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SEPTEMBER 2004 Any Persons Living Or Dead Is Coincidental
THE h o t t i e OF THE LINING BIRDCAGES SINCE 1997 FRENCH ISSUE month EDITOR-IN-CHIEF Todd Nienkerk olores MANAGING EDITOR Kristin Hillery DESIGN DIRECTOR JJ Hermes Gifter of Bibles ASSOCIATE Elizabeth Barksdale EDITORS Ryan B. Martinez D WRITING STAFF Kathryn Edwards Who is this hot Magdalenian mama beckoning me to her Bradley Jackson Fertile Crescent? Your lips, swollen with Passion, coax me into Chanice Jan Todd Mein the sizzling sinlessness of scripture. Did you spill some Holy John Roper Joel Siegel Water on your lap, or are you just anticipating the Rapture? Christie Young Press me against your virginal bosom so I can be DESIGN STAFF David Strauss born again, and again — and again! Christina Vara ADVERTISING Emily Coalson vital stats PUBLICITY Stan Babbitt Hobbies: Accepting missionary positions, being an open book, shopping at the Dress Barn, DISTRIBUTION Stephanie Bates “Bible”-beating, being on her knees WEBMASTER Mike Kantor ADMINISTRATIVE Erica Grundish Turn-ons: submission, “Dogma,” destruction of Sodom and Gomorrah, Abel SUPERVISOR Turn-offs: Getting off the high horse, abridging, “The DaVinci Code”, polytheism, birth ADMINISTRATIVE Leala Ansari control, Cain, lap dances, Darwin, the Pope-mobile ASSISTANTS Doug Cooper Jef Greilich Sara Kanewske meeting at busy intersections to play right-of-way • People running to class look funny and deserve to Lindsay Meeks games with speeding vehicles. be laughed at. Jill Morris Garrett Rowe • Overeager returning students will continue to • The 40 Acres Buses will be renamed “40- Toby Salinger like school enough for the both of you. Thousand Acres.” If they weren’t traveling 40,000 Ari Schulman around • Captain Clueless will attempt to charm you by acres, why else would they take so goddamn long Laura Schulman turning courteous small talk into a biographical and travel caravan-style? Eric Seufert discourse about himself. -
Edición Impresa
Sólo uno de cada diez aspirantes a un piso El primer diario que no se vende social lo conseguirá Divendres 16 DESEMBRE DEL 2005. ANY VI. NÚMERO 1378 Hay 300.000 personas inscritas para obtener uno de los 28.000 pisos que la Generalitat ofertaráendosaños.Las 42.000 viviendas sociales prometidas enestalegislaturaestarán El personal sanitari de Catalunya és víctima d’una agressió cada dos dies iniciadas, pero no acabadas. El Govern acusa al Ministerio de bloquear laVPO. 6 Les autoritats ho expliquen per la massificació i les deficiències del centres hospitalaris. 7 Los taxis de Barcelona aplicarán tutiplán el aumento de tarifa esta medianoche Será un 6,9% más caro. Costará 1,45 euros la ba- jada de bandera diurna y 1,55 la nocturna. 5 L’Ajuntament descarta definitivament unir els tramvies a través de la Diagonal El bus serà l’únic transport públic a la zona. 2 Los pensionistas recibirán en enero una paga de 132 euros por la subida del IPC Los precios subieron en noviembre un 0,2%. La tasa interanual se reduce una décima, hasta el 3,4%. 12 DATOS OFICIALES DEL ESTUDIO GENERAL DE MEDIOS (EGM), DICIEMBRE 2005 Todos los países de la UE rechazan en la cumbre el presupuesto de Blair Las tensas negociaciones, que se extendieron has- ta la madrugada, continúan hoy. 13 Un CURA contra la Iglesia Se estrena Lutero,una película alemana protagonizada por Joseph Fiennes (foto) que recrea la vida del Cae una banda que traía a cientos de rumanos y les pagaba dos euros al día sacerdote que fundó el protestantismo.Y Siete espadas, una de espadachines que llega desde China. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender
MA MAJOR RESEARCH PAPER The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse by Christina Bonner Supervised by Dr. Jennifer Brayton The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University -- York University Toronto, Ontario, Canada, 2010 © Christina Bonner 2010 I hereby declare that I am the sole author of this research paper. I authorize Ryerson University to lend this research paper to other institutions or individuals for the purpose of scholarly research. 7 / ChristinaLBonner I further authorize Ryerson University to reproduce this research paper by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. EMlstma Honner ii The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse Christina Bonner Master of Arts, Program in Communication and Culture Ryerson and York University 2010 Abstract: The goal of this Major Research paper is an exploration detailing how Canadian Electro-Pop artist Peaches Nisker transcends nonnative gender and sex politics through perfonnance and frames the female erotic experience in a way that not only disempowers heterosexuality but also provides a broader more inclusive sexual politics. Through this analysis I focus specifically on three distinct spheres; perfonnance, fandom and use of technology to argue that her critique of sexual conventions provides an cxpansive and transgressive new defmition of female sexuality. Musical perfonnances by female artists, particularly icons such as Madonna and Britney Spears, have demonstrated popular culture's inability to legitimize quecr and non compulsory heterosexual practices. -
The Seducer, the Free
FREE THE SEDUCER, THE PDF Madeline Hunter | 448 pages | 01 Oct 2003 | Bantam Doubleday Dell Publishing Group Inc | 9780553585896 | English | New York, United States The Seducers Series by Madeline Hunter Appearing in two volumes in under the pseudonymous editorship of Victor Eremita Latin for "victorious hermit"it outlines a theory of human existence, marked by the distinction between The Seducer essentially The Seducer, aesthetic mode of life and the ethical life, which is predicated upon commitment. Each life view is written and represented by a The Seducer pseudonymous author, with the prose of the work reflecting and depending on The Seducer life view being discussed. For example, the aesthetic life view is written in short essay form, with poetic imagery and allusionsdiscussing aesthetic the such as musicseductiondramaand beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibilitycritical reflectionand marriage. The book's central concern is the primal question asked by Aristotle"How should we live? The aesthetic is the personal, subjective realm of existence, where an individual lives and extracts pleasure from life only for The Seducer own sake. In this realm, one has the possibility of the highest as well as the lowest. The ethical, on the other hand, is the civic realm of existence, where The Seducer value and identity are judged and at times superseded by the objective The Seducer. In simple terms, one can choose either to remain oblivious to all that goes on in the world, or to become involved. More specifically, the ethic realm starts with a conscious effort to choose one's life, with a choice to choose. -
2019.11.29 WDR Bigband Funkhausorchester Und
PRESSEMITTEILUNG WDR Big Band & WDR Funkhausorchester und Chilly Gonzales zu Gast bei den Ruhrfestspielen 2020 Der Vorverkauf für die zwei hochkarätigen Musik-Acts im Ruhrfestspielhaus läuft. Wenn das WDR Funkhausorchester auf eine der weltbesten Big Bands, die WDR Big Band, trifft, ist musikalisch plötzlich alles möglich. Wenn dann auch noch der Komponist und Trompeter Markus Stockhausen seine Finger mit im Spiel hat, gibt es keine Genregrenzen mehr. Der WDR Jazz-Preisträger von 2005 fühlt sich nicht nur im Jazz, sondern auch in der zeitgenössischen und klassischen Musik, sowie im Dialog mit anderen Musikkulturen heimisch. Der Sohn des berühmten Komponisten Karlheinz Stockhausen, mit dem er viele Jahre auch künstlerisch erfolgreich zusammenarbeitete, zählt damit zu den vielseitigsten Künstler*innen der Musikszene Nordrhein-Westfalens. Sein umfangreiches Schaffen ist auf über 90 CD- Einspielungen dokumentiert. Einst als Auftragskomposition der Camerata Bern und des Swiss Jazz Orchestra an Stockhausen herangetragen, ist der 2020 im Ruhrfestspielhaus präsentierte Abend mit dem Titel „Tanzendes Licht“ eine Hommage an das Werk Paul Klees. Nachdem der Musiker den direkten Bezug zu Klees Bildern als unpassend empfand, sah er selbst ein Bild vor seinem inneren Auge, das er vertonen wollte – die meisten Menschen kennen es: man steht an einem großen Gewässer, einem See, oder am Meer, die Sonne senkt sich und man sieht eine Lichtstraße auf dem Wasser: abertausende kleine tanzende Lichtfunken. Dieses Bild hat für Stockhausen etwas von der ewigen Seelenwanderung, die Funken entstehen und sind blitzartig wieder verschwunden. Aber alle tanzenden Funken zusammen sind das Leben, voll impulsiver Kraft. Und so vertonte Markus Stockhausen für diesen Abend ein Meer von abertausenden Lichtfunken. -
Solo Piano Chilly Gonzales
Chilly Gonzales: Solo Piano Thursday, October 18, 2018 at 8:00pm Saturday, October 20, 2018 at 8:00pm These are the 867th and 869th concerts in Koerner Hall Chilly Gonzales, piano Stella Le Page, cello & vocals Joe Flory, drums & vocals Chilly Gonzales Chilly Gonzales, Grammy Award-winning Canadian pianist and entertainer currently living in Europe, is known as much for the intimate piano touch of best-selling albums Solo Piano I and Solo Piano II as for his showmanship and composition for award-winning stars. Gonzo, as he is known to close collaborators, aims to be a man of his time, approaching the piano with classical and jazz training but with the attitude of a rapper. Chilly Gonzales holds the Guinness world record for the longest solo concert at over 27 hours. He performs and writes songs with Jarvis Cocker, Feist, and Drake, among others. With “Never Stop,” he composed a global hit for the inaugural Apple iPad 2 campaign. In 2014, he won a Grammy for his collaboration on Daft Punk’s Best Album of the Year and composed the best-selling book of easy piano pieces, Re-Introduction Etudes. With his last album, Chambers, he devoted himself to finding a modern take on chamber music. 2018 sees the return of Chilly Gonzales to the stage with an intimate hour of pieces from the Solo Piano album cycle, after which he is joined by Stella Le Page on cello and Joe Flory on drums to perform hits and hidden surprises from the rest of his repertoire, interspersed with his unique playful explanations about how music works. -
Look at What the Light Did Now
Look at What the Light Did Now DER FEIST DOKUMENTATIONSFILM MIT MUSIKALISCHEN UND KÜNSTLERISCHEN PARTNERN ERSCHEINT AM 21. JANUAR 2011 (Santa Monica, …Diesen Herbst startet der Film Look at What the Light Did Now, eine Dokumentation über Feist und ihre musikalischen Partner – zu sehen in ausgewählten Kinos, Museen und auf Festivals. üalle diejenigen, die keine der Sondervorstellungen sehen können, erscheint am 21. Januar 2011 die komplette DVD mit vielen Extras; z. B. einer Reihe von Musikvideos, seltenen Live- und Archivaufnahmen und einer Bonus-CD mit 13 Songs. Die Dokumentation gewährt Einblicke in die kreativen Prozesse von Feist und in die Entstehungsgeschichte von The Reminder, mit Erzählungen über die Weltmeere, die sie überquert und die Orte, die sie besucht hat und über die Menschen, deren besondere Talente das Album erst zum Klingen brachten. Begleitet Feist und ihre Kollegen durch ein impressionistisch wirkendes Spektrum flimmernder Landschaften, donnernder Stadien, Puppen-Workshops, den roten Teppich, eine verfallene französische Villa, beeindruckende Liveauftritte und ungewöhnlich offene Interviews. "Look At What The Light Did Now" ist selbst ein Mosaikteilchen im Schaffensprozess, den es beschreibt und es beleuchtet das Zusammenspiel der gemeinschaftlichen Arbeit, die Kunst als Vergrößerungsglas und die Kraft von Vertrauen. Trailer : http://www.listentofeist.com/lawtldn Zusätzlich zu der Doku befinden sich auf der DVD zahlreiche Extras: fünf unbearbeitete Liveaufnahmen von der The Reminder-Tour, die jeweils in einer einzigen Einstellung und ohne Unterbrechung gefilmt wurden; Material von The Living Lantern – einem Auftritt im Cameron House in Toronto, der Teil einer ganzen Woche von Secret Shows an Schauplätzen aus ihren Anfangszeiten war; Archivmaterial von Feist und ihrem Produzenten Chilly Gonzales; eine Reihe von Kurzfilmen und eine Sammlung ihrer Musikvideos. -
Scarica Qui Il Numero Del Journal in Formato
DIGICULT Digital Art, Design & Culture Fondatore e Direttore: Marco Mancuso Comitato consultivo: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Editore: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Testata Editoriale registrata presso il Tribunale di Milano, numero N°240 of 10/04/06. ISSN Code: 2037-2256 Licenze: Creative Commons Attribuzione-NonCommerciale-NoDerivati - Creative Commons 2.5 Italy (CC BY-NC-ND 2.5) Stampato e distribuito tramite Peecho Sviluppo ePub e Pdf: Loretta Borrelli Cover design: Eva Scaini INDICE Valentina Tanni Evoluzione Maligna ...................................................................................................... 3 Alessandro Massobrio Live Ixem 06…un Resoconto ...................................................................................... 6 Silvia Bianchi Avit C23, Pixels Want To Be Trusted ......................................................................... 9 Marco Mancuso Motomichi Nakamura, Japanes Hasta La Madre .................................................. 12 Silvia Scaravaggi Daan Roosegaarde. Un mondo interattivo e sostenibile ..................................... 18 Miriam Petruzzelli No Signal: Musiche D’oltre Mare ............................................................................. 26 Marco Mancuso Ladytron, E’ Di Nuovo L’ora Delle Streghe ............................................................. 32 Silvia Bianchi John Duncan, La Musica Dell’invisibile .................................................................. -
Supreme Being LOS ANGELES 11.09.14
SCENE & HERD Supreme Being LOS ANGELES 11.09.14 Left: Jack Black with artist Steven Hull. Right: Steven Hull's Circus of Death installation. (Photos: Miriam Katz) “FUCK THIS VIP SHIT—I want some real California dick!” cried a braless Bridget Everett as she made her way toward the general admission section of the crowd. Everett eventually found an object for her affection, a masked dandy she nicknamed “Corky” (cause he was “Down’s-y in the eyes”), whom she cajoled into playing a grown-up game of airplane, bearing the weight of her significant frame right there in the middle of the stage. Soon enough she was motorboating Peaches (the musician, not the fruit), forcing a security guard’s head up her dress, and crooning gorgeously about lady parts of various shapes and sizes. The sun was still shining, but she was working on her night moves. FOMO abounded among the ten thousand attendees at the second annual Festival Supreme, a ten-hour comedy, music, and visual art event organized by Jack Black and Kyle Gass of Tenacious D. Many sported elaborate costumes as we navigated the fifty-plus live acts across four stages, as well as a fifty four-thousand-square-foot art installation, all in an early-twentieth-century Shriners temple located in downtown Los Angeles. The lineup was sick (Fred Armisen, Margaret Cho, Nick Kroll, to name a few), and as if that weren’t enough, special, surprise guests included Weird Al Yankovic, who shredded the Keytar with Tenacious D, and Zach Galifianakis, who starred, along with Orange Is the New Black’s Lauren Lapkus and Parks and Recreation’s Adam Scott, in a live rendition of Scott Aukerman’s podcast and IFC show Comedy Bang! Bang! The heart of the festival lay in its focus on comedy music, a seemingly puerile medium with surprisingly lofty potential. -
Ladytron 604 Album Rar Download Ladytron 604 Album Rar Download
ladytron 604 album rar download Ladytron 604 album rar download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Cloudflare Ray ID: 67aacb31f8cf05d0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Ladytron 604 album rar download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67aacb31e9984eb6 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Ladytron 604 album rar download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.