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PLACES, SPACES AND THE PRINTING PRESS: IMPRINTING REGIONAL IDENTITIES KRAJI, PROSTORI IN TISKARNE: ODTISI REGIONALNIH IDENTITET INTERNATIONAL SCIENTIFIC ONLINE CONFERENCE MEDNARODNA ZNANSTVENA KONFERENCA NA SPLETU 24. MAREC 2021 EDITORIAL BOARD dr. Ines Vodopivec dr. Caroline Archer-Parré Žiga Cerkvenik Maj Blatnik Jana Mahorčič Tomaž Bešter ORGANIZING COMMITTEE Žiga Cerkvenik Maj Blatnik ORGANIZERS Centre for Printing History and Culture at Birmingham City University at University of Birmingham, United Kingdom / Center za tiskarsko zgodovino in kulturo na Mestni univerzi Birmingham, Združeno kraljestvo National and University Library, Ljubljana, Slovenia / Narodna in univerzitetna knjižnica, Ljubljana, Slovenija. PUBLISHED BY NATIONAL AND UNIVERSITY LIBRARY, LJUBLJANA, SLOVENIA Publication is available online in PDF format at: Publikacija je dostopna v PDF formatu na spletni strani: http://www.dlib.si/details/URN:NBN:SI:doc-PDMSAPDI/ 24. 3. 2021 National and University Library, Ljubljana, copyright 2021 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. 2 THE CONFERENCE THEME ‘Place’ is a physical entity and relates to specific locations—geographical or architectural—where particular activities are conducted. ‘Space’, on the other hand, is abstract; it is the intellectual, cultural and experiential environment in which individuals or groups congregate and collaborate. Place and space are significant to the progress of all trades, but, with the exception of the James Raven’s Bookscape: geographies of printing and publishing in London, these concepts have generally been overlooked when it comes to printing and the products of the press. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
A Dictionary of Typography and Its Accessory Arts. Presented to the Subscribers of the "Printers' Register," 1870
: Supplement to tin- "^rtnters 1 Register," September vt, mdccclxxi. "*>. > % V V .. X > X V X V * X X V s X X X V S X S X V X X S X X V X .X X X\x X X .X X X N .N .X X S A t. y littimrarg uprjrajjlur i f / / 4 / / / AND / I '/ ITS ACCESSORY ARTS /• - I / / i 7 ': BY / / I /; r JOHN SOUTHWARD. / /. / / / i ^rescntcb to the Subscribers of the "^printers' T^cgistcr. 1870-1871. / n V / gonfcon JOSEPH M. POWELL, "PRINTERS' REGISTER" OFFICE, 3, BOUVERIE STREET, E.( . / PRINTED 9Y DANIEL & CO., ST. LEONARDS-ON-SEA j — 2? 113 %\%\ of JutjiOUtlCS. Among the various works on the Art of Printing, consulted in the compilation ol this Dictionary, may be named the following : Abridgments of Specifications relating to Printing. Johnson's Typographia. Andrews's History of British Journalism. Knight's Caxton. Annales de la Typographic Francaise et etrangere. Knight's Knowledge is Powei Annales de ITmprimerie. knight's Old Printer and the Modern Pres> xviii. Annals of Our Time. London Encyclopedia. Printing— vol. p , Annuaire de la Librairie et de ITmprimerie. Mi' {Cellar's American Printer. Cabbage's Economy of Machinery and Manufactures. Marahren's Handbuch der Typographic Bullhorn's Grammatography. Maverick's Henry J. Raymund and the New York IV---. Beadnell's Guide to Typography. McCreery's Press, a Poem. Biographical Memoirs of William (Jed. Morgan's Dictionary of Terms u.sed in Printing. Buckingham's Personal Memoirs and Recollections of Editorial Life. Moxon's Mechanick Exercis Buckingham's Specimens of Newspaper Literature. -
IBM Selectric IT, with Manual, Ribbon, and Correction Tape
BART Q2B2 No. 1-2 Typewriters. No.1 Manual typewriter: Remington, 1965 with library keyboard. 23 x 36 x 49 em. No. 2 Electric typewriter: IBM Selectric IT, with manual, ribbon, and correction tape. 19 X 39 X 52 Cffi., in box, 32 X 46 X 66 CIDo BART Q2C3 No.1 Computers No. la Apple lie computer, CPU with drives 1 and 2, and cable connections No. lal Owner's manual No. la2 Installation manual No. la3 DOS User's manual No. la4 DOS Programmer's manual No. laS Appleworks Tutorial No. la6 80-Column Text card manual No. la7 Extended SO-Column Text and supplement No. laS Applesoft Tutorial No. la9 Appleworks startup training discs No. lalO Screenwriter II word processing manual No. lall Hayes Micro-modem lie manual No. 1b Apple Monitor ill No. lbl Owner's manual No. lc Daisy wheel printer: Brother HR 15, with tractor feed, cable, and ribbons No. lcl Instruction manual No. lc2 Instruction manual model HR 15 No. lc3 User's manual No. lc4 Tractor Feeder instruction manual I ART c No. la- lb in box, 54x49x56 em. Q2(il3 No. le in box, 19x39x48 em. No.1 Gift ofRiehard Ogar. BART Q2C34 No.1 Computer software manuals. No.1 WordPerfect. No.la Reference version 5.2 No.lb Shared applications version 1.3 No.lc Workbook for Windows version 5.2 No. ld Program discs In box, 23 x 10 x 20 em. BART Q2S2 No.1 Supplies. No.1 Carbon paper, black, standard weight and size, 8 x 11 inches/Middletown, CT.: Remington Rand, 1960? On manufacturer's box: reproduction in blue of seal bearing legend: THE UNNERSITY OF CALIFORNIA 1868 LET THERE BE LIGHT. -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS 310 Delaware Street, New Castle, DE 19720
Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books has handled many examples of type specimen catalogues over the years. One would think that interest in old books showing type faces would have gone by the wayside long ago but nothing could be further from the truth. I was recently give a book by Tony Cox, a bookseller friend of mine, for bedside reading while I was visiting him in England and found the stories of type and their development fascinating (Simon Garfield. Just My Type). For those of you who have seen the film Helvetica you can relate to the impact type faces have on our lives. We are now offering you a selection of interesting specimen books and booklets that might inspire those of you doing design work or educate those of you that are doing research. And go back and reread McGrew’s American Metal Type Faces of the 20th Century and Annenberg’s Type Foundries of America and Their Catalogues (both Oak Knoll Press publications) for their invaluable information (see last page of our catalogue for more details). Happy hunting! Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. -
Printing History News 26
Printingprinting History history news 26 News 1 The Newsletter of the National Printing Heritage Trust, Printing Historical Society and Friends of St Bride Library Number 26 Spring 2010 EVENTS of type, paper and other printing sun- publisher) are available, meaning that dries; printers will also be selling second- those interesting in aquiring the book hand type and printing equipment. should be able to find a better price. Or Printing Historical Burford is easily accessible by car or one could, of course, always borrow it Society AGM bus from Oxford, and there is ample from a library (see the entry on lending parking at the school. For those who libraries, vol. 2, pp. 870–872), or The 2010 Annual General Meeting of do not know Burford, it is a charming consult it at the Bodleian (vol. 1, pp. the Printing Historical Society will be Cotswold town, with numerous places 539–540) . held on Tuesday 27 April 2010 at 5:30 to eat and shop (including antique p.m. at the St Bride Foundation, Lon- shops). Some readers may recall the don. Following the formal business, at 2008 Wayzgoose, held (to considerable 6:00 p.m., Dr John Hinks will speak acclaim) at the nearby market-town of on Printing: a revolutionary history. Witney. For more information, or to book a stall, please contact Louisa Hare, Old Park Cottage, Winderton St Bride events Road, Lower Brailes, Oxfordshire ox15 5jb. Tel: 01608 685924. E-mail: DIY Design [email protected]. The Ninth Annual St Bride Library Conference, DIY Design, will be held NEW BOOKS at the St Bride Library on 27 and 28 May 2010. -
Reformation 2017 Johannes Gutenberg Handout
FACES OF THE REFORMATION Gutenberg’s invention helped Johannes Gutenberg spread the ideas of the Reformation Born: 1395? | Mainz, Germany to the masses Died: 1468 | Mainz, Germany Could Johannes Gutenberg have known when he first conceived the idea of moveable type that it would contribute to the spread of the Reformation and the Renaissance and lead to the education of all levels of society? One might question his presence in the “Faces of the Reformation” series. But considering that his presses printed not only Luther’s 95 Theses but also the papal indulgences that sparked Luther’s polemic pen, it seems fitting that he should be included. Gutenberg was born about 1395 as the son of a metalsmith, and he became acquainted with the printing business at a very young age. His invention of the moveable type press made the mass production of books a reality that would change the world. By 1450, his new invention was operating. As with most new ideas of this scale, the road was not smooth. In 1446, Johann Fust, Gutenburg’s financial backer, won a lawsuit against him regarding repayment of the funds. Gutenberg’s employee and son-in-law, Peter SchÖffer, testified against him. Before this lawsuit was finalized, Gutenberg had printed a Latin Bible that contained 42 lines of Scripture per page. This “42-line Bible” is known as the Gutenberg Bible. The press for the Bible, Gutenberg’s masterpiece, along with a second book containing only Psalms, was lost to Fust in the court case. The Psalter was published after the court case with no mention of Gutenberg; only Fust’s and SchÖffer’s names appear as the printers. -
A Thousand Years of the Bible 19
A THOUSAND YEARS OF THE BIBLE 19. Petrus Comestor, Bible Historíale, translated by Guiart des Moulins. Paris, circa 1375. Ms. 1, vol. 2, fol. 86v: Jeremiah Before Jerusalem in Flames. A THOUSAND YEARS OF THE BIBLE AN EXHIBITION OF MANUSCRIPTS FROM THE J. PAUL GETTY MUSEUM MALIBU AND PRINTED BOOKS FROM THE DEPARTMENT OF SPECIAL COLLECTIONS UNIVERSITY RESEARCH LIBRARY, UCLA Malibu Los Angeles The J. Paul Getty Museum University of California 1991 Cover illustration: 12. Gospel Book, Helmarshausen Abbey, Germany, circa 1120-1140. Ms. Ludwig II 3, fol. 51v: Saint Mark Writing his Gospel © January 1991 by The J. Paul Getty Museum and The Regents of the University of California ISBN 0-89236-193-X TABLE OF CONTENTS FOREWORD by John Walsh and Gloria Werner vii BIBLE COLLECTIONS IN LOS ANGELES by John Bidwell 1 THE J. PAUL GETTY MUSEUM: MEDIEVAL AND RENAISSANCE MANUSCRIPTS by Ranee Katzenstein INTRODUCTION TO THE EXHIBITION 15 CHECKLIST 35 ILLUSTRATIONS 41 THE DEPARTMENT OF SPECIAL COLLECTIONS, UNIVERSITY RESEARCH LIBRARY, UCLA: THE PRINTED WORD by David S. Zeidberg and James Davis INTRODUCTION TO THE EXHIBITION 61 CHECKLIST 77 ILLUSTRATIONS 87 This page intentionally left blank FOREWORD In the years since Henry Huntington acquired his Guten berg Bible, southern California has become a center for study ing the arts of the book. Each of the region's libraries, universities, and museums can boast individual treasures, but when these resources are taken together, the results are remarkable. The extent to which the collections of the J. Paul Getty Museum and UCLÄs research libraries complement each other can be judged in^l Thousand Years of the Bible. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
The-Gutenberg-Museum-Mainz.Pdf
The Gutenberg Museum Mainz --------------------------------------------------------------------- Two original A Guide Gutenberg Bibles and many to the other documents from the dawn of the age of printing Museum ofType and The most beautiful Printing examples from a collection of 3,000 early prints Printing presses and machines in wood and iron Printing for adults and children at the Print Shop, the museum's educational unit Wonderful examples of script from many countries of the world Modern book art and artists' books Covers and illustrations from five centuries Contents The Gutenberg Museum 3 Johannes Gutenberg- the Inventor 5 Early Printing 15 From the Renaissance to the Rococo 19 19th Century 25 20th Century 33 The Art and Craftmanship of the Book Cover 40 Magic Material Paper 44 Books for Children and Young Adults 46 Posters, Job Printing and Ex-Libris 48 Graphics Techniques 51 Script and Printing in Eastern Asia 52 The Development of Notation in Europe and the Middle East 55 History and Objective of the Small Press Archives in Mainz 62 The Gutenberg Museum Print Shop 63 The Gutenberg Society 66 The Gutenberg-Sponsorship Association and Gutenberg-Shop 68 Adresses and Phone Numbers 71 lmpressum The Gutenberg Museum ~) 2001 The Cutcnlx~rg Museum Mainz and the Cutcnbc1g Opposite the cathedral in the heart of the old part ofMainz Spons01ship Association in Germany lies the Gutenberg Museum. It is one of the oldest museums of printing in the world and This guide is published with tbc kind permission of the attracts experts and tourists from all corners of the globe. Philipp von Zahc1n publisher's in Mainz, In r9oo, soo years after Gutenberg's birth, a group of citi with regard to excLrpts of text ;md illustrations zens founded the museum in Mainz. -
Dr. Lee's Latex Slides
CSCE 222 Discrete Structures for Computing LaTeX Dr. Hyunyoung Lee ! ! ! ! ! Based on slides by Andreas Klappenecker "1 Tripitaka Koreana Palman Daejanggyeong (“Eighty-Thousand Tripitaka”)! South Korean collection of Buddhist scriptures! Carved onto 81,258 wooden printing blocks in the 13th century! The world’s most comprehensive and oldest intact version of Buddhist canon in Hanja script, with no known errors or errata in the 52,382,960 characters "2 Haeinsa - UNESCO World Heritage Site "3 Gutenberg Johannes Gutenberg! Introduced movable metal type to Europe (in around 1439) ! Invented the printing press! Started a revolution in printing in Europe "4 Gutenberg Bible Gutenberg demonstrated his printing technology by printing a complete bible. ! The Gutenberg bible was produced at a significantly lower cost than hand copying.! Still, cost: about 3 years salary of a clerk per bible.! 1978: Copy sold for $2.2million "5 "6 Fast Forward to 1974 Academic books often a mix of handwritten symbols (e.g. formulas) and typeset symbols.! Note the arrows... "7 Fast Forward to 2011 (Homework Submission) The scan is a faithful reproduction of the submission! It remains a mystery how the TA was able to read it. "8 Late 70’s: Don Knuth invents TeX "9 Knuth Don Knuth illustrates the mathematical typesetting with TeX by writing the bible of computer programming: ! Four volumes published so far: "10 1984: LaTeX In 1984, Leslie Lamport writes the markup language LaTeX that makes TeX particularly easy to use. ! Key feature: The document is organized according to its structure (e.g. Title, Chapter, Sections, etc.)! The language is easy to learn! Available on virtually all computing platforms "11 LaTeX Computer programmers will feel right at home: The document is produced by a program.