GCSE ENGLISH LIT POETRY CLASHES AND COLLISIONS The Exam Structure You will answer two questions on poetry. The exam will last one hour and forty-five minutes and is worth 25% of your total GCSE. The exam is divided into two sections: Section A: Unseen Poetry Section B: Anthology Poems • You will answer 1 question in 2 parts. • You will be presented with a • Each part is worth 15 MARKS poem you have not studied. • This section is worth 30 MARKS • You read through the poem and answer the questions set. • In part (a) you will be asked a question about a named poem from the anthology This section is worth 20 MARKS collection you have studied. • In part (b) you will answer one question from a choice of two in which you will be expected to link/compare two poems. GCSE POETRY: Section B CLASHES AND COLLISIONS Foundation Tier Mark Scheme Section B: Anthology Poems: Part (a) questions Band Mark AO2: Explain how language, structure and form contribute to writer’s presentation of ideas, themes and settings • Little explanation of how the writer conveys his thoughts & feelings. 1 1-3 • Little relevant connection made between the presentation of thoughts & feelings and the language used. • Little relevant textual reference to support response. • Limited explanation of how the writer conveys his thoughts & feelings to create effect. • Limited relevant connection made between the presentation of thoughts & feelings and 2 4-6 the language used. • Limited relevant textual reference to support response. • Some explanation of how the writer conveys his thoughts & feelings to create effect.
Charlie Parr Louisiana Red Crack the Sky Butch Thompson & Pat
the highly successful Aqualung album better. Parr’s “tours” consist of sleeping The 19 tracks range from Blind Blake’s with the progressive rock classic, Thick in highway rest stops, cooking meals on “Poker Woman” to James P. Johnson’s As A Brick. It was written as a spoof his mini-van’s exhaust manifold, and “You Can’t Lose A Broken Heart,” sev- in response to the critical reception playing his music each night with serious eral Carr classics, and a variety of tunes of Aqualung, which was proclaimed passion. Talk about commitment. by Thompson’s mentor, Little Brother a concept album (it was not), and a He employs a wood-bodied National Crack the Sky Montgomery. parody of prog rock bands like Yes and resonator, a Fraulini 12-string guitar Ostrich Donohue plays like he has Southern Genesis. And Thick As A Brick remains made by Todd Cambio, and a Kevin Aluminum Cat Recordings soil under his fingernails, despite the fact the only album in history to reach #1 Enoch fretless banjo. The album was Crack the Sky never gives up. Their that he hails from St. Paul, Minnesota. on the Billboard charts containing only cut live to tape with no tracking, Parr music is by turns funky, industrial, His fingerpicking interweaves with the one song. playing in a trio with Mikkel Beckmen crunchy, and occasionally just weird. And piano lines, offering counterpoint and At 43 minutes, the album centers on washboard and Dave Hundreiser on their lyrics are cynical, biting, goofy, and syncopation. He plays a masterful slide, on a poem by a fictional eight-year- harmonica.
October 12, 2009 WWW.UNEWS.COM Vol. 77, Issue 8 St. Nick spotted near campus Continuing campus crime posses threat Tyler Allen Assistant News Editor Crime is a looming problem on campus. Last year alone, there were 142 crimes reported at UMKC. “Even though UMKC is sur- rounded by some bad streets I always felt safe here,” student Kelsey Gos- sen said, “but now that I’m hearing about everything going on, I worry and I try to watch my back.” Other students are not too wor- ried. “I’m not concerned about crime on campus, quite simply because I know exactly how to avoid it,” stu- dent Rachael Herndon said. Unfortunately, not everyone on campus can avoid crime. In the past month, there have been two burglaries at 4747 Troost Ave., the building that houses the In- Blistery, cold weather blew into Kansas City stitute for Entrepreneurship and In- novation. The first incident occurred on Saturday morning and along with it around noon on Sept. 21 when a victim’s money was stolen out of his came a jolly Christmas spirit. desk. painted interior and exterior walls, laid The second incident occurred on Alexia Stout-Lang News Editor carpet, pulled weeds and even moved Sept. 25 and involved Cary Clark, some furniture. Sam Walton Fellow and director of pproximately 20 stu- “This is just such a blessing,” Freddie Students in Free Enterprise. dents, staff and faculty from UMKC bundled up Slaughter, one of the homeowners, said and faced the chill to par- as tears ran down her cheeks. “I just don’t “It’s just sort of random ticipate in the second an- know how to thank you all.” crime.
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48 bienE Billboard SPECIAL SURVEY For Week Ending 3/19/78 15 Hours Of Rock Sounds Delight Massive Audience Bands To Play Top Boxoffice LOS ANGELES -A wide variety pend On- and, as the encore, "Evil Benefit Show of rock sounds constituted the musi- Ways." PHILADELPHIA -Woody Her- ,Copyright 1978, Billboard Publications, Inc. No part of this pubi cation may be reproduced cal fare at Cal Jam II held in nearby man, Thad Jones & Mel Lewis stored in a retrieval system. or transmitted, in any form or by any means. electronic. mechanical The group performed only six are photocopying. recording, Ontario, Calif., March 18. or otherwise, without the prior written pe-mission of the publisher songs, spotlighting its instrumental- contributiing their services for a big Bob Welch's early morning set in- ists on colorful jams on most of the band bash Wednesday (29) at a ben- -efit for the family of tenor saxo- Total Ticket cluded both of his big Capitol hits, numbers. ARTIST- Promoter, Facility, Dates phonist Gregory Herbert, who was Á Ticket Price Gross the mellow, serene "Sentimental Heart offered ''DENOTES SELLOUT PERFORMANCE Sales Scale Receipts one of the most found dead under clouded circum- Lady" and the catchy, uptempo thoroughly diversified perform- stances in Amsterdam, Holland, on Stadiums "Ebony Eyes." Welch was backed ances, mixing soft ballads like & Festivals (More Than 20,000) by a five -man band in addition to Jan. 31. "Dreamboat Annie" and "Love 1 CALIFORNIA JAM II -Sandy Feldmen & Lenny Stevie Nicks on tambourine A localite, he had been touring 290,000 $12.50- $17.00 $2,500,000* and Alive" with energetic rockers like Stogell /Wolf & Rissmiller Concerts, Motor Mick Fleetwood with Blood, Sweat & Tears.
PEABO BRYSON Unconditional Love He is one of the premier male vocalists in contemporary music and with twenty- five years of music-making to his credit, Peabo Bryson is expanding his creative horizons as a producer and songwriter. As witnessed by his outstanding debut for Windham Hill Records, this two-time Grammy-Award winning legend is reaching new heights with a set of exceptional material, much of which he wrote and produced with musical partner Regina Troupe. To a collection of tailor-made original songs which showcase Bryson’s rich, soulful vocal style, this internationally-renowned performer adds an emotive reading of Leon Russell’s classic “A SONG FOR YOU” and an infectious cover of the 1979 Rufus and Chaka Khan hit “AINT NOBODY.” From the sensuous, tropical flavor of “ON AND ON” to “DID YOU EVER KNOW,” the kind of standout powerhouse ballad that has made him a fixture on the music scene, Peabo Bryson has delivered an album sure to satisfy the loyal global audience he’s created for himself over the past two decades. Teaming with longtime friend and duet partner Roberta Flack, there’s “THE GIFT”, a poignant tune that is a reminder of the pairs vocal chemistry; “MY HEART BELONGS TO YOU”, (also featured on Windham Hill labelmate Jim Brickman’s “VISIONS OF LOVE” album) is another Bryson highlight co-written with Regina Troupe; while the easy-going, finger- snapper “SOMEBODY IN YOUR LIFE” demonstrates that Peabo’s ability to handle groove tunes along with the quiet storm and adult contemporary ballads have made him a longtime favorite among pop and R&B listeners everywhere.
February 20,1984 Page 5 Lonnie Listen Smith jams at UMBC by Dean Dalfonzo everything, so whatever they needed, I would and he gave it a classy touch. learn the instrument just to get into the band." Lonnie himself played modestly with his band, This Friday at 8:00 n.m., Jazz pianist Lonnie He then went on to graduate from Morgan State but on occasion, he did jump up to the higher Liston Smith will be appearing in the Grand University with a Bachelor of Science degree in scales, cutting through the Latin background. "I Ballroom in the University Center. Music Education. can really hear the high notes, and although some After a creative hiatus to "take a break, and After he played professionally with Balti- pianists don't like to play that high, it comes very find a balance between the music and the busi- more's Royal Theatre House Band, who backed natural to me." ness," Smith will begin touring with his first stop up name bands like the Supremes, Smith eventu- If Smith lives up to the spirit of his Live album, at UMBC. He will later be performing at Blues ally joined Miles Davis. his coming performance should be very enter- Alley in Baltimore City before continuing on his "When I got with Miles, I saw a whole new taining. His band will include his brother, on tour of the East Coast. world and gained more confidence in myself," he flute and vocals; Pre Meik, on saxophone; Abe While his present album Dreams of Tomor- explained .
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Performance and Theatricality in Jane Austen's Works
Philippa Kennerley 1729971 Master’s Thesis Master of Arts Thesis “We always know when we are acting wrong”: Performance and Theatricality in Jane Austen’s Works Philippa Kennerley Submitted in Fulfilment of the Requirements for the Degree of Master of Arts 1 Philippa Kennerley 1729971 Master’s Thesis TO MUM In the hopes that this makes up for me taking ten years to get around to Pride and Prejudice. 2 Philippa Kennerley 1729971 Master’s Thesis CONTENTS Acknowledgements 4 Introduction 5 Chapter 01 Legitimising Marianne Dashwood: Sense and Sensibility and Illegitimate Theatre 21 Chapter 02 ―Of music! Then pray speak aloud‖: Performative words and music in Pride and Prejudice 40 Chapter 03 Breaking the Fourth Wall: Didactic spectatorship in Mansfield Park 63 Conclusion Variations on a Theme 83 Bibliography 88 3 Philippa Kennerley 1729971 Master’s Thesis Acknowledgements There are several people I would like to thank for their all of their help and support over the last year. First, I would like to thank my supervisor Dr Thomas McLean of the University of Otago for offering so much of his time, patience, and critical expertise towards the completion of this thesis. His guidance has pushed me into fields of research I had been reluctant to delve into, and this has made the resulting work much stronger. His help has been invaluable and I have grown as a writer and researcher under his tutelage. It has been a privilege to work with him. Professor Jocelyn Harris and Nicola Cummins, particularly in the early stages of this project, were able to give valuable insights that aided me in navigating the intimidating body of scholarship on Jane Austen‘s works.
CCEA GCSE English Literature - Poetry Anthology Poetry Anthology GCSE ENGLISH LITERATURE For use with the Specification for first teaching from Autumn 2017 and first examination in Summer 2018 Issued: August 2017 Poetry Anthology For use with the Specification for first teaching from Autumn 2017 and first examination in Summer 2018 Issued: August 2017 English 1 Literature CCEA GCSE English Literature - Poetry Anthology 2 CCEA GCSE English Literature - Poetry Anthology Contents Page Anthology One: IDENTITY 5 Anthology Two: RELATIONSHIPS 23 Anthology Three: CONFLICT 37 3 CCEA GCSE English Literature - Poetry Anthology 4 CCEA GCSE English Literature - Poetry Anthology Anthology One: IDENTITY 5 CCEA GCSE English Literature - Poetry Anthology SONNET 29 When, in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art and that man’s scope, With what I most enjoy contented least: Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven’s gate; For thy sweet love remembered such wealth brings That then I scorn to change my state with kings. William Shakespeare 6 CCEA GCSE English Literature - Poetry Anthology DOVER BEACH The sea is calm to-night, The tide is full, the moon lies fair Upon the Straits;―on the French coast, the light Gleams, and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Name: ……………………………………………………… Teacher: ………………………………………………………. EDEXCEL POETRY ANTHOLOGY – ‘CONFLICT’ Themes - the poems can be grouped or linked by theme and subject matter. Write the poems below which link together under these headings: The act of war Feelings of emotion, inner Conflict between man and The effects of war and conflict Conflict between people conflict, culture and identity nature on people and places Which poems connect? And how? A Poison Sennacherib The Prelude The Man He Cousin Kate Catrin War Belfast The Class Poppies No Problem What Were Tree Killed Photographe Confetti Game They Like r A Poison Tree Sennacherib The Prelude The Man He Killed Cousin Kate Half-caste Exposure The Charge of… Catrin War Photographe r Belfast Confetti The Class Game Poppies No Problem What Were They Like You are advised to go through the poems and complete this table. Some contextual information has been provided for you. Find key quotations from each poem and try to memorise them – you only need one for each poem. Decide what is the most unusual, interesting, useful or striking line from each poem. Poem Context Key quotation/s Key features of language Key features of structure and form A Poison Tree Blake was an 18th-century painter and printmaker Writer: William as well as a poet. He was part of the early Romantic Blake Movement, which included poets such as Lord Written in 1794 Byron and William Wordsworth (both also featured in the ‘Conflict’ collection). Blake’s work often protested against social injustices and the negative effects of the Industrial Revolution. His two best- known collections, Songs of Innocence (1789) and Songs of Experience (1794), deal with similar subject matter but with a very different tone.