School Guide

2014 SCHOOL GUIDE

“We have unbelievable tools to use in today, but they are no different from using pencil on a piece of paper... I mean, no one goes to Milt Kahl–or Marc Davis or Ollie Johnston or Frank Thomas: ‘Wow, what pencil did you use?’ We have amazing tools, but it’s what the filmmakers do with them.” — Disney/ CCO John Lasseter

Clockwork from top: Character design sketches for Woody from Pixar’s Toy Story (1995) and Disney’s Bambi (1942); Film School’s animation class; students at the Columbus College of Art and Design in Ohio get prepared for the marketplace using Toon Boom technologies; an image from Dia de Los Muertos, the Student Oscar-winning short by Ringling students Ashley Graham and Lindsey St. Pierre.

An Educational Supplement february 14 www.animationmagazine.net 1

School Guide Women on Top How many of today’s animation and vfx schools are preparing women students for top positions in to- day’s competitive film and TV industry. by Ellen Wolff

he buzz about animation’s girl power has Places Other People been especially strong this season, fueled Have Lived T by writer/director Jennifer Lee’s Disney hit Frozen. Not to take anything away from the legacy of Disney’s Nine Old Men, but a generation of women is writing some new chapters. Brenda Chapman rightfully picked up an Oscar for her leadership on Pixar’s Brave, while Jennifer Yuh has been at the helm for two installments of DreamWorks’ franchise. One of this year’s most acclaimed animated shorts, the innovative 3-D Get a Horse!, is also both directed and produced by women—Lauren MacMullan and Dorothy McKim respectively. That trend is occurring in television too, notes Brooke Keesling, who manages animation talent CalArts has a long tradition of producing In recent years, Ringling College of Art and development at . “We have award-winning who make their marks Design has also seen several female grads Rebecca Sugar, who directs the network’s as pros, and since the number of its female launch promising careers. After winning the Steven Universe.” she notes. “At Cartoon students has exceeded males in recent years, 2011 Animation Gold Medal, Jenna Bors be- Network there is no shortage of women.” we’re seeing more women get their professional came an on commercials and on So- Keesling is uniquely positioned to see talent- shots. Nicole Mitchell, Student Oscar Gold ny’s Arthur Christmas, while 2007 Bronze Med- ed young women come into their own. Because Medalist in 2008, earned an Annie nomination alist Bevin Carnes worked on Green Lantern in addition to her day job and Ice Age: Dawn of recruiting for the Cartoon “Young women don’t think they can’t succeed, because they the Dinosaurs. In 2011, Network, Keesling teaches Stevie Lewis earned a a Film Production Work- were never told they couldn’t. You don’t have to tell little girls Bronze Medal and be- shop at CalArts. “I basically that they can do anything. They already know that!” came a visual develop- mentor students through ment artist at PDI/ — Brooke Keesling, Cartoon Network’s Manager of Animation Talent Development, the making of their films,” DreamWorks. And this she explains. She knows past year, Lindsey St. what that takes, since Keesling earned her MFA for her work on Disney’s Winnie the Pooh, while Pierre, Ashley Graham and Kate Reynolds at CalArts, and her filmBoobie Girl won the 2002 Silver Medalist Jen Sachs is now directing shared the Gold Medal for Dia de los Muertos, Gold Medal at the Student Academy Awards in an animated documentary called The Fantastic which they helped finance by mounting a savvy 2001. Flights of Sophie Blanchard. Kickstarter campaign. “They were so focused and dedicated that Undone sometimes I forgot how young they were,” says Ringling teacher Heather Thomson about her student medalists. Thomson, who’s a ’96 Ringling alumna and has taught there for 13 years, says, “We have a lot of female students, and I think the number is increasing.” Perhaps as a result, the message young women are hearing today is different. “They’re not being told that they need to be twice as good to be considered ‘good.’ They come with expectations of success.”

New Paths to Success Young women animators are taking advan- tage of the growth of adult-themed animation to gain footholds in the industry. Careen Ingle, who

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among animators with an independent bent, ob- serves Agnieszka Woznicka, who teaches in the Film/ Animation/Video program at the Rhode Is- land School of Design (RISD). “I feel like there are two different paths: there is the Hollywood industry, which has not been very hospitable to women, and the world of independent anima- tion, which has been very nurturing.” Woznicka’s particular expertise is in stop- , and she has seen several of her stu- dents embrace that form of animation and build a career doing it. By way of example, she cites Hayley Morris, whose poignant RISD film Undone used stop-motion animation to ex- plore her grandfather’s descent into Alzheim- The Fantastic Flights of er’s disease. Morris has since become a suc- Sophie Blanchard cessful independent animator in N.Y.C., and a film festival favorite. graduated from USC’s School of Cinematic feeling that they have permission to break “A number of our graduates move to New Arts, has created animation for Conan, while her through in a man’s world—and not just in anima- York and do a lot of freelance work and music fellow alumna Laura Yilmaz recently worked on tion and the arts.” videos,” says Woznicka. “They’re still working shorts for Comedy Central’s new series Trip- “In one class I teach, one of the first assign- with their classmates, and really helping each Tank. And Yilmaz’s personal film, Places Other ments is to create an artist statement,” Selwood other. I find that encouraging to see.” People Have Lived, is a festival standout. adds. “I was surprised at how personal and CalArts’ Keesling agrees. “I always tell my stu- The explosion of animation on the web has open they were. Ten years ago you would never dents; ‘Look around you. These are the people also created opportunities for female artists with have seen that kind of openness in sharing per- you’ll be with for years to come. So play nice and distinctive voices. Anima- help each other out. This tion producer Carolyn is your core network that Bates from the Shut Up! will help you get jobs out Cartoons series recalls “I feel like there are two different paths: there is the Hollywood in the world.’” seeing the animation of industry, which has not been very hospitable to women, and the world How strong—and how Emily Brundige when of independent animation, which has been very nurturing.” soon—a network of Brundige was still at Ca- young female animators lArts. Bates recalls, — Agnieszka Woznicka, Rhode Island School of Design builds its industry clout “When were looking for is an open question. someone for a ‘tween’ Maureen Selwood ex- girls project, I remembered Emily.” The resulting sonal stories. We talked about whether it was pects, “It may take another three or four years web series, Pubertina, features animation, voic- wise to reveal so much, and the women in the to really see the growth of women who are es and even music by Brundige. class were ferocious in saying, ‘Absolutely!’” keen to become directors.” “Emily Brundige was my student,” says Mau- It’s likely that the rise of social media, and reen Selwood, a veteran teacher in CalArts’ Ex- Hear Them Roar sites like Kickstarter, Vimeo and Tumblr may help perimental Animation program. “She was in a Deeply personal films are especially evident accelerate the pace. Even the TED Talks site has class that had 19 women and one man. Emily was very passionate about storytelling, and once Dia de los Muertos she began to realize her potential as a writer, she knew who she wanted to be in a very public fo- rum. For a lot of young people, the web is where they have to begin.” And the web has also become a platform for introducing female animators from an ever-grow- ing range of countries and cultures. As exam- ples, Selwood points to Momo Wang from Chi- na, Asavari Kumar from India and Sara Gunnars- dóttir from Iceland. “A lot of extraordinary talent is coming from Asia,” says Selwood, who regu- larly curates shows around the world. “I teach a class that has a woman from Lebanon and one from Palestine. I’m seeing women who are not used to feeling empowered, because of the countries they come from. But more women are

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Pubertina To view animation by these artists, visit:

Jenna Bors - jrbors.blogspot.com Emily Brundige - emilybrundige.tumblr.com Bevin Carnes – bevincarnes.com Sara Gunnarsdóttir – saragunnarsdottir.com Careen Ingle - careeningle.com Asavari Kumar - asavarikumar.com Stevie Lewis - chocosweete.blogspot.com shone a spotlight writer Jennifer Miwa Matreyek - on artists like Lee’s lines in semihemisphere.com Miwa Matreyek, Wreck-It Ralph) Hayley Morris - who combines Keesling asserts: hayleymorris.net animation and live “You don’t have to Jen Sachs - jensachs.com performance to tell little girls that Lindsey St. Pierre, Ashley Graham, extraordinary ef- they can do any- Kate Reynolds - fect. thing. They al- vimeo.com/71853142 “Young women Maureen Selwood Heather Thomson Carolyn Bates ready know that!” Momo Wang - don’t think they wangmomo.com can’t succeed, because they were never told Ellen Wolff is an award-winning journalist Laura Yilmaz - they couldn’t,” says Keesling. Paraphrasing co- who covers animation, visual effects and lauraemelyilmaz.com median Sarah Silverman (who notably delivered education.

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february 14 www.animationmagazine.net 7 School Guide Ten Practical Tips for Recent Graduates

by Manroop Takhar

ou have got your degree (or are 3. Consider your career path. ence, build your network of contacts and support about to get it) and are ready Of course, this depends on where your yourself financially whilst you wait for the ideal full Y to unleash your animation skills interests lie with regards to the various time position to come along. for the entire world to see. You are now areas that exist in the animation indus- Also make sure that you are clear on what armed with the technical knowledge try. For instance, are you interested the mean salary range is for professionals with that has helped shape your artistic tal- in working with the big guns, such as your experience and skill level and aim to keep ents and looking to step into the real Disney, Pixar or Warner Bros.? If so, your expectations within that range. Expecting to world of work. This juncture of your life what ideas and samples of work do you be paid higher than the industry average at the may at first seem to be a daunting chal- have that would be worth presenting to start of your career can unnecessarily hamper Manroop Takhar lenge, and as with most careers, there these studios, if and when you hear your job opportunities, which you want to avoid may be a few lows before you hit the highs. from them? Or, you may be interested in work- if possible. So, what do you do next? How do you get ing for small- to medium-sized animation studios your first step on the ladder that takes you into which produce whiteboard , explainer 5. Be patient. the animation industry? Well, for starters, you will videos, 2D and 3D animations for commercial Aiming high is great, and you should! However, need a relentless, persistent, can-do attitude. In purposes. This is a growing market with a good being realistic is also essential. If you have a gen- addition, the following 10 practical tips will help... deal of opportunity for recent graduates. Studios uine passion for animation and are committed to specializing in commercial animations are usually reaching the top, there is no doubt you can suc- 1. Get your paperwork ready. open to hiring fresh talent provided they have a ceed in this fantastic industry. Have you written up your CV? Have you also good technical foundation and demonstrate a It usually takes several years to acquire a written up a résumé (a document that is similar willingness to learn. So, it could therefore be a substantial portfolio of impressive work–and get to a CV but comparably shorter in size and de- good starting point. recognized for it. Even if openings do emerge for tail)? Have you gotten these checked by a pro- the top positions, the big guns are likely to look fessional CV writer, or maybe a careers advisor 4. Be realistic. for experienced professionals who have the best at your university? The type of initial employment contract you are proven track record. Acquiring this experience Make sure you tailor your applications in offered will most likely depend on how impres- naturally takes time and if you want to get to the ways that demonstrate how your skills, knowl- sive your portfolio is, your previous experience top, you will need to allow for this.

6. Network, network, network! “It used to be that most young artists considering a career in animation looked Similar to other creative industries, you can pro- at Disney and anime as the direction to take. Today, in the real world of animation, pel your career in animation by networking within choices are much wider and some say much more interesting.” the relevant circles. While this once involved the

— The Art Institutes, USA physical act of knocking on the doors of various studios, today you can connect with the ones that matter on social networks, such as LinkedIn and edge, qualifications and talent fit the job descrip- working on real commercial projects and how Twitter. You could also go online and search for tion advertised. Stay honest, focused and dili- well you do in your interview. animation studios in and around your area, study gent, ensuring no writing and formatting errors. A growing number of artists in the profes- their websites, keep track of their work and con- sion prefer to work on a freelance basis and can tact them with your CV and portfolio. 2. Prepare a portfolio of your best work. earn a good living doing so. It isn’t uncommon In addition, make sure you join the relevant This may be something that you have already for freelance professionals who produced during your schooling. If so, getting it receive regular work due to their Meeting Opportunities: Industry events like filed, labelled and organized is all you will need reputation to earn significantly Animation Magazine’s Summit in offer perfect opportunities for you to meet to do. However, if you don’t have an impressive more than their counterparts in industry professionals and decision makers . enough portfolio which demonstrates your skill full time employment with repu- set, it would certainly be worth investing the time table studios. Therefore if you creating one. would like a career where the Be sure to include any work that you may have working hours are scheduled done during external internships or freelance around your own terms or are work, while you were at university. This definitely having difficulty getting full time adds credence to your caliber and supports what employment, taking on free- you state in your job applications. Make sure your lance projects may be an excel- portfolio is available in both electronic (i.e. in a lent option. Taking on freelance CD, USB memory stick or an external hard drive) work can help you get your foot as well as in physical formats. through the door, gain experi-

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industry associations where other professionals movies that you particularly admire or excite you? in the field mingle. These can be a great source Can you incorporate any of these recent trends for keeping up to date with the advances in the into your work? sector, learning about new job openings and ob- taining freelance work. And consider non-paid 10. Be positive and do not give up! internships, which can look great on your CV, in- As mentioned at the start of the article, if you find crease your range of contacts in the industry and yourself having to take on freelance projects in be great for learning new skills. the beginning to make ends meet, do not feel discouraged or defeated. Getting into animation 7. Be flexible and in the know. can take time, but with the right experience, port- If you network successfully, potential employers folio and determination, there is no reason why may wish to speak with you in person or ask if you you cannot have a rewarding career in this excit- are willing to relocate to where they are based, should you be based far from them. If you are “Just because you don’t get accepted to the first batch of studios you apply to, it in between animation jobs, you should still keep does not mean you should give up and find something else to do. It means you creating new pieces of work that are in tandem with what the industry is currently producing. keep working on your skills, adding new shots to your reel, getting rid of old work, and send those reels back out again! Studios will keep files on you, and watch 8. Diversify your skills. your progress. And don’t think that they won’t notice your enthusiasm either.” Maybe your strengths lie in making 3D anima- — Dana Boadway, Animation Mentor tions or you may prefer creating cartoons over clay models.However, if you were asked to go out of your comfort zone, would you be up ing and ever-growing field. for it? As a general rule of thumb, any expe- 9. Be observant. Wishing you all the very best! rienced professional would have his/her core Animation is an ever evolving field, which is one strengths, but would also have some knowl- of the reasons why a career in the industry can Dr. Manroop Takhar edge of areas outside their key skill set. If you be so interesting. To ensure your work is up to manages London- broaden your skills to cover at least two to four speed with the latest styles and innovations, ob- based Qudos Anima- styles of animation and display this in your port- serve the latest work and trends. What are your tion, a leading that pro- folio, you will have better chances of standing favorite recent animated adverts? What innova- duces for business worldwide. You can con- out from the crowd and being noticed. tions have you noticed in the latest animated tact him at [email protected].

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february 14 www.animationmagazine.net 11 School Guide 10 Essential Books for Animation Students (& Fans!)

The Animator’s Survival Kit, Revised almost a thousand illustrations from Productions’ toons. Edition. Not only does this lovingly crafted By Richard Williams (Faber & Faber, $35). book feature artwork from Rocky and Bullwinkle, Fractured Fairy ased on master classes that draw Tales, Aesop & Son, Dudley Do- Bfrom the Oscar-winning director’s Right, , George of (Who Framed Roger Rabbit) four the Jungle and Mr. Peabody and decades of experience, this volume holds Sherman, the author also gives credit where credit is due—to all the treasures of information for all animators, supremely talented artists who worked with Ward at the creative hub. from the absolute beginner to the most accomplished. Hundreds of drawings are provided to shed light on the entire Chuck Jones: The Dream that Never Was. animation process. Packed with time-tested By Chuck Jones, Edited by Kurtis Findlay and Dean Mullaney (IDW survival tips—related with the author’s clear Publishing, $49.99). storytelling savoir faire—the Revised Edition is updated with primers on the challenges of CG animation, stop-motion and web toons. You can n the world of animation, four- also pick up the handy DVD set based on the book, and learn along Itime Academy Award winner with Williams’ animation master class footage. The Survival Kit is also (and eight time nominee) Chuck available as a very useful app which features all the text and animated Jones needs no introduction. We examples from the DVD box set, scrubbable frame-by-frame, onion- are all familiar with Pepe Le Pew, skinning functionality on selected animated examples and previously Marvin the Martian, Road Runner, unreleased animation by Williams. Wile E. Coyote and the other delightful characters he created. This volume tells the little- The Art of Frozen. known story of one character close to the artist’s heart, and yet likely By Charles Solomon (Chronicle Books, $40). unfamiliar to most. Crawford, an accident-prone seven-year old, didn’t make it to the Saturday morning television or Warner Bros. shorts s we were compiling this universe. Instead, he ran as a short-lived newspaper strip in the late Abook list, Disney’s latest CG- 1970s. This book documents the nearly three decades it took Jones animated ice princess movie passed to bring this character to the public. The gorgeous volume is filled with the $550 million mark at the box never-before-seen illustrations that document the fascinating story. office and became of the studio’s most successful animated pictures. Animation historian Solomon Cracking Animation: The Aardman Book takes us behind the scenes of this of 3-D Animation. phenomenal success story, providing By Peter Lord and Brian Sibley (Thames & Hudson, $31.95). interviews with the directors Jennifer Lee and Chris Buck, paired with a wealth of concept art, storyboards, character designs, environmental ith their impeccable sense of humor work, props and motifs, as well as photos from a research trip to Wand top-notch craftsmanship, the Norway. Overall, readers will come away with a great appreciation of artists of Bristol-based how much work, artistry and technological achievement is involved in has certainly raised the bar in stop-motion the making of a blockbuster animated studio movie these days. animation. Formed by Peter Lord and David Sproxton in 1972, Aardman continues to The Art of . be on the cutting-edge of both stop-motion By Darrell Van Citters (Oxberry Press, $49.95). and CG-animated TV series (such as Shaun the Sheep and Timmy Time), movies (The n what may be one of the most impressive accomplishments of the Pirates! Band of Misfits) and commercials. While the book came out Ianimation book world this year, esteemed Looney Tunes director in 2010, it offers a revealing look at the making of some of the studio’s Van Citters has assembled a fantastic 352-page collection featuring biggest hits such as the films, and

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Flushed Away. Chapters on basic clay animation, model making, set Ollie, two of the most famous designs, animating movements and expressions and using CGI are Nine Old Men at Disney, offer especially educational. The fact that the book also serves as a great their take on how the studio compendium of images from our favorite shorts and movies is just created classics such as Snow icing on the cake. White and the Seven Dwarfs, Bambi and Pinocchio. Not only do readers get an intimate history Directing for Animation: Everything of Uncle Walt’s operation, they You Didn’t Learn in Art School. also learn about the process of By Tony Bancroft (Focal Press, $34.95). from two of the smartest and most talented magine taking a one-on-one class with experts on the subject. And Ione of the best-liked and most talented seriously, how can you say no to their beautiful sketches, storyboard contemporary animation directors. Well, art and historic photos? that is what you get when you pick up Tony Bancroft’s fun and informative new The Approach: Maurice Noble and book about the art and craft of directing animation. Bancroft, whose numerous the Zen of Animation Design. credits include Mulan, The Lion King, By Tod Polson (Chronicle Books, $40). The Emperor’s New Groove and Stuart Little 2, serves up all kinds of important ans of classic animation advice about how to make animated characters real and focus on Fgems such as Dumbo, How key ingredients such as plot, place and purpose. He begins by the Grinch Stole Christmas discussing the nuts and bolts of the job, and moves on to more and numerous Daffy Duck, abstract topics such as “how to mediate all the chefs in the kitchen” Bugs Bunny and Road Runner or “how to infuse your own ideals, sense of humor and personality cartoons are already in love with into the project.” In addition, Bancroft has interviewed some of the rich legacy of layout artist the top animation helmers of the past 20 years (the likes of Dean Maurice Noble. In this, one of the DeBlois, Pete Docter, Eric Goldberg, John Musker, Jennifer Yuh best animation books of the year, Nelson, Nick Park and Chris Wedge) which makes this book an even former Noble apprentice Polson more enjoyable read. offers a fantastic look at the master artist’s inspiring work process, providing a rich collection of artwork, notes, lovely anecdotes and valuable lessons about creating timeless toons. As his frequent Drawn to Life: 20 Golden collaborator Chuck Jones notes in the charming intro to the book Years of Disney Master (taken from the 1987 ASIFA Lifetime Achievement Award ceremony), “Maurice seldom tried to provide animation gags per se, but he Classes, Vols. 1 and 2. created a world where animation could flourish.” In short, the book By Walt Stanchfield, edited by Don Hahn (Focal provides a worthy testament to the genius of this unique American Press, $29.95 each). artist.

tanchfield was once dubbed the SMark Twain of Disney Studios, the The World History of Animation. man who electrified the animators with By Stephen Cavalier (University of Press, $39.95). his simple, yet laser-sharp lessons on drawing, animation and observing life ith an exhaustive scope for over two decades. In 2009, Oscar- Wand luxurious illustrations, winning Disney producer Hahn gave Stephen Cavalier’s 416-page tome animation lovers a wonderful gift by is the kind of resource book you’ll putting together the master’s notes in find yourself returning to over and two well-illustrated paperbacks—a pair over again. This comprehensive of timeless and essential primers that volume offers a nice roundup of all should be in every toon aficionado’s library. the important works of animation, divided up by 30-year chunks (1900-1927, 1928-1957, 1958- The Illusion of Life: Disney Animation. 1985 and 1986-2010). Key films, By Ollie Johnston and Frank Thomas (Disney Editions, $60). TV shows, shorts and animators from Europe, Asia and are covered, and a helpful ften considered the granddaddy of all the books on animation, glossary of terms, Oscar winners through the years and animation this masterpiece will be read and cherished even when O books and websites also add value to the publication. ♦ animation is projected directly into your head in the future! Frank and

february 14 www.animationmagazine.net 13 School Guide SCHOOL GUIDE 2014 Maya, ZBrush, Adobe, 2014-15 computers, pencil test Phone: (801) 422-8773 UNITED STATES RenderMan and more; Head of animation: equipment, CG software, E-mail: sonya_ Mac work stations, Dan Williams video editing and digital [email protected] Academy of Art including stations with Head of admissions: illustration software. Degrees/Certificates University Final Cut Pro for input/ Kristie Chamberlain; offered: BFA in output; peripheral Judith Frey Animation, Computer San Francisco, CA The Art Institutes devices: Wacom tablets, Time of year offered: Science BA with www.academyart.edu www.artinstitutes.edu Cintiq tablets, firewire, Semesters begin Animation Emphasis, Phone: (800) 544-2787 Multiple Locations DVD burners and printers; September and January BFA in Illustration Fax: (415) 628-6287 Phone: (888) 624-0300 scanner work stations. Application deadline: with Concept Design E-mail: admissions@ Video Lab: Mac work See website Emphasis academyart.edu stations, HD video Equipment: Double Number of students in Degrees/Certificates The Bakshi School capabilities for location Monitor PC workstations animation program: 75 offered: Accredited Silver City, NM and green room shoots, with Maya, ZBrush, Cost of program: AA, BA, BFA, B.Arch thebakshischool.com DVD authoring. Sound Photoshop, After Effects, $2,425 per semester for (in candidacy status), Phone: (575) 534-9291 booth with Sound Forge , Premiere, Mudbox. LDS students; $4,850 MA, MFA and M.Arch E-mail: info@ software. Green-screen Wacom Bamboo tablets, per semester for non LDS degree programs in 23 thebakshischool.com studio. sketchbooks and pencils students areas of study, as well as Degrees/Certificates Head of animation & continuing art education, offered: Classes for admissions: Kelly Loosli pre-college art experience Academy of The Animation adults, young adults/ Time of year offered: programs and teacher Interactive Academy teens and workshops Semester schedule, Fall grants. Entertainment Burbank, Ca Head of animation: start Number of students Lafayette, IN | Seattle, theanimationacademy. Eddie Bakshi Application deadline: in animation program: WA com Head of admissions: June 2,325 theaie.us Phone: (818) 848-6590 Jess Gorell Equipment: Multiple Cost of program: Phone: IN: (337) 456- E-mail: info@ Time of year offered: labs running 2D and 3D Undergraduate tuition: 1848; WA: (206) 428- theanimationacademy. Year round software on workstation $785 per unit; graduate: 6350 com grade machines; $885 per unit Fax: IN: (337) 232-0790; Degrees/Certificates traditional ; Head of animation: WA: (206) 428-6354 offered: Certificate Bloomfield College screening room. Chris Armstrong E-mail: uscampus@aie. Number of students Bloomfield, NJ (Animation & VFX), edu.au in animation program: www.bloomfield.edu Nicolas P. Villareal (Visual Degrees/Certificates 150 - 200 annually Phone: (973) 748-9000 Burlington College Dev.) offered: Advanced Cost of program: $395 Burlington, VT Time of year offered: Diploma of Screen and to enter. Each class Boston University www.burlington.edu Spring, Summer & Fall Media (3D Animation & meets once per week. Bi- Center for Digital Phone: (802) 862-9616 semesters VFX), Advanced Diploma monthly semesters. Imaging Arts E-mail: admissions@ Application deadline: of Professional Game Head of animation: Waltham, MA & burlington.edu Rolling admissions. Development (Game Art Charles Zembillas Washington, DC Spring 2014 registration & Animation), Advanced Head of admissions: www.cdiabu.com open through January Diploma of Professional George Novotny Phone: (800) 808-2342 California College of 27, Summer 2014 Game Development Time of year offered: E-mail: [email protected] the Arts registration through June (Game Programming) Year round Oakland, CA 16, Fall 2014 registration Number of students Application deadline: cca.edu through September 4. in animation program: Monthly enrollment Brigham Young Phone: (510) 594-3600 Equipment: Computer 1:10 teacher-student ratio Equipment available: University Fax: (510) 594-3696 Lab: High-end PC Cost of program: Traditional animation Provo, UT E-mail: [email protected] work stations with $16,500 per year for disks/light boxes, animation.byu.edu Degrees/Certificates

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february 14 www.animationmagazine.net 15 School Guide offered: Undergraduate: September through May Head of admissions: animation capture and Animation, Architecture Application deadline: Jessica Wagoner Chapman University playback), 2 Lunchbox (BArch), Graphic Design, Preferred deadline: Time of year offered: Dodge College of Animation Systems Illustration, Painting/ December. Regular Fall and Spring semesters Film & Media Arts (for animation capture Drawing. Graduate: deadline: January. See Application deadline: Orange, CA and playback). 25 Dell Architecture (MArch), website. Nov. 30, 2013 ftv.chapman.edu workstation computers Fine Arts, MFA in Comics, Equipment available: Equipment available: Phone: (714) 997-6765 with 64 Gig of RAM, MFA in Film. The School of Film/ 3D digital labs, pencil test E-mail: dodgecollege@ high-end Nvidia video Number of students Video’s Equipment Cage equipment, Adobe Master chapman.edu cards, high speed internet in animation program: offers a range of film Suite, animation drawing connections. Software: 200 and video equipment, tables. Maya 2014 (plus Cost of program: from underwater camera Cleveland Institute Autodesk Mudbox and Undergraduate: $39,984; systems to portable California State of Art Motionbuilder), ZBrush Graduate: $41,670 digital stop-motion kits, University Cleveland, OH R4, After Effects CS6. Head of animation: allowing students to Northridge www.cia.edu Rick Vertolli shoot on the school’s Northridge, CA Phone: (216) 421-7000 Head of admissions: production stages, in www.csun.edu E-mail: admissions@cia. Collin County Noel Dahl front of a green-screen, at Phone: (818) 677-1200 edu Community College Time of year offered: home or on location. The Plano, TX Spring, Summer, Winter Equipment Cage features www.collin.edu Application deadline: video and film cameras, Cañada College Cogswell College Phone: (972) 516-5089 March 1 for Fall lighting kits, microphones, Redwood City, CA Sunnyvale, CA E-mail: admissions@ applicants, October 1 for digital sound recorders, www.canadacollege. www.cogswell.edu collin.edu Spring applicants stereoscopic systems edu/multimedia Phone: (408) 541-0100 Equipment: Everything and video installation Phone: (650) 306-3330 E-mail: info@cogswell. necessary for all equipment. School E-mail: naasp@smccd. edu Columbia College departments is available facilities also include edu Chicago, IL to check out from the 2D and 3D animation Degrees/Certificates game.colum.edu Media Services Office. computer labs, stop- offered: AA degree, 3D College of the Phone: (312) 369-7750 motion shooting stages, Animation/Video Game Canyons E-mail: admissions@ sound recording and Design Santa Clarita, CA colum.edu California Institute mix theaters, a digital Certificate, 3D Animation/ www.canyons.edu of the Arts image/compositing Video Game Design Phone: (661) 259-7800 School of Film & Video lab, multimedia lab, an Number of students Fax: (661) 259-8302 Columbus College calarts.edu installation gallery space, in animation program: E-mail: jeff.baker@ of Art & Design Phone: (661) 255-1050 production sound stages 120 canyons.edu Columbus, OH Fax: (661) 253-7710 and post-production Cost of program: Degrees/Certificates www.ccad.edu E-mail: admissions@ editing facilities. Standard community offered: AA: Animation Phone: (614) 222-3261 calarts.edu college tuition/fee rates Production, Computer Fax: (614) 232-8344 Degrees/Certificates Head of animation: Animation. Certificate: E-mail: admissions@ offered: BFA and California State Paul Naas Animation Production, ccad.edu Certificate in Character University Fullerton Time of year offered: Videogame Development. Degrees/Certificates Animation. BFA, MFA, Fullerton, CA Fall or Spring start Number of students offered: Bachelor of Certificate and Advanced www.fullerton.edu/arts Application deadline: in animation program: Fine Arts: Advertising Certificate in Experimental Phone: (657) 278-3220 First day of class 100-150 & Graphic Design, Animation. E-mail: cgrieb@fullerton. Equipment available: Cost of program: Animation, Cinematic Number of students edu Digital 2D studio, 3D $1,360 Arts, Fine Arts, in animation program: Degrees/Certificates studio and traditional Head of animation: Illustration. Project-based, Character Animation: offered: BFA animation studio. Digital Jeffrey Baker multidisciplinary Master 170, Experimental Entertainment Art/ studios are equipped Head of admissions: of Fine Arts in Visual Arts: Animation: 86 Animation, BFA with the latest graphics Jasmine Rhys New Projects. Cost of program: 2013 Illustration, MA/MFA and animation software, Time of year offered: Number of students Tuition: $39,976 Illustration as well as up-to-date Fall & Spring semesters in animation program: Heads of animation: Number of students computers and peripheral Application deadline: 143 Dan Hansen (Character in animation program: equipment. Green- Year round Cost of program: Tuition Anim.); Kirsten Winter 350 screen capability and Equipment available: $28,872 per year (Experimental Anim.) Cost of program: sound recording/editing Traditional animation Head of animation: Head of admissions: $6,200 per year equipment. State-of-the- studio with 22 light Charlotte Belland Molly Ryan Head of animation: art theater for end of year tables, 2 Dragon Head of admissions: Time of year offered: Chuck Grieb student work screenings. Animation Programs (for Densil R.R. Porteous II

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february 14 www.animationmagazine.net 17 School Guide Time of year offered: Visual Effects Animation. admissions: John Teton SLR cameras, 2 large Fall & Spring semesters Number of students Time of year offered: bed color scanners, 25 Application deadline: The Digital in animation program: Quarterly classes custom made light desks, Rolling admission until Animation & Visual 160 and solo instruction, 6 down shooters with Aug. 1; Priority Deadline Effects School Cost of program: $582 concentrated workshops, Flipbook, Dragon Frame, Feb. 15 Orlando, FL per credit hour and teletraining Toon Boom Harmony, Equipment available: www.daveschool.com Head of animation: instruction four quarters Maya, 3d Studio 41 Cintiq 21UX PC Phone: (407) 224-3283 Brett Baker each year Max, Mudbox, Adobe stations, stop-motion Fax: (407) 224-5648 Head of admissions: Application deadline: Production Suite, CS6. lab with DSLRs and E-mail: michael@ M.J. Safra Rolling admissions Dragonframe, Sandbox daveschool.com Time of year offered: Equipment available: Student Lounge for Degrees/Certificates All year Call for details Ex’pression College Animation Student offered: Certificate of Application deadline: Emeryville & San Jose, Collective. CCAD is Completion All year CA the only U.S. Center or Number of students in Equipment available: Edinboro University expression.edu Excellence for program: 80 33,000+ square foot of Pennsylvania Phone: (877) 833-8800 Animation. Cost of program: facility. Computer labs Edinboro, PA E-mail: info@expression. $33,500 regularly updated with art.edinboro.edu edu Head of animation: software and hardware to Phone: (814) 732-2406 Degrees/Certificates DePaul University Jeffery Scheetz industry standards. Dual Fax: (814) 732-2414 offered: Bachelor Chicago, IL Head of admissions: Xeon processor PCs with E-mail: cinema@ of Applied Science: www.cdm.depaul.edu Lauren Dottley Nvidia Quadro graphics edinboro.edu Animation & Visual Phone: (312) 362-8714 Time of year offered: cards running Autodesk Degrees/Certificates Effects, Digital Fax: (312) 362-5185 January, April, June, and Adobe software, offered: BFA Cinema Filmmaking, Game Art & E-mail: admission@cdm. September Apple G5 computers (Animation, Computer Design, Motion Graphic depaul.edu Equipment available: with 23” cinema displays Animation, Film & Video), Design Degrees/Certificates Maya, 3DS Max, Nuke, with Adobe software BS Game and Virtual Number of students in offered: BA Animation, ZBrush, MotionBuilder, for graphic design and World Development animation program: 94 BFA Animation, MA Photoshop, PFTrack, . Render Number of students Cost of program: Animation, MFA Mocha, Mari, Unity, Unreal farm of networked in animation program: $94,400 Animation Development Kit. computers. Student 250 Head of animation: Number of students laptop program. On-site Cost of program: Brian Andrews in animation program: help desk. Fully featured Tuition, room & board Head of admissions: 270 Digital Media Arts art studio, motion $18,815 (PA resident) Daniel A. Levinson Cost of program: College capture chroma key wall $22,667.20 (non- Time of year offered: Undergraduate full-time Boca Raton, FL with professional video resident) March, July, November tuition: $33,390 per year www.dmac.edu equipment, dialogue Head of animation: 2014 in Emeryville. (2013-14) Phone: (561) 391-1148 library, graffiti and gallery Mike Genz January, March, May, July, Head of animation: E-mail: admissions@ walls and student lounge. Head of admissions: September & November Scott Roberts dmac.edu Amber Schultz in San Jose. Head of admissions: Degrees/Certificates Time of year offered: Application deadline: Liz Friedman offered: Professional Earthlight Pictures Fall & Spring Applications accepted Time of year offered: Certificates: Training Application deadline: year-round. Apply early to Year round Generated Modeling, & Teletraining Contact Admissions reserve a spot in desired Application deadline: Drawing, Motion OR, CA & Online (814) 732-2000 program. February 1 for fall Graphics, Graphic www. Equipment available: Equipment available: admission Design, Web Design. earthlightpictures.com 25 dual monitor PC Software: Maya, Equipment available: Associate & Bachelor Phone: (503) 697-7914 workstations with Wacom ZBrush, Mudbox, 3D, stop motion, motion Undergraduate Degrees: Fax: (503) 697-7914 tablets, Oculus Rift, 20 Nuke, RenderMan, capture, motion control Graphic Design (AS), E-mail: info@ Wacom Cintiq lab, 10 MotionBuilder, Blade, and green-screen studios. Multimedia Design earthlightpictures.com TB disc storage, smart PFTrack, Qube, (AS), Graphic Design Degrees/Certificates board technology, 25 Photoshop, Premiere, (BFA), Advertising offered: Certificate seat custom theater with After Effects, Final Cut DigiPen Institute of (BFA), Computer Number of students 5 point surround sound, Pro, et al. Computer labs Technology Animation (BFA), Game in animation program: 1 experimental multi axis with state-of-the-industry Redmond, WA Art (BFA), Web Design 30-60 per year (youth & flat bed, 3 stop-motion workstations, distributed www.digipen.edu & Development (BS), adults) stages, stop-motion stage render farm, motion Phone: (425) 558-0299; Programming (BS). Cost of program: Call light kits, 32 channel capture stage, green- toll-free (866) 478-5236 MFA Graduate Degrees: for details sound board and sound screen stage, sound E-mail: [email protected] Graphic & Web Design, Head of animation & studio, 6 Canon Digital stage, stop-motion lab,

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february 14 www.animationmagazine.net 19 School Guide art studios. HD cameras 200+ Entertainment Certificate, or Production Fine Arts: Animation, including Cannon C300s, Cost of program: $415 Entertainment Design Management (Video Drawing & Painting, Cannon HDSLRs and per credit hour; 124 and Digital Production Game Development). Drawing & Painting w/ Panasonic HVXs. Wacom credit hours for degree. Certificate Professional Certification sculpture Emphasis, tablets, animation light Community College Number of students in Game Development Design & Digital Media, boxes, professional friendly. in animation program: with specializations in Art Design & Digital Media w/ lighting, grip, camera Head of animation: 135 Creation, Level Design or Action Sports Emphasis, accessories and sound David Baker Cost of program: Software Development. Design & Digital equipment. Head of admissions: $69,275-$84,975 Number of students in Media w/Illustration Cynthia Blaszak Head of animation: animation program: 45 Emphasis, Game Art, Time of year offered: Mark Dedecker Cost of program: Illustration, Illustration Fashion Institute of Fall/Winter Head of admissions: $74,000 for 24 month w/Drawing & Painting Technology Application deadline: Brian Bradford program (includes laptop, Emphasis, Illustration w/ New York, NY Rolling Time of year offered: software, tablet, wacom Entertainment Emphasis. www.fitnyc.edu Equipment available: Quarterly terms tablet) Minors: Creative Writing, Phone: (212) 217-5440; 80 dell workstations, dual Equipment available: Head of animation: Design & Digital Media, (212) 217-4681 monitor; Canon/Sony 20,000 sq. ft. facility, 7 Elizabeth Stringer Animation, Illustration, E-mail: terry_blum@ HD cameras and support computer labs, 3 lecture Head of admissions: Drawing & Painting, fitnyc.edu equipment; Adobe rooms, 2 drawing and Rene Archambault Sculpture. Degrees/Certificates Creative Suite, 3ds sculpture studios, 70 Time of year offered: Number of students offered: BFA Computer Max, Maya, Unreal UDK, ft. green-screen stage, January & August in animation program: Animation & Interactive Roadkill, MS Office Suite, state-of-the-art Windows Application deadline: 104 Media Oculus Rift, Google workstations. Software: Mid-October (January Cost of program: Number of students in Glass & term); mid-April (August $27,300 per year animation program: 48 MotionBuilder, Pixologic term) Head of animation: Cost of program: In- ZBrush, Side Effects Equipment available: David Kuhn state tuition: $5,168 Forsyth Technical , Adobe Suite, Wacom Tablets, wireless Head of admissions: per year; out-of-state: Community College The Foundry Nuke & Mari, motion capture, Alienware Christopher Brown $13,550 Winston-Salem, NC Maxon & laptops, development, Time of year offered: Head of animation: www.forsythtech.edu Bodypaint 3D, Unreal. Usability Lab for game Fall & Spring Terry Blum Phone: (336) 723-0371 testing Application deadline: Head of admissions: Grand Valley State Rolling Elizabeth Grubic University Time of year offered: Full Sail University Allendale, MI Hampshire College Fall Winter Park, FL gvsu.edu/filmvideo Amherst, MA Lansing Community Application deadline: www.fullsail.edu Phone: (616) 331-5000 www.hampshire.edu College January 1 Phone: (800) 226-7625 E-mail: admissions@ Phone: (413) 549-4600 Lansing, MI Equipment available: E-mail: admissions@ gvsu.edu E-mail: admissions@ www.lcc.edu HPZ800 Platform. fullsail.com hampshire.edu Phone: (517) 483-1957; Softimage, AVID, Adobe toll free (800) 644-4522 Master Suite, Autodesk Grossmont College Entertainment Suite, Gnomon School of El Cajon, CA Indiana University Pixologic, ZBrush, et al. Visual Effects www.grossmont.edu School of Lesley University Hollywood, CA Phone: (619) 644-7000 Informatics at IUPUI Cambridge, MA www.gnomonschool. Indianapolis, IN www.lesley.edu/ Ferris State com The Guildhall at Phone: (317) 278-4636 animation University Phone: (323) 466-6663 Southern Methodist E-mail: soicindy@iupui. Phone: (617) 349-8800 Grand Rapids, Fax: (323) 466-6710 University edu Fax: (617) 349-8810 Michigan E-mail: admissions@ Plano, TX E-mail: admissions@ www.ferris.edu gnomonschool.com www.smu.edu/ lesley.edu Phone: (616) 451-4777 Degrees/Certificates guildhall Laguna College of Degrees/Certificates Fax: (616) 451-4740 offered: 1-year Phone: (972) 473-3539 Art + Design offered: BFA Animation, E-mail: [email protected] Entertainment Design, Fax: (972) 473-3599 Laguna Beach, CA BFA Animation double Degrees/Certificates 2-year Digital Production E-mail: [email protected] www.lcad.edu majors, BFA, Professional offered: Bachelors for Entertainment, 3-year Degrees/Certificates Phone: (800) 255-0762 Certificate Animation of Applied Science. Entertainment Design offered: Masters Degree Fax: (949) 715-8084 Number of students in Associates in Pre-digital & Digital Production for in Interactive Technology E-mail: admissions@ animation program: 53 Media Entertainment, Individual with specializations in Art lcad.edu Cost of program: Tuition Number of students Classes, Online Classes, Creation, Level Design, Degrees/Certificates 2014: $24,000 in animation program: Digital Production for Software Development offered: Bachelor of Head of animation:

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february 14 www.animationmagazine.net 21 School Guide John Casey Degrees/Certificates school to offer instruction Minneapolis, MN risd.edu Head of admissions: offered: Associate of in virtual cinematography; www.mcad.edu Debra Kocar Science: Computer PipelineFX Qube render Phone: (612) 874-3700; Ringling College of Time of year offered: Animation, Game farm; motion capture/ toll free (800) 874-6223 Art and Design September & January Production. Bachelor stop-motion stage with E-mail: [email protected] Sarasota, FL starts; freshman and Degree: Computer OptiTrack system and www.ringling.edu transfer students Animation (offered April LED lighting. Phone: (941) 351-5100 Application deadline: 2014 on campus, Fall New York University E-mail: admissions@ Fall 2014 Freshman: Early 2014 online) School of ringline.edu Action deadline Dec. Number of students in New York University Continuing and Degrees/Certificates 15; Regular Decision animation program: 92 Tisch School of the Professional Studies offered: Bachelor of preferred deadline Feb. Cost of program: Arts Center for Advanced Fine Arts: Computer 15. Fall 2014 Transfer: $43,406.50 The Maurice Kanbar Digital Applications Animation, Game Art & preferred deadline May 1; Head of animation: Lori Institute of Film & New York, NY Design, Illustration, Digital Spring 2014 Freshman or Hammond Television www.scps.ny.edu/cada Filmmaking, Motion Transfer: Dec. 15. Head of admissions: New York, NY Phone: (212) 998-7100 Design, Fine Arts Ben Chaib filmtv.tisch.nyu.edu E-mail: Number of students Time of year offered: Phone: (212) 998-1779 mcgheeadmissions@nyu. in animation program: Los Angeles Monthly enrollment Fax: (212) 995-4062 edu 240 Academy of Application deadline: E-mail: john. Cost of program: Figurative Art Last day of registration [email protected] $35,490 per year Van Nuys, CA Equipment available: Degrees/Certificates Otis College of Art Head of animation: Jim www.laafa.org Dell Precision computers offered: BFA Film & and Design McCampbell Phone: (818) 708-9232 (laptops & labs), Television Los Angeles, CA Head of admissions: E-mail: contactus@laafa. Zprinter (3D Printer), Number of students www.otis.edu Jim Dean org large green-screen for in animation program: Phone: (310) 665-6800 Time of year offered: Degrees/Certificates VFX “Compositing & 350 film students E-mail: digitalmedia@ Fall & Spring semesters offered: 3-year Scene Finishing classes. Cost of program: otis.edu Application deadline: Entertainment Art Degree, Software in Animation $68,000 including January 15 3-year Entertainment Art Lab: Maya, Nuke, ZBrush, housing and fees Equipment available: Certificate, 18-month Photoshop, After Effects. Head of animation: Philadelphia Relationships with leading Intensive Entertainment John Canemaker University software and hardware Art Training Track - Head of admissions: Philadelphia, PA development companies Certificate of Completion, Loyola Marymount Patricia Decker www.philau.edu/ such as Pixar, Alias, Sony 1-year Intensive Drawing University Time of year offered: animation and IBM ensures access Training Track - Certificate School of Film & Fall, Spring; Summer Phone: (215) 951-2700 to the latest advances of Completion. Television sessions available E-mail: admissions@ in software technology Number of students in Los Angeles, CA Application deadline: philau.edu as well as emerging animation program: 10 sftv.lmu.edu Freshmen: January 1, hardware developments. Cost of program: Phone: (310) 258-7200 Transfers April 1 $4,700 per quarter E-mail: sftv-info@lmu. Equipment: Mac Pro Platt College Head of animation: Bill edu towers (mid 2012), 2 San Diego, CA Rochester Institute Perkins Degrees/Certificates file servers (Windows & www.platt.edu of Technology Head of admissions: offered: BA Animation Mac), renderfarm using Phone: (866) 752-8826 Rochester, NY Holly Olin-Miller Number of students in Deadline, Cintiqs: 21 inch E-mail: [email protected] cias.rit.edu/design Time of year offered: animation program: 65 and 12 inch portable, Phone: (585) 475-2754 Fall Cost of program: Adobe Creative Suite: E-mail: [email protected] Application deadline: $37,605 Photoshop, After Effects, Pratt Institute Degrees/Certificates Rolling Head of animation: Illustrator, Premiere, New York, NY offered: BFA in 3D Equipment available: Tom Klein Autodesk Maya Education www.pratt.edu Digital Design, MFA in Laptops available for Head of admissions: Suite, 3d Studio Max, Phone: (718) 636-3600 Visual Communication temporary use. Christine Felkel Mudbox, ZBrush, Cinema E-mail: [email protected] Design Time of year offered: 4D, Dragonframe, Nuke, Number of students Fall, Spring Avid, Final Cut Pro, DVD in animation program: The Los Angeles Application deadline: Studio Pro, Pencil Test Rhode Island School 170 Film School January 15, 2014 Stations. of Design Cost of program: Hollywood, CA Equipment available: Providence, RI $31,584 per year www.lafilm.edu Cintiqs in every www.risd.edu Head of animation: Phone: (323) 860-0789 classroom; Isolon high- Minneapolis College Phone: (401) 454-6300 [email protected] E-mail: [email protected] speed network; first of Art and Design E-mail: admissions@ Head of admissions:

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february 14 www.animationmagazine.net 23 School Guide [email protected] E-mail: admissions@ Time of year offered: sva.edu Fall & Spring semesters Savannah College of Tribeca Flashpoint University of Central Application deadline: Art and Design School of Visual Arts Media Arts Academy Florida Feb. 1 Savannah, GA Division of Chicago, IL School of Visual Arts Equipment available: www.scad.edu Continuing www.tfa.edu & Design Dedicated lab/studios, Phone: (800) 869-7223 Education Phone: (312) 332-0707 Orlando, FL motion capture, projection E-mail: admission@scad. New York, NY E-mail: [email protected] svad.cah.ucf.edu design studio, tangible edu www.sva.edu Phone: (407) 823-2676 media studio, Vignelli Degrees/Certificates Phone: (212) 592-2050 The University of the Fax: (407) 823-6470 Center for Design offered: BFA, MA, MFA Fax: (212) 592-2060 Arts E-mail: svadadvising@ Studies, access to Number of students E-mail: [email protected] Philadelphia, PA ucf.edu courses in CS, Interactive in animation Time of year offered: www.uarts.edu Degrees/Certificates Games and Media program: Total: 913; Fall, Spring & Summer Phone: (215) 717-6049 offered: Bachelor of (programming focus), Undergraduate: 714; semesters Fax: (215) 717-6045 Fine Arts: Emerging business courses, etc. Graduate: 199 E-mail: admissions@ Media with specialization Cost of program: uarts.edu in Character Animation, $32,950 (undergraduate); Silver Drawing Degrees/Certificates Emerging Media Rocky Mountain $33,750 (graduate) Academy offered: Bachelor of Fine with specialization in College of Art + Head of animation: Los Angeles, CA Arts Experimental Animation, Design Matthew Maloney www. Number of students in Emerging Media with Lakewood, CO Head of admissions: silverdrawingacademy. animation program: 82 specialization in Game www.rmcad.edu Jenny Jaquillard com Cost of program: Design. Master of Arts: Phone: (303) 753-6046; Time of year offered: Phone: (818) 773-2440 $36,582 annual tuition Digital Media - Visual toll free (800) 888-ARTS Fall, Winter, Spring, E-mail: info@ Head of animation: Language and Interactive E-mail: admissions@ Summer silverdrawingacademy. Christopher Magee Media, Emerging Media rmcad.edu Application deadline: com Head of admissions: - Digital Media Track, Rolling Degrees/Certificates Anthony Padilla Emerging Media - Studio Equipment available: offered: Certificate of Time of year offered: Art and Computer Track, San Francisco State Students have 50Gb completion; private school Fall & Spring semesters Film - Entrepreneurial University of homespace on the Number of students in Application deadline: Digital Cinema Cinema Department network to save to animation program: 25 Rolling Number of students in San Francisco, CA and access at any per semester Equipment: Autodesk animation program: 70 www.cinema.sfsu.edu workstation. Work can Cost of program: $699 Maya, Adobe Creative Cost of program: Phone: (415) 338-1629 be sent to the renderfarm Head of animation & Cloud, Toon Boom, Undergrad Florida E-mail: cinedept@sfsu. from anywhere. admissions: Stephen Dragonframe, Final Cut resident 2013/14 Tuition, edu Animation classes taught Silver Pro, Mac computer lab Room & Board & books: using Adobe CS5, Time of year offered: with Cintiqs, five digital $16,763; non-resident Dragonframe, Maya, Fall, Spring, Winter pencil test stations with $32,861. Graduate San Jose State Toon Boom Harmony DSLR cameras, portable Tuition $368 per hour University & Storyboard Pro and light tables, video and resident; $1,192 non- San Jose, CA ViconBlade. VFX classes Studio Arts audio production and resident. www.sjsuai.com available as electives Los Angeles, CA editing equipment. Head of animation: Phone: (408) 924-4340 using Houdini, Mari, Nuke www.studioarts.com Byron Clercx E-mail: [email protected] RenderMan. Collaborative Phone: (323) 227-8776 Head of admissions: projects managed using E-mail: admin@ University of SVAD Advising Shotgun. Classes taught studioarts.com California Los Time of year offered: Santa Monica on Windows platform Angeles Character Animation: Fall College using dual-core processor Animation & Spring, Experimental Academy of HP computers. Three 20- Texas A&M Workshop and Graduate degrees: Entertainment and seat Cintiq labs available. University Los Angeles, CA Year round. Technology Canon 5Ds cameras Department of animation.filmtv.ucla. Application deadline: Santa Monica, CA and 3D printing for stop- Visualization edu July 1, 2014 for August academy.smc.edu motion. College Station, TX Phone: (310) 825-5829 2014 start Phone: (310) 434-3700 viz.arch.tamu.edu Fax: (310) 825-3383 Equipment available: E-mail: academy_info@ Phone: (979) 845-3465 E-mail: [email protected]. iMac computer labs smc.edu School of Visual Arts E-mail: [email protected]. edu with Adobe CC Suite, New York, NY edu Autodesk Maya 2014, www.sva.edu NukeX software. Phone: (212) 592-2693 Traditional lab with 16

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february 14 www.animationmagazine.net 25 School Guide Field Animation desks Fax: (213) 740-5869 screening rooms & 1 website and three digital down- E-mail: dsigismondi@ theater), sound mixing & Woodbury University Head of animation: shooters for pencil cinema.usc.ed music scoring stages (7), Burbank, CA Don Perro tests. 70’ monitors in all Degrees/Certificates Foley stage, Automatic woodbury.edu/mcd Head of admissions: classrooms. offered: BA Animation Dialogue Replacement Phone: (818) 252-5149 Cheryl Helm & Digital Arts, MFA stage, sound editing Fax: (818) 394-3305 Time of year offered: Animation & Digital suites (9 – 6 doubles & E-mail: dori.littell- Fall University of Arts.Minor: Animation 3 singles), editing Llabs [email protected] Application deadline: Massachusetts – & Digital Arts, Science (8 – 5 common labs & 3 Degrees/Certificates April 1, 2014 Amherst Visualization, Games & advanced suites), color offered: Bachelor of Fine Equipment: Commercial Amherst, MA Animation (IMGD SCA). correction stations (4), Arts Animation students www.umass.edu/art iMAP Inter-divisional film & television stages Number of students in assigned a cubicle Phone: (413) 545-6937 Media Arts & Practice (8), motion capture stage, animation program: 60 equipped with 21” Cintiq E-mail: motion@art. PhD (inter-divisional). production equipment Cost of program: with Ergotron Arm, umass.edu Number of students center, animation studios $32,760 computer with all required Degrees/Certificates in animation program: (4 studio areas with Head of animation: software and traditional offered: BFA Studio 145 cubicles). Dori Littell-Herrick animation table with 12 Arts (Animation + Cost of program: 2013- Head of admissions: Field animation disk. Media Motion Graphics 2014 Undergraduate est.: Ruth Lorenzana Digital students have concentration). BA two semesters full time Webster University Time of year offered: individual workstation Studio Arts (Animation + enrollment & housing: St. Louis, MO Fall & Spring semesters with Cintiq, second Media Motion Graphics $45,602 www.webster.edu Application deadline: monitor and computer. concentration). Master in Head of animation: Phone: (800) 753-6765 Rolling Free color printing, Fine Arts. Kathy Smith Fax: (314) 963-6924 Equipment available: scanning. Software: Toon Number of students in Head of admissions: E-mail: admissions@ Students engage in Boom Harmony and animation program: 22 Shahla Rahimzadeh webster.edu interdisciplinary projects Storyboard Pro, Adobe Cost of program: In- Time of year offered: Degrees/Certificates with the departments Creative Suite, TVPaint, state and out of state Fall admission only offered: B.A. in of Filmmaking, Game Maya,Softimage XSI, tuition Application deadline: Animation, Minor in Art & Design and Media Houdini, Nuke, Mudbox, Head of animation: BA Freshmen & MFA Animation Production and Technology, sharing state- ZBrush, Sketchbook Pro. Patricia Galvis Assmus program: Dec. 1. Certificate in Animation of-the-art computer labs, Time of year offered: Undergraduate Transfer: Production stop-motion and live- Academic year Feb. 1. Number of students in action studios. Dedicated Centre NAD Application deadline: Equipment: 24/7 animation program: 60 studio space for junior Montreal, QC Fall & Spring year-round access to Head of animation: and senior years. www.centrenad.com Equipment available: facilities and permanent Chris Sagovac Phone: (514) 288-3447 PC and Apple computers, cubicle space with HP Head of admissions: E-mail: info@centrenad. workstations, Wacom traditional animation Andrew Laue com stand, green-screen, 3D tablets for BA Seniors Time of year offered: printer, sound recording and MFA Majors. August to May room, cameras (video & Software: Autodesk Equipment available: Capilano University College Boréal 16mm), sound and other Suite (Maya, Mudbox, Software: Maya, Toon North Vancouver, BC Sudbury, ON equipment. Additionally, MotionBuilder, XSI), Boom, ZBrush, Dragon www.gradshow.com collegeboreal.ca studios for ceramics, Adobe CS6 Design and and Adobe products. Phone: (604) 983-7516 Phone: (705) 560-6673 sculpture, photography, Production suite, Toon Hardware: Nikon DSLRs Fax: (604) 990-7867 Fax: (705) 560-7641 painting, printmaking Boom Animation Pro, and Wacom tablets E-mail: anim@gradshow. E-mail: isabelle.ratte@ courses are part of the Nuke, GenArts Plug-ins, (Cintiq & Intuos). com collegeboreal.ca Studio Arts Program. , Houdini, Mari, Degrees/Certificates Degrees/Certificates Massive, ZBrush, Vicon offered: Intensive offered: 2-year diploma University of Blade, Frame Forge Pre- Connecticut Animation Fundamentals in Computer Animation Southern California Viz Studio, RenderMan, State University Summer Certificate (2 (Program in French School of Cinematic V-Ray, Unity, Inno Setup Danbury, CT months), Commercial only. Students learn to Arts 5, CVSNT, TortoiseCVS, wcsu.edu Animation (2D classical, work with animation John C. Hench Unreal Development Phone: (203) 837-8200; 2 year diploma), Digital in French and English Division of Kit, Microsoft Office, toll free (877) 837-9278 Animation (3D character, environments.) Animation & Digital Microsoft Silverlight, E-mail: admissions@ 8 month cert.), Digital Number of students in Arts Microsoft Visual Studio wcsu.edu Visual Effects (vfx for animation program: 12 Los Angeles, CA 2010, S3D, Screen film and gaming, 2 year Cost of program: cinema.usc.edu Capture. Theaters & diploma) $3,280.98 Phone: (213) 740-3986 Screening rooms (9 – 8 Cost of program: see Head of animation:

26 www.animationmagazine.net february 14 School Guide Isabelle Ratté ext. 3450 MAX Campus Certificate in Art class (students have offered: Bachelor Head of admissions: Drumheller, AB Fundamentals individual space/desks), Degree: Animation, Game Louise Descoteaux ext. www.maxcampus.ca Number of students in studios for large work Design. Post graduate 1090 Phone: (403) 823-6291 animation program: 40 (sculpting/painting), life certificates: Computer Time of year offered: E-mail: info@ Cost of program: drawing studio (animal Animation, Visual Effects, September to April maxcampus.ca Domestic tuition $3,150 & human skeletons). Digital Character Application deadline: per year; International Several computer labs Animation, Game Level August-beginning $6,300. Books & running: Adobe Master Design. September Max the Mutt Materials $1000-$1,500 Collection (Photoshop, Number of students Equipment available: College of per year. Illustrator, Flash, After in animation program: 3studios for the animation Animation, Art & Head of animation: Effects, Bridge, InDesign, 800 program, stop-motion Design Andrew Frost Fireworks), Final Cut Pro Cost of program: lab, computer lab and a Toronto, ON Head of admissions: X, Flipbook. Domestic fees for drawing, printmaking and www.maxthemutt.com Karen White O’Connell Degrees approx. $8,000; painting studio. Phone: (416) 703-6877; Time of year offered: post grad certificates toll free (877) 486-MUTT September to June Seneca College approx. $12,000 E-mail: info@ Application deadline: Toronto, ON Heads of animation: Emily Carr University maxthemutt.com March 31 to guarantee www.senacacollege.ca Mark Mayerson, Mark of Art + Design seat, up to July 31 Phone: (416) 491-5050 Simon Vancouver, BC applications are still E-mail: admissions@ Head of admissions: www.ecuad.ca NBCC Miramichi processed and will be senecacollege.ca Linda Dalton Phone: (604) 844- Miramichi, NB notified of seat availability. Time of year offered: 3800); toll free (800) nbcc.ca Equipment: Sound September 832-7788 Phone: (877) 773-6222 studio (recording & Sheridan College Application deadline: E-mail: admissions@ Fax: (506) 778-6001 editing equipment), sound Oakville, ON February 1 ecuad.ca E-mail: miramichi@nbcc. effects & stock music sheridancollege.ca Equipment: 250-plus ca library, video cameras, Phone: (905) 845-9430 HP workstations and 115 Degrees/Certificates photography cameras, Fax: (905) 815-4041 Wacom Cintiqs. Toon offered: 2-year scanners, free B&W E-mail: angela.stukator@ Boom’s Storyboard Pro & Diploma in Animation printing, animation light sheridanc.on.ca Harmony, Adobe Master and Graphics, 1-year tables, studios for each Degrees/Certificates Collection, Autodesk

february 14 www.animationmagazine.net 27 School Guide Entertainment Suite, standard computer and EUROPE ZBrush, Houdini Vancouver Institute Art&Cia Animation Wacom tablet, animation of Media Arts School drawing table, various Vancouver, BC Meireles, Brazil Animation supplies (specialty pencils, Think Tank Training www..com arteciacursos.com Apprentice paper, books and readers, Centre Phone: (604) 682-2787; Phone: +55 85-3023- London, U.K. sketchbooks), study trips, North Vancouver, BC toll free (800) 396-2787 7201 www. software and materials www.tttc.ca Fax: (604) 684-2789 E-mail: contato@ animationapprentice. related to production and Phone: (604) 990-8265 E-mail: [email protected] arteciacursos.com org more. E-mail: [email protected] Degrees/Certificates Phone: +44 7906-573- offered: One-year 539 diplomas in 2D/3D Art Academia E-mail: info@ Arts University Vancouver Animation Character Animation, Sao Paulo, Brazil animationapprentice.org College at School Game ARt & Design, www.artacademia.com. Degrees/Certificates Bournemouth Vancouver, BC Visual Effects, br offered: Certificate Bournemouth, U.K. www.vanas.ca Digital Photography, Phone: +55 11-3362- Number of students in www.aucb.ac.uk Phone: (888) 677-8827 Acting for Film & TV, 1000 animation program: 10 Phone: +44 1202-533- E-mail: [email protected] Web Development, E-mail: contato@ Cost of program: 011 Broadcasting. artacademia.com.br £3,000 ($4,800 U.S.) E-mail: general@aub. Number of students in Head of animation ac.uk Vancouver Film animation program: 60 & admissions: Alex School Cost of program: 2D: BIOS School of Williams Vancouver, BC Canadians, $19,750; Design Time of year offered: Bellecour Art School vfs.edu Internationals, $22,750. Montevideo, Uruguay Classes begin every Lyon, France Phone: (604) 685-5808, 3D: Can. $29,750; Int., www.biosportal.com two months (roughly six www.bellecour.fr toll free (800) 661-4104 $34,750 Phone: +598 2719-3373 classes a year). Phone: 0334-7892-9283 Fax: (604) 685-5830 Head of animation: E-mail: edco@bios. Application deadline: E-mail: [email protected] E-mail: admissions@vfs. Wayne Gilbert edu.,ny See website. Degrees/Certificates com Head of admissions: Equipment available: offered: Bachelor’s Degrees/Certificates Janet Cacchioni Maya, PC. Degree: 3D Computer offered: 3D Animation Time of year offered: Duoc University Chile Graphics, Concept Art, & Visual Effects, Digital March & September Santiago, Chile Game Design. Master’s Character Animation, Application deadline: www.duoc.cl The Animation Degree in 3D Direction. Classical Animation Continuous; best to apply Phone: 800-215-001 Workshop Number of students Number of students four to six months before E-mail: [email protected] Viborg, Denmark in animation program: in animation program: desired start date. www.animwork.dk 250 280 Equipment available: Phone: +45 8755-4900 Cost of program: 6,250- Cost of program: See Personal student ORT University E-mail: [email protected] 6,900 euros per year website workstations with Uruguay Degrees/Certificates Head of animation: Head of animation: professional animation School of offered: BA: Character Roxan Carle Marianne O’Reilly light tables and PC Communications & Animation, Computer Head of admissions: Head of admissions: computer workstations Design Graphic Arts,Graphic Gilles Benois Amber Bezahler equipped with Maya, Montevideo, Uruguay Storytelling Time of year offered: Time of year offered: Adobe Suites, Harmony; www.ort.edu.uy Number of students September to May (3 or 5 Start dates throughout the pencil test stations Phone: +598 2908-0677 in animation program: years) year equipped with Toon Boom 200 Application deadline: Application deadline: Pencil Check Pro. Cost of program: April Year-round Westbridge 10,640 for all 3½ years Equipment: 250 PCs, Equipment: Tuition University (more for non-E.U. Adobe suite, 3ds Max, includes textbooks, art CENTRAL & Mexico City, Mexico residents) Maya, ZBrush, Nuke supplies and access www.westbridge.edu. Head of animation: to software including SOUTH AMERICA mx Morten Thorning Autodesk Maya, Nuke, Phone: 1328-1818 Head of admissions: Bournemouth ZBrush, MatchMover, Animation Campus E-mail: rp@westbridge. Michelle Nardone University PFTrack, DigiCel FlipBook, Montevideo, Uruguay edu.mx Time of year offered: Bournemouth, U.K. Toon Boom Harmony, www.campus.uy August media.bournemouth. , Phone: +598 2712-6799 Application deadline: ac.uk Premiere, After Effects and E-mail: [email protected] March 15 Phone: +44 (0) 1202- Flash. Equipment: Individual 961-916 workstations with industry E-mail: askbuenquiries@

28 www.animationmagazine.net february 14 School Guide

february 14 www.animationmagazine.net 29 School Guide bournemouth.ac.uk January LUCA School of Arts www.cgprotege.com iNurture ToonSkool Application deadline: Brussels, Belgium Phone: +65 6473-7502 Animation Academy March www.luca-arts.be E-mail: contact@ Multiple Campuses, Bucks New University Equipment available: Phone: +32 (0) 2-250- cgprotege.com India Buckinghamshire, U.K. Dell Quadcore PCs, 1511 www.inurture.co.in/ www.bucks.ac.uk Adobe CS4 Suite (Flash, E-mail: [email protected] animation Phone: +44 (0) 1494- After Effects, Premiere, DigiPen Institute of Phone: 080-4257-6666 522-141\ Illustrator, Photoshop, Technology E-mail: [email protected] E-mail: advice@bucks. etc.), Autodesk 2014 Suite MAD-Faculty Singapore ac.uk (3ds Max, Maya, Mudbox, Genk, Belgium Singapore etc.), TVPaint, Toon Boom www.mad-fac.be singapore.digipen.edu LASALLE College of Harmony, CelAction, Unity Phone: (328) - 930 – Phone: +65 6577-1900 the Arts DigiPen Institute of Game Engine, Project 0850 CHECK E-mail: singapore@ Singapore Technology Europe Anarchy development E-mail: [email protected] digipen.edu www.lasalle.edu.sg - Bilbao tools, green-screen facility. Degrees/Certificates Phone: +65 6496-5000 Zierbena, Spain offered: Academic master Griffith Film School E-mail: enquiries@lasalle. www.digipen.es audiovisual arts/animation Brisbane, , edu.sg Phone: +34 94-636- Istituto Europeo di Number of students in 5163 Design animation program: 40 www.griffith.edu.au E-mail: [email protected] Rome, Italy Cost of program: approx. Phone: +61 7-555- Media Design School www.ied.it 1,000 euro 28933 Auckland, New Zealand Phone: +39 06-571-7651 Head of animation & E-mail: [email protected]. www. Filmakademie Fax: +39 06-5730-5476 admissions: Smeets Luc- au mediadesignschool.com Baden-Wurttemberg E-mail: c.giorgetti@roma. Leon Degrees/Certificates Phone: +64 9-303-0402 Institute of ied.it Time of year offered: offered: Bachelor: E-mail: enquiries@ Animation, Visual Degrees/Certificates September-June Animation, Animation with mediadesignschool.com Effects & Digital offered: Cinema & Application deadline: honours. Master of Screen Degrees/Certificates Postproduction New Media Area (CG August Production (Animation). offered: Bachelor of Art Ludwigsberg, Germany Animation, Media Design, Equipment available: Doctor of Visual Arts and and Design (3D Animation www. Sound Design, Video Approx. 30 computers, PhD. and Visual Effects), animationsinstitut.de Design/Filmmaking). approx. 20 Cintiqs, linetest Number of students Bachelor of Creative Phone: +49 7141-969- Specialization courses: workstations, Full Dome in animation program: Technologies (Game Art), 800 Visual Effects Specialist, workstation, server system, 180 Graduate Diploma of E-mail: Modelling and Animation render farm, audio studio, Cost of program: AUD Advanced 3D Animation animationsinstitut@ 3D, Game Design 15 M2 boxes, stop-motion $23,280 per year Number of students in filmakademie.de & Development, 2D studio, greenkey, Pro Head of animation: Andi animation program: 180 Paperless Cartoon Tools, Lightwave, Maya, Spark Cost of program: NZD Animation. Master in TVPaint, After Effects, Head of admissions: $23,690 per year Irish School of Transmedia Production in Photoshop, Dragon Frame, Kirilee Barker, k.barker@ Head of animation: Animation English Language. motion capture, light griffith.edu.au Steve Dorner Ballyfermot College Number of students in tables, music and audio Time of year Head of admissions: Dublin, Ireland animation program: 52 library offered: End February Jackie Young isa-bcfe.ie Cost of program: commencement Time of year offered: Phone: 00353-1-626- [email protected] The University of Application deadline: February & July 9421 (scholarships available) Edinburgh October 31 Application deadline: 12 E-mail: [email protected] Head of animation: Edinburgh College of Equipment: Fully weeks prior (to get a visa) Degrees/Certificates Pasquale di Viccaro Art networked computer Equipment: Autodesk offered: BA (Hons): Visual Head of admissions: Edinburgh, U.K. labs running Adobe suites, latest Creative Media - Animation, Visual Nadia di Berardino www.eca.ed.ac.uk suite, Autodesk suites, suite, specialist and Media - Game Design Time of year offered: Phone: +44 (0) 131-651- Toon Boom suites and proprietary tools such as Number of students in Full year 5800 associated film, games Houdini, Nuke, Mari, Hiero, animation program: 20- Application deadline: E-mail: [email protected] and animation production PTGui, Topogun, xNormal, 40 per year September software with tablets and Crazybump, ZBrush, Cost of program: 2,300 Equipment: PC and Mac Cintiqs. Full-size green- Sculptris, RV, mental euro per year (approx.) lab with Maya, ZBrush, ASIA & PACIFIC screen cyclorama and core, VRay, DSLRs, RED Head of animation: NukeX, Photoshop, After sound stage, dedicated cameras, professional Diarmuid O’Brien Effects, V-Ray, Da Vinci, stop-motion studio and lighting trucks, with Head of admissions: Vue, 3ds Max. CG Protege undercamera facilities. professional production Gareth Lee Animation School crew support. Time of year offered: Singapore

30 www.animationmagazine.net february 14 School Guide Ngee Ann Polytechnic Application deadline: Two Nordlund Art: $5,500 School of Film & Media weeks before start date Time of year offered: January, Head of animation: Lilliams Studios April, July, October Garcia Singapore Application deadline: Head of admissions: Sophie www.np.edu.sg Animation Mentor December, March, June, Hamel Phone: +65 6466-6555 Emeryville, CA September Time of year offered: Four times www.animationmentor.com per year (eight week courses) Phone: (510) 450-7222 Application deadline: Winter E-mail: admissions@ Computer Graphics Master Term: January 31, 2014. Spring: Pumpkin Academy of animationmentor.com Academy April 25, 2014. Summer: July 25, Digital Arts Degrees/Certificates Los Angeles, CA 2014. Fall: October 17, 2014. New Delhi, India offered: Diploma: Animation www.cgmasteracademy.com www.pumpkininteractive.in Fundamentals, Advanced Phone: (800) 959-0316 Phone: +91 2592-3331 Character Animation Production, E-mail: [email protected] Digital-Tutors E-mail: [email protected] VFX Fundamentals Degrees/Certificates offered: Oklahoma City, OK Number of students in 2D Academy: Foundation/Design www.digitaltutors.com animation program: 650 Program, Environment Design Phone: (405) 601-4806 AFRICA Cost of program: Classes start Program, Character Design E-mail: [email protected] at $1,999 per 12 week course Program. 3D Academy: 3D Head of animation: Bobby Character Art Program. Learn 3D Beck Number of students in Kinetic School of Johannesburg, South Africa Head of admissions: Julia animation program: 600 Animation www.learn3d.co.za Campbell Cost of program: Foundation/ Los Angeles, CA Phone: 011-326-1520 Time of year offered: Four times Design: $8,138. Environment www.kinetischool.org E-mail: [email protected] per year Design: $8,188. Character Phone: (626) 722-8674 Degrees/Certificates offered: Application deadline: Rolling Design: $6,840. 3D Character E-mail: [email protected] Certificate: 2D Animation, 3D Equipment available: 3-year animation, Visual Effects, Games student license to Autodesk Maya, The listings section of this school guide was compiled using Development access to the exclusive AMP direct information emailed to Animation Magazine by participat- Number of students in production pipeline, online classes ing schools around the world. If you'd like to be included in the animation program: 15 using the proprietary Animation Cost of program: US $5,000 Mentor student portal. Head of animation: Chris Combrink Head of admissions: Gustavo AnimationGym Correa Montevideo, Uruguay Time of year offered: Full year (Spanish Language Courses) Application deadline: January www.animationgym.com Equipment available: PC Phone: +598 99-186-086 E-mail: admin@animationgym. com ONLINE

AnimSchool 3D Training Institute Orem, UT New York, NY www.animschool.com www.3dtraining.com Phone: 801) - 765 - 7677 Phone: (877) 746-4338 E-mail: admissions@animschool. E-mail: [email protected] com Degrees/Certificates offered: Degrees/Certificates offered: 3D Foundation Workshop, 3D Certificate in 3D Animation, Project Based Course Certificate in 3D Character Number of students in (modeling and rigging) animation program: 12 Number of students in Cost of program: $950-$4,650 animation program: 200+ Head of animation: Trent Cost of program: $550 per Edwards month Head of admissions: Brandy Head of animation: Dave Burton Gallagher Time of year offered: Monthly Head of admissions: Isaac

february 14 www.animationmagazine.net 31 School Guide

32 www.animationmagazine.net february 14