-27; Acts 1: 6-14 CANTICLES Brewer in D ANTHEM Parry Lord, let me know mine end VOLUNTARY Murrill Carillon OCTOBER 3 WEDNESDAY GEORGE BELL, 1958 5.30 pm Choral Evensong for new undergraduates INTROIT Purcell Remember not, Lord, our offences PSALM 18: 1-22 RESPONSES Smith HYMN 239 READINGS Isaiah 43: 1-7; John 3: 1-16 CANTICLES Wood in E flat (no. 2) ANTHEM Grayston Ives Listen, sweet Dove VOLUNTARY Langlais Chant de Joie OCTOBER 2018 7 SUNDAY NINETEENTH SUNDAY AFTER TRINITY 11.00 am Sung Eucharist MASS Stanford in C & F HYMNS 256, 467, 436 READINGS Ephesians 4: 17-end; Matthew 9: 1-8 PREACHER The Reverend Dr Jonathan Arnold, Dean of Divinity ANTHEM Poulenc Salve Regina VOLUNTARY Bach Prelude & Fugue in A BWV 536 6.00 pm Choral Evensong with Founder’s Prayers, Sermon and Admission of the Rose and Waynflete Choristers, Clerks, Sacristans and Organ Scholar RESPONSES Smith HYMNS 499, 368 READINGS Joshua 3: 7-end; Matthew 10: 1-22 PSALM 37: 1-21 CANTICLES Marenzio Magnificat octavi toni Tye Nunc dimittis ANTHEM Tomkins Almighty God, the fountain of all wisdom PREACHER The Reverend Duncan Dormor, CEO, United Society Partners in the Gospel VOLUNTARY Buxtehude Praeludium in G minor BuxWV 149 8 MONDAY 8.30 am Morning Prayer 9 TUESDAY DENYS AND COMPANIONS, C. 250; ROBERT GROSSETESTE, 1253 8.30 am Morning Prayer 6.00 pm Choral Evening Prayer (Boys’ Voices) RESPONSES Plainsong PSALM 49 READINGS Proverbs 27: 11-end; Galatians 6: 1-10 CANTICLE Plainsong Creator of the earth and sky MAGNIFICAT Plainsong Sexti toni ANTHEM Humfrey A Hymne to God the Father ANTIPHON Plainsong Salve Regina 10 WEDNESDAY PAULINUS, 644; THOMAS TRAHERNE, 1674 8.30 am Morning Prayer 6.00 pm Choral Evensong RESPONSES Matthew Martin P SALM S 53, 54 READINGS Isaiah 51: 1-6; 2 Corinthians 1: 1-11 CANTICLES Dyson in F ANTHEM Rubbra There is a spirit FIRST WEEK 11 THURSDAY ETHELBURGA, 675; JAMES THE DEACON, 7TH CENTURY 8.30 am Morning Prayer 6.00 pm Choral Evensong RESPONSES Rose PSALM 60 READINGS Job 26; 1 Corinthians 11: 17-end CANTICLES Howells Collegium Magdalenae Oxoniense ANTHEM Harris Bring us, O Lord God 12 FRIDAY WILFRID OF RIPON, 709; ELIZABETH FRY, 1845; EDITH CAVELL, 1915 8.30 am Morning Prayer 6.00 pm Choral Evening Prayer (Men’s Voices) RESPONSES Tallis PSALM 66 READINGS Job 19: 21-end; Mark 15: 33-37 CANTICLE Plainsong Fast sinks the sun to rest MAGNIFICAT Morley Fauxbourdons ANTHEM Sheppard Rejoice in the Lord ANTIPHON Plainsong Salve Regina 13 SATURDAY EDWARD THE CONFESSOR, 1066 2.30 pm Memorial Service for Sir Michael Wheeler-Booth 6.00 pm Choral Evensong (Women of the Consort of Voices) RESPONSES Plainsong PSALM 70 READINGS Isaiah 44: 21-end; John 21: 15-end HYMN 385 CANTICLES Richard Lloyd St Radegund Service ANTHEM Holst Ave Maria And now let us welcome the new year, full of things that never were. Rainer Maria Rilke OCTOBER 2018 14 SUNDAY TWENTIETH SUNDAY AFTER TRINITY 11.00 am Sung Eucharist MASS Tye Missa Euge bone HYMNS 232, 288, 465 READINGS Job 23: 1-9, 16-end; Mark 10: 17-31 PREACHER The Reverend Elaine Bardwell, Fellows’ Chaplain ANTHEM Nicholson O pray for the peace of Jerusalem VOLUNTARY Bruhns Praeludium in E minor 6.00 pm Choral Evensong INTROIT Rose Lord, I have loved the habitation of thy house RESPONSES Rose HYMNS 216, 388 READINGS Joshua 5: 13-6: 20; Matthew 11: 20-end PSALM 74 CANTICLES Noble in A minor ANTHEM Harris Strengthen ye the weak hands VOLUNTARY Campbell Gaudeamus 15 MONDAY TERESA OF AVILA, 1582 8.30 am Morning Prayer 16 TUESDAY NICHOLAS RIDLEY AND HUGH LATIMER, 1555 6.00 pm Choral Evening Prayer (Boys’ Voices) RESPONSES Malcolm Archer PSALM 84 READINGS Proverbs 31: 10-end; Luke 10: 38-42 CANTICLE Plainsong O God, thy solders’ crown and guard MAGNIFICAT Stuart Beer First Service ANTHEM Blake And now another day is gone ANTIPHON Plainsong Salve Regina 17 WEDNESDAY IGNATIUS OF ANTIOCH, C. 107 8.30 am Morning Prayer ETHELREDA, 679 6.00 pm Choral Evensong RESPONSES Matthew Martin PSALM 89: 20-36 READINGS Jonah 1: Luke 5: 1-11 CANTICLES David Bevan Magnificat octavi toni Holst Nunc dimittis ANTHEM Mendelssohn Ave Maria SECOND WEEK 18 THURSDAY LUKE THE EVANGELIST 8.30 am Morning Prayer 6.00 pm Sung Eucharist MASS Poulenc Messe en sol majeur HYMNS 345, 214 READINGS Acts 16: 6-12a; Luke 10: 1-9 ANTHEM Whitlock Be still, my soul PREACHER The Reverend James Crockford, Honorary Chaplain VOLUNTARY Widor Intermezzo from Symphony No. 6, Op. 42 19 FRIDAY HENRY MARTYN, 1812 8.30 am Morning Prayer FRIDESWIDE, 735 6.00 pm Choral Evening Prayer (Men’s Voices) RESPONSES Plainsong PSALMS 100, 101 READINGS Isaiah 64; Matthew 27: 45-56 CANTICLE Plainsong Before the ending of the day MAGNIFICAT Suriano Secundi toni ANTHEM Tallis Hear the voice and prayer HYMN Lassus Ave maris stella 9.00 pm Compline (Men’s Voices) MOTET L’Héritier Ave Maria 20 SATURDAY 6.00 pm Choral Evensong (Consort of Voices) INTROIT Stravinsky Ave Maria PSALM 104: 1-23 RESPONSES Richard Shephard HYMN 383 (ii) READINGS 2 Samuel 7: 18-end; Acts 2: 22-33 CANTICLES Mathias Jesus Service ANTHEM Bruckner Os justi Music is one of the fairest and most glorious gifts of God, to which Satan is a bitter enemy, for it removes from the heart the weight of sorrow, and the fascination of evil thoughts. Martin Luther OCTOBER 2018 21 SUNDAY TWENTY-FIRST SUNDAY AFTER TRINITY 11.00 am Sung Eucharist (Men’s Voices) MASS Grandi Missa Sine nomine HYMNS 237, 295, 425 READINGS Job 38: 1-7; Mark 10: 35-45 PREACHER The Reverend Dr Jonathan Arnold, Dean of Divinity ANTHEM Isaac Panis quem ego dedero VOLUNTARY Bach Vater unser im Himmelreich BWV 682 6.00 pm Choral Evensong with sermon (Men’s Voices) RESPONSES Richard Lloyd HYMNS 186, 420 READINGS Joshua 14: 6-14; Matthew 12: 1-21 PSALM 106: 1-12 CANTICLES Philip Moore Second service ANTHEM Elgar Seek him that maketh the seven stars PREACHER Professor Peter McCullough, Professor of English and Fellow of Lincoln College, Oxford VOLUNTARY Saint-Saëns Fantaisie No.
Recommended publications
  • The Choral Compositions of Arvo Pärt As an Example of “God-Seeking” Through Music in Soviet Russia
    Journal of Eastern Christian Studies 59(1-2), 85-101. doi: 10.2143/JECS.59.1.2023428 T©HE 2007 CHORAL by Journal COMPOSITIONS of Eastern Christian OF ARVO Studies. PÄRT All rights reserved. 85 THE CHORAL COMPOSITIONS OF ARVO PÄRT AS AN EXAMPLE OF “GOD-SEEKING” THROUGH MUSIC IN SOVIET RUSSIA TATIANA SOLOVIOVA* 1. EMERGING FROM THE UNDERGROUND OF ‘OFFICIAL ATHEISM’ OF THE SOVIET ERA Arvo Pärt was a representative of the underground music in the former Soviet Union. His music, like the works of many other musicians and art- ists, did not fit within the narrow bosom of Socialist Realism – the prevail- ing ideology of the time.1 He had to struggle in order to write the music he wanted. Nowadays there is no Soviet Empire anymore, and the composi- tions of Pärt represent “the face” of contemporary music. He is one of the few composers whose art music enjoys success similar to that of pop. He is widely known, and his works are being performed all over the world. Arvo Pärt was born in 1935 in Paide, near Tallinn, the capital of Estonia, one of the Western republics within the former USSR. Between the First and the Second World War this little country enjoyed a short period of in- dependence. Life for Pärt till 1980 was inseparably connected with his Motherland Estonia on one hand, and with Russia, which was the political and cultural dominant at that time, on the other hand. Pärt knew and loved national traditions, as well as he knew European and Russian culture: he called the composer Glazunov who taught his teacher Heino Eller ‘my musi- * Tatiana Soloviova studied at Moscow State University and obtained her PhD in His- tory.
    [Show full text]
  • Choral Vespers
    GONVILLE & CAIUS COLLEGE CHAPEL Easter Term 2021 CHORAL VESPERS Vespers is the sixth of the seven prayer services of the Christian day. Its name comes from the Latin vespera, which means ‘evening.’ When Thomas Cranmer created the English Prayer Book in 1549 and 1552 he combined Vespers with the night service (compline) into the service we know as Evensong. Magnificat is the Gospel Canticle of Vespers, as Nunc Dimittis is the Gospel Canticle of Compline. The service ends with a traditional antiphon (a special seasonal text, from which comes our modern word ‘anthem’) in honour of the Blessed Virgin Mary. 2nd May Fourth Sunday of Easter LUCERNARIUM (The Lighting of the Lamps) Thy word is a lantern unto my feet and a light unto my paths. Thou also shalt light my candle the Lord my God shall make my darkness to be light. The light and peace of Jesus Christ be with you and with thy spirit Light Prayer Blessed art thou, Sovereign Lord, God and Father of our Lord Jesus Christ, to thee be glory and praise for ever. Thou hast called us out of darkness into thy marvellous light that our lives may reflect thy glory and our lips repeat thy song: Blessed be God, Father, Son and Holy Spirit HYMN LUCIS Creator optime O BLEST Creator of the light, lucem dierum proferens, Who mak'st the day with radiance bright, primordiis lucis novae, and o'er the forming world didst call mundi parans originem: the light from chaos first of all; Qui mane iunctum vesperi Whose wisdom joined in meet array diem vocari praecipis: the morn and eve, and named them Day: taetrum chaos illabitur, night comes with all its darkling fears; audi preces cum fletibus.
    [Show full text]
  • SERVICES & MUSIC September 2020
    S ERVICES & M USIC September 2020 From the Canon Precentor The last Music List was printed at the start of March and when we compiled it we could never have guessed that the Cathedral would be silent for the remainder of Lent, Holy Week, Easter and the entire summer term. Thanks to the expertise of Cathedral staff – notably Tim Popple and Glynn Usher – we have risen to the monumental challenge of live-streaming services every day during lock down. Finally, a few weeks ago, we were permitted to offer worship which was open to the public. A few weeks after that we were allowed a cantor and organist, then last week the regulations changed again, allowing us to have a small adult choir – a wonderful moment! As you will gather, the way forward as we re-introduce choral music is painfully slow and the logistics of arranging rehearsals for our choristers are complicated. I am indebted to my colleagues Mark Lee and Sarah Jenkinson, who are making this happen. For the time being the choristers will concentrate on rehearsing and making up for lost time; choral services on Friday and Sunday will be sung by the Back Row. The number of people allowed into the Cathedral at any one time is strictly limited, so many of our large autumn services will be live-streamed or virtual. A particularly impressive virtual service was the one we broadcast on VE Day in May. Since then there have been others and we plan to continue with virtual services and live-streaming for the time being.
    [Show full text]
  • Music for Compline Tallis • Byrd • Sheppard
    SUPER AUDIO CD Music for Compline tallis • byrd • sheppard stile antico 807419 Music for Compline tallis . byrd . sheppard . white . aston aib 1 Antiphon Libera nos I & II John Sheppard 5:35 (c. 1515–1558) 2 Antiphon Salva nos, Domine Plainchant 0:45 3 Hymn Christe, qui lux es et dies William Byrd 3:49 (c. 1540–1623) 4 Responsory In pace in idipsum John Sheppard 5:29 5 Responsory In manus tuas Thomas Tallis 2:42 (c. 1505–1585) 6 Hymn Jesu, salvator saeculi, verbum John Sheppard 5:38 7 Responsory In manus tuas I John Sheppard 4:00 8 Responsory In manus tuas II & III John Sheppard 3:18 9 Antiphon Miserere mihi, Domine Plainchant 0:30 1 0 Responsory Miserere nostri, Domine Thomas Tallis 3:12 11 Motet Miserere mihi, Domine William Byrd 2:43 12 Responsory In pace in idipsum Thomas Tallis 5:48 13 Hymn Christe, qui lux es et dies Robert White 5:55 (c. 1538–1574) 14 Antiphon Veni, Domine Plainchant 0:36 15 Canticle Nunc dimittis Gradualia I William Byrd 7:02 16 Hymn Te lucis ante terminum festal Thomas Tallis 2:56 17 Antiphon Gaude, virgo mater Christi Hugh Aston 14:32 (c. 1485–1558) stile antico Helen Ashby • Kate Ashby • Alison Hill sopranos Emma Ashby • Eleanor Harries • Carris Jones • Timothy Wayne-Wright altos Peter Asprey • Andrew Griffiths • Tom Herford tenors Oliver Hunt • Matthew O’Donovan • David Wright basses Music for Compline tallis • byrd • sheppard • white • aston 4 Music for Compline tallis • byrd • sheppard • white • aston Music for Compline tallis . byrd . sheppard .
    [Show full text]
  • A Meditative and Musical Guide to by John Rutter
    A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song.
    [Show full text]
  • Arvo Pärt Triodion Polyphony · Stephen Layton
    ARVO PÄRT TRIODION POLYPHONY · STEPHEN LAYTON TRIODION ARVO PÄRT POLYPHONYPOLYPHONY STEPHENSTEPHEN LAYTONLAYTON 30 OLYPHONY’s first Hyperion recording of Arvo Pärt’s choral music (CDA66960) focused on music written Pbetween 1988 and 1991, a particularly fertile period for the composer which coincided with a surge of international performances and recordings, and resulting acclaim. Works on that disc, and others such as the large-scale setting of Psalm 51, Miserere, suggested that Pärt was moving into more complex, exotic harmonic territory. With clusters, compound chords and use of the augmented second interval, he seemed to be stretching the crucial, characteristic boundary in his music between dissonance and consonance. Judging by the more recent music on this disc—all written between 1996 and 2002—that harmonic journey was, for Pärt, something from which he has now returned. The essential purity of the triad remains paramount, and chord progressions in works such as Triodion and Salve Regina seem more diatonically conventional. And although there is less evidence in these pieces of strict ARVO PÄRT © Tina Foster ‘tintinnabulation’—the rigidly maintained discourse during the recording sessions at Temple Church, London between stepwise and triadic part-writing—there is enough austerity of structure and harmony in other ways extended periods at his second home near Colchester in to make it unmistakably ‘Pärtian’. Essex—resulting in a noticeably greater fluency with Polyphony’s first Hyperion disc featured Pärt’s first English. But this, he insists, is not the reason for a greater setting in English (a section from Saint Matthew’s account number of English settings.
    [Show full text]
  • John Rutter: Choral Ambassador
    October 2017 Issue 56 Hemiola St George’s Singers JOHN RUTTER: CHORAL AMBASSADOR INSIDE THIS ISSUE: BY NEIL TAYLOR Rachmaninov Vespers 2 Chanting Russia’s history 3 To my mind, John Rutter is a He’s also a thoroughly engag- Verdi Requiem review 4 skilled craftsman, a gifted com- ing, warm and generous man. I Christmas with Rutter 5 poser and a classy interpreter. first met him when, as a student, I had a call one Saturday after- Letter from the Editor 5 Let’s look: a definitive version of noon asking if I could come and SGS News 6 the Fauré Requiem in its original make drinks at a Cambridge scoring; many brilliant record- Singers’ recording session in Kath Dibbs remembered 6 ings with his own group, The Robert Brooks: interview 7 Hampstead, North London. Everybody tells me, who has sung in a choir, I hopped on the tube, arrived Costa Rica: final memories 8 that they feel better for doing it. Whatever the Song for Diana 9 at University College cares of the day, if they meet after a School, listened to the ses- long day’s school or work, somehow Beethoven’s Fantasy 10 they leave their troubles at the door. sions with that amazing Carol concert and Messiah 11 group and the wonderful Jill White as producer, and Cambridge Singers over the past brewed up. 35 years; such an accomplished Since then, I’ve had the privi- eye and ear for instrumental and vocal colours; beautifully hand- lege of working with John and ST GEORGE’S SINGERS whilst he is charming and anec- written music notation; well- dotal, he does demand much of PRESIDENT: crafted melodies; skilled and apt use of texts; a brilliant interpreter his fellow musi- Choral music is not one of life’s frills.
    [Show full text]
  • An Analysis of Sergei Rachmaninov's All-Night Vigil “Now Let Thy Servant
    An Analysis of Sergei Rachmaninov’s All-Night Vigil “Now Let Thy Servant Depart” Lance Morrow Lance Morrow is music director at Salem United Methodist Church and an adjunct faculty member of the Department of Music at Austin Peay State University, both in Clarksville, TN. He holds choral music and conducting degrees from the University of North Alabama and Austin Peay State University [email protected] Introduction the Saturday-evening service preceding major feast days n the years just prior to 1915, Sergei Rachmaninov and includes Vespers (or Great Compline, depending on toured the United States, Austria, and Poland. He the occasion), Matins, and the First Hour. Originally, the I returned to Russia just before the enforcement All-Night Vigil stretched throughout the night, hence its of traveling restrictions due to the Great War. In only title; however, most modern parishes simply use the Nunc two weeks in early 1915 (almost thirty years before his Dimittis, from the Vespers service, as one of the last read- death), he completed his All-Night Vigil, now considered ings before lying down to sleep. a masterpiece of choral literature. This was the last of a Also called the “Canticle of Simeon,” the Nunc Dimittis few sacred settings in a small body of choral works, and [Now Let Thy Servant Depart] originates in Luke 2:29–32 Rachmaninov dedicated it to the memory of Stepan Vasi- of the New Testament. This prayer to “depart in peace” lyevich Smolensky, the respected church music historian, correlates with a tranquil death—a serene decline—an idea who had introduced him to Orthodox sacred music.
    [Show full text]
  • Michaelmas -- the Festival of Courage
    Why do Waldorf Schools have Michaelmas-Festival of Courage? The Festivals Committee has realized that many of the parents at WSB ask this question. In response, we offer the following as a window to deeper understanding. MICHAELMAS -- THE FESTIVAL OF COURAGE …We live in a time of hard tests for humanity, of hard tests which must become still harder. We live in a time in which a whole host of old forms of civilization to which humankind still erroneously clings, are sinking into the abyss, a time in which the claim insistently arises that we must find our way to something new. Rudolf Steiner At autumn time, as the life forces of nature recede, turning toward a winter sleep, the inner life of the human soul is awakening. It is a time of conscious selfhood, a time when we celebrate the building and strengthening of our inner life. In many cultures, the autumn time marks the beginning of a new year. The forces of nature are transiting with the autumnal equinox, as the relationship of light and darkness changes the world around us. The equinox is for us a turning point, a change in the relation of light and darkness in the world around us. On September 29th the autumn festival traditionally known as Michaelmas is celebrated. This festival is named for the Archangel Michael, conqueror of the powers of darkness, the harvester of the deeds of human souls. It is at this time that the image of Michael with the dragon appears before us as a mighty imagination, challenging us to develop strong, brave, free wills, to overcome love of ease, anxiety and fear.
    [Show full text]
  • The Evening Hour
    THE EVENING HOUR 0 Behold thou hast made my days Orlando Gibbons (1583-1625) [5.30] th th British Choral Music from the 16 and 20 Centuries Chapel Choir Jaliya Senanayake tenor solo, Benjamin Morris chamber organ q Evening Watch Gustav Holst (1874-1934) [4.39] 1 God be in my head Philip Radcliffe (1905-1986) [1.29] College Choir College Choir Jake Dyble tenor solo, Elizabeth Edwards alto solo 2 Save us, O Lord Edward Bairstow (1874-1946) [4.56] w The Lord’s Prayer John Tavener (1944-2013) [3.08] Chapel Choir Chapel Choir Benjamin Morris organ e Bring us O Lord God William Harris (1883-1973) [4.09] 3 In manus tuas John Sheppard (c. 1515-1558) [4.02] College Choir College Choir r In Pace John Blitheman (c. 1525-1591) [4.14] 4 Song at Evening Richard Rodney Bennett (1936-2012) [3.25] Chapel Choir Choristers t Bertie Baigent organ Evening Prayers Philip Moore (b. 1943) [6.03] College Choir 5 Miserere mihi Domine William Byrd (1540-1623) [2.49] Max Cockerill baritone solo, Sapphire Armitage soprano solo College Choir y Miserere nostri Thomas Tallis (c. 1505-1585) [3.22] 6 Creator of the stars of night Gabriel Jackson (b. 1962) [3.52] College Choir College Choir u Hannah Woodhouse soprano solo, Benjamin Morris organ Blessèd city, heav’nly Salem Edward Bairstow (1874-1946) [9.10] Combined Choirs 7 The Lord is my Shepherd Lennox Berkeley (1903-1989) [4.43] Theo Amies, Kieran Hazell-Luttman, James Patterson, Gus Richards, Combined Choirs Jamie Wilkinson, Eleanor Hussey, Julia Sinclair solo group, Benjamin Morris organ Bertie Baigent organ Total timings: [77.58] 8 Christe qui lux es et dies IV Robert Whyte (c.
    [Show full text]
  • SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC
    SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC Volume 97, Number 2, Summer 1970 PROBLEMS OF AMERICAN CHURCH MUSIC 3 Arthur B. Hunkins SINGING FOR AN ENGLISH LITURGY 8 Rev. Bruno Becker, O.S.B. MUSICAL SUPPLEMENT 19 · REVIEWS 27 FROM THE EDITOR 32 NEWS 33 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874 and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne­ sota 55!03. Editorial office : Route 2, Box 1, Irving, Texas 75060. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75060. News: Rev. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 Advertising: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. Blanchard Rev.
    [Show full text]
  • Adaptations of Hooker by Shakespeare and Voegelin
    The Pneumopathology of the Puritan: Adaptations of Hooker by Shakespeare and Voegelin Copyright 2003 Jeffrey Tessier In The New Science of Politics as well as in The History of Political Ideas, Voegelin comes to his analysis of Puritanism by way of Richard Hooker, focusing in part on Hooker's account of the psychological techniques through which Puritanism advanced its cause. While mindful of Hooker's shortcomings as a philosopher, Voegelin praises and relies on his diagnostic acumen. His analysis of "the psychological mechanism that is put into operation in the creation of mass movements"1 [1] is as useful now for understanding modern gnostic movements as it was then in analysing the radical response to the emergent Anglican ecclesiastical order. It was Hooker's insight into the psychological origins and political consequences of the Puritan movement that enabled him to present the mechanism by which the Puritans would implement on a mass scale the desire of the movement's egomaniacal members that their private will be established as the public will, a revolution which would destroy the reality of and hope for the common weal of the nation.2 [2] 1 [1] Eric Voegelin, The Collected Works of Eric Voegelin, vol. 23, History of Political Ideas, vol. 5: Religion and the Rise of Modernity, ed. James L. Wiser (Columbia: University of Missouri Press, 1998), 94-5. 2 [2] Ibid, 98. In his discussion of Hooker, Voegelin draws attention to an interesting problem. If the Puritans are as Hooker says they are, then the deformed condition of their souls makes them immune to the sort of persuasive speech that characterises his writing.
    [Show full text]