DOCSLIB.ORG

Cat Talogue E 47

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 47 October 2014 Item 375. The Hypaethral Temple at Philae, Called the Bed of Phharaoh. Tinted lithograph after David Roberts This catalogue is illustrated in full at www.groosvenorprints.com Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. The Booroom Slave. 'Isabella, or the Pot of Basil'.. Goodwin 205.II. Ex: H. Thomson, R.A., del / E. Finden sc. Pub. by R. Oettingen-Wallerstein collection. Ex Collection of the Ackermann, 1828. Hon. Christopher Lennox-Boyd. Steel engraving on india, sheet 110 x 75mm (4¼ x 3"). Stock: 34469 Trimmed inside platemark; creases. £65 Young slave kneeling in prayer, from an 1827 painting 5. Strephon & Myra.. O Myra, Why_ Are by Henry Thomson. This print was published in the you so shy!_Thou nature's best invention! [/] 'Forget Me Not' of 1828, where it was accompanied by Your Stephron sues, _Can you refuse_To yild a short story, 'The Booroom Slave', by the Sarah to his pretention. Bowditch, wife of African traveler Thomas Edward Published 26 Nov.r. 1795 by Laurie & Whittle, 53 Bowditch. Bowditch's story described the plight of Fleet Street London. Inna, an African chief's daughter abducted by slave Stipple. Sheet: 160 x 135mm, (6¼ x 5¼"). Trimmed to traders of Bowditch's story. The same image was pllate. £130 subsequently used as the frontispiece for the first Scene set within an oval in which a young man leans antislavery book published in the United States, Lydia over a reclining woman whille holding her face in his Maria Child's 'An Appeal in Favour of That Class of hands. Strephon is the name often given to the lover in Americans Called Africans'. The popularity of the paastoral verse, a genre which flourished during th 18th image can be seen from its later use in banners in other Century, while the name Myyrra is also a name of poetic abolitionist materials in the US. invention. The manner in which Strephon holds Myra Early state before text altered. For more information, and leans over her is slightlyy unsettling, which along see: Jo-Ann Morgan, 'Uncle Tom's Cabin as Visual with the verse beneath which lacks much of the Culture'; William Dillon Pierson, 'Black Legacy: idealism of pastoral poetry, serves perhaps, to satirise America's Hidden Heritage'; and particularly Jill the pastoral genre. Rappoport, 'Giving Women: Alliance and Exchange in Stock: 35103 Victorian Culture'. Stock: 34505 6. The Village Vanderer. Health sparkles in her sprightly eye. 2. Conventual Love. For the General Painted by S. Shelley. G. Zancon Sculp.t. Pub.d. Apr.l. Magazine. 1788. [n.d., c.1787.] Stipple, rare. Sheet: 110 x 175mm, (4¼ x 7"). Trimmed Stipple, printed in sanguine, scarce. Sheet 195 x within plate on right edge. Small pin holes in lower 120mm (7¾ x 4¾"). Trimmed into printed border. edge. Some surface dirt. £80 £130 A half portrait of the protagonist from a poem called A young man approaches a finely-dressed woman in an 'Wanderer, or the Village Maid'. Italianate cityscape. It was probably published in the Stock: 35105 'General Magazine and Impartial Review', published brtiefly in 1787 by Thomas Bellamy (1745-1800). Stock: 34964 3. Lavinia. The lovely young Lavinia once had friends. Thompson. Painted by S. Shelley. G. Zancon Sculpt. Publ.d. Apr.l. 1788. Stipple, rare. Plate: 110 x 150mm, (4¼ x 6"). Trimmed to plate on right edge. Pin holes in bottom edge. surface dirt. £120 Half-length portrait of a forlorn looking woman who holds some leaves, from Thompson's poem 'Autumn'. Stock: 35106 4. Lisabetta. Boccaccio, Giornata quarta, Novella V. Done from the Orginal in the Collection oof Mr. Reynolds. Fuerino pinx.t J. McArdell fecit. [n.d., c.1750.] Mezzotint. 330 x 230mm (13 x 9") £320 Lisabetta, a young woman in loose robes, her dead 7. [Arabesque Ornament.] lover's head in her right hand, a character from [Barthel Beham. Allaert Claesz.] [n.d., c.1530.] Boccaccio's 'Decameron'. After her brothers kill Engraving. Sheet: 25 x 75mm, (1 x 3"). Framed. Lorenzo he appears in Lisabetta's dreams, telling her Trimmed. Unexamined out of frame. £240 where his boody is buried. She moves his head to a pot Decorative item depicting seea monsters and a horned, of basil, which she painstakingly cares for until her winged creature. Hollstein 214. From Collection of brothers take it away, whereupon she wastes away. Christopher Mendez. Stock: 35189 John Keats used the story in his narrative poem, 8. Enlêvement of a Circassian. imaginative subjects. Ex: Coollection of the Late Hon. G.Hayter Pinxit et incidit Decr 17 1828 Paris. Bit C. Lennox-Boyd; Lennox-Booyyd 83.ii later. Stock: 35012 Etching with very large margins. 225 x 265mm (9 x 10½"). Slight creasing. £160 11. G. Stubbs, Animallium Pictor. The abduction of a Cicassian horse. Sir George Hayter P. Falconet del. 1769. D.P.Pariset Sculp. (1792 - 1871), portrait and history painter, son of the Stipple. 178 x 127mm (7 x 5"). Cut. £160 miniaturist Charles Hayter. He was appointed Queen George Stubbs (1724-1806), the British painter of Victoria's court portraitist in 1837. Ex: Collection of poortraits, animal pictures, herroic animal histories and the Hon. Christopher Lennox-Boyd. pooetical scenes of rural life. He is known primarily for Stock: 34968 his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' iin 1766. Stock: 34761 12. [Statue of 'Capitolline Gaul'] Statua del Gladiatir moribondo, chhe si conserva nel Museo Capitolino [...] Pietro Angeletti disegno / Andrea Rossi sculps. [n.d., c.1780] Engraving, platemark 370 x 5500mm (14½ x 19¾"). £320 Engraving of a wounded Gaul, after the famous sculpture in the Capitoline Museum, Rome. The statue was acquired for the museum in 1734 from the Ludovisi Sculpture Collection. Stock: 35217 9. Lion and Horse 13. Christmas Eve. J. Collett Pinx.t / R. Laurie fecit London. Printed for Eng. by G. Beyer. [n.d. c.1820.] Rob.t Sayer & John Bennett, Print & Mapseller, No. 53 Engraving on india with very large margins. Plate 246 in Fleet Street, as the Act Directs, 1st July 1774. x 165mm (9¾ x 6½"). £75 Mezzotint, sheet 455 x 555mm (18 x 21¾"). Trimmed A rural scene: inside a cottage where an elderly on platemark. Rare with artists' names (Lennox-Boyd). woman, child and mother sitt playing cards; a cat sat by £690 the elderly woman. The woman turns towards her Pastiche of Stubbs' horse and lion subjects, issued as a husband who reaches over her shoulder to look at her companion to Robert Sayers' reprint of Stubbs' 'Lioness card; mistletoe hangs from the ceiling above them. and Lion' by George Townley Stubbs. Lennox-Boyd Stock: 34783 (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view 14. England. to being engraved as a pair for the Stubbs print. Collet R. Corbould del. J. Chapman sc. London, Published as (c.1725-80) was a painter and prolific designer of the Act directs, Dec.r 1 1810. predominantlly humorous scenes for publishers to maakke Fine hand coloured aquatint. Sheet size: 270 x 210mm prints of. see Lennox-Boyd p.23. Rare in any state. (10½ x 8¼"). Trimmed inside platemark. £140 Stock: 35013 An allegorical female figure stands with a shield, spear and plumed helmet, holding a palm, looking to the left 10. The Frighten'd Horse From an Original at infants representing the fouur continents. Further left Picture by Mr. George Stubbs. is a sea-shore with a ship and fortress flying the French Geo.e Stubbs Pinx.t / Robert Laurie feciti London / flag behind. A lion is at her ffeet to the right, growling Published 20 June 1788 by Robert Sayer, No. 53, Fleet at three figures with staffs and a blazing torch. Street. Stock: 35081 Mezzotint, rare; sheet 460 x 560mm (18 x 22"). Trimmed to plate; several creases; laid on conservation 15. Magna Charta. Frrontispiece to tissue. Finished proof with title in open letters. Barnard's New & Compllete History of Damaged. £450 Horse and lion, after George Stubbs. Engraved by England. Explanation of this Elegant Plate. Robert Laurie as a replacement for a worn-out plate of History (emblematically representing the the same subject by Benjamin Green. Lennox-Boyd Author of this Work) attended by Wisdom & notes how in this plate 'the eye is drawn away from the Justice, presenting to Brriitannia the Manuscript central image of the horse by distracting virtuoso detail of This New History of England...for which this and unnatural highlighting'. kingdom has been so lonng conspicuous, are also Stubbs (1724-1806), established his reputation mostly alluded to in the various Emblematic Figures. on portraits of horses and dogs, although he also Hamilton delin. Pollard sculp. [n.d. c.1780.] painted human portraits, conversation pieces and Engraving. Plate 311 x 213mm (12¼ x 8½") Some A man and woman embracing, from a painting staining to lower edge. £85 attributed to Giorgione. Frontispiece allegory with History, Wisdom and From "Schola ItI alica Picturae sive Selectae Quaedam Justice presennting the History to Britannia. Summorum e Schola Italica Pictorum Tabulae Aere Stock: 34707 Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates. 16. The 14th February.
Recommended publications
  • 1 Aesthetic Judgment and the Transcultural Apprehension Of

    1 Aesthetic Judgment and the Transcultural Apprehension Of

    Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability, ed. Jennifer McMahon, London and New York: Routledge, 2018, pp. 161-179. Aesthetic Judgment and the Transcultural Apprehension of Material Things Ivan Gaskell Abstract: This paper is an attempt to examine aspects of the consequences of the transfer of individual culturally charged material items (principally artefacts) between societies that have different cultural values. This is an especially urgent matter, epistemologically, aesthetically, and ethically, when the societies concerned are likely to develop or are already in an unequal power relationship. One pressing set of circumstances in which individual material items changed hands was the expansion of European (in the extended sense) interests in the sixteenth through twentieth centuries. Many of the things acquired by Europeans entered collections initially or eventually devoted to the emerging field of ethnography. In this paper I claim that when an object moves from one society to another, one or more of three attitudes is in play, each of which involves aesthetic judgment: (1) supersession: the new users employ and interpret it solely on their own terms without regard to the uses and interpretations of its earlier users, either oblivious to those earlier uses, or purposefully to expunge them; (2) assumption: the new users discern familiar characteristics that they value, including aesthetic characteristics, and that they assume earlier users also discerned and valued; (3) translation: the new users attempt to learn the terms of use, interpretation and value of the earlier users by means of cultural acquisition and translation, acknowledging that these may differ from their own wholly or in part, but in the belief that their acquisition will bring them advantages.
  • 'Classification' of the Late Eighteenth Century Pacific

    'Classification' of the Late Eighteenth Century Pacific

    Empirical Power, Imperial Science: Science, Empire, and the ‘Classification’ of the Late Eighteenth Century Pacific A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Arts in History University of Saskatchewan Saskatoon By Justin Wyatt Voogel Ó Copyright Justin Wyatt Voogel, September 2017 All Rights Reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of History Arts and Science Admin Commons Room 522, Arts Building University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada i Abstract The Pacific of the mid eighteenth century was far removed from what it would become by the first decade of the nineteenth.
  • Captain Bligh's Second Voyage to the South Sea

    Captain Bligh's Second Voyage to the South Sea

    Captain Bligh's Second Voyage to the South Sea By Ida Lee Captain Bligh's Second Voyage To The South Sea CHAPTER I. THE SHIPS LEAVE ENGLAND. On Wednesday, August 3rd, 1791, Captain Bligh left England for the second time in search of the breadfruit. The "Providence" and the "Assistant" sailed from Spithead in fine weather, the wind being fair and the sea calm. As they passed down the Channel the Portland Lights were visible on the 4th, and on the following day the land about the Start. Here an English frigate standing after them proved to be H.M.S. "Winchelsea" bound for Plymouth, and those on board the "Providence" and "Assistant" sent off their last shore letters by the King's ship. A strange sail was sighted on the 9th which soon afterwards hoisted Dutch colours, and on the loth a Swedish brig passed them on her way from Alicante to Gothenburg. Black clouds hung above the horizon throughout the next day threatening a storm which burst over the ships on the 12th, with thunder and very vivid lightning. When it had abated a spell of fine weather set in and good progress was made by both vessels. Another ship was seen on the 15th, and after the "Providence" had fired a gun to bring her to, was found to be a Portuguese schooner making for Cork. On this day "to encourage the people to be alert in executing their duty and to keep them in good health," Captain Bligh ordered them "to keep three watches, but the master himself to keep none so as to be ready for all calls".
  • Memoirs of Hydrography

    Memoirs of Hydrography

    MEMOIRS 07 HYDROGRAPHY INCLUDING Brief Biographies of the Principal Officers who have Served in H.M. NAVAL SURVEYING SERVICE BETWEEN THE YEARS 1750 and 1885 COMPILED BY COMMANDER L. S. DAWSON, R.N. I 1s t tw o PARTS. P a r t II.—1830 t o 1885. EASTBOURNE: HENRY W. KEAY, THE “ IMPERIAL LIBRARY.” iI i / PREF A CE. N the compilation of Part II. of the Memoirs of Hydrography, the endeavour has been to give the services of the many excellent surveying I officers of the late Indian Navy, equal prominence with those of the Royal Navy. Except in the geographical abridgment, under the heading of “ Progress of Martne Surveys” attached to the Memoirs of the various Hydrographers, the personal services of officers still on the Active List, and employed in the surveying service of the Royal Navy, have not been alluded to ; thereby the lines of official etiquette will not have been over-stepped. L. S. D. January , 1885. CONTENTS OF PART II ♦ CHAPTER I. Beaufort, Progress 1829 to 1854, Fitzroy, Belcher, Graves, Raper, Blackwood, Barrai, Arlett, Frazer, Owen Stanley, J. L. Stokes, Sulivan, Berard, Collinson, Lloyd, Otter, Kellett, La Place, Schubert, Haines,' Nolloth, Brock, Spratt, C. G. Robinson, Sheringham, Williams, Becher, Bate, Church, Powell, E. J. Bedford, Elwon, Ethersey, Carless, G. A. Bedford, James Wood, Wolfe, Balleny, Wilkes, W. Allen, Maury, Miles, Mooney, R. B. Beechey, P. Shortland, Yule, Lord, Burdwood, Dayman, Drury, Barrow, Christopher, John Wood, Harding, Kortright, Johnson, Du Petit Thouars, Lawrance, Klint, W. Smyth, Dunsterville, Cox, F. W. L. Thomas, Biddlecombe, Gordon, Bird Allen, Curtis, Edye, F.
  • The Story of HMS Pandora

    The Story of HMS Pandora

    The Pandora Story Although reasonably successful in her challenging mission— capturing 14 of the 25 Bounty mutineers in Tahiti—HMS Pandora came to grief on the Great Barrier Reef. She was hulled on what’s now known as Pandora Reef, and sank in 30 metres of water, 120 km east of Cape York. Many died—crew and prisoners alike. But there were many more amazing feats of survival and seamanship. In this section, we explore the events surrounding the Pandora’s final voyage … Oswald Brett's impression of the Pandora's last moments afloat. Captain Bligh's remarkable story of survival The Bounty mutineers set Captain William Bligh adrift with 18 men in an eight-metre, two-masted launch. He had been allowed to take some navigational equipment and papers, and enough food to last for five days. The 19 castaways tried to supplement their rations with food from Tofua. All but one escaped with their lives following an attack by hostile Tofuans. Fearing to make another landfall, Bligh decided to head straight for Timor-about 3600 (nautical) miles (about 6480 km) away. "We had no relief with the day save its light. The sea was constantly breaking over us and kept two persons bailing, and we had no choice how to steer for we were obliged to keep before the waves to avoid filling the boat." Dodd Bounty (Bligh's journal entry for 14 May 1789) The cold and wet conditions in the launch were agonising. The exhausted men bailed constantly. What little food they had quickly became wet and almost inedible.
  • The Botanist

    The Botanist

    asian diasporic visual cultures and the americas 1 (2015) 179-183 brill.com/adva The Botanist Alexander Lee Guest Artist Lecturer, Centre des Métiers d’Art de Polynésie Française, Tahiti [email protected] The Botanist is a new series of works where I revisit the theme of the uru (breadfruit), continuing my investigation into the cultural narratives of the island of Tahiti, where I grew up. The breadfruit tree and its leaves appeared to me as a subject as I was raking leaves in my hometown of Mahina (Tahiti), a meditative gesture I have been accustomed to since my childhood: the sound of the metal rake on moist earth, the cracking of dried leaves under the towering trees, and finally the fire to dispose of it all and ward off mosquitoes and evil spirits. It was all there. There is a Tahitian legend that tells the story of Rua-ta’ata, a man who trans- formed his body into a breadfruit tree in order to save his family from famine. As a child I was fascinated by the images this legend conjured: the transforma- tion of Rua-ta’ata’s body into a tree trunk, his arms into branches, hands into leaves, and his head into a fruit to be eaten by his own wife and children. It is fantastical, cannibalistic, sensual, almost biblical, and talks about survival, sac- rifice, and perenniality. Gilles Deleuze wrote about the concept of “becoming animal” and in this case, I wondered how one could become vegetal. Uru also has a colonial history. On his first voyage of discovery, James Cook landed in Matavai Bay—in the district of Mahina—with the mission to follow the Transit of Venus.
  • CHESHIRE RECORD OFFICE Reels M845 – M847

    CHESHIRE RECORD OFFICE Reels M845 – M847

    AUSTRALIAN JOINT COPYING PROJECT CHESHIRE RECORD OFFICE Reels M845 – M847 Cheshire Record Office Duke Street Chester Cheshire CH1 1RL National Library of Australia State Library of New South Wales Filmed: 1971 CHESHIRE RECORD OFFICE ZQ CHESTER QUARTER SESSIONS Reel M845 Orders by Quarter Sessions and Chester Sessions for transportation of convicts, 1803-29 Orders from the Clerk of the Peace or the clerk of the Crown to the constable of Chester castle, the Sheriff of the County of Chester and the Justices of the Peace of the County of Chester stating that the convicts named were to be transported to New South Wales. 4 bundles: 1803-18, 1821-22, 1825-26, 1829 Orders by the Secretary of State for transportation of convicts to the hulks, 1802-40 Orders signed by the Home Secretary to the Sheriff of the County of Chester directing that convicts in Chester Gaol under sentence of transportation be transferred to the hulks. The convicts are named in the margin of the orders. The hulks were at Portsmouth, Langstone Harbour, Woolwich or Chatham. 4 bundles: 1802-21, 1822-29, 1831-35, 1836-40 Reel M846 Reports and returns of convicts transported and under sentence of transportation, 1802-56 The records comprise receipts for convicts from Chester received on board the hulks, lists of convicts despatched from Chester Gaol with details of their physical appearance, age, occupation, character and behaviour, copies of surgeons’ certificates, and returns of convicts at Chester Gaol under sentence of transportation. 6 bundles: 1802-6, 1810-18, 1819-21, 1822-27, 1835-36, 1843-56 Circulars and correspondence on the transportation of convicts, 1802-51 Correspondence between the Home Office and the Sheriff of Chester concerning individual convicts, requesting returns of convicts, or financial matters.
  • THE BRITISH LIBRARY Pacific Journals and Logs, 1664-1833 Reels M1559-74

    THE BRITISH LIBRARY Pacific Journals and Logs, 1664-1833 Reels M1559-74

    AUSTRALIAN JOINT COPYING PROJECT THE BRITISH LIBRARY Pacific journals and logs, 1664-1833 Reels M1559-74 The British Library Great Russell Street London WC1B 3DG National Library of Australia State Library of New South Wales Filmed: 1982 CONTENTS Page 3 Bartholomew Verwey, 1664-67 3 Samuel Wallis, HMS Dolphin, 1766-67 3 HMS Endeavour, 1768-71 4 Tobias Furneaux, HMS Adventure, 1772-73 4 William Hodges, HMS Resolution, 1772-75 5 Charles Clerke, HMS Resolution, 1772-75 5 James Burney, HMS Resolution, 1776-78 6 Thomas Edgar, HMS Discovery, 1776-78 6 Joseph Woodcock, King George, 1786-87 6 William Broughton, HMS Chatham, 1791-93 7 Philip Puget, HMS Chatham, 1793-95 8 Archibald Menzies, HMS Discovery, 1790-94 9 James Colnett, Rattler, 1793-94 9 George Peard, HMS Blossom, 1825-28 9 John Biscoe, Tula, 1830-33 10 John Price, Minerva, 1798-1800 Note: The following Pacific journals held in the British Library were also filmed by the Australian Joint Coping Project: M1557 Hernando Gallego, Los Reyes, 1567-69 M1558 Abel Tasman, Heemskerck and Zeehan, 1642-43 M1580-82 James Cook, HMS Endeavour and HMS Resolution, 1770-79 M1580-83 David Samwell, HMS Resolution and HMS Discovery, 1776-79 2 BRITISH LIBRARY Pacific journals and logs, 1664-1833 Reel M1559 Add. MS 8948 Journal of Bartholomew Verwey, 1664-67. (136 ff.) Journal (in Dutch) kept by Bartholomew Verwey, vice-commodore of a fleet of twelve ships, fitted out by the Governor and Council of the East Indies and sent in 1664, 1665, 1666 and 1667 to Formosa and the coasts of China .
  • Pacific Voyages

    Pacific Voyages

    PAcific voyAges Peter Harrington london Peter Harrington 1 We are exhibiting at these fairs: 12 –14 July 2019 melbourne Melbourne Rare Book Fair Wilson Hall, University of Melbourne www.rarebookfair.com 7–8 September brooklyn Brooklyn Expo Center 72 Noble St, Brooklyn, NY 11222 www.brooklynbookfair.com 3–6 October frieze masters Regent’s Park, London www.frieze.com/fairs/frieze-masters 5–6 October los angeles Rare Books LAX Proud Bird 11022 Aviation Blvd Los Angeles, CA https://rarebooksla.com 12–13 October seattle Seattle Antiquarian Book Fair 299 Mercer St, Seattle, WA www.seattlebookfair.com 2–3 November chelsea (aba) Chelsea Old Town Hall King’s Road, London sw3 5ee www.chelseabookfair.com 15–17 November boston Hynes Convention Center 900 Boylston St, Boston, MA 02115 http://bostonbookfair.com 22–24 November hong kong China in Print Hong Kong Maritime Museum Central Pier No. 8 www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London sw19 7jy. Registered in England and Wales No: 3609982 Cover illustration from Louis Choris, Vues et paysages des régions équinoxiales, item 67. Design: Nigel Bents. Photography: Ruth Segarra. Peter Harrington 1969 london 2019 catalogue 154 PACIFIC VOYAGES mayfair chelsea Peter Harrington Peter Harrington 43 dover street 100 FulHam road london w1s 4FF london sw3 6Hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 PACIFIC VOYAGES Earlier this year we took a trip to the South Maui home of Cook’s last voyage (1784), inscribed from Cook’s ex- of the legendary book dealer Louis (Lou) Weinstein, for- ecutors to Captain William Christopher, a distinguished merly of Heritage Book Shop Inc.
  • TAHITI NUI Tu-Nui-Ae-I-Te-Atua

    TAHITI NUI Tu-Nui-Ae-I-Te-Atua

    TAHITI NUI Tu-nui-ae-i-te-atua. Pomare I (1802). ii TAHITI NUI Change and Survival in French Polynesia 1767–1945 COLIN NEWBURY THE UNIVERSITY PRESS OF HAWAII HONOLULU Open Access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the author. Derivative works and commercial uses require per- mission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824880323 (PDF) 9780824880330 (EPUB) This version created: 17 May, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. Copyright © 1980 by The University Press of Hawaii All rights reserved. For Father Patrick O’Reilly, Bibliographer of the Pacific CONTENTS Dedication vi Illustrations ix Tables x Preface xi Chapter 1 THE MARKET AT MATAVAI BAY 1 The Terms of Trade 3 Territorial Politics 14 Chapter 2 THE EVANGELICAL IMPACT 31 Revelation and Revolution 33 New Institutions 44 Churches and Chiefs 56 Chapter 3 THE MARKET EXPANDED 68 The Middlemen 72 The Catholic Challenge 87 Chapter 4 OCCUPATION AND RESISTANCE 94 Governor Bruat’s War 105 Governor Lavaud’s
  • Downloaded From

    Downloaded From

    H. Claessen The merry maidens of Matavai; A survey of the views of eighteenth-century participant observers and moralists In: Bijdragen tot de Taal-, Land- en Volkenkunde 153 (1997), no: 2, Leiden, 183-210 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/05/2021 07:28:06PM via free access HENRI J.M. CLAESSEN The Merry Maidens of Matavai A Survey of the Views of Eighteenth-Century Participant Observers and Moralists Introduction After the discovery of Tahiti in 1767, the notion of 'paradise regained' and the idea of the 'noble savage' pervaded publications on Polynesia for quite some time. The enthusiasm of the French explorers found an outlet in scholarly reports as well as in more popular descriptions. Nowadays these ideas are still very much alive in popular Hollywood films and in the language of tour operators trying to induce people to visit Polynesia. How did this enthusiasm come about? Where did the rosy picture of Polynesia and the Polynesians originate? Did it spring from the relief which the eighteenth-century sailors must have felt when they finally reached a group of beautiful islands inhabited by hospitable people after a long and hazardous voyage? Should we look for an explanation in the views of French moralists and philosophers like Jean Jacques Rousseau? Or did the visitors indeed experience a touch of paradise in the arms of the merry maidens of Matavai - and other islands? Matavai Bay, the main port of call for eighteenth- and nineteenth-century visitors to Tahiti, became famous for the numerous sexual encounters that took place here between European sailors and Tahitian girls.
  • Undiscovery: Captain James Cook's Final Letter to His Wife, Elizabeth. A

    Undiscovery: Captain James Cook's Final Letter to His Wife, Elizabeth. A

    Plymouth University Faculty of Arts and Humanities Undiscovery: Captain James Cook’s final letter to his wife, Elizabeth A Forgery David Chaplin Dissertation presented for the degree of Bachelor of Arts, English and Creative Writing School of Humanities and Performing Arts 5th May 2015 Table of Contents Page No. Contextual Introduction 1 Creative Project 17 Notes on the Text 46 Appendices 58 Bibliography 66 List of Illustrations Page No. James Cook by John Webber (1776) 22 http://www.captaincooksociety.com/home/detail/225-years-ago-october-december- 1776 Kahourah by John Webber (1777) 26 http://www.teara.govt.nz/en/artwork/549/kahura Map of the North Pacific by Jacob von Storcksburg Stahlin (1773) 40 http://vilda.alaska.edu/cdm/singleitem/collection/cdmg11/id/10443/rec/1 Map of Cook’s route around Hawaii 62 (Thomas, N. (2003), p.427) Undiscovery by David P Chaplin Introduction ‘We are not the masks we wear, But if we put them on, Do we not become them?’ (Andromeda, dir. Jorge Montesi, 2000) This introduction to my dissertation is in four sections, divided as follows: my intentions, my critically related texts and my process of composition. It will conclude with a critique of my creative writing. The creative writing element of my dissertation is a fictitious or ‘forged’ version of Captain James Cook’s final serial letter to his wife, which somehow avoided the fate of his other correspondence to her.1 I do not seek to judge, chart, measure or quantify Cook’s character, instead this is a deliberate forgery of an intimate correspondence from a man who left no private signs of himself.