Théâtre des Bouffes du Nord: LOS ANGELES PREMIERE

Wed, Apr 9 at 8pm Based on The Suit by , Mothobi Mutloatse and . Thu, Apr 10 at 8pm Direction, adaptation and musical direction by Fri, Apr 11 at 8pm , Marie-Hélène Estienne and Franck Krawczyk Sat, Apr 12 at 2pm & 8pm Sun, Apr 13 at 2pm Lighting by Philippe Vialatte Thu, Apr 17 at 8pm Costumes by Oria Puppo Assistant director: Rikki Henry Fri, Apr 18 at 8pm Sat, Apr 19 at 8pm With Jordan Barbour, Ivanno Jeremiah, Nonhlanhla Kheswa Freud Playhouse at Macgowan Hall Musicians Arthur Astier (guitar), Mark Christine (piano), Mark Kavuma (trumpet) PERFORMANCE DURATION: 75 minutes; No intermission Production Manager/Lighting Manager Pascal Baxter Company Manager/Stage Manager: Thomas Becelewski

Supported in part by the Merle & Peter Mullin Endowment for the Performing Première in Paris at Théâtre des Bouffes du Nord on 3rd April 2012 Arts, the Shirley & Ralph Shapiro Director’s On tour during the 2012/2013 and 2013/2014 seasons Discretionary Fund with additional support by Diane Levine and Robert Wass and the Production : C.I.C.T. / Théâtre des Bouffes du Nord Center for Global Management at the UCLA Coproduction: Fondazione Campania dei Festival / Napoli Teatro Festival Italia, Les Théâtres Anderson School of Management de la Ville de Luxembourg, Young Vic Theatre, Théâtre de la Place – Liège With the support of the C.I.R.T.

MEDIA SPONSOR: MESSAGE FROM THE CENTER:

Stories are important. Storytelling is a driving force in the ethos of the art of performance. Artists tell stories through myriad mediums--body movement, theater productions, writing, visual arts, photography--opening up windows to worlds and thoughts and ideas.

It’s a fascinating prospect to consider all the whys and hows of the stories we tell, the stories we absorb, the stories that resonate within us most strongly. And it’s fascinating to think about our obvious need to re-tell stories, to revisit worlds and thoughts and ideas in both new and traditional ways.

The Suit is a story within a story within a story. The plot itself tells one tale, how the fury and frustration of a husband to a wife plays out against a backdrop of the fury and frustration of an entire community. The fact that this tale has survived to be seen at all is yet another story, the author of this work having been posthumously revived from obscurity. And the fact that this production reflects the second time Peter Brook and his collaborators have come to this piece of work, presenting it in its original language, tells another story. The makers and performers of this production are writing yet another landscape, opening another window into the soul of a story and its original teller.

It’s a mighty and worthy undertaking and a powerfully compelling thing to witness.

How do we uncover, decipher, decide which stories should and can be told and re-told? Perhaps the only way to know is to tell them, to witness them, to experience them for ourselves.

And so, here we gather, for a precious moment in time, to experience this particular story, with all its color and texture and palpable gravity through the lens of one of the greatest theater makers of our time.

It is a great privilege to present The Suit and a great pleasure to ABOUT THE SUIT welcome you here to experience it with us. What was it that pushed us to return to le Costume – a play that had Thank you and enjoy. already toured the world in French for many years? The answer is quite simple – nothing in the theatre stands still, some themes just wear out, while others long to live again.

It all began in in the 50s when a brilliant black author, Can Themba, wrote a short story called The Suit. “This will change our life and make our fortune,” he told his wife, but fate decided otherwise. decided otherwise. Like all black authors dead or alive his books were banned, and Can Themba was exiled to Swaziland where he quickly died of poverty sadness and drink.

Many years went by before it was possible to turn it into a play. The first version came into being in at the Market Theatre, it went to and became, later, in a new adaptation le Costume.

It was quite natural for the trio of A Magic Flute to come together again to present The Suit in its original language – English. Letting music from different sources to be heard – from Franz Schubert to Miriam Makeba – plaid and sang by a small group of actors and musicians.

So a new adventure begins.

Peter Brook – Marie Hélène Estienne – Franck Krawczyk SYNOPSIS Giovanni for the Aix en Provence Festival and Une Flûte Enchantée at the Théâtre des Bouffes du Nord (2010). The story of The Suit centres on Philomen, a middle-class lawyer, and his wife, Matilda. The suit of the title belongs to Matilda’s lover and is Peter Brook received many rewards, such as the “Prix du Brigadier“ for left behind when Philemon catches the illicit couple in flagrante. As Timon of Athens (1975), the “Molière” for the direction of The Tempest punishment, Philemon makes Matilda treat the suit as an honoured (1991), the “Grand Prix SACD” in 2003 or the “Molière d’honneur“ guest. She has to feed it, entertain it and take it out for walks as a in 2011. Other productions were more recently rewarded, such as constant reminder of her adultery. But the set- ting of , a Fragments (“Prix Premio Ubu“ for the best foreign production in Italy/ teeming township that was erased shortly after Themba wrote his novel, Milano, 2008), Une Flûte enchantée (“Molière“ of musical theater, Paris is as much a character in the play as the unfortunate couple, and this 2011; Moroccan Federation of Theater’s professionals, Marrakech 2013). production lends it life and energy even with a minimal cast. Peter Brook’s autobiography, Threads of Time, was published in 1998 and joins other titles including The Empty Space (1968) – translated into ABOUT THE ARTISTS over 15 languages, The Shifting Point (1987), There are no Secrets (1993), Evoking (and Forgetting) Shakespeare (1999) and With Grotowski Peter Brook (2009). His films include Moderato Cantabile (1959), Lord of the Peter Brook was born in London in 1925. Throughout his career, he Flies (1963), Marat/Sade (1967), Tell me lies (1967), King Lear (1969), distinguished himself in various genres: theater, opera, cinema and Meetings with Remarkable Men (1976), The Mahabharata (1989) and writing. He directed his first play there in 1943. He then went on to The Tragedy Of (2002). direct over 70 productions in London, Paris and New York. His work with the Royal Shakespeare Company includes Love’s Labour’s Lost Marie-Hélène Estienne (1946), Measure for Measure (1950), Titus Andronicus (1955), King Lear In 1974, she worked with Peter Brook on the casting for Timon of (1962), Marat/Sade (1964), US (1966), A Midsummer Night’s Dream Athens, and consequently joined the Centre International de Créations (1970) and (1978). Théâtrales (CICT) for the creation of Ubu aux Bouffes in 1977. She was Peter Brook’s assistant on La tragédie de Carmen, Le In 1971, he founded with Micheline Rozan the International Centre for Mahabharata and collaborated to the staging of The Tempest, Theatre Research in Paris and in 1974, opened its permanent base in the Impressions de Pelléas, Woza Albert !, La tragédie d’Hamlet (2000). Bouffes du Nord Theatre. There, he directed Timon of Athens, The Iks, She worked on the dramaturgy of Qui est là. With Peter Brook, she Ubu aux Bouffes, Conference of the Birds, L’Os, , co-authored L’homme qui and Je suis un phénomène shown at the The Mahabharata, Woza Albert!, The Tempest, The Man Who, Théâtre des Bouffes du Nord. She wrote the French adaptation of the Quiest là, Happy Days, Je suis un Phénomène, Le Costume, The Tragedy Can Themba’s play Le costume, and Sizwe Bansi est mort, by authors of Hamlet, Far Away, La Mort de Krishna, Ta Main dans la Mienne, , , and . In 2003 she wrote the The Grand Inquisitor, Tierno Bokar, Sizwe Banzi, Fragments, Warum French and English adaptations of Le Grand inquisiteur – The Grand Warum, Love is my Sin, 11 and 12 and lately The Suit – many of these Inquisitor based on Dostoievsky’s Brothers Karamazov. She was the performing both in French and English. author of Tierno Bokar in 2005, and of the English adaptation of Eleven and Twelve by Amadou Hampaté Ba in 2009. With Peter Brook, she co- In opera, he directed La Bohème, Boris Godounov, The Olympians, directed Fragments, five short pieces by Beckett, and again with Peter Salomé and Le Nozze de Figaro at Covent Garden; Faust and Eugene Brook and composer Franck Krawczyk, she freely adapted Mozart and Onegin at the Metropolitan Opera House, New York, La Tragédie de Schikaneder’s Die Zauberflöte into Une flûte enchantée. Carmen and Impressions of Pelleas, at the Bouffes du Nord, Paris, Don Franck Krawczyk Jordan Barbour Composer, born in 1968, Franck Krawczyk started his musical training Jordan Barbour is an actor and singer based out of New York City. in Paris (piano, analysis, harmonization) then in Lyon (composition) Born in Willingboro, New Jersey in 1983, Jordan began working where he currently teaches chamber music at the Conservatory professionally while still in high school before moving to New York, (CNSMD). Very early on, Mr. Krawczyk was discovered by the Festival where he attended a joint program between Columbia University and d’automne à Paris (Autumn Festival in Paris), and started writing The Juilliard School. At Juilliard he studied vocal performance under several pieces for piano, cello, string quartet, ensembles and chamber the tutelage of David Clatworthy. Upon completion of the program in choir. In 2000, he received the Prix Hervé Dugardin and the Prix de 2005, Jordan worked with theatre companies in New York City and la SACEM for his orchestral piece Ruines. His subsequent artistic around the United States including New York Theatre Workshop, St. collaboration with Christian Boltanski gave him new perspectives on his Ann’s Warehouse, Urban Stages, Alabama Shakespeare music. With lighting designer Jean Kalman, he created a dozen pieces Festival, Williamstown Theatre Festival, and Syracuse Stage (where (“opus”) in France and abroad in locations ranging from Opera Houses he received a “Syracuse Area Live Theatre” Best Actor nomination for to spaces dedicated to contemporary art. In the meantime, he developed his work as Aslan in The Lion, The Witch, and The Wardrobe), among new forms of musical creations for various media: theater (Je ris de me others. Jordan has premiered several new works in the United States voir si belle with J. Brochen), readings (Les Limbes, Absence, with E. and internationally as well, including the world premiere of Langston in Ostrovski), video (Private joke with F; Salès) and for dance (Purgatorio- Harlem, an off-Broadway musical about the life of famed poet Langston In vision, with E. Greco and P.C. Scholten). Always maintaining strong Hughes, in which Jordan appeared as Countee Cullen at Urban Stages links to the classical repertoire, Mr. Krawczyk collaborated with choir in New York City. (Rachel Saltz, of The New York Times, called him Accentus conductor Laurence Equilbey (Vivaldi, Chopin, Schubert, a “standout.”)Jordan also performed at Pasadena Playhouse in the Liszt, Wagner, Mahler, Schoënberg) and with cellist Sonia Wieder- premiere of Stormy Weather, a musical about the life of Lena Horne Atherton (Janacek, Mahler, Rachmaninov, Monteverdi). (played by Leslie Uggams) in which Jordan Played Teddy Jones, her son.

In 2009, upon Peter Brook’s request, he conceived and interpreted a Additionally, Jordan helped create and then subsequently toured The musical accompaniment for Shakespeare’s sonnets (Love is my sin). Shipment by acclaimed New York playwright Young Jean Lee. Jordan They continued their collaboration with Marie-Hélène Estienne on has performed in The Shipment at venues around the globe, including Une flute enchantée, a free adaptation of Mozart’s Opera created in stops at the Festival d’Automne in Paris, France; Theater Spektakel November of 2010 at the Théâtre des Bouffes du Nord in Paris and in Zurich, Switzerland; Hebbel Theater in Berlin, Germany; Thalia currently touring internationally. Theater in Hamburg, Germany; and the Sydney Opera House in Sydney, Australia. His last major work Polvere for solo cello, instrumental ensemble and choir was created in 2010 at the Grand Palais (Monumenta-Christian Ivanno Jeremiah Boltanski) and subsequently performed in New York, Milan and Ivanno Jeremiah is a Ugandan-born actor who currently lives in Bologan. He’s currently working on his third String Quartet. London. He studied drama at the Brit School of Performing Arts and then won a place at the Royal Academy of Dramatic Art (RADA) where he graduated in 2010. Ivanno was the recipient of The Bursary in 2010, which commemorates the work of Alan Bates and is awarded guitar, saxophone, tuba, and harmonica. He holds an MFA from UC San annually to an actor of exceptional talent. Ivanno’s theatre credits include: Diego/La Jolla Playhouse and a BFA from the University of Michigan. Octavius in Julius Caesar with the Royal Shakespeare Company in London and international tour, Truth and Reconciliation at the Royal Mark Kavuma Court, Welcome Home at the Pleasance and As You Like It at the West Mark Kavuma is fast becoming one of the best young trumpet players Yorkshire Playhouse. During his time at RADA Ivanno performed in a on the British jazz scene. Having been voted best soloist at the very first variety of classical plays including Romeo and Juliet, Agamemnon and essentially Ellington competition in the UK, Mark managed to land The Seagull. Ivanno’s film credits include; The Veteran and Papadopoulos himself two prestigious gigs as guest soloist with Wynton Marsalis and and Sons. Ivanno had a leading role in the highly acclaimed TV series Jazz at Lincoln center orchestra. Only 20 years old and still advancing The Jury II and also appeared in Injustice, also for ITV. his studies at Trinity College of music Mark is a young man in demand. Playing with the likes Jazz Jamaica, Nu Civilization Orchestra, Brinsley Nonhlanhla Kheswa Ford (Aswad), Denis Batiste, Jay’s Jitter Jive band, Dub reggae group Nonhlanhla Kheswa grew up between two hardscrabble townships of Kalichakra, Kinetika and leading his own trio and quintet Mark has Johannesburg - Alexandra and Soweto - and professes to love them both played at most of London’s top venues, including the Royal festival hall, equally. She credits several primary school teachers with instilling in Royal Albert hall, Barbican, the Queen Elizabeth hall, the Round house, her a love of storytelling and singing. She attended Soweto’s Morris the Rivoli ballroom to name but a few. In addition, having supported Isaacson High School, where, two decades before Kheswa’s time there jazz legend John Hendricks at the one and only Ronnie Scott’s Mark is - more precisely, from June 13 to June 16, 1976 - the Soweto Uprising, a possibly one of the youngest people to lead his own outfit at the club’s turning point in South African political history, had been set in motion infamous late show. by Teboho Mashinini and other students. Before leaving school in 1998, Kheswa was recruited by South African film and television director Moreover, Mark has been involved with groups such as NYJO, TWYJO Darrell Roodt (Sarafina!, Cry, the Beloved Country, Dangerous Ground, and Trinity jazz ensemble. Also branching out into other genres with Winnie Mandela) for a role in his Soul City. On the heels of that, the the likes of situation opera, Op Sa Balkan band, Boney M, Gentlemen’s illustrious composer and producer Lebohang Morake snatched her up dub club, LSO, Mulatu Astatke and star (function band). In regards for Disney’s The Lion King, where she cut her teeth on Broadway for over to television Mark has appeared on the Paul O’Grady show, BBC ONE five years. as part of the only band to play in the GB athletes parade after the Olympics and has also made an appearance with Marcus Collins. While making a name as a featured vocalist in Wyclef Jean’s ensembles Currently Mark is involved with the national theatre’s production of the for nearly a decade after leaving The Lion King , Kheswa delved into highly recommended Amen Corner show running till August 2013. both the New York City jazz scene and Brooklyn’s eclectic, cross- pollinating youth music culture. Nourished by that ethos, Kheswa became even more of a musical polymath. Her band, Kheswa & Her Martians, is steeped in the hard-bop accents of Jackie McLean and Gary Bartz, the spirituality of John Coltrane and McCoy Tyner, and, naturally, the diverse strands of the South African jazz subculture. Meadowlands, Stolen Jazz is the band’s 2013 debut recording.

Peter Brook and Marie-Hélène Estienne discovered Kheswa at a 2011 audition at New York University for The Suit, and she has since toured the world with this production.”

Arthur Astier Born in 1985, Arthur Astier has played both guitar and bass guitar with various different rock bands. Drawn to innovative means of expression, he put his guitars to the service of other artistic forms such as plastic arts, theatre and classical music, principally by means of collaboration with the composer Franck Krawczyk: Je ris de me voir si belle directed by Julie Brochen, as well as a host o Boltanski/Kalman/Krawczyk productions: O Mensch!, Festival d’Automne; Happy Hours, Biennale d’Art Contemporain de Lyon; Pleins Jours, Théâtre du Châtelet; Gute Nacht, Nuits Blanches Paris; Polvere, Monumenta 2010 Paris (Grand Palais).

Mark Christine Mark Christine is a classically trained actor and musician currently based in Los Angeles. He has performed in both plays and musicals at some of the top regional theatres in the United States including the Guthrie Theatre, Center Theatre Group/Mark Taper Forum, La Jolla Playhouse, Denver Center, and Shakespeare Santa Cruz. His film and television credits include The New Year, Fortitude, The List, and the independent TV pilot The Band.

Mark has music directed, orchestrated, and accompanied for a variety of theatres and independent projects over the past decade, including works at Harlem Stage and Signature Theatre. He has played at numerous venues in New York and Los Angeles in addition to clubs and concert halls across the country. He studied classical piano from age 4 and over the years has learned a variety of instruments including accordion, Rikki Henry several stage sets and costumes for opera as well as performative Rikki studied Film Production at the University for the Creative Arts. installations in contemporary art spaces. Following her work on Previously at the Young Vic, he directed the Young People’s production of The Suit, directed by Peter Brook and Marie-Helène Estienne, as of Government Inspector. As assistant director at the Young Vic, his work 2012 she is working on the stage sets for a production of Handel’s La includes Vernon God Little, Annie Get Your Gun and the Young People’s Resurrezione, directed by Lilo Baur for the Paris National Opera’s productions of Uncle Vanya and King Lear. Other recent directing work Atelier Lyrique. She is also at work on the sets and costumes for Jean includes: From Dover to Calais (ATC/Bristol Old Vic/Young Vic); Jitney Genet’s The Maids, in a Ciro Zorzoli production featuring Marilú (monologue by August Wilson) (Trafalgar Arts/The Old Red Lion); Woza Marini, to be staged in Buenos Aires. Albert! (staged reading) (Albany/Stonecrabs Theatre); and The Moment Before ( /Strawberry Picking Festival). Pascal Baxter Rikki’s assistant directing credits also include: When the Chickens Came Pascal Baxter was born in 1964 in Montréal, Canada and graduated Home to Roost, Urban Legends (National Theatre Studio) and Ghosts or from the Central Speech of School and Drama (London) in 1985. He Those Who Return (Arcola). arrived in Australia in 1988 before moving back to France in 2001. Whilst in Australia Pascal worked as a Mechanist, Electrician, Stage Oria Puppo Manager, Production Manager, Lighting Designer and Production Oria Puppo is a scenographer and costume designer who divides her Coordinator/interpreter. Pascal has returned to France to pursue time between Buenos Aires and Paris. In Argentina she has created his love of Street Theatre and is currently working with Plasticiens stage sets and costumes for directors such as Diego Kogan, Rafael Volants, ilotopie, La Cellule and SAS Theatre. He has toured extensively Spregelburd, Roberto Villanueva, Ciro Zorzoli and A. Tantanian. She throughout Europe with Australian Dance Theatre; Held (2006), has collaborated with the latter in Lucerne as well as in Germany, in Devolution (2007), G (2008 + 2009) and Be Your Self (2011). both Stuttgart and Mannheim, where they staged Kafka’s Amerika and Brecht’s The Threepenny Opera. She has worked with the Bouffes For Theatre de la Ville Paris he has toured with I am the Wind, du Nord Theatre on two Peter Brook productions: Tierno Bokar and Rhinoceros (2012), and also production managed the Merce A Magic Flute. She was also the technical director of the Buenos Aires Cunningham Dance Company and Sydney Theatre Company’s International Festival from 1999 to 2007 and her creations include Big and Small. Philippe Vialatte COMING UP AT CAP UCLA Philippe Vialatte started up at the Théâtre des Bouffes du Nord in 1985 as a light operator on Le Mahabharata, directed by Peter Brook. Be a part of our story this season. Experience more great art He assisted Jean Kalman for the light design of Woza Albert and La and artists. Tempête, directed by Peter Brook. Since the creation of The Man Who in Paris in 1993, he has designed the lights for all the plays directed by Peter Brook in the Theatre des Bouffes du Nord: Qui est là, Je suis un phénomène, Le Costume, The Tragedy of Hamlet, Far Away, La mort de Krishna, La Tragédie d’Hamlet, Ta main dans la mienne, Tierno Bokar, Le Grand Inquisiteur, Sizwe Banzi est mort, Fragments, 11 and 12, and recently A Magic Flute. He follows all these plays on tour and in each space redesigns and adapts the light of each show.

Thomas Becelewski Born in 1980, Thomas Becelewski is working at the Théâtre des Bouffes du Nord since 2006. He studied business in France to originally become an industrial buyer. He discovered late the contemporary dance and drama, and decided to redirect his career and experienced the French jazz scene, theatre and dance company. Trained by Marko Rankov and Philippe Vialatte, he worked on all Peter Brook’s productions since that year (Sizwe Banzi est mort, Fragments, The Grand Inquisitor, 11 & 12, Love is my Sin, A Magic Flute). Chick Corea and Béla Fleck Thu, Apr 24 at 8pm David Eden Productions, Ltd. (U.S. tour producer) David Eden Productions, Ltd has been one of the leading American Royce Hall organizations devoted to producing international work in the US for over 25 years. Most recently, DEP has produced US tours of Batsheva Dance Company (2012, 2009, 2004, 1998), Théâtre de la Ville’s production of Ionesco’s Rhinoceros (2012), the Republic of Georgia’s Ensemble Basiani (2012), Gate Theatre Dublin’s Endgame/Watt (2011) and Krapp’s Last Tape (2012, 2011), Maly Drama Theatre’s (2012) at BAM, as well as North American tours of Galway’s Druid Theatre’s Cripple of Inishmaan (five month tour, 2011), The Walworth Farce (2009) and DruidSynge: The Shadow of the Glen and The Playboy of the Western World (2008). Other recent tours include Maly Drama Theatre’s Uncle Vanya (2010), Gate Theatre Dublin’s (2006), Declan Donnellan’s Twelfth Night (2006), Propeller’s The Winter’s Tale (2005), Piccolo Teatro di Milano’s Arlecchino (2005), the Russian Patriarchate Choir of Moscow (2007), and the State Ballet of Georgia with the legendary Bolshoi prima ballerina Nina Ananiashvili (2009, 2008, 2007)

David Eden has worked extensively with major presenting institutions Philip Glass Ensemble: on special projects, including Lincoln Center (Mostly Mozart, White La Belle et la Bête Light Festival, and Great Performers), and the John F. Kennedy Center for the Arts. In 2004, Mr. Eden curated Lincoln Center Fri, May 2 at 8pm Festival’s Ashton Celebration, a two-week centennial retrospective at Royce Hall the Metropolitan Opera House celebrating master choreographer Sir Frederick Ashton. He also curated John F. Kennedy Center for the Performing Arts - Arts of the United Kingdom (Summer 2001), Island: Arts from Ireland (2000) and Art of the State: Israel at 50 (1998). for David Eden Productions: General Manager: Erica Charpentier Production Consultant: Chris Buckley Visa Coordinator: Elise-Ann Konstantin Travel Agent: Lori Harrison, Atlas Travel

Philip Glass Ensemble: Music in Twelve Parts Sat, May 3 at 5pm Royce Hall The boards of CAP UCLA and Design for Sharing would like to thank all the members who have made a choice to join them in supporting arts education and the art of performance at UCLA.

GUARDIAN Patricia & William Flumenbaum Tamara Turoff Keough John Schwartz Baret C. Fink Dr. Irene Goldenberg Aliza & Michael Lesser Martha Kauffman & Dr. Jerry Markovitz & Susan Levich Michael Skloff CHAMPION Cameron Jobe Bea & Leonard Mandel Dr. Christopher & Dr. Audree V. Fowler Dr. Lewis & Sandra Kanengiser Mel & Margalit Marshall Glennis Waterman Deborah Irmas Joseph P. Kaufman Merle & Gerald Measer Samantha & John Williams Renee & Meyer Luskin Robert & Milly Kayyem Sandra J. Klein & Steve & Jan Winston Ginny Mancini Joanne Knopoff Donald McCallum Arline Zuckerman Dr. Richard S. Ross Dr. Sheelagh Boyd & Phylis Nicolayevsky Dr. & Mrs. Armin Sadoff Larry Layne Michael & Suzanne Scott ADVOCATE Ralph & Shirley Shapiro Ronald L. Johnston & Joan Lesser Gil & Joanne Segel Anonymous Diane Levine & Robert Wass Susan & Leonard Nimoy Muriel & Neil Sherman Dr. Yoshio & Ron Watson Claude Petite Laurie & Rick Shuman Mrs. Natsuko Akiyama Werner & Mimi Wolfen Astrid & Howard Preston Jennifer Simchowitz Mimi & Sherman Andelson Dr. William J. Resnick Judith Taylor Dr. Scott & Digna Beasley BENEFACTOR Ronnie Rubin Donna L. Dees & Linda Engel & Alan Benjamin Anonymous Cynthia Chapman & Neil Selman Timothy P. Tobin Bunny Wasser & Dean V. Ambrose Man Jit & Srila Singh Alice & Norman Tulchin Howard Bernstein Gail & James R. Andrews Saletta Smith William Turner Donna & Richard Besone Barry Baker Lester & Carolyn Stein Joan & Joe Wertz Marjorie Blatt Helen & Peter Bing Carol & Joseph Sullivan Dr. Albert & Marilouise Zager Stephanie & Harold Bronson Mary Farrell & Stuart Bloomberg Dr. Elwin V. Svenson & Stuart & Carol Zimring Margot Rogers-Calabrese & Valerie & Brad Cohen Ann Svenson Joseph Calabrese Dr. Ellen Smith Graff & Sue & Doug Upshaw PARTNER Stephen Davis Mr. Fred Cowan Michael Sopher & Debra Vilinsky Anonymous Vanessa & Brian Dokko The Feintech Family Carol & Arnold Vinstein Leslee Hackenson & Roger Allers Lorenzo Doumani Sandra B. Krause & Stephanie Snyder & Sylvia & Joseph Balbona The Edlow Family William B. Fitzgerald Michael Warren Gil Valenzuela & Randy Barbato David & Linda Ellis Eliane Gans-Orgell Judy Fiskin & Jon Wiener Susan & Stephen Bauman William Escalera Fariba Ghaffari Carla B. Breitner & Gary Woolard Rosanna Bogart John Fellows Dr. Allan Swartz & Ronald & JoAnn Busuttil Beverly & Chester Firestein Roslyn Holt Swartz SUSTAINER Dr. Fereshteh & Khossrow Diba Peter Weiner & Diane Kessler Anonymous (3) Dr. Paul & Patti Eisenberg Margaret Gallegos John Liebes Robert C. Anderson Olga Garay & Kerry English Abner & Roslyn Goldstine Joanne & Joel Mogy Kathleen Flanagan & Billie & Steven Fischer Deborah Glusker Edie & Robert Parker Keenan Behrle Sherry & Matthew Frank David Gray John & Kathleen Quisenberry James Blakeley Rose Gilbert Linda & Jerry Janger Jaclyn B. Rosenberg Stephanie Delange & David Body Caryn Espo & David Gold Kerry Korf Gene & Maxine Rosenfeld Dr. & Mrs. Thomas Brod Judy Abel & Eric Gordon Marilyn K. Levin Alan M. Schwartz Matthew Michael & Carol & Irving Greines Hon. Sherrill D. Luke Anne-Marie & Alex Spataru Laurence Chrysler Linda Essakow & Karin & Herbert Machleder Deedee Dorskind & City National Bank Stephen Gunther Michael & Phyllis Marks Bradley Tabach-Bank Roberta Conroy Dr. Robin Garrell & Laura & James Maslon Joyce Craig & Beryl Weiner Helene & Prof. Edwin Cooper Dr. Kendall Houk Laurie McCray Patty & Richard Wilson Jennifer & Royce Diener Marti Koplin Paulette & Ronald Nessim Karyn Orgell Wynne Linnea Duvall Morelle Lasky Levine Sarah & William Odenkirk Marcie & Howard Zelikow Rose & Al Finci Bernard & Peggy Lewak Anne Osberg Sandra & Neil Gafney Karen & Peter Locke Joseph & Marjorie Perloff PATRON Sanford & Pat Gage Pauline & Roger Mayer Linda Peterson Anonymous Lori & Robert Goodman Leslie Mitchner Solomon Riley, Jr Barbara Abell Stanley & Linda Goodman Dr. Jeffrey & Jacqueline Perloff Nancy & Brad Rosenberg Drs. Helen & Alexander Astin Jackie & Stan Gottlieb Margaret Quon Caron & Colin Sapire Anna Wong Barth & Scott Barth Pattikay & Meyer Gottlieb Lynda & Stewart Resnick Ina Sinsheimer Dr. Lee & Ann Cooper Ann & William Harmsen Dr. Ari & Mrs. Ann Rosenblatt Kimiko & Harry Stavros Jay & Nadege Conger Lois Haytin Bernard “Bud” Heumann & Mary Lou Steinmetz Marina F. Day Hanna Heiting Patricia Rosenburg Robert Suiter Dr. Bruce & Barbara Dobkin Lisa & Steven Hilton Linda McDonough & Robert Uhl Laura Donnelley Susan & David Hirsch Bradley Ross Nancy & Alan Voorhees Mary & Robert Estrin Tim Scott & Nancy Howard Roth Family Foundation Harold Williams Fiona & Michael Karlin Rita Rothman Bonnie & Paul Yaeger

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