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The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
University of California Santa Cruz the Vietnamese Đàn
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music -
Land Under Pressure: the Value of Irish Land in a Period of Rapid Population Growth, 1730–1844*
Land under pressure: The value of Irish land in a period of rapid population growth, 1730–1844* land under pressure by Peter M. Solar and Luc Hens Abstract This paper uses information on almost 5000 leases to arrive at estimates for the trends in current land values in County Armagh from 1730 to 1844. The estimates control for the length of the lease, the holding size, and the quality of land in the townland where the property was located, the last relying on information from the General Valuation of Ireland. They show growth in nominal rents up to the early 1770s, a plateau in the 1770s, 1780s and 1790s, an increase to the early 1810s, followed by a fall to the early 1820s and another plateau thereafter, stretching until the famine of the late 1840s. Taken together with information on wage and price trends, the new estimates show little change in real rents and negative total factor productivity growth from the 1780s to the 1830s. The Irish economy in the eighteenth and early nineteenth centuries was predominantly agricultural. In 1841, 53 per cent of the labour force worked on the land, and in the early eighteenth century the share was probably higher.1 The timing and direction of change in the intervening years are a matter of dispute, which is unlikely ever to be resolved fully in the absence of sufficiently reliable statistical information.2 Ireland was also experiencing one of the highest population growth rates in Europe: from the early 1750s until the 1820s upwards of 1.4 per cent per annum.3 The natural rate of population growth remained relatively high into the 1830s and early 1840s, with the actual rate slowing only with the beginnings of mass emigration. -
ALL the PRETTY HORSES.Hwp
ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. -
Monmouth Boat Club Has Diamond Jubilee
For All Departments Call RED BANK REGISTER RE 6-0013 VOLUME LXXVI, NO. 49 RED BANK, N. J., THURSDAY, JUNE 3, 1954 10c PER COPY SECTION ONE—PAGES 1 TO 16. Coast Guard Auxiliary to Hold Oceanic Fire Company Celebrates 75th Anniversary Monmouth Boat Club Courtesy Exams This Week-End Has Diamond Jubilee ••- NEW YORK CITY—Roar Ad- This is the diamond jubilee year miral Louis B. Olson, commander save him a g d deal of trouble if of thn Monmouth Boat club cover- of the Coast Guard's eastern area he is inspected later by a regular State Chamber ing 73 years of boating activities. and third Coast Guard district, this Federal Communications commis- Its anniversary program, the birth- week called attention to all pleas- sion official. This check is also day date being May 29, culminates ure boat.owners to the free public rendered as a "courteBy," and no Opposes Bill 9 with thin week's activities. service of the Coast Guard auxili- report Is made to F.C.C. should it The club has Issued a souvenir ary in conducting safety examina- be found that the boat owner has history and roster, 'he introductory tions of pleasure boats. not fully complied with the laws On Teacher Pay page of which carried a message "This season," he said, "presents pertaining to vessel radio stations. from Commodoro Harvey N, a. greator challenge than ever be- Each auxiliary flotilla has its Commissioner Schcnck as follows: fore. Many new boat owners are corps of qualified examiners and "Tho Monmouth Boat club's his- venturing on the waters for the will sponsor certain localities in its Isn't Arbiter, tory over the past 75 years reveals first time with little or no experi- immediate vicinity. -
WO 2012/167278 Al 6 December 2012 (06.12.2012) P O P C T
(12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2012/167278 Al 6 December 2012 (06.12.2012) P O P C T (51) International Patent Classification: [RU/GB]; 6 Kilwarlin Crescent, Hillsborough, Northern G01N 33/50 (2006.01) C12Q 1/68 (2006.01) Ireland BT26 6QF (GB). KENNEDY, Richard [GB/GB]; 15 Edgcumbe Gardens, Belfast, Northern Ireland BT4 2EG (21) International Application Number: (GB). DAVISON, Timothy [US/US]; 301 Washington PCT/US20 12/040805 Street, Apt. 2109, Conshohocken, PA 19428 (US). (22) International Filing Date: WINTER, Andreas [DE/DE]; Wallensteinstrasse 19, 4 June 2012 (04.06.2012) 86368 Gersthofen (DE). MCCAVIGAN, Andrena [IE/IE]; 25 Pier Rampart, Derryadd, Lurgan, County (25) Filing Language: English Armagh, BT66 6QH (IE). (26) Publication Language: English (74) Agent: NLX, F., Brent; Johnson, Marcou & Isaacs, LLC, (30) Priority Data: 317a. E. Liberty Street, Savannah, GA 31401 (US). 61/492,488 2 June 201 1 (02.06.201 1) US (81) Designated States (unless otherwise indicated, for every (71) Applicant (for all designated States except US): ALMAC kind of national protection available): AE, AG, AL, AM, DIAGNOSTICS LIMITED [IE/GB]; Almac House, 20 AO, AT, AU, AZ, BA, BB, BG, BH, BR, BW, BY, BZ, Seagoe Industrial Estate, Craigavon, Northern Ireland CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, DO, BT63 5QD (GB). DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, HN, HR, HU, ID, IL, IN, IS, JP, KE, KG, KM, KN, KP, KR, (72) Inventors; and KZ, LA, LC, LK, LR, LS, LT, LU, LY, MA, MD, ME, (75) Inventors/Applicants (for US only): HARKIN, Dennis, MG, MK, MN, MW, MX, MY, MZ, NA, NG, NI, NO, NZ, Paul [IE/GB]; 195 Ballygowan Road, Dromore Co. -
Geographic Names
GEOGRAPHIC NAMES CORRECT ORTHOGRAPHY OF GEOGRAPHIC NAMES ? REVISED TO JANUARY, 1911 WASHINGTON GOVERNMENT PRINTING OFFICE 1911 PREPARED FOR USE IN THE GOVERNMENT PRINTING OFFICE BY THE UNITED STATES GEOGRAPHIC BOARD WASHINGTON, D. C, JANUARY, 1911 ) CORRECT ORTHOGRAPHY OF GEOGRAPHIC NAMES. The following list of geographic names includes all decisions on spelling rendered by the United States Geographic Board to and including December 7, 1910. Adopted forms are shown by bold-face type, rejected forms by italic, and revisions of previous decisions by an asterisk (*). Aalplaus ; see Alplaus. Acoma; township, McLeod County, Minn. Abagadasset; point, Kennebec River, Saga- (Not Aconia.) dahoc County, Me. (Not Abagadusset. AQores ; see Azores. Abatan; river, southwest part of Bohol, Acquasco; see Aquaseo. discharging into Maribojoc Bay. (Not Acquia; see Aquia. Abalan nor Abalon.) Acworth; railroad station and town, Cobb Aberjona; river, IVIiddlesex County, Mass. County, Ga. (Not Ackworth.) (Not Abbajona.) Adam; island, Chesapeake Bay, Dorchester Abino; point, in Canada, near east end of County, Md. (Not Adam's nor Adams.) Lake Erie. (Not Abineau nor Albino.) Adams; creek, Chatham County, Ga. (Not Aboite; railroad station, Allen County, Adams's.) Ind. (Not Aboit.) Adams; township. Warren County, Ind. AJjoo-shehr ; see Bushire. (Not J. Q. Adams.) Abookeer; AhouJcir; see Abukir. Adam's Creek; see Cunningham. Ahou Hamad; see Abu Hamed. Adams Fall; ledge in New Haven Harbor, Fall.) Abram ; creek in Grant and Mineral Coun- Conn. (Not Adam's ties, W. Va. (Not Abraham.) Adel; see Somali. Abram; see Shimmo. Adelina; town, Calvert County, Md. (Not Abruad ; see Riad. Adalina.) Absaroka; range of mountains in and near Aderhold; ferry over Chattahoochee River, Yellowstone National Park. -
Japan Digest
National Clearinghouse for United States-Japan Studies JAPAN Indiana University Memorial West #211 Bloomington, IN 47405-7005 DIGEST (800) 441-3272 (812) 855-3765 http://www.indiana.edu/~japan/Digests/koto.html Koto Music June 2004 Anne Prescott The koto is one of the most popular traditional instruments in Koto strings are strung very tightly, and when the bridges are Japan and one of the best known outside of that country. Although removed to store or transport the koto, the strings lay flat along the many people think of it as an ancient instrument whose music has surface of the instrument. Strings most often break near the playing not changed for generations, in fact it is a vibrant, living tradition. end, so the extra length of string, which is coiled at the opposite The koto repertoire has a wealth of compositions from 17th-century end, is pulled down and the string is retied. Although advanced classics to innovative contemporary works. This Digest introduces koto players can do this, they prefer to leave it to a professional the instrument, its history and music. koto shop technician, who routinely changes and tightens koto strings and is used to stretching them to the right tension quickly Physical description of the koto and easily. The standard koto is a zither (an instrument with strings Koto strings are plucked with plectra (picks) on the thumb and stretched the length of the sound box) with 13 strings. It is about 6 first two fingers of the right hand. The plectra are made of ivory or feet long, 10 plastic and are attached to the fingers with leather or paper bands. -
How Does Access to This Work Benefit You?
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-5-2018 THE SYNCRETIC ART AND HISTORY OF VIETNAMESE VỌNG CỔ MUSIC Clair Hoang Khuong Nguyen CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/321 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SYNCRETIC ART AND HISTORY OF VIETNAMESE VỌNG CỔ MUSIC by Clair Hoang Khuong Nguyen Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory, Hunter College The City University of New York 2018 Thesis Sponsor: May 5, 2018 Poundie Burstein Date Signature May 5, 2018 Ya-Hui Cheng Date Signature of Second Reader ii Abstract The syncretic Vietnamese vọng cổ music has much potential as an area of academic and theoretical research. Roughly translated to “longing for the old traditions,” vọng cổ is a modern 20th-century genre that combines traditional Eastern instrumentation and modal practices with Westernized concepts of cadence, meter, intervals, and form. It is all at once a composition, singing melody, instrumental improvisatory practice, and patterned cyclic structure. Vọng cổ is orally transmitted and leaves much to be documented and analyzed in terms of its modal scale system and musical practices. The increasing lack of instrumental performers and teachers, compounded by the rapidly Westernizing and modernizing youth of both Vietnam and the post- Vietnam War diaspora, contributes to the fading preservation of vọng cổ music. -
North River Music, Renee Weiler Concert Hall
northrivermusic The Renee Weiler Concert Hall FOR IMMEDIATE RELEASE Greenwich House Music School Contact: Scott Taylor [212.242.4770] 46 Barrow Street, NYC 212.242.4770 www.gharts.org IIIZ+ “Pling, Plang, Plung and [ka] Boom!” New York, NY - January 29, 2004 - Greenwich House Arts announces concert nine of the North River Music series featuring IIIZ+ (photo: below), a Japanese koto, Chinese zheng, Korean kayagum and changgu en- semble. On Thursday, February 26 at 8pm, IIIZ+ presents “Pling, Plang, Plung, and [ka] Boom!” with premieres by composers Hiroko Ito and Il-Ryun Chung, as well as existing work by Stefan Hakenberg, Tadao Sawai, Neng Qiang Xu and Shan Liu. Tickets cost $15 and $10 for students and se- niors. This performance will be held in Greenwich House Music School ‘s Renee Weiler Concert Hall, which is located at 46 Barrow Street, NYC (between Seventh Ave. South and Bedford St.). “Pling, Plang, Plung, and [ka] Boom!” features two world premieres of freshly commissioned works by Japanese-American composer and Harvard Ph.D. Hiroko Ito from Los Angeles and Korean-German composer Il-Ryun Chung, who is a prominent part of the vital contemporary music scene of today’s Ber- photo by alejandro dhers lin. Also on the program is IIIZ+’s title piece Three Zithers and a Pair of Scissors, kayagûm sanjo, a koto composition by the late modern koto master Tadao Sawai, and two short zheng solos: one traditional piece and a collaborative contemporary work by Chinese composers Neng Qiang Xu and Shan Liu. Hiroko Ito: Goblins’ Lagoon for koto, kayagum, guzheng and changgu: Goblins’ Lagoon is written for and dedicated to IIIZ+. -
Licensed Gambling Operators 9-30-2020
9/30/2020 PROVIDED BY THE MONTANA DEPARTMENT OF JUSTICE, GAMBLING CONTROL DIVISION LICENSED GAMBLING OPERATORS and LICENSEES for FISCAL YEAR 2021 GROUPED BY COUNTY, CITY AND FINALLY BY LOCATION NAME. COUNTY: BEAVERHEAD CITY: DILLON 4040442-004-GOA 15 Licensed Machine(s) BLACKTAIL STATION 26 S MONTANA ST DILLON MT 59725 Licensee: BLACKTAIL STATION INC 4065304-003-GOA 2 Licensed Machine(s) CLUB BAR 134 N MONTANA ST DILLON MT 59725 Licensee: CLUB BAR 6429929-004-GOA 5 Licensed Machine(s) GATEWAY CANYON TRAVEL PLAZA 4055 REBICH LN DILLON MT 59725 Licensee: GATEWAY CANYON TRAVEL PLAZA INC. 6665116-003-GOA 9 Licensed Machine(s) GOLDEN BAR & CASINO 8 N MONTANA ST DILLON MT 59725 Licensee: GOLDEN BAR & CASINO, LLC 6329932-002-GOA 11 Licensed Machine(s) KLONDIKE INN 33 E BANNACK ST DILLON MT 59725 Licensee: CKI, LLC 6460969-004-GOA 5 Licensed Machine(s) KNOTTY PINE TAVERN 17 E BANNACK ST DILLON MT 59725 Licensee: B & R ENTERPRISES LLC 4091300-008-GOA 20 Licensed Machine(s) LUCKY LIL'S CASINO OF DILLON 635 N MONTANA ST DILLON MT 59725 Licensee: DILLON CASINO INC 4145194-013-GOA 20 Licensed Machine(s) MAGIC DIAMOND CASINO OF DILLON 101 E HELENA ST DILLON MT 59725 Licensee: TOWN PUMP OF HARLOWTOWN INC WEB-MT_mr011 Page 1 of 191 9/30/2020 PROVIDED BY THE MONTANA DEPARTMENT OF JUSTICE, GAMBLING CONTROL DIVISION LICENSED GAMBLING OPERATORS and LICENSEES for FISCAL YEAR 2021 GROUPED BY COUNTY, CITY AND FINALLY BY LOCATION NAME. COUNTY: BEAVERHEAD CITY: DILLON 6718975-003-GOA 4 Licensed Machine(s) OFFICE BAR 21 E BANNACK ST DILLON MT 59725 Licensee: ZTIK -
Sound Sets in Sibelius 2
Sound sets in Sibelius 2 For advanced users only! Before attempting to create your own sound set, it is worth checking if one is already available: see the online Help Center at http://www.sibelius.com/helpcenter/resources/ for the latest additions. Disclaimer Sound sets are complex files and are not designed to be user-editable. Using a sound set with incorrect syntax may cause your copy of Sibelius to behave unpredictably or even crash. Sibelius Software accepts no responsibility for any loss of data or other problems experienced as a result of editing the supplied sound sets or creating new ones. This document is provided ‘as is’, and no warranty, implied or otherwise, covers the information contained within. Please also note that we do not offer technical support on the editing or creation of sound set files. Filenames The filename of a sound set file is insignificant (i.e. it is not shown in the Play Z Devices dialog), but we recommend that it should be fairly descriptive. It should also be 31 characters or less (including the .txt file extension) to ensure compatibility with all file systems. Sound set syntax Please refer to the General MIDI.txt file inside C:\Program Files\Sibelius Software\Sibelius 2\Sounds for an example of correct sound set syntax. In fact, you may wish to copy this file and use it as the basis of your own sound set. The sound set starts with an open brace { and ends with a closing brace }. The body of the sound set contains the following fields within the opening and closing braces as a series of ‘tree nodes’, in this order: MIDIDevice Syntax: MIDIDevice "GM (General MIDI)" The name of the device, e.g.