Aetna Burns the Midnight Oil Pres
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Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll. -
Nas, Affirmative Action (Feat
Nas, Affirmative Action (feat. AZ, Foxy Brown, and Cormega (The Firm)) [Intro: AZ] This is what... this what they want huh? This is what it's all about.. What? Time to take Affirmative Action son They just don't understand, youknowImean? Niggaz comin sideways thinkin stuff is sweet man Yknahmean? Niggaz don't understand the four devils: Lust.. Envy.. Hate.. Jealousy Wicked niggaz man [AZ the Visualiza] Yo, sit back relax catchin contacts, sip your cog-nac And let's all wash this money through this laundry mat Sneak attack, a new cat sit back, worth top dollar In fact, touch mines, and I'll react like a Rottweiler Who pull the late, we play for high stakes at gunpoint Catch em and break, undress em tie em with tape, no escape The Corleone, fettucini Capone Roam in your own zone or get kidnapped and clapped in your dome We got it sewn, The Firm art of war is unknown Lower your tone, face it, homicide cases get blown Aristocrats, politickin daily with diplomats See me I'm an official mack, Lex Coupe triple black [Cormega] Criminal thoughts in the blue Porsche, my destiny's to be the new boss That nigga Paulie gotta die - he too soft That nigga's dead on, a key of her-oin, they found his head on the couch with his dick in his mouth, I put the hit out Yo, the smoothest killer since Bugsy, bitches love me And Queens where my drugs be, I wear Guess jeans and rugbies Yo my people from Medina they will see you when you re-up on your heater all your cream go betweeen us Real shit, my Desert Eagle got a ill grip I chill with, niggaz that hit Dominican -
Barbara Mandrell Just One More of Your Goodbyes Mp3, Flac, Wma
Barbara Mandrell Just One More Of Your Goodbyes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Just One More Of Your Goodbyes Country: UK Released: 1978 Style: Country MP3 version RAR size: 1871 mb FLAC version RAR size: 1348 mb WMA version RAR size: 1202 mb Rating: 4.5 Votes: 784 Other Formats: DXD AA AHX MIDI MMF AC3 MP1 Tracklist A Just One More Of Your Goodbyes 3:15 B Sleeping Single In A Double Bed 2:19 Credits Producer – Tom Collins Other versions Category Artist Title (Format) Label Category Country Year Sleeping Single In A Barbara Double Bed / Just One ABC AB-12403 AB-12403 US 1978 Mandrell More Of Your Goodbyes Records (7") Barbara Sleeping Single In A MCA MCA-60195 MCA-60195 US Unknown Mandrell Double Bed (7") Records Sleeping Single In A Barbara Double Bed / Just One ABC 1022-12403 1022-12403 US 1978 Mandrell More Of Your Goodbyes Records (7", Single) Sleeping Single In A Barbara ABC AB-12403 Double Bed (7", Single, AB-12403 US 1978 Mandrell Records Promo) Barbara Sleeping Single In A ABC New 103218 103218 1978 Mandrell Double Bed (7", Single) Records Zealand Related Music albums to Just One More Of Your Goodbyes by Barbara Mandrell Barbara Mandrell - Love Is Fair Barbara Mandrell - Live Barbara Mandrell - Hold Me Barbara Mandrell - The Best Of Barbara Mandrell Barbara Mandrell - No One Mends A Broken Heart Like You Barbara Mandrell - Midnight Angel David Houston And Barbara Mandrell - The Best Of David Houston And Barbara Mandrell Barbara Mandrell - Super Hits Barbara Mandrell - MIrror Mirror Barbara Mandrell - Queen For A Day / Alone In The Crowd Barbara Mandrell - Greatest Hits Barbara Mandrell - The Midnight Oil. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Legacy Exotic Black Limba Oliveburst 14X26” Bass Drum, Classic Lugs
Cover Photo By Austin Swift Legacy Exotic Black Limba Oliveburst Courtesy of Ludwig Artist Al Wilson [Taylor Swift] 14x26” Bass Drum, Classic Lugs, Elite Spurs, No Mount [LLB446XXL4WC] 16x18” Floor Tom, Classic Lugs, Keystone Brackets [LLF468LXL4WC] 16x16” Floor Tom, Classic Lugs, Keystone Brackets [LLF466LXL4WC] 9x13" Tom, Vibraband with Keystone Bracket [LLT493XXL4WCR] 6.5x14" Snare, Millennium Strainer, Tube lugs [LLS464TDL4WM] 14x26” 9x13” 16x16” 6.5x14” 16x18” ©2011 Conn-Selmer, Inc. All models, pricing and specifications are subject to change without notice. All rights reserved. Reproduction, of whole or in part, of this catalog, or its contents, is strictly prohibited without prior expressed written permission of Conn-Selmer, Inc.Conn-Selmer is a division of Steinway Musical Instruments, Inc. (NYSE: LVB) AV8147 oin the Family J Looking back at over a century of Ludwig Percussion, the word “Family” continues to find its way into how we define what we are as a company. It’s certainly no secret that we bolster a rich history, originated by William F. and Theobald Ludwig in 1909. These pioneers laid a solid foundation of drummers and percussionists creating instruments for the needs of generations of players. That tradition continued with William F. Ludwig II (or “The Chief” as he has come to be known). The Chief’s dedication to the Ludwig Legacy went way beyond his name. It was his dedication to everyone from the craftsmen at the Ludwig factory, to the drummers who played his creations that established the feeling of a true Family. From Damen Avenue in Chicago to our current facility in Monroe, NC., The Ludwig Family continues on in its founders’ tradition as a notable American manufacturer. -
Morrill Act Turns 150!
Celebrating the Democracy of Education: Morrill Act Turns 150! PLUS: FUTURE COUGARS ■ STUDENTS IN RWANDA ■ GIFT GROWS ORGANIC FARM contents reCONNECT COVER STORY Issue No. 1, 2012 Morrill Act of 1862: Bold Move, Big Results .......7 reCONNECT is published yearly by the College of Agricultural, Human, and Natural Resource Sciences Alumni and COLLEGE SECTIONS Friends Office. Readers are encouraged to share their ideas for articles and Agriculture .........................................................12 contribute items by writing to: Human Sciences .................................................16 �� CAHNRS Alumni and Friends Natural Resources ..............................................19 PO Box 646228 Washington State University Pullman, WA 99164-6228 DEPARTMENTS Message from the VP ..........................................1 reCONNECT STAFF Small Bites ............................................................2 Publisher: Daniel J. Bernardo, Alumni News Vice President for Agriculture Future CAHNRS Cougs ........................................21 and Extension, Dean of CAHNRS Class Notes ..........................................................22 Writers: Kathy Barnard Nella Letizia Wall of Fame ........................................................25 Brian Clark Joanna Steward Bob Hoffmann John Sutherland Photographers: Brian Clark Bob Hubner Shelly Hanks Nella Letizia Bob Hoffmann Online Edition: Phil Cable Copy Editor: Dora Rollins Graphic Designer : Gerald Steffen cahnrsalumni.wsu.edu Message from the VP Greetings, CAHNRS -
Frank Reckendorf
WELCOME Welcome to the Regional Conference of the Great Basin and Northwest Chapters of the Society for Ecological Restoration. This conference brings together restoration practitioners, researchers and scientists, managers and planners, students and volunteers under the theme: Collaborative Restoration – from Community Efforts to Landscape Scales. Since our first call for papers we have had an enthusiastic response from the restoration community of the Columbia, Great Basin, and Cascadia Bioregions. Our conference theme highlights an emerging trend of collaboration among stakeholders to resolve differences among approaches to land management. The large number of presentations in this program provides excellent examples of collaborative restoration projects that aim to restore critical ecosystem functionality while meeting stakeholder objectives. As many practitioners have experienced, there is typically no single correct approach to collaboration, but instead a wide array of solutions can be employed that are tailored to the specific demands of a project. The goals for this conference are to discover successful approaches, common issues, and to discuss challenges of implementation. The following program includes 15 symposia that combine invited presentations to highlight a specific restoration issue or to analyze a restoration topic from different angles. Contributed sessions combine voluntary presentations under a common theme of significance to restoration in our region. The plenary presentations provide in-depth discussion of issues across the field of ecological restoration. Those who seek in-depth guidance to applied restoration approaches will find several workshops in the conference program which allow for instruction and small group discourse. The conference concludes with several field trips to regionally important restoration sites. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
Tune of the Week Busta Rhymes 'Dangerous' (Us
TUNE OF THE WEEK InstantlyINDUSTRY distinguished STANDARD by VOL.1its nagging 'WHAl YOU' WANT'rs of "What (SATELLITE)(GARAGE) you want...what you fromneed,..what the underground you feel...why garage don't scene, you teJ lAiy Sylvester'snés this Nicefuture 'N' crossover Ripe mix andhit •London •••• Connects mix will prolong shelf but in original form this is classic. U2 'MOFO' (ISLAND) (ALTERNATIVE) theseNot due two for 12-inches commercial in 'pop-tastic' release yet, oranqr thotJç andlikely pink. to appearThe former on the includes next B-side Matthew are Bono'sRoberts' distinct Phunk vocals Phorce and mix guitar which twangs pount Mother...rockmagnificently,,n,roir hookset fo a basis for his Black Hole dub and Johnny oy's Romin mix envelopes with £■*- almostrumbling random guitar programmedgrating. On the beats pink alont proi s deRoni hip-hop Size's rolls, Mother echoey mix stuttered knits tight, r double bass with house flavour doing much of JH BUSTA RHYMES 'DANGEROUS' (US ELEKTRA) TODDFollowing TERRY the commercial 'IT'S OVER success LOVE'(MA of 'Se r YIFESTO)ething Goin' On' and accompanying(HOUSE) 'WooBusta Hah'always and shines 'Put Your illustriously Hands Where over unusual My Eyes grooves Can See'. as heLyrically proved tight on the release of the album 'Ready For A Nev Day', Todd utilises the vocal of and immensely creative, this is no exception. The chosen break is Extra Ts GreenShannon Dogs, (of 'LetLoop The Da MusicLoop, Play'Dillon famé) & Dict i nsthis plus bumper Blakk mixN Spanish package. ail Funkycontribute 'E.T Boogie'ection and as it's bis bangin'. -
The Comment, November 29, 1979
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1979 The ommeC nt, November 29, 1979 Bridgewater State College Volume 53 Number 8 Recommended Citation Bridgewater State College. (1979). The Comment, November 29, 1979. 53(8). Retrieved from: http://vc.bridgew.edu/comment/445 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Vol. LnI, No.8 Bridgewater State College November 29, 1979 Nader Speaks at BSC by Doug Schorr .", Ralph Nader appeared in the Nader also spoke about food in this attitude might change if Student Union Ballroom - On general, and supermarkets in consumers asked auto dealers November 27,1979 at 7:30 pm to an particular. He said that many questions such as, "Why does a audience estimated at 500 people. supermarkets "play" with the weight tinted windshield cost more when Nader began his lecture by listed on the packages and do not you see lessT or "Why have cars speaking about automobiles--his sell nutritious food to the consumer. lost the side vent windows-did you favorite pet peeve. He stated the The solution to this is to form a large take a survey of customers to see General Motor Corporation makes group of people (1-5% of what their opinions were on the $15 million an hour, and that community) and go to super matter?" He also mentioned that research conducted by the National markets and use the numbers of consumer education should be a Safety Council cost a little Jess than your group to affect change in the mandatory part ofa student's that amount--and the research was store's policy_ If needed, you could curriculum in school. -
FS1111 Frankly-PDF Setup
S PRING/SUMMER 2013 V OLUME 18 • NUMBER 2 FRANKLY SPEAKING A NEWSLETTER FOR AND BY MARIN COUNTY EMPLOYEES Academy Inspires Employee Leadership By Abby Dennett —Probation is the county’s enhanced Employee workplace, and emotional intelligence. Recognition Program, which rewards Managers from within the county open The Leadership Academy was created excellence and hard work at the depart- sessions by offering their insight on that in the fall of 2011 by a county team ment level. Jack Govi (Co. Counsel), day’s particular topic. The original team ‘The professors in collaboration with Dominican Pamela Moghbel (HHS), Gueidi Beltran continues to nurture the Academy by University. It is a four-month course in forced us out of our (HHS), Jim Lane (Sheriff), Tim Walsh reviewing applicants and having one which employees explore leadership (Fire), Brian Sanford (Parks), Angela team member attend each session to everyday thinking concepts and gain practical tools for Nicholson (HR), Becky Ng (CDA), and ensure its effectiveness and continue its and pushed us to positively influencing an organization. Lee Lancaster (Probation) collaborated evolution. ■ With a supervisor’s sup- Participants commit to 100% attendance open our minds.’ ■ 1 on the project. Joanne Peterson, port, any employee can apply for the and meet for a total of 10 /2 days. They Director of Human Resources, explained Academy. Applications receive several read literature on leadership, collabo- that impetus for the Leadership reviews to ensure a balanced cross- rate with colleagues throughout the Academy came from what she calls the section of the workforce is represented. county, and prepare an in-depth lead- “Design Team,” a group of 10 county Attendees include managers and non- ership presentation/project.