Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN

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Dealers in Antique Prints & Books

Catalogue 47 October 2014

Item 375. The Hypaethral Temple at Philae, Called the Bed of Phharaoh. Tinted lithograph after David Roberts

This catalogue is illustrated in full at www.groosvenorprints.com

Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. The Booroom Slave. 'Isabella, or the Pot of Basil'.. Goodwin 205.II. Ex: H. Thomson, R.A., del / E. Finden sc. Pub. by R. Oettingen-Wallerstein collection. Ex Collection of the Ackermann, 1828. Hon. Christopher Lennox-Boyd. Steel engraving on india, sheet 110 x 75mm (4¼ x 3"). Stock: 34469 Trimmed inside platemark; creases. £65 Young slave kneeling in prayer, from an 1827 painting 5. Strephon & Myra.. O Myra, Why_ Are by Henry Thomson. This print was published in the you so shy!_Thou nature's best invention! [/] 'Forget Me Not' of 1828, where it was accompanied by Your Stephron sues, _Can you refuse_To yild a short story, 'The Booroom Slave', by the Sarah to his pretention. Bowditch, wife of African traveler Thomas Edward Published 26 Nov.r. 1795 by Laurie & Whittle, 53 Bowditch. Bowditch's story described the plight of Fleet Street London. Inna, an African chief's daughter abducted by slave Stipple. Sheet: 160 x 135mm, (6¼ x 5¼"). Trimmed to traders of Bowditch's story. The same image was pllate. £130 subsequently used as the frontispiece for the first Scene set within an oval in which a young man leans antislavery book published in the United States, Lydia over a reclining woman whille holding her face in his Maria Child's 'An Appeal in Favour of That Class of hands. Strephon is the name often given to the lover in Americans Called Africans'. The popularity of the paastoral verse, a genre which flourished during th 18th image can be seen from its later use in banners in other Century, while the name Myyrra is also a name of poetic abolitionist materials in the US. invention. The manner in which Strephon holds Myra Early state before text altered. For more information, and leans over her is slightlyy unsettling, which along see: Jo-Ann Morgan, 'Uncle Tom's Cabin as Visual with the verse beneath which lacks much of the Culture'; William Dillon Pierson, 'Black Legacy: idealism of pastoral poetry, serves perhaps, to satirise America's Hidden Heritage'; and particularly Jill the pastoral genre. Rappoport, 'Giving Women: Alliance and Exchange in Stock: 35103 Victorian Culture'. Stock: 34505 6. The Village Vanderer. Health sparkles

in her sprightly eye. 2. Conventual Love. For the General Painted by S. Shelley. G. Zancon Sculp.t. Pub.d. Apr.l. Magazine. 1788. [n.d., c.1787.] Stipple, rare. Sheet: 110 x 175mm, (4¼ x 7"). Trimmed Stipple, printed in sanguine, scarce. Sheet 195 x within plate on right edge. Small pin holes in lower 120mm (7¾ x 4¾"). Trimmed into printed border. edge. Some surface dirt. £80 £130 A half portrait of the protagonist from a poem called A young man approaches a finely-dressed woman in an 'Wanderer, or the Village Maid'. Italianate cityscape. It was probably published in the Stock: 35105 'General Magazine and Impartial Review', published brtiefly in 1787 by Thomas Bellamy (1745-1800). Stock: 34964

3. Lavinia. The lovely young Lavinia once had friends. Thompson. Painted by S. Shelley. G. Zancon Sculpt. Publ.d. Apr.l. 1788. Stipple, rare. Plate: 110 x 150mm, (4¼ x 6"). Trimmed to plate on right edge. Pin holes in bottom edge. surface dirt. £120 Half-length portrait of a forlorn looking woman who holds some leaves, from Thompson's poem 'Autumn'. Stock: 35106

4. Lisabetta. Boccaccio, Giornata quarta, Novella V. Done from the Orginal in the Collection oof Mr. Reynolds. Fuerino pinx.t J. McArdell fecit. [n.d., c.1750.] Mezzotint. 330 x 230mm (13 x 9") £320 Lisabetta, a young woman in loose robes, her dead 7. [Arabesque Ornament.] lover's head in her right hand, a character from [Barthel Beham. Allaert Claesz.] [n.d., c.1530.] Boccaccio's 'Decameron'. After her brothers kill Engraving. Sheet: 25 x 75mm, (1 x 3"). Framed. Lorenzo he appears in Lisabetta's dreams, telling her Trimmed. Unexamined out of frame. £240 where his boody is buried. She moves his head to a pot Decorative item depicting seea monsters and a horned, of basil, which she painstakingly cares for until her winged creature. Hollstein 214. From Collection of brothers take it away, whereupon she wastes away. Christopher Mendez. Stock: 35189 John Keats used the story in his narrative poem,

8. Enlêvement of a Circassian. imaginative subjects. Ex: Coollection of the Late Hon. G.Hayter Pinxit et incidit Decr 17 1828 Paris. Bit C. Lennox-Boyd; Lennox-Booyyd 83.ii later. Stock: 35012 Etching with very large margins. 225 x 265mm (9 x 10½"). Slight creasing. £160 11. G. Stubbs, Animallium Pictor. The abduction of a Cicassian horse. Sir George Hayter P. Falconet del. 1769. D.P.Pariset Sculp. (1792 - 1871), portrait and history painter, son of the Stipple. 178 x 127mm (7 x 5"). Cut. £160 miniaturist Charles Hayter. He was appointed Queen George Stubbs (1724-1806), the British painter of Victoria's court portraitist in 1837. Ex: Collection of poortraits, animal pictures, herroic animal histories and the Hon. Christopher Lennox-Boyd. pooetical scenes of rural life. He is known primarily for Stock: 34968 his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' iin 1766. Stock: 34761

12. [Statue of 'Capitolline Gaul'] Statua del Gladiatir moribondo, chhe si conserva nel Museo Capitolino [...] Pietro Angeletti disegno / Andrea Rossi sculps. [n.d., c.1780] Engraving, platemark 370 x 5500mm (14½ x 19¾"). £320 Engraving of a wounded Gaul, after the famous sculpture in the Capitoline Museum, Rome. The statue was acquired for the museum in 1734 from the Ludovisi Sculpture Collection. Stock: 35217

9. Lion and Horse 13. Christmas Eve. J. Collett Pinx.t / R. Laurie fecit London. Printed for Eng. by G. Beyer. [n.d. c.1820.] Rob.t Sayer & John Bennett, Print & Mapseller, No. 53 Engraving on india with very large margins. Plate 246 in Fleet Street, as the Act Directs, 1st July 1774. x 165mm (9¾ x 6½"). £75 Mezzotint, sheet 455 x 555mm (18 x 21¾"). Trimmed A rural scene: inside a cottage where an elderly on platemark. Rare with artists' names (Lennox-Boyd). woman, child and mother sitt playing cards; a cat sat by £690 the elderly woman. The woman turns towards her Pastiche of Stubbs' horse and lion subjects, issued as a husband who reaches over her shoulder to look at her companion to Robert Sayers' reprint of Stubbs' 'Lioness card; mistletoe hangs from the ceiling above them. and Lion' by George Townley Stubbs. Lennox-Boyd Stock: 34783 (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view 14. England. to being engraved as a pair for the Stubbs print. Collet R. Corbould del. J. Chapman sc. London, Published as (c.1725-80) was a painter and prolific designer of the Act directs, Dec.r 1 1810. predominantlly humorous scenes for publishers to maakke Fine hand coloured aquatint. Sheet size: 270 x 210mm prints of. see Lennox-Boyd p.23. Rare in any state. (10½ x 8¼"). Trimmed inside platemark. £140 Stock: 35013 An allegorical female figure stands with a shield, spear and plumed helmet, holding a palm, looking to the left 10. The Frighten'd Horse From an Original at infants representing the fouur continents. Further left Picture by Mr. George Stubbs. is a sea-shore with a ship and fortress flying the French Geo.e Stubbs Pinx.t / Robert Laurie feciti London / flag behind. A lion is at her ffeet to the right, growling Published 20 June 1788 by Robert Sayer, No. 53, Fleet at three figures with staffs and a blazing torch. Street. Stock: 35081 Mezzotint, rare; sheet 460 x 560mm (18 x 22"). Trimmed to plate; several creases; laid on conservation 15. Magna Charta. Frrontispiece to tissue. Finished proof with title in open letters. Barnard's New & Compllete History of Damaged. £450 Horse and lion, after George Stubbs. Engraved by England. Explanation of this Elegant Plate. Robert Laurie as a replacement for a worn-out plate of History (emblematically representing the the same subject by Benjamin Green. Lennox-Boyd Author of this Work) attended by Wisdom & notes how in this plate 'the eye is drawn away from the Justice, presenting to Brriitannia the Manuscript central image of the horse by distracting virtuoso detail of This New History of England...for which this and unnatural highlighting'. kingdom has been so lonng conspicuous, are also Stubbs (1724-1806), established his reputation mostly alluded to in the various Emblematic Figures. on portraits of horses and dogs, although he also Hamilton delin. Pollard sculp. [n.d. c.1780.] painted human portraits, conversation pieces and Engraving. Plate 311 x 213mm (12¼ x 8½") Some A man and woman embracing, from a painting staining to lower edge. £85 attributed to Giorgione. Frontispiece allegory with History, Wisdom and From "Schola ItI alica Picturae sive Selectae Quaedam Justice presennting the History to Britannia. Summorum e Schola Italica Pictorum Tabulae Aere Stock: 34707 Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates. 16. The 14th February. Stock: 35211 G. B. O'Neill. [n.d, c.1872]. Etching with very large margins. Laid, on India. Plate: 20. Nuptiae Meleagri et Atalantae. 14. 150 x 205mm, (6 x 8"). Some foxing around the edges. Polidoro pinxit. Camillo Tintti sculpsit Romae 1772. £140 Romae in Hortis Marchionis del Bufalo. Scene in a country cottage in which two girls reach up Engraving with small margins, plate 241 x 317mm (9½ to a post man, waiting to see if they have received anny x 12½"). Glued to backing sheet. £160 valentines. A young boy reaches into the postman's The marriage of Meleagar and Atalanta, after the satchel and an older woman reads her valentine behind paainting by Polidoro da Caravaggio on the facade of a door. From 'Etchings for the Art Union of London by the demolished Ninfeo in the Palazzo Bufalo the Etching Club' 1782. Cancellieri, taken down in 1885 and now in the Museo Stock: 35111 di Roma. From "Schola Italica Picturae sive Selectae Quaedam 17. Apolllo et Silenus. Romae ex Tabula in Summorum e Schola Italica Pictorum Tabulae Aere Adibus Lancellotti, Incisae Cura et Impensis Gavini Hamilton Pictoris", a Hann. Carracci pinxit / Dom. Cunego sculpsit Romae series of forty plates. 1770 Stock: 35210 Engraving, platemark 240 x 400mm (9½ x 15¾"). Uncut sheet; later impression on wove paper. £220 Allegory of Providence, after the painting (1604-5)by Bolognese painter Ludovico Carracci. When this print was made in 1772, the painting was already in Rome''s Capitoline Picture Gallery, one of the world's first public galleries, where it can still be seen today. From "Scholla Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates. Stock: 35216

21. Meleagar et Atalanta. 12. 18. [Allegory of Divine Providence.] Giulio Romano delin. Franc. Lonsing. sculpsit. 1772. Providentia / Providit ille maximus Mundi Romae in Aedibus Burghesianis existens. Parens, Cum tam rapaces cerneret Fati minas, Engraving with very large margins. Plate 280 x 490mm Ut damna semper sobole repararet nova. Sen. (11 x 19¼"). Uncut. £220 Hipp. / E Tabula Romae in Capitolio affervata The hunt for the Calydonian Boar; at the centre of a Lud. Caracci pinxit. / Domenicus Cunego sculpsit paastoral landscape, Meleagarr drives a spear into the Romae 1772/ mouth of the dangerous wild boar, laid upon by hounds Engraving, platemark 420 x 300mm (16½ x 11¾"). after he brought it down. To the left stands Atalanta Uncut sheet; later impression on wove paper. £160 pooisted to shoot another arrooww; to the right, their fellow After a panel by Annibale Carracci now in the National heroic hunters raise their lancces, also poised to strike Gallery, London. The work, now believed to represent the boar. Marsyas (who was flayed by Apollo after losing a After Giulio Romano (?1499-1546), painter and musical conttest against him) and Olympus. It was architect trained by Raphael.. made as a lid for a musical instrument, and is one of From "Schola Italica Picturae sive Selectae Quaedam three such panels in the National Gallery collection. Summorum e Schola Italica Pictorum Tabulae Aere From "Scholla Italica Picturae sive Selectae Quaedam Incisae Cura et Impensis Gavini Hamilton Pictoris", a Summorum e Schola Italica Pictorum Tabulae Aere series of forty plates. Incisae Cura et Impensis Gavini Hamilton Pictoris", a Stock: 35215 series of forty plates. Stock: 35214 22. [The Birth of St. Joohn the Baptist] Nativitas Sancti Johanniis Baptiste. 28. 19. [Man and Woman Embracing.] 20. Ludovius Caracci pinxit. Domenicus Cunego sculpsit Giorgione pinnxit. Dom. Cunego sculpsit 1773. Ex Romae 1769. Londini ex Tabula apud Comitem de Tabula Romae in Aedibus Burghesianis asservata. Ossory asservata. Engraving with small margins, plate 246 x 172mm (9¾ Engraving, very large margins, platemark 285 x x 6¾"). Glued to backing sheet. £120 394mm (11¼ x 15½"). Late iimpression on wove paper. Uncut. £160 The birth of St John the Baptist who is held in his Stock: 35051 mother's arms at centre., after Ludovico Carracci. From "Scholla Italica Picturae sive Selectae Quaedam 26. The Misletoe or Christmas Gambols. Summorum e Schola Italica Pictorum Tabulae Aere Whilst Romp loving Misss is haul'd about [/] Incisae Cura et Impensis Gavini Hamilton Pictoris", a With gallantry robust. Vide Milton. series of forty plates. Design'd by Edw.d Penny R..A. London Pub'd 1 May Stock: 35213 1796, by G. T. Stubbs, at the Turf Gallery, Conduit Street, & at 97. High Street Marylebone. Stipple with small margins. Platemark: 240 x 175mm (9¾ x 7"). Trimmed to plate.. Small tear in lower left edge. £160 An interior view of a hall witth young couples dancing. A man in the is centre holding a girl off the ground under a bunch of mistletoe, whilst another couple dance by a large fire place to the right, and a man carries a woman on his back to the left. In the baackground, a couple can be seen kissing. A line of verse is inscribed below the title, however, the attribution to Milton appears to be incorrect. The line is from 'The Seasons', 1792, by the Scottish poet James Thomson. Stock: 35098

23. The Lion and Horse, from Stubbs. 27. Sappho. G. Stubbs pinx.t. W. Nicholls sculp.t. [Pub.d by A. Kauffman pinx. Pye Scilp. Publish'd & Sold by J. J.Wheble, Warwick Square Aug..t 1. 1808.] Pye, No. 19, Cornhill. [n.d., cc.1774.] Engraving. Sheet 110 x 140mm (4¼ x 5½"). Trimmeed Stipple and etching. Printed iin red ink. Sheet size: 315 within plate. Some damage. £160 x 240mm (12¼ x 9½"). £180 A white horse, with its head turned to look behind with A depiction of Sappho, the anncient Greek poet in an expression of terror as a lion clings to its back, its classical dress, half-length to left in an oval, seen from teeth sunk into its shoulder. According to Lennox- beehind and with her head in tthree-quarter profile, Boyd, an accompanying text states that this print was looking to front. She is writing on a scroll of paper copied from a 'fine enamel', which is now unknown. resting against a tablet held up in her left hand. Lennox-Boyd: Stubbs 230. Ex Collection of the Hon. Stock: 35074 Christopher Lennox-Boyd. Stock: 34405 28. [Woman with Bird] Boucher inv. del. Demarteau l'Ainé sculp. A Paris chéz 24. Winter. Bless my heart hon cold it is. Ah Demarteau, Avec Privilége. mon Dieu qu'il fair froidé. Stipple. Plate: 215 x 300mmm,, (8½ x 12"). Trimmed on Painted by R. Westall. Engraved by P. Bonato. [n.d., left edge, damage to other maargins. £160 c.1790.] Scene in which a woman cattcches a bird on her finger in Engraving with large margins, rare. Period Italian copy order to put it in a cage resting on a table. An alarmed of the Bartolozzi. Platemark: 275 x 200mm (10¾ x cat sits on a chair. 8"). Creases to sheet. £220 Stock: 35109 A portrait, half-length, of a young woman, looking three-quarter to the right. She is wearing an elaborate 29. [Spilt Milk.] bonnet with a ribbon at the top and has her hands Boucher a Paris. [n.d., c.1750.] concealed in a large muff in front of her chest. Etching with small margins. Platemark: 200 x 145mm For stipple impression, engraved by Bartolozzi after (8 x 5¾"). £180 Weatley, seee item ref: 8897. An exterior scene showing two young children Stock: 35095 drinking milk frf om a bowl. The smaller of the two puulls the bowl down, spilling the milk over the edge. A 25. December drawn by Capricornus. cat watches in anticipation in the lower right. Burney del.t. J. Agar sculp.t. Pub. Jan 2. 1809, by r. By painter, engraver, and François Boucher (1703 - Ackermann, at his Repository of Arts, N.o. 101, 1770) Boucher was named Premier Peintre to Louis Strand, London. XV in 1765. Stipple. Sheet: 260 x 200mm, (10¼ x 8"). Trimmed Stock: 35110 within plate. Some staining on corners. £130 An old man sits on a chariot and hunches over a fire 30. Nos succés sont certains. (Success is while a cherub, holding two arrows and blowing a Certain) horn, stands on one leg upon Capricornus which is half Peint par Teichel. Lith par Bettannier Frères. Imp horse, half fish. From a series of twelve months. BM Lemericer r. de Seine 57, Parris. Paris, chez Bulla 1924,0428.22 Frères et Jouy Editeurs. Berliin, Emile Seitz, 196 Friedrichstrasse. London, E. Gambart & C.o. 25 Mezzotint, Collector's stampp of Christopher Lennox- Berners S.t. Oxf. S.t. New- York, Emiles Seitz. Boyd verso; plata emark 500 x 355mm (19¾ x 14"). Hand-coloured lithograph with large margins. Sheet: Surface loss at top. £420 350 x 450mm, (12¾ x 17¾"). Some very slight foxing. Vulcan's Forge, an early worrk by Luca Giordano now Some small tears in edges. £260 in the State Hermitage, St. Petersburg. The picture was Interior scene in which two women get ready to leave prreviously in the Walpole Collection at Houghton, the house; one woman checks her reflection in a during which time this engraving was made as part of a dressing mirror while the other ties her boot, her foott large-scale project to engrave the most important resting on a stool. piictures in this great collection. While Boydell was Stock: 35125 overseeing the collection, hoowever, it was sold to Catherine the Great of Russiaa, where many of the 31. Quand on a tout perdu et qu'on a plus piictures can still be seen at the Hermitage. Ex: d'espoir!!! (When You Have Lost Everything) Collection of the Late Hon. C. Lennox-Boyd Peint par Teichel. Lith par Bettannier Frères. Imp Stock: 35020 Lemericer r. de Seine 57, Paris. Paris, chez Bulla Frères et Jouy Editeurs. Berlin, Emile Seitz, 196 Friedrichstrasse. London, E. Gambart & C.o. 25 Berners S.t. Oxf. S.t. New- York, Emiles Seitz. Hand-coloured lithograph. Sheet: 350 x 450mm, (12¾ x 17¾"). Some very slight foxing. Some small tears in edges. £260 Interior scene in which a woman, kneeling on a bed, weeps whilst reading a letter. Stock: 35123

32. [Flower Girls.] Du Cabinet de Madame de la Haye. F. Boucher inv del. Demarteau l.ne sculp. A Paris chés Demarteau rue de la Pelterie à la Cloche. [n.d., c.17600.] Soft ground etching with very large margins. Printed in red ink. Platemark: 195 x 130mm (7¾ x 5"). £160 Two young women carrying flowers, one in a basket, the other in her apron. After french painter, engraver, designer, Francois Boucher (1703 - 1770). The original drawing by Boucher was in the collection of Madame de la Haye. Stock: 35087 35. The Fair Nun Unmask'd. On her white 33. Isis. Picture in the Possession of the Earl Breast, a sparkling Cross she wore, Which of Egremont. 3 Feet by 4 Feet. Jews might kiss and Infiddels adore. Drawn & Etched by J. M. W. Turner Esq. R..A. P. P. H. Morland pinx.t. Carrington Bowles excudit. Engraved byy W. Say Engraver to H. R. H, the Duke of Publish'd as the Act directs. A.D. 1769. Gloucester. London, Pub. Jan 1. 1819 by J. M. W. Mezzotint. Platemark: 350 x 250mm (13¾ x 9¾"). Turner Queen Anne Str. West. £350 Mezzotint with some etching, very large margins. A young lady in masquerading guise, wearing a nun's Second state [?] Plate: 290 x 210mm, (11¼ x 8¼). costume with a veil and cruccifix hanging round her Slight foxing. £360 neck, holding her mask in front of her and looking View of a landscape with a river running through it; a baack over her shoulder to lefft. Within an oval frame. grecian temple is depicted in the centre of the view Lettered below with title and two lines of verse from while two briidges, one on the left and one in the Alexander Pope. Several verrsions of this print were distance can be seen. A peacock rests on a ruined prroduced including an anonomous plate published by fragment of grecian architecture. The river Isis is the Carrington Bowles, a reduceed version, and a third in term for part of the Thames which runs through the city the reverse direction. For the reversed version, please of Oxford. From J. M. W. Turner's 'Liber Studiorum'. see item ref: 31708. Chaloner Smith 21. BM 1870,0514,371. Rawlinson 68. Finberg 68. Stock: 35068 Stock: 35004 36. Boys and Dogs. 34. The Cyclops at their Forge. In the Salon Painted by T. Gainsborough R.A. / Engraved by Henry at Houghton. Dawe London, Published Jully 1st 1824, by W.J. White, Luca Giordano Pinxit / John Murphy Sculpsit 14 Brownlow Street, Holborn. Published Jan.y 1st 1788 by John & Josiah Boydell, Mezzotint with small margins, 360 x 255mm (14¼ x No. 90 Cheapside London. 10"). Slight foxing. £240 Mezzotint of Thomas Gainsborough's 1783 painting 40. Frontispiece. Londdon Magazine 1778. 'Two Shepherd Boys with Dogs Fighting' (Kenwood London Magazine Contiinnued from the Year House). Insppired by William Hogarth's 'The Four 1731. Stages of Cruelty', the scene is presented as a grand Des.d Drawn and Engraved by Bonnor. [n.d. c.1778.] anti-pastoral with the boys contravening morality both Engraving. 165 x 121mm (6½ x 4¾"). Trimmed, in neglecting their flocks and encouraging their dogs to creased; £80 fight. Ex: collection of the Hon. C. Lennox-Boyd; forr Allegorical frontispiece; a wiinged figure sits to the Hogarth's 'The Four Stages of Cruelty', see ref. 3221--3' right with a quill poised overr a book with a page titled Stock: 35228 'London Magazine 1778', In front of him to the left stand representations of Asia, Africa, the Americas and 37. [A Wild Horse Attacked by a Lion. No. Europe. 15.] Stock: 34699 George Stubbs R.A. Pinx.t. H. Dawe Sculp. [n.d., c.1835.] Mezzotint. Sheet 110 x 130mm (4¼ x 5¼"). Trimmed close to image, losing title. £160 A white horse, with its head turned to look behind with an expression of terror as a lion clings to its back, its teeth sunk into its shoulder. A reversed version of 'A Lion Devouring a Horse (Lennox-Boyd 71), but with a cliff rather than trees to the left. Lennox-Boyd suggests that this came from either of two books by Dawe: 'Gems from the Old Masters' (1833) or 'Dawe's Choice Selection for the Scrapbook' (1834), but could find neither title to check. Lennox- Boyd: Stubbs 233, 'some images, like this, are rare'. Ex collection of the Hon. Christopher Lennox-Boyd. Stock: 34404

38. [Presentation in the Temple] Venerunt in Jerusalem, ut sifterent eum Domino / S. Luc. Cap. II V.22 / Florentiae in Sacrario S. Marci Fra. Bartolomeo di S. Marco pinxit / Ang. Campanella sculpsit Romae 1771 Engraving with small margins, platemark 290 x 275mm (11¾ x 10¾"). Glued to backing sheet. £140 'They brought him to Jerusalem, to present him to the Lord'. Engraving after Florentine painter Fra Bartolommeo (1472-1517). Painted for the novitiate 41. ARCHAEOPHILORVM. SODALITIO. chapel of S Marco, Florence in 1516, The Uffizi LONDINENSI. GVGL.HAMILTONVS. BAL. exchanged the work in 1793 for Durer's 'Adoration of ORD. EQVES. D.D.D. the Magi' in Vienna. Fra Bartolommeo's painting is G. H. Kniep del. Kneap 1790. Ang. Clener sculp. [n.d., now in the Kunsthistorisches Museum, Vienna. For c.1791.] another engraving of the same work, see ref. 27307. Engraving. Sheet size: 510 x 380mm (20 x 15"). £360 Stock: 35209 A scene depicting the excavation of an ancient tomb at Nola, southern Italy. A group of eighteenth-century 39. [Chrrist in the Wilderness] tourists observe as the sepulcher is pried open, George Hayter Inv.t Pinxit et Sculpt 1849 revealing a skeleton and a number of vessels inside. Etching, platemark 410 x 330mm (16 x 13"). Late The frontispiece to William Hamilton's 'Collection of impression. £120 engravings from ancient vases mostly of pure Greek Christ on a rock, surrounded by angels. The devil, as a workmanship discovered in sepulchres in the kingdom snake, slithers away on the left of the rock. By Sir of the Two Sicilies but chiefflly in the neighbourhood of George Hayter (1792-1871), who by the time of this Naples during the course of tthe years 1789 and 1790 print was well established, having been knighted and now in the possession of Sir Wm. Hamilton', (Naples appointed Principal Painteer-in-Ordinary, painting 1791). several royal portraits and ceremonies. Ex Collection of Sir William Hamilton (1730--1806) was a prominent the Hon. Christopher Lennox-Boyd. collector and enthusiast of the arts and sciences at the Stock: 35040 height of the Age of Enlightenment. Most of the antiquities he collected came from excavations in Southern Italy and Sicily, annd he later sold most of them to the British Museum. Stock: 35085 42. Schola Italica Picturae sive Selectae A view of the Parsonage House & Clergy Daughter's Quaedam Summorum e Schola Italica School, Casterton. The school was established in 1823 Pictorum Tabulae Aere Incisae Cura et at Cowan Bridge by William Carus Wilson (1791- Impensis Gavini Hamilton Pictoris. Romae 1859), for low-cost education of daughters of poorer MDCCLXXIII. members of the clergy; it waas attended by the Bronte sisters. Charlotte Bronte feattuured the school in Jane Michelang. Bonarotti pinxit. Jospeh Perini sculp. Eyre as 'Lowood', and she based her character Robert Romæ 1771. Brocklehurst on Carus Wilson. The school was later Engraved titlepage, very fine with large margins. 560 x moved to Casterton, where itt continues to be an 350mm (22 x 13¾"). £360 independent school. Gavin Hamilton (1723-98) was a Scottish painter, Stock: 34722 archaeologist, and antiquary, best known for commencing the excavations of Hadrian's Villa, outside Rome. This work contaned engravings after the 45. Charterhouse The War Memorial Italian masters, including Michelangelo, da Vinci, Chapel Raphael & Caravaggio. G.S. Garnier pinxt et sculp 1929 Stock: 35000 Aquatint printed in colour, pllatemark 305 x 360mm (12 x 14¼"). Rare. £180 Charterhouse School near Godalming, with the chapel designed by Sir Giles Gilbertt Scott, consecrated in 1927 as a memorial to nearly 700 Carthusians who died in the Great War. It is the largest war memorial in England. Stock: 35026

46. Cheltenham Proprietary College. E.D. Eichbaum, delin. J.C. Hunter, sc. Published by R. Edwards, Stationer, Bookselller, Binder &c. 414, High Street, Cheltenham. [n.d. c.1860.] Engraving. 172 x 209mm (6¾ x 8¼"). Laid on album sheet. £65 In 1840 a meeting was held of Cheltenham residents who decided to set up a 'Proprietary Grammar School'. G.S. Harcourt and J.S. Iredelll, founded the Cheltenham 43. To the Members of the Malton Meeting College in 1841 to educate the sons of gentleman. and all the Other celebrated Coursing Within two years it was relocated to the site seen here, and soon became known simply as Cheltenham Meetings in the Uniteed Kingdom This Portrait College. of the Celebrated Greyhound Snowball late the Stock: 34734 property of Edward Topham Esq.re of the Wold Cottage Yorkshire is most respectfully 47. [Old College Chapel Dulwich ] [in pencil Inscribed by their most humble & obedient to the right.] servants, Random & Sneath. Wallace Hester. [signed in pencil to left.] [n.d. c.1930.] Painted by H. B. Chalon, Animal Painter to their R.H.s Etching with pencil signature and large margins. Plate: the Duke & Duchess of York. Engraved by Wm. Ward, 252 x 170mm, (10 x 6¾"). £80 Engraver to H.R.H. the Duke of York. London. Pub.d A view of Christ's Chapel, consecrated in 1616 by Sept.r 1st 1807 by Random & Sneath at their Sporting George Abbot, Archbishop of Canterbury, as part of Gallery No.5. Hart Street, Bloomsbury Square. the Dulwich College foundattion. Mezzotint, very scarce; 505 x 605mm (19¾ x 23¾"). Stock: 34486 Several tears inside platemark. Damaged. £320 Portrait of the greyhound 'Snowball' with his trainer, 48. Dulwich College [iin pencil to right]. William Pashby. After the painting by Henry Bernard Wallace Hester [signed in pencil]. [n.d., c.1930]. Chalon (1770-1849), specialist in sporting and animal Drypoint etching with large margins. Plate: 250 x painting who was unable to make a mark in the London 175mm (9¾ x 7"). Slight spot on left. £130 art world although his employment was ensured by View of the entrance to Dulwich College, the main socially prominent sporting enthusiasts. Ex: Collection buuilding, or New College, can be seen beyond the gate. of the Late Hon. C. Lennox-Boyd The school was re-established on Dulwich Common in Stock: 35019 the 1870s and the New College building was designed byy Charles Barry Junior in a style he called 'North 44. Parsonage House & Clergy Daughter's Italian of the Thirteenth Centtury'. School, Casterton. Stock: 34097 W. Monkhouse Lith, York. [n.d. c.1830.] A very rare lithograph. 140 x 222mm (5½ x 8¾"). £180 49. Dulwich College. [in pencil on right]. Wallace Hester. [in pencil on left]. [n.d., c.1930] Etching with very large margins. Plate: 245 x 175mm, (9¾ x 7"). £120 View of the main school buildings of Dulwich College, designed by Sir Charles Barry, from the playing fields. Stock: 34487

50. The Royal Grammar School. Newcastle on Tyne. Removed in 1844. Originally the Chapel of the Hospital of St Mary the Virgin.. Drawn from Nature and on Stone by J. Storey Jun.r. Hullmandel & Walton's new Process. Lithograph. Printed area 185 x 220mm (7¼ x 8½"). £120 'Hullmandel & Walton's new Process' must have been a 55. Head Masters House. new technique in lithography. [C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to Stock: 34611 the Queen.] [Published by Sandford & Howell, Shrewsbury, 1844.] 51. The White Hall. Tinted lithograph with hand colour and very large C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to margins. Printed area 140 x 190mm (5½ x 7½"). the Queen. Published by Sandford & Howell, Trimmed from a larger sheett, losing inscriptions £110 Shrewsbury [c.1844]. From Charles Walter Radclyffe's 'Memorials of Tinted lithograph with hand colour. Printed area 135 x Shrewsbury School.'. Abbey:: 448. Stock: 34556 190mm (5¼ x 7½"). Trimmed from a larger sheet. Rare. £90 From Charles Walter Radclyffe's 'Memorials of 56. Head Master's Houuse, Shrewsbury Shrewsbury School.'. Abbey: 448. School. Stock: 34553 C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to the Queen. Published by Sandford & Howell, 52. Shrewsbury from Coton-Hill. Shrewsbury [c.1844]. C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to Tinted lithograph with hand colour. Printed area 150 x the Queen. Published by Sandford & Howell, 190mm (6 x 7½"). Paper tonneed. £95 Shrewsbury [1844]. From Charles Walter Radclyffe's 'Memorials of Tinted lithograph with hand colour and large margins. Shrewsbury School.'. This later state has the title Printed area 2215 x 295mm (8½ x 11½"). Rare. £180 moved from the image to under it. Abbey: 448, this A view looking up at Shrewsbury and Shrewsbury edition not listed. School from the banks of the Severn. From Charles Stock: 34557 Walter Radclyffe's 'Memorials of Shrewsbury School.'. Abbey: 448. 57. Interior Court of School. Stock: 34552 [C.W. Radclyffe. del. et lith.]] Day & Hague, lith.rs to the Queen. [Published by Sandford] & Howell, 53. The White Hall. Shrewsbury [1844]. C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to Tinted lithograph with hand colour and large margins. the Queen. Published by Sandford & Howell, Printed area 190 x 150mm (7½ x 5½"). Trimmed from Shrewsbury [1844]. a larger sheet, losing half of iinscriptions. £90 Tinted lithograph with hand colour and large margins. From Charles Walter Radclyffe's 'Memorials of Printed area 135 x 190mm (5¼ x 7½"). Rare. £90 Shrewsbury School.'. Abbey:: 448. From Charles Walter Radclyffe's 'Memorials of Stock: 34558 Shrewsbury School.'. This later state has the title moved from inside the image to under it. Abbey: 448, 58. Front View of the SSchools [Shrewsbury]. this edition not listed. [C.W. Radclyffe. del. et lith.]] Day & Hague, lith.rs to Stock: 34554 the Queen. [Published by Sandford] & Howell, Shrewsbury [1844]. 54. Head Masters House. The White Hall. Tinted lithograph with hand colour and large margins. C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to Printed area 215 x 295mm (8½ x 11½"). Rare. £160 the Queen. Published by Sandford & Howell, From Charles Walter Radclyffe's 'Memorials of Shrewsbury [1844]. Shrewsbury School.'. Abbey:: 448. Tinted lithograph with hand colour and large margins. Stock: 34559 Printed area 2285 x 190mm (11¼ x 7½"). £190 From Charles Walter Radclyffe's 'Memorials of Shrewsbury School.'. Abbey: 448. Stock: 34555 59. The Library. 63. The Generall plan of King's College as it [C.W. Radclyffe. del. et lith.] Day & Hague, lith.rs to is intended with the upriight of the West side of the Queen. [Published by Sandford] & Howell, the Quadrangle towards the River. Shrewsbury [1844]. Ja. Gibbs Arch: delin. H:Hullsbergh sculp. [c. 1720]. Tinted lithograph with hand colour and large margins. Engraving. Plate: 485 x 385mm, (19 x 15"). Creases. Printed area 2215 x 295mm (8½ x 11½"). Rare. £160 Repaired damage on left edge. Small tears in edges as From Charles Walter Radclyffe's 'Memorials of normal. £190 Shrewsbury School.'. Abbey: 448. James Gibbs' plan for the redesign of King's College Stock: 34560 Cambridge and elevation of tthe west building. Though the plan shows a completed courtyard, funds ran out beefore it could be completely realised and only the west building was constructed. Known as the Gibbs buuilding, the Fellows Hall, coompleted in 1729, was buuilt according to the design depicted in the engraving. Stock: 35183

64. The New University Library. Cambridge University Almanack 1839. C.R. Cockerell, Arch.t Engraved by E. Challis. [n.d. c.1839.] Steel engraving. Plate 335 x 475mm (13¾ x 18¾"). Few nicks in small margins. £160 A proposed plan indicates thhat this is the construction 60. Welshbridge, from School Play-Ground. of Senate House, the neoclassical building designed by C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to James Gibbs; builders on the roof, scaffolding and in the Queen. Published by Sandford & Howell, the yard moving blocks and bricks. Shrewsbury [1844]. Stock: 34768 Tinted lithograph with hand colour and large margins. Printed area 2215 x 295mm (8½ x 11½"). Rare. £280 65. The Observatory. PPl.1. No.XXV. A scene looking down to the river, with pupils playing in the grounds, a teacher reading under a tree. In the Cambridge University Almanack 1825. middle ground a game of cricket is being played. From R.E. Harraden Esq.r del.t S. SSparrow Sculp. [n.d. Charles Walter Radclyffe's 'Memorials of Shrewsbury c.1825.] Engraving and etching, smallll margins on 3 sides. Plate School.'. Abbey: 448. Stock: 34551 322 x 475mm (12¾ x 18¾").. Glue stains to lower corners; trimmed along lower edge. £220 The Cambridge Observatoryy at Cambridge University 61. Tunbridge Grammar-School, was first established in 1823,, and is now part of the site Maintained by the Skinners' Company of of the Institute of Astronomy. London. Stock: 34769 London: Printed and Published at the Office, 198, Strand, in the Parish of St. Clement Danes, in the 66. North View, or Priincipal Front of County of Middlesex, by George C. Leighton, 198, Bodiham Castle. Which will be Sold by Strand, aforesaid,-Saturday, September 22, 1866. Hand-coloured woodblock. 140 x 274mm (5½ x Auction by Mr Geo, Robins at the Auction 10¾"). £50 Mart, London, on Thursday the 18th Sept. at A view of the Skinners' Company's School for Boys, 12 o'Clock. the British grammar school with academy status for L. Haghe del. W. Day lithogrr: 17 Gate Str.t London. boys located in the town of Royal Tunbridge Wells. [n.d., 1849.] The school was established and founded by the Lithograph. Sheet 225 x 280mmm (8¾ x 11"). Folds Worshipful Company of Skinners in response to a discoloured, some spotting. £120 demand for education in the region. An auctioneers advert for the sale of Bodiam Castle, a Stock: 34731 moated castle near Robertsbrridge in East Sussex, built in 1385. In 1849 the ruinous castle was bought for 62. Collegium Regale [King's College, £5000 by George Cubitt (later Baron Ashcombe) and Cambridge]. repairs begun. After Cubitt's death in 1917 the castle Dav. Loggan. [n.d., c.1690]. paassed to Lord Curzon, who continued the restoration Engraving with large margins. Plate: 485 x 340mm, beefore passing it to the National Trust in 1925. Now a (19 x 13¼"). Central crease as issued. Some small tears Grade I listed building, Bodiiam was used as a the to edges. £260 'Swamp Castle' in 'Monty Python and the Holy Grail'. Stock: 34610 View of the Old Court of King's College Cambridge from David Loggan's 'Cantabrigia illustrata' published in 1690. 67. The Destruction of the Elephant at Stock: 35182 Exeter Change, March 1st 1826. [Anon] Printed & Sold by W. Belch, 258 High Street, An allegorical portrait of Napoleon, with explanatory Borough, Loondon. letterpress underneath. Example of the abundance of Wood engraving with hand-colouring. Sheet size: 200 poopular prints made in respoonnse to the Napoleonic x 295mm (8 x 11¾"). Trimmed around image and title. Wars and probably printed duuring the Hundred Days £220 after Napoleon''s escape from Elba, hence the phoenix The killing of Chunee, an elephant at Cross's iconography and his 'Heart, overflowing with Ambition Menagerie at Exeter Change on the Strand. Chunee, a to regain his lost Territory'. celebrated atttraction written about by Lord Byron Stock: 35224 amongst others, killed one of his keepers while being walked down the Strand. Fears about his behaviour annd possible ability to escape from his cage led to this decision to kill him. After he failed to eat poison left out for him, a civilian firing squad from Somerset House was brought in. After his death, his hide was sold to a tanner and his skeleton ended up in the Royal College of Surgeons (before being destroyed in Worlld War II). Other animals in the menagerie can be seen on the right. Stock: 35082

69. Napoleon The Firrsst, and Last, by the Wrath of Heaven Emperor of the Jacobins, Protector of the Confederation of Rogues, Mediator of the Hellish League, Grand Cross of the Legion of Honour,, Commander in Chief of the Legions of Skeletoons left at Moscow [...] Published at R. Ackermann's, 101, Strand, London. [n.d., c.1814] Etching and letterpress with hhand-colouring, rare; sheet 415 x 270mm (16¼ x 10½").. Fold through centre; mount burn; small tears at bottom; on watermarked Whatman paper. £480 An allegorical portrait of Napoleon, with explanatory letterpress underneath. The spider's web is surrounded 68. Napoleon, the Corsican Phoenix. The byy a map with Napoleon's battles around the Elbe & Hat of Napoleon represents the Gallic Cock, Rhine. Napoleon's hat is porttrayed as an eagle, with his his wings expanded, and crowing confident of face made of the corpses of tthose 'who perished on the success.--- The Initials of his Name are Plains of Russia and Saxony''. Napoleon's jacket is a branded on his Face, as a mark of Infamy [...] map of the environs of Leipzig, with other battles in the campaign indicated. Also on the jacket, the [Six]pence Col.d epaulette is shown as a hand,, leading the 'Rhenish Etching and lletterpress with hand-colouring, very rarre; Confederation', shown as a cobweb. 'His throat is printed separately and glued to same backing sheet. encircled with the Red Sea', ssymbolizing those who Overall dimensions 380 x 220mm (15 x 8¾"). Uncut. drowned in the battles led by Napoleon. foor another £480 version of the Napoleon porttrait-map see ref. 33811. Stock: 35223 70. To Wood-Stealers [...] Two Guineas 74. Angleterre Flotte de Guillaume- Reward, To be paid upon Conviction of the le=Conquérant [ms] Offender or Offenders. V. Raineri inc. [Milan: Antonio Fortunato Stella, 1816- Printed for H. Guy, Bookseller. [n.d., c.1820]. 27.] Letterpress, very scarce. Sheet: 170 x 210mm, (6¾ x Hand-coloured aquatint; platte 200 x 310mm (8 x 8¼"). £130 12¼"). Proof before title. £140 Letterpress advertising a reward for information on William the Conqueror, the ffirst Norman King of wood theives operating in the parish of Woodham England, sailing across the Channel. Published in Mortimer. Giulio Ferrario's 'Le Costumme Ancien et Moderne ou Stock: 35122 Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens 71. Corporal Violette, and Family. et modernes d'après les monuments de l'antiquité et [Anon.] [n.d., c.1810.] accompagné de dessins analogues au sujet par le Hand coloured etching with large margins. Platemark: Docteur Jules Ferrario'. 245 x 200mm (9½ x 8"). Small tear in left margin. Stock: 34533 Very light mount burn. £260 An impression of an uncommon 'puzzle' portrait 75. The Cruel Death of the seven Brethren. showing the concealed the profiles of Napoleon II. Maccabees Chap.7.Ver.3. Then the king Bonaparte (1769-1821), his wife Marie Louise of being in a rage, commanded pans and caldrons Austria (1791-1847), and Napoleon Francis Joseph to be made hot. Charles (1811-1832), King of Rome. Napoleon was B. Picart del. R.t Pranker Sculp. [n.d. c.1800.] nicknamed "CCorporal Violet" by his soldiers after Engraving. Plate 280 x 178mm (11 x 7"). Sheet having to return from Elba in the Spring, during the trimmed. £65 Violet season. Seven brethren with their mother were taken and An explanatory inscription is below the image. For an tormented with scourges and whips. Their tongues alternative impression, see item ref: 33242. were cut out and then they were brought alive to the Stock: 35100 fire where they were fried to death. Stock: 34693 72. Ode bby Henry James Pye Esq. P. L. Performed at St. James's, January 18 1806 on the Anniversary of Her Majesty's Birth Day. Swaine sc. Puub.d. Jan.y. 18 1806. by Edw.d Orme 59 Bond Street. Letterpress with large margins, rare. Framed. Plate: 270 x 450mm, (10½ x 17¾"). Central crease as issued. £260 Poem by James Pye (1745-1813), published to celebrate the birthday of Queen Charlotte in 1806. James Pye, who had served as M.P. for Berkshire between 1784 and 1790, had supported Pitt the Younger and has been said that it was through this alliance that Pye was elected Poet Laureate in 1790, a post he held uuntil his death in 1813. Each year on both the King and Queen's birthday Pye would publish a strongly patriotic ode in celebration. Surrounding the text, flags of various nations are illustrated. 76. Gorgei. Stock: 35194 Compose et lith. par H. Sharrlles. Edite par J.C Kastner. Schenck & McFarlane Lith.rrs Edinburgh. [Signed in 73. The Bill of Rights ratified at the the image:] H. Sharles. [n.d. c.1850.] Revolution by King William, and Queen Marry, Lithograph, very rare. 361 x 420mm (14¼ x 16½"). previous to their Coronation. Chips and tear into upper edge. Repaired hole to lower [n.d. c.1800.] left of image; pin hole to leftt. £320 Etching and engraving. plate 305 x 210mm (12 x 8¼""). The Hungarian freedom fighhter surrounded by the Cut into platemark. £60 monstrous figures of oppression, including skeletal William III and Mary II, enthroned, a cleric standing Austrian and Russian officerrs and a creature coiling before them , holding out text of Bill of Rights; passed around his feet holding a blaazzing torch with a tail on 16 December 1689 as a restatement in statutory labelled 'Kain', as he steps forward to right to rescue a form of the Declaration of Right presented by the beeautiful woman representinng freedom who lies Convention of Parliament to William and Mary, swooningin the lap of a gorggon, a broken sword and inviting them to become joint sovereigns of England.. paaper labelled 'Constitution' bbeside her. Gorgey Artur Stock: 34705 (1818-1916), the Hungarian soldier and chemist. He fought in the Hungarain upriising of 1848 and had several successes against thee Austrian until the Russians intervened and he surrendered to the Russian rain and recited the Rosary. IIt is said that there were General Ruddiger at Vilagos in 1849. He was confined fifteen official witnesses to the apparition. This at Klagenfurt where he occupied himself with illustration depicts the event,, as drawn by one of those chemistry, until 1867 when he was pardoned and witnesses at the scene, 'W. Collins'. returned to Hungary. Very atmospheric image. Stock: 35112 Stock: 34626 79. Massaniello harannguing the Populace of 77. Honved's Farewell. Respectfully Naples. Dedicated to Frederick William Bennecke, [n.d. c.1810.] Senior, London, by the Publisher, J. Engraving. 95 x 134mm (3¾ x 5¼"). £65 Constantin Kastner, late Hungarian Captain.. Massaniello seen here on a platform, attired in his After Ploszeggaski. Schenck & McFarlane, Lith.rs fisherman's garb, administeriing justice from a wooden Edinburgh. [n.d. c.1850.] scaffolding outside his house. Lithograph. 368 x 425mm (14½ x 17¾"). £280 Tommaso Aniello, known as Massaniello (1622-1647), Honved was a term used for men who formed battalion the Italian fisherman, who became leader of the revolt groups; those who left their homes to join in the against the rule of Habsburg Spain in Naples in 1647. Hungarian Uprising and fight for freedom. This scene Massaniello succeeded, and oon 13 July 1674, the Duke depicts a young man saying farewell to his wife, son of Acros signed a convention where rebels were and father. Two other men to left on the path, already paardoned, more oppressive taxes removed, and the brandishing their lances. citizens granted certain righttss. Stock: 34627 Stock: 34700

80. What a Row! with the Tories and Whigs. Tune, -"Oh dear! what can the matter be." [...] Chorus.[/] Oh dear, we are informed by authority, [/] The Tories are likely to gain a majority, [/] So the Corn Bill & whigs will be in the minority, [/] And Great Britain will have to lament. Birt, printer, 30 Great St. Andrew Street, Seven Dials, London. Letterpress, very scarce. Sheeet: 185 x 260mm, (7¼ x 10"). Paper tone. Glued to allbbum sheet. Staining. £180 Political broadside discussing the General Election of 1841 though lyrics to be sung to the tune of 'Oh Dear! What Can the Matter Be!' Sirr Robert Peel's Conservative Party took conttrol of the House of Commons taking power from Lord Melbourne's Whig Party. Stock: 35127

81. The Landing of William the Conqueror. To the Rt. Hon.ble Other Hickman, Earl of Plimouth. This Plate is most humbly Inscribed. [n.d. c.1800.] 78. The Apparition at Knock Co. Mayo, as Engraving with small margins. Image and inscription seen on Aug.t 21st 1879, (Eve of the octave of pllate separate; total plate areea 249 x 158mm (9¾ x the assumption.) Many miraculous cures have 6¼"). £65 been effecteed there since the above occurrance. Soldiers disembarking from bboats, where a knight has fallen on the ground. This view was taken on the spot by W. Collins, Stock: 34692 andsubmitted to, and approved of by the several persons who saw the above. 82. A Map of South Ammerica With all the W. Collins. [n.d., c. 1879.] European Settlements & whatever else is Lithograph, very scarce. Sheet size: 415 x 335mm remarkable from the latest & best (16¼ x 13¼"). Light creasing where previously folded. £260 Observations. On the 21st August, 1879, several villagers from R.W. Seale delin et sculp. [London: Printed for Knock, Co. Mayo, witnessed an apparition of Our William Innys, Richard Waree, Aaron Ward, J. and P. Lady, St Joseph and St John the Evangelist, and a litttle Knapton, John Clarke, T. Loonngman and T. Shewell, to their left an altar with a cross and the figure of a Thomas Osborne, Henry Whitridge, 1749.] lamb, at the South gable of Knock Parish Church. They Engraved map. 480 x 485mm (18¾ x 19"). Some watched the apparition for two hours, in the pouring creasing and folds. £220 A map of Souuth America, published in Emanuel Clarke, T. Longman and T. Shewell, Thomas Osborne, Bowen's 'A Complete System of Geography'. Despite Henry Whitridge, 1749.] the late date Walter Raleigh's 'El Dorado' is marked; Engraved map. 375 x 435mm (14¾ x 17") £240 the Galapagos are shown with English names to the A map of Chile, Paraguay, Uruguay and Argentina, islands; and the Falklands are shown only as a strait with inset maps of St Jago and a detail of the Magellan between two indistinct islands. Straits after Amédée-Françoiis Frézier (1682-1773). Stock: 34189 Published in Emanuel Bowen's 'A Complete System of Geography'. The Falklands are named 'New Isles'. Stock: 34194

86. A New & Accurate Map of Peru and the Country of the Amazones. Drawn frrom the most authentick French Maps &c and Regulated by Astronomiical observations By Eman. Bowen. [London: Printed for William Innys, Richard Ware, Aaron Ward, J. and P. Knapton, John Clarke, T. Longman and T. Shewell, Thomas Osborne, Henry Whitridge, 1749.] Engraved map. 360 x 430mm (14¼ x 17"). £240 A map of Peru but also showing Amazon River and its tributaries. Published in Emanuel Bowen's 'A Complete System of Geography'. Stock: 34197

83. A New & Accurate Map of Brasil, divided into its Captainships. Drawn from the 87. A New & Accurate Map of Terra Firma most approved Modern Maps & Charts, & and the Caribee Islands Drawn from the most Regulated by Astronomical observations approved Modern Maps & Charts, & adjusted By Eman. Bowen. [London: Printed for William Innys, by astron.l observat.ns Richard Ware, Aaron Ward, J. and P. Knapton, John By Eman. Bowen. [London: Printed for William Innys, Clarke, T. Longman and T. Shewell, Thomas Osborne, Richard Ware, Aaron Ward, J. and P. Knapton, John Henry Whitridge, 1749.] Clarke, T. Longman and T. Shewell, Thomas Osborne, Engraved map. 360 x 425mm (14¼ x 16¾"). £260 Henry Whitridge, 1749.] A map of Brazil with an inset map of the island of St Engraved map. 360 x 425mm (14¼ x 16¾"). £220 Katherine (Santa Catarina Island), published in A map of the northern parts of South America, with Emanuel Bowen's 'A Complete System of Geography'. Colombia, Venezuela, Guyana, Surinam and French The map contains a note: 'We have purposefully Guiana, with the islands of the Caribbean. Published in omitted Inserting the imaginary Island of Ascension, Emanuel Bowen's 'A Complete System of Geography'. upon the Authority of the late very ingenious and Stock: 34190 learned Dr Halley'.. Stock: 34191 88. A New & Accurate Map of the Island of Jamaica. Divided into itts principal parishes. 84. A New & Accurate Map of Paraguay, Drawn from surveys and regulated by astron.l Rio de la Plata, Tucumania Guaria &c. Laid observat.ns down from the latest Improvements and By Eman. Bowen. [London: Printed for William Innys, Regulated by by Astronomical observations Richard Ware, Aaron Ward, J. and P. Knapton, John By Eman. Bowen. [London: Printed for William Innys, Clarke, T. Longman and T. Shewell, Thomas Osborne, Richard Ware, Aaron Ward, J. and P. Knapton, John Henry Whitridge, 1749.] Clarke, T. Longman and T. Shewell, Thomas Osborne, Engraved map. 355 x 430mm (14 x 17"). Split at centre Henry Whitridge, 1749.] fold. £180 Engraved map. 360 x 425mm (14¼ x 16¾"). £240 A map of Jamaica with insett charts of Port Antonio & A map centred on the Rio de la Plata, showing Peru, St Francis and Kingston. Published in Emanuel Bolivia, Paraguay, Uruguay & Argentina. Published in Bowen's 'A Complete System of Geography'. Stock: 34188 Emanuel Bowen's 'A Complete System of Geography'. Stock: 34199 89. Tabula Itineris Deecies Mille Graecorum 85. A New & Accurate Map of Chili, Terra sub Cyro contra fratrem Artaxerxem Regem Magellanica, Terra del Fuego &c, Laid down Persarum. according to the latest Improvements and Per P. du Val Abbevillensem, Geographum Regium. Regulated by Astron.l Observatns. [Paris, c.1680.] By Eman. Bowen. [London: Printed for William Innys, Coloured engraving with verry large margins. 415 x Richard Ware, Aaron Ward, J. and P. Knapton, John 490mm (16¼ x 19¼"). Paperr age-toned. £140 A classical map of Turkey, Persia and Cyprus, illustrating the march of the 'Ten Thousand' (401-399 BC). These Greek mercenaries joined Cyrus the Younger in his attempt to wrest the Persian Empire from his brother Artaxerxes II. They fought the Battle of Cunaxa, during which they scattered their opponents with only one of their number wounded, but Cyrus had been killed, making their victory irrelevant and the expedition a failure. Turning for home, they lost their leaders to a treacherous Persian invitation to a feast but, after electing new leaders, they escaped to the seea. The story of the expedition is known through the 'Anabasis' of Xenophon, one of the later leaders, which is thought to have inspired Philip of Macedon and his son Alexander to take on Persia. Stock: 35144

90. Description de la Ville de Smyrne. [Amsterdam, 1719.] Coloured engraving with very large margins. 385 x 500mm (15¼ x 19¾"). £340 Decorative prospect of the port city of Smyrna (Izmir), from Chatelain's monumental 7 volume 'Atlas Historique', with an engraved French-language description under view. Stock: 35143

Regent Street was originally designed to link the Prince 91. Carte de la Plaine de Troie levée en 1786 Regent's home in Carlton House (and his stables at the et 1787. Royal Mews, now the site off the National Gallery in L.F. Cassas delineavit. Boulet sculpsit. J.D. Barbie du Trafalgar Square) with his new 'Regents Park' via Bocage emendavit et auxit, 1819 [-1822]. Portland Place. The route is marked in yellow over the Engraved map. Printed area 410 x 57mm (16 x 22½"). top of the existing streets. It wwas completed in 1825 Slight spotting. £240 and conforms to the plan clossely, other than the lack of A map of the Troad (Biga or the Plains of Troy) drawn the northern arc of the Regent's Circus, which was by Louis-François Cassas during his travels around the never built, and the redeveloppment of Trafalgar Square. Levant, at the height of the search for the Troy of thee Stock: 34545 'Iliad'. Here both 'Old' Troy and 'New' Troy are marked: it was eventually deduced that it was New 93. Euxini et Mæotidis Periplus Ex Troy (near Hisarlik) that was the city described by Antiquorum Cosmographiæ. Homer. [Paris, c.1643.] It was publisshed in the posthumous second volume of Engraved map, rare. 135 x 175mm (5½ x 7"), set in Marie Gabriel de Choiseul-Gouffier's 'Voyage letterpress. £260 Pittoresque de la Grece', which focused on the Troad, Map of the Black Sea in classsical times, from Claude published 18822. Bartholemy Morisot's 'Orbis maritimi sive rerum in Stock: 35142 mari et littoribus gestarum generalis historia'. Stock: 35149 92. [Regeent Street] Plan of a Street Proposed from Charing Cross to Poland Place Designed 94. Particular Draughts of some of the chief by J. Nash Esq.r. African Islands in the Mediterranean, as also Published with the Permission of the Commissioners of in the Atlantic and Ethiopic Oceans. his Majesty's Woods, Forests & Land Revenue by W. By Eman. Bowen. [London: Printed for William Innys, Faden, Geographer to his Majesty & to H.R.H. the Richard Ware, Aaron Ward, J. and P. Knapton, John Prince Regent. Charing Cross, May 11th 1814. Clarke, T. Longman and T. Shewell, Thomas Osborne, Engraved map with original hand colour. 430 x 330mm Henry Whitridge, 1749.] (17 x 13"). Split in fold, creased. £280 Engraved map. 360 x 425mm (14¼ x 16¾"). £240 A plan of the proposed layout of Regent Street, on a Eight maps on one sheet: Malta, Gozo & Comino; scale of 1 inch to 500 yards, with the existing roads up Saldanha Bay, the Dutch fortt at the Cape of Good to 200 feet on either side, including Harley Street, Hope and Table Bay, all South Africa; Tenerife; Cavendish Square, Hanover Square, Golden Square, St Madeira; the Cape Verde Islands; and St Helena. James's Square, Pall Mall and St Martin-in-the-Fields Published in Emanuel Bowen's 'A Complete System of church. Geography'. Stock: 34200

95. Plan of the new Town of Edinburgh. II. Lord Nelson standing in a roowing boat with a crew of A Plan of thhe City of Edinburgh. six men on a rough sea, pattiinng the should of on man as [n.d. c.1770.] he grasps a rope from above,, preparing to the board the Hand-coloured engraving. Plate 190 x 310mm (7½ x ship, part of the hull with cannons behing. 12¼"). Fold; overall toning; paper loss to upper left Illustration from and edition of Churchill's 'Life of margin. £75 Nelson'. The New Town, Edinburgh, is often considered to be a Stock: 34704 masterpiece of city planning. It was built in stages between 1765 and around 1850, and retains much of the original neo-classical and Georgian period architecture. A design competition was held in January 1766 to find a suitably modern layout for the new suburb. It was won by 26 year old James Craig, who following the natural contours of the land, proposed a simple axial grid, with a principal thoroughfare along the ridge linking two garden squares. Stock: 34763

98. [A True Relation of Capt. Kempthorn's Engagement, in the Marryy-Rose, with seven Algier Men of War.] W. Hollar delineavit et sculpsit. [London, c1670.] Etching, scarce. 255 x 400mm (10 x 15¾"), plus letterpress, total printed area 355 x 400mm (14 x 15¾"). Slight toning of paperr, folds. £750 A rare broadsheet illustrating a skirmish between a 96. Over-Groot Zee-geveght; tussen den British friage and Algerian coorsairs. Rear-admiral John Holl. Heer L. Adm. Tromp, en den Eng. Adm. Kempthorne (1620-79) had ttaken command of the Blaak; op den i. Martius A9. 1653. Mary Rose in early 1669 and had conveyed Lord [Engraved by Jodocus Hondius III after Jan Howard as ambassador to Moorocco. After landing Abrahamszooon Beerstraten.] [n.d., c.1655.] Howard at Tangier he was escorting six European Etching, rare. 140 x 175mm (5½ x 7"). Trimmed to merchantmen home when they were attacked by six printed border, extra margin added. £220 piirate corsairs north of Cadiz on the 18th December. A view of the Battle of Portland, a three-day naval Kempthorne turned to engagge them and, after a day and battle (18-20 February 1653 or 28 February – 2 March a half of fighting, disabled the enemy leader's ship and 1653 in the Gregorian calendar used here), part of the forced the others to withdraw. Despite having heavy First Angl-Dutch War. The outline of the English coast damage to the mast and riggiing, the Mary Rose is shown from the Isle of Wight east to Beachy Head escorted the merchants into Cadiz on the 20th (not 30th (Bevesier), with Portsmouth, Arundel and Newhaven., as letterpress). Kempthorne's heroics were ably with a key of the ships. recorded by Wenceslas Hollar, who was aboard the The battle pitched Lieutenant-Admiral Maarten Tromp Mary Rose returning home after over a year in Tangier. against Admmiral Robert Blake in the English Channel. The publicity generated by this broadside probably Despite Tromp withdrawing before Blake could helped Kempthorne win a knighthood for his heroics. commence a fourth day of action and Blake's capturee Both Peter Monamy and Willlem van de Velde II of between 20-40 Dutch merchantmen and at least paainted scenes based on Holllar's etching. eight Dutch warships, both sides claimed victory. The plate was also used in John Ogilby's 'Africa', From a series of illustrations by Jan Abrahamsz. puublished 1670, without the lletterpress. NMMM: Beerstraten (1622 - 1666) of the war. PAJ0099. Pennington 1247, this broadside version not Stock: 34396 mentioned. Stock: 35151 97. Boarding the American. Proof. W. Bromley del. W.H. Worthington sculp. Published 99. Battle of Trafalgar. Proof. by R. Bowyer, 80, Pall Mall, London, March 1. 18088. W. Bromley del. W.H. Worthington sculp. Published Etching and engraving on india. 254 x 204mm (10 x byy R. Bowyer, 80, Pall Mall,, London, March 1. 1808. 8"). £120 Etching and engraving on india. 254 x 204mm (10 x 8"). £80 The deck of the HMS Victory with a group of men Pacific but disappeared on a visit to Guadalcanal in the lowering the injured Lord Nelson down in the hull of Solomon Islands in October 1851, with rumours that he the ship; men fighting and clouds of gunpowder smoek had been killed by cannibals.. The 'Wanderer' was behind. wrecked off Port Macquarie upon its return to Illustration from and edition of Churchill's 'Life of Australia. Nelson'. Oswald Brierly remained in Australia also, managing Stock: 34703 Boyd's whaling station at Twofold Bay 1842-48, before making a two-year voyage with Captain Owen Stanley on HMS Rattlesnake recordinng surveys of the Great Barrier Reef, Torres Strait, parts of New Guinea and the Louisiade Archipelago. He then sailed with Henry Keppel on HMS Meander to New Zealand, Tahiti and South America before returnning to England. Brierly visited Australia again in 1867-8 when he accompanied the first Royal visit of HRH Prince Alfred Duke of Edinburgh on HMS Galatea dduring its royal tour. The original pencil sketch is in the Australian National Maritime Museum, Object 00030594. Ex collection of the late Hon. C. Lennox-Boyydd. Stock: 34062

101. Launch of the Nelson at Woolwich, July 4th, 1814. Drawn by Luke Clennell. Etched by G. Cooke & Engraved by W.B. Cooke. Loondon, Published Oct.r 1, 1814, by W.B. Cooke, 12 York Place, Pentonville. Engraving. 155 x 255mm (6 x 9¾"), with very large margins. Uncut. £160 The ceremonial launch of H.M.S. Nelson, a 120-gun first rate. Launched in 1814, she was converted to screw propulsion and rearmed to 90 guns in 1860, 100. Santa Barbara's Cross, (A Spanish beefore being handed over to the government of the Superstitioon.) To B. Boyd Esq.r Yacht Dominion of Victoria, Austraalia, in 1867. She was sold Wanderer, R.Y.S. in 1898 as a storage hulk and later used as a coal hulk, O.W. Brierly del.t. On Stone by J. Brandard. M. & M. and was finally scrapped in 1928. From 'The Thames' Hanhart, Lith. Printers. [n.d., c.1845.] byy Samuel Owen (c.1769-18857). Lithograph, very scarce with large margins. Sheet 295 Stock: 34046 x 235mm (11½ x 9¼"). Corners trimmed, small scuff in surface, laid on album paper, some spotting. £520 102. H.M.S. Victory, Fiirst Rate. 104 Guns. The schooner 'Wanderer' en route to Australia in 1841, Portsmouth Harbour. The Flag Ship of the late in a gale with lightning and a cloud formation to the Lord Nelson. On board which he was killed Off left called 'Santa Barbara's Cross' which the Spanish Trafalgar. Oct.r 21st, 18005. regard as an ill-omen. On board was Benjamin Boyd Drawn by E.W. Cooke. Etchhed by E.W. Cooke. 1830 (1801-51), the owner of the yacht, and the artist Pub'd by R. Lambe & Son, 96 Gracechurch Street. Oswald Walters Brierly (1817-94). Etching. 270 x 325mm (10½ x 12¾"). £180 Ben Boyd, a stockbroker, hoped to capitalise on the H.M.S. Victory at anchor offf Portsmouth, serving as a resources of Australia. He had founded the Royal Bank harbour ship. Her career inclluuded the First and Second of Australia in London, but, when he arrived in Port Battles of Ushant and St Vinncent, with a three-year Jackson in 1842, he used the money raised for his own refit (1800-3) before the Batttle of Trafalgar in 1805. In purposes rather than operate a true bank. He bought 1922 she was moved into a dry dock at Portsmouth for flocks and took up squatters rights, becoming one of prreservation as a museum ship. Today she is the the largest landowners in the colony, established flagship of the First Sea Lord and is the world's oldest Boydtown at Twofold Bay, a port from which he could naval ship still in commissionn. co-ordinate his shipping, whaling and pastoral Stock: 34043 interests. In 1847 he imported a number of Pacific islanders as cheap labour, which failed as the islanders 103. The Battle of Marengo. had no idea what was expected of them and made Boyd J. Christal del. H. Cook sc. London, Pub. Aug.19-1815, unpopular with the European settlers. When anti- byy Rich.d Evans, White row,, Spitalfields. squatter laws were introduced Boyd's finances failed, Engraving. 183 x 229mm (7¼ x 9"). £65 and in 1848 he lost control of the Royal Bank of The Battle of Marengo, fougghht on 14 June 1800, saw a Australia, which was placed in the hands of a liquidator decisive French victory overr the Austrians. Napoleon the following year. Boyd then left Australia on the seen here on his horse leading the surprise attack near 'Wanderer' to try his luck on the Californian goldfields. the end of the day, driving the Austrians out of Italy, Disappointed in America, he set sail to cruise the and enhancing his political position in Paris as First Consul of France. Stock: 34697

104. Siegreiche Besitznehmung der Stadt und Haupfestung Belgrad in Servien durch H.G.F.M. Baron v. Laudon, in beysein S. Königl. Hochheit Erzherzog Franz v. Oesterrr: übernomen d. 7. October 1789. gezeichn. v. Dedinaberg nach der Natur. Johann Martin Will excudit. Aug Vindel. [Augsburg, c.1789.] Engraving. 285 x 400mm (11¼ x 15¾") Narrow margins, creases, some spotting. £490 The Siege of Belgrade in 1789, in which the Austrians under Joseph II bombarded the Ottoman forces in the fortress. A 33-point key notes the main points of the 107. Mort du Marquis de Montcalm Gozon. action as well as the figures shown in the scenes of Dediée au Roi. camp life in the foreground. Above the scene are three Vateau delineavit. Gravé parr G. Chevillet Graveur de medallion portraits: Emperor Joseph II; Ernst von sa M. J. A Paris chez Le Noiir M.d Fournisseur du Laudon, the Austrian Commander; and Prince Cabinet des Estampes de S.A.S. Madame la Duchesse Frederick Josias of Saxe-Coburg-Saalfeld, general and de Chartres, au Jardin du Pallais Royale ou a sa cavalry commander. Belgrade fell after three weeks, demeure rue Fromenteaux. Et chez Bergny M.d but was returned by the Treaty of Sistova on 4 August d'Estampes de S.A.S. Madane la Princess l'Amballe, 1791. rue Coquilliere vis à vis la rue Grenelle S.Honoré. Stock: 33989 Avec Privilege du Roy. Engraving. 490 x 635mm (19¼ x 25"). Faint mount 105. The Tenth in India, Kirkee 1854. Drill buurn. £850 Order. The death of Louis-Joseph de Montcalm (1712-1759), French commander during the Seven Years' War. Drawn by_Fairlie Esq. 10.th.Hussars_E. Walker, lith. During the Battle of Quebec in 1759, both Montcalm Day& So, Lith.rs.to The Queen. London, Published and the British commander, James Wolfe, were killed. March 12.th. 1855 by Rudolph Ackermann at his Similar pictures were painted of both events: Benjamin Military and Sporting Gallery 191 Regent Street. West's fanciful painting of Wolfe's death inspired Lithograph. Rare and fine. Sheet: 400 x 310mm, (15¾ François-Louis-Joseph Wateeau (great-nephew of x 12"). Some staining in margins. £260 Antoine Watteau the rococo painter) to paint this scene A view of 10th Hussars in drill order on the plains near of Montcalm's. However the Marquis did not die on the to Kirkee in Mahaarashtra, India. Following the Battle baattlefield or anywhere near a palm tree. Both of Kirkee in 1817, in which the British East India paaintings are now in the Natiional Gallery of Canada, Company defeated the Marathas, the British set up a Ottawa. cantonment at Kirkee in which the 10th Hussars were An early example: a later staate has the royal dedication stationed between 1846 and 1855. The sweeping plaiinns and armorial removed, post-rrevolution. of India provided the perfect environment for the Stock: 35245 cavalry to practice their drill manoeuvers on a large scale, something which was not possible in England. Stock: 35202 108. [Grotesque figure.] No. 47 by Gordon Craig [old ink mss.] 106. The Siege of Jerusalem by [by Edward Gordon Craig.] [[n.d., c.1920.] Nebuchadnezzar. II King. XXV.i &c. Wood engraving on Japon. Printed area 250 x 170mm (9¾ x 6¾"). £650 [London, 1732] A wood engraving of a figurre by Edward Gordon Craig Engraving, platemark 340 x 450mm (13½ x 17¾"). (1872-1966), modernist actor, director and scenic Folds as issued; repaired tear into image on right. £220 designer, son of Ellen Terry aand lover of Isadore 'So in the ninth year of Zedekiah’s reign, on the tenth Duncan. In 1910 he wrote 'A Note on Masks', in which day of the tenth month, Nebuchadnezzar king of he expounded on the use of masks to capture the Babylon marched against Jerusalem with his whole audience’s attention, imagination and soul: certainly army. He encamped outside the city and built siege this figure's features resemblle a Japanese Noh mask. works all around it.' Plate from the London publication Ex: collection of the Hon Chhristopher Lennox-Boyd. of Augustin Calmet's 'Historical, critical, geographical Stock: 33998 [...] Dictionary of the Holy Bible' (1732). Stock: 35021 109. [Pekingese] L. Fraser [pencil signature] Etching with very large margins, platemark 155 x 105mm (6 x 4"). £130 Limited-edition etching of a Pekingese. Stock: 34690 beeing to hang them together at Miller's house at 50 Albemarle Street, London. Annette Peach writes of the commission: "In 1813 Murray commissioned from Phillips a portrait of Byron (who brought the puublisher more commercial success than any other of hiss writers), which still hangs over the drawing-room firepllace in Albemarle Street. The half-length view famously shows a pale- complexioned Byron in a white shirt with a large turned-down ‘Byronic’ collaarr open at the neck to reveal his throat, and wrapped in a dark cloak. The dress and poose are identical to that of Charles Mayne Young in his portrait by G. H. Harlow (1809; Garrick Club, London), where the actor is portrayed as Hamlet, and it is possible that Byron saw Young perform this role. As in his portrait of Blake, Phillliips's ability to convey the 110. A White Bear. Romantic (and here self-dramatizing) cast of his sitter's J. Webber del. Mazell sculp. [London: Nicol & Cadelll, imagination indicates that, allthough his œuvre is less n.d., c.1785.] flamboyant than that of his contemporary Sir Thomas Engraving, very fine. On watermarked paper. Lawrence, he, too, was quinttessentially a Romantic Platemark: 215 x 265mm (8½ x 10½"). Uncut with paainter." very large maargins. £320 One of the finest of the many engraved portraits of A plate from 'Cook's Voyage to the Pacific'. A Polar Byron. Ex: Collection of the Late Hon. C. Lennox- Bear in profile to the right, at Icy Cape in Alaska, Boyd; For a smaller version of the same image see ref. which was discovered and named by James Cook on 31882. August 17, 1778, on account of the ice along the coast. Stock: 34943 Icy Cape is in an area of landspits, bounded by Kasegaluk Lagoon to the east and Sikolik Lake further 113. Lord Byron inland. Painted by T. Phillips, R.A. // Engraved by Edw.d John Webber (1751-93) travelled with Captain Cook Finden London, Published by John Murray, 1827 on the Third Voyage (1776-80) as the Official Artist of Line engraving on india with very large margins, the expedition, recording the explorer's death at the pllatemark 190 x 115mm (7½ x 6"). Tipped into album hand of Hawaiian natives. sheet. £120 Stock: 34180 George Gordon Noel Byron (1788-1824), British poet and archetypal Romantic figure. Byron was celebrated 111. B. West. Hist.ae Pictor. in life for aristocratic excesses including huge debts, P. Falconet del. 1768. D.P.Pariset Sculp. numerous love affairs, rumours of a scandalous Stipple. 178 x 127mm (7 x 5"). Cut. £120 incestuous liaison with his half-sister, and self-imposed Benjamin West (1738-1820), the American history exile. He travelled to fight against the Ottoman Empire painter born in Pennsylvania. In 1760 he went to Rome in the Greek War of Indepenndence, for which Greeks and was in London by 1763 where he remained and revere him as a national hero. He died at 36 years old became President of the Royal Academy. from a fever contracted while in Missolonghi, Greece. Stock: 34760 Not in O'D; For a larger version of the same image see ref. 34943. 112. George Lord Byron. Stock: 34949 Painted by T. Phillips Esq.e R.A. 1814 / Engraved by T. Lupton, 1824 London, Published Nov.r 20 1824 for 114. Lord Byron [ms] T. Phillips, by W.B. Cooke 9 Soho Square. [possibly by J.S. Agar, 1814]] Mezzotint with very large margins, platemark 380 x Line engraving on india, prooof before letters, with very 260mm (15 x 10¼"). Strong proof impression. Some large margins; platemark 220 x 180mm (8¾ x 7"). foxing. £360 Tipped into album sheet. £120 George Gordon Noel Byron (1788-1824), British poet George Gordon Noel Byron (1788-1824), British poet and archetypal Romantic figure. Byron was celebrated and archetypal Romantic figure. Byron was celebrated in life for aristocratic excesses including huge debts, in life for aristocratic excesses including huge debts, numerous love affairs, rumours of a scandalous numerous love affairs, rumours of a scandalous incestuous liaison with his half-sister, and self-impossed incestuous liaison with his half-sister, and self-imposed exile. He travelled to fight against the Ottoman Empiire exile. He travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greekss in the Greek War of Indepenndence, for which Greeks revere him as a national hero. He died at 36 years old revere him as a national hero. He died at 36 years old from a fever contracted while in Missolonghi, Greece. from a fever contracted while in Missolonghi, Greece. Engraved from the portrait by Thomas Phillips, which O'D 27?; For a larger version of the same image see was undertaken as part of a commission by the ref. 34943. publisher William Miller to paint the portraits of Stock: 34946 several poets whose works he published, the intention 115. Lord Byron after Phillips, 1831 [ms in in the Greek War of Indepenndence, for which Greeks lower margin] revere him as a national hero. He died at 36 years old [possibly by R. Woodman] from a fever contracted while in Missolonghi, Greece. Line engravinng on india with very large margins, Engraved (and cropped) from the portrait by Thomas platemark 210 x 150mm (8¼ x 6"). Proof before Phillips, one of two that Phillllips painted of Byron in letters; tipped into album sheet. £120 1813. The portrait and its reception are described by George Gordon Noel Byron (1788-1824), British poet Annette Peach: and archetypal Romantic figure. Byron was celebrated "While sitting to Phillips for his picture for [William] in life for aristocratic excesses including huge debts, Murray, Byron also, as he reccorded to Lady numerous love affairs, rumours of a scandalous Melbourne, had to ‘stand forr my picture’ in Albanian incestuous liaison with his half-sister, and self-impossed dress (July 1813, Byron's Lettters and Journals, 3.70). exile. He travelled to fight against the Ottoman Empiire In his painstakingly accuratee recording of the richly in the Greek War of Independence, for which Greekss coloured and ornately embroidered dress (priv. coll.) revere him as a national hero. He died at 36 years old which had ‘so much gold [it]] would cost in England from a fever contracted while in Missolonghi, Greece. two hundred [guineas]’ (Byrroon's Letters and Journals, O'D 28?; For a larger version of the same image seee 5.227), Phillips ensured that this exotic three-quarter- ref. 34943. length portrait (Gov. Art Colll., British embassy, Stock: 34947 Athens, on loan to NPG) of perhaps the most sought after man in London could noot fail to dazzle the visitors 116. Lord Byron. to the Royal Academy exhibbiition of 1814 who were, Painted by T. Phillips Esq.e R.A. / Engraved by S.W. that season, eagerly reading copies of Byron's oriental Reynolds. Pub.d by T. Phillips Feb.y 1822 tales. (Together with his halff-length portrait, Phillips Mezzotint with very large margins, proof, platemark exhibited his ‘Albanian’ porttrait of Byron in the same 230 x 165mm (9 x 6½"). £220 exhibition.) Though it undoubtedly succeeded in George Gordon Noel Byron (1788-1824), a British drawing favourable attention to the painter (an poet and a leading figure in the Romantic movement.. important consideration for an artist in submitting He was celebrated in life for aristocratic excesses works for exhibition) and poossessed much ‘that including huge debts, numerous love affairs, rumours conveys the idea of the softnness and the wildness of of a scandalous incestuous liaison with his half-sister, character of the popular poett of the East’, Hazlitt and self-imposed exile. He travelled to fight against the rightly criticized its ‘too smooth’ appearance in which Ottoman Empire in the Greek War of Independence, Byron appears ‘barbered ten times o'er’ (Complete for which Greeks revere him as a national hero. He Works, 18.18–19). Perhaps overwhelmed by the need died at 36 years old from a fever contracted while in to represent the charismatic iidentity of the sitter and Missolonghi, Greece. satisfy the exacting requirements for painting the Ex: Collection of the Late Hon. C. Lennox-Boyd; flamboyant dress (or possibly constrained by the need Whitman 45; O'D 22 to rely on his half-length porrtrait rather than further ad Stock: 34948 vivum sittings), Phillips only partially fulfilled the opportunity for portrayal this commission presented. Nevertheless, the image is one that continues to fascinate viewers, and the half-length replica in the National Portrait Gallery is one of its most popular poortraits." Not in O'D; For Phillips' other portrait of Byron see ref. 34943. Stock: 34950

118. [George, Lord Byron] Armstrong sc. [ms] [Pub. by J. Murray, 1819] Line engraving on india with very large margins, 235 x 165mm (9¼ x 6¾"). Tipped into album sheet. Manuscript in lower margin: in pencil "Unpublished prrint by Armstrong only 20 iimpressions from this plate which was then destroyed". £180 117. Lord Byron in his Albanian Dress. George Gordon Noel Byron (1788-1824), British poet Painted by T. Phillips, R.A. / Engraved by W. Finden and archetypal Romantic figure. Byron was celebrated Printed by McQueen in life for aristocratic excesses including huge debts, Line engravinng on india with very large margins, numerous love affairs, rumours of a scandalous platemark 285 x 230mm (11¼ x 9"). Tipped into album incestuous liaison with his half-sister, and self-imposed sheet. £320 exile. He travelled to fight against the Ottoman Empire George Gordon Noel Byron (1788-1824), British poet in the Greek War of Indepenndence, for which Greeks and archetypal Romantic figure. Byron was celebrated revere him as a national hero. He died at 36 years old in life for aristocratic excesses including huge debts, from a fever contracted while in Missolonghi, Greece. numerous love affairs, rumours of a scandalous O'D 27; For a larger version of the same image see incestuous liaison with his half-sister, and self-impossed ref. 34943. exile. He travelled to fight against the Ottoman Empiire Stock: 34945 119. [George, Lord Byron] James Cook's first circumnavigation, on which Cook T. Phillips R.A. pinxit / C. Warren sculpsit [c.1824] mapped New Zealand and the east coast of Australia Line engravinng on india with very large margins, prooof accurately for the first the time. before title; 270 x 170mm (10½ x 6¾"). Tipped into Stock: 34440 album sheet. £120 George Gordon Noel Byron (1788-1824), British poet and archetypal Romantic figure. Byron was celebrated in life for aristocratic excesses including huge debts, numerous love affairs, rumours of a scandalous incestuous liaison with his half-sister, and self-impossed exile. He travelled to fight against the Ottoman Empiire in the Greek War of Independence, for which Greekss revere him as a national hero. He died at 36 years old from a fever contracted while in Missolonghi, Greece. Not in O'D; For a larger version of the same image see ref. 34943. Stock: 34944

120. Etienne Calvel, de Toulouse Dess au Physionotrace et gravé par Quenedey rue des petits Champs No.1284 a Paris Etching and aquatint with large margins, platemark 130 x 90mm (5 x 3¾"). Good impression. £180 French author Etienne Calvel, made by Edme Quénedey (1756 - 1830), a miniature painter and engraver, who made much use of the physionotrace. This was a mechanised drawing instrument that could reproduce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey’s portraits from 1787 to 1789, in 122. Lt. Col.l Denham F.R.S. late Lt. 1786. Chretien and Quenedey founded a very Governor of Sierra Leone. From a picture successful portrait studio in Paris together in 1788. painted on his return from Bornou in Central Between 1786 – c.1810 there were only two studios in Africa in 1825, by Tho.s Phillips Esq.r R.A. in Paris which pproduced a relatively small number of the possession of John Murray Esq.r physionotrace engravings. Consequently very few off Engraved by John Bromley. London, Published March these intriguing portraits are preserved today. Because 15, 1831, by Colnaghi Sen.r Dominic Colnaghi & Co. of their origins and the realism physionotrace portraits Printsellers to their Majesties, Pall Mall East. have, they can be seen as true photo-graphic objects Mezzotint with very large maargins, platemark 336 x and are therefore classified as a forerunner of 252mm (13¼ x 10"). Slight ffoxing around platemark. photography. £260 Stock: 35222 Dixon Denham (1786-1828),, English explorer in West Central Africa. He fought in the Napoleonic Wars and 121. John Hawkesworth, L.L.D. was decorated with the Waterloo Medal, before Engraved from an Original Picture. [n.d., c.1800.] volunteering in 1821 to join oone of several expeditions, Stipple. Sheet size: 117 x 80mm (4½ x 3¼"). Trimmed sent by the British government to explore the Africa inside platemark. £70 interior. After difficulties witth the Pasha of Tripoli, and A portrait in an oval of writer and translator Dr. John weakened by malaria, the exppedition struggled across Hawkesworth (c.1720 - 1773). He is said to have beeen the Sahara to become the first Europeans to see Lake clerk to an attorney, and was certainly self-educated. In Chad in 1823. He returned to England in 1824 and two 1744, he succeeded Samuel Johnson as compiler of the years later was elected a fellow of the Royal Society. parliamentary debates for the Gentleman's Magazine. In 1826 he sailed to Sierra Leeone as superintendent of In company with Johnson and others, he started a libertated Africans and in 18228 he was appointed periodical called 'The Adventurer', which ran to 140 governor of Sierra Leone, but after administering the issues, of which 70 were from the pen of Hawkesworth colony for five weeks he died of a fever at Freetown. himself. Hawkesworth was a close imitator of Johnson Engraved after the portrait by Thomas Phillips both in style and thought, and was at one time on very (London, National Portrait Gallery), whose over 700 friendly terms with him. It is said that he presumed on poortraits record the leading personalities of his time Ex: his success, and lost Johnson's friendship as early as Collection of the Late Hon. C. Lennox-Boyd. 1756. Stock: 34955 Hawkesworth is most remembered today for his compiling of the three-volume 'An account of the voyages undertaken by the order of His present Majesty for making discoveries in the Southern Hemisphere...', which contained the offiicial account of 123. The Right Hon.ble Sir Alexander years in Aleppo he was profiicient enough in Arabic to Johnston, Knt. Chief Justice of the Admiralty bee able to pass as a native. He travelled around the Court in the Island of Ceylon. Dead Sea disguised as a beggar, then travelled from W.M. Craig del. T. Woolnoth sculp. Jiddah to Mecca as a pilgrim. After converting to Stipple, laid on album page. 178 x 115mm (7 x 4½"). Islam, taking the name Hag Moses, he made several £70 more journeys across Arabiaa but, in September 1811, Sir Alexander Johnston (1775-1849), the British he set out on a trip from Mocha to Muscat and was colonial officer who served as 3rd Chief Justice of found dead two days later. Ceylon and 2nd Advocate Fiscal of Ceylon. Along In 1810 Seetsen published 'A Brief Account of the with Henry Thomas Colebrooke and others he was a Countries Adjoining the Lake of Tiberias, the Jordan, founding member of the Royal Asiatic Society of Great and the Dead Sea', and in 18554 four volumes of his Britain and Ireland. journals were issued. Ex: Coollection of The Hon. C. Stock: 34585 Lennox-Boyd. Stock: 34131 124. Sir Walter Raleigh. J. Chapman Sculp. Published as the Act directs, Jun 2. 1797. Stipple with small margins. Platemark: 160 x 110mm (6¼ x 4¼"). £70 A portrait of Sir Walter Raleigh (c.1554-1618), the famed English aristocrat, writer, poet, soldier, courtier, spy, naval commander and explorer. Stock: 34603

125. William Scoresby. Jun.r Esq.r. F. R. S. E. &c. A. Mosses del. E. Smith sculp. [Published by Henry Fisher, Caxton Liverpool, 1821.] Engraving. Sheet size: 163 x 100mm (6½ x 4"). Trimmed inside platemark. £75 A half length portrait of English Arctic explorer, scientist and clergyman, William Scoresby (1789 - 1857). His father, William Scoresby Senior (1760– 1829), made a fortune in the Arctic whale fishery and was also the inventor of the barrel crow's nest. In his voyage of 1807, Scoresby Jnr. began the study of the meteorology and natural history of the polar regions and in 1811, his father resigned to him the command of the 'Resolution'. Scoresby gained election as a fellow of the Royal Society of Edinburgh, and of his sixty 127. [America] Rhio Rhio. King of the papers published in the Royal Society list, many were Sandwich Islands. on the study of magnetism, which he used to improve [Engraved for the Lady's Magazine. 1824.] the accuracy of the ship's compass. However his Lithograph. Sheet Size: 145 x 110mm (5¾ x 4¼"). observations extended into other departments, Trimmed. £95 including researches on optics and, with James Joule, Kamehameha II (c. 1797 - 1824) was the second king comparing electromagnetic, thermal, and organic of the Kingdom of Hawaii, whose birth name was power sources. William junior finished whaling in Liholiho. He is best remembeered for the 'Ai Noa', the 1823, aged 33, to train for the ministry. brreaking of the ancient kapu (taboo) system of Stock: 34373 religious laws six months intto his reign, when he sat down with his mother Keopuolani and ate a meal 126. U.J. Seetsen. Russ: Kaiserl: together. He was a frequent ttraveller and known to be Kammerasfessor und Doctor. impulsive, and one of his voyages would prove fatal. E.C. Dunker gemalt. F.C. Bierweiler geschabt. On April 16, 1822 English missionary William Ellis Verlager A. Garlichs. Jever 1818. arrived with a schooner Prince Regent of six guns to Mezzotint with very large margins, very scarce. 290 x add to his growing collection of ships. It was a gift 230mm (11½ x 9") plus separate title plate 70 x from the King of Great Britaain, and Kamehameha II 225mm (2¾ x 8¾"), with wide margins. Slight crease wrote to thank him, requesting closer diplomatic ties. vertical. £420 In November 1823 he travellled to England, stopping Ulrich Jasper Seetzen (1767-1811), medical doctor and along the way in Brazil, eventualy arriving in explorer of Palestine & Arabia. Born in Jever, Germmaan Portsmouth in May 1824. Hiis arrival was met by the Frisia, he graduated from the University of Göttingen local press with a mixture off curiosity and derision and as a doctor, before setting out for the Middle East in they were not sure what to call the king, spelling his 1802. After six months in Constantinople and two 'Liholiho' name various ways such as 'Rheo Rhio'. He and his Queen Kamāmalu attended opera and ballet at effectively held power for decades, even over the Royal Operaa House in Covent Garden on May 31, and appointed Ottoman governorr of Egypt. the Theatre Royal in Drury Lane on June 4 in the Stock: 34389 Royal Box. They were an unusual sight to the British people who had seen few Native Hawaiians, moreover, 130. [Brazil] Amélie. Impératrice du Brésil. Kamāmalu was over six-feet tall. George IV finally Belliard / Lith. de Delpech [c.1855] scheduled a meeting for June 21, but it had to be Lithograph, printed area 2000 x 150mm (8 x 6"). Uncut delayed as Kamāmalu became ill. The Hawaiian court sheet. £95 had caught measles, to which they had no immunity. Amélie of Leuchtenberg (18112-73), Empress of Brazil Kamāmalu died on July 8, 1824 and the grief-stricken and wife of Pedro I. After Pedro's abdication, the Kamehameha died six days later. couple returned to Europe. Stock: 34386 Stock: 34256

131. [Brazil] Dom Pedro. A. Maurin 1832 [in image] / Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 Lithograph, image 165 x 110mm (6½ x 4½"). Wove paaper; uncut sheet; foxing; puublisher's blindstamp. £90 Pedro I (1798-1834), foundeerr and first ruler of the Empire of Brazil. The child of king João VI of Portugal, Pedro fled to Braziil (then Portugal's richest colony) with his family when their homeland was invaded by France in 1807. After João returned to Portugal in 1820, Pedro remained in Brazil to rule as regent. Pedro oversaw the transition to Brazilian independence. He was also briefly king Pedro IV of Portugal before abdicating in favour of his daughter Maria II. In 1828 Pedro's brother Miguel usurped Maria as poortuguese ruler, while numerous difficulties in Brazil (such as the scandal arising ffrom an affair with a female courtier) made Pedro''s position increasingly untenable. In 1831 Pedro abdicated the Brazilian throne in favour of his son (Pedro II) and sailed for Europe. He led an invasion of Portugal in 1832 which eventually returned Maria to the throne shortly before 128. [Armenia] Arutin George. his own death in 1834. G. Kneller Pinx.t 1712. J. Faber fecit 1738. Sold by J. From a series of portraits by lithographer Antoine Faber at the Golden Head in Bloomsbury Square. Maurin dit l'aîné (1793 - 1860). For Maria II, see ref. Mezzotint with very large margins; scarce platemark 34516. 355 x 255mm (14 x 10"). Excellent condition; early ms Stock: 34519 verso. £320 Apparently an Armenian merchant who came to 132. [China] A Chinese Princess of the England during the reign of Queen Anne. Ex: present Manchoo Tartar Race. collection of the late Hon. C. Lennox-Boyd; CS 152. J. Chapman sculp. London Published as the Act directs Stock: 34113 Nov.14th 1801 by J. Wilkes. Colour stipple and etching with large margins. Plate 129. [Asia] Mourat Bey. 165 x 115mm (6½ x 4½"). Trimmed to plate on right. [n.d., c.1800.] Fine colouring £75 Stipple. Sheet size: 112 x 80mm (4½ x 3¼"). Trimmed A Manchu princess shown heead and shoulders to right inside platemark. Glued to backing sheet. £65 looking ahead with a smile, wearing a tall head-dress A bust portrait of Murad Bey Mohammed (c.1750- with a veil decorated with patterns, a bird and a plume 1801), full face, bearded, in a hat with turban, and and jewels above the centre of the brow, secured by a dressed in a plain gown. In an oval. Murad was an string of pearls under her chiin, with earrings and Egyptian Mamluk chieftain (Bey), cavalry commandeer necklaces and a silk shawl with a decorated hem; oval and joint ruler of Egypt with Ibrahim Bey. After the format; one of a series. death of his master Muhammad Bey Abu al-Dhahab, One of a number of stipple heads of Kings and Queens Murad Bey was in command of the Mamluk army, of similar format printed on quarto sheets, by whereas Ibrahim Bey was in charge of administrative Chapman, published by J. Wilkes. duties of Egypt. They survived through the persistent Stock: 34674 Ottoman attempts at overthrowing the Mamluk regime and civil strifes. They served as kaymakams (acting governors) in Egypt on occasion, although they 133. [France.] Krantz. Paul Maurou Dess. d'apres la photog Truchelut. Imp. Lemercier & Cie., Paris. [n.d. c.1880.] Lithograph, with very large margins, rare. 451 x 316mm (17¾ x 12½"). £130 Jean Baptiste Sebastien Krantz (1817-1899), the French engineer and politician. He was responsible for the 1867 Pariis Universal Exhibition. He spent twenty years developing the French railway system and gave advice to Matsukata of Japan. The two studied the topographical maps of Japan and Krantz suggested that the first major undertaking should be a line from Tokyo to Osaka. Stock: 34646

134. [Mallta] G.M. de Malte. [Paris, 1683.] Engraving. 150 x 105mm (6 x 4¼"). Very slight crease on right. £160 The costume of the Grand Master of the Knights of Malta, published in Alain Manesson Mallet's 'Description de l'Univers', an encyclopedic work Stock: 34003

135. [Poland] General Kościusko. Commander in chief of the Polish Army. Published as the Act directs [n.d., c. 1790]. 137. [Don Bernardino Rivadavia, President of Stipple with etching, small margins. Platemark: 165 x the Republic of the United Provinces.] 112mm (6½ x 4½"). £65 Painted by T. Phillips Esq.r. R.A. Engraved by A portrait, in an oval, of General Tadeusz Kościuszko C.Turner, Mezzotinto Engraver in Ordinary to His (1746 - 1817), a Polish military engineer and a military Majesty. London Published Oct.r 24 1825, by Mr leader who became a national hero in Poland, Belaruss, Turner, 50, Warren Street, Fiitzroy Square. and the United States. He fought in the Polish- Mezzotint with very large maargins, platemark 510 x Lithuanian Commonwealth's struggles against Russia 370mm (20 x 14½"). Slight ffoxing to margins; very and Prussia, and on the American side in the American scarce. £620 Revolutionary War. As Supreme Commander of the Bernardino de la Trinidad Gónzalez Rivadavia y Polish National Armed Forces, he led the 1794 Rivadavia (1780-1845), firstt president of Argentina Kościuszko Uprising. (then known as the Republicc of the United Provinces), Stock: 34427 1826-7. He sits at a desk holding a document headed 136. [Portugal] Dom Miguel. 'Reforma [E]celesiastica Buenos Ayres 1822' A. Maurin 1832 [in image] / Lith. de Lemercier rue du (Rivadavia's religious reforms transferred many of the Four S.G. No.35 Paris chez Chaillou Editeur rue St Catholic church's assets to the Republic). Another Honoré No. 140 document, headed 'Systema Representative' also on the Lithograph, image 165 x 110mm (6½ x 4½"). Wove table. In 1824 Rivadavia visiited London where, in paper; uncut sheet; foxing; publisher's blindstamp. £90 association with the Hullet Brothers bank he founded Miguel I (1802-66), King of Portugal (1828-34). A son the Rio de la Plata Mining Association. Rivadavia was of João VI, Miguel revolted against his father, who also a correspondent and admirer of Jeremy Bentham, exiled him to Vienna. After the death of João VI, the who he first met in London iin 1820. heir-apparent Pedro remained in Brazil, where he had Engraved after the portrait by Thomas Phillips (1770- become Emperor. Pedro abdicated the portuguese 1845), whose over 700 portraits record the leading throne in favour of his daughter Maria regent of peersonalities of his time. Ex: Collection of the Late Portugal, but Miguel deposed her in 1828, with the Hon. C. Lennox-Boyd; Whitman 497 i/ii. support of the British Prime Minister, the Duke of Stock: 34927 Wellington. In 1831 Pedro abdicated the Brazilian throne and led an invasion of Portugal, beginning a three-year civil war which ended with Miguel 138. [Russia] Alexander Emperor of Russia. abdicating. He spent the rest of his life in exile in Italy, Drawn from the Life. England and Germany. Published by S. Phillips, July 21 1814 From a series of portraits by lithographer Antoine Etching with very large margins, platemark 205 x Maurin dit l'aîné (1793 - 1860). For Maria II, see ref.f. 150mm (8 x 6"). Fine impression; slight foxing; tipped 34516; for Pedro, see 34519; for a British satire into album sheet. Rare. £220 criticizing Wellington's stance towards Miguel, see ref. Alexander I of Russia (1777--1825), known as 30580. Alexander the Blessed, Tzar from 1801, Ruler of Stock: 34520 Poland from 1815, as well as the first Russian Grand Under his rule, the Russian Empire reached its greatest Duke of Finland and Lithuania. extent of over 20 million square kilometres. Probably from a drawing by Thomas Phillips made at From a series of portraits by lithographer Antoine the time of the visit of the Allied Sovereigns to Maurin dit l'aîné (1793 - 1860). For Nicholas England in June 1814 to celebrate the Peace of Paris. triumphant in battle see ref. 29832; for satirical In 1817 Phillips (who also had the rare distinction of representations of Nicholas see refs. 22270 and 30550. having painted Napoleon from life, in 1802) painted a Stock: 34514 large canvas (now in Petworth House, Sussex) commemorating the event, showing Alexander. 141. [Russia] The Hetman Platoff. Stock: 34935 Rambauer Pinx.t / H.R. Cook Sculp.t London, Pub. June 20 1814 by Colnaghi & Co 23 Cockspur Street. Soft-ground etching with verry large margins, pllatemark 280 x 220mm (11 x 8¾"). Slight stain on right. £160 Count Matvei Ivanovich Plattov (1757-1818), Russian general and 'hetman' of the Don Cossacks during the Napoleonic wars. His horsemen scourged the French during their retreat from Moscow in 1812 and again after their defeat at the Battle of Leipzig, 1813. He accompanied Alexander I to London where he received an honorary degree from the University of Oxford and was painted by Sir Thomas Lawrence for the Waterloo Chamber at Windsor Castle. Stock: 35232

142. [Russia] Count Wiittgenstein. Lieutenant General of the Imperial Russian Armies. Engrav'd by Facius, after a sketch lately arrived from Russia. Stipple. Sheet size: 185 x 1200mm (7¼ x 4¾"). Trimmed inside platemark. £65 Ludwig Adolph Peter, Prince Wittgenstein (1769 - 1843) was a Russian Field Marshal distinguished for his services in the Napoleoniic wars. He was promoted to Major in 1793 of the Ukrainian light cavalry regiment. He fought with the unit in the Kościuszko Uprising. In 1800 he took coommand of the Mariupolski Hussars Regiment and lead thhe Russian army in 139. [Russsia] Alexander 1st. Emperor of numerous campaigns. In 1828 he was appointed to Russia. command the Russian army iin the war against Turkey, C.MF. Dien sc. London, Pub. June 14 - 1814, by buut ill health soon obliged hiim to retire. In 1834 the Hassell & Rickards, 344, Strand. King of Prussia gave him the title of Fürst (Prince) zu Engraving with very large margins, platemark 185 x Sayn-Wittgenstein. 130mm (7¼ x 5"). Good impression. £160 Stock: 34453 Alexander I (1777-1825) served as Emperor of Russia from 1801 to 1825, and the first Russian King of 143. [Russia] General Wittgenstein. Poland from 1815 to 1825. He was also the first [n.d., c. 1810]. Russian Grand Duke of Finland and Lithuania. Stipple. Sheet: 125 x 170mm, (5 x 6¾"). Scuffing and Stock: 35230 surface dirt. £45 Half-portrait of Ludwig Adoolf Peter Prince 140. [Russsia] Nicolas 1.er Empereur de Wittgenstein (1769-1845), a Russian Feild Marshall Russie who was distinguished for services during the A. Maurin 1832 [in image] / Lith. de Lemercier rue du Napoleonic Wars. Four S.G. No.35 Paris chez Chaillou Editeur rue St Stock: 34494 Honoré No. 140 Lithograph, image 180 x 110mm (7 x 4¼"). Wove 144. Field Marshal Count Alexander paper; uncut sheet; publisher's blindstamp. £130 Suwarrow Rimniskoy Commander in Chief of Nicholas I (1796-1855), Emperor of Russia from 1825 the Combined Armies in Italy until his death. Although he led the Imperial Russian C. Hamper del. / N. Schiavonetti Sculp London Army in the uunsuccessful Crimean War, Nicholas Publish'd June 21st 1799 by MMessrs Schiavonetti, No helped to create an independent Greek state and seized 12 Michaels Place Brompton. several territories in the Caucasus, defeating the Sitpple with very large marggiins, very fine; platemark Ottoman and Persian Empires in the wars of the 1820s. 355 x 250mm (14 x 10"). Miint. £330 Aleksandr Vasilyevich Suvorov (1729-1800), Russiaan Fort Pitt. He also served as the first British Governor military commander. He was the fourth and last General in Canada after the defeat of the French. generalissimo of the Russian Empire. He was one of Engraved after the 1765 porttrait by Sir Joshua the few great generals in history who never lost a Reynolds (now in the Mead Art Museum at Amherst battle, and he was famed for his military manual 'The College, Massachusetts). Reynolds alludes to Science of Victory'. Amherst's greatest achievemment, the conquest of This print was published in 1799, soon after Suvorov Canada in 1760 in various ways: by showing the (aged 68) led his forces to victories at Cassano d'Adda ribbon and star of the Order oof the Bath he received for and Trebbia iin the Italian campaign which contributeed his victory; showing an annotated battleplan (barely to driving French troops from Italy and therefore visible at the bottom of this print although the crucial ensured his popularity in England. word 'Montreal' is clearly legible); and showing in the Stock: 35227 baackground Amherst's battallion negotiating the Saint Lawrence River, led by Iroquois guides in canoes. Ex: 145. Alexander Selkirk. collection of the late Hon. C.. Lennox-Boyd; Hamilton Craig del. Warren Sc. Publish'd by Nuttall, Fisher & p.2; O'D 3; CS 1 Co. Liverpool, Oct. 24 1814. Stock: 34105 Engraving, rare. Sheet 210 x 140mm (8¼ x 5½"). £130 Alexander Selkirk (1676-1721), Scottish privateer and castaway, the inspiration for Robinson Crusoe. He spent four years marooned on Juan Fernández, an uninhabited island in the South Pacific Ocean. Stock: 34454

146. Dalrymple. Son of Sir James Dalrymple Bar.t born 24 july 1737. Engravd by Ridley from an original drawing by Johnn Brown. [Pubb. by J. Sewell, Dec. 1, 1802.] Stipple. Sheet size: 130 x 110mm (5¼ x 4¼"). Trimmed inside platemark. £50 A plate from the 'European Magazine'. A portrait of Alexander Dalrymple (1737 - 1808), a Scottish geographer and the first Hydrographer of the British Admiralty. He produced thousands of nautical charts, mapping a remarkable number of seas and oceans for the first timee, and contributing significantly to the safety of shipping. He went to London in 1752 and was appointed a writer in the British East India Company, being postedd to Madras. In 1765 was elected a fellow of the Royal Society and in 1782 was elected a foreign member of the Royal Swedish Academy of Sciences.. Stock: 34438

147. Sir Jeffery Amherst, Knight of the most honorable Order of the Bath, Governor of 148. General Sir Charles Asgill Bar.t G G G Vriginia, Colonel of His Majesty's 15th & 60tth O &c &c &c Regiments of Foot, Lieutenant General & Painted by T. Phillips Esq. R.A. / Engraved by C. Commander in Chief of His Majesty's Forces Turner London, Published April 26th 1822 by C. in North America from 1758 to 1762. Turner No 50 Warren Street,, Fitzroy Square. J. Reynolds pinx.t / R.P [Richard Purcell, in image Mezzotint with very large maargins, platemark 510 x lower left] 355mm (20 x 14"). Foxing arround edges. £450 Mezzotint, pllatemark 355 x 250mm (14 x 9¾"). Sir Charles Asgill, second baronet (1762-1823), army Trimmed to plate along bottom; margins bit tatty. officer. Asgill joined the army in 1778, and was £290 ordered to North America in 1781, joining Cornwallis' Jeffery Amherst, (1717-1797), one of the major figures army. With the capture of Yorktown, Virginia, Asgill in eighteenth century military history. Amherst served was taken prisoner. Asgill waas almost executed in in the British Army and as Commader-in-Chief of the retaliation for the death of an American officer, before Forces in many campaigns, including the Seven Years Asgill's mother appealed to thhe French prime minister War, the American War of Independence, Governor of to intervene on her son's behhaalf. After his return Asgill Virginia and the French Revolutionary War. subsequently served in continental Europe, in Ireland Notoriously, Amherst suggested the use of and in the West Indies, reaching the rank of colonel in contaminated blankets to spread smallpox to the 1814. Delaware and Shawnee native Americans surrounding Engraved after the portrait by Thomas Phillips (1770- 1845), whose over 700 portraits record the leading personalities of his time. Ex: Collection of the Late D'Urban's governorship was marked by the great trek Hon. C. Lennox-Boyd; Whitman 20; for Asgill's of Boers from eastern districctts towards Port Natal Richmond residence see ref. 8718. (1836-8), which was occupied after his dismissal, but Stock: 34936 was given his name (ie Durbban) as a mark of his poopularity among the white colonial community. From a portrait by Thomas Mogford, who after exhibiting in London in the 1830s and 1840s moved to Guernsey to found a school of painting. Ex: collection of the late Hon. C. Lennox-Boyd. Stock: 34118

151. Lieu.t. General The Honorable Henry Edward Fox. Lieut Goveernor of Gibraltar &c. &c. &c T. Phillips A. pinx. C. Turneer sculp. London Published Aug.st. 17 1805 by Colnaghii & C.o. Cockspur Street. Mezzotint with very large maargins. Plate: 250 x 350mm, (9¾ x 13¾"). Foxinng and slight staining around edges. Laid on album sheet. £360 Half portrait of General Henrry Edward Fox (1755- 1811). Fox was a commander in the British Army, serving in the American Warr of Independence and French Revolutionary Wars. Fox also served in various governing positions such as Lieutenant-Governor of Minorca and Commander-in--Chief of the 149. Marquis Cornwallis. Mediterranean. Ex: Collection of the Hon. C. Lennox- H. Walton pinxt. J. Ogborne sculpt. Published as the Boyd. Act directs July 1 1795. No.5, Curzon Street. Stock: 35128 Stipple engraving with sofft-ground etching with very large marginns, platemark 317 x 250mm (12½ x 9¾"). 152. General Harris. On wove paper; crease lower left. £220 Engraved by Wm. Evans from an original painting by Charles Cornwallis, 1st Marquess Cornwallis (1738- A.W. Devis. [Publish'd by J. Sewell 32 Cornhill March 1805), governor-general of India (1786-1793) and lorrd- 1.1800.] lieutenant of Ireland (1798-1801). After serving in thhe Sheet size: 155 x 125mm (6 x 5"). Trimmed inside American War of Independence (, Cornwallis became pllatemark. Laid on scrap paper. Bit messy. £45 the first governor-general appointed under the terms of A portrait of General George Harris (1746-1829) at Pitt's East India Act. Famous for his reforming half-length, facing towards the left, wearing military administration, Cornwallis established the Cornwallis uniform with epaulettes, frilll, and a dark neckcloth. 1st (or Bengal) code for stamping out corruption and Baron Harris was a British soldier who saw active pioneered a more professional, salaried civil service. service in the American Warr of Independence and at His improvements had valuable long-term the Battle of Seringapatam, IIndia. He attained the rank consequencees for the effective government of India. of Lieutenant General and waas Commandere -in-Chief of From the portrait by Henry Walton (Moyses Hall the Madras Army. Museum, Bury St Edmunds). Stock: 34479 Stock: 34525

153. The Late General Sir William Medows, 150. Sir Benjamin D'Urban [facsimile K.B. signature] Stipple. Sheet: 130 x 175mm, (5 x 7"). Trimmed. £50 Painted by T. Mogford Esq. / Engraved by G.T. Payne Half portrait of Sir William Medows (1738-1813), a Mezzotint on india paper, rare; sheet 435 x 320mm (17 British general who served in the American x 12½"). Tear top left; slight damage and mount burn Revolutionary Wars and as Governor of Madras. BM to edges. Proof impression. £260 1879,0614.14 Sir Benjamin D'Urban (1777-1849), army officer and Stock: 34504 colonial governor. D'Urban served in all the great battles of the Peninsular War (including Badajoz, 154. Lord Viscount Nellson, Duke of Bronte. Salamanca and Vitoria). In 1820 he became governor [After Simon de Koster.] [n.d., c.1800.] of Antigua, and in 1824 was made governor of Etching. Platemark: 85 x 130mm (3¼ x 5¼"). Laid on Demerara and Essequibo, which he combined with album sheet. £260 Berbice to form British Guiana (of which he was first An unusual and rare portrait of Lord Horatio Nelson governor, from 1831). In 1833 D'Urban was appointed (1758 - 1805), in profile to the left within a circle. governor and commander-in-chief of the Cape of Good Above sits an illuminated laurel wreath and below a Hope. Despite his achievements, D'Urban was decorative banner on which tthe title is inscribed. At the dismissed in 1837 for extending the frontier and undermining the chiefly structure of Xhosa society. sides are a trident and anchor, and the flags of the whole sojourn in the colony. Fresh colonists, and of a Royal Navy and Great Britain. more effective stamp, were added: some, German The portrait of Nelson is after the sketch made by prrotestants, whose religion had banished them from Simon de Koster c.1800 at a dinner party. It is recorded Austria; others, Scottish highlanders. Settlements were that Nelson had said that of all the sketches and thrown out westward, and an outpost formed at paintings made of him, it was de Koster's that he liked Frederica, on an island at the mouth of the Alatamaha, the most. about sixty miles south of Savannah. NPG: D5389. Stock: 34428 BM: p.368, 3. Stock: 34040

156. The Honourable Col.l Townshend. Tho.s Hudson Pinx.t. J.s Mc.Ardell fecit. Sold by J.s McArdell at the Golden Head in Covent Garden. [c.1757.] Mezzotint with small margins, very rare. 480 x 360mm (18¾ x 14¼"). Horizontal folld caused by binding. £240 George Townshend, 4th Viscount and 1st Marquess Townshend (1724 – 1807), holding a paper 'A Bill, Intituled An Act for the Better Order of the Militia Forces &c.'. As M.P. for Norfolk he campaigned for army reform: he proposed that courts martiial rather than commanding officers shouldd be responsible for discipline in the Army and prressed for a larger militia and smaller standing army. He was personally responsible for ensuring the Militia Act of 1757 reaching the statute book, the event celebrated in this poortrait. 155. General James Oglethorpe. Died 30th As a soldier Townshend fought at Culloden in 1746. June 1785 Aged 102 said to be the oldest During the Seven Years' Warr served as a brigadier in General in Europe__Sketch'd fom Life at the Canada under General James Wolfe; during the the sale of Dr. JJohnsons books Feb.y 18, 1785 siege of Quebec, after Wolfe was killed and the where the Genl was reading a book he had second-in-command, Robert Monckton, wounded, purchas'd without spectacles__In 1706 he had Townshend took command of the British forces, an Ensigns commission in the Guards & receiving the city's surrenderr on September 18, 1759. remember'd to have shot snipes in Conduit He was promoted major general in 1761 and fought at the Battle of Vellinghausen. He served as Lord mead where Conduit Street now stands. Lieutenant of Ireland from 17767–1772, and became S. Ireland delt. et fecit. [Published by I. Cary, 1785.] Lord Lieutenant of Norfolk iin February 1792, Coloured etching. 220 x 165mm. £320 Governor of Kingston-upon--Hull in 1794 and James Edward Oglethorpe (1696 - 1785), general, Governor of the Royal Hospiital Chelsea in July 1795. philanthropist, and colonist of Georgia, as sketched at Chaloner Smith: 176, unrecorded state between i and Dr. Johnson's sale. In June 1732 Oglethorpe, with ii, still with McArdell's name as publisher but with twenty associates, obtained a charter for settling the lettering on paper. Ex Collection of the Hon. colony of Georgia in America, a tract lying between Christopher Lennox-Boyd.. the rivers Savannah and Alatamaha, named in honour Stock: 34275 of George II, who gave Oglethorpe every encouragement. Oglethorpe and the other trustees, who opened an office in Old Palace Yard, Westminster, 157. Lieutenant Colonel Henry Townshend. received liberal private subscriptions and a grant of Died in the 26th Year of his Age (June 24th 10,000l. from parliament. The settlement was designed 1762) of the Wounds whiich he received in the not only as a refuge for paupers, but also as a barrier Battle fought that day at Wilhelmstahl, for the Britissh colonies against aggression by Spain on between the Allied Army under the Command their southern frontier. On grounds of military of H.S.H. Prince Ferdinand of Brunswick & expediency, rather than of social economy, negro the French Army commanded by the slavery was wholly prohibited. Marshalls d'Estrees and de Soubise. On 30 Oct. 1732 Oglethorpe embarked in the Anne J. M.Ardell Fecit [after Sir Joshua Reynolds.] [n.d., galley at Deptford, and in November set sail with 120 c.1762.] settlers. For nine years the life of Oglethorpe and the Mezzotint, very fine impresssion with large margins. history of the colony of Georgia are identical. He at 395 x 280mm (15¼ x 11"). £360 once found a satisfactory site, on which was built thee Henry Townshend, grandson of Charles, 2nd Viscount town of Savannah; and he established friendly relations Townshend, who died at the Battle of Wilhelmstahl, with the natives, which remained unbroken during his the last major battle fought by Ferdinand before the end of the Seven Years' War. He is shown in uniform, 1786. Chretien and Quenedeey founded a very with a bust of John Manners, Marquess of Granby and successful portrait studio in Paris together in 1788. overall commander of the British forces on the Between 1786 – c.1810 there were only two studios in continent, behind him. Goodwin: 94; Chaloner Smith: Paris which produced a relatiively small number of 177, state 1a, but another proof-before-letters state is phhysionotrace engravings. Coonsequently very few of recorded by CLB. From the Collection of Earl Mount these intriguing portraits are preserved today. Because Edgecombe. See 34331 for a printed in colour version. of their origins and the realism physionotrace portraits Ex Collection of the Hon. Christopher Lennox-Boyd.. have, they can be seen as truue photo-graphic objects Stock: 34339 and are therefore classified as a forerunner of phhotography. 158. Dalayrac. Stock: 35220 Dess: au Physionotrace et Gravé par Quenedey rue neuve des petit-champs no.15 à Paris, 1809. Se vend chez Quenedey rue neuve des Petits Champs No.15 a Paris. Dep. a la Bib Imp. Etching and aquatint with small margins, platemark 250 x 195mm (9¾ x 7¾"). On watermarked laid paper; creases. £340 Portrait of French composer Nicolas-Marie d'Alayrac, known as Nicolas Dalayrac (1753 - 1809), best known for his opéras-comiques; bust-length, turned to right, with short grey hair, earring, and decoration pinned to jacket. By Edme Quénedey (1756 - 1830), miniature painter and engraver, who made much use of the physionotrace, a mechanised drawing instrument that could reprodduuce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey’s portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 – c.1810 there were only two studios in Paris which pproduced a relatively small number of physionotrace engravings. Consequently very few off these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of 160. Rear Admiral Sir Francis Beaufort, photography. See BNF FRBNF39603944. K.C.B. D.C.L. Corr. Mem. Inst. France, F.R.S. Stock: 35219 Hydrographer to the Navy from 1829 to 1855. From the original Portrait presented to 159. Dussek Dess au Physionotrace d'après le Buste de feu Greenwich Hospital by the Subscribers to the Callamard et grave par Quenedey. Se vend chez Beaufort Testimonial. Quenedey rue neuve des Petits Champs No.15 a Paris. Painted by Stephen Pearce. Engraved by James Scott. Etching and aquatint with small margins, platemark London, Published by Henry Graves & Compy. March 250 x 195mm (9¾ x 7¾"). Slightly stained. £260 17th. 1857; Printsellers to the Queen__6 Pall Mall. Jan Ladislav Dussek (1760-1812), pianist and Mezzotint, rare; sheet 540 x 4415mm (21¼ x 16½"). composer. Born in Čáslav (now part of the Czech Trimmed to platemark. Dustty. £480 Republic), Dussek travelled widely across Europe as a Francis Beaufort (1774-1856), naval officer and young man. In Paris, he performed before Marie hydrographer, creator of the Beaufort wind scale. Early Antoinette and made the acquaintance of Napoleon, in his career at sea Beaufort's gallant record and before fleeinng to England at the time of the French scientific talents made him well known throughout the Revolution. He spent eleven years in London working navy. In 1817 he published a record of his survey and as a piano teacher and giving concerts, appearing with exploration of the southern Turkish coast (then little Haydn whenn the latter visited London. He then lived in known to Europeans). In 1829, at the age of 55, Prussia before accepting a position with the politician Beaufort became the Hydrographer of the British Talleyrand to spend his final years in France. Admiralty, remaining so for 26 years, charting the seas By Edme Quénedey (1756 - 1830), miniature painter to make them safe for the increasing amount of British and engraver, who made much use of the and foreign shipping. Beaufort converted a minor chart physionotrace, a mechanised drawing instrument that repository into the finest surveying and charting could reprodduuce the outline profile of a portrait. institution in the world. Some of his excellent charts It was invented by Gilles-Louis Chretien, who are still used, 200 years afterr he created them. Ex: engraved Quenedey’s portraits from 1787 to 1789, in collection of the Late Hon. C. Lennox-Boyd; for proof poortrait by Beechey used as a basis for this print was impression see ref. 4591. commissioned by the City off Norwich in 1800; it is Stock: 35225 regarded as the most faithfull likeness of him, and is now in the National Portrait GGallery. Ex collection of 161. Admiral Mitchell the Hon Christopher Lennoxx-Boyd. J. Chapman sc. Publish'd as the Act directs Jan.y 1. Stock: 34263 1800. Stipple with small margins. Platemark: 160 x 110mm 163. Sir Charles Thompson Baronet, Vice (6¼ x 4¼"). £80 Admiral of the Red. Obiiit 17 March 1799. A portrait of naval officer Sir Andrew Mitchell (1757 - Painted by Gainsborough Annon 1774. Engraved by 1806), bust-length, in an oval, slightly turned to the Earlom 1800. right, in naval uniform. An illustration to the Naval Mezzotint with large marginnss. 385 x 280mm (15¼ x Chronicle (1800). 11"). £240 Sir Andrew Mitchell (1757 - 1806) was an Admiral of Sir Charles Thompson, 1st Baronet (c.1740-99), naval the Blue in the Royal Navy. He was commander-in- officer. After long service inn the Seven Years' War, chief of the North America and West Indies Station American War of Independennce (fighting at the Battle from 1802 to his death in 1806. His wifef Mary died of the Chesapeaks) and War of the First Coalition, he years later and was buried in the crypt of St. Paul's was Admiral John Jervis's second in command at the Church (Halifax), Nova Scotia. In 1805 he was raised baattle of Cape St Vincent. However, his disregard for to the rank of Admiral of the Blue. He died in Bermuda Jervis's signal to tack to counter a Spanish attacking after a severe illness on 26 February 1806. move nearly lost the battle, and began an enmity with Stock: 34604 Jervis that eventually led to Thompson's retirement. From 1796-1799 he was also MP for Monmouth. CS: 40 ii/ii. Ex collection of the Hon. Christopher Lennox- Boyd. Stock: 34414

164. Sir Edward Thornbrough, K.C.B. Admiral of the Blue and Commander in Chief, &c, &c, &c. Portsmouth.. Painted by A. Huey / Engraved by W.T. Fry [c.1815] Stipple engraving on india with very large margins, pllatemark 240 x 165mm (9½ x 6½"). Uncut sheet. £85 Sir Edward Thornbrough (1754-1834), naval officer. Serving for nearly fifty years at sea, he fought in the American War of Independennce, commanded the the frigate 'Hebe' on which the ffuuture William IV served as lieutenant in 1785; helped thhwwart the planned French invasion of Ireland in 1798 and guarded Sicily and bllockaded Toulon during the Napoleonic Wars. In later years he was commander-in--chief of the Irish station and then in Portsmouth. Stock: 34526

165. Archibald Earl of GGosford. Painted by T. Phillips R.A. 1826. Drawn on Stone by R.J. Lane A.R.A 1828. Printed by C. Hullmandel. Lithograph. Private plate. Priinted area: 165 x 130mm (6½ x 5"). On large album sheet. £240 162. Nelson. Nelson Bronte [Fac Simile left A portrait of Archibald Acheson, 2nd Earl of Gosford Hand.] (1776 - 1849). Acheson was a British politician who Painted by Sir Will.m Beechey Portrait Painter to thee served as Lieutenant-Governor of Lower Canada and Queen. Engraved by Will.m Say. [London, Published Governor General of British North America in the 19th Jan.y 9th. 1806. by the Engraver, No.92 Norton Street, century. In 1835, he became Governor General of Marylebone.] British North America and instructed to appease the Mezzotint, scarce. Sheet 495 x 355mm (19½ x 14"). reformists, led by Louis-Joseph Papineau, without Trimmed close to plate on three sides, into inscription giving them any real power. The following year Lord area losing publisher's line and description of the Gosford learned of the planned Lower Canada facsimile signnature. Small damage top left in borders. Rebellion and had many of Papineau's followers £350 arrested, although Papineau himself escaped to the A three-quarter length portrait Vice Admiral Horatio United States. The next monntth, he issued a reward for Nelson (1758-1805), hero of the Battle of Trafalgar, the capture of Papineau, and declared martial law in published posthumously. The head-and-shoulders Lower Canada. Ex Collection: The Honourable 168. Warren Hastings Esq. Christopher Lennox-Boyd. Engrav'd by W.m Bromley. Published by W.m Stock: 35138 Bromley June 29th 1797. Engraving. Sheet 340 x 250mm (13½ x 9¾"). 166. The Right Hon.ble Edmund Burke. Unfinished. Trimmed within image. £140 Sir Joshua Reynolds R.A. pinx.t 1775. M. Benedetti An oval portrait of Warren Hastings (1732-1818) with sculp.t Pupil to F. Bartolozzi RA. Publish'd Aug.t 24 two Indians giving obeisance. As the first Governor- 1791 by M. Benedetti No. 92 Norton Street, General of India (1772-85) he transformed the East Marylebone. India Company from a trading organisation into a great Stipple. Sheet 330 x 230mm (13 x 9"). Trimmed within military and naval power. He established full-scale plate, blind-stamped footprint; some soiling. £220 British civil administration in India, but his methods Edmund Burke (1729 - 1797), statesman, 'The British led to a trial for corruption att which he was acquitted in Cicero', was an Anglo-Irish, author, orator, political 1795. theorist and philosopher who served for many years in Stock: 34391 the House of Commons as a member of the Whig party. In the words of Winston Churchill he was 169. John George Lambton, Esq. M.P. for the 'perhaps the greatest man that Ireland has produced'. County Durham. From tthe original Picture in He is remembered for his support of the cause of the the possession of Earl Grey. American Revolutionaries and for his later opposition Painted by T. Phillips, Esq. R.A. Engraved by S.W. to the French Revolution. He was thus seen as a Reynolds. Engraver to the Kiing. [n.d., c.1820.] leading figure within the conservative faaction of the Mezzotint with very large maargins, very fiine. Whig party, which he dubbed the "Old Whigs", in Platemark: 380 x 270mm (15 x 10½"). £420 opposition to the pro-French-Revolution "New Whiggs", John George Lambton, 1st Earl of Durham (1792 - led by Charles James Fox. Within philosophy he is 1840), standing in front of a curtain, directed to front, remembered for his influential ideas about the Sublime facing towards the left. He hoolds a book upright on a which played a key role in the development of table with his right hand, next to document. Romanticism at the end of the eighteenth century. Ex: Following his father's death iin 1797, Lambton inherited collection of the late Hon. C. Lennox-Boyd. an immense fortune, derivedd largely from mining on Stock: 34354 lands surrounding Lambton Castle, the ancestral family home in County Durham. In 1821, he gained the nickname 'Jog Along Jack', after being asked what was an adequate income for an Ennglish gentleman, and replying, 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 yearss from 1813, and was appointed Lord Privy Seal in 1830 when his father-in- law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governoro -General of Canada, where he was knowwn as 'Radical Jack', and subsequently lauded in Engliish -Canadian history for his recommendation to introduce responsible government and recommenddiing the union of Upper and Lower Canada. Places named after him in Canada, New Zealand etc. Ex Collecttion: The Honourable Christopher Lennox-Boyd. W: 173 II of II. Stock: 35132

170. The Hon.ble Will.m Maule of Panmure, M.P. Patron and Presideent of the Forfarshire 167. The Right Honourable Charles James Agricultural Association. Fox. Painted by Colvin Smith / Engraved on Steel by T. Painted by Sir Joshua Reynolds. Engraved by John Lupton. London, Published Jan.y 1, 1823, by the Jones. London, Publish'd as the Act directs, Nov.r 1.st Engraver, 7 Leigh Street, Burton Crescent, Mess.rs 1784, by J. Jones, No. 63, Great Portland Street, Colnaghi & Co. Charing Cross, & Mess.rs Constable & Marylebone, and Mr, austin, Drawing Master, Co. Edinburgh [illegible] Knightsbridge. Mezzotint on india, very rare; platemark 320 x 255mm Mezzotint fine with very large margins, . 500 x (12½ x 10"). Damage to edgees of india. Tear. £160 350mm. (19¾ x 13¾"). Uncut. £420 William Ramsay Maule (1771-1852), aristocrat and Charles James Fox (1749-1806), the first foreign MP for Forfar, 1796 and 1803-31, made Baron secretary of the United Kingdom and vocal supporter Panmure in 1831. 'As a young man he was one of the of American independence. CS: 28. most dissipated and extravagant, even of the Scottish Stock: 34358 gentry of his younger days...he did not alter his manner Engraving. Proof fine impression. Laid, on India paper. or morals as he grew older, and scandalized Victorian Sheet: 585 x 440mm (23 x 177¼"). Trimmed inside observers' (DNB). pllatemark. Some light foxing to backing sheet. £320 Stock: 35241 A portrait of Lieutenant-General Hugh Percy, 2nd Duke of Northumberland (1742 - 1817), dressed in robes, seated to the left, holding a paper in his left hand inscribed, 'Magna Charta'. Percy was an officer in the British army and later a British peer. He participated in the Battle of Lexington and Concord and the Battle of Long Island during the American Revolutionary War, but resigned his command in 1777 due to disagreements with his superior, General Howe. Borrn Hugh Smithson, he assumed the surname of Percy by Act of Parliament along with his father in 1750 and was styled Lord Warkworth from 1750 until 11766. He was styled Earl Percy from 1766, when his fafather was created Duke of Northumberland. Ex Collectiion: The Honourable Christopher Lennox-Boyd. Stock: 35139

173. Thomas Paine. The Picture, by Peel, of Philadelphia, in the Possession of T.B. Hollis. [Published as the Act directs July 23, 1791, for J. Ridgway, York Street, St. James's Square.] Etching, rare. Sheet size: 155 x 97mm (6 x 3¾"). Trimmed to image, losing publication line. £160 A half length portrait of Engllish-American political activist, philosopher, author, political theorist and revolutionary, Thomas Paine (1737 - 1809). He is 171. Wooddbine Parish Esq.r directed, facing, and lookingg towards the right, holding Tho.s Phillips Esq.r R.A. pinx.t / Isaad W. Slater lith. boook titled inscribed, 'Rights of Man'. Printed by C. Hullmandel A frontispiece to a pamphlet entitled, 'Common Sense, Lithograph on india with very large margins, very addressed to the inhabitants of America' written by scarce, printed area approx 250 x 220mm (9¾ x 8¾"). Thomas Paine in 1775-76 which inspired people in the Slight staining to margins. £360 'Thirteen Colonies' to declare and fight for Sir Woodbine Parish (1796-1882), diplomatist. Parish's independence frf om Great Brriitain in the summer of diplomatic work took him to Sicily, the Ionian Islands, 1776. In clear, simple language it explained the Naples, and Buenos Aires. As commissioner and advantages of and the need fofor immediate consul-general (and subsequently chargé d'affaires) to independence. It was published anonymously on Buenos Aires from 1823, staying there for nearly ninne January 10, 1776, at the begiinning of the American years. Revolution and became an immediate sensation. It was Parish also published a book resulting from his time in sold and distributed widely and read aloud at taverns Argentina ('Buenos Ayres and the Provinces of the Rio and meeting places. de la Plata', 1839), which demonstrates his interest in Stock: 34441 historical, geographical and geological research (he surveyed parts of the Bolivian Andes with Joseph

Barclay Pentland). He was also a fellow of the Royall 174. The Right Reverend Philander Chase, Society, Geological Society and Geographical Societtyy, D.D. Bishop of the Protestant Episcopal and corresponded with Charles Darwin. Church in the State of Ohio. After the portrait by Thomas Phillips (1770-1845), Engraved by C. Turner, from a Painting by J.G. Strutt, whose over 700 portraits record the leading prresented to the Theological Seminary in the Diocese personalities of his time. of Ohio, by Contributors in England to the said Stock: 34929 Seminary_1824. London, Publish'd Aug. 1st.. 1824, by J.C. Strutt, Percy Street, Rathbone Place. 172. To His Grace Hugh Duke of Mezzotint, title in open letterrs, platemark 355 x Northumberland, K.G. This portrait of his late 250mm (14 x 9¾"). Excellent impression; thread margins; glued to backing sheet at edges. £240 noble father is most respectfully dedicated by Portrait of Philander Chase (1775-1852), Episcopal his Grace's obedient & humble servant, Church Bishop in Ohio; his lleft arm resting on an Thomas F. Ranson. upright book closed with classp, holding papers in his Engraved byy Thomas Ranson from a Painting by hand, the title page lettered "Appeal on Behalf of [Th]e Thomas Phillips R.A. Printed by Dixon. London, Diocese of Ohio in the Western Territory". Published by T.F. Ranson. No. 31 Judd Place West, New Road. 1820. After Jacob George Strutt (1784-1867). NPG D32898. 176. Pius Sextus Ex Comitibus Braschi Whitman 106 II of II; Ex collection of the late Hon. C. Caesenatib Ad Orbis terrrarum Felicitatem Lennox-Boyd Pont. Max. renunciatus [...] Stock: 34038 Joan. Dom. Porta Pictor, quam ex vultu expressit Imaginem eamdem a Domenico Cunego [...] Engraving with large margins, platemark 510 x 330mm (20 x 13"). Crease through centre. £180 Pope Pius VI (1717-99), Pope from 1775 until his death, chiefly remembered for establishing the Museum of the Vatican and attempting to drain the Pontine marshes. Engraved after the portrait by Giovanni Domenico Porta by Domenico Cunego (1724/5-1803). Cunego was oone of the bests -known of Italian printmakers in the 18tth century, engraving many plates after Gavin Hamilton, Anton Raphael Mengs (whose favourite engrraver he was) and famous artr ists of the past. Stock: 35218

177. No.XXV. Miss B__n. No.XXVI. The Circumnavigator. [1st October, 1773.] Engraving, 110 x 175mm (4¼ x 7"). Paper slightly soiled. £360 Two bust portraits in oval frames illustrate 'Histories of the Tête-à-Tête annexed'. Sirr Joseph Banks, Bt, KCB, FRS. (1743 - 1820), the natuuralist and patron of science famous for his trip around thhe world with Captain Cook, and his mistress, appaarrently the daughter of a gentleman of fortune who dieed insolvent. Plate to 'Town and Country Magazine', v. 457. 175. William Hart Coleridge. D.D. Lord Numbered 'Vol. V' upper rigghht. BM Satires: 5146. Bishop of Barbados and the Leeward Islands. Kivell & Spence: P.17 T. Phillips Essq.r R.A. Pinx.t / S.W. Reynolds Sculp.t Stock: 34570 Engraver to the King Mezzotint with very large margins, platemark 505 x 178. Louis Valentin. Drr. Medecin / Né le 14 355mm (19¾ x 14"). Proof impression ofa private 8bre 1758 / Mort a Nanccy le 11 Fevrier 1829 plate. £360 Dess au Physionotrace et gravé par Quenedey rue des William Hart Coleridge (1789-1849), bishop of peetits Champs No.15 a Paris 1816 Barbados and the Leeward Islands, and son of Samuel Etching and aquatint with larrge margins, platemark 115 Taylor Coleridge's brother Luke Herman Coleridge. x 95mm (4½ x 3¾"). Late impression. £120 Coleridge was consecrated bishop of Barbados and the French doctor Louis Valentin. This print was made by Leeward Islands in 1824. He worked closely with the Edme Quénedey (1756 - 18330) during the sitter's Society for the Propogation of the Gospel in trying to lifetime and reissued with addition text after his death. improve the spiritual condition of the congregation. Quenedey, a miniature painter and engraver, made Coleridge continued in his position through the much use of the physionotrace, a mechanised drawing emancipation of slaves, resigning only due to ill health instrument that could reproduce the outline profile of a in 1842, after which his large diocese was divided, poortrait. with Barbados, Antigua and Guiana becoming separate It was invented by Gilles-Loouuis Chretien, who sees. engraved Quenedey’s portraiits from 1787 to 1789, in Engraved after the portrait by Thomas Phillips, 1786. Chretien and Quenedeey founded a very exhibited in 1825 and now at Christ Church, Oxford successful portrait studio in Paris together in 1788. (where he studied). Coleridge stands beside a table on Between 1786 – c.1810 there were only two studios in which rests a volume showing views of Codrington Paris which produced a relatiively small number of College, Barbados. Codrington College was managed phhysionotrace engravings. Coonsequently very few of by the Society for the Propogation of the Gospel, and these intriguing portraits are preserved today. Because Coleridge was involved in its reorganization. The of their origins and the realism physionotrace portraits Codrington estates were worked by slaves, who were have, they can be seen as truue photo-graphic objects only gradually emancipated from 1830 onwards. Ex: and are therefore classified as a forerunner of Collection of the Late Hon. C. Lennox-Boyd; W 58 phhotography. iii/iv; for Codrington College see ref. 8116. Stock: 35221 Stock: 34952

180. [Clarissa Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21. Titianus pinxit. Dom. Cuneggo Sculp. Romae 1770. E Tabula in Aedibus Ducis Stroozzi Romae asservata. Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued tto backing sheet. £140 Portrait of Clarice Strozzi (15540-1581), part of the great Florentine Strozzi famiily, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuitt. After the painting by Titian ((Berlin, Gemäldegalerie) which is acknowledged as a llandmark in the portrayal of children in art. During thee Renaissance, child poortraiture was uncommon, although it was later poopularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates. see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165- 80. Stock: 35212

181. College John of St.. Peter's Westminster. From a painting by J. Hayes in the possesion of A.R. Sutherland M.D. [n.d., c.1830.] 179. This Print of the Penn Family is with Stipple and etching with very large margins. Permission dedicated to John Penn Esq.r by Platemark: 305 x 250mm (12 x 9¾"). £130 his obliged & humble Serv.t C. Turner. A half length portrait of John Bavin, more commonly Painted by Sir Joshua Reynolds. Engraved by C. known as 'College John', standing directed slightly to Turner, Warren Street. London, Published Dec,r 25. the left, facing the viewer. A figure in academic dress 1819, by C. Turner, No. 50 Warren Street, Fitzroy can be seen on the steps of the collge entrance in the Square. baackground to the left. Bavin was a porter at St Peter's, Mezzotint. Platemark: 630 x 435mm (24¾ x 17"). Westminster whose responsiibbilities would have varied Unexamined out of frame. £550 from controlling entrance to the college, to A group family portrait. Juliana Penn can be seen maintenance and repairs. standing against a plinth, propping a young boy, The Royal College of St. Petter in Westminster, better Granville, against a large urn, with another little boy,, known as Westminster School, is one of the original John, to whom the print is dedicated, standing in front, nine British public schools (tthe so-called 'Clarendon holding up a bunch of grapes to his brother. To the left, Schools') as defined by the Public Schools Act of 1868. Louisa Penn is reaching down more grapes from the After British portrait-painter John Hayes (1786 - 1866) vine, twined around a tree beside her. Stock: 34501 John Penn (1760 - 1834) was the grandson of the founder of the Province of Pennsylvania, William Penn 182. M. Levett Negociannt Anglais. (1644 - 1718). John was the son of Juliana, featured in Dessiné à Constantinople d'après nature par J. Etienne the portrait, and Thomas Penn, who inherited the Liotard grav J.C. Reinsperger. A Paris chez l'auteur rue position of Proprietor of the Colony of Pennsylvania de la Corderie. Rue St Jacquees ches la Vve Chereau au for the Crown of England in 1718 on the death of his 2 pillier d'Or. Et ches Audran a la Ville de Paris. [n.d., father Williaam. When Thomas died in 1775, John Penn c. 1750.] inherited three-quarters of the proprietorship of Framed. Etching, rare. Sheett size: 195 x 255mm (7¾ x Pennsylvania. He and his cousin, also named John 10"). Unexamined out of frame. Trimmed inside Penn (John Penn the Governor), later lost the pllatemark. £320 proprietorship as a result of the American Revolution. A portrait of Francis Levett, in Turkish costume, Penn lived in Philadelphia for five years after the including a fur hat, leaning on his elbow. After the Revolution and returned to Great Britain in 1789. He paainting by Jean Etienne Liootard in the Louvre was later appointed as High Sheriff of Museum in Paris. Francis Levett of Nethersole, Kent, Buckinghamshire, governor of the Isle of Portland, and England, was chief representtative of the Levant served as a Member of Parliament (1802-1805). Company in Constantinople (Istanbul) from 1737 - Stock: 35243 1750. The company was an English chartered company formed in 1581 to regulate English trade with Turkey and the Levant until 1825. Leevett was also a benefactor of Morden College, London. Stock: 35198 183. An Aristocrat. country we do not call them HHop Sticks, but Hop Dighton del. London: London Printed for Bowles & Poles'. BM Satires 11470. Carver, No. 69 St. Paul's Church Yard. [n.d. c, 1790] Stock: 35187 Mezzotint. Plate: 110 x 145mm, (4¼ x 5¾"). Large margins. Some slight paper tone. £220 187. The Road to Londoon or the Countryman Portrait of a man in an oval smoking a long pipe, who and the Quakers! holds a piece of paper on which is written 'AN Woodward Delin.t. Pub.d, Appril 22nd, 1812 by T.Tegg HONEST MAN will FEAR GOD. HONOUR the no.111 Cheapside. KING. and DO as HE would be DONE BY.' Beside the Very fine hand coloured etching. Sheet size: 245 x man rests a glass, a decanter of wine and a book titled 350mm (9½ x 13½"). Trimmed inside platemark. £240 'British Peerage', whilst on the wall behind hangs a A countryman asks directions from a pair of Quakers. diagram of 'British Constitution' in which 'Lords', They are standing by a sign post which points to 'Commons' and 'King' form an equilateral triangle witth London. The countryman, a bundle over his shoulder 'Public Good' in the centre. A framed portrait of asks, 'This beant the way to Lunnen Gemmen - be it?' George III rests below. BM 9045. Ex: Collection of the The two Quakers, both dresssed in long dark coats, Hon. Christopher Lennox-Boyd. buuckled shoes and black broad-brimmed hats, look Stock: 35002 disapprovingly and one repliies,'Verily I do not understand thy meaning. Thou first tellest us a Lye, 184. A Good Story. and then thou asketh us a question!'. Publish'd by R. Sayer, Map Chart and Printseller, No Stock: 35188 53, Fleet Street. Original coloured engraving. Sheet 185 x 240mm (7½ 188. Taste in High Life.. x 9½"). Trimmed within plate. £190 Invented & Painted by W.m Hogarth. [Engraved by Eight men in a tavern, laughing at a raconteur. On the John June?] [London: Roberrtt Sayer, c.1768.] round table are decanters, punch bowl and pipes. One Original coloured engraving.. Sheet 210 x 270mm (8¼ man is smokiing. x 10½"). Trimmed within plate. £160 Stock: 34961 The interior of an affluent drrawing room, with a young couple surrounded by their possessions. The wife 185. He..igh_Ho. caresses a small black page under the chin and a Ostade pinx.t. R. Houston fecit. Printed for Bowles & clothed monkey reads an elaborate dinner menu. The Carver, St. Pauls Church Yard, London. [n.d., c.1750]. walls are filled with paintings and a screen illustrates a Mezzotint. Plate: 110 x 145mm, (4¼ x 5¾"). Good sedan chair. margins. £140 Soon after the death of Williaam Hogarth in 1764, his Half portrait of a man yawning, he has his hand tucked widow Jane gave the London publisher Robert Sayer in his waistcoat. BM 1873,0712.816 licence to publish a collection of her husband's work, Stock: 35003 although this scene was one oof three plates engraved in Hogarth's lifetime without hiis permission. Although engraved in a smaller formatt, Sayer's versions retain all the detail of the original paintings. Stock: 34962

189. Le nouvelliste sans argent. Maleuvre. A Paris, chez Marrtinet, Librarie, rue du Coq, no.15. [n.d., c.1814.] Hand coloured etching with very large margins, rare. Platemark: 240 x 185mm (9½ x 7¼"). Light creasing and staining. £160 A tall thin man tries to read tthe headlines over the shoulder of a newspaper vennddor. By French printmaker Maloeuvre (1785 - 1829), a designer and etcher of caricatures published by 186. The Kentish hop merchant and the Martinet, whose name is often written Maleuvre. lecturer on optics! Apparently the son of Louis Maloeuvre. Woodward del. I C. Published by T. Tegg 111 Stock: 35190 Cheapside. [n.d., c.1809.] Very fine hand coloured etching. Sheet size: 250 x 190. Counsellor Nodee,, or, a brow-beater 350mm (9¾ x 13¾"). Trimmed inside platemark. £450 badger'd. The lecturer, wearing glasses, leans on a table, lit by [Charles Williams.] No. 111 Cheapside [n.d., c.1812]. four candles, to address a small well-dressed audiencce, Very fine hand coloured etching. Sheet size: 245 x seated on chairs. On the table are a telescope and a 350mm (9¾ x 13¾"). Trimmed inside margin. £420 magic-lantern. A dog, with 'Hop Mer...' on its collar, A scene in court, with the Chief Justice (Ellenborough) watches the lecturer from below. The lecturer explains seated between two other judges. In front and below how he is going to 'deliver a lectur on Optics', with the are three counsel and two cliients. A barrister stands to gentleman at the front of the audience replying, 'in thhis examine a wiitness, aasking, 'Well Sir, you are a Joseph Bonaparte as king of Spain. Uprisings broke out witness in this Cause, eh? You look like a very throughout the country, marking the beginning of the knowing fellow to be sure! pray now do you know the Peninsular War. Napoleon kept Ferdinand under guard difference between the Mortgager and the Mortgagee?' in France for six years at the Chateau of Valençay, The man ansswers 'To be sure I do, for example now! I until 11th December 1813 whhen he signed the Treaty nod at you, then I am the Noder and you are the of Valençay, which acknowlledged Ferdinand VII as Nodee.' All except the questioner smile as a distressed king of Spain once again. Not in BM. usher to the right exclaims, 'Silence there!'. BM Satires Stock: 35201 11980. Stock: 35186 194. [Samuel Bowring] Tydus-pooh-pooh - Our Man of Genius. Translator of The Poetry 191. A Military Sketch, of a Gilt Stick, or of the Sandwich Islands. Poker Emblazoned. [after Daniel Maclise.] [n.d., 1831.] [James Gillray.] Pubd June 11th 1800. by H. Lithograph. Sheet 185 x 120mmm (7¼ x 4¾"). Trimmed Humphrey 27 St James's Street. and laid on album paper. £95 Hand coloured etching. Sheet size: 250 x 200mm (9¾ Satire portrait of Sir John Bowing published in volume x 8"). Trimmed inside platemark. £280 4 of 'Fraser's Magazine'. As well as being the 4th Major-General Lord Cathcart stands stiffly in profile to governor of Hong Kong, he iis regarded as being one the left. He wears court dress with a military cast, the world's greatest hyperpollyglots: he claimed he heavily gold laced, and a long pigtail. His right hand knew 200 languages and could speak 100. He rests on the head of a gold-headed cane. A figured puublished works on the poetrry of Russia, Poland, carpet and bare wall complete the design. BM Satires Spain, Serbia, Hungary, as well as descriptions of 9564. Batavia, Siam and the Philipppines. Here he is satirised Stock: 35184 as the Hawaiian Tydus-poohh-pooh, who is described in the text (on-line) as 'the undiisputed monarch of 192. Bassetlaw Election 1890. The Race for Owyheian literature', but depicted with his compatriots the Bassetlaaw Stakes [,..] snoozing behind. Houghton: Wellesley Index to Printed and Published by C. Bulter, Market Square and Victorian Periodicals 1824-1900, p.468. Carolgate, Retford. Stock: 34971 Pen lithograph, rare; printed area 330 x 350mm (13 x 13¾"). Creases; staining to title area. £160 195. [A Chorus of Singers.] Print promotting the Conservative candidate in the 1890 Design'd by W.m Hogarth. [n.d., c.1780.] Bassetlaw by-election, Sir Frederick Milner. The by- Original coloured engraving.. Sheet 180 x 165mm (7¼ election was caused by the death of the sitting x 6½"). Trimmed within platte. £75 Conservative MP, William Beckett-Denison. Milner iis A group of singers rehersingg for the oratorio 'Judith', astride a calm horse inscribed 'Donovan', and receivees written by Hogarth's friend William Huggins. advice and confidences from those around him. In the Hogarth's original was engraved as a subscription background is the Liberal candidate John William ticket for 'A Midnight Moderrn Conversation'; this, Mellor, whose horse is out of control and worries a according to Paulson is a pirate, lacking a comma after nearby punter, who says 'He's Dangerous John. I'll 'or' in the sheet reading 'Juditth: an Oratorio; or Sacred write to Foljambe' (Foljambe, a former MP for the Drama by'. Paulson 127. area, supported Milner's candidature. In the top left is Stock: 34963 'Sir Frederick's Motto: Righteousness, Justice and Truth', with verses praising him below. Milner won the election, returning with a substantially increased Conservative majority. Stock: 35029

193. Ferdinand the VII leading Liberty in chains to the shrine of Our Lady of Loretto. [n.d., c.1814.] Hand coloured etching. Very rare. Printed area: 230 x 325mm (9 x 12¾"). Tear taped on reverse, unexaminned out of frame. £240 A satire depicting Ferdinand VII of Spain (1784 - 1833), leading 'Liberty' in chains to the shrine of 'Our Lady of Loretto', who stands to the left holding a small 196. Tregears Black Jokkes. N.o.10. The child in her arms. Her dress is inscribed 'This drapery was work'd & presented to the holy virgin by the proud Concert. King of Spain in gratitude for his miraculous W Summers. del.t. Hunt scullp.t. Published by G S Restoration to his Throne & Kingdom. 1814'. After Tregear 123 Cheapside London. being overthrown by Napoleon in 1808, Ferdinand was Hand coloured aquatint. Rare. Plate: 355 x 250mm, (14 forced to abdicate, with Napoleon choosing his brothher x 9¾"). £360 A social scene in several figures play musical 201. The Apothecaries. instruments and sing to an audience. From a series [London, Printed for the Autthor Rich Wallis Citizen & titled 'Black Jokes, being a series of laughable Arms painter of London & arre to be sold by him at his caricatures on the march of manners amongst blacks', Shop against ye Royall Exchange 1677.] and it was published in 1834. The prints derive from an Engraving. Platemark: 190 x 150mm (7½ x 6"). £120 American publication, Edward W. Clay's 'Life in The Worshipful Society of Apothecaries of London is Philadelphia', of 1828-30. one of the livery companies of the City of London. The Stock: 35067 Society was granted Arms by William Camden (Clarenceux) on the 12th Deccember, 1617. Apollo is 197. A View of Burghersh. Lord Burghersh. depicted in the coat of arms with his head radiant, Drawn Etch.d. by Richard Dighton April 13.1822. overcoming pestilence which is represented by a Pub.d. by T.M.c.Lean Haymarket. winged creature with a dragon's head. The society Hand-coloured etching with very large margins. Plate: motto is 'Opiferque Per Orbem Dicor' as inscribed, a 200 x 300mm, (8 x 12"). £120 Latin part-quotation from Ovid referring to the Greek A full-length portrait in profile of John Fane, 11th Earl deity Apollo, meaning, 'and tthroughout the world I am of Westmoreland (1784-1859), soldier, diplomat and called the bringer of help. The society's supporters are composer, who holds a cane in his right hand. BM golden unicorns, and it's crest is a rhinoceros. The 14411 illustration of the crest is based on Dürer's 1515 Stock: 34484 depiction of a rhinoceros, ann animal which he had never seen but which he drew from a description. 198. The Hon.ble. Geo.ge. Lamb. From "Londons Armory Accuratly delineated in a Drawn Etch.d. by Rich.d. Dighton 1819. Pub.d. by Graphical display of all the Arms, Crests, Supporters, T.M.c.Lean Haymarket. Mantles and Motto’s of every distinct Company and Hand coloured etching with very large margins. Plate: Corporate Societie in the Honnourable City of London". 200 x 310mm, (8 x 12½"). Some marks in margins. Stock: 35072 £140 A full length portrait in profile of George Lamb (17844- 1834) a politician and writer who holds a glove in onne hand while the other hand rests inside his coat. BM 13356 Stock: 34439

199. The Zealots for, & against the true Religion. [n.d. c.1773.] Etching with large margins on 3 sides. Plate 171 x 114mm (6¾ x 4½"). £65 A tall column, on the top of which is a book on which stands a lamb bearing a cross to which is attached a pennon with a St. George's Cross, the whole representing Religion. Two opposing bodies of clergy strain at with ropes; the bishops in lawn sleeves on the 202. Billingsgate Market. left, ministers in gowns on the right. Over the ministers Rowlandson & Pugin del. et sculpt. J. Bluck, Aquat. hovers Beelzebub, pointing to the column and saying: London. Pub March 1, 1808 at R. Ackermann’s "My Children that is not your God, but I am". The Repository of Arts 101, Strand. bishops, whose aim is to prevent the opposing party Hand coloured aquatint withh large margins. Platemark: from pulling down the column, strain from the other 240 x 285mm (9½ x 11¼"). £220 side. BM Satires: 5107. A general view, from the norrth, of Billingsgate Quay Stock: 34694 and market with stalls. In the foreground there is a crowd of streetsellers and larrger retailers. In the 19th 200. Le Chirurgien Flammand. Tiré du century, boats delivered fish to this small inlet of the Cabinet de Monsieur Peilhon Seretaire du Roi. Thames and business was coonducted on the quayside. Peint par Teniers. Gravé par J. Daullé graveur du Roi Published in Ackermann's famous work, the 1760. A Paris chez Daullé Graveur du Roi Quay des 'Microcosm of London', the ffigures were drawn by the Augustins la porte cochere près la rue Gilles Coeur. famous caricaturist Thomas Rowlandson and the A.P.D.R. architecture by Augustus Pugin. Abbey, Scenery: 212. Engraving with very large margins. Plate: 490 x Stock: 34073 370mm, (19¼ x 14½"). Laid on board. £280 Interior view of a surgery which a Flemish surgeon 203. S.R. Graves [facsimile signature.] examines a wound on an old man's foot. Benhind them [Engraved by Thomas Lewis Atkinson after William an apprentice prepares a medication and a woman Menzies Tweedie.] [London:: Henry Graves & Co., holding a child watches the examination. Various tools 1875.] and bottles line the walls. Stock: 35195 Mezzotint on india, proof before title, rare in this state. Exterior scene in which a crowd gathers around to India 455 x 315mm (18 x 12½"). Printseller's watch as a man has his toothh pulled out by a travelling Association blind stamp. India lifting bottom left. dentist. See 35118 for coloured version. £260 Stock: 35116 Samuel Robert Graves (1818-73), merchant, shipowner, and a director of the London and North 207. Cotillion Figure of the Lady in the Chair Western Railway. In 1861 he was Mayor of Liverpool, Olivia F. de Roos del [n.d., c.1840] and in the 1865 general election Graves became MP Pen and lithograph, very rare; sheet 385 x 280mm for Liverpool, holding the seat until his death. A keen (15¼ x 11). £85 sailor, he waas commodore of the Royal Mersey Yacht The cotillion dance, a forerunner of the quadrille, with Club and author of 'National Dangers' and 'A Cruise in a woman seated. Olivia F. de Roos (1808-85) is the Baltic'. Artist's proof: 75. PSA represented in collections including the Victoria & Stock: 34380 Albert Museum. Ex: collectioon of the Hon. C. Lennox- Boyd 204. The Toy Shop. Stock: 35240 [n.d., c.1790]. Etching, very rare. Sheet: 120 x 125mm, (4¾ x 5"). 208. [Men Playing Cards.] Trimmed within plate. Sightly foxed. £160 J. J. Haid et filius excudit A. V. [n.d., c.1760]. Scene set within a decorative oval in which two Mezzotint with very large maargins. Plate: 150 x woman stand in a toy shop, one looks in a box and 230mm, (6 x 9"). £180 weeps while the shop keeper leans over the counter Interior scene in which severral figures crowd around a looking concerned. The eighteenth century 'toyshop' table a which three men are playing cards. was not restricted only to children's playthings but sold Stock: 35119 all sorts of trinkets and decorative items and 'toymen'' would often double as jewellers and watchmakers. 209. The Village Champpion. Specimens of Stock: 35104 Art. Plate 17. R. Farrier, Pinx.t. J. Rogers, sc. Published by J. & F. Hatwood, 26 Fenchurch St.t.. Mezzotint with fine colour and large margins. 210 x 160mm (8¼ x 6¼"). £95 A game of marbles degenerating into an argument. Ex collection of the Hon. Christtoopher Lennox-Boyd. Stock: 34544

210. Archery Ground at Nescliff. Drawn on Stone by T. M. Baynes. Printed by C. Hullmandel. [n.d., c.1823.] Lithograph on watermarked ppaper, 'Whatman 1823'. Rare, with large margins. Shheet size: 305 x 395mm (12 x 15½"). £320 A detailed view of a ladies arrchery competition, taking pllace at Nescliffe, Shropshiree. A number of large targets are displayed in the cllearing, surrounded by trees. As the well dressed women take aim, they are watched by a large crowd off spectators. In the distance to the left is a tea pavilion, put up by local landowner the Earl of Bradford. Stock: 35114

211. Hallwood-House Academy, near Runcorn, Cheshire. 205. Le dentiste ambulant. G. Poore & Co. Lith. L'pool.. [n.d., c.1840.] C. C. A. Last del. Lith Soetens & Fils. Soetens & Fils. Lithograph, rare. Sheet 125 x 205mm (5 x 8"). Folds, Hand-coloured lithograph. Sheet: 260 x 340mm, (10¼ nicks to edges. £230 x 13¼"). £220 A view of the school, with the pupils playing cricket. Exterior scene in which a crowd gathers around to The building in the centre stiill exists, as a hotel and watch as a man has his tooth pulled out by a travelling puublic house called the Tricorn, designated by English dentist. See 35116 for uncoloured version. Stock: 35118 Heritage as a Grade II* listed building. Stock: 34057

206. Le dentiste ambulant. C. C. A. Last del. Lith Soetens & Fils. Soetens & Fils. Lithograph. Sheet: 260 x 340mm, (10¼ x 13¼"). £190 212. [Petworth Park.] 217. Portraits of Hounds In the Hunting Hall [by John Cousen. After J.M.W. Turner.] [n.d. c.1859..] at Houghton. Engraving with very large margins, proof before all Wootton pinx.t. R. Earlom, sculp. Published Sept.r 1, letters; 305 x 392mm (12 x 15½"). £160 1780, by John Boydell, Engrraver, Cheapside, London. The Lake, Petworth, West Sussex: Sunset, Fighting Mezzotint with large marginnss. 190 x 260mm (7½ x bucks: view of the deer park in sunset, with deer in the 10¼"). £220 foreground, two bucks locking antlers on the right, lake Four hunting dogs in a landsccape, a whip and chain on in the middle distance, hill in the background; cricket the ground before them, other hounds racing across the playing to the right. hills behind. Under the image is the title and a coat of From 'The Turner Gallery', six plates of views plus one arms. Wessely 140. Ex Collecction of the Hon. portrait, published after Turner's death by engravers Christopher Lennox-Boyd. with whom he had worked closely. The series was Stock: 34572 originally published by James Virtue in 1859-61. Ex collection of the Hon. Christopher Lennox-Boyd. Rawlinson: 718. Stock: 34789

213. Bob. Philip Pimlott 1922. Etching, very rare. Plate: 100 x 150mm, (4 x 6"). Trimmed. Laid on card. £190 Portrait of a male lacrosse player by Philip Pimlott (1871-1960). The figure holds the typical short stick oof the midfielder or attacker. Lacrosse developed in Canada and the US from a similar sport played by the indiginous peoples whose games formed part of ceremonial celebrations and could last for several days. Stock: 35196 218. [Portraits of Hounds In the Hunting Hall 214. [Quatre chevaux a l'ecurie.] at Houghton.] AKlein, 1831. [Engraved by Johann Adam Klein after [Wootton pinx.t. R. Earlom, sculp.] [Published Sept.r [Johann Adaam Klein.] [n.d. c.1843.] 1, 1780, by John Boydell, Engraver, Cheapside, Mezzotint with very large margins. Plate 179 x 222mm London.] (7 x 8¾"). £80 Mezzotint, proof before letteers, with very large Interior of a vaulted stable, in centre a grey horse margins. 190 x 260mm (7½ x 10¼"). £320 stands, directed to right, tethered to a hay-rack, from Four hunting dogs in a landsccape, a whip and chain on which hangs a water-butt, in the background are three the ground before them, other hounds racing across the other horses, one of which lies on the ground. Ex hills behind. In the title area is only a coat of arms. Collection: the Late Honourable Christopher Lennox- Wessely 140. Ex Collection of the Hon. Christopher Boyd. Lennox-Boyd. Stock: 34648 Stock: 34573

215. The Devon and Somerset. Lookin 219. A Pytchley "Wednesday". Gone Away towards Cloutsham. from Crick. [Cecil Aldin within print]. Copyright- Published by [Cecil Aldin within print]. Coopyright- Published by Richard Wyman & Co., Ltd. 16, Bedford Street, Richard Wyman & Co., Ltd. 16, Bedford Street, Strand, London, W.C. Strand, London, W.C. Chromolithograph. Plate: 330 x 190mm, (13 x 7½"). Chromolithograph. Plate: 330 x 190mm, (13 x 7½"). £160 £120 View of a moor-like landscape across which members A pack of hounds run across a track while the hunt of Devon & Somerset are riding. jump the hedge. Stock: 34498 Stock: 34500

216. The Maynell Hunt. Away from Ash 220. The Warwickshire. Who-Whoop at Gorse, Sutton. Shuckburgh. [Cecil Aldin within print]. Copyright- Published by [Cecil Aldin within print]. Coopyright- Published by Richard Wyman & Co., Ltd. 16, Bedford Street, Richard Wyman & Co., Ltd. 16, Bedford Street, Strand, London, W.C. Strand, London, W.C. Chromolithograph. Plate: 330 x 190mm, (13 x 7½"). Chromolithograph. Plate: 330 x 190mm, (13 x 7½"). £120 £120 Members of the Maynell hunt and ride across a stream View of a landscape from a hill up which members of alongside a pack of hounds. the Warwickshire are riding. Stock: 34499 Stock: 34496 221. The York and Ainsty. Hunt from linked London with the south west and west of Askham Bog. England, and Wales. The raillway originated from the [Cecil Aldin within print]. Copyright- Published by desire of Bristol merchants to maintain their city as the Richard Wyman & Co., Ltd. 16, Bedford Street, second port of the country and the cheif one for Strand, London, W.C. American trade. The company was founded at a public Chromolithograph. Plate: 330 x 190mm, (13 x 7½"). meeting in Bristol in 1833, where Isambard Kingdom £120 Brunel was appointed engineer, his largest contract by View of the York and Ainsty Hunt in which the hounds far to date. charge across a field, members of the hunt appear in The coat-of-arms of the Great Western Railway, the background. incorporating the shields of tthe cities of London (left) Stock: 34497 and Bristol (right) is below the image. Stock: 35173 222. [Water spaniel & pheasant.] A. Cooper Essq.r R.A. pinxt. [n.d., c.1830.] 225. Near Liverpool, loooking towards Mezzotint, proof before title, very rare. Sheet 275 x Manchester. 320mm (10¾ x 12½"). Trimmed within plate, small T. T. Bury. H. Pyall, sculp.t. London, Pub.d. by R. worm holes in image and inscription area. Repaired Ackermann, 96 Strand, 18311. tear at bottom. £240 Fine hand-coloured aquatint with large margins. Plate: Ex Collection of the Hon. Christopher Lennox-Boyd 290 x 250mm, (11½ x 9¾"). Some staining along Stock: 34580 edges. £160 View across a landscape through which the new railway line has been dug. Several bridges cross the tracks, and figures walk along the bank, one figure walks along the tracks. From 'Coloured views of the Liverpool and Manchester railway, with plates of the Coaches, Machines. &c. from drawings made on the spot by T. T. Bury. with descriptive particulars, serving as a guide to Travellers on the Railway. London.' puublished by Ackermann in 11831. Abbey, Life: 400. Stock: 35075

226. Rainhill Bridge. T. T. Bury. del.t. H. Pyall. sculp.t. London, Pub.d. by R. Ackermann, 96 Strand, 1831. Hand coloured aquantint witth large margins and fine colour. Plate: 285 x 250mm, (11¼ x 10"). £160 A view of George Stephenson's 'skew bridge' at 223. The Steam Coach. Rainhill in Lancashire on the Liverpool-Manchester [G. Davis.] Published by J. Didsbury 22 Southampton line, named for the diagonal angle at which the railway St. Strand. [n.d., c.1820.] cuts under the bridge. Rainhiill was the location of Hand coloured lithograph, extremely scarce. Sheet Stephenson's trials of his Rocket locomotive in 1829. size: 230 x 280mm (9 x 11"). Light creases. £520 From 'Coloured views of thee Liverpool and Manchester A steam coach driving to the left, with passengers railway, with plates of the Coaches, Machines. &c. onboard including a mother and child peeping out from drawings made on the spot by T. T. Bury. with through the window of the carriage in the centre, andd a descriptive particulars, serving as a guide to Travellers boy playing a trumpet towards the front. There are four on the Railway. London.' published by Ackermann in chimneys at the rear of the coach. Passers by, includinng 1831. Abbey, Life: 400. one figure on a donkey, can be seen looking at the Stock: 35069 coach. Tall columns and an arch are in the background. Stock: 35185 227. Warehouses, &c. at the end of the Tunnel towards Wappinng. 224. Interior of the Great Western Railway T. T. Bury del.t. S. G. Hughes, sculp.t. London, Pub.d. Station, Bristol. Extreme Width 110 ft. width byy R. Ackermann, 96 Strandd, 1831. between Columns 72 ft. Length 430 ft. Height Hand-coloured aquatint. Wattermarked paper 'Whatman of Columns 18 ft. 9 in. _ Extreme Height 35 ft. 1831'. Plate: 300 x 250mm, ((12 x 9¾"). Some staining 9 in. around edges. £160 View of the warehouses and the entrance to the 1.26 Drawn on by S. C. Jones. on Stone by G. Hawkins. mile tunnnel which linked the warehouses near Edge Jun.r. Day & Hague. Lith.rs to the Queen. Published bby Hill in Liverpool to Wapping dock. The tunnel was the George Davey, 1 Broad Street, Bristol. [n.d., c.1840]. first to be bored underneath a city. From 'Coloured Lithograph. Sheet: 275 x 390mm (10¾ x 15½"). £340 views of the Liverpool and Manchester railway, with An interior view of the Great Western railway station pllates of the Coaches, Machiines. &c. from drawings at Temple Meads, the first Bristol terminus of the Great made on the spot by T. T. Bury. with descriptive Western Railway, a British railway company that particulars, serving as a guide to Travellers on the 232. Synagogue, Dukes Place, Houndsditch. Railway. London.' published by Ackermann in 1831. Pugin & Rowlandson del.t. et sculp.t. Sunderland Abbet, Life: 400. aqua.t. London Pub. Sep.t. 1..st. 1809, at R. Stock: 35073 Ackermann's Repository of Arts 101 Strand. Fine hand coloured aquatint wwith very large margins. 228. The British Museum. Watermarked 1809. Plate: 280 x 245mm, (11 x 9¾"). P. Hosmer Shepherd pinx. Imp Lemercier Paris. Some slight foxing. £350 J.Arnout lith. London, Published 1th August 1854, by Interior view of the Great Synagogue in London. A E. Gambart & C.o. 25 Berners S.t. Oxford S.t. synagogue was situated on the site from shortly after Fine coloured lithograph wih large margins. Sheet: 295 the return of the Jews to England in the 17th Century x 210mm, (11¾ x 8¼"). £160 until the Blitz. The building ddepicted in the image with View of the British Museum in Bloomsbury. The the third synagogue to be buiilt on the site and was museum was founded in 1753 though was housed in constructed between 1788 and 1790. Abbey, Scenery: Montagu Houuse which stood where the current 212 building is located. Stock: 35043 Stock: 35179 233. Pillory. Charing Cross. 229. [The Bank of England]. Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t. [signature in pencil]. [n.d., c.1920]. London Pub. 1.st. April 1809, at R. Ackermann's Etching. Plate: 250 x 140mm, (9¾ x 5½"). £140 Repository of Arts, 101, Strand. View of the Bank of England. From a series called Coloured aquatint with largee margins. Plate: 270 x "Bits of Old London" by E. Sharland, editions were 225mm (10½ x 9"). Some sliight foxing. £180 limited to 3000 after which the plates were destroyed. Exterior scene depicting the Charing Cross pillory, two Stock: 35175 men hang in the stocks while crowds flock to watch; on the left a group of women hurry to join the crowd whilst beneath the statue of Charles I, a woman hangs out of a coach waving. Pillorry was an ancient form of puunishment used for a variety of crimes including libel and publishing books without a licence. From R. Ackermann's 'Microcosm of London.' Abbey, Scenery: 212. Stock: 34099

234. Opening of Waterlloo Bridge. June 18. 1817. I.G. [Lady Julia Gordon.] Etching, very scarce. Sheet 160 x 270mm (6¼ x 10½"). Narrow left margin. £180 The opening of the first Waterloo Bridge, designed by 230. Regent Street from the Quadrant. John Rennie. Lady Julia Gorrdon (1775–1867, neé Julia P. Hosmer Shepherd pinx.t. Imp. Lemercier, Paris. Isabella Levina Bennet) was a pupil of both J.M.W. Bachelier lith. London, Published th. August 1854 by Turner and Thomas Girtin. Her husband, General Sir E. Gambart & C.o. 25 Berners S.t. Oxford S.t. James Willoughby Gordon, was Quartermaster General Fine coloured lithograph wih large margins. Sheet: 295 during the Peninsular Wars. Ex: Collection of the Hon. x 210mm, (11½ x 8¼"). £160 Christopher Lennox-Boyd. View of Regent Street in which figures walk along the Stock: 34957 pavements and carriages drive along the road. Regent Street is one of the early examples of urban planning, 235. The Hall, Blue Coat School. designed by JJohn Nash and completed in 1825, it cut Rowlandson & Pugin del. et sculpt. Hill, Aquat. through the unorganised 17th and 18th Century pattern London. Pub March 1, 1808 at R. Ackermann’s of streets, forming a wide, direct route from Carlton Repository of Arts 101, Strand. House, the residence of the Prince Regent (later Hand coloured aquatint withh large margins. Platemark: George IV) to All Souls Church. 240 x 285mm (9½ x 11¼"). £140 Stock: 35180 A view inside the hall of the school at Christ's Hospital, London. Two students wearing blue coats 231. Royal Exchange. stand on platform in centre of hall, with scholars and Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t. elegantly dressed figures seaated around edge. A large London Pub 1.st.May 1809, at R.Ackermann's figure painting can be seen across the top half of the Repository of Arts 101 Strand. wall above the panelling on tthe right. Hand coloured aquatint with large margins. Plate: 270 Published in Ackermann's famous work, the x 230mm, (10½ x 9"). £220 'Microcosm of London', the ffigures were drawn by the Abbey Scenery: 212. famous caricaturist Thomas Rowlandson and the Stock: 34356 architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34074 236. Board Of Trade. An interior view with a crowd in Bow Street Office, a Rowlandson & Pugin delt. et sculpt. Sunderland aquat. Magistrates Court where criminals were brought and London Pub. Octr. 1st. 1809, at R. Ackermann’s their cases heard and witnesses gave evidence before Repository of Arts 101 Strand. the magistrate. The original six Bow Street Runners, Hand coloured aquatint with large margins, on whose role was to apprehend and capture the criminals, Whatman paapper watermarked 1808. 240 x 285mm (9½ was increased to 70 men in 1792. x 11¼"). £160 Published in Ackermann's famous work, the The Board of Trade originated as a committee of 'Microcosm of London', the ffigures were drawn by the inquiry in the 17th century and evolved gradually into famous caricaturist Thomas Rowlandson and the a government department with a diverse range of architecture by Augustus Pugin. Abbey, Scenery: 212. functions. This department is now known as the Stock: 34075 Department of Trade and Industry, headed by a Secretary of State for Trade and Industry, who is also 239. The Hall and Stair Case, British President of the Board of Trade. The full Board has Museum. met only once since the mid-19th century, during Pugin & Rowlandson del. et Sculpt. J. Bluck, Aquat. commemorations of the bicentenary of the Board in London. Pub April 1, 1808 at R. Ackermann’s 1986. Repository of Arts 101, Strand. Published in Ackermann's famous work, the Hand coloured aquatint withh large margins. Platemark: 'Microcosm of London', the figures were drawn by the 285 x 240mm (11¼ x 9¾"). £160 famous caricaturist Thomas Rowlandson and the An interior view of the Greatt Staircase in the British architecture by Augustus Pugin. Museum, London. Montagu House was the first home Abbey, Scenery: 212. of the British Museum. When it was built in 1686, the Stock: 34163 French style of decoration was fashionable. The walls of the Great Staircase and the ceiling above it were 237. Board Room of the Admiralty. paainted mainly by Charles de la Fosse (1636-1716). Rowlandson & Pugin del.t et sculp.t. Hill Aquatin. The painting on the ceiling illlustrated a story from London Pub, 1. Jan.y 1808, at R. Ackermann's Greek mythology - Phaeton asking for permission to Repository of Arts on the Strand. drive the chariot of the sun-god, Apollo. The Great Hand coloured aquatint with large margins. Platemarrkk: Staircase led from the Entrance Hall (which was near 240 x 285mm (9½ x 11¼"). £140 the site of the present-day colonnade) to a landing on The interior view of the board room of the Admiralty, the first floor. From there visitors walked through the London. A group of gentlemen sit at a table in centre of upper rooms, where they could see some of the room, with a fireplace to the right and scrolls hanging Museum's collections of manuscripts, medals, on the wall above. Directly behind the table is a large antiquities and natural historry specimens. globe framed by Ionic pillasters, and a large clock in an Published in Ackermann's famous work, the arch above. Rolled charts can be seen on wall above 'Microcosm of London', the ffigures were drawn by the fireplace. The Admiralty House was opened in 1788 famous caricaturist Thomas Rowlandson and the and until 1964 was the official residence of the First architecture by Augustus Pugin. Abbey, Scenery: 212. Lords of the Admiralty. Stock: 34076 Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the 240. Chelsea Hospital. famous caricaturist Thomas Rowlandson and the Rowlandson & Pugin del.t ett sculp.t. J. Bluck Aquat. architecture by Augustus Pugin. Abbey, Scenery: 212. London. Pub Jan.y 1, 1810 att R. Ackermann’s Stock: 34070 Repository of Arts 101, Strand. Hand coloured aquatint withh large margins. Platemark: 240 x 285mm (9½ x 11¼"). £160 An interior view of the dininng hall at Chelsea Hospital, London, with many Chelsea Pensioners eating at long tables around the room. The Great Hall was designed byy Sir Christopher Wren and was originally intended as a dining hall. Just before 1800 the pensioners started dining in the wards and the hall was then used for recreational purposes. It wass here that the Duke of Wellington lay in state in 1852. The hall reverted to its original use as a dining hall iin 1955 Published in Ackermann's famous work, the 238. Bow Street Office. 'Microcosm of London', the ffigures were drawn by the Rowlandson & Pugin del. et sculpt. Hill, Aquat. famous caricaturist Thomas Rowlandson and the London. Pub March 1, 1808 at R. Ackermann’s architecture by Augustus Pugin. Abbey, Scenery: 212. Repository of Arts 101, Strand. Stock: 34155 Hand coloured aquatint with large margins. Platemarrkk: 240 x 285mm (9½ x 11¼"). £220 241. Coal Exchange. 244. Corn Exchange, Mark Lane. Rowlandson & Pugin del. et sculpt. Hill, Aquat. Pugin & Rowlandson del.t ett sculp.t. J. Bluck Aquat. London. Pub May 1, 1808 at R. Ackermann’s London. Pub Sept.r 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand. Repository of Arts 101, Strand. Hand coloured aquatint with large margins. Platemarrkk: Hand coloured aquatint withh large margins. Platemark: 240 x 285mm (9½ x 11¼"). £140 240 x 285mm (9½ x 11¼"). £180 An interior view of the Coal Exchange, Thames Street, An interior view of the colonaded atrium of the Corn London. A coal exchange was established in 1770 neear Exchange, London, with 'corrn factors' at desks showing the site of Smart's Quay and close to Billingsgate samples of corn to potential buyers. Market. The market was established by the main coal Published in Ackermann's famous work, the merchants as a private body to regulate the trade of 'Microcosm of London', the ffigures were drawn by the coal in the capital, and was controlled by a private coal famous caricaturist Thomas Rowlandson and the merchant until the old Coal Exchange was bought byy architecture by Augustus Pugin. Abbey, Scenery: 212. the Corporation of London in 1807. A new building Stock: 34149 had been built in 1805, with a recessed classical portico supported by small Doric pillars and triangular pediment above, as seen in the centre of the image. Under the control of the City Corporation, the Coal Exchange became a free and open market, regulated by various Acts of Parliament. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34077

242. Royal Cock Pit. Rowlandson & Pugin del. et sculpt. Bluck, Aquat. London. Pub May 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand. Hand coloured aquatint with large margins. Platemarrkk: 240 x 285mm (9½ x 11¼"). £140 245. Court of Chancery, Lincoln's Inn Hall. An interior scene showing the Royal Cock Pit, as a Rowlandson & Pugin del. et sculpt. J. C. Stadler, large frantic crowd has gathered to watch a cockfight. Aquat. London. Pub June 1, 1808 at R. Ackermann’s The Cockpit-in-Court (also known as the Royal Repository of Arts 101, Strand. Cockpit) was an early theatre in London, located at the Hand coloured aquatint withh large margins. Platemark: rear of the Palace of Whitehall, next to St. James's 240 x 285mm (9½ x 11¼"). £230 Park. An interior view of the Courrtt of Chancery in Lincoln's Published in Ackermann's famous work, the Inn Hall, London. Lincoln's IInn is one of four Inns of 'Microcosm of London', the figures were drawn by the Court in London to which barristers of England and famous caricaturist Thomas Rowlandson and the Wales belong. architecture by Augustus Pugin. Abbey, Scenery: 212. Published in Ackermann's famous work, the Stock: 34078 'Microcosm of London', the ffigures were drawn by the famous caricaturist Thomas Rowlandson and the 243. Court of Common Pleas, Westminster architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34081 Hall. Pugin & Rowlandson del. et Sculpt. J. C. Stadler, 246. The Long Room, Custom House. Aquat. London. Pub June 1, 1808 at R. Ackermann’ss Rowlandson & Pugin del. et sculpt. J. C. Stadler Aquat. Repository of Arts 101, Strand. London. Pub July 1, 1808 at R. Ackermann’s Hand coloured aquatint with large margins. Platemarrkk: Repository of Arts 101, Strand. 240 x 285mm (9½ x 11¼"). £230 Hand coloured aquatint withh large margins. Platemark: An interior view of the Court of Common Pleas, 240 x 285mm (9½ x 11¼"). £140 Westminster, London. Authorised by the Magna Carta An interior view of the Long Room in the Custom to sit in a fixed location, the Common Pleas sat in House, Lower Thames Streett, London. The house was Westminster Hall for its entire existence, joined by the rebuilt in 1717-25 by Thomas Ripley on the Exchequer of Pleas and Court of King's Bench. foundations of an earlier house by Wren. It was Published in Ackermann's famous work, the destroyed by fire 1814. The Long Room was where 'Microcosm of London', the figures were drawn by the customs men received officaal documents. famous caricaturist Thomas Rowlandson and the Published in Ackermann's famous work, the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34082 'Microcosm of London', the ffigures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34090 247. Debating Society, Piccadilly. draughtsman, watercolour arrtist, architect and teacher, Rowlandson & Pugin del. et sculpt. J. C. Stadler sculpp. Thomas Sandby. London. Pub Aug.t 1, 1808 at R. Ackermann’s Published in Ackermann's famous work, the Repository of Arts 101, Strand. 'Microcosm of London', the ffigures were drawn by the Hand coloured aquatint with large margins. Platemarrkk: famous caricaturist Thomas Rowlandson and the 240 x 285mm (9½ x 11¼"). £140 architecture by Augustus Pugin. Abbey, Scenery: 212. A view of 'The Athenian Lyceum' meeting of the Stock: 34147 debating society, taking place at No. 22 Piccadilly. An interior view of a crowded room with a chairman 250. The Great Hall, Bank of England. presiding over debates. Pugin & Rowlandson del. et Sculpt. Hill, Aquat. Published in Ackermann's famous work, the London. Pub Feb 1, 1808 at RR. Ackermann’s 'Microcosm of London', the figures were drawn by the Repository of Arts 101, Strand. famous caricaturist Thomas Rowlandson and the Hand coloured aquatint withh large margins. Platemark: architecture by Augustus Pugin. Abbey, Scenery: 212. 240 x 285mm (9½ x 11¼"). £160 Stock: 34091 A view inside the Great Halll of the Bank on Threadneedle Street, London. A full length classical 248. Court of Exchequer, Westminster Hall. statue can be seen in a niche at far end, with men and Pugin & Rowlandson del. et Sculpt. J. C. Stadler, women crossing the hall or attending to business. The Aquat. London. Pub July 1, 1808 at R. Ackermann’s Bank of England, formally the Governor and Company Repository of Arts 101, Strand. of the Bank of England, is the central bank of the Hand coloured aquatint with large margins. Platemarrkk: United Kingdom and the moddel on which most modern 240 x 285mm (9½ x 11¼"). £230 central banks have been based. An interior view of the Court of Exchequer, Published in Ackermann's famous work, the Westminster Hall, with a session taking place. The 'Microcosm of London', the ffigures were drawn by the Court of Exchequer Chamber was an English appellate famous caricaturist Thomas Rowlandson and the court for common law civil actions and heard architecture by Augustus Pugin. Abbey, Scenery: 212. references from the King's Bench, the Court of Stock: 34072 Exchequer and, from 1830, the Court of Common Pleas. 251. Greenwich Hospitaal, The Painted Hall. Published in Ackermann's famous work, the Pugin & Rowlandson del.t ett sculp.t. J. Bluck Aquat. 'Microcosm of London', the figures were drawn by the London. Pub Jan 1, 1810 at R. Ackermann’s famous caricaturist Thomas Rowlandson and the Repository of Arts 101, Strand. architecture by Augustus Pugin. Abbey, Scenery: 212. Hand coloured aquatint withh large margins. On Stock: 34084 watermarked paper, 'J. Whattmman, 1808'. Platemark: 240 x 285mm (9½ x 11¼"). £160 An interior view of the Paintted Hall in Greenwich Hospital, London. The first of the principal buildings constructed for the hospital was the King Charles Court, famous for its baroque Painted Hall, which was paainted by Sir James Thornhill in honour of King William III and Queen Mary II (the ceiling of the Lower Hall), of Queen Anne and her husband, Prince George of Denmark (the ceilling of the Upper Hall) and George I (the north wall of the Upper Hall). The Painted Hall was deemed too magnificent for the peensioned seamen's refectory and was never regularly used as such. On 5th January 1806, Lord Nelson's body lay in state in the Painted Hall of the Greenwich Hospital before being taken up the river Thames to St Paul's Cathedral for a state funeral. In 1824 a National Gallery of Naval Art was created in the Painted Hall, 249. Freemasons Hall, Great Queen Street. where it remained until 1936, when the collection was Rowlandson & Pugin del. et sculpt. Stadler Aquat. transferred to the National Maritime Museum, newly London. Pub Oct.r 1, 1808 at R. Ackermann’s established in the Queen's House and adjacent Repository of Arts 101, Strand. buuildings. Hand coloured aquatint with large margins. Platemarrkk: Published in Ackermann's famous work, the 240 x 285mm (9½ x 11¼"). £180 'Microcosm of London', the ffigures were drawn by the An interior view of a full Freemans Hall in Queen famous caricaturist Thomas Rowlandson and the Street, London, the headquarters and meeting place for architecture by Augustus Pugin. Abbey, Scenery: 212. the Masonic Lodges in the London area. In 1775 the Stock: 34156 premier Grand Lodge purchased a house on Queen Street, behind which was a garden and a second house. A competition was held for the design of a Grand Haall to link the two houses. The winning design was by 252. Guildhall. Examination of a Bankrupt 256. House of Commons. before his Creditors. Court of Kings Bench. Rowlandson & Pugin del. et sculpt. Bluck, Aquat. Pugin & Rowlandson, del.t. et sculp.t. J.Bluck Aqua.t. London. Pub May 1, 1808 att R. Ackermann’s Pub. 1.st. Nov.r. 1808 at R. Ackermann's Repository of Repository of Arts 101, Strand. Arts 101 Strand, London. Hand coloured aquatint withh large margins. Platemark: Coloured aquatint. Plate: 280 x 230mm, (11 x 9"). 240 x 285mm (9½ x 11¼"). £180 Large margins. £240 An interior view of the House of Commons with a Interior scene in Guildhall in which a man stands session taking place. before a court of men, some of which are examining Published in Ackermann's famous work, the papers and conversing amongst themselves. From 'Microcosm of London', the ffigures were drawn by the Ackermann's 'Microcosm of London'. Abbey, Scenery: famous caricaturist Thomas Rowlandson and the 212. architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34110 See 34171 for House of Lords. Stock: 34080 253. Guildhall. Rowlandson & Pugin del. et sculpt. J. Bluck Aquat. London. Pub Oct.r 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand. Hand coloured aquatint with large margins. Platemarrkk: 240 x 285mm (9½ x 11¼"). £140 An interior view of the Great Hall in Guildhall, London, with a procession of Common Councilmen and Aldermen leading up the steps in the centre of the image. Guildhall has been used as a town hall for several hunddred years, and is still the ceremonial andd administrative centre of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34144 257. Court of Kings Bench, Westminster Hall. Pugin & Rowlandson del. et Sculpt. J. Bluck, Aquat. 254. Common Council Chamber, Guildhall. London. Pub June 1, 1808 att R. Ackermann’s Rowlandson & Pugin del.t. et sculp.t./ J. Bluck aqua.t. Repository of Arts 101, Strand. London Pub.1.st. Nov.r. 1808 at R. Ackermann's Hand coloured aquatint withh large margins. Platemark: Repository of Arts 101 Strand. 240 x 285mm (9½ x 11¼"). £230 Coloured aquatint with large margins. Plate: 240 x An interior view of the Courrtt of Kings Bench, 280mm, (9½ x 11"). Slight crease on left and some Westminster Hall, London. The Court of King's Bench foxing. £220 (or Court of Queen's Bench during the reign of a Interior scene in which robed men, wearing wigs, sit in female monarch), formally known as The Court of the a domed room hung with paintings, whilst a group of King Before the King Himself, was an English court of figures gather at the entrance to watch the proceedings. common law. From Ackermann's 'Microcosm of London'. Abbey, Published in Ackermann's famous work, the Scenery: 212. 'Microcosm of London', the ffigures were drawn by the Stock: 34117 famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. 255. Heralds College. The Hall. Stock: 34083 Rowlandson & Pugin del.t. et sculp.t./J. Bluck Aqua.tt. London Pub. 1.st. Nov.r. 1808 at R. Ackermann's 258. House of Lords. Repository of Arts 101, Strand. Pugin & Rowlandson, del.t. et sculp.t./ J. Bluck aqua.t. Hand-coloured aquatint with large margins. Plate: 2885 London, Pub. 1.st. Jan. 1809 at R. Ackermann's x 230mm (11¼ x 9"). £180 Repository of Arts 101 Strand. Interior view of the Court of Chivalry in the Herald's Coloured aquatint with largee margins. plate: 270 x College. Several robed mean wearing wigs sit around a 220mm (10½ x 8¾"). £180 table inspecting a roll of arms held up by a figure, Interior view of the House off Lords in session in which while a man in a feathered hat watches from a raised robed figures regard a standiinng man addressing the platform. Several figures, including some wearing room. Published in Ackermann's famous work, the brightly coloured robes, watch the proceedings from 'Microcosm of London', the ffigures were drawn by the the floor while others watch from a gallery. Published famous caricaturist Thomas Rowlandson and the in Ackermann's famous work, the 'Microcosm of architecture by Augustus Pugin. Abbey, Scenery: 212. London', the figures were drawn by the famous See 34080 for House of Commons. caricaturist Thomas Rowlandson and the architecture Stock: 34171 by Augustus Pugin. Abbey, Scenery: 212. Stock: 34315 259. The Mint. Published in Ackermann's famous work, the Rowlandson & Pugin del.t. et sculp.t. J. Bluck aqua.t. 'Microcosm of London', the ffigures were drawn by the London Pub.d. 1.st. Feb.y. 1809 at R. Ackermann's famous caricaturist Thomas Rowlandson and the Repository of Arts 101 Strand. architecture by Augustus Pugin. Abbey, Scenery: 212. Hand coloured aquatint. Plate: 270 x 225mm, (10½ x Stock: 34160 9"). Large margins. £180 Interior scene depicting men at work in the Royal Miint. 262. The Post Office. Groups of men work the coin presses while others Pugin & Rowlandson del.t ett sculp.t. aquat. London. direct and collect the coins, baskets of coins can be Pub 1st April 1809, at R. Ackermann’s Repository of seen in the ground. Published in Ackermann's famous Arts 101, Strand. work, the 'Microcosm of London', the figures were Hand coloured aquatint withh large margins. On drawn by the famous caricaturist Thomas Rowlandson watermarked paper, 'J. Whattmman, 1832'. Platemark: and the architecture by Augustus Pugin. Abbey, 240 x 285mm (9½ x 11¼"). £140 Scenery: 212. An interior view of the busy Post Office when it was Stock: 34237 housed in Sir Robert Vyner's house in Lombard Street. It was here that letters were sorted for delivery in the 260. Hospital, Middlesex. morning and newspapers werre sorted in the evening. Rowlandson & Pugin, del.t. et sculp.t. Stadler Aqua.t. Published in Ackermann's famous work, the London, Pub, 1.st. Nov.r. 1808 at R. Ackermann's 'Microcosm of London', the ffigures were drawn by the Repository of Arts 101 Strand. famous caricaturist Thomas Rowlandson and the Aquatint with large margins. Plate: 280 x 230mm, (11 architecture by Augustus Pugin. Abbey, Scenery: 212. x 9"). £180 Stock: 34157 Interior scene depicting a ward in the Middlesex Hospital in London. Several women lie in beds, some 263. S.t. Paul's Cathedral. attended by nurses and visitors. In the foreground a Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t group of four figures gather round to inspect somethiinng London, Pub. Aug.t. 1.st. 1809 at R. Ackermann's held by a bespectacled man. Founded in 1745 in Repoistory of Arts 101 Strand. Fitzrovia, the Middlesex Hospital was created in order Coloured aquatint with largee margins. Plate: 230 x to provide medical care for the poor. Published in 270mm, (9 x 10½"). £140 Ackermann's famous work, the 'Microcosm of Interior scene in which severral groups of figures London', the figures were drawn by the famous examine the sculpture and arrchitecture of St. Pauls caricaturist Thomas Rowlandson and the architecture Cathedral. Published in Ackermann's famous work, the by Augustus Pugin. Abbey, Sceney: 212. 'Microcosm of London', the ffigures were drawn by the Stock: 34279 famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34169

264. Trinity House. Rowlandson & Pugin delt. ett sculpt. Sutherland aquat. London Pub. Octr. 1st. 1809,, at R. Ackermann’s Repository of Arts 101 Strand. Hand coloured aquatint withh large margins. Platemark: 240 x 285mm (9½ x 11¼"). £140 Interior view of a meeting att Trinity House. The Corporation of Trinity House came into being in 1514 byy Royal Charter granted by Henry VIII. Trinity House has three main functions; Thhe care of all lighthouses in England, Wales, the Channell Islands and Gibraltar. Providing aids to navigation,, e.g. lightvessels, lighthouses, buoys, radio navigation services etc. Serving as a charitable organisation for mariners; 261. Old Bailey. looking after their safety, welfare, training etc. Rowlandson & Pugin delt. et sculpt. Stadler aquat. The Masters of the Corporatiion of Trinity House have London Pub. 1st. March 1809, at R. Ackermann’s included the diarist Samuel Pepys and the Duke of Repository of Arts 101 Strand. Wellington, and Admiral Wiilliam Penn (father of Hand coloured aquatint with very large margins. William Penn, founder of Peennnsylvania). Platemark: 240 x 285mm (9½ x 11¼"). £280 Published in Ackermann's famous work, the An interior view of the Old Bailey, London. The court 'Microcosm of London', the ffigures were drawn by the at Old Bailey held sessions eight times a year. It heard famous caricaturist Thomas Rowlandson and the the most serious crimes commited in the city of architecture by Augustus Pugin. Abbey, Scenery: 212. London and Middlesex. In this image a witness is Stock: 34162 being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. 265. A View of London from the Thames, work, the 'Microcosm of London', the figures were Taken Opposite the Adelphi. drawn by the famous caricaturist Thomas Rowlandson Pugin & Rowlandson del.t et sculp.t. J. Bluck Aquat. and the architecture by Augustus Pugin. Abbey, London. Pub Nov.r 1, 1809 at R. Ackermann’s Scenery: 212. Repository of Arts 101, Strand. Stock: 34170 Hand coloured aquatint with large margins. On watermarked paper, 'J. Whatman, 1808'. Platemark: 270. [The Law Courts.]] 240 x 285mm (9½ x 11¼"). £260 Fred. G. Farrell [pencil signature.] [n.d., c.1930.] A picturesque view of the river Thames, with the Etching. Plate: 360 x 260mm, (14 x 10¼"). £360 Adelphi at far left on the opposite shore. St Paul's View of the Royal Courts off Justice in London. cathedral can be seen in mid-distance, with Blackfriaarrs Stock: 35174 Bridge to its right. The steam engine at the York Buildings waterworks are also on the far right. Several 271. [Dawn at Westminster]. rowing and sailing boats can be seen on the water. Fred. G. Farrell [pencil signature.] [n.d., c.1925]. Published in Ackermann's famous work, the Etching. Framed. Plate: 360 x 250mm, (14 x 9¾"). 'Microcosm of London', the figures were drawn by the Frame: 540 x 480mm, (21 x 18¾"). Unexamined out of famous caricaturist Thomas Rowlandson and the frame. £290 architecture by Augustus Pugin. Abbey, Scenery: 212. View of the Houses of Parliament from the Thames. Stock: 34154 Stock: 35172

266. Custom House. From the River Thames. 272. Somerset House, Strand. Pugin & Rowlandson del. et Sculpt. J. Bluck, Aquat. Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t. London. Pub Aug.t 1, 1808 at R. Ackermann’s London Pub 1.st. June 1809 aat R. Ackermann's Repository of Arts 101, Strand. Repository of Arts 101, Strand. Hand coloured aquatint with large margins. Platemarrkk: Hand-coloured aquatint with large margins. Plate: 270 240 x 285mm (9½ x 11¼"). £240 x 230mm, (10½ x 9"). Some faint foxing. £230 A view of the Custom House, on the north bank of the View of the quadrangle of Somerset House looking Thames in the City of London, formerly in use for the towards what would have beeen the Admiralty. In the collection of customs duties. foreground one-legged beggar approaches a soldier Published in Ackermann's famous work, the accompanied by two womenn while other groups of 'Microcosm of London', the figures were drawn by the figures stand in conversation. Published in famous caricaturist Thomas Rowlandson and the Ackermann's famous work, tthe 'Microcosm of architecture by Augustus Pugin. Abbey, Scenery: 212. London', the figures were drawn by the famous Stock: 34088 caricaturist Thomas Rowlandson and the architecture byy Augustus Pugin. Abbey, Scenery: 212. 267. [London Bridge.] Stock: 34316 V. Raineri f. [n.d., c.1820. Coloured aquatint with very large margins. 170 x 220mm (6¾ x 8¾"). Fine colour. £140 A view of London Bridge from the east, looking up towards the Monument. From 'Della storia delle Nazioni'. Stock: 34398

268. Somerset House Drawn by S. Owen. Engraved by W.B. Cooke. London, Published March 31, 1814, by W.B. Cooke, 12 York Place, Pentonville. Engraving. 155 x 255mm (6 x 9¾"), with large margins. £75 A view of Somerset House from the Thames. From 'The Thames' by Samuel Owen (c.1769-1857). Stock: 34045 273. Mounting Guard. S.t. James's Park. Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t. 269. West India Docks. London Pub, 1.st. Feb.y., 1809, at R. Ackermann's Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t. Repository of Arts 101 Strand. London, Pub. Jan.y. 1. 1810., at R. Ackermann's Hand- coloured aquatint. Plate: 270 x 230mm, (10½ x Repository of Arts 101 Strand. 9"). Large margins. £220 Coloured aquatint with large margins. 280 x 230mm Exterior scene depicting the mmounting guard at the (11 x 9"). £220 Horse Guards in St. James's PPalace, soldiers march in View of the West India docks which were a walled wet ranks led by a marching band whilst a group of dock constructed between 1800 and 1802 to protect the spectators look on. Published in Ackermann's famous cargo from thieves. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson the bank to the right, along which is a row of houses. and the architecture by Augustus Pugin. Abbey, Two pigs are below the trees in the right foreground. Scenery: 212. Stock: 34483 Stock: 34241

274. View of Westminster Hall and Bridge. Pugin & Rowlandson del.t et sculp.t. J. Bluck Aquat. London. Pub Sept.r 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand. Hand coloured aquatint with large margins. On watermarked paper, 'J. Whatman 1836'. Platemark: 240 x 285mm (9½ x 11¼"). Slight crease. £230 A view from the Lambeth bank of the River Thames looking acrosss Westminster Bridge to the Abbey andd old Houses of Parliament. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. Abbey, Scenery: 212. Stock: 34151 279. Hammersmith. Drawn by W. Westall ARA. Printed by C. Hullmandel. 275. Westminster Abbey. London. Pub: by Rodwell and Martin: New Bond St. P. Hosmer Shepherd pinx. Imp Lemercier Paris. Deroy June 1823. lith. London, Published 1th August 1854, by E. Hand coloured lithograph. Prrinted area: 195 x 320mm Gambart & C.o. 25 Berners S.t. Oxford S.t. (7¾ x 12½") Unexamined out of frame. £240 Fine coloured lithograph with large margins. Sheet: A plate from William Westalll's 'Views on the Thames', 295 x 210mm, (11¾ x 8¼"). £130 puublished in 1823. View of the western facade of Westminster Abbey. A view of Hammersmith alonng the river Thames, Stock: 35178 London. Small boats can be sseen on the river on the right, with figures strolling on the tree-lined bank to the 276. Greenwich. left. Drawn by S. Owen. Engraved by W.B. Cooke. Stock: 34481 London, Published Oct. 1, 1814, by W.B. Cooke, 12 York Place, Pentonville. 280. Session House, Clerkenwell. Engraving. 155 x 255mm (6 x 9¾"), with very large Pugin & Rowlandson del.t. et sculp.t. London Pub. margins. Uncut. £80 June 1.st. 1809 at R. Ackermann's Repository of Arts A view of Greenwich Hospital from the Thames. Froom 101 Strand. 'The Thames' by Samuel Owen (c.1769-1857). Hand-coloured aquatint with large margins. Plate: 230 Stock: 34047 x 270mm, (9 x 10½"). £140 Interior view of the hall and mmain staircase of Session 277. Greenwich. Vue prise des Bords de la House in Clerkenwell. Groups of people congregate in Tamise. 182. the hall, in one group a lawyyeer talks to a young woman, A. Ballin, del. et sculp. A. Cadart, Edit. Imp. Rue N.ve while beside them a mother sits on the floor holding a des Mathurins, 58, Paris. [n.d. c.1871.] baaby while two boys stand beeside her. The Session Etching with very large margins. Plate 151 x 316mmm (6 House served as the main judicial and administrative x 12½"). £160 centre of Middlesex until Miiddlesex County Council A view of the Hospital at Greenwich; steam, sailing was formed in 1889. The dome depicted in the image and rowing boats on the River Thames. Royal was modelled after the Pantheon in Rome. Published in Museums Greenwich: PU2259. Ackermann's famous work, tthe 'Microcosm of Stock: 34765 London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture 278. Chiswick. byy Augustus Pugin. Abbey, Scenery: 212. Drawn from Nature & on stone by W. Westall ARA. Stock: 34321 Printed by C. Hullmandel. London. Pub: by Rodwell and Martin: New Bond St. Dec.r 1823. 281. Old Chelsea. 16 Hand coloured lithograph. Printed area: 195 x 320mm Seymour Hayden. [n.d., c.18872]. (7¾ x 12½") Unexamined out of frame. £180 Etching. Plate: 200 x 120mm, (8 x 4¾"). Very large A plate from William Westall's 'Views on the Thamees', margins. £180 published in 1823. View of Old Chelsea from the Thames. From 'Etchings A view of Chiswick along the river Thames, London. for the Art Union of Londonn Etching Club' 1872. The river can be seen on the left, with barge landed on Stock: 35121 beach in the middle distance. Figures are walking on 282. [Building for the London International Published in Ackermann's famous work, the Exhibition of 1862] Palatset för Werlds- 'Microcosm of London', the ffigures were drawn by the Jndustriutställningen i London år 1862. famous caricaturist Thomas Rowlandson and the Lith och tr. hos A.J. Salinson architecture by Augustus Pugin. Abbey, Scenery: 212. Lithograph with tintstone, very rare; printed area 180 x Stock: 34158 255mm (7 x 10"). £160 Swedish print of the exhibition hall for the London International exhibition in South Kensington, from the horticultural gardens rather than the more common Cromwell Road view. The building aroused much hostility, with one commentator describing it as 'the most worthless and the vilest parody of architecture that it has ever been our misfortune to look upon'. Soon after the exhibition it was demolished (although portable materials were sold to the Alexandra Palace Company annd re-used in north London) and was subsequently replaced by the Natural History Museum, which still stands. The print seems to have been copied from an Illustrated London News print showing the building in progress. Here the building is shown as complete butt 285. View's of London. No. 2. Entrance of St the perspective and arrangement of figures is almost Georges Road or the Obeelisk Turnpike with a identical. view of the Royal Circuss. Stock: 35231 Dagaty. Delin & Sculp.t. Publish'd Aug.st 1. 1809. by R. Ackermann 101. Strand. 283. To the Parishioners of the Parish of St. Fine hand coloured aquatint. On watermarked paper, 'J. Thomas the Apostle, in the City of London. Whatman'. Two collector's sttamps in lower left corner. This view of Their Doomed Churchyard, as it Platemark: 360 x 450mm (14¼ x 17¾"). Small margins appears this 2.nd Day of August in the Year of on 3 sides. Cut to plate at topp. £650 our Lord God, 1848, is inscribed by their A view looking past the obellisk in St George's Circus affectionate Friend and Pastor, who sincerely to the toll gates on Great Surrrey Street (Blackfriars Road). Dagaty has also included detail of the street sympathizes with them in their Grief and traffic, including a coach, carrt and horse riders. Indignation at the contemplated appropriation The 'Royal Circus and Equestrian Philharmonic of its consecrated Ground to unhallowed Academy' opened in 1782, specialising in equestrian purposes. H.B Wilson D.D. Rector. displays. Two years after this print it burned down, and Day & Son Lith.rs to the Queen. Published by Robert again in 1805, after which it was rebuilt as the Surrey Jennings, 62 Cheapside. [n.d. c.1848.] Theatre. A rare tinted lithograph. 305 x 411mm (12 x 16¼"). This plate was the second in a set of six plates in a £140 'Views of London' series, showing the main entrances View of the Churchyard of St Thomas the Apostle, in into London, all marshalled by turnpikes, first Southward; from Queen Street, looking down towards puublished in 1797. However after this plate Dagaty was Southwark Bridge; the street passes through the old replaced by Thomas Rowlanndson. It is uncertain who ruined church of St Thomas the Apostle; the Dagaty was, although he was possibly Edouard Gautier churchyard remains on the left with many trees d'Agoty. growing in space, figures on street in foreground. Stock: 35192 Stock: 34749 286. Regent's or Londoon. Canal, Entrance 284. Kings Bench Prison. Gates from the Thames. Limehouse. Pugin & Rowlandson del. et sculpt. J. C. Stadler Aquat. Tho.s H. Shepherd del. / J. Cleghorn sculp. [c.1823] London. Pub1.st Dec.r 1808, at R. Ackermann’s Aquatint with hand-colouring with very large margins; Repository of Arts 101, Strand. fine image; platemark 310 x 440mm (12¼ x 17¼"). Hand coloured aquatint with large margins. Platemark: £460 240 x 285mm (9½ x 11¼"). £230 Fine view of the entrance to tthe Regent's Canal at The King's Bench Prison was a situated in Southwark, Limehouse Basin. After a drawing by Thomas Hosmer south London, England, from medieval times until it Shepherd (1793-1864), one of the most prolific of all closed in 1880. It took its name from the King's Bench London draughtsmen. In addition to his work with court of law in which cases of defamation, bankruptccy prrint publishers, Shepherd allso developed a long and other misdemeanours were heard; as such, the relationship with the collector Frederick Crace, who prison was often used as a debtor's prison until the commissioned him to make many watercolours of practice was abolished in the 1860s. In 1842, it was London views. The Crace collection, now part of the renamed the Queen's Prison, and later became the British Museum, contains an excellent collection of Southwark Convict Prison. A game of rackets is taking Shepherd's work. place on left. Stock: 35037 287. Tower of London. Engraving. 155 x 255mm (6 x 9¾"), with very large Drawn by S. Owen. Engraved by W.B. Cooke. margins. Uncut. £65 London, Published July 1, 1815, by W.B. Cooke, 12 A view of Richmond Bridge from downriver, looking York Place, Pentonville. towards Richmond Hill. From 'The Thames' by Samuel Engraving. 155 x 255mm (6 x 9¾"), with very large Owen (c.1769-1857). margins. Uncut. £75 Stock: 34044 A view of the Tower of London from the river. From 'The Thames' by Samuel Owen (c.1769-1857). 292. Richmond Hill. Stock: 34051 Drawn by C. Barrett. Engraved by G.H. Every. Sketches Plate 11. Published by S. Hollyer 2 Everett Street Jan.y 1831. Printed byy S.H. Hawkins. Mezzotint and etching, rare with large margins. Plate 165 x 210mm (6½ x 8¼"). £140 A view from Richmond Hill,, with three deer sitting in the left foreground, trees, people and several boats on the River Thames curving below. Stock: 34654

293. Richmond Palace. M. V.dr Gucht Sculp. [after Wenceslaus Hollar.] [n.d. c.1638; but later.] Engraving and etching. 106 x 335mm (4¼ x 13¼"). Trimmed to image. £140 288. The North View of Row-Hampton. La View of Richmond Palace in Surrey with figures in the Veue de Row-Hampton au Nord. foreground. Richmond Palace, was a Royal residence Printed for and Sold by Rob.t Sayer, at the Golden on the Surrey bank of the River Thames. It was erected Buck in Fleeet Street,____London. [n.d. c.1770.] c.1501 within the royal manor of Sheen, by Henry VII Hand-coloured engraving. Plate 260 x 400mm (10¼ x of England. Collage: k1310091. 15¾"). Overall toning; mount burn. Nicks and tears to Stock: 34764 margin edges. £320 A view of Barnes, Roehampton across the River 294. M.r. Bradbury's Twickenham Com.n. Thames. [F. Jukes, No.3 Howland S.t.., Sept.r 1st 1786.] Stock: 34766 Aquatint. Sheet: 250 x 200mm, (9¾ x 8"). Trimmed. £140 289. Kingston. View of a large house belonging to a Mr Bradbury on Drawn by S. Owen. Engraved by W.B. Cooke. Twickenham Common. Easilly accessible by the London, Published July 1, 1814, by W.B. Cooke, 2 Thames and free from the pollution of the city, York Place, Pentonville. Twickenham became a fashioonable residence for the Engraving. 155 x 255mm (6 x 9¾"), with very large wealthy in the 18th Century. Gasgoine and Ditchburn margins. Uncut. £65 324. A view of Kingston from 'The Thames' by Samuel Stock: 35176 Owen (c.1769-1857). Across the river is the wooden bridge replaced in 1828 by the current Kingston 295. View of Bristol from Clifton Wood. To Bridge, designed by Edward Lapidge. Stock: 34049 the Right Worshipful Johhn Kerle Haberfield Esq.re Mayor of the City of Bristol. This View 290. London Bridge. is most respectfully dedicated by The Drawn by S. Owen. Engraved by W.B. Cooke. Publisher. London, Published Oct.r 1, 1814, by W.B. Cooke, 12 Drawn by S.C. Jones from a Painting by W. Muller in York Place, Pentonville. the possession of George Jones Esq.re On Stone by L. Engraving. 155 x 255mm (6 x 9¾"), with very large Haghe. Day & Haghe Lith.rs to the Queen. Published margins. Uncut. £60 byy George Davey 1 Broard S.t Bristol. [n.d. c.1850.] A view of the Old London Bridge from downriver, Lithograph with large margins. 280 x 380mm (11 x looking towards the City. This bridge was demolished 15"). £160 in 1831, after Rennie had built its replacement 30 View of Bristol from a hillside, with a couple and two metres to the west. From 'The Thames' by Samuel children conversing on a path in foreground at left, and Owen (c.1769-1857). three goats seen nearby at ceenntre. Stock: 34048 Stock: 34730

291. Richmond Bridge. 296. East Looe and Wesst Looe. Drawn by S. Owen. Engraved by W.B. Cooke. Drawn by J. Farington R.A. EEngraved by W. London, Published March 1, 1814, by W.B. Cooke, 2 Woolnoth. London, Published May 1. 1813, by T. York Place, Pentonville. Cadell & W. Davies, Strand. Engraving with very large margins. Plate 222 x 299mm Unfinished proof before all lletters. Engraving with (8¾ x 11¾"). Small pinholes in image area. £75 very large margins. Plate 229 x 280mm (9 x 11"). A view or Looe, the small coastal town and fishing Small pinholes in image area. £75 port in Cornwall. Looe is divided in two by the River A view or Looe, the small coastal town and fishing Looe, East Looe and West Looe, connected only by the poort in Cornwall. Looe is divided in two by the River arched bridge, this was replaced by a newer seven- Looe, East Looe and West Loooe, connected only by the arched bridge in 1853. arched bridge, this was replaaced by a newer seven- Plate 19 from 'Britannia Depicta: a Series of Views arched bridge in 1853. (with brief Descriptions) of the most interesting and Plate 19 from 'Britannia Deppicta: a Series of Views picturesque Objects in Great Britain...' by Joseph (with brief Descriptions) of tthe most interesting and Farington. piicturesque Objects in Greatt Britain...' by Joseph Stock: 34724 Farington. Stock: 34725

300. Penryn. Drawn by J. Farington R.A. EEngraved by J. Pye. London Published May 1, 1813 by T. Cadell & W. Davies, Strand. Engraving with very large margins. Plate 229 x 280mm (9 x 11"). Uncut; pinholes inn the image area. £70 A view across the Penryn Rivver, looking towards Penryn, Cornwall. Although latterly overshadowed by nearby Falmouth, Penryn was once an important harbour in its own right throughout the medieval period exporting granite and tin. Plate 8 from 'Britannia Depicta: a Series of Views (with brief Descriptions) of tthe most interesting and piicturesque Objects in Greatt Britain...', by Joseph 297. Falmouth from Trefusis. Farington. Drawn by J. Farington R.A. Engraved by F.R. Hay. Stock: 34728 London Published May 1, 1813 by T. Cadell & W. Davies, Strand. 301. Saltash. Engraving with very margins. Plate 229 x 300mm (9 x Drawn by J. Farington R.A. EEngraved by J. Landseer, 11¾"). Uncut; pinholes in the image area. £70 A.R.A. London Published May 1, 1813 by T. Cadell & A view of Falmouth, the port town on the River Fal, on W. Davies, Strand. the south coast of Cornwall, seen here frf om the Engraving with very large margins. Plate 229 x 280mm Trefusis headland. (9 x 11"). Uncut; pinholes inn the image area. £60 Plate 6 from 'Britannia Depicta: a Series of Views A view along the River Tammaar with Saltash to the left; (with brief Descriptions) of the most interesting and it lies on the south east of Cornwall, facing Plymouth picturesque Objects in Great Britain...', by Joseph over the river. Farington. Plate 22 from 'Britannia Deppicta: a Series of Views Stock: 34727 (with brief Descriptions) of tthe most interesting and piicturesque Objects in Greatt Britain...', by Joseph 298. Fowey. Farington. Drawn by J. Farington, R.A. Engraved by F.R. Hay. Stock: 34729 London Published May 1. 1813, by T. Cadell & W. Davies, Strand. 302. Coombe-Martin, Devonshire. Engraving with very large margins. Plate 249 x 316mm Drawn by J.M.W. Turner R.A. Engraved by Will.m (9¾ x 12½"). Uncut; small pinholes in image area. Miller. [n.d., 1825.] £80 Etching on india. Sheet 230 x 305mm (9 x 12"). Some Fowey, the small town and cargo port at the mouth of foxing and surface soiling. £60 the River Fowey in south Cornwall. Combe Martin in North Devoon, painted by Turner for Plate 7 from 'Britannia Depicta: a Series of Views Cooke's 'Picturesque Views of the Southern Coast of (with brief Descriptions) of the most interesting and England', 1824-5. Rawlinson: 119, third state, with no picturesque Objects in Great Britain...', by Joseph publication line. Farington. Stock: 34055 Stock: 34726 303. [Coombe-Martin, DDevonshire.] 299. [East Looe and West Looe.] Drawn by J.M.W. Turner R.A. Engraved by Will.m [Drawn by J. Farington R.A. Engraved by W. Miller. [n.d., 1825.] Woolnoth.] [London, Published May 1. 1813, by T. Etching on india. Very unfinnished working proof; Cadell & W. Davies, Strand.] Sheet 230 x 305mm (9 x 12""). Some foxing and surface soiling. £260 Combe Marttin in North Devon, painted by Turner for remained in the Mansel famiily ever since; current Cooke's 'Picturesque Views of the Southern Coast off owner, the historian Philip Mansel. England', 1824-5. An unfinished plate. For the Stock: 34736 completed version, see item ref: 34055. Rawlinson: 119. Stock: 34056

304. Lynmouth_Devon. Drawn, Printed & Published by Geo. Rowe, Exeter House Cheltenham. [n.d. c.1840.] Lithograph on india with very large margins; Sheet 259 x 324mm (10¼ x 12¾"). £50 Lynmouth, the village in Devon, on the northern edge of Exmoor. It straddles the confluence of the West Lyn and East Lyn rivers, in a gorge 700 feet below Lynton. Thomas Gainsborough, who honeymooned there with his bride Margaret Burr, described Lynmouth as "the most delightful place for a landscape painter this country can boast". Stock: 34723 308. N.W. View of The City of Durham. To The Right Rev.d William Van Mildert, D.D. 305. Forde Abbey. The Seat of M.rs Bertram Lord Bishop of Durham,, &c. this plate is Evans. To whom this Plate is respectfully inscribed by The Editor.. dedicated. G.F. Robson del. W. Winklees & W. Taylor sc. London, Drawn & Engraved by J.H. Le Keux, Durham. [n.d. Published Feb. 1, 1828, by J.. Britton, Burton Street. c.1863.] Printed by Barnett & Son. Engraving. 246 x 406mm (9¾ x 16"). £45 Engraving with small margins. Plate 222 x 302mm (8¾ Forde Abbey, the privately owned former Cistercian x 12"). £75 monastery in Dorset. The house remained largely A view across the River Wear towards Durham unchanged duuring the 18th century, though the gardens Cathedral and Castle in the background, showing part were createdd during this period. In 1815, the house was of the University; the Kingsgate Bridge to the right. Stock: 34708 rented to the philosopher Jeremy Bentham. Stock: 34737 309. Cottage, Isle of Wiight. 306. North View of Sherborne Castle, the Seat Published Dec.r 6 1800, by W.J. Reeves & Woodyer, of G.D.W. Digby, Esq.r To whom this plate iss Holborn Bridge. Aquatint with very large marrgins. 115 x 160mm (4½ x respectfully dedicated. 6¼"). Stitch holes in left marrgin. £60 Philip Brannnon del. et sculp. [n.d. c.1830.] Ex collection of the Hon. Chrristopher Lennox-Boyd. Engraving. Plate 241 x 360mm (9½ x 14¼"). Some Stock: 34605 toning. £45 Sherborne Castle, the 16th century Tudor mansion inn 310. Dorset. Edward, 6th Lord Digby (1730-1757) inherited The Needles. Isle of Wight. the lodge in 1752, and Henry, 7th Lord, Earl Digby, Walmesley Pinx.t Cartwrighhtt sculp. London Published laid out the present gardens, including the 1753 lake April 4. 1813, by James Danniell, 480, Strand. Hand-coloured aquatint, rare. 291 x 361mm (11½ x designed by LLancelot Brown. Stock: 34735 14¼"). £190 A view of a sailing boat nearr the crashing waves of the Needles, Isle of Wight; two ffishermen stand in the near 307. Smedmore House, in Dorsetshire, The left foreground, and ships caan be seen out at see in the Seat of Col. Mansel, C.B. baackground. London, Publish'd by J. Nichols & Co. July 10, 1840. Plate 12, from a smaller sized set of 'Twelve Select Engraving. Plate 260 x 380mm (10¼ x 15"). £95 Views in the Isle of Wight, frfrom Drawings by T. Smedmore House, the country house near Kimmeridge, Walmesley'. Dorset, looking out into the bay. It was originally built Stock: 34733 by Sir William Clavell around 1620, partially rebuilt by Edward Clavell c.1700, and greatly augmented by 311. A View near Chatham in Kent. 3. George Clavell c.1760. After the death of John Clavell- London, Printed by R. Sayerr & J. Bennett, Map & Richards, rector of Church Knowle, the court Printsellers, No.53 Fleet Street, as the Act directs 12 invalidated his alleged will, and a deal was struck Dec.r 1778. between his surviving heirs-in-law, ensuring that Engraving laid on album sheeet. 179 x 280mm (7 x Smedmore remained in the family, under the new 11"). Trimmed. £70 ownership of his niece and her husband, Lieutenant A countryside scene: a woman herding her one cow to Colonel John Mansel (1776-1863). Smedmore has the left; a smaller sailing boat on the river, a man walking towards the small stone bridge that crosses a 315. Belvoir Castle from the Hermitage on the stream where a man is fishing. Duke's Walk. From a series of 'Twelve Views in Kent, Surry, F.W. Trench August 1819. Hartford-shire &c. Drawn from Nature'. See Ref: Lithograph, printed area 2600 x 425mm (10¼ x 16½"). 31567 for coomplete set. Slight creasing. £160 Stock: 34747 Belvoir castle in Leicestershiire. Amateur lithograph by the army officer and politician Frederick William 312. A Cottage near Dartford in Kent. 2. Trench (c.1777-1859). Trench was also keenly London, Printed by R. Sayer & J. Bennett, Map & interested in architecture: in 1815 he proposed a vast Printsellers, No.53 Fleet Street, as the Act directs 12 monument to British naval and military victories over Dec.r 1778. France on the site which becaame Trafalgar Square, and Engraving laid on album sheet. 179 x 280mm (7 x in 1824 he launched a project for an embankment on 11"). Trimmed. £75 the north side of the Thames (in conjunction with A countryside scene in Dartford, Kent; stream with which a long print of the proojject was produced). Ex small wooden bridge crossing to right, a horse drinkss Collection: The Late Honourable Christopher Lennox- from the streeam. Boyd. For Trench's embankment scheme see refs. From a series of 'Twelve Views in Kent, Surry, 23749, 27468 &c. Hartford-shire &c. Drawn from Nature'. See Ref: Stock: 35034 31567 for coomplete set. Stock: 34746 316. Belvoir Castle from the Hermitage on the Duke's Walk. 313. A View near Eltham in Kent. 1. Twelve F.W. Trench August 1819. Views in Kent, Surry, Hartford-shire &c. Lithograph with very large margins, printed area 260 x Drawn from Nature. No.8. 425mm (10¼ x 16½"). £280 London, Printed by R. Sayer & J. Bennett, Map & Belvoir castle in Leicestershiire. Amateur lithograph by Printsellers, No.53 Fleet Street, as the Act directs 12 the army officer and politician Frederick William Dec.r 1778. Trench (c.1777-1859). Trench was also keenly Engraving, laid on album sheet. 179 x 280mm (7 x interested in architecture: in 1815 he proposed a vast 11"). Trimmed. £60 monument to British naval and military victories over A countryside scene: a shepherd sitting in a paddock France on the site which becaame Trafalgar Square, and outside his house with three sheep; a windmill in the in 1824 he launched a project for an embankment on background. A cart and horse move towards right away the north side of the Thames (in conjunction with from a gate and hut where a man sits guarding the road. which a long print of the proojject was produced). Ex From a series of 'Twelve Views in Kent, Surry, Collection: The Late Honourable Christopher Lennox- Hartford-shire &c. Drawn from Nature'. See Ref: Boyd; for Trench's embankment scheme see refs. 31567 for coomplete set. 23749, 27468 &c. Stock: 34748 Stock: 35035

317. West Front of Burrleigh House [ms] [Anon., c.1840] Lithograph, printed area 215 x 420mm (8½ x 16½"). Rare. £180 Burghley House, an Elizabetthan House built for Sir William Cecil near Stamford in Lincolnshire. Its park was later laid out by Capabillity Brown. Stock: 35028

318. Tattershall Castle [ms.] 314. Margate Inner View of the Pier, Bathing T. Girtin [ms] Rooms, &c. taken from the Shipwrights Etching and aquatint with hand-colouring and large Drawn & Etch'd by J.R. Smith / Sutherland Aquatinta margins, J. Whatman 1816 watermark; platemark 215 London. Pub.d June 1 1805 by C. Richards 349 Strannd x 305mm (8½ x 12"). Proof, before printed text Etching and aquatint with hand-colouring, platemark 'Tattershall Castle- Lincolnshire. / From an original 310 x 625mm (12¼ x 24½"). Wormholes, particularly drawing in the possession off Wm. Brand Esq. of lower left; folds; slight staining; tear lower left. Veryy Boston. Nov 1 1812'. £160 rare. £350 Plate from John Hassell's 'Aqua Pictura. Illustrated by a Detailed andd rare view of Margate showing figures in series of original specimens ffrom the works of...all the foreground, numerous horse-drawn bathing rooms on most approved modern waterr coloured draftsmen...' the beach and in the sea, and the pier, beyond which (1813). This volume was an aambitious project now stands the modern Turner Contemporary gallery. containing fifteen plates, eacch in four states, to Ex: collection of the Late Hon. C. Lennoxo -Boyd illustrate the development off a watercolour from initial Stock: 35226 drawing to completed work. This print, finished with hand-colouring, replicates thhe original watercolour by Thomas Girttin. Girtin had died several years 324. [Blenheim Palace] Monument. [&] previously, but had drawn Tattershall Castle as the Rosamond's Well. basis for an engraving in a series of views in Lincoln, C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the in 1799. Queen. [Oxford: James Wyaattt & Son, 1842.] The engraver and publisher John Hassell (1767-1825) Tinted lithograph with large margins, rare. Printed area was also a drawing master, and like several other of his 400 x 260mm (15¾ x 10¼").. £180 books, 'Aqua Pictura' was designed for educational Two views on one sheet: the Column of Victory & purposes. Abbbey Life 140.10 Rosamund's Well, named aftter Rosamund Clifford, a Stock: 34508 mistress of Henry II. From 'The Palace of Blenheiimm' by Charles Walter 319. A View near Staines, Middlesex. 6. Radclyffe (1817-1903), a boook dedicated to John London, Printed for R. Sayer, Printseller, No.53 Fleet Winston Spencer-Churchill, 7th Duke of Marlborough Street, as the Act directs 10 Oct.r 1779. (1822-83), grandfather of Wiinston Churchill. Not in Engraving. 172 x 280mm (6¾ x 11"). Trimmed and Abbbey. laid on album page. £75 Stock: 34922 A view of Staines-upon-Thames, Middlesex; two donkeys on the bank to the right; windmill in the distance. Stock: 34745

320. The Great Salcey Oak in Northamptonshire. Circumference on the ground 46 feet, 10 inches, at one yard high 399 feet, 10 inchhes. Estimated age 1500. [n.d., c.1850.] Pencil sketch. Sheet 175 x 200mm (7 x 8"). £120 A gnarled old oak, with much of its trunk hollowed out. The remains can still be seen in Salcey Forest, near Hartnell, Northamptonshire. Stock: 34958

321. Cressswell from the Quarry Point. 325. [Blenheim Palace] View near the High 1849 [pencil] Lodge. Lithograph with tintstone, large margins, very rare, C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the printed area 235 x 280mm (9¼ x 11"). £140 Queen. [Oxford: James Wyaattt & Son, 1842.] Cresswell, on the Northumberland coast. Tinted lithograph, with largee margins, rare. Printed Stock: 35025 area 275 x 375mm (10¾ x 14¾"). £230 A view through the woods towards the High Lodge. 322. [Church of St. Bartholomew, Apostle From 'The Palace of Blenheiimm' by Charles Walter Radclyffe (1817-1903), a boook dedicated to John and Martyrr, Cresswell.] Winston Spencer-Churchill, 7th Duke of Marlborough [Anon, c.1840] (1822-83), grandfather of Wiinston Churchill. Not in Lithograph with tintstone, large margins, very rare, Abbbey. printed area 305 x 425mm (12 x 16¾"). £160 Stock: 34919 St. Bartholomew's church in Cresswell, Northumberland, consecrated in 1836. It was built for 326. [Blenheim Palace] High Lodge. [&] the Baker-Cresswell family of Cresswell Hall. Stock: 35024 Cascade. C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the 323. [Blenheim Palace] From Private Queen. [Oxford: James Wyaattt & Son, 1842.] Tinted lithograph with large margins, rare. Printed area Gardens. 400 x 260mm (15¾ x 10¼").. £120 C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Two views on one sheet: High Lodge & the Cascade, Queen. [Oxford: James Wyatt & Son, 1842.] the water flowing from the Great Lake. Tinted lithograph with large margins, rare. Printed arrea From 'The Palace of Blenheiimm' by Charles Walter 275 x 375mm (10¾ x 14¾"). £220 Radclyffe (1817-1903), a boook dedicated to John From 'The Palace of Blenheim' by Charles Walter Winston Spencer-Churchill, 7th Duke of Marlborough Radclyffe (1817-1903), a book dedicated to John (1822-83), grandfather of Wiinston Churchill. Not in Winston Spencer-Churchill, 7th Duke of Marlborough Abbbey. (1822-83), grandfather of Winston Churchill. Not in Stock: 34923 Abbey. Stock: 34921 327. [Blenheim Palace] Front. C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen. [Oxford: James Wyaattt & Son, 1842.] Tinted lithograph, with large margins, rare. Sheet: 470 331. Dedicated to the Nobility and Gentry of x 360mm, (18½ x 14"). Slight paper loss in margins. Ludlow and its Vicinity. Six Views of Ludlow. £220 Drawn and Engraved on Steel by H.B. Ziegler. View of the north Front of Blenheim Palace and Greaat Ludlow: Printed and Publishhed by R. Jones, Broad Court in which several figures approach the main Street. 1846 entrance. The estate was gifted to John Churchill, 1stt Oblong folio, original printed wrappers; engraved title Earl of Malbborough by the nation in thanks for his & six steel mezzotint plates, each with a text page service at the Battle of Blenheim in 1704. Not in interleaved with tissue. Frontt cover soiled, spine Abbey. hinged. £380 Stock: 35181 View of the town and castle oof Ludlow by Henry Bryan Ziegler (1793-1874). When the series was first puublished in 1827 (Abbey 263) it was one of the earliest example of engraving on steel, with the use of mezzotint making it more unusual. Abbey: 264. Stock: 34474 332. The Market Square, County Hall & Corn Exchange, Shrewsbury. C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to the Queen. Published by Sandford & Howell, Shrewsbury [1844]. Tinted lithograph with hand colour. Printed area 215 x 300mm (8½ x 11¾"). Tears iin right edge. Messy. £90 The Square, Shrewsbury, from Charles Walter Radclyffe's 'Memorials of Shrewsbury School.'. This later state has the original titlle moved from within the pllate and enlarged. Abbey: 4448, this edition not listed. 328. [Blenheim Palace] East View. Stock: 34564 C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen. [Oxford: James Wyatt & Son, 1842.] 333. View of High Street, Shrewsbury, and St. Tinted lithograph with large margins, rare. Printed arrea Alkmonds, and St Julians Churches. 275 x 375mm (10¾ x 14¾"). £230 Lithographed by Newman & C.o. 48, Watling St.t. From 'The Palace of Blenheim' by Charles Walter London. Pub. by G. W. Wilde, Shrewsbury. [n.d., Radclyffe (1817-1903), a book dedicated to John c.1840] Winston Spencer-Churchill, 7th Duke of Marlborough Coloured lithograph, very rarre. Sheet: 395 x 290mm (1822-83), grandfather of Winston Churchill. Not in (15½ x 11½"). £220 Abbey. View of the churches and shops on Shrewsbury High Stock: 34920 Street. Shops such as 'Barclay's Tea Warehouse' and 'Oldroyd' are picked out. 329. The Quadrangle. Brasenose College. Stock: 34095 Oxford. [in pencil below image.] Sydney H. Pavière. [signed in pencil.] [n.d., c.1930] 334. Pride Hill, Shrewsbbury. Etching. Plate: 250 x 180mm, (9¾ x 7"). Large Lithographed by Newman & C.o. 48, Watling St. margins. £140 London. Pub. by P. Wilde, Shrewsbury. [n.d., c.1840]. View of the Old Quadrangle at Brasenose College. Thhe Coloured lithograph, very rarre. Sheet: 390 x 280mm college was founded in 1509 on the site of Brasenose (15¼ x 11). Repaired damagge in sky area. £120 Hall and was continually added to throughout the Street scene depicting the view along Pride Hill in centuries. The Radcliffe Camera and the University Shrewsbury. Among the shops depicted is: 'Wilde Church of St. Mary the Virgin can be seen in the Printer & Bookseller'. background. Stock: 34096 Stock: 35207 335. County Hall & Corrn Exchange. 330. Church Stretton. C.W. Radclyffe. del. et lith. Day & Hague, lith.rs to [n.d. c.1832.] the Queen. Published by Sandford & Howell, Lithograph on india with very large margins. Sheet 279 Shrewsbury [1844]. x 380mm (11 x 15"). Some creasing. £130 Tinted lithograph with hand colour. Printed area 215 x A view of Church Stretton, in the Shropshire Hills. The 295mm (8½ x 11½"). £160 town was nicknamed Little Switzerland in the late- The Square, Shrewsbury, from Charles Walter Victorian and Edwardian period, due to its landscapee Radclyffe's 'Memorials of Shrewsbury School.'. Abbey: and development as a health resort. The local geology 448. is complex and incorporates some of the oldest rockss in Stock: 34561 England. Stock: 34741

336. Market House Church Stretton. 1832. Lithograph on india with very large margins. Sheet 279 x 380mm (11 x 15"). £130 The half-timbered market hall which was erected in The Square of Church Stretton, Shropshire, in 1617 by Bonham Norton. This was taken down in 1839 and replaced in 1840 by a second building funded by pubblic subscription, itself demolished as unsafee in 1839. Stock: 34740

337. Whittington Hall. [n.d., c.1850.] Pencil sketch. Unique. On verso in pencil describes rooms, my bedrooms etc and marked on page in numbers. Sheet 140 x 210mm (5½ x 8¼"), mounted on card. £140 341. Claremont. The Residence of the late Whittington Old Hall, a 16th-century mansion house at much beloved and ever llamented Princess Whittington, Staffordshire, is now a grade II* listed Charlotte of Wales and Saxe Coburg building, divided into apartments. E.F. Burney Esq. Del.t / T. Sutherland sculp. London, Stock: 34960 Published Jan.y 26 1813 by Messrs S & J Fuller, 34 Rathbone Place. 338. Alborough, Suffolk. Fine coloured aquatint with very large margins, Painted by J.M.W. Turner, R.A. Engraved by E. pllatemark 230 x 305mm (9 x 12"). Paper watermarked Goodall. London, Published Dec.r 1. 1827, for the Whatman 1817 £230 Proprietor, by Robert Jennings, Poultry. Printed by A fine view of Claremont, an 18th century Palladian McQueen. mansion situated less than a mmile south of Esher in Engraving with small margins. Plate 252 x 305mm (10 Surrey; now Claremont Fan CCourt School. Its x 12"). £120 landscape garden, with follies including the Belvedere Part III, No.3 River landscape at Aldeburgh, with Tower, a turf amphitheatre annd grottoes, was figures in a rowing boat in foreground at left handling a redesigned by Lancelot 'Capaability' Brown in the mast floating in the water; another rowing boat at right, 1770s. sailing boat and ships in background; Martello Tower Stock: 34689 in middle ground at right, windmill and buildings of town in the distance. 342. Claremont, in Surrey, the Seat of Lord From 'Picturesque Views in England and Wales'. Galway. Stock: 34709 E.F. Burney del. Fittler sculp. Published as the Act directs Jan.1.1787, by Harrisson & Co. No.18, 339. Orford, Suffolk. Paternoster Row, London. Drawn by J.M.W. Turner, R.A. Engraved by R. Engraving with large margins. Plate 152 x 197mm (6 x Brandard. Published Sept.r 1827, for the Proprietor, by 7¾"). £45 Robert Jenninngs, Poultry. Printed by McQueen. Claremont, the 18th century Palladian mansion, Engraving and etching with small margins. Plate 241 x situated outside Esher, Surreeyy, now Claremont Fan 310mm (9½ x 12¼"). Slight soiling to edges. £130 Court School. Landscape witth view of a neoclassical Part III, No.4. View of estuary, harbour on the other country house in a sloping lawn in the middle distance, side of the estuary, the town behind, ruined castle figures on horseback on a paath in the foreground beside tower on the left, church on the right, group of others leading a pushchair; belonging to Lord Galway, fishermen in the left foreground pulling net ashore. the Earl of Tyrconnel. From 'Picturesque Views in England and Wales'. After Edward Francis Burney, illustration to Stock: 34653 'Picturesque Views of the Priincipal Seats of the Nobility and Gentry in England and Wales'. 340. A Perspective View of Claremont. Stock: 34743 [n.d. c.1780.] Etching and engraving, mounted on 18th century 343. A View of Farm near Darking Surry. 6. mounting. 179 x 202mm (7 x 8"). Cut. £120 London, Printed by R. Sayerr & J. Bennett, Map & Claremont, the 18th century Palladian mansion, Printsellers, No.53 Fleet Street, as the Act directs 12 situated outside Esher, Surrey; now Claremont Fan Dec.r 1778. Court School. Engraving laid on album sheeet. 179 x 280mm (7 x Stock: 34744 11"). Trimmed. £95 A view of a farm near Dorking. From a series of 'Twelve Views in Kent, Surry, Hartford-shire &c. Drawn from Nature'. See Ref: 31567 for complete set. Stock: 34742 344. Brighton from the Sea (Meeting of the river Nidd and ruins of Knarreesborough Castle in the British Association for the Advancement of baackground to the left. Objects placed underneath the Science). 152.-The Illustrated London News, limestone rich waters of the sspring are 'petrified', August 17, 1872.-153. giving them a stone like appearance. Mother Shipton's T. Sulman del. [1872.] cave, said to be the dwelling of Ursula Southeil, Woodcut. 405 x 571mm (16 x 22½"). Folds and (c.1488 - 1561) who foretold modern events and creases; somme nicks and tears to edges. £75 phhenomena, is part of the same attraction and has been A view of Brighton's coastline from the sea; produced open to the public since the 17th century. Engraved by etcher and copperplate printer Christopher for the London Illustrated News. Stock: 34750 Lee, who traded from addresses in Leeds from 1791 to 1811. He may have suppliedd the engraved plates for transfer-printed decoration on 'Black or Blue Ware' 345. Lewes. manufactured by the Leeds pottery. MS 1821. Stock: 34130 Rare & early lithograph, very scarce. 191 x 260mm (7½ x 10¼"). £120 A view from the road towards Lewes, set amongst the hills of East Sussex; Lewes Castle seen on the hill, and the River Ouse to the left. Ex collection of the Hon. Christopher Lennox-Boyd. Stock: 34790

346. Storrs Hall, Winandermere Most respectfully dedicated to John Bolton Esq. On Stone by C. Townley / Physick & Bush Delt. Printed & Published by Physick & Bush, Lancaster. Lithograph, printed area 230 x 315mm (9 x 12½"). Staining to title area. Very rare. £95 Storrs Hall, on the banks of Lake Windermere in the Lake District, Cumbria. Built by Sir John Legard in thhe 1790s, he sold the property to John Bolton, the 349. Whitby. Yorkshire [in pencil]. dedicatee of this print. Bolton was a Liverpool slave Marion Rhodes [signed in pencil]. [n.d., c.1940]. trader who purchased the hall with his profits and held Etching. Plate: 325 x 240mm, (12¾ x 9½"). Slight regattas on Lake Windermere which were attended by crease in sky. Split top margin. £140 Wordsworth and Sir Walter Scott, among others. The View of the harbour in Whitby in North Yorkshire. property is now a hotel. Stock: 35177 Stock: 35027

350. Royal College of Elizabeth, Guernsey. 347. [Winander-mere, Westmorland.] L. Haghe lithog: T. Compton del.t Published by M. [Drawn by J.M.W. Turner, R.A. Engraved by J.T. Moss Guernsey 1830. Willmore.] [London: Published 1837, for the Lithograph. 210 x 260mm (8¼ x 10¼"). Cut. £60 Proprietor; by Longman & Co. Paternoster Row A view of the College from tthe road; large gateway to Printed by McQueen.] the right, horse-drawn cart to left. Several students both Engraving on india, proof before all letters, with very within the College grounds and on the road outside. large marginns. Plate 241 x 322mm (9½ x 12¾"). £140 Elizabeth College, the singlee sex, independent school A view of rowing and sailing boats on Lake in the town of St Peter Port, GGuernsey, founded in 1563 Windermere, Westmorland, Lake District. under the orders of Queen Ellizabeth I. In the Royal From 'Picturesque Views in England and Wales from Collection: 701217. Drawings by J.M.W. Turner, Esq. R.A. Engraved Stock: 34739 under the superintendence of Mr. Charles Heath...' Rawlinson: 298. First published state. Stock: 34772 351. Heron's Castle Mona Hotel. Formerly the Residence of His Grace the Late Duke of 348. Dropping Well, Knarseborough. Athol, Douglas, Isle of Man. C. Livesey fe: Leeds. Printed for and Sold by Rich.d J. Kirkwood Sc. H. Crow S.tt Dublin. [n.d. c.1840.] Lee, at the Dropping Well. [n.d., c.1800.] Engaving. 107 x 152mm (4¼ x 6"). Trimmed and laid Rare engraving with large margins. Platemark: 187 x on album sheet. £45 250mm (7¼ x 9¾"). Unexamined out of original frame. The Castle Mona was designed by George Steuart for Light handling creases to sheet. Contemporary the fourth Duke of Athol, completed in 1804 shortly dedication or ownership inscription in ink to top left after Steuart's death. On the departure of the Duke in corner of sheet. £290 1831, the building became, and until recently remained An engraved tourist's souvenir. A view of the famous a hotel, although in 2012 it was allowed to fall into petrifying well at Knaresborough, near Harrogate, disrepair. Stock: 34732 Yorkshire, known as the 'Dropping Well', with the 352. Carnarvon Castle. [Key underneath Wife. Farmer's Daughterr. Market Boy. image:] Coed Helen Woods. Eagle Tower. State Cottager's Daughter. Second Series. Apartments. Chamberlain Tower. Black H. Jones, Del. J.H. Lynch, litth.g Day & Son, Lith.rs to Tower. Queen Elinor's Gate. Watch Tower. The Queen. Published by T. Catherall, Eastgate Row, Old Town Walls. Chester & Bangor. July 1.st 1851. S. Gillespie Prout del.t Drawn on Stone by J.J. Dodd. Tinted lithograph. 275 x 3744mm (10¾ x 14¾"). £120 Printed by Hullmandel & Walton. Published by A depiction of Welsh Costume with labels underneath Williams and Hughes, Booksellers, Bridge Street, each sitter. Carnarvon. [n.d. c.1860.] Stock: 34720 Tinted lithograph. 285 x 380mm (11¼ x 15"). Some spotting. £90 A view of Caernarfon Castle, the medieval fortress in Caernarfon, north-west Wales; sits on the River Seiont. Stock: 34719

353. St. George's Harbour & Breakwater, between Great & Little Ormesheads. One Zinc by A.R. Grieve, from a Sketch by Mr. Powell. Printed by Chapman & Co. Patentees. 27, Cornhill, London. [n.d. c.1860.] A very rare lithograph. 271 x 405mm (10¾ x 16"). Folds and creasing; stain to image to left & right £220 A view of the Harbour and Breakwater between the Great Orme, limestone headland and the Little Orme, in Ormes Bay, Llandudno. Stock: 34718 358. The Fish Cross, Ayr. Taken in 1814. J.B. Muirhead, Litho Glasgoow from an Oil Painting in 354. The Vale of Llanrwst. the Possession of Mr. Auld, Doonbrae. J. Tweed, Published by Catherall & Prichard, Eastgate Row, Glasgow. [n.d., c.1840.] Chester. [n.d. c.1850.] Lithograph. Printed area 3900 x 505mm (15¼ x 19¾"). Tinted lithograph with large margins. 285 x 385mm Framed. Old ink mss. in titlee area, some spotting. (11¼ x 15¼"). £95 Unexamined out of frame. £420 A view of the valley overlooking the small town of An extremely rare lithograph of the fishermen, Llanrwst, Wales. The Pont Fawr seen crossing the fishwives and their customerrs gathered around a set of River Conwy. scales in an open-air fish maarrket. All but two of the Stock: 34717 characters have been named in ink, both with hidden faces. According to the annootation the names were 355. Llanthony Abbey. (North View.) obtained 'from older fishermmeen in Ayr and revised by Published by Rees & Son, Booksellers Abergavnny. Deacon Gowan of the Sailors Incorporation of Ayr 4th Newman & Co. Litho. 48, Watling St. London. [n.d. June 1890'. One is 'Daddy Auuld', probably the owner of c.1860.] the original painting, shown selecting a fish. It is likely Tinted lithoggraph with large margins. 300 x 436mm this is David Auld (died 1852), the custodian of the (11¾ x 17¼"). Overall paper toning. £120 Burns monument at Alloway, who lived in Doonbrae A north view of Llanthony Priory, with sheep in the Cottage in the gardens of the monument. foreground and rolling hils behind. The priory forms Stock: 35205 part of the ruined Augustinian priory, in the secluded Vale of Ewyas, a steep sided once glaciated valley 359. Edinburgh. From St. Anthony's Chapel. within the Black Mountains area of the Brecon Drawn by A.W. Callcott. R.A. Engraved by George Beacons National Park in Monmouthshire, Wales. Cooke. London, Published Dec.20, 1819: by Rodwell Stock: 34721 & Martin, New Bond Street. Printed by B. McQueen. Engraving and etching with llarge margins. Plate 254 x 356. View on the River Wye. 330mm (10 x 13"). £65 Drawn by Payne. Aquat.d J Hassell. London Pub July 1 View of Edinburgh, with two shepherds herding sheep 1818 by T. McLean. in the foreground at left; Waavverley Bridge in the Hand-coloured aquatint with very large margins. Papper baackground at centre, the castle on the hilltop at left. watermarked: J Whatman Turkey Mills 1817. Plate 260 Stock: 34652 x 350mm (10¼ x 13¾"). £110 Washer women by the River Wye, Wales; a man loads 360. Ruderae Ecclesiae Cathedraelis Sancti the baskets onto two donkeys standing by. Andreae. The Ruins of the Cathedrall of St. Stock: 34738 Andrews. 14. [&] Rudera Arcis Sancti

Andreae. The Ruins of the Castle of St. 357. Welsh Costumes. [Key underneath Andrews. 15. image:] Cottager. Farmer's Wife. Labourer's [after John Slezer.] [n.d. c.1700.] Tinted lithograph, printed area 510 x 325mm (20 x A pair of engravings. Plate 268 x 430mm (10½ x 17"). 12¾"). Slight mount stain. £750 Folds as normal, some small nicks to the edges. £360 The 'Bab Zuwailah' gate, also known as 'Bawabbat al- The Cathedral of St. Andrew was built in 1158; in Mitwali'. The towers, built for observation, today 1559, during the Scottish Reformation, the building prrovide the best views of the old city. Roberts was stripped of its altars and images; and by 1561 it mistakenly also gave the 'Metwaleys' name to as had been abandoned and left to fall into ruin. The Old nearby mosque, that of Sultaan al-Muayyad. Course at St Andrews is one of the oldest golf courses Stock: 34903 in the world, a public course over common land in St Andrews, Fife, Scotland. St Andrew's Castle, the ruined castle in Fife, Scotland, which fell into disrepair by 1656. From 'Theatrum Scotiae' by John Slezer, first printedd in 1693. Stock: 34770

361. Interview with the Viceroy of Egypt, at his Palace, Alexandria, May 12th 1839. David Roberts. R.A. L. Haghe lith. London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1849. Tinted lithograph, printed area 370 x 490mm (14½ x 19¼") Very slight mount stain. £850 Mehmet Ali (1769-1849) meeting with a group of Europeans including the British Consul Major-General Patrick Campbell (1779–1857), Lieut. Waghorn and Roberts himself. Roberts did not have his pencil, so he reconstructed this scene from memory. Although this was an informal meeting, the Europeans were worried that Mehmett Ali was going to declare independence from the Ottoman Empire. The following year (1840) the British Navy blockaded the Nile Delta, forcing Mehmet Ali to accept a compromise, in which he was given hereditary rule of Egypt as an Ottoman viceroy. Stock: 34913

362. The Citadel of Cairo, Residence of Mehemet Ali. David Roberts. R.A. L. Haghe Lith. London, 365. Interior of the Mosque of the Metwalys. Published F. G. Moon, 20 Threadneedle Street, July David Roberts. R.A. L. Hagghe Lith. London, 2nd, 1849. Published F. G. Moon, 20 Threadneedle Street, July Tinted lithograph, printed area 345 x 485mm (13½ x 2nd, 1849. 19"). Slight mount stain. £750 Tinted lithograph. Printed areea 530 x 350mm (20¾ x A prospect of Caro's Citadel, as rebuilt by Muhammed 13¾"). Slight mount stain. £950 Ali Pascha (1769-1849). A pilgrim's caravan is shown The Mosque of Sultan Al-Muayyad, a musician and leaving for Mecca. pooet, built 1412-21. The 'Maadrasa-Khanka' [monastery] Stock: 34908 of this religious complex was dedicated to Sufis only. The 'Dikka' of decorated wood and ivory, the slender 363. The Entrance to the Citadel of Cairo. marble columns and the gildeed ceilings give a David Roberts. R.A. L. Haghe Lith. London, hypostyle plan to the congregational Mosque. The Published F. G. Moon, 20 Threadneedle Street, July name Roberts gives, 'Metwallyes', refers to the nearby 2nd, 1849. gate 'Bawabbat al-Mitwali', better known as Bab Tinted lithograph, printed area 350 x 485mm (13¾ x Zuwailah. 19"). Slight mount stain. £750 Stock: 34900 The Saladin Citadel, on the Moqattam Hill, originally fortified against the Crusaders. Before the walls 366. Mosque El Moorisstan, Cairo. pilgrims gather to join a caravan for Mecca. David Roberts. R.A. [Lithographed by Louis Haghe.] Stock: 34909 London, Published F. G. Mooon, 20 Threadneedle Street, Jan.y 1st 1849. 364. Minarets and Grand Entrance of the Tinted lithograph. Printed areea 530 x 325mm (20¾ x Metwaleys. At Cairo. 12¾"). £780 David Roberts. R.A. L. Haghe Lith. London, The Mosque of Sultan Qalawan, part of the complex Published F. G. Moon, 20 Threadneedle Street, Dec.r buuilt in 1284 that included Mamluk Sultan Qalawun's 1st, 1848. maristan ('hospital'), the mosque, a madrassa ('school'), and the sultan's own tomb. The madrassa of Qalawun A general view of Karnak, the temple complex was built with stone cannibalized from the pyramid and founded 3200 BC by Senusret I. included a public library. Stock: 34899 Stock: 34898 373. Mount Misery, Waterkloof. 367. The Mosque of Sultan Hassan, Cairo. T. W. Bowler, del.t._J. Needham, lith. London Pub.d. David Roberts. R.A. L. Haghe Lith. London, Oct.r. 1.st. 1864 by Day & Son, Lith.rs. to the Queen & Published F. G. Moon, 20 Threadneedle Street, Dec.r H.R.H the Prince of Wales, Gate Str. Linc.ln's. Inn 1st, 1848. F.lds. Tinted lithograph, printed area 365 x 510mm (14½ x Coloured lithograph. Laid on India paper. Sheet: 300 x 20"). £850 160mm, (12 x 6¼"). Some liight foxing. Repaired tears The Sahn or court of the Mosque-Madrassa of Sultan in lower left corner. £230 Hassan, near the Citadel in Cairo, begun in AD 1356 An exterior scene depicting tthe landscape around and finished three years later. Mount Misery in the Waterkklloof area of South Africa. Stock: 34907 From T. W. Bowler's 'The Kaffir Wars and the British Settlers in South Africa' (1865). 368. Grand Entrance to the Mosque of the Stock: 34094 Sultan Hassan. David Roberts. R.A. L. Haghe Lith. London, Published F. G. Moon, 20 Threadneedle Street, July 2nd, 1849. Tinted lithograph, printed area 510 x 325mm (20 x 12¾"). Slight mount stain. £750 The Mosque-Madrassa of Sultan Hassan, near the Citadel in Cairo, begun in AD 1356 and finished three years later. Stock: 34906

369. Interior of the Mosque of the Sultan El Ghoree. David Roberts. R.A. L.Haghe lith. London, Published F. G. Moon, 20 Threadneedle Street, Aug.t 1st, 1849. Tinted lithograph, printed area 340 x 490mm (13¾ x 19¼". Slight mount stain. £650 The Mosque of Al-Ashraf Qansuh al-Ghawri (reign 1501-16), the penultimate Mamluk sultan Stock: 34910 374. View under the Grand Portico. Philæ. David Roberts. R.A. L. Hagghe Lith. London, 370. [Sheet of South African ethnographic Published F. G. Moon, 20 Threadneedle Street, March studies.] 1st, 1847. [n.d., c.1830.] Tinted lithograph, printed area 525 x 350mm. Slight Five lithographs, cut and pasted onto sheet, with hand foxing. £1250 colouring. Sheet 535 x 370mm (21 x 14½"). Fine. £180 The magnificent bas-relief carving and proportions of Studies of studies removed from a travel book and the interior of the hypostyle rroom of the Temple. Philæ pasted together. was one of the buildings rescued by UNESCO during Stock: 35023 the building of the Aswan Dam. Stock: 34911 371. View on the Nile _ Ferry to Gizeh. David Roberts. R.A. L. Haghe lith. London, Published 375. The Hypaethral Temple at Philae, Called F. G. Moon, 20 Threadneedle Street, August 1st, 18449 the Bed of Pharaoh. Tinted lithograph, printed area 380 x 505mm (15 x David Roberts. R.A. L. Hagghe Lith. London, 20") Slight mount stain. £750 Published F. G. Moon, 20 Threadneedle Street, June Falucca and ferry boats, minarets, and distant 1st, 1848. pyramids. Tinted lithograph, printed area 350 x 490mm. Very Stock: 34912 slight mount stain. £1250 The Kiosk of Trajan, built AD 105. The architraves 372. Ruins of Karnack. are supported by fourteen coollumns, but the wooden David Roberts. R.A. L. Haghe, Lith. London, roof has not been preserved. Published F. G. Moon, 20 Threadneedle Street, Marcch Stock: 34914 8th 1847. Tinted lithograph. Printed area 385 x 510mm (15¼ x 20"). Very slight mount stain. £850 378. [Alaska] A View of Snug Corner Cove, in Prince William's Sound. J. Webber del. W. Ellis sc. [London: Nicol & Cadell, n.d., c.1785.] Engraving with very large margins. On watermarked paaper. Platemark: 250 x 400mm (9¾ x 15¾"). Uncut. £320 A plate from 'Cook's Voyage to the Pacific'. A cove where the Resolution and the Discovery are anchored in the shadow of a steep mountain rising frf om the sea to the left. Men in two long boats can be seen in the left foreground with many local people in canoes. Cloud lifts from snow-covered mountains on the far side, gathering into a large cloud iin upper right. 376. [Twelve water colour portraits by James Cook entered Prince William Sound in 1778 and Frederick Timpson I'Ons.] named it Sandwich Sound, affter his patron the Earl of Sandwich. The editors of Coook's maps changed the [Frederick Timpson I'Ons.] [n.d., c.1850.] name to Prince William Sound, in honor of Prince Framed. 12 inndividual paintings each measuring: 80 x William, who would later beecome King William IV. 90mm (3 x 3½") approx. Overall frame size: 535 x John Webber (1751-93) travelled with Captain Cook 585mm (21 x 23"). Unexamined out of frame. £2400 on the Third Voyage (1776-80) as the Official Artist of A rare set of twelve individual watercolour portraits by the expedition, recording thee explorer's death at the English born South African painter, Frederick Timpsoon hand of Hawaiian natives. I'Ons (1802 - 1887). Some are annotated in pencil. Stock: 34278 The portraits depict various men and women of the native pastoralist inhabitants of southwestern Africa, or Khoikhoi. The Dutch settlers labelled the natives as 379. Penn achete des Sauvages le Pays qu'il 'Hottentots', in imitation of the sound of the Khoekhoe veut occuper language. [Anon, c.1780] The paintings include; in the top right of the frame, a Engraving, sheet 160 x 100mm (6¼ x 4"). Trimmed woman carries a baby on her back, and a pail on top of close and glued to backing sheet. £140 her head; the image in the centre at the top is titled French rendering of the famiiliar subject of William 'Hottentot' [...] and shows a female in profile to the Penn's (1644 - 1718) 'Great Treaty' reputedly signed right, smoking a small pipe; below, is a portrait of a with Delaware Indian leaders in 1682 under an ancient figure in a laarge hat with feather, titled 'Hottentot elm tree at the village of Shackamaxon, located in what Wagon Driver, Graham's Town'; to the right, is a are now the borders of the ciitty of Philadelphia, 'Malay Woman' of Cape Town; in the lower centre iss a Pennsylvania. Here the legend is rather different to in 'Kafir Chief', in full length wearing a cape and wingeed British engravings: 'Penn buys from the savages the headpiece; to the left is a sailor in costume with a hat land he wants to occupy'. inscribed 'STYX'. HMS Styx was a Royal Navy first Stock: 34861 class sloop. It was launched on the 26th January 1841 and finished it's service in 1866. The Styx served the west coast of Africa between 1845 and 1853, presumably during the Kaffir Wars. 183 of those who served on HMS Styx during this time were awarded the South Africa Medal. Stock: 35197

377. Fraggments of the Great Colossi, at the Memnonium. David Roberts. R.A. L. Haghe lith. London, Published F. G. Moon, 20 Threadneedle Street, March 1st. 1847. Tinted lithograph. Printed area 345 x 510mm (13½ x 20"). £750 A view of the Osiride pillars and Great Fallen Colossus at the Memnoonium, the mortuary temple built by 380. Anchor Line of Trransatlantic Steam Rameses II. Begun early in his reign, it took twenty Packet Ships. years to complete. It was described by Diodorus as the Painted by W.m Clark, Greenock. T.G. Dutton Lith. 'tomb of Ozymandia' which inspired the famous verse Day & Son Lith.rs to the Queen. [n.d., c.1862.] by Shelley. Diodorus also mentions a 'sacred library' at Tinted lithograph with large margins. 410 x 580mm the temple. (16 x 22¾"). Nicks in edges. £1150 Stock: 34901 The S.S. Caledonia, built by Tod & McGregor for the Anchor Line, its maiden voyyage February 1862. On May 3rd the same year it sailled from Glasgow to Montreal, via Quebec as shown here. Less than two Aquatint, printed in blue and brown and hand-finished, years later she became stranded near Cape Cod on very fine with large margins.. 360 x 505mm (14¼ x passage from Portland to New York: given up as a total 19¾"), on thick paper watermarked 'J. Whatman 1824'. loss, she was sold to Nickerson & Co., Boston, who An early printing. £720 salvaged her and sold her to the Boston & New Orleans The house in the Botanical Gardens, Calcutta, on the Steamship Line, who renamed her 'Concordia'. In baanks of the Hoogly River. Published in 'Views of 1872, only ten years after her launch, she was wrecked. Calcutta and its Environs", by James Baillie Fraser A very scarce large view of Quebec. (1783-1856). The Anchor LLine, founded in 1856, was purchased by Fraser, an amateur artist, banker and merchant was Cunard in 1911, but continued to operate separately. baased in Calcutta from 1813 to 1820. This famous Stock: 34904 series of views of Calcutta record the topography of this metropolis during the most dynamic period of its 381. Trezibond. history. The publication of these views was begun by Capt.n W.H. Parker, Del.t. Lithographed and Publishhed Rodwell and Martin in 1824,, publishers of his 'Views by Dickinson Bro.s, 114, New Bond Street [n.d., in the Himalaya Mountains' iin 1820, but completed and c.1853]. extended by Smith, Elder byy 1826. Abbey: 494.4, from Coloured lithograph in three sections, taped together as part 2. issued, total 360 x 1470mm (14¼ x 58"). With the Stock: 34979 original printed wrappers of Part II. Right section faded, slightly soiled on right edge, the linen tape 383. A View of Chandpal Ghat. separating. £650 Drawn by James B. Fraser. Engraved by Rob.t Havell A panarama of Trabzon, an important naval base on the Jun.r 79 Newman Str. Oxford Str. London. Published Black Sea coast of north-eastern Turkey, from Part 1 of for the Proprietor by Mess.rs Rodwell & Martin, New Captain William Hyde Parker's 'A Series of Sketchess in Bond Street, April, 1824. the Black Sea'. With the built up of tensions with Aquatint, printed in blue and brown and hand-finished, Russia prior to the Crimean War (1853-55) the British large margins. 360 x 505mm (14¼ x 19¾"), on thick Navy was allowed into the Black Sea by the Ottomans paaper. £520 for the first time which prompted interest in pictures of Chandpal Ghat, on the west end of Calcutta, the main the region. landing place for visitors to tthe city. As such James Parker was continuing a distinguish line of naval Baillie Fraser (1783-1856) made it the first plate in his officers: his great-grandfather was Commander of the 'Views of Calcutta and its Environs". West Indies Station; his grandfather was Nelson's Fraser, an amateur artist, banker and merchant was commander at Copenhagen; and his father was the baased in Calcutta from 1813 to 1820. This famous serving First Naval Lord. However he was killed on the series of views of Calcutta record the topography of 8th July 1854 when storming a Russian fort at Sulina, this metropolis during the most dynamic period of its at the mouth of the Danube, aged only 29. Although history. The publication of these views was begun by Abbey dates the publication as c.1853 it is possible that Rodwell and Martin in 1824,, publishers of his 'Views it was only published after Parker's death, as a in the Himalaya Mountains' iin 1820, but completed and memorial. Certainly the work is extremely scarce extended by Smith, Elder byy 1826. Abbey: 494.1, from (OCLC lists no example of the complete portfolio), so part 1. it is conceivable that it was not published Stock: 34980 commercially. Abbey: 234. Stock: 34990 384. Asie. Chine. Musiiccien. Chef des Archers. Mandarin. Dame Tartare. Esclave. Fossey del. Bocquin lith. Imp. Lemercier, Paris. Hand-coloured lithograph. Shheet: 290 x 230mm, (11½ x 9"). £140 View of a room in China in which a variety of people are situated. A musician plays music while sitting on the floor, a soldier looks out and a boy holds a parasol above the head of a well dressed man. On the right a woman sits in a chair and a slave carries a tray of dishes from the room. Stock: 35097

385. L'Empire Ottoman Danse des Derwisch 382. A View of the Botanic Garden House and Cadry V. Raineri inc. [Milan: Antonio Fortunato Stella, 1816- Reach. 27.] Drawn by James B. Fraser. Engraved by Rob.t Havell Hand-coloured aquatint with large margins; publisher's Jun.r 79 Newman Str. Oxford Str. London. Published bllindstamp. Plate 185 x 270mm (7¼ x 10½"). Proof for the Proprietor by Mess.rs Rodwell & Martin, New beefore title. £160 Bond Street, June 1, 1824. Dervishes in the Ottoman Empire. Published in Giuliio View of a suspension bridge crossing the Tolly Nullah, Ferrario's 'Le Costume Ancien et Moderne ou Histoire or Adi Ganga, at Alipore. Seevveral figures navigate du gouvernement, de la milice, de la religion, des arts, booats while others traverse the river or sit by the bank. sciences et usages de tous les peuples anciens et In the foreground a white cow appraoches the water to modernes d'après les monuments de l'antiquité et drink. The river was known as the Tolly Nullah as it accompagné de dessins analogues au suju et par le was deepened and connected to the Central Canal by Docteur Jules Ferrario'. Col. William Tolly in 1773. FFrom Charles D'Oyly's Stock: 34530 'Views of Calcutta and its Environs'. Stock: 35166 386. Homme de Goa. [&] Femme de Goa. J. G. S. Sauveur Inv. Direx. Labrousse Sculp. [n.d., 390. [View of part of Chowringhee]. c.1800]. Sir C. Doyly. delt. Dickinson & C.o. lith. [n.d., c.1849] Pair of coloured engravingd. Plate: 140 x 190mm, (5½ Lithograph. Framed.Visible aarea: 450 x 310mm, (17¾ x 7½"). Framed. Unexamined out of frame. £160 x 12"). Frame: 640 x 500mm, (25 x 19¾"). Portraits of a wealthy man and woman of Goa, wearing Unexamined out of frame. £520 elaborate dress. View of the Chowringhee areea of Calcutta. Originally a Stock: 35077 suburb of Calcutta, Chowringghee had a reputation for grandeur on account of the large buildings and 387. A View of Karakakooa, in Owyhee. sweeping vistas and even earrning the city the name J. Webber del. W. Byrne sc. [London: Nicol & Cadell, 'City of Palaces'. Several tanks, or resevoirs were n.d., c.1785.] created in the area for the provision of water. The Engraving, very fine. On watermarked paper. image depicts several of the llarge houses built in the Platemark: 260 x 530mm (10¼ x 20¾"). Uncut with area, in the foreground severral figures and animals very large maargins. £380 gather around the edge of the resevoir to bathe and A plate from 'Cook's Voyage to the Pacific'. A detailed drink. From Charles D'Oyly's 'Views of Calcutta and view depicting Captain Cook's Discovery and the its Environs'. Resolution anchored in the waters of Kealakekua Bay, Stock: 35169 on the Kona coast of the Big Island of Hawaii, as they were greeted by an enormous number of native Hawaiians. It is said that in the water, to the lower left, is the first view of a Hawaiian on a surfboard, as well as a view of the palm-lined village on shore. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives. Stock: 34202 391. Procession of the Churruckpooja. 388. Scene in Bombay. [after Captain Robert Sir C. Doyly delt. Dickinsonn & C.o. lith. [n.d., c.1849]. Grindlay.] Lithograph. Framed. Visible area: 860 x 380mm, (33¾ Engraved byy R.G. Reeve. London Pub.d by R. x 15"). Frame: 900 x 430mm, (35 x 17"). Unexamined Ackermann, Strand, 1826. out of frame. Vertical crease as issued. Additional Aquatint, printed in blue & brown and hand-finished. creases and repaired damagee. £580 300 x 370mm. 11¾ x 14½". Some staining. £320 View of the parade of Charak Puja, a celebration held An open area, with workmen measuring and moving in April on the eve of the Benngali New Year. stonework on a building site on the left. Sometimes referred to as thee 'Hook-swinging festival' From Robert Grindlay's (1786-1877) 'Scenery, byy Europeans on account of tthe painful piercings costumes and architecture, chiefly on the western side devotees inflicted on themsellves as punishment, the of India,' 1826-30. Grindlay, founder of the ANZ celebrations included a vibrant procession of dancing, Grindlays Bank, came to India in 1803, worked with paageants and music. In the image statues of peacocks, the East India Company and served with the Seventh tigers and elephants are pulled along by the crowd Bombay Nattive Infantry from 1804-1820. Abbey while Europeans in carriages watch the spectacle. From Travel 442. 'Views of Calcutta and its Environs' by Charles D'Oyly. Stock: 34989 Stock: 35171

389. [Suspension Bridge at Alipore over 392. Hindoo Mut in Chhitpore Bazaar. Tolly's Nulla]. [Charles D'Oyly.] [Published by Dickinson & Co., [Charles D'Oyly]. [Published by Dikinson & C.o., 1849]. 1849]. Lithograph. Framed. Visible area: 440 x 310mm, (17¼ Lithograph. Framed. Exposed area: 450 x 315mm, x 12"). Frame: 620 x 500mm, (24½ x 19¾"). (17¾ x 12½"). Frame: 640 x 510mm, (25 x 20"). Unexamined out of frame. £520 Unexamined out of frame. £520 View along a road in the Chiitpur district of Calcutta. Along the road are several dwellings and shops and beehind them stand the decayiing ruins of the navaratna temple built iin the early eighteenth century by Oost-Indische typen= Types indien neerlandais' after Gobindram Mitter. Various figures go about their day work by Auguste van Pers (1815-1871) a Dutch artist to day business, as do several cows and a goat. From who spent most of his life in the East Indies. Charles D'Oyly's 'Views of Calcutta and its Environs''. Stock: 35094 Stock: 35168 396. Kinderen (Gamboees Mimishe Dansers.). 393. Office of the Sudder Board of Revenue Enfants (Gamboes Danseeurs Mimiques.). from Kyd Street. A. v. Pers. del. Konl.e. lith. v. C. W. Meiling. [n.d., Sir. C. D'Oyly. delt. Dickinson & C.o. lith. [n.d., c.1850] c.1849]. Chromolithograph with hand colouring. Sheet: 345 x Lithograph, very fine. Printed area: 450 x 320mm, 400mm, (13½ x 15¾"). £320 (17¾ x 12½"). Frame: 660 x 520mm, (26 x 20½"). Portrait of two Indonesian children dressed up as Unexamined out of frame. £550 dancers. From ''Nederlandsch Oost-Indische typen= View of across to the Sudder Board Revenue building, Types indien neerlandais' aftter work by Auguste van originally built as a private home the building soon Pere s (1815-1871) a Dutch arttist who spent most of his became used as law court and then a revenue building. life in the East Indies. In the foreground several figures gather around the Stock: 35093 some steps leading down to the water. These figures collect water, wash themselves and clothes. From 397. A View of the Town and Harbour of St. Charles D'Oyly's 'Views of Calcutta and its Environs''. Peter and St. Paul, in Kamtschatka. Stock: 35167 J. Webber del. B. T. Pouncy sc. [London: Nicol & Cadell, n.d., c.1785.] Engraving. On watermarked paper. Platemark: 215 x 265mm (8½ x 10½"). Uncut with very large margins. Slight repair in centre. £260 A plate from 'Cook's Voyage to the Pacific'. A view of the town and harbour of St Peter & St Paul (Petropavlovsk) looking towwards the entrance of Avacha Bay. The village is shown on the sandy peeninsula with Kamchatkan ssummer huts and Russian log huts. A man and woman can be seen to the left and a canoe containing three men in the central foreground, with other groups of figures aalong the shore. The ships the Resolution and Discovery are in the Bay in the baackground, with snowy peaks in the distance. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording thee explorer's death at the 394. Statue of the Marquis of Hastings in hand of Hawaiian natives. Tank Square. Stock: 34196 Sir C. Doylyy. delt. Dickinson & C.o. lith. [n.d., c.1849]. 398. A Man of Kamtschatka. Lithograph. Framed. Visible area: 440 x 330mm, (17½ J. Webber del. W. Sharp sc. [[London: Nicol & Cadell, x 13"). Frame: 630 x 520mm, (24¾ x 20½"). n.d., c.1785.] Unexamined out of frame. £440 Engraving with very large margins. On watermarked View of a sqquuare in Calcutta in which stands Chantry's paaper. Platemark: 265 x 215mm (10½ x 8½"). Uncut. statue of Francis Rowden, 1st Marquis of Hastings, Edges of wide margins worn. £160 erected in 1823. Rowden was the British Governor A plate from 'Cook's Voyage to the Pacific'. A portrait General between 1813 and 1823, during his service he of a man from the Kamtschaattka penninsula in the greatly extended British rule in India and he and his Russian Far East, facing right, wearing traditional wife Flora were the centre of Calcutta society. Behind clothing. the portico in which the portico stands are the Writers John Webber (1751-93) travelled with Captain Cook Buildings which housed the new employees of the East on the Third Voyage (1776-80) as the Official Artist of India Company. From Charles D'Oyly's 'Views of the expedition, recording thee explorer's death at the Calcutta and its Environs'. hand of Hawaiian natives. Stock: 35170 Stock: 34193

395. Kolenbrander. Charbonnier. 399. A Sledge of Kamtschatka. [n.d., c.1850]. J. Webber del. Woodyer sc. [[London: Nicol & Cadell, Chromolithograph with some hand colouring. Sheet: n.d., c.1785.] 325 x 415mm, (12¾ x 16¼"). £180 Engraving, very fine. On wattermarked paper. Portrait of an Indonesia coal miner who is heavily Platemark: 190 x 250mm (7½ x 9¾"). Uncut with very laiden with two bags of coal. From 'Nederlandsch large margins. £160 A plate from 'Cook's Voyage to the Pacific'. A Tinted lithograph finished wiith hand colour, rare. traditional sledge from the Kamtschatka peninsula, far Printed area 320 x 400mm (12½ x 15¾"). Tear eastern Russia. touching printed area at top. £220 John Webber (1751-93) travelled with Captain Cook A view from the top of the Round Tower of Pacco on the Third Voyage (1776-80) as the Official Artist of Qillo, a fort built by Mian Ghulam Shah Kalhoro the expedition, recording the explorer's death at the c.1768 when he founded the city of Hyderabad. hand of Hawaiian natives. Published in 'Sketches in Sciinde' by Lieutenant Stock: 34198 William Edwards of the 86th or Royal County Down Regiment, and aide-de-camp to General Sir Charles 400. A Man of Kamtschatka, Travelling in Napier. Edwards was presentt during Napier's conquest Winter. of Sindh Province in northerrn Pakistan in 1842. J. Webber del. S. Middiman sc. [London: Nicol & Abbbey: Travel 469. Cadell, n.d., c.1785.] Stock: 34917 Engraving, very fine. On watermarked paper. Platemark: 250 x 400mm (9¾ x 15¾"). Uncut with very large maargins. £240 A plate from 'Cook's Voyage to the Pacific'. A scene in the Kamtschatka peninsula of far eastern Russia, depicting a man travelling ascross the snowy landscaappe on a sledge pulled by a pack of five dogs. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives. Stock: 34201

401. A Woman of Kamtschatka. J. Webber del. W. Sharp sc. [London: Nicol & Cadelll, n.d., c.1785.] Engraving, very fine. On watermarked paper. Platemark: 265 x 215mm (10½ x 8½"). Uncut with 404. Main Gateway, Fort Hyderabad. very large maargins. £220 [Lithographed by Charles Haghe after William A plate from 'Cook's Voyage to the Pacific'. A portraait Edwards.] [London: Graves & Co., 1846.] of a woman from the Kamtschatka penninsula in the Tinted lithograph finished wiith hand colour. Printed Russian Far East, facing left, wearing traditional area 320 x 400mm (12½ x 15¾"). Fine. Slight mount clothing and head scarf. buurn, creasing in margins. £360 John Webber (1751-93) travelled with Captain Cook The gateway of Pacco Qillo, a fort built by Mian on the Third Voyage (1776-80) as the Official Artist of Ghulam Shah Kalhoro c.17668 when he founded the the expedition, recording the explorer's death at the city of Hyderabad. Published in 'Sketches in Scinde' by hand of Hawaiian natives. Lieutenant William Edwards of the 86th or Royal Stock: 34192 County Down Regiment, and aide-de-camp to General Sir Charles Napier. Edwardss was present during 402. Fortress of Devrah. Napier's conquest of Sindh Province in northern [Lithographed by Charles Haghe after William Pakistan in 1842. Abbey: Travel 469. Edwards.] [London: Graves & Co., 1846.] Stock: 34915 Tinted lithograph finished with hand colour. Printed area 320 x 400mm (12½ x 15¾"). Fine. Slight mount 405. Sumatra. Een Gezight te Padang. Vue burn, creasing in margins. £230 Prise a Padang. A fortress in a desolate plain with the tents of the C.W.M. van der Velde. P.Laauuters. Urtgegeven by, British army. Published in 'Sketches in Scinde' by Frans Buffa en Zonen te Ammsterdam. [n.d. c.1846.] Lieutenant William Edwards of the 86th or Royal Lithograph. Framed. Printed area: 340 x 290mm, (13½ County Down Regiment, and aide-de-camp to General x 11¼"). Unexamined out off frame. Title area foxed. Sir Charles Napier. Edwards was present during £260 Napier's conquest of Sindh Province in northern View in the town of Padang tthe largest city in Sumatra, Pakistan in 1842. Abbey: Travel 469. Indonesia. Since the 16th Ceenntury Padang was a centre Stock: 34916 for trade and in 1680s the Dutch founded an outpost there. Several European style houses are depicted 403. From the Top of the Round Tower, Fort alongside more traditional Indonesian style houses. Hyderabad. Charles William Meredith van de Velde (1818-98), [Lithographed by Charles Haghe after William was a sailor, doctor and watercolourist. From Edwards.] [London: Graves & Co., 1846.] "Gezigten uit Neèrlands Indiië, naar de natuur geteekend en beschreven", off which the drawings were made when Van de Velde was a midshipman on the ZM Triton and later when he was working in Batavia for the Commission for the Improvement of Maps annd 409. Portraits du Moufftti & autres Gens de Charts of Indonesia. Loi de l'Empire Ottoman avec celui d'un Emir Stock: 35208 & du Patriarche des Grecs, tirez sur les Lieux, d'après Nature ou d'après les Originaux. [Amsterdam, 1719.] Engraving with very large margins. 370 x 425mm (14½ x 16¾"). £280 Four full-length portraits of Turkish costume, each with a descriptive engraved ttext: a Mufti, an scholar of Islamic law; an Emir, a commander, here described as a descendant of Mohammed;; an Iman, a religious leader; and a Patriarch of the Greek Orthodox Church. At the centre is a depiction of 'whirling' Dervishes in their temple at Pera (now Beeyyoğlu, a suburb of Istanbul). From Chatelain's monumental 7 volume 'Atlas Historique'. 406. Mosque of Suleymania. Stock: 35145 [Lithographed by F.C. Lewis after J.R. Coke Smyth.] [Published by Thomas McLean, Colnagi & Lewis, 410. View from the Aga's house. 1838.] Drawn by W. Gell Esq.r. Engrav'd by T. Medland. Lithograph with later colour and large margins. Printeed London: Publish'd 1. Jan.y 18804 by Mess.rs Longman area 260 x 350mm (10¼ x 13¾"). Slight soiling in & Rees, Paternoster Row. margins. £360 Coloured aquatint with very large margins. Sheet 245 x The Süleymaniye Mosque, built 1550-8, the largest in 420mm (9½ x 16½"). Trimmed within plate. £160 Istanbul, from 'Lewis's Illustrations of Constantinople A view looking from Bournabashi Hill across the made during a Residence in that City &c in the Years Plains of Troy towards Teneddos, published in Sir 1835-6. Arranged and Drawn on Stone from the William Gell's 'Topography oof Troy'. The hill is the site original Sketches of Coke Smyth'. of 'Old' Troy. John Richard Coke Smyth (1808-82). Abbey Travel Byron wrote a couplet about Gell: 'Of Dardan tours let 394. Dilettanti tell, / I leave topography to to classic Gell'. Stock: 35148 After visiting the area and leaarning that Gell had sketched the region in three days, Byron changed the 407. The Bosphorus from the Great Burial second line to 'rapid Gell'. Abbbey Travel 399. Ground, Pera. Stock: 35146 J.F.L. [Lithoggraphed by F.C. Lewis after J.R. Coke Smyth.] [Published by Thomas McLean, Colnagi & 411. [Turkish Woman.] Lewis, 1838.] Engraving with large margins. Proof before letters. Lithograph with later colour and very large margins. Plate: 250 x 360mm, (9¾ x 14"). Some dama age to Printed area 2260 x 350mm (10¼ x 13¾"). Slight upper edge. Some small stains. £260 soiling in margins. £190 A full-length portrait of a woman in medieval costume A view of the Bosphorus from Pera (now Beyoğlu, a standing near a medieval structure. suburb of Istanbul), from 'Lewis's Illustrations of Stock: 35115 Constantinople made during a Residence in that City &c in the Years 1835-6. Arranged and Drawn on Stone 412. An Albanian. from the original Sketches of Coke Smyth'. London Published by James Cawthorne, 24 Cockspur John Richard Coke Smyth (1808-82). Abbey Travel Street 1812. [But 1813.] 394. Coloured aquatint with fine colour. 255 x 185mm (10 x Stock: 35147 7¼"). £90 A costume plate from John Cam Hobhouse's 'A 408. Habillemens des Femmes de Smyrne, dees Journey Through Albania, and other Provinces of Greques ett des Juifves de cette ville. Turkey in Europe and Asia, tto Constantinople'. [Amsterdam, 1719.] Hobhouse (1st Baron Broughton, 1786-1869), met Coloured engraving with very large margins. 385 x Byron at Trinity College, Caambridge, and travelled 440mm (15¼ x 17¼"). Glue stains in margins. £260 with him through Italy, Greeece and Turkey, a journey Portraits of four women of the port city of Smyrna which resulted in this book. Hobhouse became Byron's (Izmir) in Turkey, including a Greek and a Jew, with executor after the poet's deatth in 1824. an engraved French-language description. Underneatth Despite being imprisoned in Newgate for writing a are three views of antiquities and a prospect of the Radical pamphlet in 1819 Hobhouse became a Plains of Troy. From Chatelain's monumental 7 volume successful Whig politician, serving in government as 'Atlas Historique', Secretary at War, Chief Secrretary for Ireland, First Stock: 35150 Commissioner of Woods and Forests and President of the Board of Control. He became a Privy Councillor iin A prospect of Florence after Giuseppe Zocchi (c. 171- 1832. 67), best known for his Vedute of his native city, Stock: 34546 Florence. Stock: 34041 413. Les Iles Boromees. Die Boromeischen Inseln auf dem Langensee. 418. Entrée de la Grottte d'Antiparos. Suterlin del. Th. Beck sculp. [n.d., c.1840.] Eenens et Petermanns del. Liithographié à la Coloured aquatint. 220 x 270mm (8½ x 10½"). £130 Calcographie Royale de J. Goubaud à Bruxelles. The Borromean Islands, a group of three small islands [Brussels, 1822-9.] and two islets in the Italian part of Lago Maggiore. Lithograph rare with very larrge margins. Printed area Stock: 34465 240 x 350mm (9½ x 13¾"). £190 The entrance to the cave of Antiparos, used for shelter 414. Cork River & Blackrock Castle. From since the Neolithic period, viisited by Archilochus of above the Glanmire Road. Paros, the Marquis de Nointal (French ambm assador in Lithographed & Published by Newman & C.o. 48, Istanbul in the 1670s), Byron and Otto, first king of Watling Street, London. [n.d., c.1840] Greece. Lithograph. Sheet: 410 x 295mm, (16 x 11½"). The view was published in a Brussels edition of Staining in margins. £160 Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', View of the mouth of the River Lee across to buut which also contained Melling's 'Voyage pittoresque Blackrock Castle, a 16th Century castle originally buuilt de Constantinople et des rives du Bosphore'. Stock: 35156 to defend the mouth of Cork harbour. Stock: 35206

415. The Cove of Cork, from above Queenstown. Lithographed & Published by Newman & C.o. 48, Watling Street, London. [n.d., c.1840] Lithograph. Sheet: 410 x 295mm, (16 x 11½"). Slight mount stain. £160 View of Cork Harbour from Cobh on Great Island, the town was known as Queenstown until 1920. Cork Harbour is a natural harbour at the mouth of the River Lee. The harbrbour contains several islands including Great Island from which the view is taken. Several ships are depicted in the harbour and figures can be 419. Vue de l'Interior de la Grotte seen on the beaches. Stock: 35204 d'Antiparos. Eenens et Petermanns del. Liithographié à la 416. [The famous park of Enghien.] 't Calcographie Royale de J. Goubaud à Bruxelles. [Brussels, 1822-9.] Vermaarde Park van Anguien. Lithograph rare with very larrge margins. Printed area [after Romeyn de Hooghe.] tot Amsterdam By 240 x 350mm (9½ x 13¾"). £240 Nicolaus Visscher met Privilegie. The interior to the cave of Antiparos, used for shelter Engraving. Two sheets conjoined, total approx. 1170 x since the Neolithic period, viisited by Archilochus of 485mm (46 x 19"). Folds. £280 Paros, the Marquis de Nointal (French ambm assador in The top pair of sheets of a very large view of the park Istanbul in the 1670s), Byron and Otto, first king of at Enghien in Belgium, with putti holding allegorical Greece. Here vistors use blazing torches to view the elements. Romeyn de Hooghe produced a number off stalactites and stalagmites. views of the park, including a single-sheet bird's-eye The view was published in a Brussels edition of view using this design for the title. If this is an enlarged Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', version it would consist of six sheets. We have been buut which also contained Melling's 'Voyage pittoresque unable to trace another. de Constantinople et des rives du Bosphore'. Stock: 34027 Stock: 35157

417. A View of Florence from the Convent of 420. Vuew de la Ville et du Chateau de Capuchins at Montugi. Coron. Assiege par les Rouses en 1770. Joseph Zocchi Delin.t. T. Bowles Sculp.t. Printed for Lemonier et Plou del. Lithographié à la Calcographie [***] Carington Bowles in St Pauls Church Yard, Royale de J. Goubaud à Bruxelles. [Brussels, 1822-9.] London. Lithograph rare with very larrge margins. Printed area Original coloured engraving. Sheet 265 x 420mm (10½ 240 x 350mm (9½ x 13¾"). £220 x 16½"). Trimmed and laid on card as a vüe d'optique, The siege of Koroni by a Russsian fleet during the title (as above) pasted on reverse. Surface scuffed. with 'Orlov Revolt', a Greek independence struggle in 1770. some colour oxidation. £260 Prompted by a lavish promisse of Russian aid, the Greeks rebelled but were shocked by the small fleet sent under the command of Count Alexei Grigoryevich Orlov (1737–1808). Although Orlov crushed the 424. Vue des Iles Volcanniques de Santorin. Turkish navy at the Battle of Cesme (Chios), there Lauters del. Lithographié à la Calcographie Royale de were not enough land troops, so the rebellion was J. Goubaud. [Brussels, 1822--9.] crushed, with huge reprisals. Lithograph, rare. Printed area 240 x 350mm (9½ x The view was published in a Brussels edition of 13¾"). £220 Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', Boats navigating the volcanic islands around Santorini, but which also contained Melling's 'Voyage pittoresque the classical Thera (the island volcano that erupted and de Constantinople et des rives du Bosphore'. destroyed the Minoan civilisaation on Crete). Stock: 35162 The view was published in a Brussels edition of Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', 421. Habitans de l'Isle de Lemnos. buut which also contained Melling's 'Voyage pittoresque F. Eenens del. Lithographié à la Calcographie Royale de Constantinople et des rives du Bosphore'. de J. Goubaud à Bruxelles. [Brussels, 1822-9.] Stock: 35154 Lithograph rare with very large margins. Printed area 240 x 350mm (9½ x 13¾"). £240 425. Vue du Village de St George de Skyros. Women and children with farm animals before a Lemonnier del. Lithographié à la Calcographie Royale ruinous building on Lemnos de J. Goubaud. [Brussels, 18822-9.] The view was published in a Brussels edition of Lithograph, rare. Printed area 240 x 350mm (9½ x Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', 13¾"). £220 but which also contained Melling's 'Voyage pittoresque A view of Chora, the capital of Skyros, dominated by de Constantinople et des rives du Bosphore'. the Venetian fortress. Stock: 35161 The view was published in a Brussels edition of Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', buut which also contained Melling's 'Voyage pittoresque de Constantinople et des rives du Bosphore'. Stock: 35152

426. Vue de la Ville et de L'Isle de Syra. Eenens et Petermanns del. Liithographié à la Calcographie Royale de J. Goubaud à Bruxelles. [Brussels, 1822-9.] Lithograph rare with very larrge margins. Printed area 240 x 350mm (9½ x 13¾"). £240 View of Ano Syros, built by the Venetians on Syros, ringed by their fortifications and topped by the Roman Catholic cathedral of San Gioorgio. The view was published in a Brussels edition of 422. Vue du Couvent de Pathmos. Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', Petermanns del. Lithographié à la Calcographie Royale buut which also contained Melling's 'Voyage pittoresque de J. Goubaud à Bruxelles. [Brussels, 1822-9.] de Constantinople et des rives du Bosphore'. Lithograph, rare. Printed area 240 x 350mm (9½ x Stock: 35158 13¾"). £270 View of the Monastery of Saint John the Theologian 427. on Patmos. [Tinos] Vue de Bourg de San-Nicolo, The view was published in a Brussels edition of Prise du côté du Levant. Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', Lemonnier del. Lithographié à la Calcographie Royale but which also contained Melling's 'Voyage pittoresque de J. Goubaud à Bruxelles. [Brussels, 1822-9.] de Constantinople et des rives du Bosphore'. Lithograph rare with very larrge margins. Printed area Stock: 35153 240 x 350mm (9½ x 13¾"). £220 View of Tinos, the main town of the island of the same 423. Vue de la Côte de Santorin. name, called San Niccolo byy the Venetians. Eenens del. Lithographié à la Calcographie Royale de The view was published in a Brussels edition of J. Goubaud à Bruxelles. [Brussels, 1822-9.] Choiseul-Gouffier's 'Voyagee Pittoresque de la Grèce', Lithograph rare with very large margins. Printed area buut which also contained Melling's 'Voyage pittoresque 240 x 350mm (9½ x 13¾"). £220 de Constantinople et des rives du Bosphore'. Stock: 35159 Boats navigating the shores of Santorini, the classical Thera (the islland volcano that erupted and destroyed the Minoan civilisation on Crete). 428. [Tinos] Vue de Bourg de San-Nicolo dans The view was published in a Brussels edition of L'Ile de Tine. Prise du côté du Couchant. Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', F. Eenens del. Lithographié à la Calcographie Royale but which also contained Melling's 'Voyage pittoresque de J. Goubaud à Bruxelles. [Brussels, 1822-9.] de Constantinople et des rives du Bosphore'. Lithograph rare with very larrge margins. Printed area Stock: 35163 240 x 350mm (9½ x 13¾"). £220 View of Tinos, the main town of the island of the same A view of Hanover with cows being watered in the name, called San Niccolo by the Venetians. river in the foreground. The view was published in a Brussels edition of Stock: 34259 Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', but which also contained Melling's 'Voyage pittoresque 432. An Actual Survey of the Electorate, or de Constantinople et des rives du Bosphore'. Face of the Country, whereon Hanover Stands, Stock: 35160 with a View of Herenhausen and the Seats of Manufactures. [Anon, c.1743] Etching, rare; sheet 195 x 315mm (7¾ x 12½"). Trimmed inside platemark; ffolds; glued to album sheet; paaper tone. £160 Eccentric view of Herrenhausen in Hanover, Germany, with key below identifying 'manufacture of boars' heads', 'beggars cambrick' and other locations. George II, King of Great Briittain and Ireland at the time this print was made, was borrn at Herrenhausen Palace. Stock: 35033

433. The Eagle Rock, _ Killarney. Lithographed & Published by Newman & Co. 48, 429. [Tinos] Vue de Bourg San-Nicolo. Watling St. London. [n.d., 1850.] Lemonnier del. Lithographié à la Calcographie Royale Tinted lithograph with large margins. Sheet size: 435 x de J. Goubaud. [Brussels, 1822-9.] 300mm (17 x 11¾"). Slight ffoxing. £160 Lithograph rare with very large margins. Printed area View of the Eagle Rock, Killlarney, Co. Kerry with 240 x 350mm (9½ x 13¾"). £220 peeople rowing on lake in foreground. View of Tinos, the main town of the island of the same Stock: 35191 name, called San Niccolo by the Venetians. The view was published in a Brussels edition of 434. L'Isole di Tremiti, Aggiacenti al' Regno Choiseul-Goouffier's 'Voyage Pittoresque de la Grèce', di Napoli, nel Mare Adriiatico. but which also contained Melling's 'Voyage pittoresque [Iyaly, c.1750.] de Constantinople et des rives du Bosphore'. Engraving. 190 x 400mm (7½ x 15¾"). £190 Stock: 35155 The Isole Tremiti, off the Gargano Peninsula in the Adriatic Sea. From left to right the islands are: San 430. A Greek Lady in her walking dress. Domino; the small, uninhabiitted island of Cretaccio; London Published by James Cawthorne, 24 Cockspur San Nicola where most of thhe population resides, with Street 1812. [But 1813.] fortified monastery; and Capraia, also uninhabited. Coloured aquatint with fine colour. 255 x 185mm (10 x In 1938 Mussolini secretly turned San Domino into an 7¼"). £120 internment camp for homosexual men, despite there A costume pllate from John Cam Hobhouse's 'A beeing no sexuality laws. Contrary to his intentions it Journey Through Albania, and other Provinces of allowed the inmates to be oppenly gay for the first time Turkey in Europe and Asia, to Constantinople'. in their lives: when the camp was closed on the Hobhouse (1st Baron Broughton, 1786-1869), met outbreak of WWII many werre reluctant to return to the Byron at Trinity College, Cambridge, and travelled repression on the staunchly-catholic mainland. with him through Italy, Greece and Turkey, a journey Stock: 34457 which resulted in this book. Hobhouse became Byron's executor after the poet's death in 1824. 435. Arco di Settimio Seevero Despite being imprisoned in Newgate for writing a Israel Silvestre del. / Piranesii sc. [n.d., c.1748] Radical pamphlet in 1819 Hobhouse became a Etching, platemark 130 x 255mm (5 x 10"). Uncut successful Whig politician, serving in government as sheet on watermarked paper.. £170 Secretary at War, Chief Secretary for Ireland, First View of the Arch of Septimiuus Severus in Rome, Commissioner of Woods and Forests and President of which was constructed to commemorate that Emperor's the Board of Control. He became a Privy Councillor iin victories against the Parthians. Plate from Piranesi's 1832. Abbey: 202. 'Antichità Romanae de Tempi della Repubblica, e de' Stock: 34548 prrimi Imperatori', after a desiign by the 17th century French artist Israel Silvestre.. 431. Hanover from the West, with the River Stock: 35233 Leine. Ramberg del.t. D. Havell sculp.t. [Published & Sold March 1, 1816, by Edw.d Orme, Bond Street, corner of Brook Street, London.] Aquatint, rare. Sheet 235 x 320mm (9¼ x 12½"). Trimmed within plate, right edge worn. £130 436. Lower Lake from Lake Hotel, Killarney. Genoese fortress, during its llong and often dramatic Lithographed & Published by Newman & C.o. 48, history it has been bombarded and besieged by many Watling Street, London. [n.d., c.1840] poowers. Lithograph. Sheet: 410 x 295mm, (16 x 11½"). Stock: 34712 Staining in margins. Marks in printed area. Dusty. £130 443. Russie Novogorod [ms] View of the Lower Lake of the Lakes of Killarney in Fumagali dis. e inc. / A. Biasioli f. A.T. [Milan: County Kerry, Ireland. Several figures walk along a Antonio Fortunato Stella, 1816-27.] path beside the lake while a boat sails on the water. Hand-coloured aquatint; small margins on 3 sides; Stock: 35203 pllate 230 x 340mm (9 x 13¼"). Proof before title. £260 Veliky Novgorod (Novgorod the Great), one of the 437. Locarno. oldest cities in modern Russiia and a UNESCO World [n.d., c.1840.] Heritage Site, looking along the Volkhov River. Coloured aquatint with fine colour. Sheet 95 x 120mm Published in Giulio Ferrario's 'Le Costume Ancien et (3¾ x 4¾"). £80 Moderne ou Histoire du gouvernement, de la milice, de A view of the villiage from the lake. la religion, des arts, sciencess et usages de tous les Stock: 34459 peeuples anciens et modernes d'après les monuments de l'antiquité et accompagné de dessins analogues au sujet 438. Lugano. Canton de Tessin, coté du paar le Docteur Jules Ferrarioo'. Nord. Stock: 34532 [n.d., c.1840.] Lithograph. Printed area 170 x 220mm, 6¾ x 8½"). Offset from letterpress. £95 A view of Lugano with Monte San Salvatore in the background. Stock: 34458

439. II.e Vue Prise sur le Lac de Lugano. Dessiné par le Barbier. Gravé par Borgnet. [n.d., c.1780.] Engraving with large margins on 3 sides. 180 x 240mm (7 x 9½"). Trimmed into plate at top. £130 From 'Tableaux de la Suisse, ou voyage pittoresque fait dans les XIII cantons du corps Helvétique'. 444. Russie Pétersboug [ms] Stock: 34460 Fumagalli dis. e inc. / Biasiooli A.T. [Milan: Antonio Fortunato Stella, 1816-27.] 440. Vue de Lugano. Capitale du Bailliage Hand-coloured aquatint with small margins; publisher's ultramontain de ce nom, appartenant aux bllindstamp. Plate 210 x 340mm (8¼ x 13¼"). Proof douze premiers Catons, située sur les bords du beefore title. Slight damage on right. £240 Lac. St. Petersburg, the capital off Russia until 1917. View Dessiné par le Barbier. Gravé par Née. [n.d., c.1780.] from St. Peter and St. Paul's FFortress, looking across Engraving with very large margins. 180 x 240mm (7 x the river Neva, with the Winntter Palace, Admiralty and 9½"). £260 other buildings on the opposiite side of the river. From 'Tableaux de la Suisse, ou voyage pittoresque fait Published in Giulio Ferrario's 'Le Costume Ancien et Moderne ou Histoire du gouvernement, de la milice, de dans les XIII cantons du corps Helvétique'. Stock: 34464 la religion, des arts, sciencess et usages de tous les peeuples anciens et modernes d'après les monuments de l'antiquité et accompagné de dessins analogues au sujet 441. Contadina Maltese in abito di Nozze. paar le Docteur Jules Ferrarioo'. [19th century Maltese School.] Stock: 34531 Ink and watercolour. Image 210 x 135mm (8¼ x 5¼"). £320 A fine watercolour of a Maltese woman in evening 445. A Sultana. wear. Stock: 34905 London Published by James Cawthorne, 24 Cockspur Street 1812. [But 1813.] Coloured aquatint with fine colour. 255 x 185mm (10 x 442. Castles of Monaco. On the 7¼"). Tear entering plate on right. £90 Mediterranean. A costume plate from John Cam Hobhouse's 'A J.D. Harding pinx.t E. Finden sculp. Printed by J. Journey Through Albania, and other Provinces of Rogers. [n.d. c.1860.] Turkey in Europe and Asia, tto Constantinople'. Engraving with very large margins. Plate 128 x 203mm Hobhouse (1st Baron Broughton, 1786-1869), met (5 x 8"). £120 Byron at Trinity College, Caambridge, and travelled A view of the Prince's Palace of Monaco, situated on with him through Italy, Greeece and Turkey, a journey the Rock of Monaco, the tall monolith on the Mediterranean coast. The palace was built in 1191 ass a which resulted in this book. Hobhouse became Byron's the expedition, recording thee explorer's death at the executor after the poet's death in 1824. hand of Hawaiian natives. Despite being imprisoned in Newgate for writing a Stock: 34332 Radical pamphlet in 1819 Hobhouse became a successful Whig politician, serving in government as Secretary at War, Chief Secretary for Ireland, First Commissioner of Woods and Forests and President of the Board of Control. He became a Privy Councillor iin 1832. Abbey: 202. Stock: 34549

446. Lugano. (Tessin) C. Koehler del.t. A.J. Terwin sculp.t. Druck & Verlag von G.G. Lange in Darmstad [n.d., c.1850]. Coloured steel engraving. Sheet 190 x 260mm (7½ x 10¼"). Torn, stitch holes in left edge, marked. £70 Stock: 34984 450. A Canoe of the Sandwich Islands, the 447. Vesuvius. No 5. Rowers Masked. Engraved byy H. Dawe, from an Original painting in his J. Webber del. C. Grignion sc. [London: Nicol & possession. [n.d., c.1820.] Cadell, n.d., c.1785.] Mezzotint with large margins. 130 x 190mm (5¼ x Engraving, very fine. On wattermarked paper. 7½"). £110 Platemark: 255 x 400mm (10 x 15¾"). Uncut with very View of the erupting volcano at night from the bay, large margins. £420 with a plume of smoke and blazing ash emerging from A plate from 'Cook's Voyage to the Pacific'. A view of the funnel. In the water is a fortress connected by a spit an outrigger canoe with a saiil on the water being to rocky land. Ex collection of the Hon. Christopher paaddled by men who wear masks that cover their Lennox-Boyd. complete heads. A mountainnoous landscape with palm Stock: 34595 trees can be seen in the backgground. John Webber (1751-93) travelled with Captain Cook 448. Vesuvius. [No 5.] on the Third Voyage (1776-80) as the Official Artist of [Engraved by H. Dawe, from an Original painting in the expedition, recording thee explorer's death at the his possession.] [n.d., c.1820.] hand of Hawaiian natives. Mezzotint, printed in colours and hand finished. Sheet Stock: 34210 110 x 145mm (4¼ x 5¾"). Trimmed within plate, losing inscriptions. £160 451. De Maleische Kampong Te Makasser. View of the erupting volcano at night from the bay, Quater Malais a Makasser. with a plume of smoke and blazing ash emerging from C.W.M. van de Velde. P. Lauters. Urtgegeven by, the funnel, made more dramatic by the colour printingg. Frans Buffa en Zonen te Ammsterdam. [n.d. c.1846.] In the water is a fortress connected by a spit to rocky Framed. Lithograph with hand colour. Image area 210 land. Ex collection of the Hon. Christopher Lennox- x 300mm (8¼ x 11¾"). Unexamined out of frame. Boyd. £220 Stock: 34596 A view of the busy Malayan Quarter in Makassar on the island of Celebes, Sulawesi, part of the Sunda 449. [Hawaii] Various Articles, at the Islands, Indonesia. Sandwich Islands. Charles William Meredith van de Velde (1818-98), J. Webber del. J. Record sculp.t. [London: Nicol & was a sailor, doctor and watercolourist. From Cadell, n.d., c.1785.] "Gezigten uit Neèrlands Indiië, naar de natuur Engraving with very large margins. Platemark: 205 x geteekend en beschreven", off which the drawings were 280mm (8¼ x 11"). Uncut. Slight mark top right. £160 made when Van de Velde was a midshipman on the A plate from 'Cook's Voyage to the Pacific'. Six objeccts ZM Triton and later when he was working in Batavia from the Hawaiian Islands including; a wooden for the Commission for the Immprovement of Maps and weapon with sharks teeth around the edges; a second Charts of Indonesia. weapon with one sharp tooth edge; a dancer's musicaal Stock: 35199 shaker instrument made from wicker work with feathers around the edges and a gourd at the bottom 452. Murray River - Mooorundi. with stones in it; an idol of a god made from wicker Eugene v. Guerard. Hamel & Ferguson. Lithographers work, feathers, dog's teeth, and mother of pearls inlaid & c. 85 Queen St. Mebourne. [n.d., c.1867.] eyes; a bracelet made from pig's tusks; a pahooah Chromolithograph with veryy large margins. Sheet size: (wooden dagger). 490 x 640mm (19¼ x 25¼").. Fine impression. Taped John Webber (1751-93) travelled with Captain Cook into mount. £650 on the Third Voyage (1776-80) as the Official Artist of A stunning view of the Riverr Murray, taken from near Moorundee in South Australiia. The wide channel is boordered by dense shrubland to the right, and open plains to the left. A group of figures with two dogs can be seen in the forground to the left, a small canoe is on the river below, and several other figures near small shelters are in the far left of the scene. From the series 'Eugène von Guérard's Australian Landscapes', 1867.. Stock: 35193

453. A Man of Oonalashka. J. Webber del. W. Sharp sc. [London: Nicol & Cadelll, n.d., c.1785.] Engraving, very fine. On watermarked paper. Platemark: 280 x 210mm (11 x 8¼"). Uncut with verry large marginns. £220 A plate from 'Cook's Voyage to the Pacific'. A portraait 456. Sea Horses. of a man, head and shoulders directed to left, glancing J. Webber del. Engraved by E. Scott. Figures by J. towards the viewer, wearing a hooded coat and peaked Heath. [London: Nicol & Caadell, n.d., c.1785.] hat. He has a bar piercing through his nose and below Engraving with very large margins. On watermarked his lip. paaper. Platemark: 270 x 410mm (10½ x 16"). Uncut. John Webber (1751-93) travelled with Captain Cook Very slight crease in centre. £220 on the Third Voyage (1776-80) as the Official Artist of A plate from 'Cook's Voyage to the Pacific'. A scene the expedition, recording the explorer's death at the showing men in a small boatt on the right, four of hand of Hawaiian natives. whom stand firing at a herd of walrus gathered on the Stock: 34216 ice to left, while an officer fends them off the ice with a boat-hook. Others can be seeen in another small boat 454. A Woman of Oonalashka. beehind to right, with the Resoolution and Discovery in J. Webber del. Delattre sc. [London: Nicol & Cadell, the background. n.d., c.1785.] John Webber (1751-93) travelled with Captain Cook Engraving, very fine. On watermarked paper. on the Third Voyage (1776-80) as the Official Artist of Platemark: 280 x 210mm (11 x 8¼"). Uncut with verry the expedition, recording thee explorer's death at the large marginns. £260 hand of Hawaiian natives. A plate from 'Cook's Voyage to the Pacific'. A portraait Stock: 34334 of a woman, head and shoulders directed to left, glancing towards the viewer, wearing a thick coat 457. Major James George Semple Lilse. decorated with small quills and short strips of fur. Shhe Harding sc. [Pubd. September 1 1799, by W. Stewart has a thin ribbon tied around her neck. She has two 194 Piccadilly.] parallel horizontal lines intersected by short bars Stipple. Sheet size: 175 x 1300mm (6½ x 5¼"). tattoed across her cheeks, with two rows of small beads Trimmed inside platemark loosing publication line. running vertically from her septum to her chin, over £95 her mouth and a winged bone ornament from her lower A half-length portrait in an oval of Major James lip. George Semple (1759 - 1815), standing to left, looking John Webber (1751-93) travelled with Captain Cook ahead with his right arm thrown out a little. He is on the Third Voyage (1776-80) as the Official Artist of wearing military uniform witth braiding, dark stock, the expedition, recording the explorer's death at the white cravat and a wing collar. Semple was a notorious hand of Hawaiian natives. swindler and con-man in late eighteenth century Stock: 34215 Britain who was arrested numerous times for fraud and eventually deported to Austrraalia in 1797 on the 'The 455. A Man of the Sandwich Islands, in a Lady Shore', which suffered a mutiny on the Brazilian Mask. coast. After several months of travelling he was finally J. Webber del. T. Cook sc. [London: Nicol & Cadell, returned via Lisbon and Tangiers to England, where he n.d., c.1785.] spent time in Portsmouth beffore being taken to London Engraving, very fine. On watermarked paper. and Tothill Field. On the 6 June 1805 Semple is Platemark: 280 x 200mm (11 x 8"). Uncut with very reported as being in Paris, and is now suspected of large marginns. £240 beeing the well-known spy 'Facqs', after a letter from his A plate from 'Cook's Voyage to the Pacific'. A portraait puublic house in Piccadilly claims he was 'begging to be of a native inhabitant of the Sandwich Islands, wearing allowed to offer his services as a spy or instigator of a traditional mask consisting of a bowl headdress witth mutiny on enemy ships, describing his fitness for these cut-outs for eyes. tasks, and requesting that his past faults and follies be John Webber (1751-93) travelled with Captain Cook overlooked'. After further arrrests in the following on the Third Voyage (1776-80) as the Official Artist of years, including one in 1814 in which he was found the expedition, recording the explorer's death at the guilty at the Middlesex sessioons of obtaining bacon and hand of Hawaiian natives. buutter by fraudulent means, Semple died in Lisbon, on Stock: 34209 his way to Morocco, to whicch he had apparently engaged to transport himselff. BM: 1851.0308.628 Stock: 34374 View of a red granite obelisk at Alexandria. The 458. Groote Waterval Naby Tornado. letterpress below explains thhaat the obelisk was offered Cataracte Pred De Tornado. to the English by Mohammed Ali but remained in C.W.M. van de Velde. P. Lauters. Urtgegeven by, Egypt for many years beforee eventually being brought Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.] to England and erected on thhe Victoria Embankment on Lithograph with hand colour, printed on chine laid on 12th September 1878. Stock: 35045 paper with printed title. Image area 310 x 210mm (12¼ x 8¼"). Foxed. £220 A view of the waterfall on the river Tondano, Sulawesi, Indonesia, with a canvas tent to the left, annd a mountainous landscape in the distance. Charles William Meredith van de Velde (1818-98), was a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven", of which the drawings weere made when Van de Velde was a midshipman on the ZM Triton and later when he was working in Batavia for the Commission for the Improvement of Maps annd Charts of Indonesia. Stock: 35200

459. The Tschuktschi, and their Habitationss. 462. View from Under the Portico of the J. Webber del. Lerpiniere sc. [London: Nicol & Cadell, n.d., c.1785.] Temple of Edfou, Upperr Egypt. Engraving. On watermarked paper. Platemark: 255 x David Roberts. R.A. L. Haghe lith. London, Published 400mm (10 x 15¾"). Uncut with very large margins. byy F.G.Moon 20 Threadneedle S.t. March 1.st.1847. Slight repair below title. £260 Tinted lithograph with large margins. Sheet: 620 x A plate from 'Cook's Voyage to the Pacific'. A view of 440mm, (24½ x 17½"). Slight mount stain. £850 with large tents of animal skins laid over a framework View showing the ruins of the Temple of Edfu on the of poles, with figures and dogs, including a man to west bank of the Nile. Edfu iis one of the best preserved right with his back to the viewer, wearing a quiver and temples in Egypt, built durinng the Ptolomaic period of carrying a bow. Two others standing, talking in the left 327-57BC it was dedicated to the falcon god Horus. foreground, with quivers and bows, one also carrying a Figures are depicted sitting on, and climbing over, the spear, attached to a ring in his coat. Moutains can be huge fragments of architectuurre. Stock: 35165 seen in the background. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of 463. Obelisk of Luxor. the expedition, recording the explorer's death at the David Roberts R. A. L. Haghe. lith. London, Published hand of Hawaiian natives. byy F. Moon, 20 Threadneedlle St. Aug.st. 1.st. 1846. Stock: 34213 Lithograph. Framed. Printed area: 330 x 510mm, (13 x 20"). Frame: 530 x 710mm, ((21 x 28"). Unexamined 460. Entraance to the Caves of Beni Hassan. out of frame. £850 David Roberts R. A. L. Haghe lith. [n.d. c, 1840] View of the obelisk flankingg the entrance to Luxor Lithograph with letterpress. Framed. Printed area: 300 Temple in Egpyt which was founded in c.1400BC. x 540mm, (12 x 21"). Frame: 520 x 700mm, (20½ x Originally two obelisks stood at the entrance but the 27½"). Unexamined out of frame. £150 second is now situated in Place de la Concorde in View of the entrance to the Ancient Egyptian cemeterry Paris. Stock: 35079 of Beni Hasan in front of which two goat herds and their flock are resting. Beni Hasan, as the letterpress describes, contained detailed depictions of everyday 464. First and Second Pyramid of Gizah, life in Ancient Egypt. Ancient Memphis. Stock: 35080 L.Meyer del. T. Milton direx. Published by R. Boyer Historic Gallery, Pall Mall Oct. 1. 1801. 461. Cleopatra's Needle. Obelisk at Hand coloured aquatint. Sheeet: 390 x 310mm, (15¼ x Alexandria commonly called Cleopatra's 12"). Trimmed. £140 Needle. A view of the the Great Pyramid of Giza and the Pyramid of Khafre. Figures rride, sit and converse in the David Roberts R. A. L. Haghe lith. London Published landscape surrounding the two great monuments. by F. G. Moon 20 Threadneedle Street, Aug.t 1.st. Stock: 35092 1846. Lithograph with letterpress printed below. Framed. Printed area: 350 x 260, (13¾ x 10¼"). Frame: 510 x 700mm, (20 x 27½"). Unexamined out of frame. £150 Day & Son, Lith.rs to the Queen & H.R.H. the Prince of Wales, Gate Str. Linc.ln's Inn F.lds. Tinted lithograph on India with large margins, title on baack card. Printed area 215 x 300mm (8 x 11¾"). Foxing in margin. £220 A kraal near Waterkloof, now an expensive suburb of Pretoria. From 'The Kafir Wars and British Settlers in South Africa. A series of picturesque views from original sketches by T. W. Bowler. With descriptive letterpress byy W. R. Thomson'. Thomas William Bowler (d.1869) was a landscape painter whoo established himself successfully in Cape Town as an artist and teacher of drawing. In 1857 he exhibited at the rooms of the Society of British Artists a drrawing of the Royal Observatory, Cape Town; and in 1860, at the Royal Academy, two views of Cape scenery. Not in Abbey Scenery. British Library: 000440049. Stock: 33997

468. Mount Misery, Waterkloof. T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Day & Son, Lith.rs to the Queen & H.R.H. the Prince of Wales, Gate Str. Linc.ln's Inn F.lds. Tinted lithograph on India with large margins, title on baack card. Printed area 215 x 300mm (8 x 11¾"). 465. Bazaar of the Silk Mercers, Cairo. Repaired tear. £160 David Roberts, R.A. L.Haghe, lith. London, Published A rustic view of Waterkloof,, now an expensive suburb by F.G.Moon, 20 Threadneedle Street, Dec.r. 1.st. of Pretoria. 1848. From 'The Kafir Wars and British Settlers in South Tinted lithograph with large margins. Sheet: 445mm x Africa. A series of picturesque views from original 625mm, (17½ x 24½"). Slight mount stain. £850 sketches by T. W. Bowler. With descriptive letterpress View of the silk merchants bazaar in Cairo. Men with byy W. R. Thomson'. Thomas William Bowler (d.1869) stalls of folded cloth line the streets. was a landscape painter whoo established himself Stock: 35164 successfully in Cape Town as an artist and teacher of drawing. In 1857 he exhibited at the rooms of the 466. Wolf River. Society of British Artists a drrawing of the Royal T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Observatory, Cape Town; and in 1860, at the Royal Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Academy, two views of Cape scenery. Not in Abbey Day & Son, Lith.rs to the Queen & H.R.H. the Prince Scenery. British Library: 000440049. of Wales, Gate Str. Linc.ln's Inn F.lds. Stock: 33996 Tinted lithograph on India with large margins, title on back card. Printed area 215 x 300mm (8 x 11¾"). £180 469. Blinkwater Hill. Impala at a river, a precipitous hill behind. T.W. Bowler, del.t ._ J. Needham lith. Day & Son, From 'The Kafir Wars and British Settlers in South Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Africa. A series of picturesque views from original Day & Son, Lith.rs to the Queen & H.R.H. the Prince sketches by T. W. Bowler. With descriptive letterpress of Wales, Gate Str. Linc.ln's Inn F.lds. by W. R. Thomson'. Thomas William Bowler (d.1869) Tinted lithograph on India with large margins, title on was a landscape painter who established himself baack card. Printed area 215 x 300mm (8 x 11¾"). £180 successfully in Cape Town as an artist and teacher of Natives at a wooded ford. drawing. In 1857 he exhibited at the rooms of the From 'The Kafir Wars and British Settlers in South Society of British Artists a drawing of the Royal Africa. A series of picturesque views from original Observatory, Cape Town; and in 1860, at the Royal sketches by T. W. Bowler. With descriptive letterpress Academy, two views of Cape scenery. Not in Abbey byy W. R. Thomson'. Thomas William Bowler (d.1869) Scenery. British Library: 000440049. was a landscape painter whoo established himself Stock: 33991 successfully in Cape Town as an artist and teacher of drawing. In 1857 he exhibited at the rooms of the 467. Fuller's Hoek, Waterkloof in the Society of British Artists a drrawing of the Royal Distance. Observatory, Cape Town; and in 1860, at the Royal T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Academy, two views of Cape scenery. Not in Abbey Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Scenery. British Library: 000440049. Stock: 33992

470. Yellowwood Drift, Lena Valley. Tinted lithograph on India with large margins, title on T.W. Bowler, del.t ._ J. Needham lith. Day & Son, baack card. Printed area 215 x 300mm (8 x 11¾"). £180 Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Natives herding cattle. Day & Son, Lith.rs to the Queen & H.R.H. the Prince From 'The Kafir Wars and British Settlers in South of Wales, Gate Str. Linc.ln's Inn F.lds. Africa. A series of picturesque views from original Tinted lithograph on India with large margins, title on sketches by T. W. Bowler. With descriptive letterpress back card. Printed area 215 x 300mm (8 x 11¾"). byy W. R. Thomson'. Thomas William Bowler (d.1869) Foxing in margins. £180 was a landscape painter whoo established himself Natives resting at a ford surrounded by trees. successfully in Cape Town as an artist and teacher of From 'The Kafir Wars and British Settlers in South drawing. In 1857 he exhibited at the rooms of the Africa. A series of picturesque views from original Society of British Artists a drrawing of the Royal sketches by T. W. Bowler. With descriptive letterpress Observatory, Cape Town; and in 1860, at the Royal by W. R. Thomson'. Thomas William Bowler (d.1869) Academy, two views of Cape scenery. Not in Abbey was a landscape painter who established himself Scenery. British Library: 000440049. successfully in Cape Town as an artist and teacher of Stock: 33993 drawing. In 1857 he exhibited at the rooms of the Society of British Artists a drawing of the Royal 473. Fort Beaufort. Observatory, Cape Town; and in 1860, at the Royal T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Academy, two views of Cape scenery. Not in Abbey Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by Scenery. British Library: 000440049. Day & Son, Lith.rs to the Queen & H.R.H. the Prince Stock: 33990 of Wales, Gate Str. Linc.ln's Inn F.lds. Tinted lithograph on India with large margins, title on baack card. Printed area 215 x 300mm (8 x 11¾"). £220 Fort Beaufort, in the Amatole District of South Africa's Eastern Cape Province, established in 1837. To the right is a viaduct over a riverr. From 'The Kafir Wars and British Settlers in South Africa. A series of picturesque views from original sketches by T. W. Bowler. With descriptive letterpress byy W. R. Thomson'. Thomas William Bowler (d.1869) was a landscape painter whoo established himself successfully in Cape Town as an artist and teacher of drawing. In 1857 he exhibited at the rooms of the Society of British Artists a drrawing of the Royal Observatory, Cape Town; and in 1860, at the Royal Academy, two views of Cape scenery. Not in Abbey Scenery. British Library: 000440049. 471. Blinkwater Drift. Stock: 33994 T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by 474. The Roman Cathoolic Cathedral. Day & Son, Lith.rs to the Queen & H.R.H. the Prince T. W. Bowler, del.t._W. L. Walton, lith./ M&N of Wales, Gate Str. Linc.ln's Inn F.lds. Hanhart, lith. Imp.t. [n.d., c.1864]. Tinted lithograph on India with large margins, title on Tinted lithograph with very llarge margins. Sheet: 370 x back card. Printed area 215 x 300mm (8 x 11¾"). £180 265mm, (14½ x 10¼"). £190 Natives at a stone weir. View of St. Mary's Cathedraall, Cape Town in which From 'The Kafir Wars and British Settlers in South several figures stand by the church, a pair of women Africa. A series of picturesque views from original walk along the street with parasols and a cart loaded sketches by T. W. Bowler. With descriptive letterpress with planks of wood followss behind. St Mary's by W. R. Thomson'. Thomas William Bowler (d.1869) Cathedral, opened and dedicaated in 1851 is the oldest was a landscape painter who established himself Catholic church in South Afrrica and is the cathedral successfully in Cape Town as an artist and teacher of church of the Catholic Archdiocese of Cape Town. drawing. In 1857 he exhibited at the rooms of the From Thomas William Bowller's 'The Kaffir Wars and Society of British Artists a drawing of the Royal British Settlers in South Afriica.' Observatory, Cape Town; and in 1860, at the Royal Stock: 34488 Academy, two views of Cape scenery. Not in Abbey Scenery. British Library: 000440049. 475. The Presbyterian Church, S.t. Andrew's Stock: 33995 Square. T. W. Bowler, del.t._W. L. Walton, lith. M & N 472. Chumie. Hanhart, lith. Imp.t. T.W. Bowler, del.t ._ J. Needham lith. Day & Son, Tinted lithograph with very llarge margins. Sheet: 370 x Lithrs. to the Queen. London, Pub.d Oct.r 1st. 1864 by 280mm, (14½ x 11"). £240 Day & Son, Lith.rs to the Queen & H.R.H. the Prince A view of the square outsidee St Andrew's Presbyterian of Wales, Gate Str. Linc.ln's Inn F.lds. Church, Cape Town. In the scene contains many figures included a loaded horrse-tram moving towards the distance and woman with a parasol holding the Lithograph with very large margins. Rare; Sheet: 280 x hand of a young boy. From Thomas William Bowler''s 370mm, (11 x 17½"). £110 'Kaffir Wars and British Settlers in South Africa.' A view of a waterfall in the Muskoka river in Ontario, Stock: 34490 Canada. Two figures can be seen crossing a bridge at the top of the waterfall while two figures sit on a fallen 476. Graham's Town, From the Bay Road. tree at the waterfall's base. Edward Roper (1832-1909) T. W. Bowler, del.t. W. L. Walton, lith./ M&N Hanhaart was an English artist who travelled around the world lith, imp. [n.d., c.1864]. and made several trips to Noorth America. Tinted lithograph with very large margins. Sheet: 370 x Stock: 35052 270mm, (14½ x 10½"). Repaired damage to top right corner and right outer margin. £240 480. Flora Island, Lake Rosseau, from Oak View of Graham's Town, South Africa. Founded in Island (Dr. Hall's). 1812 as a military outpost by Lt. Col. John Graham, E.Roper. [n.d., c.1883]. Graham's Town was created to secure the eastern Lithograph with very large margins. Sheet: 370 x frontier of the Cape Colony against the Xhosa. From 280mm, (14½ x 11). £140 Thomas William Bowler's 'The Kaffir Wars and British A view of Flora Island in Lake Rosseau in the Ontario Settlers in South Africa'. area of Canada. A small sailiing boat and some ducks Stock: 34493 can be seen on the water. Eddwward Roper (1832-1909) was an English artist who travelled around the world and made several trips to Noorth America. Stock: 35063

481. The Head of Lake Rosseau. Pratt's Just Before the Fire. 1883. E. Roper. Lithograph with very large margins; rare. Sheet: 370 x 280mm, (14½ x 11)"/ Large margins. Crease across top left corner. £140 View across Lake Rosseau. Two figures fiish in the foreground while a steam booat sails across the river, a large house can be seen on the far side of the lake. . Edward Roper (1832-1909) was an English artist who travelled around the world and made several trips to 477. Port Eizabeth. North America. T. W. Bowler, del.t. W. L. Walton, lith./ M&N Stock: 35054 Hanhart, lith imp. [n.d., c.1864]. Tinted lithograph with very large margins. Sheet: 370 x 482. On Lake Muskoka. 275mm, (14½ x 10¾"). Damage and repaired tears in E. Roper. [n.d., c.1880]. bottom left edge and top right edge in margins. £260 Lithograph with large margins; rare. Sheet: 370 x View of the town of Fort Elizabeth in the Eastern Cape 280mm, (14½ x 11). Crease iin top right margin. £160 Province. Foort Elizabeth was founded in 1820 to View across Lake Muskoka iin which three figures hunt strengthen the border region between the Cape Colony a swimming stag from a canoe. Edward Roper (1832- and the Xhosa. From Thomas William Bowler's 'The 1909) was an English artist who travelled around the Kaffir Wars and British Settlers in South Africa'. world and made several trips to North America. Stock: 34492 Stock: 35055

478. Simon's Town. 483. Various Articles, at Nootka Sound. T. W. Bowler, del.t._W. L. Walton, lith./ M&N J. Webber del. J. Record scullp.t. [London: Nicol & Hanhart, lith. Imp.t. [n.d., c.1864]. Cadell, n.d., c.1785.] Tinted lithograph with very large margins. Sheet: 370 x Engraving with very large margins. On watermarked 275mm, (14½ x 10¾"). £280 paaper. Platemark: 205 x 275mm (8¼ x 10¾"). Uncut. A view of Simon's Town, South Africa which is £170 situated on the Cape Peninsular. Several boats come A plate from 'Cook's Voyage to the Pacific'. A into harbour while several figures can be seen, sitting depiction of various items from Nootka Sound, and standing in converstaion. In the background Red including; two bird hand masks, with long beaks, the Hill appears above the clouds. From Thomas William one at the bottom with a patttern of arrows along the Bowler's 'Kaffir Wars and British Settlers in South beeak; a bird rattle in upper left and a sculpted seal Africa'. helmet in upper right. Stock: 34489 Nootka Sound is an inlet of tthe Pacific Ocean on the west coast of Vancouver Island, in the Canadian 479. Upper Chute South Falls Muskoka prrovince of British Columbia. Historically also known River. as King George's Sound, as a strait it separates E. Roper. [n.d., c.1880] Vancouver Island and Nootka Island. John Webber (1751-93) travelled with Captain Cook Nootka Sound is an inlet of tthe Pacific Ocean on the on the Third Voyage (1776-80) as the Official Artist of west coast of Vancouver Island, in the Canadian the expedition, recording the explorer's death at the prrovince of British Columbia. Historically also known hand of Hawaiian natives. as King George's Sound, as a strait it separates Stock: 34304 Vancouver Island and Nootka Island. John Webber (1751-93) travelled with Captain Cook 484. A View of the Habitations of Nootka on the Third Voyage (1776-80) as the Official Artist of Sound. the expedition, recording thee explorer's death at the J. Webber del. S. Smith sculp. [London: Nicol & hand of Hawaiian natives. Cadell, n.d., c.1785.] Stock: 34288 Engraving with very large margins. Platemark: 255 x 400mm (10 x 15¾"). Unut. £320 487. At Port Carling, beehind Stratton Hotel. A plate from 'Cook's Voyage to the Pacific'. A view of E. Roper [n.d., c.1883]. the habitations of the natives of Nootka Sound. Low, Lithograph with very large margins. Sheet: 370 x broad buildings of slatted wood with flat roofs are 280mm, (14½ x 11). Some crreasing in corners. Small constructed against and on top of dunes at the edge of tears in edges. £160 the water, with frames for drying fish standing near View of the lake at Port Carlling in Ontario, Canada. them. Numerous figures are gathered on the shore in Several small boats can be seen sailing on the lake. the foreground, mostly seated, receiving the Europeans Edward Roper (1832-1909) was an English artist who with one in the shallows in the centre, bending over thhe travelled around the world and made several trips to contents of a laden canoe. North America. Nootka Sound is an inlet of the Pacific Ocean on the Stock: 35062 west coast of Vancouver Island, in the Canadian province of British Columbia. Historically also known 488. Lake Rosseau from Pratt's Balcony in as King George's Sound, as a strait it separates 1883. Vancouver Island and Nootka Island. E. Roper 1883. John Webber (1751-93) travelled with Captain Cook Lithograph with very large margins; rare. Sheet: 370 x on the Third Voyage (1776-80) as the Official Artist of 280mm, (14½ x 11"). Some rrepaired tears in edges. the expedition, recording the explorer's death at the Damage to top left corner. £140 hand of Hawaiian natives. View across Lake Rosseau in Canada from a balcony, Stock: 34291 small sailing boats can be seen on the lake while figures walk along the edge. Edward Roper (1832- 485. A Man of Nootka Sound. 1909) was an English artist who travelled around the J. Webber del. W. Sharp sculp. [London: Nicol & world and made several trips to North America. Cadell, n.d., c.1785.] Stock: 35053 Engraving with very large margins. On watermarked paper. Platemark: 310 x 240mm (12¼ x 9½"). Uncut. £240 A plate from 'Cook's Voyage to the Pacific'. A native of Nootka Sound. Directed to right, glancing towards the viewer, with tasselled threads in his hair. He has a nose ring and a grid pattern on his forehead. Nootka Sound is an inlet of the Pacific Ocean on the west coast of Vancouver Island, in the Canadian province of British Columbia. Historically also known as King George's Sound, as a strait it separates Vancouver Island and Nootka Island. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives. Stock: 34289 489. Quebec, from the Beauport Road. [n.d., c.1850.] 486. A Woman of Nootka Sound. Ink and watercolour, titled in pencil on mount. Sheet J. Webber del. W. Sharp sculp. [London: Nicol & 120 x 180mm (4¾ x 7"). £520 Cadell, n.d., c.1785.] A view of Quebec, looking upstream from Beauport, Engraving with very large margins. On watermarked with shipping anchored in thhe St Lawrence. Another paper. Platemark: 310 x 240mm (12¼ x 9½"). Uncut. shheet in the group was watermarked 'J. WhW atman £240 1853'. A plate from 'Cook's Voyage to the Pacific'. A native Stock: 34959 of Nootka Sound. A woman with chin-length hair, facing front wearing a fringed cape with fur around the neck and a domed hat decorated with fish with a point on top. 490. [Seal] A Sea Otter. John Webber (1751-93) travelled with Captain Cook J. Webber del. Mazell sc. [London: Nicol & Cadell, on the Third Voyage (1776-80) as the Official Artist of n.d., c.1785.] the expedition, recording thee explorer's death at the Engraving with very large margins. On watermarked hand of Hawaiian natives. paper. Platemark: 200 x 270mm (8 x 10½"). Uncut. Stock: 34283 £160 A plate from 'Cook's Voyage to the Pacific'. A 493. [Alaska] The Inside of a House in Nootka reclining Nootka Sound sea otter on the shore with Sound. rocks and veggetationin the surrounding area. J. Webber del. W. Sharp sc. [[London: Nicol & Cadell, Nootka Sound is an inlet of the Pacific Ocean on the n.d., c.1785.] west coast of Vancouver Island, in the Canadian Engraving with very large margins. On watermarked province of British Columbia. Historically also known paaper. Platemark: 270 x 400mm (10½ x 15¾"). Uncut. as King George's Sound, as a strait it separates £260 Vancouver Island and Nootka Island. A plate from 'Cook's Voyage to the Pacific'. An interior John Webber (1751-93) travelled with Captain Cook scene depicting a group of men and women, drying on the Third Voyage (1776-80) as the Official Artist of fish, baskets and chests, within a traditonal house, with the expedition, recording the explorer's death at the carved ornaments in the background. hand of Hawaiian natives. Nootka Sound is an inlet of tthe Pacific Ocean on the Stock: 34280 west coast of Vancouver Island, in the Canadian prrovince of British Columbia. Historically also known 491. Indian Gratitude. Peruvians Attending as King George's Sound, as a strait it separates Las Cassas. Vancouver Island and Nootka Island. [London Published by Dean & Co. Threadneedle John Webber (1751-93) travelled with Captain Cook Street.] on the Third Voyage (1776-80) as the Official Artist of Mezzotint and etching with hand-colouring and gum- the expedition, recording thee explorer's death at the arabic, very rare;sheet 185 x 220mm (7¼ x 8½"). hand of Hawaiian natives. Trimmed inside platemark, losing publication line. Stock: 34281 £190 Bartolome de las Casas (1484-1566) was a 16th 494. [Alaska] Inhabitants of Norton Sound, century Spanish Dominican priest, and the first resident and their Habitations. Bishop of Chiapas in Mexico, He defended the rights J. Webber del. B.. Pouncy sc. [London: Nicol & of indigenouus Peruvians against the slavery imposed on Cadell, n.d., c.1785.] them by the Spanish Conquistadors. Here depicted on Engraving with very large margins. On watermarked his deathbed, he attended by grateful Peruvian Indians. paaper. Platemark: 250 x 395mm (9¾ x 15½"). Creasing Ex: collection of the Hon. C. Lennox-Boyd in centre. Uncut. £220 Stock: 35229 A plate from 'Cook's Voyage to the Pacific'. An exterior view showing woman carrying a bucket with a child at her back, secured in cloth wrapped around her boody, walking to right in the centre foreground. A man can be seen slightly behind, carrying a fish, with a log house partly covered with thaatch behind them. A kayak is shown near the water in the right foreground, with hills and trees in the background and a glimpse of another bay to right. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording thee explorer's death at the hand of Hawaiian natives. Stock: 34335

495. [Alaska] Caps of the Natives of Oonalashka. 492. [Alaska] Canoes of Oonalashka. J. Webber del. J. Record scullp.t. [London: Nicol & J. Webber del. W. Angus sc. [London: Nicol & Cadelll, Cadell, n.d., c.1785.] n.d., c.1785.] Engraving with large margins. Platemark: 280 x Engraving with very large margins. On watermarked 205mm (11 x 8¼"). Uncut. Light creasing and staining. paper. Platemark: 205 x 260mm (8 x 10¼"). Uncut. £90 £140 A plate from 'Cook's Voyage to the Pacific'. Two A plate from 'Cook's Voyage to the Pacific'. Two detailed caps of the natives of Oonalashka, Alaska, canoes, sailing to the left, with two men in the upper booth highly detailed in patterrn, the upper decorated one, which has a curved tip, both rowing with single- with feathers. headed paddles. One is in the lower canoe, rowing both John Webber (1751-93) travelled with Captain Cook sides with a double-headed paddle. on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the name to Prince William Sound, in honor of Prince hand of Hawaiian natives. William, who would later beecome King William IV. Stock: 34336 John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of 496. [Alaska] The Inside of of a House, in the expedition, recording thee explorer's death at the Oonalashkka. hand of Hawaiian natives. J. Webber del. W. Sharp sculp. [London: Nicol & Stock: 34282 Cadell, n.d., c.1785.] Engraving with very large margins. On watermarked paper. Platemark: 255 x 400mm (10 x 15¾"). £180 A plate from 'Cook's Voyage to the Pacific'. An interior view depicting a room with an apex roof built of logs and covered with thick fronds, with open sections in the top. A man can be seen climbing a tree-trunk in which steps have been cut, through one of the openings and families gathered under the eaves on either side, with household objects including baskets and woven cloths. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the 499. [A South East View of the Great Town of hand of Hawaiian natives. Boston in New England iin America.] Stock: 34333 [J. Carwitham Sculp.] [Printed for Carington Bowles, Map & Printseller, at No.69 iin St. Pauls Church Yard, 497. [Alaska] A Man of Prince William's London.] [n.d. c.1760.] Sound. Hand-coloured engraving, very fine colour; title stuck J. Webber del. J. Bafire sc. [London: Nicol & Cadell, on verso. 272 x 439mm (10¾ x 17¼"), Staining and n.d., c.1785.] soiling; laid on board; cut. Damaged. £750 Engraving with very large margins. On watermarked A view of Boston from the harbour, with ships in the paper. Platemark: 280 x 210mm (11 x 8¼"). Uncut, foreground. crease across middle. £120 Stock: 34762 A plate from 'Cook's Voyage to the Pacific'. A man, head and shoulders facing front and looking towards 500. Alstadt von West. the viewer, wearing a fur cape and a patterned conical V. Morstadt ad nat. del. J. Eiisner sc. aqua forte Vienna, hat with a flattened top, tied under his chin. He has J. Axmann sculpt direx. Verllag von Borrosch & André pendants hanging from his ears, with a nose ornament in Prag. with beaded ends. Engraving with etching, very large margins. Plate: 265 James Cook entered Prince William Sound in 1778 and x 210mm, (10½ x 8¼"). Some creasing. £160 named it Sandwich Sound, after his patron the Earl of A view of Prague's 'Old Town' in which the historic Sandwich. The editors of Cook's maps changed the Charles Bridge can be seen as well as St.Vitus name to Prince William Sound, in honor of Prince Cathedral. In the foreground a family with a dog can be William, who would later become King William IV. seen looking out over the view. John Webber (1751-93) travelled with Captain Cook Stock: 35070 on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the 501. Ceuta. hand of Hawaiian natives. I. Peeters excudit. [n.d. c.1670.] Stock: 34277 Etching. 101 x 265mm (4 x 10½"). Trimmed. £140 View of Ceuta; the Mediterranean Sea in the 498. [Alaska] A Woman of Prince William's foreground, sailing ships surrrounded with clouds of Sound. smoke seen at centre and lefftt, two mountains in the J. Webber del. J. Bafire sc. [London: Niicol & Cadell, middle ground with fortifiedd castles at top, the city n.d., c.1785.] situated at the foot of the moountain at right, surrounded Engraving with large margins. On watermarked papeer. byy a defensive wall. Platemark: 310 x 240mm (12¼ x 9¾"). £220 One from a series of a eleven views of Gibraltar and A plate from 'Cook's Voyage to the Pacific'. A woman, various other sites in Africa, published by Jacob head and shoulders facing front and looking towards Peeters; 'Divarse Viste delli Luoghie Contrade di the viewer, wearing a fur cape tied under her chin. She Barbaria e il Stretto di Gibraalltar'. has pendants hanging from her ears, with a nose Stock: 34774 ornament and piercings beneath her bottom lip. James Cook entered Prince William Sound in 1778 and named it Sandwich Sound, after his patron the Earl of Sandwich. The editors of Cook's maps changed the 502. Dunluce Castle County of Antrim, Coloured aquatint with very large margins. 270 x Ireland. Royal Association - Promotion of Fine 230mm (10½ x 9"). £70 Arts - Scotland. 1848. Proof. Two brothers of St. Basil the Great, members of the John Thomson. William Miller 1848. [n.d. c.1848.] Ukrainian Catholic Church in the Eastern Byzantine Engraving and etching on india. Sheet 411 x 570mm Rite. (16¼ x 22½"). Repaired holes. Laid. Damaged. £120 From Robert Ker Porter's 'Trravelling Sketches in A view of the ruined medieval Dunluce Castle in Russia and Sweden, during thhe years, 1805, 1806, Northern Ireland. It is located on the edge of a basalt 1807, 1808'. First published iin 1809 by Richard outcropping in County Antrim. Phillips, Stockdale published the second edition in Stock: 34767 1813. Abbey: Travel 13. Stock: 34451

507. Nuns of St Basil. R.K.Porter del.t. J.C.Stadler sculp.t. P.A. Herbert direx.t. [London: John Stockkdale?, c.1821.] Coloured aquatint with very large margins. 270 x 230mm (10½ x 9"). £65 Two sisters of St. Basil the Great, members of the 503. Boppart. Ukrainian Catholic Church in the Eastern Byzantine [Engraved by Frans Hogenberg.] [Cologne, c.1588.] Rite. Copper engraved map. Printed area 140 x 430mm, 5½ From Robert Ker Porter's 'Trravelling Sketches in x 17". Trimmed into plate at top, false margin added. Russia and Sweden, during thhe years, 1805, 1806, £240 1807, 1808'. First published iin 1809 by Richard Early town plan of Boppard in Germany, on the Phillips, Stockdale published the second edition in Rhinewith the Hunsrück Foothills in the background, 1813. Abbey: Travel 13. published in Braun & Hogenberg's 'Civitatis Orbis' Stock: 34450 Terrarum', an atlas of over 500 city maps published in six parts between 1572 and 1617. On the reverse is a 508. A Uralsky Cossac. short Latin description of the city written by George R.K.Porter del.t. J.C.Stadler sculp.t. P.A. Herbert Braun. direx.t. [London: John Stockkdale?, 1821.] Stock: 34395 Coloured aquatint with very large margins. 270 x 230mm (10½ x 9"), watermarked 'J. Whatman 1821'. 504. Russia. ____Yet there life glows; Yet Worm holes in unprinted area of plate. Crease on cherish'd there, beneath the shining waste...Or right. £70 beauteous freakt with many a mingles hue, From Robert Ker Porter's 'Trravelling Sketches in Thousands besides, the costly pride of courts. Russia and Sweden, during thhe years, 1805, 1806, 1807, 1808'. First published iin 1809 by Richard Vide Thomsons Winter. Phillips, Stockdale published the second edition in C. Ansell delin.t W. Nutter sculp.t [n.d. c.1822.] 1813. Abbey: Travel 13. Stipple, rare. 291 x 215mm (11½ x 8½"). Cut, messyy. Stock: 34447 £160 In a snowy mountain, a woman with a headscarf, 509. Iviza. 12. standing in the centre, holding a bird in her hand; a E.T. Compton. Fitzner Davey. [n.d. c.1890.] man next to her, carrying a quiver and a bow on his Wood engraving. 240 x 305mm (9½ x 12"). £65 back, leaning against a sledge on the right which A view of the Dalt Vila of Eiivissa and its cathedral; the another figure rides and a reindeer pulls; a log house on upper town of Ibiza. the left. See Ref: 9258 for earlier in tact publication. Stock: 34781 Stock: 34752

510. Île Guam: Principaal Personnage des 505. Kirghises. R.K.Porter del.t. J.C.Stadler sculp.t. P.A. Herbert Danses de Montézuma. direx.t. [London: John Stockdale?, c.1821.] J.s. Arago delin.t. Roger scullp.t. [n.d., c.1800]. Coloured aquatint with very large margins. 270 x Hand coloured stipple with some etching. Sheet: 240 x 230mm (10½ x 9"). £75 320mm, (9½ x 12½"). £190 From Robert Ker Porter's 'Travelling Sketches in Portrait of a inhabitant of Guam in the costume of a Russia and Sweden, during the years, 1805, 1806, paarticipant of the 'Danses de Montezuma', a tradition of 1807, 1808'. First published in 1809 by Richard native dancing which had beeen imported from Mexico Phillips, Stockdale published the second edition in byy the Spanish colonialists. From 'Voyage autour du monde. Atlas historique.' by Louis de Freycinet. 1813. Abbey: Travel 13. Stock: 35086 Stock: 34448

506. Monkks of St Basil. 511. Guerrier de L'île Guébé. R.K.Porter del.t. J.C.Stadler sculp.t. P.A. Herbert J.s. Arago delin.t. Roger scullp.t. [n.d., c. 1820]. direx.t. [London: John Stockdale?, c.1821.] Hand-coloured stipple with some line engraving. 515. [Hawaii] A Man of the Sandwich Islands, Sheet: 240 x 320mm, (9½ x 12½"). Trimmed. £130 with his Helmet. Potrait of a warrior from an island in the archipeligo oof J. Webber del. J. K. Sherwinn sc. [London: Nicol & Indonesia. The man rests his shoulder on his long spear Cadell, n.d., c.1785.] while holding a sheild in his other hand. From 'Voyage Engraving with very large margins. On watermarked autour du monde...' by Louis Freycinet'. paaper. Platemark: 290 x 225mm (11½ x 8¾"). Uncut. Stock: 35089 £240 A plate from 'Cook's Voyage to the Pacific'. A portrait 512. [Hawaii] An Inland View, in Atooi. of Kaneena, with a moustache and beard, wearing a J. Webber del. S. Middiman sc. [London: Nicol & feather hat and feather cloak.. Kaneena was a Cadell, n.d., c.1785.] chief/native leader of the Sandwich Islands. Engraving with very large margins. On watermarked John Webber (1751-93) travelled with Captain Cook paper. Platemark: 255 x 510mm (10 x 19¾"). Uncut. on the Third Voyage (1776-80) as the Official Artist of £360 the expedition, recording thee explorer's death at the A plate from 'Cook's Voyage to the Pacific'. A view of hand of Hawaiian natives. a village with numerous thatch constructed houses and Stock: 34284 buildings. A number of people, Hawaiians and men from Cook's voyage, can be seen conducting trade in the centre of the village. A mountainous landscape is in the background. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives. Stock: 34290

513. [Hawaii] The Inside of the House, in the Morai, in Atooi. J. Webber del. Scott sculp. [London: Nicol & Cadell, n.d., c.1785.] Engraving with very large margins. Platemark: 210 x 516. [Hawaii] An Offerriing Before Cap.t Cook, 270mm (8¼ x 10½"). Uncut. £260 in the Sandwich Islands. A plate from 'Cook's Voyage to the Pacific'. A view of J. Webber del. The Landscape Eng.d by Middiman. the interior of a ceremonial long house located in the The Figures by Hall. [Londoonn: Nicol & Cadell, n.d., heiau (burial ground) in the Kingdom of Atooi, in c.1785.] Hawaii. An altar and two carved figures are erected at Engraving with very large margins. On watermarked the back of the house, the house being open on one paaper. Platemark: 260 x 400mm (10¼ x 15¾"). Uncut. side. Very slight creasing. £520 John Webber (1751-93) travelled with Captain Cook A plate from 'Cook's Voyage to the Pacific'. A scene on the Third Voyage (1776-80) as the Official Artist of depicting Captain James Cook and four of his men who the expedition, recording the explorer's death at the sit in front of two tall woodeen images draped in cloth, hand of Hawaiian natives. with a group of natives of the Sandwich Islands, sitting Stock: 34292 in front of a thatched buildinng with a wooden palisade, one standing to present him with a pig. 514. [Hawaii] A Morai, in Atooi. John Webber (1751-93) travelled with Captain Cook J. Webber del. Lerpernere sc. [London: Nicol & on the Third Voyage (1776-80) as the Official Artist of Cadell, n.d., c.1785.] the expedition, recording thee explorer's death at the Engraving with very large margins. Platemark: 265 x hand of Hawaiian natives. 410mm (10¼ x 16¼"). Uncut. £190 Stock: 34287 A plate from 'Cook's Voyage to the Pacific'. A view of a heiau (burial area) in the Waimea valley on Kauai, 517. [Hawaii] A Young Woman of the with a thatch-constructed long house on one side, and Sandwich Islands. an area enclosed by a stone wall with stones on the J. Webber del. J. k. Sherwin sc. [London: Nicol & ground and carved boards marking graves. An elevateed Cadell, n.d., c.1785.] structure constructed of branches lashed together cann Engraving with very large margins. On watermarked be seen in the background, with mountains in the paaper. Platemark: 290 x 225mm (11½ x 8¾"). Uncut. distance. Slight creasing. £230 John Webber (1751-93) travelled with Captain Cook A plate from 'Cook's Voyage to the Pacific'. A young on the Third Voyage (1776-80) as the Official Artist of woman, head and shoulder to front, looking towards the expedition, recording the explorer's death at the the viewer, wearing a gown which falls away from her hand of Hawaiian natives. Stock: 34293 right shoulder and feathered rings in her hair and around her neck. John Webber (1751-93) travelled with Captain Cook A. Pellion delin.t. Choubard sculp.t. [n.d., c.1820]. on the Third Voyage (1776-80) as the Official Artist of Hand coloured stipple with some engraving. Sheet: 320 the expedition, recording the explorer's death at the x 240mm, (12½ x 9½"). Trimmed. £95 hand of Hawaiian natives. Several portraits of people off the Mariana Islands in Stock: 34285 the western Pacific, which demonstrate the differences in appearance of the islanderrs which caused by the integration of European settleers following its colonisation by Spain in the mmid 17th Century. Stock: 35084

521. Naturels de L'Île Ombai. J.s. Arago delin.t. Forget sculp.t. [n.d., c. 1820]. Hand-coloured stipple with some engraving. Sheet: 325 x 240mm, (12¾ x 9½"). Trimmed. £95 Portraits of two figures fromm the island of Ombia. The figures wear their hair in tall bands, decorated with flowers. The figure on the right holds a bow and holds several arrows under his arm. From 'Voyage autour du monde...' by Louis Freycinett. 518. [Hawaii] Tereoboo, King of Owyhee, Stock: 35091 bringing Presents to Cap.t Cook. J. Webber del. B. T. Pouncy sc. [London: Nicol & 522. The Body of Tee, a Chief, as preserved Cadell, n.d., c.1785.] after Death, in Otaheite. Engraving with very large margins. On watermarked J. Webber del. W. Byrne sculp. [London: Nicol & paper. Platemark: 260 x 400mm (10¼ x 15¾"). Uncut. Cadell, n.d., c.1785.] Slight creasing in centre. £520 Engraving with very large margins. Platemark: 255 x A plate from 'Cook's Voyage to the Pacific'. Three lonng 400mm (10 x 15¾"). Uncut. £180 double canoes, rowed from a mountainous land A plate from 'Cook's Voyage to the Pacific'. An towards the left, the foremost with a sail set near the exterior scene depicting the preserved deceased body prow, bent back to form a large funnel and carrying of Chief Tee, of Otaheite in Tahiti, wearing a cloth two rows of nobles, who stand, wearing cloaks; the wrap headscarf, and loin clotth, lying on top of a piece nearest to the viewer, carrying statues. of cloth, laid out on a woodeen structure with a thatched John Webber (1751-93) travelled with Captain Cook roof. A man stands in the forreground, wearing a cloth on the Third Voyage (1776-80) as the Official Artist of wrap and holding onto a piece of cloth, looking at the the expedition, recording the explorer's death at the boody. The area is surrounded by a wooden fence. hand of Hawaiian natives. John Webber (1751-93) travelled with Captain Cook Stock: 34286 on the Third Voyage (1776-80) as the Official Artist of the expedition, recording thee explorer's death at the 519. A Night Dance by Women, in Hapaee. hand of Hawaiian natives. J. Webber del. W.m Sharp sculp. [London: Nicol & Stock: 34295 Cadell, n.d., c.1785.] Engraving with very large margins. Platemark: 270 x 523. Île Rawak. 1. Para-Tourou; 2. Pahoro; 400mm (10½ x 15¾"). Uncut. Edge of top margins, 3. Bounor-Eri; 4. karrok, Habitant de l'Île stained. Very slight crease & small foxmark. £320 Guébé; 5. Païssene. A plate from 'Cook's Voyage to the Pacific'. A night J.s. Arago delin.t. Choubard sculp.t. [n.d., c.1820]. scene depicting Tongan women dancing in two rows, Hand coloured stipple with some engraving. Sheet: 320 on both side of the image, wearing cloth skirts and x 240mm, (12½ x 9½"). Trimmed. £75 flower headbands. Behind the women, are a group of Portraits of inhabitants of an island near Papua New men sitting on the ground in a circle, holding wooden Guinea including a portrait of a bird of paradise. From musical instruments. An audience of men and women 'Voyage autour du monde...' by Louis Freycinet. can be seen in the background. Four White officers are Stock: 35090 depicted in the foreground, watching the performance. John Webber (1751-93) travelled with Captain Cook 524. Océanie. Isles de la Sonde. Musicien. on the Third Voyage (1776-80) as the Official Artist of Danseuse Javanaise. Négociant. Garde du the expedition, recording the explorer's death at the Corps du Sultan du Djococarta. Prévot hand of Hawaiian natives. Stock: 34303 d'armes. Colporteur. Passey del. Bocquin lith. Imp. Lemercier Paris. [n.d., c1850]. 520. Îles Mariannes: Guam. 1.2 Stephen Laajjo Hand coloured lithograph. Sheet: 290 x 225mm, (11½ et Claudio Lajo, Indiens de race pure; 3.4. x 9"). £130 Marinanna et Josepha, enfans de L'Alcade Potraits of various figures off the Sunda Islands in the d'Umata; 5.6 Divers modèles de coiffure des Malay archipelago, on the right a woman dances along habitans des Mariannes. to music played by a man sitttting on a rug. Two armed men stand in the centre of the image and a man Hand coloured stipple with some engraving. Sheet: 240 carrying goods stands on the right. x 320mm, (9½ x 12½"). Trimmed. £130 Stock: 35096 Portrait of a young man from the island of Timor in maritime south east Asia. The man wears a highly ornate coat decorated with flloowers. From 'Voyage autour du monde...' by Louiss Freycinet Stock: 35088

528. [Tonga] A View att Anamooka. J. Webber del. W. Byrne sc. [London: Nicol & Cadell, n.d., c.1785.] Engraving with large margins. Platemark: 260 x 530mm (10¼ x 20¾"). Overaall bit dusty. £160 A plate from 'Cook's Voyage to the Pacific'. A view of a beach and an expanse of waater, with many canoes with groups of men in them, on the water. A large group of figures are in a semicircle on the beach, some 525. A Dance in Otaheite. seated, some standing in front of a thatched roof J. Webber del. J. K. Sherwin sc. [London: Nicol & buuilding. Several white men are standing in the middle Cadell, n.d., c.1785.] of the semicircle, collecting pigs and food. A horse can Engraving with very large margins. Platemark: 265 x bee seen behind the group of people. 400mm (10¼ x 15¾"). Uncut. £320 John Webber (1751-93) travelled with Captain Cook A plate from 'Cook's Voyage to the Pacific'. Two on the Third Voyage (1776-80) as the Official Artist of women and two men wearing ceremonial costumes, the expedition, recording thee explorer's death at the performing a dance outdoors standing on a mat. Threee hand of Hawaiian natives. men playing the drums in the background, in front of a Stock: 34302 thatched roof building. An audience of men are sitting on both sides of the stage. 529. [Tonga] Poulaho, King of the Friendly John Webber (1751-93) travelled with Captain Cook Islands. on the Third Voyage (1776-80) as the Official Artist of J. Webber del. J. Hall sculp. [London: Nicol & Cadell, the expedition, recording the explorer's death at the n.d., c.1785.] hand of Hawaiian natives. Engraving with very large margins. On watermarked Stock: 34294 paaper. Platemark: 290 x 225mm (11½ x 8¾"). Uncut. £220 526. A Human Sacrifice, in a Morai, in A plate from 'Cook's Voyage to the Pacific'. A portrait Otaheite. of Poulaho, King of the Friendly Islands, wearing a J. Webber del. W. Woollett sc. [London: Nicol & headdress and a neck ornament. Cadell, n.d., c.1785.] John Webber (1751-93) travelled with Captain Cook Engraving with very large margins. On watermarked on the Third Voyage (1776-80) as the Official Artist of paper. Platemark: 285 x 490mm (11¼ x 19¼"). Uncut. the expedition, recording thee explorer's death at the £320 hand of Hawaiian natives. A plate from 'Cook's Voyage to the Pacific'. A scene Stock: 34298 depicting a human sacrifice taking place on ceremonial ground, in Matavai Bay, Tahiti. A man lies in the 530. A Night Dance by MMen, in Hapaee. centre of the image tied to a wooden pole, in front off a J. Webber del. W.m Sharp sculp. [London: Nicol & wooden platform with pigs. In the background is a Cadell, n.d., c.1785.] display of human skulls on top of a stone wall. A groouup Engraving with very large margins. Platemark: 270 x of men sit on the ground, on the left, each holding a 400mm (10½ x 15¾"). Uncut. Bit dusty at top. £280 plant leaf in their right hand. Two men play the drums A plate from 'Cook's Voyage to the Pacific'. A night on the left of the image, standing in front of a thatched sccene depicting Tongan men dancing in two rows, on roof building. Two men on the right are cooking a pig booth sides of the image, wearring cloth wraps. In on a fire. A group of White naval officers, possibly beetween the men, are a group of figures sitting on the including Captain Cook, stand on the far right of the ground in a circle, holding wooden musical image. instruments. An audience of men and women are in the John Webber (1751-93) travelled with Captain Cook baackground. Four White offiicers are depicted in the on the Third Voyage (1776-80) as the Official Artist of foreground, watching the perrformance. the expedition, recording the explorer's death at the John Webber (1751-93) travelled with Captain Cook hand of Hawaiian natives. on the Third Voyage (1776-80) as the Official Artist of Stock: 34296 the expedition, recording thee explorer's death at the hand of Hawaiian natives. 527. Île Tiimor. J.h. Antonio, Jeune homme Stock: 34301 du Royaume de Failacor. S. Leroy pinx.t. Lerouge et Choubard sculp.t. [n.d., c.1820]. 531. The Natche, a Ceremony on Honour of the expedition, recording thee explorer's death at the the King's Son, in Tongataboo. hand of Hawaiian natives. J. Webber del. Landscape by S. Middiman. Figures by Stock: 34297 J. Hall. [London: Nicol & Cadell, n.d., c.1785.] Engraving with very large margins. On watermarked 534. A Whale swimminng with great Force & paper. Platemark: 310 x 490mm (12¼ x 19¼"). Uncut. Celerity after the Harponne Iron is fixt in him. £320 3. A plate from 'Cook's Voyage to the Pacific'. A view of Printed for Carington Bowless, Map & Printseller, No a clearing surrounded by trees. A large group of people 69 in St Pauls Church Yard, London. [n.d., c.1770.] are seated in the clearing, facing the King's son, who is Engraving, rare. Sheet 175 x 260mm (7 x 10¼"). seated underneath a thatched canopy. A group of men Trimmed within plate. £160 wearing cloth wraps, are performing in front of the Sailors in longboats hunting a whale, plate 3 from a King's son, and several other men are carrying fish on series about the Greenland and Whale Fisheries. sticks behind the performers. Two smaller groups of Stock: 34462 people are seated in the background. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives. Stock: 34299

532. A Flatooka, or Morai, in Tongataboo. J. Webber del. W. Ellis sculp. [London: Nicol & Cadell, n.d., c.1785.] Engraving with very large margins. On watermarked paper. Platemark: 255 x 400mm (10 x 15¾"). Uncut. Very slight creasing. £170 A plate from 'Cook's Voyage to the Pacific'. An exterior view of a 'mala'e' or meeting ground, 535. The Long-boats making towards a surrounded by trees and thatched roof buildings. A Whale, & the Harponierrs going to cast their man can be seen carrying bunches of bananas across the mala'e, and a group of people are seated and Lances at him. 2 standing in one of the small buildings in the foreground Printed for Carington Bowless, Map & Printseller, No to the left. 69 in St Pauls Church Yard, London. [n.d., c.1770.] John Webber (1751-93) travelled with Captain Cook Engraving, rare. Sheet 175 x 260mm (7 x 10¼"). on the Third Voyage (1776-80) as the Official Artist of Trimmed within plate. £160 the expedition, recording the explorer's death at the Sailors in longboats hunting a whale, plate 2 from a hand of Hawaiian natives. sere ies about the Greenland and Whale Fisheries. Stock: 34463 Stock: 34300

533. A Woman of Eaoo. 536. The sailors attackiing the White Bear J. Webber del. J. Hall sculp. [London: Nicol & Cadell, with their Spears, which are frequently n.d., c.1785.] floating upon the Ice in the North Seas. 7. Engraving with very large margins. On watermarked Printed for Carington Bowless, Map & Printseller, No paper. Platemark: 290 x 225mm (11½ x 8¾"). Uncut. 69 in St Pauls Church Yard, London. [n.d., c.1770.] £220 Engraving, rare. 175 x 255mm (7 x 10"). Trimmed A plate from 'Cook's Voyage to the Pacific'. A portraait within plate. £160 of a woman from Eaoo (Tonga), wearing a cloth wrap A group of sailors attacking a polar bear, plate 7 from a and a neck ornament. series about the Greenland and Whale Fisheries. John Webber (1751-93) travelled with Captain Cook Stock: 34461 on the Third Voyage (1776-80) as the Official Artist of

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