Lessons Learned: Reflecting on the Theory and Practice of Mosaic
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Lighting and Byzantine Glass Tesserae
EVA London Conference ~ 11–13 July 2007 Eva Zányi, Carla Schroer, Mark Mudge, and Alan Chalmers _____________________________________________________________________ LIGHTING AND BYZANTINE GLASS TESSERAE Eva Zányi†, Carla Schroer‡, Mark Mudge‡, Alan Chalmers† † Warwick Digital Laboratory University of Warwick Coventry CV4 7AL United Kingdom [email protected], [email protected] http://www.warwickdigital.org ‡ Cultural Heritage Imaging San Francisco USA [email protected], [email protected] http://www.c-h-i.org Abstract – A key component of many Byzantine churches was the mosaics on the curved walls and ceilings, which included gold and silver glass tesserae. As the viewer or the light moved within the church, these tesserae sparkled. In this paper we describe how we captured a Polynomial Texture Map of the apse mosaic at the Angeloktisti Church at Kiti, Cyprus and used it to investigate how the position of the lighting may have affected the appearance of the mosaic. Our study showed that the appearance of the mosaics is indeed significantly different when lit from various directions. INTRODUCTION From the outside Byzantine churches look unimposing; without much decoration, no paint or precious materials. This is very different to the interior, which provided those inside the space with dramatic visual affects aiming at alleviating and engaging the viewer to approach God [14]. The architecture used light and shadow to symbolically represent different sacral hierarchies and direct the attention of the viewer. Therefore the upper parts of the churches, which represented heaven, were better lit than the lower parts. In early Byzantium this was achieved with the help of daylight through small xxxx Figure 1. -
The Mediterranean Coast of Israel Is a New City,Now Under
University of Rhode Island DigitalCommons@URI Theses and Major Papers Marine Affairs 12-1973 The editM erranean Coast of Israel: A Planner's Approach Sophia Professorsky University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/ma_etds Part of the Natural Resources Management and Policy Commons, and the Oceanography and Atmospheric Sciences and Meteorology Commons Recommended Citation Professorsky, Sophia, "The eM diterranean Coast of Israel: A Planner's Approach" (1973). Theses and Major Papers. Paper 146. This Major Paper is brought to you for free and open access by the Marine Affairs at DigitalCommons@URI. It has been accepted for inclusion in Theses and Major Papers by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. l~ .' t. ,." ,: .. , ~'!lB~'MEDI'1'ERRANEAN-GQAsT ~F.~"IsMt~·;.·(Al!~.oS:-A~PROACH ::".~~========= =~.~~=~~~==b======~~==~====~==.=~=====~ " ,. ••'. '. ,_ . .. ... ..p.... "".. ,j,] , . .;~ ; , ....: ./ :' ",., , " ",' '. 'a ". .... " ' ....:. ' ' .."~".,. :.' , v : ".'. , ~ . :)(A;R:t.::·AF'~~RS'· B~NMi'»APER. '..":. " i . .: '.'-. .: " ~ . : '. ". ..." '-" .~" ~-,.,. .... .., ''-~' ' -.... , . ", ~,~~~~"ed .' bYr. SOph1a,Ji~ofes.orsJcy .. " • "..' - 01 .,.-~ ~ ".··,::.,,;$~ld~~:' ·to,,:" f;~f.... ;)J~:Uexa~d.r . -". , , . ., .."• '! , :.. '> ...; • I ~:'::':":" '. ~ ... : .....1. ' ..~fn··tr8Jti~:·'btt·,~e~Mar1ne.~a1~S·~r~~. ", .:' ~ ~ ": ",~', "-". ~_"." ,' ~~. ;.,·;·X;'::/: u-=" .. _ " -. • ',. ,~,At:·;t.he ,un:lvers:U:~; tif Rh~:<:rs1..J\d. ~ "~.; ~' ~.. ~,- -~ !:).~ ~~~ ~,: ~:, .~ ~ ~< .~ . " . -, -. ... ... ... ... , •• : ·~·J;t.1l9ston.l~~;&:I( .. t)eceiDber; 1~73.• ". .:. ' -.. /~ NOTES, ===== 1. Prior to readinq this paper, please study the map of the country (located in the back-eover pocket), in order to get acquain:t.ed with names and locations of sites mentioned here thereafter. 2.- No ~eqaJ. aspects were introduced in this essay since r - _.-~ 1 lack the professional background for feedinq in tbe information. -
Some Representative Examples of Romano-British Sculpture Author(S): F
Some Representative Examples of Romano-British Sculpture Author(s): F. Haverfield and H. Stuart Jones Source: The Journal of Roman Studies, Vol. 2 (1912), pp. 121-152 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/295954 . Accessed: 08/05/2014 23:47 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org This content downloaded from 169.229.32.137 on Thu, 8 May 2014 23:47:48 PM All use subject to JSTOR Terms and Conditions SOME REPRESENTATIVE EXAMPLES OF ROMANO-BRITISH SCULPTURE. (Plates IV-IX.) By PROFESSOR F. HAVERFIELD, LL.D. D.LITT. and H. STUART JONES, M.A. The collection of casts lately prepared by the Roman Society, and described in the following pages, was designed to include representative sculptures and architectural decorations of the Roman period in Britain. It had originally been hoped that these casts might find a place in the Archaeological Exhibition held in Rome in I9II and eloquently described by Mrs. -
Chedworth Roman Villa, Bibury & Northleach
Chedworth Roman Villa, Bibury & Northleach Miles Step # Short Med Long Short, med & long routes: follow instructions below. 1 TR out of campsite 0 0 0 2 TL onto cycle path before RBT 0.1 0.1 0.1 3 Cross road, cycle down to u'pass & TR through u'pass. 0.2 0.2 0.2 4 TR at far end of u'pass 0.3 0.3 0.3 5 Take 1st exit off RBT SP Hatherley, then SO @ ASDA RBT SP Hatherley. 0.5 0.5 0.5 6 SO at next RBT 0.8 0.8 0.8 7 SO at RBT SP Up Hatherley & Bacon Theatre 0.9 0.9 0.9 8 TL at RBT into Hatherley Road SP Bacon Theatre 1.1 1.1 1.1 9 SO at double mini RBT to follow Hatherley Road 1.8 1.8 1.8 10 BL at mini RBT 2 2 2 11 TR into Hatherley Court Road 2.2 2.2 2.2 12 TR at TJ into St Stephen's Road (no nameplate, but post box on right) 2.4 2.4 2.4 13 TR at mini RBT into "The Park" (no nameplate but large white house on right) 2.6 2.6 2.6 14 Follow round "The Park". Beware unhelpful (dangerous) road narrowings! 2.7 2.7 2.7 15 TR at mini RBT into Moorend Park Road 2.9 2.9 2.9 16 SO at traffic lights 3 3 3 17 SO at RBT into Moorend Road 3.2 3.2 3.2 18 TR at TJ into Leckhampton Road (no nameplate). -
CDAS – Chairman's Monthly Letter – March 2020 Fieldwork We Still Plan to Do the Geophysical Survey at Fishbourne Once
CDAS – Chairman’s Monthly Letter – March 2020 Fieldwork We still plan to do the geophysical survey at Fishbourne once the weather improves and the field starts to dry out. Coastal Monitoring Following the visit to Medmerry West in January we made a visit to Medmerry East. Recent storms had made a big change to the landscape. As on our last visit to the west side it was possible to walk across the breach at low tide. Some more of the Coastguard station has been exposed. However one corner has now disappeared. It was good that Hugh was able to create the 3D Model when he did. We found what looks like a large fish trap with two sets of posts running in a V shape, each arm being about 25 metres long. The woven hurdles were clearly visible. Peter Murphy took a sample of the timber in case there is an opportunity for radiocarbon dating. We plan to return to the site in March to draw and record the structure. When we have decided on a date for this work I will let Members know. Condition Assessment – Thorney Island The annual Condition Assessment of the WW2 sites on Thorney Island will be on Tuesday 10th March, meeting at 09:30 at the junction of Thorney Road and Thornham Lane (SU757049). If you would like to join us and want to bring a car onto the base you need to tell us in advance, so please email the make, model, colour and registration number of your car to [email protected] by Friday 6 March. -
Vacuum Appropriation Strategies Between Patio and Pavilion Archetypes Hybridization in Two Classical Masters Works of Modern Architecture
Athens Journal of Architecture - Volume 4, Issue 1– Pages 7-30 Vacuum Appropriation Strategies between Patio and Pavilion Archetypes Hybridization in Two Classical Masters Works of Modern Architecture By Simone Solinas Patio and pavilion, understood as archetypes, may appear as opposing principles in the construction of space. However, we can see through the analysis of some of the proposed cases that the overlap of these principles takes place very frequently, because they both arise from the need to delimit the vacuum by giving to it the character of space. The vacuum is not space, although space may be empty. The vacuum exists without us, whereas space does not. The architect, in designing enclosed space, encapsulates a portion of the vacuum, indistinct and formless, understood as Nature. This is a fragment of Paradise that everyone has right to possess, by binding an idea to the image of the patio and pavilion. From their combined use, there are several cases in which these elements take shape in architectural projects. In some projects, one principle dominates the other, but it is evident that there are a large variety of mixed proposals between the two extremes. The two principles do not exclude one another and can coexist together in a complementary way by appearing in the same project. The two figures as archetypes are taken as the main reference points of different poles that seem to be conflicting and irreconcilable ideas, but that instead build together the complexity of architecture. Full | empty, outside | inside, empty space | full-space, stereotomic | tectonic, vertical | horizontal, centrifugal | centripetal, works together to build space. -
Fishbourne: a Roman Palace and Its Garden, 1971, Barry W. Cunliffe, 0801812666, 9780801812668, Johns Hopkins University Press, 1971
Fishbourne: A Roman Palace and Its Garden, 1971, Barry W. Cunliffe, 0801812666, 9780801812668, Johns Hopkins University Press, 1971 DOWNLOAD http://bit.ly/1O80BJ2 http://goo.gl/Rblvo http://en.wikipedia.org/wiki/Fishbourne_A_Roman_Palace_and_Its_Garden DOWNLOAD http://goo.gl/R4Dxp http://bit.ly/W9p35D The Roman Villa in Britain , Albert Lionel Frederick Rivet, 1969, Pavements, Mosaic, 299 pages. Excavations at Fishbourne, 1961-1969, Issue 26, Volume 1 , Barry W. Cunliffe, 1971, History, 221 pages. Facing the Ocean The Atlantic and Its Peoples, 8000 BC-AD 1500, Barry W. Cunliffe, Jan 1, 2001, History, 600 pages. An illustrated history of the peoples of "the Atlantic rim" explores the inter- relatedness of European cultures that stretched from Iceland to Gibralter.. The Romans at Ribchester discovery and excavation, B. J. N. Edwards, University of Lancaster. Centre for North-West Regional Studies, Jan 1, 2000, History, 101 pages. Germania , Cornelius Tacitus, 1970, History, 175 pages. Offers a portrait of Julius Agricola - the governor of Roman Britain and Tacitus' father-in-law - and an account of Britain that has come down to us. This book provides. The Recent Discoveries of Roman Remains Found in Repairing the North Wall of the City of Chester (A Series of Papers Read Before the Chester Archaeological and Historic Society, Etc., and Reprinted by Permission of the Council.) Extensively Illustrated, John Parsons Earwaker, 1888, Romans, 175 pages. Roman Canterbury, as so far revealed by the work of the Canterbury Excavation Committee , Canterbury Excavation Committee, 1949, History, 16 pages. Roman Silchester the archaeology of a Romano-British town, George C. Boon, 1957, Silchester (England), 245 pages. -
826 INDEX 1066 Country Walk 195 AA La Ronde
© Lonely Planet Publications 826 Index 1066 Country Walk 195 animals 85-7, see also birds, individual Cecil Higgins Art Gallery 266 ABBREVIATIONS animals Cheltenham Art Gallery & Museum A ACT Australian Capital books 86 256 A La RondeTerritory 378 internet resources 85 City Museum & Art Gallery 332 abbeys,NSW see New churches South & cathedrals Wales aquariums Dali Universe 127 Abbotsbury,NT Northern 311 Territory Aquarium of the Lakes 709 FACT 680 accommodationQld Queensland 787-90, 791, see Blue Planet Aquarium 674 Ferens Art Gallery 616 alsoSA individualSouth locations Australia Blue Reef Aquarium (Newquay) Graves Gallery 590 activitiesTas 790-2,Tasmania see also individual 401 Guildhall Art Gallery 123 activitiesVic Victoria Blue Reef Aquarium (Portsmouth) Hayward Gallery 127 AintreeWA FestivalWestern 683 Australia INDEX 286 Hereford Museum & Art Gallery 563 air travel Brighton Sea Life Centre 207 Hove Museum & Art Gallery 207 airlines 804 Deep, The 615 Ikon Gallery 534 airports 803-4 London Aquarium 127 Institute of Contemporary Art 118 tickets 804 National Marine Aquarium 384 Keswick Museum & Art Gallery 726 to/from England 803-5 National Sea Life Centre 534 Kettle’s Yard 433 within England 806 Oceanarium 299 Lady Lever Art Gallery 689 Albert Dock 680-1 Sea Life Centre & Marine Laing Art Gallery 749 Aldeburgh 453-5 Sanctuary 638 Leeds Art Gallery 594-5 Alfred the Great 37 archaeological sites, see also Roman Lowry 660 statues 239, 279 sites Manchester Art Gallery 658 All Souls College 228-9 Avebury 326-9, 327, 9 Mercer Art Gallery -
Painswick to Winchcombe Cycle Route
Great Comberton A4184 Elmley Castle B4035 Netherton B4632 B4081 Hinton on the Green Kersoe A38 CHIPPING CAMPDEN A46(T) Aston Somerville Uckinghall Broadway Ashton under Hill Kemerton A438 (T) M50 B4081 Wormington B4479 Laverton B4080 Beckford Blockley Ashchurch B4078 for Tewkesbury Bushley B4079 Great Washbourne Stanton A38 A38 Key to Map A417 TEWKESBURY A438 Alderton Snowshill Day A438 Bourton-on-the-Hill Symbols: B4079 A44 At a Glance M5 Teddington B4632 4 Stanway M50 B4208 Dymock Painswick to WinchcombeA424 Linkend Oxenton Didbrook A435 PH A hilly route from start to A Road Dixton Gretton Cutsdean Hailes B Road Kempley Deerhurst PH finish taking you through the Corse Ford 6 At fork TL SP BRIMPSFIELD. B4213 B4211 B4213 PH Gotherington Minor Road Tredington WINCHCOMBE Farmcote rolling Cotswold hills and Tirley PH 7 At T junctionB4077 TL SP BIRDLIP/CHELTENHAM. Botloe’s Green Apperley 6 7 8 9 10 Condicote Motorway Bishop’s Cleeve PH Several capturing the essence of Temple8 GuitingTR SP CIRENCESTER. Hardwicke 22 Lower Apperley Built-up Area Upleadon Haseld Coombe Hill the Cotswold countryside. Kineton9 Speed aware – Steep descent on narrow B4221 River Severn Orchard Nook PH Roundabouts A417 Gorsley A417 21 lane. Beware of oncoming traffic. The route follows mainly Newent A436 Kilcot A4091 Southam Barton Hartpury Ashleworth Boddington 10 At T junction TL. Lower Swell quiet lanes, and has some Railway Stations B4224 PH Guiting Power PH Charlton Abbots PH11 Cross over A 435 road SP UPPER COBERLEY. strenuous climbs and steep B4216 Prestbury Railway Lines Highleadon Extreme Care crossing A435. Aston Crews Staverton Hawling PH Upper Slaughter descents. -
Chedworth Roman Villa Gloucestershire
CHEDWORTH ROMAN VILLA GLOUCESTERSHIRE ARCHAEOLOGICAL RECORDING AND EVALUATION For THE NATIONAL TRUST CA PROJECT: 3264 CA REPORT: 10232 JANUARY 2011 CHEDWORTH ROMAN VILLA GLOUCESTERSHIRE ARCHAEOLOGICAL RECORDING AND EVALUATION CA PROJECT: 3264 CA REPORT: 10232 prepared by Alexandra Wilkinson, Project Supervisor date 10 January 2011 checked by Laurent Coleman, Project Manager date 19 January 2011 approved by Simon Cox, Head of Fieldwork signed date 24 January 2011 issue 01 This report is confidential to the client. Cotswold Archaeology accepts no responsibility or liability to any third party to whom this report, or any part of it, is made known. Any such party relies upon this report entirely at their own risk. No part of this report may be reproduced by any means without permission. © Cotswold Archaeology Building 11, Kemble Enterprise Park, Kemble, Cirencester, Gloucestershire, GL7 6BQ Tel. 01285 771022 Fax. 01285 771033 E-mail: [email protected] © Cotswold Archaeology Chedworth Roman Villa, Gloucestershire: Archaeological Recording and Evaluation CONTENTS SUMMARY........................................................................................................................ 2 1. INTRODUCTION ................................................................................................. 3 2. RESULTS (FIGS 2-8) .......................................................................................... 7 3. DISCUSSION...................................................................................................... -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
1 ROMAN WIGHT by Malcolm Lyne 1. a History of Previous Research Most
ROMAN WIGHT By Malcolm Lyne 1. A history of previous research Most of the early antiquarian research into Roman Wight, as in other parts of Britain, related to the excavation of villa houses. The earliest such excavation was that at Rock,Brighstone in 1831 (Kell 1856), followed by those at Carisbrooke (Spickernell 1859), Gurnard (Kell 1866) and Brading during the 1880s (Price and Price 1881 and 1900). Other villa sites were noted at Combley and Clatterford during the same period (Kell 1856). The published accounts of most of these excavations are somewhat deficient but, in the case of Gurnard, are supplemented by unpublished manuscript notes of further excavations carried out after publication of the earlier work in 1866. Just a few of the artefacts found at Carisbrooke and Gurnard still survive. The one exception to this sorry tale is Brading: the published accounts of the excavations carried out by Captain Thorp and the Price brothers is more informative than most for this period and most of the pottery and other finds are still extant. Other 19 th c. observations on the Island’s Roman archaeology are largely restricted to brief accounts of coin hoards from Farringford, Wroxall and Cliff Copse, Shanklin written up by Kell (1863). A further hoard found at Wootton in 1833 had to wait for more than 100 years before a reasonably-detailed account was produced (Sydenham 1943). The early years of the 20 th century saw little improvement in the quality of atchaeological activity relating to Roman Wight. Poorly-recorded excavations at Combley villa in 1910 (Sydenham 1945, 426-29) were, however, soon followed by the activities of Ambrose Sherwin as curator of Carisbrooke Castle museum during the 1920s and 30s.