136 NINE Der Regisseur Guido Contini Ist Ganz Oben
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Arthur Kopit: Inveterate
KU ScholarWorks | The Inge Digital Collection http://kuscholarworks.ku.edu Arthur Kopit: Inveterate Analyst of Frail Human Minds by Jeff Loomis Presented at the William Inge Theater Festival. March 29, 2014 The Inge Digital collection in KU ScholarWorks contains scholarly conference papers presented at the annual William Inge Theatre Festival, held at Independence Community College, in Independence, KS. The Independence Community College library is the curator of the William Inge Collection, home of over 400 manuscripts by William Inge donated primarily by Inge and his family, as well as press clippings, memorabilia and books. Arthur Kopit: Inveterate Analyst of Frail Human Minds By Jeff Loomis Presented at the William Inge Theater Festival 2014 2 Arthur Kopit: Inveterate Analyst of Frail Human Minds ”Wings,” produced in 1979 to high acclaim, is a key work in Arthur Kopit’s dramatic canon. In preparing this poignant transcription of one character’s efforts to conquer the debilitation caused by a cerebral hemorrhage, Kopit researched much medical data, after first having confronted his own father’s stroke and resultant death (“Wings” 142-143). Indeed, some critics have surmised that Emily Stilson, the central character of “Wings,” also dies, after enduring her second stroke, at the culmination of her drama’s plot (Simon 78, Rosen 78). The conclusion of the play seems ambiguous to me, though, and the drama surely strives, through much of its action, to demonstrate the slow, but apparently sure, dimensions of a recuperation that Emily Stilson had known, at least for a time. Meanwhile, of course, she did suffer (and we thus see dramatized) abundant personal anguish. -
Phantom’ Otleibein College Will Present Its Turns the Gothic Novel Into a Psycho the Opera House
Page 2 ThliW oalt in W aatervllla A pril 15, 1996 Otterbein sets elaborate staging of ‘Phantom’ Otleibein College will present its turns the gothic novel into a psycho the opera house. matinee at 2 p.m. Quenon is a Trappist monk at the second musical of the year when logical love story, as the Phantom's What the aging diva docs to thwart Tickets arc $13 for Friday and Sat Abbey of Gethscmani in Kentucky. “Phantom" is staged April 25-28 and background and motivations are ex Christine’s ambitions sets up the cli urday shows and $11 for Thursday Quenon’s images are studies of na May 2-4. plored. max of this version, as the Phantom and Sunday shows. Reservations may ture and his immediate surroundings: The musical is co-sponsored by The story delves into the soul of kidnaps Christine and is pursued into be made by calling the box office at the hionastcry walls, windows and the Otterbein College Theatre and the the man-monster who lives in a self- the catacombs. 823-1109 between I and 4:30 p.m. doors; the forms, textures and pat Department of Music and Dance. created world deep in the catacombs “Phantom” lias it all — humor, beginning Tuesday. terns of light discovered in content The American version of “Phan beneath the Paris Opera House. Ex drama, action, beauty, romance, stag plative seeing. tom" promises to be the most elabo plorations of the inner man reveal a ing, incredible sets, wonderful cos A poet as well as a photographer, rate production Otterbein has ever perceptive soul as rigidly secreted tumes, electrifying special effects. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Discoveries, the Weinstein Company and Genius Products Debut an Adorable Story of Friendship, Love and Courage
FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY: DISCOVERIES, THE WEINSTEIN COMPANY AND GENIUS PRODUCTS DEBUT AN ADORABLE STORY OF FRIENDSHIP, LOVE AND COURAGE Arriving on DVD September 2nd, Animated Family Adventure Features An All-Star Cast Of Voices Including Martin Short And Carl Reiner SANTA MONICA, CA – A lovable young elephant journeys into the big world when the CGI animated tale The Blue Elephant arrives on DVD September 2nd presented by The Weinstein Company, Genius Products and The Jim Henson Company: Discoveries, the newly formed acquisitions banner that presents third party produced titles that reflect the Company’s long-standing tradition of creative excellence. Produced in Thailand by Kantana Group Public Co. Ltd., The Blue Elephant features all-star voice talent including Emmy® Award winner* Martin Short (Spiderwick Chronicles, Santa Claus 3), eight time Emmy® Award winner** Carl Reiner (“Father of the Pride,” Ocean’s Thirteen) and Miranda Cosgrove (“iCarly,” “Drake & Josh”). A heartwarming film brimming with thrilling adventure, The Blue Elephant is a touching story with valuable life lessons as a young elephant encounters new friends, first love, and unexpected challenges. Fun for parents and kids alike, The Blue Elephant DVD will be available for the suggested retail price of $19.97. * 1983 – “SCTV” – Outstanding Writing in a Variety or Music Program ** 1957 & 1958 – “Caesar’s Hour” – Best Supporting Actor; 1962, 1963, 1964, 1965, 1966 – “The Dick Van Dyke Show” – Outstanding Writing Achievement in Comedy; 1995 – “Mad About You” – Outstanding Guest Actor in a Comedy Series Page 1 of 2 Synopsis: A young elephant goes on an extraordinary adventure and learns important lessons along the way about friendship, love and courage. -
Phantom (Complete Script with Lyrics) by Arthur Kopit, Maury Yeston for Online Ebook
Phantom (complete script with lyrics) Arthur Kopit, Maury Yeston Click here if your download doesn"t start automatically Phantom (complete script with lyrics) Arthur Kopit, Maury Yeston Phantom (complete script with lyrics) Arthur Kopit, Maury Yeston 30m, 7f, plus ensemble (doubling possible.) / Ints./exts. This mesmerizing Phantom is traditional musical theatre in the finest sense. The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book. It is constructed around characters more richly developed than in any other version, including the original novel. "Everything is first rate." - N.Y. Daily News "Rhapsodic music that entrances, moves and haunts...A welcome link to musical theatre's golden past." - The New York Times Download Phantom (complete script with lyrics) ...pdf Read Online Phantom (complete script with lyrics) ...pdf Download and Read Free Online Phantom (complete script with lyrics) Arthur Kopit, Maury Yeston From reader reviews: Marlene Childs: As people who live in the modest era should be update about what going on or data even knowledge to make them keep up with the era which can be always change and move ahead. Some of you maybe will probably update themselves by reading through books. It is a good choice in your case but the problems coming to anyone is you don't know which one you should start with. This Phantom (complete script with lyrics) is our recommendation to help you keep up with the world. Why, because this book serves what you want and want in this era. -
Miramax's Asian Experiment: Creating a Model for Crossover Hits Lisa Dombrowski , Wesleyan University, US
Miramax's Asian Experiment: Creating a Model for Crossover Hits Lisa Dombrowski , Wesleyan University, US Prior to 1996, no commercial Chinese-language film had scored a breakout hit in the United States since the end of the 1970s kung fu craze. In the intervening period, the dominant distribution model for Asian films in America involved showcasing subtitled, auteur-driven art cinema in a handful of theaters in New York and Los Angeles, then building to ever more screens in a platform fashion, targeting college towns and urban theaters near affluent, older audiences. With the American fan base for Hong Kong action films steadily growing through video and specialized exhibition during the 1980s, Miramax chieftain Harvey Weinstein recognized the opportunity to market more commercial Chinese-language films to a wider audience outside the art cinema model as a means of generating crossover hits. Beginning in 1995, Weinstein positioned Miramax to become the primary distributor of Hong Kong action films in the United States. Miramax's acquisition and distribution strategy for Hong Kong action films was grounded in a specific set of assumptions regarding how to appeal to mass-market American tastes. The company targeted action-oriented films featuring recognizable genre conventions and brand- name stars, considering such titles both favorites of hardcore Hong Kong film fans and accessible enough to attract new viewers. Rather than booking its Hong Kong theatrical acquisitions into art cinemas, Miramax favored wide releases to multiplexes accompanied by marketing campaigns designed to highlight the action and hide the "foreignness" of the films. Miramax initially adopted a strategy of dubbing, re-scoring, re-editing, and often re-titling its Hong Kong theatrical and video/DVD releases in order to make them more appealing to mainstream American audiences. -
'NINE' - the "'Ultimate" Musical for Melbourne
JUNE.JULY,1987, Vol12 No 3 ISSN 0314 -3058 A publication of the Australian Elizabethan Theatre Trust 'NINE' - The "'Ultimate" Musical for Melbourne 'NINE' by Arthur Kopit Music and lyrics by Maury Yeston Directed by fohn Diedrich Musical Director Conrad Helfrich Choreography and Staging by fo·anne Robinson and Tony Bartuccio Cast includes fohn Diedrich, Nancy Hayes, Peta Toppano, Maria Mercedes Comedy Theatre "NINE is a true original ... a marvellous musical ... theatrically and visually NINE is a stunner ... combining outrageous pizzazz with chic and good taste. It is magic ... you must see NINE" Clive Barnes, New York Post he winner of five Tony Awards on T Broadway, including Best Musical of 1~82, the Australian premiere of 'NINE' i~ coming to Melbourne. Billed as "the Ultimate Musical', 'NINE' is the culmination of a dream for John Deid rich who has assembled an amllzing array of Australian talent for this most highly praised musical. 'NINE' is based on Fellini's classIc flim "81f2" which tells the story of an Italian film director, Guido Contini and his search for happiness, honesty and love amongst the twenty-one women in his life. As well as directing the production John Diedrich plays the leading role of Contini, his first musical appearance since playing Curly in 'OKLAHOMA!'. Joining him on stage are twenty-one of Australia's most beautiful and talented actresses including Nancye Hayes, Maria Mercedes, Peta Toppano and Caroline Gillmer. This Australian pro BOOKING INFORMATION duction will have a new set designed by Commences Saturday July 11 Shaun Gurton and costumes by Roger Mon to Sat 8.00pm Wed and Sat matinees at 2.00pm Kirk with original choreography and AETI Mon , Tues $30 staging by Jo-anne Robinson (of Wed, Thurs $33 'CATS') and Tony Bartuccio. -
Phantom Flame.Indd
Women’s Health CLINIC SEPTEMBER 2017 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE The greatest Phantom of them all! IT DOESN’T SEEM LIKE 20 YEARS SINCE WE LAST PRODUCED ARTHUR KOPIT AND MAURY YESTON’S PHANTOM. OUR FIRST TWO PRODUCTIONS OF THE SHOW WERE DIRECTED BY PHIL MCKINLEY, WHO WENT ON TO DIRECT THE BOY FROM OZ AND SPIDERMAN ON BROADWAY. THIS TIME AROUND I WILL GET THE CHANCE TO DIRECT THIS BEAUTIFUL MUSICAL AND I’M VERY EXCITED. A lot of people get Kopit and Yeston’s Geoffrey Holder to write a musical based PHANTOM confused with Andrew Lloyd on Leroux’s novel. Holder had obtained Webber’s PHANTOM OF THE OPERA the rights to musicalize the novel in which has run on Broadway for decades. America from the Leroux estate, making The two shows couldn’t be more different. PHANTOM the only "Phantom of the Although they are based on the same 1909 Opera" musical to do so. novel “Phantom of the Opera” by Gaston Leroux, they take the story in very different In 1984, British producer Ken Hill revived directions. For my money, the Kopit and his 1976 musical "Phantom of the Opera" Yeston version is far superior. It has a in England. This was not a big threat better musical score and unlike Webber’s to Holder, Kopit and Yeston, since their “The story of why the Webber show, which is composed through with musical was intended to play on Broadway. version has overshadowed this no dialogue, it has a beautiful, powerful, The real threat emerged through an announcement in Variety, where an superior production is quite moving book that can exist (and has) as a play without music. -
The King's Speech
G-0172:G_ 30.01.2011 13:52 Uhr Seite 118 Berlinale 2011 Tom Hooper Berlinale Special THE KING’S SPEECH Gala THE KING’S SPEECH THE KING’S SPEECH Großbritannien/ Darsteller Australien 2010 King George VI./ Bertie Colin Firth Länge 117 Min. Lionel Logue Geoffrey Rush Format 35 mm, 1:1.85 Queen Elizabeth Helena Bonham Farbe Carter King Edward VIII. Guy Pearce Stabliste Winston Churchil Timothy Spall Regie Tom Hooper Erzbischof Cosmo Buch David Seidler Lang Derek Jacobi Kamera Danny Cohen Myrtle Logue Jennifer Ehle Schnitt Tariq Anwar Stanley Baldwin Anthony Andrews Ton John Midgley Queen Mary Claire Bloom Musik Alexandre Desplat King George V. Michael Gambon Production Design Eve Stewart Wallis Simpson Eve Best Art Director David Hindle Robert Wood Andrew Havill Kostüm Jenny Beavan Dr. Blandine- Maske Frances Hannon Bentham Roger Hammond Regieassistenz Martin Harrison Princess Elizabeth Freya Wilson Casting Nina Gold Princess Margaret Ramona Marquez Lord Wigram Patrick Ryecart Herstellungsltg. Peter Heslop Geoffrey Rush, Colin Firth, Helena Bonham Carter Produktionsltg. Erica Bensley Lord Dawson Simon Chandler Produzenten Iain Canning Duke of Kent Orlando Wells Emile Sherman THE KING’S SPEECH Duke of Gloucester Tim Downie Gareth Unwin Nach wahren Begebenheiten erzählt das aufwendig rekonstruierte his - Neville Co-Produzenten Peter Heslop torische Drama von einer ungewöhnlichen Freundschaft zwischen zwei Chamberlain Roger Parrott Simon Egan höchst unterschiedlichen Männern. – Zu den Pflichten Alberts, Sohn des Executive Producers Geoffrey Rush briti schen Königs George V. und Herzog von York, gehören öffentliche Auf - Tim Smith Paul Brett trit te und gelegentliche Ansprachen. Für den zurückhaltenden und beson- Mark Foligno nenen Mann sind diese eine besondere Qual, denn seit seiner Jugend lei- Harvey Weinstein det „Bertie“, wie ihn die Familie nennt, an einem schweren Stottern. -
The Making of a Predator, Part II
Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM What about Bob? Though Harvey o2en took center stage, his brother toiled o;stage. CRIME The Making of a Predator, Part II https://airmail.news/issues/2020-6-20/the-making-of-a-predator Page 1 of 18 Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM How Bob Weinstein played a primal role in Harvey’s rise and—perhaps—fall BY PHOEBE EATON ILLUSTRATION BY PAUL DAVIS JUNE 20, 2020 READING TIME: 12 MINUTES Read in Italian › Read in French › In Part I, Phoebe Eaton examined the drama behind Harvey and Bob Weinstein’s childhood, and the freneDc early years as they broke into Hollywood. She also revealed Harvey’s paHern of abuse—and the disJgurement of his genitalia. In Part II, she looks at how the noose Dghtened around Harvey, and why the brothers came into conKict. Read Part III here. hrough the years, Bob and Harvey had grown apart. Bob, T always the withdrawn, less social of the two, at !rst moved his office to another #oor, then to a separate building. $eir bickering was infamous. Bob’s ex-girlfriend Ivana Lowell recalls that one of his offices had a hole in the wall, a reminder of that time he threw a telephone at Harvey. Yet the brothers remained united, feuding constantly but always locking arms when they needed to. As one former Miramax employee said, “Do Bob and Harvey go through periods of not talking? All the https://airmail.news/issues/2020-6-20/the-making-of-a-predator Page 2 of 18 Bob Weinstein: Harvey Weinsteinʼs Relationship With His Brother - Air Mail 3/15/21, 442 PM time. -
A Case Study of the Weinstein Company, Harvey Weinstein, and the #Metoo Movement
Crisis Communication, Potential Liability, and Activism in the Age of Social Media: A Case Study of The Weinstein Company, Harvey Weinstein, and the #MeToo Movement By Kristen M. Marino Senior Honors Thesis School of Media and Journalism University of North Carolina at Chapel Hill April 6, 2018 Approved: © 2018 Kristen M. Marino ALL RIGHTS RESERVED ii Abstract Although crisis communication and crisis management are large, evolving fields of public relations research, the intersection of crisis mitigation and legal concerns is under- explored. This study attempted to fill this gap by conducting a case study of a potentially liable organization and individual in crisis. Specifically, this thesis used a qualitative content analysis to examine The Weinstein Company’s and Harvey Weinstein’s mitigation efforts during the sexual misconduct allegations that surfaced in 2017, as well as the resulting rise of the #MeToo activist movement. In answering the research questions of this study, findings suggested that newer theories, such as the social-mediated crisis communication model, may be more appropriate to understand crises that involve potential liability, many stakeholders, and interacting traditional and social media; pointed to several tangible recommendations for potentially liable entities in crisis; and illustrated important nuances and factors that they should consider when responding. iii Acknowledgements There are simply not enough words for me to ever convey how thankful I am to have you all in my life and throughout this process. Still, I will try, as it is truly the least I can do. First, to my advisor, professor, mentor, and friend, Dr. Joseph M. Cabosky, who has been an irreplaceable part of my life and education.