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Charlie Chaplin the Mutual Comedies with Music by Carl Davis
Charlie Chaplin The Mutual Comedies With music by Carl Davis A Limited Edition 2-disc Blu-ray set and a 2- disc DVD set of Charlie Chaplin’s Mutual Comedies will be released by the BFI on 18 May 2015. Previously only available on two DVD volumes from the BFI, the films have been fully restored in High Definition and brought together in a single edition for the first time. The collection features music by acclaimed silent film composer Carl Davis and a raft of special features. Charlie Chaplin entered the film industry in 1914. By 1916 he was the highest paid entertainer in the world after signing a contract with the Mutual Film Corporation for a salary of $670,000. Mutual built Chaplin his very own studio and allowed him total freedom to make 12 two-reel films during a 12-month period. Chaplin subsequently recognized that time as the most inventive and liberating of his career. These 12 films demonstrate the breadth of his abilities as both a physical entertainer and a subtle, endearing character actor. Among the classics included here are The Immigrant, which endures as a comic masterpiece; Easy Street – a watershed moment in Chaplin’s career; The Floorwalker, which shows his inventive and balletic use of mechanical props; The Vagabond, where he successfully combines pathos and comedy to create a lyrical love story and The Pawnshop which is famous for the hilarious routine in which he dissects an alarm clock. Composer Carl Davis is available for interview. The Mutual Comedies The Floorwalker, The Fireman, The Vagabond, One A.M., The -
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
When Film Was Deaf (1895-1927) • THINGS MOVING WITHOUT NOISE
... Warning Concerning Copyrisht Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. • FILM, • • A SOUND ART • • ffllCHEL CHIOI • ·• TRANSLATED ev cL1uo,1 GDRBmAn • COLUMBIA UNIVERSITY PRESS ~ New York COLUMBIA UNIVERSITY PRESS Publishers Si?ce 1893 New York Chichester, West Sussex Copyright © 2003 !es Editions de l'Etoile Translation © 2009 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Chion, Michel, 1947- [Art son ore, le cinema. English] Film, a sound art/ Michel Chion ; translated by Claudia Gorbman. p. cm.-(Film and culture) Includes bibliographical references and index. ISBN 978-0-231-13776-8 (cloth: alk. paper)-ISBN 978-0-231-13777-5 (pbk. : alk. paper) 1. Sound motion pictures. 2. Motion pictures-sound effects. 3, Motion pictures-Aesthetics. I. Title. I!. Series. PN1995.7C4513 zoo9 791.4302'4-dc22 2008054795 e Columbia University Press books are printed on permanent and durable acid-free paper. This book is printed on paper with recycled content. Printed in the United States of America C 10 9 8 7 6 5 4 3 p 10 9 8 7 6 5 4 References to Internet Web sites (URLs) were accurate at the time of writing. -
January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 Photo by John Lauener Haircuts by Children
Presented in association with the PuSh International Performing Arts Festival, Western Gold Theatre and Theatre at UBC Honoré de Balzac’s Adapted and Directed by James Fagan Tait Music Composed and Directed by Joelysa Pankanea Associate Director: Sarah Rodgers January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 photo by John Lauener Haircuts by Children VENUES ALL OVER THE CITY. ARTISTS FROM ALL OVER THE WORLD. LET YOUR HAIR DOWN WITH LIVE PERFORMANCE. January 16–February 3, 2008 Vancouver • Canada www.pushfestival.ca Full program available November 22 Honoré de Balzac’s OLD GORIOT January 17 to 26, 2008 Starring: Stephen Aberle TELUS Studio Theatre Patti Allan Mary Black Anna Hagan Adapted and Directed by David Mackay James Fagan Tait Richard Newman Music Composed and Directed by Gina Stockdale Joelysa Pankanea Alec Willows Associate Director: Sarah Rodgers Sarah Afful Spencer Atkinson Wil Carlos Jocelyn Gauthier Costume Design: Mara Gottler Max Gilbert Scenography: Robert Gardiner Kevin Kraussler Jameson Parker Stage Manager: Robin Richardson Cecile Roslin Becky Shrimpton Kevin Stark Western Gold Theatre Society wishes to thank the following for their generous donations: TELUS Vancouver Community Board Honoré de Balzac’s OLD GORIOT Honoré de Balzac (1799–1850) is called the Shakespeare of the novel and his Le Père Goriot is both a landmark in world literature and his most universally loved work. The novel was written 1834-1835 when Balzac was 35 years old. It first appeared in serialized form in Revue de Paris in the Fall of 1834 and in completed book form in 1835. -
An In-Depth Look at Chaplin's Mutual Comedies by Jeffrey
An In-Depth Look at Chaplin’s Mutual Comedies By Jeffrey Vance, film historian The Floorwalker (Released: May 15, 1916) Embezzlement is the subject of The Floorwalker, Chaplin’s first film under his landmark contract with Lone Star-Mutual. Chaplin’s inspiration for the film came while he and his brother Sydney were in New York City negotiating his contract with Mutual. While walking up Sixth Avenue at Thirty-third Street, Chaplin saw a man fall down an escalator serving the adjacent elevated train station and at once realized the comic possibilities of a moving staircase. He asked his technical director, Ed Brewer, to design and construct an escalator in a department store set designed by art director and master of properties George “Scotty” Cleethorpe (who had worked for Chaplin at Essanay). “With a bare notion I would order sets, and during the building of them the art director would come to me for details, and I would bluff and give them particulars about where I wanted doors and archways.” Chaplin wrote in his autobiography, “In this desperate way I started many a comedy.” (18) After seeing The Floorwalker, Mack Sennett commented, “Why the hell didn’t we ever think of a running staircase?” (19) The Floorwalker has none of the pathos, romance, or irony of the best Chaplin Mutuals. The crudeness and cruelty of his earlier films is still evident in The Floorwalker, although the film contains a stronger plot than most of his previous films, and the moving-staircase chase was novel for 1916. A glimpse of Chaplin’s evolution to a more graceful type of screen comedy is evident in Charlie’s dance when he discovers the valise of stolen money and dives into the bag. -
1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism
Notes 1 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism 1. This speech has often been erroneously quoted (not least by Adam Curtis in his 2002 documentary The Century of the Self ) as ‘You have taken over the job of creating desire and transformed people into constantly moving happi- ness machines’ – a tremendously resonant phrase, but not one which actually appears in the text of Hoover’s speech. Spencer Howard of the Herbert Hoover Presidential Library attributes the corrupted version to a mis-transcription several decades later. 2. The title of his 1947 essay. His key writings in the 1920s were Crystallizing Public Opinion (1923) and Propaganda (1928). 3. Of course, not all responded sympathetically to the film’s vicious racist message. The NAACP mounted a particularly effective campaign against the film, which was banned in several states and sparked mass protests in others. For the full story see Melvyn Stoke, D.W. Griffith’s ‘The Birth a Nation’, Oxford: Oxford University Press, 2008. 4. CPI titles made in 1917/18 include America’s Answer, Under Four Flags and Pershing’s Crusaders – distributors who wanted the new Fairbanks or Pickford picture would be forced to take a CPI release as well. 2 A Convention of Crazy Bugs: Mack Sennett and the US’s Immigrant Unconscious 1. The temptation, here, is to regard Sennett’s name and the Keystone brand as being broadly synonymous, but one should remember that Sennett started off, first, as an actor and then, as a director at Biograph in 1909; the Key- stone Company was set up by Adam Kessel and Charles Baumann in 1912 (Sennett was never the owner). -
The Recording Industry in Japan 2008 CONTENTS
RIAJ YEARBOOK 2008 The Recording Industry in Japan 2008 CONTENTS Overview of Production of Recordings and Digital Music Delivery in 2007 ....1 Statistics by Format (Unit Basis — Value Basis) ..............................................................4 1. Total Recorded Music — Production on Unit Basis............................................................4 2. Total Audio Recordings — Production on Unit Basis ........................................................4 3. Total CDs — Production on Unit Basis ..............................................................................4 4. Total Recorded Music — Production on Value Basis ........................................................5 5. Total Audio Recordings — Production on Value Basis ......................................................5 6. Total CDs — Production on Value Basis ............................................................................5 7. CD Singles — Production on Unit Basis ............................................................................6 8. 5" CD Albums — Production on Unit Basis........................................................................6 9. Music Videos — Production on Unit Basis ........................................................................6 10. CD Singles — Production on Value Basis ..........................................................................7 11. 5" CD Albums — Production on Value Basis ....................................................................7 12. Music Videos — Production on Value -
Tax Snag Predicted
55th Year No.9 GEORGETOWN UNIVERSITY, WASHINGTON, D.C. Friday, November 1, 1974 Tax Snag Predicted Lawyer Cites Corp As Liability Threat by Joe Lacercnza University legal counsel has informed University officials of th« possibility that the Student Corporation may endanger the Universuy's tax-exempt status on the property which the Corporation occupies. The Board of Directors of Students of Georgetown, Inc. have contacted their lawyers at Arnold and Porter to investigate the situation. In a letter to Vice-President for Administrative Services. Daniel Altobello, Vincent J. Fuller of tho problem. Wt' art' confident Williams, Connolly, and Califano, that it canbe resolved," he noted. the University's counsel, expressed Altobello suggt'st('d a number the opinion that leasing space to of options in a memorandum to tho non-profit Student Corpora Vice-President for Student De ~tricia tion may make that space liable to velopment, Dr. Patricia Ruec kel , Dr. Rueckel real estate taxes. following receipt of the cortes might exclude the Corporation if "It is a serious legal question," pondence from University coun it i" considered a purdy corn Student Government President sel. "It seems to me Georgetown mercial establishment. Jack Leslie said. "The Board of can do one of several thing" ... A number of areas questioning Student Body President Jack Leslie expressed optimism that the Directors of the Corporation has i.itiate action to bring about th« the attorney's argument are bl'lng current controversy over the Corp's tax status will be resolved "in good agreed to negotiate with the appropiate pro-rata charging of studied. -
DR594 Slapstick Comedy | University of Kent
09/29/21 DR594 Slapstick Comedy | University of Kent DR594 Slapstick Comedy View Online Slapstick Project Reading List for DR594 Popular Performance 1. Allen, Tony: Attitude : wanna make something of it?: the secret of stand-up comedy. Gothic Image, Glastonbury (2002). 2. Barker, C: The ‘Image’ in Show Business. Theatre quarterly. 8,. 3. Bergson, Henri: Laughter: an essay on the meaning of the comic. Macmillan, London (1911). 4. Johnstone, Keith: Impro: improvisation and the theatre. Methuen Drama, London (2007). 5. Staveacre, Tony: Slapstick: the illustrated story of knockabout comedy. Angus & Robertson, North Ryde, NSW (1987). 6. Robinson, Davis Rider: The physical comedy handbook. Heinemann, Portsmouth, N.H. (1999). 1/8 09/29/21 DR594 Slapstick Comedy | University of Kent 7. Wilmut, Roger: Kindly leave the stage!: the story of variety, 1919-1960. Methuen, London (1985). 8. Wright, John: Why is that so funny?: a practical exploration of physical comedy. Nick Hern, London (2006). 9. Bratton, J. S., Featherstone, Ann: The Victorian clown. Cambridge University Press, Cambridge (2006). 10. Clayton, Alex: The body in Hollywood slapstick. McFarland & Co, Jefferson, N.C. (2007). 11. Dale, Alan S.: Comedy is a man in trouble: slapstick in American movies. University of Minnesota Press, Minneapolis (2000). 12. Double, Oliver: Stand-up!: on being a comedian. Methuen, London (1997). 13. Double, Oliver: Getting the joke: the inner workings of stand-up comedy. Methuen, London (2005). 14. Fisher, J.: Funny way to be a hero. Muller, [Place of publication not identified] (1973). 2/8 09/29/21 DR594 Slapstick Comedy | University of Kent 15. Simon, Eli: The art of clowning. -
The Writings of Henry Cu
P~per No. 13 The Writings of Henry Cu Kim The Center for Korean Studies was established in 1972 to coordinate and develop the resources for the study of Korea at the University of Hawaii. Its goals are to enhance the quality and performance of Uni versity faculty with interests in Korean studies; develop compre hensive and balanced academic programs relating to Korea; stimulate research and pub lications on Korea; and coordinate the resources of the University with those of the Hawaii community and other institutions, organizations, and individual scholars engaged in the study of Korea. Reflecting the diversity of academic disciplines represented by its affiliated faculty and staff, the Center especially seeks to further interdisciplinary and intercultural studies. The Writings of Henry Cu Killl: Autobiography with Commentaries on Syngman Rhee, Pak Yong-man, and Chong Sun-man Edited and Translated, with an Introduction, by Dae-Sook Suh Paper No. 13 University of Hawaii Press Center for Korean Studies University of Hawaii ©Copyright 1987 by the University of Hawaii Press All rights reserved. Printed in the United States of America Honolulu, Hawaii 96822 Library of Congress Cataloging-in-Publication Data Kim, Henry Cu, 1889-1967. The Writings of Henry Cu Kim. (Paper; no. 13) Translated from holographs written in Korean. Includes index. 1. Kim, Henry Cu, 1889-1967. 2. Kim, Henry Cu, 1889-1967-Friends and associates. 3. Rhee, Syngman, 1875-1965. 4. Pak, Yong-man, 1881-1928. 5. Chong, Sun-man. 6. Koreans-Hawaii-Biography. 7. Nationalists -Korea-Biography. I. Suh, Dae-Sook, 1931- . II. Title. III. Series: Paper (University of Hawaii at Manoa. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI Bell & Howell Information and Learning 300 North Zeeb Road, Ann Aibor, Ml 48106-1346 USA 800-521-0600 3D VIRTUAL WORLDS AND LEARNING: AN ANALYSIS OF THE IMPACT OF DESIGN AFFORDANCES AND LIMITATIONS IN ACTIVE WORLDS, BLAXXUN INTERACTIVE, AND ONLIVE! TRAVELER; AND A STUDY OF THE IMPLEMENTATION OF ACTIVE WORLDS FOR FORMAL AND INFORMAL EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michele D.