2Tone David Mason Ryan Chandler Collectively Been Singing and Dancing Professionally for Many Years Nationally and Internationally

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2Tone David Mason Ryan Chandler Collectively been singing and dancing professionally for many years nationally and internationally. There entertaining skills have been compared to some of the most famous of stars. There vocal talents have led to singing, performing at a variety of places Buckingham palace at the Queen’s Golden Jubilee as the lead vocalist with ‘Soulfish’ a 10 piece soul band, also ’party in the park’, for a 100,000 people, appearing on television has become second nature, channel 4 night fever with ‘Lionel Blair’, X factor, Duet impossible for the bbc coupled with a nightly performances in London’s west end theatre production of Dancing in the Streets, where Ryan was ‘Marvin Gaye’ Entertaining audiences both nationally and internationally, not only on land but also at sea, on cruise ships Having sung with for or alongside: These are a few that 2Tone have been with at a variety of venues, and a small part of 2Tone colourful careers. The Drifters, - Lulu, - Lemar,- Westlife,- Katie Melua,- Boy George,- Mcfly,- Peter Kay,- The Real Thing, The Foundations,- Clem Curtis,- Bobby Davro,- Journey South, Christopher Biggins,- Barry Crier,- Jon Culshaw,- Darren Gough,- Pete Waterman,- Tommy Fleming, Steve Collins- Chaz and Dave - Rio Ferdinand—Les Ferdinand - James Degale - Jamie Redknapp Client list is to long “LOL” Unilever, - Bachelors, - Campbell's, - Welcome, - R.H.Risborough, - Audi - Compaq - Home Shopping Europe - Sky Football and the re-branding of “One 2 One” into T-Mobile British rail - NCP Car Park - CSP - Kings Langley C Commercials B.T, -Porter Novella, - Countrywide, - Oxford University Press, Imperial, - Yell . Com - Ferrari - Heart Radio - Chiltern Radio .

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NEA-Annual-Report-1980.Pdf
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1980. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1981 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Deputy Chairman’s Statement 8 Dance 10 Design Arts 32 Expansion Arts 52 Folk Arts 88 Inter-Arts 104 Literature 118 Media Arts: Film/Radio/Television 140 Museum 168 Music 200 Opera-Musical Theater 238 Program Coordination 252 Theater 256 Visual Arts 276 Policy and Planning 316 Deputy Chairman’s Statement 318 Challenge Grants 320 Endowment Fellows 331 Research 334 Special Constituencies 338 Office for Partnership 344 Artists in Education 346 Partnership Coordination 352 State Programs 358 Financial Summary 365 History of Authorizations and Appropriations 366 Chairman’s Statement The Dream... The Reality "The arts have a central, fundamental impor In the 15 years since 1965, the arts have begun tance to our daily lives." When those phrases to flourish all across our country, as the were presented to the Congress in 1963--the illustrations on the accompanying pages make year I came to Washington to work for Senator clear. In all of this the National Endowment Claiborne Pell and began preparing legislation serves as a vital catalyst, with states and to establish a federal arts program--they were communities, with great numbers of philanthro far more rhetorical than expressive of a national pic sources.
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Build the Foundations of an Effective National Cybersecurity Response – and Its Eight Action Points
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The Origins of Music: Preface
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Dinner/Ballad/Standards Modern Motown/Soul Disco/Dance/Funk
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MARCO PEREIRA: BRAZILIAN GUITAR VIRTUOSO by BRENT
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Frustrations
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