An Encomium on Mordecai (10:1–3)

Total Page:16

File Type:pdf, Size:1020Kb

An Encomium on Mordecai (10:1–3) WORD BIBLICAL COMMENTARY VOLUME 9 ESTHER FREDERIC W. BUSH ——————General Editors—————— David A. Hubbard Glenn W. Barker* ——————Old Testament Editor—————— John D. W. Watts ——————New Testament Editor—————— Ralph P. Martin WORD BOOKS, PUBLISHER • DALLAS, TEXAS TO MY WIFE, BERNICE WITHOUT WHOSE SUPPORT, TANGIBLE AND INTANGIBLE, THIS WORK WOULD NEVER HAVE SEEN THE LIGHT OF DAY (Ruth 3:11b) and to David Allan Hubbard (who went to be with the Lord the very day this dedication was written) For his constant encouragement, his insightful critique, and his warm friendship [ (Prov 17:17a) Word Biblical Commentary RUTH, ESTHER Copyright © 1996 by Word, Incorporated All rights reserved. No portion of this book may be reproduced in any form without the written permission of the publisher. Library of Congress Cataloging-in-Publication Data Main entry under title: Word biblical commentary. Includes bibliographies. 1. Bible—Commentaries—Collected works. BS491.2W67 220.7‘7 81-71768 ISBN 0-8499-0208-8 (v. 9) AACR2 Scripture quotations in the body of the text are the author‘s own. The author‘s own translation of the text appears under the heading Transl Table of Contents Editorial Preface Author‘s Preface RUTH Main Bibliography INTRODUCTION ACT 1: PROLOGUE AND PROBLEM: DEATH AND EMPTINESS (1:1–22) SCENE 1: SETTING AND PROBLEM. A JUDEAN FAMILY DIES IN MOAB: NAOMI IS LEFT WITHOUT HUSBAND AND SONS (1:1–6) Scene 2: Emptiness Compounded: Naomi and Her Daughters-in-law on the Road to Judah (1:7–19a) Scene 3: Emptiness Expressed: Naomi Arrives at Bethlehem with Ruth (1:19b–22) ACT 2: RUTH MEETS BOAZ, NAOMI‘S RELATIVE, ON THE HARVEST FIELD (2:1–23) SCENE 1: RUTH GOES TO GLEAN—AND HAPPENS UPON THE FIELD OF BOAZ, NAOMI‘S RELATIVE (2:1–3) Scene 2: Ruth and Boaz Meet on the Harvest Field: Boaz Is Exceedingly Generous (2:4–17a) Scene 3: Naomi Evaluates the Meeting: Boaz Is One of Their Redeemers (2:17b–23) ACT 3: NAOMI SENDS RUTH TO BOAZ ON THE THRESHING FLOOR (3:1–18) SCENE 1: NAOMI REVEALS HER PLAN FOR A HOME AND HUSBAND FOR RUTH (3:1–5) Scene 2: Ruth Carries out Naomi‘s Plan, and Boaz Offers to Be the Redeemer (3:6–15) Excursus: The Relationship between Ruth‘s Request and the Question of Levirate Marriage Scene 3: Naomi Evaluates the Encounter: Boaz Will Act (3:16–18) ACT 4: RESOLUTION AND EPILOGUE: LIFE AND FULLNESS (4:1–22) SCENE 1: BOAZ ACQUIRES THE RIGHT TO REDEEM NAOMI AND RUTH (4:1–12) Excursus: The Nature of the Transaction Proposed by Boaz in vv 3–5a Excursus: Levirate Marriage in the Old Testament Scene 2: A Son Is Born to Ruth and Boaz: Naomi Is Restored to Life and Fullness (4:13–17) Scene 3: Epilogue: A Judean Family Restored: The Line of David (4:18–22) ESTHER Main Bibliography INTRODUCTION ACT 1: INTRODUCTION AND SETTING: ESTHER BECOMES QUEEN OF PERSIA (1:1–2:23) SCENE 1: THE DEPOSAL OF QUEEN VASHTI (1:1–22) Scene 2: Esther Becomes Queen (2:1–18) Scene 3: Mordecai Uncovers a Plot (2:19–23) ACT 2: THE CRISIS: HAMAN‘S PLOT TO DESTROY THE JEWS (3:1–15) SCENE 1: HAMAN DECIDES TO ANNIHILATE THE JEWS (3:1–6) Scene 2: Haman sets in motion a plot to annihilate the Jews (3:7–15) ACT 3: MORDECAI‘S STRATAGEM: ESTHER MUST CONSENT TO APPEAL TO THE KING (4:1–17) SCENE 1: MORDECAI AND ALL THE JEWS LAMENT OVER HAMAN‘S EDICT (4:1–3) Scene 2: At Mordecai‘s command Esther consents to appeal to the king (4:4–17) ACT 4: ESTHER BEGINS HER APPEAL: SHE INVITES THE KING AND HAMAN TO A BANQUET (5:1–8) SCENE 1: ESTHER INVITES THE KING AND HAMAN TO A BANQUET (5:1–5A) Scene 2: Esther again invites the king and Haman to a banquet (5:5b–8) ACT 5: HAMAN‘S STRATAGEM BACKFIRES: HE IS HUMILIATED AND MORDECAI HONORED (5:9–6:14) SCENE 1: HAMAN‘S HUBRIS: HIS WIFE AND HIS FRIENDS PERSUADE HIM TO ASK THE KING TO HANG MORDECAI (5:9–14) Scene 2: Haman‘s humiliation: the king commands him to honor Mordecai (6:1–11) Scene 3: Haman‘s end: his wife and his friends predict his downfall (6:12–14) ACT 6: ESTHER MAKES HER APPEAL: THE FALL OF HAMAN (7:1–10) ACT 7: ESTHER APPEALS AGAIN TO THE KING: SHE AND MORDECAI COUNTER HAMAN‘S PLOT (8:1–17) SCENE 1: ESTHER AND MORDECAI ACQUIRE AUTHORITY TO ISSUE A COUNTERDECREE (8:1–8) Scene 2: Mordecai issues the counterdecree (8:9–17) ACT 8: THE JEWS ARE VICTORIOUS: THEY PUT ALL THEIR ENEMIES TO THE SWORD (9:1–5) ACT 9: THE FESTIVAL OF PURIM IS INSTITUTED: MORDECAI, ESTHER, AND THE JEWISH COMMUNITY SET ITS DATES AND ESTABLISH ITS CHARACTER (9:6–32) SCENE 1: THE EVENTS THAT OCCASION THE CELEBRATION OF PURIM OVER TWO DAYS (9:6–19) Scene 2: Mordecai, Esther, and the Jewish community set the dates of Purim and commit themselves to its perpetual celebration (9:20–32) EPILOGUE: AN ENCOMIUM ON MORDECAI (10:1–3) EDITORIAL PREFACE The launching of the Word Biblical Commentary brings to fulfillment an enterprise of several years‘ planning. The publishers and the members of the editorial board met in 1977 to explore the possibility of a new commentary on the books of the Bible that would incorporate several distinctive features. Prospective readers of these volumes are entitled to know what such features were intended to be; whether the aims of the commentary have been fully achieved time alone will tell. First, we have tried to cast a wide net to include as contributors a number of scholars from around the world who not only share our aims, but are in the main engaged in the ministry of teaching in university, college, and seminary. They represent a rich diversity of denominational allegiance. The broad stance of our contributors can rightly he called evangelical, and this term is to be understood in its positive, historic sense of a commitment to Scripture as divine revelation, and to the truth and power of the Christian gospel. Then, the commentaries in our series are all commissioned and written for the purpose of inclusion in the Word Biblical Commentary. Unlike several of our distinguished counterparts in the field of commentary writing, there are no translated works, originally written in a non-English language. Also, our commentators were asked to prepare their own rendering of the original biblical text and to use those languages as the basis of their own comments and exegesis. What may be claimed as distinctive with this series is that it is based on the biblical languages, yet it seeks to make the technical and scholarly approach to a theological understanding of Scripture understandable by—and useful to—the fledgling student, the working minister, and colleagues in the guild of professional scholars and teachers as well. Finally, a word must be said about the format of the series. The layout, in clearly defined sections, has been consciously devised to assist readers at different levels. Those wishing to learn about the textual witnesses on which the translation is offered are invited to consult the section headed Notes. If the readers‘ concern is with the state of modern scholarship on any given portion of Scripture, they should turn to the sections on Bibliography and Form/Structure/Setting. For a clear exposition of the passage‘s meaning and its relevance to the ongoing biblical revelation, the Comment and concluding Explanation are designed expressly to meet that need. There is therefore something for everyone who may pick up and use these volumes. If these aims come anywhere near realization, the intention of the editors will have been met, and the labor of our team of contributors rewarded. General Editors: David A. Hubbard Glenn W. Barker* Old Testament: John D. W. Watts New Testament: Ralph P. Martin Author‘s Preface It is impossible to complete the writing of a commentary on a book of the Bible without, on the one hand, being immensely aware of how much one is indebted to the work of those who have gone before and without, on the other hand, feeling a deep sense of gratitude for the insight, understanding, and stimulation that their work has provided. In particular, most valuable has been the work on semantic structure by J. Beekman, J. Callow, and M. Kopesec; that on narrative interpretation by R. Alter, A. Berlin, and M. Sternberg; and above all, for the book of Ruth, the fine commentaries by E. F. Campbell, R. L. Hubbard, P. Joüon, W. Rudolph, and J. M. Sasson; and those of H. Bardtke, D. J. A. Clines, M. V. Fox, and C. A. Moore for Esther. My indebtedness to these and many other scholars in the difficult task of ―commenting‖ on Ruth and Esther will be evident on almost every page. In writing this commentary, particularly the Comment sections, I have always had (quite unconsciously at the beginning, I must confess) the needs and interests of the students who have sat for some thirty-one years now in courses on the grammar and exegesis of Hebrew and the other Semitic languages that it has been my privilege to teach at Fuller Theological Seminary. Hence, these sections are far more liberally sprinkled with grammatical explanations and with references to the standard grammatical and exegetical reference works than is normally the case in a work of this kind. I crave the general reader‘s indulgence in this regard, an aspect that otherwise would at times, I fear, seem unnecessary, and perhaps even pedantic.
Recommended publications
  • Esther Through the Centuries (Blackwell Bible Commentaries)
    Esther Through the Centuries Jo Carruthers Esther Through the Centuries Blackwell Bible Commentaries Series Editors: John Sawyer, Christopher Rowland, Judith Kovacs, David M. Gunn John Th rough the Centuries Ecclesiastes Th rough the Centuries Mark Edwards Eric S. Christianson Revelation Th rough the Centuries Esther Th rough the Centuries Judith Kovacs & Christopher Rowland Jo Carruthers Judges Th rough the Centuries Psalms Th rough the Centuries: David M. Gunn Volume One Exodus Th rough the Centuries Susan Gillingham Scott M. Langston Galatians Th rough the Centuries John Riches Forthcoming: Leviticus Th rough the Centuries Th e Minor Prophets Th rough the Mark Elliott Centuries 1 & 2 Samuel Th rough the Centuries Jin Han & Richard Coggins David M. Gunn Mark Th rough the Centuries 1 & 2 Kings Th rough the Centuries Christine Joynes Martin O’Kane Luke Th rough the Centuries Psalms Th rough the Centuries: Larry Kreitzer Volume Two Th e Acts of the Apostles Th rough the Susan Gillingham Centuries Song of Songs Th rough the Centuries Heidi J. Hornik & Mikael C. Parsons Francis Landy & Fiona Black Romans Th rough the Centuries Isaiah Th rough the Centuries Paul Fiddes John F. A. Sawyer 1 Corinthians Th rough the Centuries Jeremiah Th rough the Centuries Jorunn Okland Mary Chilton Callaway 2 Corinthians Th rough the Centuries Lamentations Th rough the Centuries Paula Gooder Paul M. Joyce & Diane Lipton Hebrews Th rough the Centuries Ezekiel Th rough the Centuries John Lyons Andrew Mein James Th rough the Centuries Jonah Th rough the Centuries David Gowler Yvonne Sherwood Pastoral Epistles Th rough the Centuries Jay Twomey Esther Through the Centuries Jo Carruthers © by Jo Carruthers blackwell publishing Main Street, Malden, MA - , USA Garsington Road, Oxford OX DQ, UK Swanston Street, Carlton, Victoria , Australia Th e right of Jo Carruthers to be identifi ed as the author of this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act .
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Ruth and Esther: Wise Living Far from Home
    Jan/Feb 2017 Ruth and Esther: Wise Living Far from Home ALSO: THE GREatEST STORIES EVER TOLD Friends: Can you imagine having your wallet and phone stolen while visiting in a foreign country? Your identification, passport, cash, bank cards—gone!—and with no means to call for assistance. Imagine being left with nothing but the clothes on your back, lost in a place where you couldn’t even read the signs. I, as a middle-aged white guy, might have the privilege of at least being recognized as a clueless tourist. People might show hospitality to me out of pity. But what if I were part of a despised class of citizens? What if people assumed I were a thief or a homeless person? Being powerless in a foreign land can be both frightening and dangerous. In January, Arie Leder explores the stories of two biblical women who navigate that cliff-edge of being powerless in a foreign land. They act wisely and rely on God’s strength in distressing situations. Then in February, Art Schoonveld turns our attention to the parables of Jesus, showing how Christ illuminated the kingdom of God with real-life stories. These are the greatest stories ever told. May you be refreshed, refocused, and renewed in God’s Word! —Steven Koster To d aJan/Feb 2017 y refresh, refocus, renew TODAY (USPS 185-140), Volume 67, Number 1, published bimonthly by ReFrame Media, a division of Back to God Ministries International, at 6555 West College Drive, Palos Heights, IL 60463. Periodicals postage paid at Palos Heights, Illinois, and at additional mailing offices.
    [Show full text]
  • Peril for Hadassah
    July 14, 2019 Esther 4:1-16 PERIL FOR HADASSAH I have bad news and good news. The bad news is, somebody is going to die. The good news is, you get to decide who. Terrible! Straight from the halls of Hell. But for just a split second, before the soul can put up the shields, something inside starts to smile. For just one flashing moment before the shields snap up, can you feel the beginnings of a sardonic glee? What if God had attached a rider to the sixth commandment: “If you are very good and faithful, if you are hard-working and responsible, then once every fifteen years – without guilt, detection, or blame – you may, if you so choose, blink somebody out of this life.” I wonder if there is anybody here who would have exercised that option by now. I wonder if there is anybody here who would not have exercised that option by now. And how many of us think we would still be here? You probably would be. I know for certain that I would not still be here. We are deep into summertime, and in summertime I like to tell Bible stories. Most people in our time do not know the Bible stories as well as many people did a couple of generations ago, so it’s not that I think summertime is a good time to fool around or go off duty. The biblical stories carry a lot of basic meanings and foundational perspectives. They are supposed to be the common heritage – the common language – that makes it possible for us to communicate and to understand each other in matters of faith and religion.
    [Show full text]
  • Esther As the New Moses: Deliverance Motifs in the Book of Esther
    Esther as the New Moses: Deliverance Motifs in the Book of Esther Lapani Langford Sankhani Nkhonjera Thesis presented in partial fulfilment of the requirements for the Master’s degree of Theology, Department of Old and New Testament in the Faculty of Theology at Stellenbosch University Superviser: Prof. Louis C. Jonker December 2015 1 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author and owner of the copyright thereof (unless to the extent explicitly otherwise stated), and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Copyright © 2015 Stellenbosch University All rights reserved 2 Stellenbosch University https://scholar.sun.ac.za Abstract This study aims to compare the figures of Moses in the Exodus narratives and Queen Esther in the Esther narratives. The study will proceed to argue that Esther, a remarkable Jewish deliverer figure in the Persian period can be viewed as a reinterpretation of the Moses figure in the Exodus narratives. Within a broad analysis of these narratives, the researcher investigates how Esther fits into the Old Testament deliverance motifs. Commonalities between Moses and Esther and their parallels and characterization as Old Testament deliverer figures assist in drawing a comparative analysis between the two. The study proceeds to prove that Esther is a new Moses figure, arguing that the Esther narratives are presented deliberately in such a way that they reinterpret the Moses narratives. A survey of previous studies that investigated the two narratives provides further evidence for the view that the Esther narratives are reinterpreting the Moses narratives, and hence that Esther can be regarded as a new Moses in the Old Testament deliverance motifs.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]
  • The Information Structure of the Book of Esther in the Septuagint by Ken
    The information structure of the book of Esther in the Septuagint by Ken Chan A DISSERTATION SUBMITTED FOR THE DEGREE OF DOCTOR of PHILOSOPHY at the SOUTH AFRICAN THEOLOGICAL SEMINARY in October 2010 PROMOTERS: Dr Kevin Smith and Dr Frank Jabini The opinions expressed in this dissertation do not necessarily reflect the views of the South African Theological Seminary. DECLARATION I hereby acknowledge that the work contained in this dissertation is my own original work and has not previously in its entirety or in part been submitted to any academic institution for degree purposes. _________________________________ Ken Chan October 2010 ACKNOWLEDGEMENTS I thank my wife who encouraged me throughout the writing of this dissertation. Thanks to Dr Kevin Smith, who trusted me and invited me to go further. He is a good writer, and he taught me what it means to write. Thanks to Dr Frank Jabini for giving me valuable input as my second supervisor. Thanks to my external examiners for contributing their valuable time to review my work. Thanks to all the authors whom I cited (whether it was for or against) because scholarship is a collective effort. Thanks to the financial support of all my supporters during this study period. Thanks to my mission board, which allowed me to take this time to deepen my understanding of God’s word. Thanks to the Chinese University of Hong Kong Library for letting me use their excellent facilities. To God alone be the glory. Ken Chan October 2010 ABSTRACT A comparison of studies on the book of Esther shows that there are diverse opinions of what constitutes (a) the purpose, and (b) the discourse boundaries of the book.
    [Show full text]
  • Or Politics Matters the Book of Esther
    1 Esther is not Yester… or Politics Matters The Book of Esther: A New Interpretation Robert Case Faith Presbyterian Church, Tacoma, WA 2017 Introduction “Lawrence of Arabia Overture” “Lawrence of Arabia Overture” was writing in l962 by Maurice Jarre for the Oscar winning movie, Lawrence of Arabia starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail, Jack Hawkins and directed By David Lean. Considered by some critics to be the greatest movie ever made, The movie is a 1962 epic historical drama film based on the life of T. E. Lawrence. The film was nominated for ten Oscars in 1963; it won seven. The film depicts Lawrence's experiences in the Arabian Peninsula during World War I, in particular his attacks on Aqaba and Damascus and his involvement in the Arab National Council. Its themes include Lawrence's emotional struggles with the personal violence inherent in war, his own identity, and his divided allegiance between his native Britain and its army and his new-found comrades within the Arabian desert tribes. In 1991, Lawrence of Arabia was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry. The overture is played by the London Philharmonic Orchestra. Maurice Jarre wrote all the music for Lawrence and won his first Oscar. His second collaboration with David Lean on Doctor Zhivago in 1965 earned him another Oscar. He collaborated with Lean again on Ryan's Daughter in 1970 and A Passage to India in 1984 for which he received his third Academy Award.
    [Show full text]
  • 100 Rifles Worldwide 11 Harrowhouse Worldwide 12
    100 Rifles Worldwide 11 Harrowhouse Worldwide 12 Rounds Worldwide 12 Rounds 2: Reloaded Worldwide 127 Hours Italy 20,000 Men a Year Worldwide 23 Paces to Baker Street Worldwide 27 Dresses Worldwide 28 Days Later Worldwide 3 Women Worldwide 45 Fathers Worldwide 500 Days of Summer Worldwide 9 to 5 Worldwide 99 and 44/100% Dead Worldwide A Bell For Adano Worldwide A Christmas Carol Worldwide A Cool Dry Place Worldwide A Cure for Wellness Worldwide A Farewell to Arms Worldwide A Girl in Every Port Worldwide A Good Day to Die Hard Worldwide A Guide for the Married Man Worldwide A Hatful of Rain Worldwide A High Wind in Jamaica Worldwide A Letter to Three Wives Worldwide A Man Called Peter Worldwide A Message to Garcia Worldwide A Perfect Couple Worldwide A Private's Affair Worldwide A Royal Scandal Worldwide A Tree Grows in Brooklyn Worldwide A Troll in Central Park Worldwide A Very Young Lady Worldwide A Walk in the Clouds Worldwide A Walk With Love and Death Worldwide A Wedding Worldwide A-Haunting We Will Go Worldwide Abraham Lincoln: Vampire Hunter Worldwide Absolutely Fabulous Worldwide Ace Eli and Rodger of the Skies Worldwide Adam Worldwide Advice to the Lovelorn Worldwide After Tomorrow Worldwide Airheads Worldwide Alex and the Gypsy Worldwide Alexander's Ragtime Band Worldwide Alien Worldwide Alien Resurrection Worldwide Alien Vs. Predator Worldwide Alien: Covenant Worldwide Alien3 Worldwide Aliens Worldwide Aliens in the Attic Worldwide Aliens Vs. Predator - Requiem Worldwide All About Eve Worldwide All About Steve Worldwide All That
    [Show full text]
  • 'Standardized Chapel Library Project' Lists
    Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian.
    [Show full text]
  • (BOP) Standardized Chapel Library Project Book List
    Description of document: Federal Bureau of Prisons (BOP) Standardized Chapel Library Project book list Released date: October 2007 Posted date: 18_october-2007 Title of Document Standardized Library Resources, Standard Library, Standard Library Resources, Standard Library Project Source of document: Federal Bureau of Prisons 320 First St., NW Washington, DC 20534 202-307-3198. BOP's FOIA Service Center (FSC): (202) 616-7750 Notes: This list was designated as the only source for religious books permitted into prison libraries. All materials in federal prison libraries would be reviewed and if it wasn't on the agency-designated approved list, it would be tossed. The Bureau of Prisons has responded to heavy criticism and has pulled back somewhat on this practice. (17-Oct-2007) The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. Standardized Library Resources: Buddhism Print Media: I) Buddhist Religions: A Historical Introduction, by Richard H. Robinson, Willard L. Johnson, Thanissaro Bhikkhu, Wadsworth Publishing, ISBN: 0534558585,2004 (5 th ed.) An introductory book to Buddhism that covers the teachings and practices ofa wide range ofschools and traditions.
    [Show full text]