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Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper. -
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286 275 MADISON AVENUE BUILDING, originally 22 East 40th Street Building (aka 273-277 Madison Avenue; 22-26 East 40th Street), Borough of Manhattan. Built 1930-31; Kenneth Franzheim, architect. Landmark Site: Borough of Manhattan Tax Map Block 869, Lot 54. On June 24, 2008, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the 275 Madison Avenue Building and the proposed designation of its related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Three people, including a representative of the building’s owner and representatives of the Historic Districts Council and the Municipal Art Society, spoke in favor of designation. Summary Rising 43 stories in height and completed in 1931, 275 Madison Avenue is an outstanding Art Deco skyscraper dating from the end of New York’s 1920s and early-1930s skyscraper boom. Designed by noted architect Kenneth Franzheim, the building features a striking polished-granite base; three stories high with tall rectangular openings, it was treated by Franzheim as a “stage setting” with a compelling black-and-silver color scheme and rich abstract ornament. Rising above the base is a dramatically massed, slab-form tower that steps back repeatedly before narrowing to a nearly square plan at its upper floors. Like the nearby Daily News Building completed the year before, 275 Madison is best described as a transitional work, bridging the exuberant, “modernistic” Art Deco style and the spare, sculptural qualities of the International Style. -
Prospectus 2006.1.Indd
I•N•T•B•A•U International Network for Traditional Building, Architecture & Urbanism Patron: His royal highness THE PRINCE OF WALES P ro s p e c t u s Dr Matthew Hardy • Aura Neag London • May 2006 Produced by Dr Matthew Hardy and Aura Neag for the International Network for Traditional Building Architecture & Urbanism © INTBAU 2006 all rights reserved # Contents Char ter A personal message from our Patron, His Royal Highness The Prince of Wales 1. Introduction 1.1 INTBAU 1.2 Need for INTBAU 1.3 Support for INTBAU 1.4 Charter 1.5 Committee of Honour 1.6 Chapters 1.7 Patron 1.8 Income 2. Membership 2.1 General Membership 2.2 Higher Membership 2.3 INTBAU College of Traditional Practitioners ICTP 3. Activities 4. Recent projects 5. Future projects 6. How you can support INTBAU 7. Appendices 7.1 Organisational structure diagrams 7.2 Members of Board 7.3 Members of Committee of Honour 7.4 Members of Management Committee 3 Charter The International Network for Traditional Building, Architecture and Urbanism is an active network of individuals and institutions dedicated to the creation of humane and harmonious buildings and places that respect local traditions. • • • • • Traditions allow us to recognise the lessons of history, enrich our lives and offer our inheritance to the future. Local, regional and national traditions provide the opportunity for communities to retain their individuality with the advance of globalisation. Through tradition we can preserve our sense of identity and counteract social alienation. People must have the freedom to maintain their traditions. Traditional buildings and places maintain a balance with nature and society that has been developed over many generations. -
The-Monacelli-Press-2015-Catalog
The Monacelli Press 2015 new titles & complete backlist Frontlist Fall 2015 02 Spring 2015 30 Backlist Architecture 56 Gardens & landscapes 67 Interior design & décor 72 Art & design 80 Photography 86 Index 90 ISBN index 93 Ordering & contact information 96 Fall 2015 05 Interiors in Detail 100 Contemporary Rooms Dominic Bradbury Interior design & décor Encompassing everything from a Brooklyn rowhouse to a Swiss chalet, this beautifully illustrated book is a style bible for anyone interested in September 15, 2015 design for the home. A rich resource to feed the imagination, Interiors 432 pages 7½ x 9¾ inches in Detail illustrates each of ten chapters—devoted to color, composition, 600 color illustrations setting, and other specific elements of interior style—with ten $45/$52 Canada evocative houses or apartments designed by some of the most original 978-1-58093-434-3 and creative designers and architects from around the world: Bates U.S. and Canadian rights Masi, Alexander Gorlin, Rose Tarlow, Sills Huniford, Studio KO, Pierre Dominic Bradbury is a Frey, Vicente Wolf, Tsao & McKown, Frederic Mechiche, Fearon Hay, journalist and writer David Collins, and many more. specializing in architecture An opening double-page spread reveals the most spectacular and design. His books space in each home, with individual features described in further detail include Mid-Century Modern on the following pages. With key design ingredients explored Complete (2014), The Iconic Interior (2012), and The throughout—from materials to furniture design, texture, pattern, and Iconic House (2009), among light—Interiors in Detail is an essential source book for anyone seeking many others. -
Arquitectura En La Era De La Austeridad Architecture in the Age of Austerity
La Arquitectura en la Era de la Austeridad Architecture in the Age of Austerity Mairea Libros Seminario Internacional International Seminar La Arquitectura en la Era de la Austeridad Architecture in the Age of Austerity Escuela Técnica Superior de Arquitectura de Madrid (ETSAM) 18 al 20 de Junio de 2013 Organizado, gracias a la generosidad de la Richard H. Driehaus Charitable Lead Trust, por el Premio Rafael Manzano Martos de Arquitectura Clásica y Restauración de Monumentos y la School of Architecture of the Notre Dame University, con la participación de la Universidad Politécnica de Madrid y la colaboración del Centro de Investigación de Arquitectura Tradicional (CIAT) e INTBAU España Edición a cargo de Alejandro García Hermida Mairea Libros Editado por: Alejandro García Hermida Diseño: Helena García Hermida © De los textos sus autores © De esta edición, Mairea Libros 2013 Mairea Libros Escuela Técnica Superior de Arquitectura Avenida Juan de Herrera, 4. 28040 MADRID Correo E: [email protected] Internet: www.mairea-libros.com ISBN: 978-84-941317-9-0 Depósito Legal: M-18411-2013 Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra sólo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la Ley 23/2006 de Propiedad Intelectual, y en concreto por su artículo 32, sobre “cita e ilustración de la enseñanza”. Impresión: StockCeroDayton San Romualdo, 26 28037 Madrid Impreso en España – Printed in Spain labor. A Carol Wyant, quien, a pesar to the search for more humane and effort. To all the wonderful friends from de la distancia física, siempre ha estado sustainable models for the practice of Escuela Superior de Arquitectura de cerca para dar la mejor solución a architecture, urbanism and cultural he- Madrid and Universidad Alfonso X cuantos escollos hemos hallado en el ritage preservation in its wider sense. -
Robert Adam 2017 Laureate
Robert Adam 2017 Laureate Contents Press Release ……………………………………………………………… 2 Images …………………………………………………………………….. 4 Driehaus Prize ……………………………………………………………. 13 Ceremony Choregic Monument Past Laureates Henry Hope Reed Award …………………………………………………. 14 Medal Past Recipients Jury ……………………………………………………………………….. 15 Press Release Robert Adam named 15th Richard H. Driehaus Prize Laureate James S. Ackerman posthumously presented the Henry Hope Reed Award Robert Adam, an architect known for his scholarship as well as his practice, has been named the recipient of the 2017 Richard H. Driehaus Prize at the University of Notre Dame. Adam, the 15th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 25 (Saturday) in Chicago. In conjunction with the Driehaus Prize, the $50,000 Henry Hope Reed Award, given annually to an individual working outside the practice of architecture who has supported the cultivation of the traditional city, its architecture and art, will be presented posthumously to architectural historian James S. Ackerman. Additionally, on the occasion of the 15th anniversary of the Driehaus Prize, the jury has elected to honor the Congress for the New Urbanism (CNU) with a special award for contributions to the public realm. “Throughout his career, Robert Adam has engaged the critical issues of our time, challenging contemporary attitudes toward architecture and urban design. He has written extensively on the tensions between globalism and regionalism as we shape our built environment,” said Michael Lykoudis, Driehaus Prize jury chair and Francis and Kathleen Rooney Dean of Notre Dame’s School of Architecture. “Sustainability is at the foundation of his work, achieved through urbanism and architecture that is respectful of local climate, culture and building customs.” Adam received his architectural education at Westminster University and was a Rome Scholar in 1972–73. -
Report to Donors 2008 Table of Contents
Report to Donors 2008 Table of Contents Mission Statement 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 8 Gifts to the Collection 10 Statement of Financial Position 12 Donors 13 Planned Giving 23 Staff 24 Mission Statement he Pierpont Morgan Library was incorporated in 1924 as an educational institution dedicated to fostering a greater knowledge, understanding, and appreciation of primarily Western history and culture. Originally formed by Pierpont Morgan (1837– T1913), the permanent collection records and reflects achievements of European and American literature, music, art, and history. The Morgan is one of the very few institutions in the United States that collects, exhibits, and sponsors research in the areas of illuminated manuscripts, master drawings, rare books, fine bindings, and literary, historical, and music manuscripts. To realize its purpose, The Morgan Library & Museum has four goals: to function as a center and source for research and publication in the permanent collection and to promote its scholarly study; to preserve and care for the collection that is held in trust for the American people; to acquire, through purchase and gift, significant works in the fields established by Pierpont Morgan; to present the collection, related exhibitions, and interpretive programming to the general public, students, collectors, and scholars in a manner consistent with the highest educational and artistic standards. The significance of the collection mandates a national and international role for the institution, both as an educational resource for the general public and as a research center for the scholarly community. -
Elegance in the Sky: the Architecture of Rosario Candela at the Museum of the City of New York
For Immediate Release Elegance in the Sky: The Architecture of Rosario Candela at the Museum of the City of New York Samuel H. Gottscho, "960 Fifth Avenue. Dining room," 1930. Museum of the City of New York, Gottscho-Schleisner Collection, 88.1.1.1012 Exhibition Explores Renowned Architect Who Played a Major Role in Defining Luxury Living in Early 20th Century Manhattan On View: Thursday, May 17–Sunday, October 28, 2018 (New York, NY) On Thursday, May 17, 2018, the Museum of the City of New York will open Elegance in the Sky: The Architecture of Rosario Candela, an exhibition exploring the legacy of renowned architect Rosario Candela (1890–1953), who played a major role in transforming and shaping luxury living of 20th century Manhattan with the design of the distinctive “prewar” apartment buildings that define the cityscapes of iconic streets such as Park and Fifth Avenues and Sutton Place. Candela’s elegant yet understated high-rises, including 960 Fifth Avenue, 740 Park Avenue, and One Sutton Place South, featured set-back terraces and neo-Georgian and Art Deco ornament that created the look of New York urbanism between the World Wars. The exhibition is designed by Peter Pennoyer Architects. Graphic design is by Tsang Seymour. Elegance in the Sky tells the remarkable story of how Rosario Candela, an immigrant architect, made a permanent name for himself by becoming an influential force in transforming the way the wealthiest in New York City lived. Through photographs, ephemera, graphics, furnishings, and digital animation, the exhibition displays how Candela and his colleagues inspired some of the most prominent New Yorkers to move from their private homes to “luxury mansions in the sky,” thus changing the landscape of the city. -
The Olana Partnership Announces Summer Exhibition “Follies
PO Box 199 Hudson, NY 12534-0199 518-828-1872 www.olana.org FOR IMMEDIATE RELEASE JUNE 20, 2016 The Olana Partnership Announces Summer Exhibition “Follies, Function & Form: Imagining Olana’s Summer House” An exhibition showcasing original concept sketches by 21 architects and landscape architects, inspired by Frederic Church’s OLANA June 20th, 2016, New York, NY: The Olana Partnership, in collaboration with the New York chapters of the American Institute of Architects (AIANY) and the American Society of Landscape Architects (ASLA-NY), is pleased to announce a design exhibition at Olana State Historic Site in Hudson, New York. Titled Follies, Function & Form: Imagining Olana’s Summer House, the exhibition unites noted architects and landscape architects and is curated by The Olana Partnership with guest co-curator Jane Smith, AIA, of Spacesmith. The exhibition addresses one of the great mysteries at Olana -- the Summer House – and it runs from August 14th through November 13th, 2016 in Olana’s Coachman’s House Gallery. Olana is the 250-acre creation of American landscape artist Frederic Church and exists in the birthplace of America’s first native art movement, the Hudson River School. Considered Frederic Church’s great masterpiece, Olana combines art, architecture, design and conservation ideals. In the 1886 “Plan of Olana,” a detailed blueprint of Church’s vision for his large-scale designed landscape, the plan’s details are largely accurate, yet it contains a structure labeled “Summer House”, which doesn’t exist today. Lacking documentary evidence to demonstrate the design and style of this structure, 21 architects and landscape architects were invited to participate in public interpretation at Olana. -
Report to Donors 2012 Table of Contents
Report to Donors 2012 Table of Contents Mission 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 9 Gifts to the Collection 12 Statement of Financial Position 14 Donors 15 Planned Giving 23 Staff 24 Mission Board of Trustees he mission of The Morgan Library & Museum is to Lawrence R. Ricciardi Karen H. Bechtel ex officio preserve, build, study, present, and interpret a collection President Rodney B. Berens William T. Buice III Susanna Borghese William M. Griswold T of extraordinary quality in order to stimulate enjoyment, James R. Houghton T. Kimball Brooker William James Wyer excite the imagination, advance learning, and nurture creativity. Vice President Karen B. Cohen Flobelle Burden Davis life trustees A global institution focused on the European and American Richard L. Menschel Geoffrey K. Elliott William R. Acquavella traditions, the Morgan houses one of the world’s foremost Vice President Brian J. Higgins Walter Burke Clement C. Moore II Haliburton Fales, 2d collections of manuscripts, rare books, music, drawings, and George L. K. Frelinghuysen John A. Morgan S. Parker Gilbert, ancient and other works of art. These holdings, which represent Treasurer Diane A. Nixon President Emeritus the legacy of Pierpont Morgan and numerous later benefactors, Cosima Pavoncelli Drue Heinz Thomas J. Reid Peter Pennoyer Lawrence Hughes comprise a unique and dynamic record of civilization as well as Secretary Cynthia Hazen Polsky Herbert Kasper an incomparable repository of ideas and of the creative process. Katharine J. Rayner Herbert L. Lucas Annette de la Renta Charles F. -
ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton -
Arquitectura Y Humanismo Architecture and Humanism
Arquitectura y Humanismo Architecture and Humanism Seminario Internacional International Seminar Arquitectura y Humanismo Architecture and Humanism Escuela Técnica Superior de Arquitectura de Madrid (ETSAM) 29 y 30 de Octubre de 2015 Organizado, gracias al apoyo del Richard H. Driehaus Charitable Lead Trust, por el Premio Rafael Manzano Martos de Arquitectura Clásica y Restauración de Monumentos y la School of Architecture of the University of Notre Dame, con la participación de la Universidad Politécnica de Madrid y de la Universidad Alfonso X el Sabio y la colaboración del Centro de Investigación de Arquitectura Tradicional (CIAT) y de INTBAU España. Editado por Alejandro García Hermida Editado por: Alejandro García Hermida Diseño: Helena García Hermida © De los textos, sus autores © De esta edición, Mairea Libros 2015 Mairea Libros Escuela Técnica Superior de Arquitectura Avenida Juan de Herrera, 4. 28040 MADRID Correo electrónico: [email protected] Internet: www.mairea-libros.com ISBN: 978-84-944528-3-3 Depósito Legal: M-33222-2015 Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra sólo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la Ley 23/2006 de Propiedad Intelectual, y en concreto por su artículo 32, sobre “cita e ilustración de la enseñanza”. Impresión: Artia Comunicación Agradecimientos Acknowledgements Alejandro García Hermida Este libro y este seminario han sido posibles gracias a la ayuda y el apoyo de numerosas personas e instituciones. Primeramente, a Richard H. Driehaus, sin cuya generosidad nada de esto sería posible y cuya visión y dedicación están contribuyendo de manera incalculable a la búsqueda de modelos más humanos y sostenibles para la práctica de la arquitectura, el urbanismo y la preservación de nuestro patrimonio cultural en su más amplio sentido.