DOCSLIB.ORG

F09d99bbf09d99b8f09d9a82f09d

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
F09d99bbf09d99b8f09d9a82f09d Ａｍｂｏｒｅｌｌａ @AmborellaWWG1 29 Sep • 31 tweets • AmborellaWWG1/status/1310886608921600000 홻홸횂횃 홾홵 홺홽홾횆홽 홽홰홼홴횂 홲홾홽홽홴홲횃홴홳 횃홾 횂홰횃홰홽홸홲 홲횄홻횃횂/ 홿홴홳홾홿홷홸홻홸홰/홲홷홸홻홳-횃횁홰홵홵홸홲홺홸홽홶 홸홽 홰홼홴횁홸홲홰: LIST OF KNOWN NAMES CONNECTED TO SATANIC CULTS/ PEDOPHI… LIST OF KNOWN NAMES CONNECTED TO SATANIC CULTS / PEDOPHILIA / CHILD-TRAFFICKING IN AMERICA: ● Hillary Clinton ● Bill Clinton ● George Nader (Businessman) ● Huma Aberdin ● Laura Silsby ● Rach… https://exposingpedovore.wordpress.com/2019/07/24/list-of-known-names-connected-t… CHINA LAKE, CONNECTED INDIVIDUALS, DEEPSTATE, EXPOSED, EXPOSING, HILLARY CLINTON, HOLLYWOOD CELEBRITY, HUMAN TRAFFICKING, LIST OF NAMES, LUCIFERIAN PEDOPHILES, MISSING CHILDREN, MK ULTRA PROGRAMMING FACILITY, MONARCH PROGRAMMING, OCCULT COVEN, OCCULT RITUALS, OCCULTISM, ORGAN HARVESTING, ORGANIZED PEDOPHILIA, PAGANISM, PEDOGATE, PEDOPHILE RING, PEDOPHILES, PEDOVORE, PIZZAGATE, POLITICIANS, RITUAL SEXUAL ABUSE, SATANIC RITUALS, SATANISTS, SECRET SOCIETIES, SECRET SOCIETY, SECRET UNDERGROUND BASES, SRA, STANDARD HOTEL, THE CABAL, THE ELITE, TRAUMA BASED MINDCONTROL ● Hillary Clinton ● Bill Clinton ● George Nader (Businessman) ● Huma Aberdin ● Laura Silsby ● Rachel Chandler ● Jeffrey Epstein ● Ghislaine Maxwell ● John Podesta ● Michael Podesta ● James Alefantis ● Anthony Wiener ● Leslie Wexner (Limited Inc Chairman) ● Herbert Strauss ● Isidor Strauss ● Martin A. Nowak ● Steven Spielberg ● Edgar Bronfman Sr. (Seagram Chairman) ● Charles Bronfman (Seagram Co) ● Michael Steinhardt (former hedge-fund manager) ● Sara Bronfman ● Clare Bronfman ● Niles Lehman (Professor at Portland State University) ● Seth Roger ● Ruth Ginsberg ● Alison Mack ● Rachel Chandler ● Robert Maxwell ● Wendi Murdoch ● Jonathan Cheban ● Naomi Campbell ● Maximiliam Chow ● Val Kilmer ● Marina Abramovic LIST OF HOLLYWOOD PEDO-NAMES: ● Steven Spielberg ● Michael Jackson ● Kevin Spacey ● Alison Mac ● Marc Collins-Rector (Founder of Den) ● Chad Shackley ● Brock Pierce ● David Geffen ● Tom Hanks ● Dustin Hoffman ● Andrew Kreisberg (American television writer, producer) ● Bryan Singer ● Harvey Weinstein ● Bob Weinstein ● Roman Polanski ● Ruma Hazard ● Charlie Sheen ● Madonna ● Kate Perry ● Miley Cyrus ● Errol Flynn ● Billy Graham ● Walt Disney ● Michael Laney (Former Walt Disney vice president) ● James Gunn (Disney) LIST OF NAMES OF CELEBS CONNECTED TO THE DEEPSTATE, CIA & MOSSAD: ● Heidi Fleiss ● Jeffrey Epstein LIST OF NAMES CONNECTED TO SATANIC CULTS: ● Alison Mack ● Stormy Daniels ● Rachel Chandler ● Ghislaine Maxwell LIST OF NAMES OF VISITORS ON EPSTEIN ISLAND: ● Ghislaine Maxwell ● Chris Tucker ● Larry Summers ● Lisa Summers ● Bill Murray ● Bill Hammond ● Ehud Barak ● Andrés Pastrana (Former President of Colombia 1998-2002) ● Jean Luc Brunel ● Doug Band ● Ron Burkle ● Woody Allen ● Sarah Kellen ● Ray Barzanna ● Sandy Burger ● Andrea Mitrovitch ● Peter Marino ● Shelley Lewis ● Paul Hala(t) (d) a ● Richardo Legoretta ● Tom Pritzker ● Kelly Spamm ● Tiffany Gramza ● Claire Hazel ● Paula Epstein ● Mark Epstein ● Ralph Elison ● Sophie Biddle ● Audrey Raimbault ● Shelley Harrison ● Melinda Luntz ● Gwendolyn Beck ● Albert Pinto ● Linda Pinto ● Gary Roxburgh ● Mandy Elison ● Jean Michelle Gathy ● Virginia Roberts ● Kristy Rodgers (Kristina Real Rodgers) ● Greg Holbert ● Alyssa Rodgers ● Juliette Bryant ● Heather Mann ● Ed Tuttle ● Glen Dubin ● Ellen Spencer ● Chris Wagner ● Casey Wasserman ● Laura Wasserman ● Paul Mellon ● Oliver Sachs ● Henry Rosovsky ● Lynn Forester (de Rothschild) ● Joe Pagano ● Naomi Campbell ● Nicole Junkermann ● Rodney Slater ● Magali Blachon (Deperrier) ● Svetlana Griaznova ● Emmy Tayler ● Larry Visoski ● Teala Davies ● Juan (Pablo) Molyneux ● Freya Willemoes) Wissing ● Adam Perry Lang ● Fleur Perry Lang ● Caren Casey ● Hank Coller ● Cindy Lopez ● Mark Lloyd ● Alan Dershowitz ● Seth Green ● James Gunn ● Steven Spielberg ● Tom Hanks ● Steven Colbert ● Jimmy Kimmel ● Barack Obama ● Kevin Spacey ● Kathy Griffin ● Oprah Winfrey ● Shawn Carter ● Beyoncé Knowles ● Anthony Kiedis ● John Legend ● Chrissy Tiegen ● Jim Carrey ● Steven Tyler ● Ben Affleck ● Stephen Collins ● Will Ferrell ● Aliaune Damala Badara Thiam (Akon) ● Marshall Matters ● Jeffrey Jones ● Victor Salva ● Mark Collins Rector ● Charlie Sheen ● Tyler Grasham ● Madonna Ciccone ● Katheryn Hudson ● Gwen Stefan ● Stefani Germanotta ● James Franco ● Will Smith ● Justin Roland ● John Cusack ● Anderson Cooper ● Demi Moore ● Brian Affleck ● Meryl Streep ● Wanda Sykes ● Chelsea Handler ● Michelle Wolf ● David Yarovesky ● Pharrell Williams ● Quentin Tarantino ● Courtney Love ● Alec Baldwin ● Robert Downey Jr. ● Disney Corporation (Offering kids “scuba-diving” trips, to the Epstein Island) Link: the Epstein flight log documents LIST OF NAMES CONNECTED TO THE STANDARD HOTELS ● Andre Balazs (Owner of the Standard Hotels and connected to the Rockefellers) ● Jay Z ● Beyoncé Knowles ● John Belushi ● Britney Spears ● Errol Flynn ● Dennis Hopper ● Helmut Newton ● Jim Morrison ● James Dean ● Billy Idol ● Victoria Beckham ● Heath Ledger ● Sienna Miller ● Balthazar Getty ● Scarlet Johansen MORE NAMES TO ADD TO THE LIST- INDIVIDUALS THAT’S DIRECTLY CONNECTED TO JEFFREY EPSTEIN & THE EPSTEIN ISLAND: ● Elon Musk ● Mark Zuckerberg ● Lawrence M. Krauss ● Steven Pinker ● Mick Jagger ● Courtney Love ● Joan Rivers (deceased) ● Kevin Spacey ● Chris Rock ● Eli Weisel (Nobel Prize winning Holocaust profiteer) ● Lauren Hutton (Top fashion model) ● Duke & Duchess of York ● Earl Spencer (Late Diana’s brother) ● Richard Bronson (English businessman) ● Tony Blair (Former UK prime minister) ● David Koch (1/2 of a brother team) ● David Rockefeller ● Evelyn de Rothschild ● Eduouard de Rothschild JOURNALISTS THAT’S DIRECTLY CONNECTED TO JAMES ALEFANTIS, COMET PING PONG & BUCKS FISHING, WASHINGTON DC: ● Jake Tapper (CNN) ● Jennifer Tapper (wife of Jake Tapper) ● Maple Inc ● Me Over Seas JOURNALISTS THAT’S DIRECTLY CONNECTED TO JEFFREY EPSTEIN & THE EPSTEIN ISLAND: ● Barbara Walters ● Mort Zuckerman ● Eric Margolis ● Rupert Murdock ● Conrad & Barbara Black; Baron Black of Crossharbour POLITICS THAT’S DIRECTLY CONNECTED TO JEFFREY EPSTEIN & THE EPSTEIN ISLAND: ● Bill Clinton (Former president of America) ● Jon & Mary Kaye Huntsman ● Governor Charles Turnbull (US Virgin Islands) ● Henry Kissinger ● Ethel Kennedy ● Bobby & Mary Kennedy ● Senator Edward Kennedy (deceased) ● Ted Kennedy Jr. ● Andrew & Kerry Kennedy Cuomo ● Maria Shriver (Kennedy relative/Schwarznegger’s ex) THE DTLA STANDARD HOTEL CONNECTIONS: (Vacant 1992-2002) ● Keck Family (Standard Oil / Founders of The Standard Hotel) ● Perry Mason ● Bank of California ● JP Morgan – Standard Oil ● Jeffrey Epstein ● Bear Stearns Group ● Standard Holdings ● Colombia Development Pedophile Code Words Found in Podesta E-Mails (Warning: Very Distu… PizzaGate flier to print and pass out! Before reading on I just want to share some personal thoughts about this whole thing. This is the part of the apocalypse (unveiling) that we have been waiting f… https://truthearth.org/2016/11/07/pedophile-code-words-found-in-podesta-e-mails-warn… @threadreaderapp unroll please thank you • • •.
Load more

Recommended publications
  • 136 NINE Der Regisseur Guido Contini Ist Ganz Oben
    Berlinale 2010 Rob Marshall Birthday Special NINE NINE NINE USA 2009 Darsteller Guido Contini Daniel Day-Lewis Länge 118 Min. Carla Penélope Cruz Format 35 mm, Luisa Marion Cotillard Cinemascope Claudia Jenssen Nicole Kidman Farbe Lilli Judi Dench Mamma Sophia Loren Stabliste Stephanie Kate Hudson Regie Rob Marshall Saraghina Stacy Ferguson Buch Michael Tolkin Dante Ricky Tognazzi Anthony Fausto Giuseppe Cederna Minghella, Pierpaolo Elio Germano nach dem Musical Benito Andrea Di Stefano von Arthur Kopit Jaconelli Roberto Nobile und Maury Yeston, Assistenten Romina Carancini basierend auf Alessandro Federico Fellinis Denipotti Film 8 ½ Kamera Dion Beebe Schnitt Claire Simpson Wyatt Smith Judi Dench, Daniel Day-Lewis Ton Jim Greenhorn Musik Maury Yeston Musik-Supervision Matt Sullivan NINE Chroreografie Rob Marshall Der Regisseur Guido Contini ist ganz oben angekommen: Er gilt in den 60er John DeLuca Jahren als bester Filmemacher der Welt, hat dem italienischen Kino zu inter- Production Design John Myhre nationalem Glanz verholfen und wird von den schönsten Frauen der Welt Art Directors Peter Findley begehrt. Doch gerade, als er mit der Arbeit an seinem mit Span nung erwar- Phil Harvey Simon Lomont teten neuen Film beginnen will, stürzt er plötzlich tief in eine krea tive Le - Kostüm Colleen Atwood bens krise. Gleichermaßen verwirrt, verführt und angeregt von den Frauen Maske Peter King in seinem Leben – seiner Ehefrau Luisa, seiner Geliebten Carla, der amerika- Produzenten Rob Marshall nischen Mode-Journalistin Stephanie, seiner Kostüm de sig nerin Lilli, einer John DeLuca blonden Muse namens Claudia Jenssen, einer Jugendgeliebten und seiner Marc Platt Harvey Weinstein verstorbenen Mutter –, ringt er um Inspiration und Rettung.
    [Show full text]
  • Nomination Press Release
    Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick,
    [Show full text]
  • Discoveries, the Weinstein Company and Genius Products Debut an Adorable Story of Friendship, Love and Courage
    FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY: DISCOVERIES, THE WEINSTEIN COMPANY AND GENIUS PRODUCTS DEBUT AN ADORABLE STORY OF FRIENDSHIP, LOVE AND COURAGE Arriving on DVD September 2nd, Animated Family Adventure Features An All-Star Cast Of Voices Including Martin Short And Carl Reiner SANTA MONICA, CA – A lovable young elephant journeys into the big world when the CGI animated tale The Blue Elephant arrives on DVD September 2nd presented by The Weinstein Company, Genius Products and The Jim Henson Company: Discoveries, the newly formed acquisitions banner that presents third party produced titles that reflect the Company’s long-standing tradition of creative excellence. Produced in Thailand by Kantana Group Public Co. Ltd., The Blue Elephant features all-star voice talent including Emmy® Award winner* Martin Short (Spiderwick Chronicles, Santa Claus 3), eight time Emmy® Award winner** Carl Reiner (“Father of the Pride,” Ocean’s Thirteen) and Miranda Cosgrove (“iCarly,” “Drake & Josh”). A heartwarming film brimming with thrilling adventure, The Blue Elephant is a touching story with valuable life lessons as a young elephant encounters new friends, first love, and unexpected challenges. Fun for parents and kids alike, The Blue Elephant DVD will be available for the suggested retail price of $19.97. * 1983 – “SCTV” – Outstanding Writing in a Variety or Music Program ** 1957 & 1958 – “Caesar’s Hour” – Best Supporting Actor; 1962, 1963, 1964, 1965, 1966 – “The Dick Van Dyke Show” – Outstanding Writing Achievement in Comedy; 1995 – “Mad About You” – Outstanding Guest Actor in a Comedy Series Page 1 of 2 Synopsis: A young elephant goes on an extraordinary adventure and learns important lessons along the way about friendship, love and courage.
    [Show full text]
  • Miramax's Asian Experiment: Creating a Model for Crossover Hits Lisa Dombrowski , Wesleyan University, US
    Miramax's Asian Experiment: Creating a Model for Crossover Hits Lisa Dombrowski , Wesleyan University, US Prior to 1996, no commercial Chinese-language film had scored a breakout hit in the United States since the end of the 1970s kung fu craze. In the intervening period, the dominant distribution model for Asian films in America involved showcasing subtitled, auteur-driven art cinema in a handful of theaters in New York and Los Angeles, then building to ever more screens in a platform fashion, targeting college towns and urban theaters near affluent, older audiences. With the American fan base for Hong Kong action films steadily growing through video and specialized exhibition during the 1980s, Miramax chieftain Harvey Weinstein recognized the opportunity to market more commercial Chinese-language films to a wider audience outside the art cinema model as a means of generating crossover hits. Beginning in 1995, Weinstein positioned Miramax to become the primary distributor of Hong Kong action films in the United States. Miramax's acquisition and distribution strategy for Hong Kong action films was grounded in a specific set of assumptions regarding how to appeal to mass-market American tastes. The company targeted action-oriented films featuring recognizable genre conventions and brand- name stars, considering such titles both favorites of hardcore Hong Kong film fans and accessible enough to attract new viewers. Rather than booking its Hong Kong theatrical acquisitions into art cinemas, Miramax favored wide releases to multiplexes accompanied by marketing campaigns designed to highlight the action and hide the "foreignness" of the films. Miramax initially adopted a strategy of dubbing, re-scoring, re-editing, and often re-titling its Hong Kong theatrical and video/DVD releases in order to make them more appealing to mainstream American audiences.
    [Show full text]
  • The King's Speech
    G-0172:G_ 30.01.2011 13:52 Uhr Seite 118 Berlinale 2011 Tom Hooper Berlinale Special THE KING’S SPEECH Gala THE KING’S SPEECH THE KING’S SPEECH Großbritannien/ Darsteller Australien 2010 King George VI./ Bertie Colin Firth Länge 117 Min. Lionel Logue Geoffrey Rush Format 35 mm, 1:1.85 Queen Elizabeth Helena Bonham Farbe Carter King Edward VIII. Guy Pearce Stabliste Winston Churchil Timothy Spall Regie Tom Hooper Erzbischof Cosmo Buch David Seidler Lang Derek Jacobi Kamera Danny Cohen Myrtle Logue Jennifer Ehle Schnitt Tariq Anwar Stanley Baldwin Anthony Andrews Ton John Midgley Queen Mary Claire Bloom Musik Alexandre Desplat King George V. Michael Gambon Production Design Eve Stewart Wallis Simpson Eve Best Art Director David Hindle Robert Wood Andrew Havill Kostüm Jenny Beavan Dr. Blandine- Maske Frances Hannon Bentham Roger Hammond Regieassistenz Martin Harrison Princess Elizabeth Freya Wilson Casting Nina Gold Princess Margaret Ramona Marquez Lord Wigram Patrick Ryecart Herstellungsltg. Peter Heslop Geoffrey Rush, Colin Firth, Helena Bonham Carter Produktionsltg. Erica Bensley Lord Dawson Simon Chandler Produzenten Iain Canning Duke of Kent Orlando Wells Emile Sherman THE KING’S SPEECH Duke of Gloucester Tim Downie Gareth Unwin Nach wahren Begebenheiten erzählt das aufwendig rekonstruierte his - Neville Co-Produzenten Peter Heslop torische Drama von einer ungewöhnlichen Freundschaft zwischen zwei Chamberlain Roger Parrott Simon Egan höchst unterschiedlichen Männern. – Zu den Pflichten Alberts, Sohn des Executive Producers Geoffrey Rush briti schen Königs George V. und Herzog von York, gehören öffentliche Auf - Tim Smith Paul Brett trit te und gelegentliche Ansprachen. Für den zurückhaltenden und beson- Mark Foligno nenen Mann sind diese eine besondere Qual, denn seit seiner Jugend lei- Harvey Weinstein det „Bertie“, wie ihn die Familie nennt, an einem schweren Stottern.
    [Show full text]
  • The Making of a Predator, Part II
    Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM What about Bob? Though Harvey o2en took center stage, his brother toiled o;stage. CRIME The Making of a Predator, Part II https://airmail.news/issues/2020-6-20/the-making-of-a-predator Page 1 of 18 Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM How Bob Weinstein played a primal role in Harvey’s rise and—perhaps—fall BY PHOEBE EATON ILLUSTRATION BY PAUL DAVIS JUNE 20, 2020 READING TIME: 12 MINUTES Read in Italian › Read in French › In Part I, Phoebe Eaton examined the drama behind Harvey and Bob Weinstein’s childhood, and the freneDc early years as they broke into Hollywood. She also revealed Harvey’s paHern of abuse—and the disJgurement of his genitalia. In Part II, she looks at how the noose Dghtened around Harvey, and why the brothers came into conKict. Read Part III here. hrough the years, Bob and Harvey had grown apart. Bob, T always the withdrawn, less social of the two, at !rst moved his office to another #oor, then to a separate building. $eir bickering was infamous. Bob’s ex-girlfriend Ivana Lowell recalls that one of his offices had a hole in the wall, a reminder of that time he threw a telephone at Harvey. Yet the brothers remained united, feuding constantly but always locking arms when they needed to. As one former Miramax employee said, “Do Bob and Harvey go through periods of not talking? All the https://airmail.news/issues/2020-6-20/the-making-of-a-predator Page 2 of 18 Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM time.
    [Show full text]
  • A Case Study of the Weinstein Company, Harvey Weinstein, and the #Metoo Movement
    Crisis Communication, Potential Liability, and Activism in the Age of Social Media: A Case Study of The Weinstein Company, Harvey Weinstein, and the #MeToo Movement By Kristen M. Marino Senior Honors Thesis School of Media and Journalism University of North Carolina at Chapel Hill April 6, 2018 Approved: © 2018 Kristen M. Marino ALL RIGHTS RESERVED ii Abstract Although crisis communication and crisis management are large, evolving fields of public relations research, the intersection of crisis mitigation and legal concerns is under- explored. This study attempted to fill this gap by conducting a case study of a potentially liable organization and individual in crisis. Specifically, this thesis used a qualitative content analysis to examine The Weinstein Company’s and Harvey Weinstein’s mitigation efforts during the sexual misconduct allegations that surfaced in 2017, as well as the resulting rise of the #MeToo activist movement. In answering the research questions of this study, findings suggested that newer theories, such as the social-mediated crisis communication model, may be more appropriate to understand crises that involve potential liability, many stakeholders, and interacting traditional and social media; pointed to several tangible recommendations for potentially liable entities in crisis; and illustrated important nuances and factors that they should consider when responding. iii Acknowledgements There are simply not enough words for me to ever convey how thankful I am to have you all in my life and throughout this process. Still, I will try, as it is truly the least I can do. First, to my advisor, professor, mentor, and friend, Dr. Joseph M. Cabosky, who has been an irreplaceable part of my life and education.
    [Show full text]
  • Harvey Weinstein's Secret Settlements
    21/11/2017 Harvey Weinstein’s Secret Settlements | The New Yorker Ns Desk Harvey Weinstein’s Secret Settlements The mogul used money from his brother and elaborate legal agreements to hide allegations of predation for decades. By Ronan Farrow 7:33 A.M. n April 20, 2015, the Filipina-Italian model Ambra Battilana Gutierrez sat in O an office in midtown Manhattan with an eighteen-page legal agreement in front of her. She had been advised by her attorney that signing the agreement was the best thing for her and her family. In exchange for a million-dollar payment from Harvey Weinstein, Gutierrez would agree never to talk publicly about an incident during which Weinstein groped her breasts and tried to stick his hand up her skirt. “I didn’t even understand almost what I was doing with all those papers,” she told me, in her rst interview discussing her settlement. “I was really disoriented. My English was very bad. All of the words in that agreement were super difficult to understand. I guess even now I can’t really comprehend everything.” She recalled that, across the table, Weinstein’s attorney was trembling visibly as she picked up the pen. “I saw him shaking and I realized how big this was. But then I thought I needed to support my mom and brother and how my life was being destroyed, and I did it,” she told me. “The moment I did it, I really felt it was wrong.” Weinstein used nondisclosure agreements like the one Gutierrez signed to evade accountability for claims of sexual harassment and assault for at least twenty years.
    [Show full text]
  • Playing the Big Easy: a History of New Orleans in Film and Television
    PLAYING THE BIG EASY: A HISTORY OF NEW ORLEANS IN FILM AND TELEVISION Robert Gordon Joseph A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Cynthia Baron, Advisor Marlise Lonn Graduate Faculty Representative Clayton Rosati Andrew Schocket © 2018 Robert Joseph All Rights Reserved iii ABSTRACT Cynthia Baron, Advisor Existing cultural studies scholarship on New Orleans explores the city’s exceptional popular identity, often focusing on the origins of that exceptionality in literature and the city’s twentieth century tourism campaigns. This perceived exceptionality, though originating from literary sources, was perpetuated and popularized in the twentieth and twenty-first centuries by film and television representations. As Hollywood’s production standards evolved throughout the twentieth century, New Orleans’ representation evolved with it. In each filmmaking era, representations of New Orleans reflected not only the production realities of that era, but also the political and cultural debates surrounding the city. In the past two decades, as the aftermath of Hurricane Katrina and the passage of film tax credits by the Louisiana Legislature increased New Orleans’ profile, these debates have been more present and driven by New Orleans’ filmed representations. Using the theoretical framework of Guy Debord’s spectacle and the methodology of New Film History and close “to the background” textual analysis, this study undertakes an historical overview of New Orleans’ representation in film and television. This history starts in the era of Classical Hollywood (1928-1947) and continues through Transitional Hollywood (1948-1966), New Hollywood (1967-1975), and the current Age of the Blockbuster (1975-).
    [Show full text]
  • Can Copyright Law Protect People from Sexual Harassment?
    Emory Law Journal Volume 69 Issue 4 2020 Can Copyright Law Protect People from Sexual Harassment? Edward Lee Follow this and additional works at: https://scholarlycommons.law.emory.edu/elj Recommended Citation Edward Lee, Can Copyright Law Protect People from Sexual Harassment?, 69 Emory L. J. 607 (2020). Available at: https://scholarlycommons.law.emory.edu/elj/vol69/iss4/1 This Article is brought to you for free and open access by the Journals at Emory Law Scholarly Commons. It has been accepted for inclusion in Emory Law Journal by an authorized editor of Emory Law Scholarly Commons. For more information, please contact [email protected]. LEEPROOFS_4.30.20 4/30/2020 10:01 AM CAN COPYRIGHT LAW PROTECT PEOPLE FROM SEXUAL HARASSMENT? Edward Lee* ABSTRACT The scandals stemming from the sexual harassment allegedly committed by Harvey Weinstein, Roger Ailes, Les Moonves, Matt Lauer, Bill O’Reilly, Charlie Rose, Bryan Singer, Kevin Spacey, and many other prominent figures in the creative industries show the ineffectiveness of Title VII of the Civil Rights Act of 1964, which prohibits sexual harassment in the workplace, in protecting artists and others in the creative industries. Among other deficiencies, Title VII does not protect independent contractors and limits recovery to, at most, $300,000 in compensatory and punitive damages. Since many people who work in the creative industries, including the top actors, do so as independent contractors, Title VII offers them no protection at all. Even for employees, Title VII’s cap on damages diminishes, to a virtual null, the law’s deterrence of powerful figures in the creative industries—some of whom earned $300,000 in less than a week.
    [Show full text]
  • MA KALAADEVI ANANDA Formerly Known As Marilyn Carbone Make-Up Artist IATSE 798 and 706
    MA KALAADEVI ANANDA formerly known as Marilyn Carbone Make-Up Artist IATSE 798 and 706 FILM TWELVE YEARS A SLAVE Department Head Currently Filming Director: Steve McQueen SNITCH Personal Make-up Artist to Susan Sarandon Dwayne Johnson, Susan Sarandon, Jon Bernthal, Director: Ric Roman Waugh Barry Pepper, Benjamin Bratt Producers: Sam Brown, Alexander Yves Brunner, Dwayne Johnson, Nigel Sinclair, Toby Emmerich, David Fanning UNTITLED DRAKE DOREMUS PROJECT Department Head Staring: Felicity Jones, Guyy Pearce, Amy Ryan, Director: Drake Doremus Alexandra Wentworth, Ben Shenkman Producers: Steven M. Rales, Mark Roybal, Jonathan Schwartz, Indian Paintbrush, Super Crispy Entertainment, Andrea Sperling Vantage Film ROBOT AND FRANK Make-Up Department Head and Personal Make-Up Artist Starring: Frank Langella, Susan Sarandon, to Susan Sarandon James Marsden, Liv Tyler, Live Schreiber Director: Jake Schreier Park Pictures Features, Park Pictures, TBB, Producers: Lance Acord, Jackie Kelman Bisbee, Sam Bisbee, White Hat Erika Hampson, Galt Niederhoffer, Cody Ryder ARBITRAGE Personal Make-Up Artist to Susan Sarandon Starring: Richard Gere, Tim Roth, Director: Nicholas Jarecki Susan Sarandon, Aubrey Graham Producers: Mohammed Al Turki, Maria Teresa Arida, Lauren Versel, Green Room Films, Artina Films Michael Bederman, Laura Bickford, Justin Nappi, Robert Salerno, Kevin Turen, Brian Young THE EAST Department Head Starring: Alexander Skarsgard, Ellen Page, Director: Zal Batmanglij Brit Marling, Julia Ormond Producers: Michael Costigan, David Greenbaum,
    [Show full text]
  • Film Festivals: from European Geopolitics to Global Cinephilia 2007
    Repositorium für die Medienwissenschaft Marijke de Valck Film Festivals: From European Geopolitics to Global Cinephilia 2007 https://doi.org/10.5117/9789053561928 Buch / book Empfohlene Zitierung / Suggested Citation: de Valck, Marijke: Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam University Press 2007 (Film Culture in Transition). DOI: https://doi.org/10.5117/9789053561928. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons BY-NC 3.0/ This document is made available under a creative commons BY- Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz NC 3.0/ License. For more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ * pb omslag Film Festivals 07-11-2007 15:19 Pagina 1 Film festivals are hugely popular events that attract lovers of cinema worldwide, but they are also a uniquely revealing index of globalization in the realm of culture MARIJKE DE VALK FILM FESTIVALS and the arts. Focusing on the world’s most famous fes- tivals – Cannes, Berlin, Venice and Rotterdam – Film FILM FILM Festivals: From European Geopolitics to Global Cinephilia tells the story of a phenomenon that began in the midst CULTURE CULTURE of geopolitical disputes in war-torn Europe. De Valck IN TRANSITION IN TRANSITION shows how festivals in Europe turned political divisions and national rivalry into advantages, eventually expanding into a successful global network. Taking into account the multilateral influences of major actors – such as Holly- wood, the avant-garde as well as political, regional and tourist agendas – the book proposes a comprehensively new understanding of film festivals.
    [Show full text]