Tuesday 9 June 2015 Tuesday London Knightsbridge, rt ean A Europ and British

British and European Art | Knightsbridge, London | Tuesday 9 June 2015 22589

Part I: Victorian & British Impressionist Art Part II: 19th Century European, Impressionist & Modern Art Tuesday 9 June 2015 at 13:00 Knightsbridge, London

Bonhams Enquiries Please see page 2 for bidder Montpelier Street information including after-sale Knightsbridge Part I: Victorian & British collection and shipment London SW7 1HH Impressionist Art www.bonhams.com Thomas Podd Please see back of catalogue +44 (0) 20 7393 3988 for important notice to bidders Viewing [email protected] Saturday 6 June IMPORTANT INFORMATION 11.00 – 15.00 Part II: 19th Century European, The United States Government Sunday 7 June Impressionist & Modern Art has banned the import of ivory 11.00 – 15.00 Veronique Scorer into the USA. Lots containing Monday 8 June +44 (0) 20 7393 3962 ivory are indicated by the symbol 09.00 – 16.30 [email protected] Ф printed beside the lot number Tuesday 9 June in this catalogue. 09.00 – 11.00 Emma Gordon +44 (0) 20 7393 3960 Bids [email protected] +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax Press Enquiries To bid via the internet [email protected] please visit www.bonhams.com Customer Services Please note that bids should be Monday to Friday 08.30 – 18.00 submitted no later than 4pm +44 (0) 20 7447 7447 on the day prior to the auction. New bidders must also provide Illustrations proof of identity when submitting Front Cover: Lot 63 bids. Failure to do this may result Back Cover: Lot 198 in your bids not being processed. Inside Front Cover: Lot 120 Inside Back Cover: Lot 186 Bidding by telephone will only be accepted on a lot with the lower Sale Number estimate in excess of £500. 22589

Live online bidding is Catalogue available for this sale £12 Please email [email protected] with “Live bidding” in the subject line 48 hours before the auction to register for this service.

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling Global CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Global CEO, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Sophie Law, Fergus Lyons, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. Gordon McFarlan, Central Sale Middlesex Hospital Information Park Royal

Coronation Road W Bonhams,

e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C

Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A

Acton d Station a o R

a i r o t c i V

West Acton Horn Lane Station

Bids Collection and shipment Handling & storage Important Notice +44 (0) 20 7447 7447 Sold lots marked with a special charges A surcharge of 2% is applicable +44 (0) 20 7447 7401 fax symbol W will be only retained Transfer and storage charges when using Mastercard, Visa To bid via the internet please visit at Bonhams Knightsbridge until for W lots will commence on and overseas debit cards. www.bonhams.com 17.00 on the day of the sale. Tuesday 23 June 2015. Lots not collected by then will be The following symbol is used Payments removed to Bonhams Park Royal The charges levied by Bonhams to denote that VAT is due on Buyers warehouse. are as follows: the hammer price and buyer’s +44 (0) 20 7447 7447 premium +44 (0) 20 7447 7401 fax The sold lots marked with a Paintings and Frames marked special symbol W will be available with W VAT 20% on hammer price Sellers for collection from Bonhams and buyer’s premium Payment of sale proceeds warehouse as from 14.00 on Transfer per lot £20.00 +44 (0) 20 7447 7447 Thursday 11 June 2015. Daily storage per lot £3.40 * VAT on imported items at +44 (0) 20 7447 7401 fax a preferential rate of 5% on Lots may be released from All the above charges are hammer price and the prevailing Art Collections, Bonhams warehouse on exclusive of VAT rate on buyer’s premium Estates & Valuations production of the collection +44 (0) 20 7468 8340 order obtained from cashier’s Handling & storage W These lots will be removed +44 (0) 20 7468 5860 fax office at Bonhams and a form of payment to Bonhams Park Royal after [email protected] photographic ID. If a third party is All charges due Bonhams must the sale. Please read the sale collecting on behalf of the client, be paid by the time of collection information page for more details. Catalogue subscriptions the client must provide Bonhams from Bonhams’ warehouse. To obtain any Bonhams with written authority prior to Y These lots are subject to CITES catalogue or to take out an collection. The third party must Payment in advance regulations, please read the annual subscription: present a photographic form of Tel: +44 (0) 20 7447 7447 information in the back of the Subscriptions Department ID when collecting. to ascertain amount due by: catalogue. +44 (0) 1666 502200 cash, cheque with banker’s +44 (0) 1666 505107 fax All other sold lots will only be card, credit card, bank draft or AR An Additional Premium will [email protected] held free of charge at Bonhams traveller’s cheque. be payable to us by the Buyer to Knightsbridge until 12.00 on cover our expenses relating to Shipping Tuesday 23 June 2015. Sold lots Payment at time of collection payment of royalties under the For information and estimates not collected by this time will By credit card / debit card Artists Resale Right Regulations on domestic and international be returned to the department. 2006. Please read the information shipping as well as export Storage charges may apply. in the back of the catalogue. licenses please contact Bonhams Shipping Department on: Bonhams Warehouse Bonhams owns the lot +44 (0) 20 8963 2849 Address: either wholly or partially or +44 (0) 20 8963 2850 Unit 1, Sovereign Park may otherwise have an +44 (0) 20 7629 9673 fax Coronation Road, Park Royal economic interest. [email protected] London NW10 7QP Tel: +44 (0) 87 0811 3867 Hours of opening 09.30 – 16.30 Monday to Friday part I: victorian & british impressionist art

Lots 1 - 120 1 AR Sir William Russell Flint RA, PRWS 1 (British, 1880-1969) ‘Moorland Pools’; ‘Sketching at Frensham’, a pair both signed ‘W.RUSSELL FLINT-’ (lower right and lower left) and ‘Sketching at Frensham’ dated ‘11.4.60’ (lower right); both works signed, dated, titled and inscribed ‘For Christina & Charles Wallis/Very Gratefully/ Aug.22.1960’ (on the backboard) watercolour each 22.8 x 38.1cm (9 x 15in).(2)

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Provenance Gifted to the present owner’s parents by the artist. Thence by descent.

2 AR Sir William Russell Flint RA, PRWS 1 (British, 1880-1969) ‘The Secret Islet’ signed ‘W.RUSSELL FLINT-’ (lower right); signed and inscribed with the title and further inscribed ‘Helen’s own souvenir of Pains Hill’ (on the backboard) watercolour 26.7 x 36.8cm (10 1/2 x 14 1/2in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

Provenance Gifted to the present owner’s parents by the artist. Thence by descent.

2

4 | Bonhams 3 AR Sir William Russell Flint RA, PRWS (British, 1880-1969) Kneeling nude signed ‘W Russell Flint’ (lower left) coloured chalks 27 x 23cm (10 5/8 x 9 1/16in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

4 * AR Sir William Russell Flint RA, PRWS (British, 1880-1969) The swing signed with initials (lower right) red chalk 16.5 x 18.4cm (6 1/2 x 7 1/4in). 3 £1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with Frost & Reed Ltd., London, no. O/D 6917.

4

British and European Art | 5 5

6

5 AR 6 AR Wilfred Gabriel de Glehn (British, 1870-1951) Sir William Russell Flint RA, PRWS (British, 1880-1969) Female form with drapery A collection of ten books relating to Sir William Russell Flint, variously signed with initials (lower left) signed and inscribed by the author/artist, including: The Lisping pencil Goddess (two copies); Etchings and Dry Points (limited edition no. 35.6 x 55.9cm (14 x 22in). 22/135; signed etching with drypoint as frontispiece); In Pursuit; Breakfast in Perigord (waterstained); More than Shadows (two copies); £1,200 - 1,800 Models of Propriety; Shadows in Arcady; Drawings.(10) €1,600 - 2,400 US$1,800 - 2,700 £600 - 800 €810 - 1,100 US$910 - 1,200

6 | Bonhams 7

7 AR Sir Frank Brangwyn, RA (British, 1867-1956) In the formative stages of his career Brangwyn produced many Slave Ship illustrations for magazines such as The Graphic and Scribner’s signed with initials and dated ‘97’ (lower right) Magazine. The journals paid reasonably well and since the works oil on canvas, en grisaille were reproduced as prints there was no need for Brangwyn to work 76.2 x 60.9cm (30 x 24in). in colour. The present lot does not seem to appear in any of the publications Brangwyn was working in at this time and most likely the £4,000 - 6,000 evocative and powerful subject of the painting would have made it too €5,400 - 8,100 daring for reproduction or publication. US$6,100 - 9,100 We are grateful to Dr Libby Horner for her kind assistance in Provenance cataloguing this lot which is included in the catalogue raisonné of the Mr Charles B King, Detroit, Michigan, USA. artist’s work, no. O5050. Mrs Stella Ray Daniel, Morristown, New Jersey, USA. Purchased in the USA in the 1980s by the niece of Lucy Ray, the present owners aunt. Thence by descent.

British and European Art | 7 8 9

8 9 Hercules Brabazon Brabazon (British, 1821-1906) Hercules Brabazon Brabazon (British, 1821-1906) The vegetable market, Venice A market, Tangiers signed with initials (lower right) signed with initials (lower right) watercolour watercolour 26.7 x 20.9cm (10 1/2 x 8 1/4in). 30.5 x 22.9cm (12 x 9in).

£1,200 - 1,800 £1,200 - 1,800 €1,600 - 2,400 €1,600 - 2,400 US$1,800 - 2,700 US$1,800 - 2,700

8 | Bonhams 10

11

10 11 Edward Clifford (British, 1844-1907) Myles Birket Foster, RWS (British, 1825-1899) Views of northern India and Kashmir, a set of six framed as one The Alhambra variously signed, dated and inscribed signed with monogram (lower right) watercolour watercolour each 12 x 18cm (4 3/4 x 7 1/16in). 16.5 x 25cm (6 1/2 x 9 13/16in).

£1,000 - 1,500 £3,000 - 5,000 €1,300 - 2,000 €4,000 - 6,700 US$1,500 - 2,300 US$4,600 - 7,600

Provenance Gifted to Mr Wilson Carlile by the artist. Thence by descent to Mr Reginald Clifford Carlile. Private Collection, UK.

British and European Art | 9 12 Edward Angelo Goodall, RWS (British 1819-1908) Angers, France signed ‘E A Goodall’ (lower right) oil on canvas 12 50.8 x 71.1cm (20 x 28in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

13 Alfred Pollentine (British, 1836- 1890) A view of the Grand Canal with the Barbarigo Palace signed ‘APollentine’ (lower right) oil on canvas 76.2 x 127cm (30 x 50in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

14 Alfred Pollentine (British, 1836- 1890) ‘The Grand Canal, Venice’ 13 signed ‘APollentine’ (lower right) and signed and inscribed with the title (on the reverse) oil on canvas 76.2 x 127cm (30 x 50in).

£1,500 - 2,500 €2,000 - 3,400 US$2,300 - 3,800

14

10 | Bonhams 15 Henry Woods, RA (British, 1846-1921) A Venetian canal scene 15 signed and dated ‘Henry Woods/1886’ (lower right) oil on canvas, laid to panel 47 x 73.5cm (18 1/2 x 28 15/16in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

Provenance with M. Newman Ltd., London, June 1975, cat. no. 17. Sale, Sotheby’s London, 9 June 1999, lot 116.

16 Alfred Pollentine (British, 1836- 1890) Views of Venice, a pair both signed and dated ‘APollentine/87’ (lower right) oil on canvas each 41 x 61.6cm (16 1/8 x 24 1/4in).(2)

£1,000 - 2,000 16 €1,300 - 2,700 US$1,500 - 3,000

16

British and European Art | 11 17 18

17 * 18 Arthur Hill (British, active 1858-1893) Attributed to Robert Fowler (British, 1853-1926) Tībīcĭna Rebecca in the fields signed and dated ‘Arthur Hill./-/81.’ (lower left), inscribed with artist’s oil on canvas, unframed address on original artist’s label and remnants of Royal Academy 142.3 x 60.9cm (56 x 24in). exhibition label (on the reverse) oil on canvas £1,200 - 1,800 68 x 27.5cm (26 3/4 x 10 13/16in). €1,600 - 2,400 US$1,800 - 2,700 £1,200 - 1,500 €1,600 - 2,000 US$1,800 - 2,300

Exhibited Royal Academy, London, 1881, no. 1006.

12 | Bonhams 19

20

19 20 AR Norman Prescott-Davies (British, 1862-1915) Orlando Greenwood (British, 1892-1989) A reclining beauty Sleeping beauties signed and dated ‘N. PRESCOTT-DAVIES/1910’ (lower right) signed and dated ‘O Greenwood/1926’ (lower left) oil on canvas oil on canvas 31.1 x 64.1cm (12 1/4 x 25 1/4in). 43.2 x 125.7cm (17 x 49 1/2in).

£3,000 - 5,000 £2,000 - 3,000 €4,000 - 6,700 €2,700 - 4,000 US$4,600 - 7,600 US$3,000 - 4,600

British and European Art | 13 21 22

21 Sophie Anderson (British, 1823-1903) The tambourine player signed ‘S. Anderson’ (lower right) oil on canvas 35.6 x 30.5cm (14 x 12in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance Sale, Christie’s London, 26 November 2002, lot 163. Private Collection, UK.

22 Alexander M. Rossi (British, 1840-1916) Ready for bed signed ‘AMRossi’ (upper right) watercolour and gouache, en grisaille 45.7 x 35.6cm (18 x 14in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

23 Edmund Eagles (British, active 1851-1877) Girl picking flowers signed, inscribed and dated ‘E Eagles/Rome/1837’ (lower right) oil on canvas 47 x 36cm (18 1/2 x 14 3/16in).

£1,000 - 1,500 23 €1,300 - 2,000 US$1,500 - 2,300

14 | Bonhams 24 25

24 John Morgan RBA (British, 1823-1886) Peeling the potatoes signed ‘J Morgan’ (lower right) oil on canvas 35.6 x 30.5cm (14 x 12in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

25 George Hillyard Swinstead (British, 1860-1926) April showers signed ‘G.HILLYARD.SWINSTEAD.’ (lower right) oil on canvas 60.9 x 50.8cm (24 x 20in).

£2,500 - 3,500 €3,400 - 4,700 US$3,800 - 5,300

Provenance Sale, Sotheby’s London, 4 March 1992, lot 60. Private Collection, UK.

26 Ernest Walbourn (British, 1872-1927) Feeding the chickens signed ‘Ernest Walbourn’ (lower right) oil on canvas 60.9 x 45.7cm (24 x 18in).

£2,500 - 3,500 €3,400 - 4,700 US$3,800 - 5,300 26

British and European Art | 15 27

27 AR William Mainwaring Palin (British, 1862-1947) A boy playing a flute by a river signed ‘W.M.Palin’ (lower right) oil on canvas 54 x 72cm (21 1/4 x 28 3/8in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

28 Henry Edward Detmold (British, 1854-1924) A sunset catch signed ‘H Detmold’ (lower left) oil on canvas 113 x 74.9cm (44 1/2 x 29 1/2in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

28

16 | Bonhams 29

30

29 30 William Bromley (British, active 1835-1888) William Gersham Collingwood (British, 1854-1932) The village school Asleep in the heather bears signature and date (lower left) signed and dated ‘W. G. Collingwood/1890’ (lower left) oil on canvas watercolour, heightened with white 71.1 x 91.4cm (28 x 36in). 36.8 x 51.8cm (14 1/2 x 20 3/8in).

£4,000 - 6,000 £2,000 - 3,000 €5,400 - 8,100 €2,700 - 4,000 US$6,100 - 9,100 US$3,000 - 4,600

British and European Art | 17 31

31 George Goodwin Kilburne, RI, RBA (British, 1839-1924) ‘The Family Picnic’ signed ‘GGKilburne’ (lower left) watercolour and bodycolour 33.5 x 50cm (13 3/16 x 19 11/16in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

32 George Goodwin Kilburne, RI, RBA (British, 1839-1924) The suitor signed ‘G.G. Kilburne’ (lower left) watercolour 39 x 51cm (15 1/2 x 20 in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

32 33 John Henry Henshall, RWS (British, 1856-1928) Fairy Tales signed ‘Henry Henshall RWS’ (lower right) watercolour 26.6 x 36.8cm (10 1/2 x 14 1/2in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

33

18 | Bonhams 34 35

34 John Henry Henshall, RWS (British, 1856-1928) ‘The Prayer’ signed ‘Henry Henshall RWS’ (lower right), signed and inscribed with the artist’s address (on a label attached to the backboard) watercolour 35.6 x 25.4cm (14 x 10in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

35 George Goodwin Kilburne, RI, RBA (British, 1839-1924) The harpist signed ‘G.G.Kilburne’ (lower left) watercolour 25.4 x 19.1cm (10 x 7 1/2in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

36 Annie Lennox (British, active 1877-1882) The Dream of Kriemhild from The Nibelungenlied signed with initials ‘A.L.’ and bears date watercolour 58 x 38cm (22 13/16 x 14 15/16in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

36

British and European Art | 19 37

38

37 • 38 W William Barraud (British, 1810-1850) William Elstob Marshall (British, active 1859-1880) Hound in an interior Temporary lodgings down at the dogs home signed and dated ‘W Barraud/1847’ (center right) signed and dated ‘W.E Marshall.1878’ (lower left) and signed and oil on panel inscribed with title and artist’s address (on a label attached to the reverse) 30.5 x 40.5cm (12 x 15 15/16in). oil on canvas 82 x 134.5cm (32 5/16 x 52 15/16in). £2,000 - 3,000 €2,700 - 4,000 £2,000 - 4,000 US$3,000 - 4,600 €2,700 - 5,400 US$3,000 - 6,100 Provenance with The Parker Gallery, London, 1959 William Elstob Marshall was probably a son of Thomas Falcon Marshall Private collection, UK (1818-1878), a prolific Liverpool genre artist who exhibited at the Royal Academy and was elected a member of the Liverpool Academy in 1846. William Elstob Marshall exhibited eighteen works at The Royal Society of British Artists, Suffolk Street. He painted mostly in oils, depicting animals and rustic subjects, inspired by his time living in both Somerset and Scotland. He later settled in Haverstock Hill, London. Marshall exhibited at the Royal Academy between 1859 and 1880, and also at the British Institute.

20 | Bonhams 39 Colin Graeme (British, 1858-1910) Pointers and game, a set of three all signed ‘Colin Graeme’ (two lower right, one lower left) oil on panel each 20.3 x 15.2cm (8 x 6in).(3)

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

40 * Archibald Thorburn (British, 1860-1935) A mallard landing signed and dated ‘A.Thorburn/1925’ (lower left) watercolour and bodycolour 9.5cm diameter circular to be sold with: ‘Fulmar’, signed with initials and dated ‘Jan. 31 1918’ (lower right); Sketches of a Hoopoe, signed with initials (lower right) (3)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300 39

Provenance with The Moorland Gallery, London. Private collection, UK.

‘Fulmar’: Provenance with The Tryon Gallery Ltd., London. Private Collection, UK.

41 Briton Riviere, RA (British, 1840-1920) A pride of lions signed with monogram (lower left) pastel on buff coloured paper 38.1 x 71.1cm (15 x 28in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000 40

41

British and European Art | 21 42 Walter Hunt (British, 1861-1941) ‘Gathering strays’ signed and dated ‘W.HUNT. 1911’ (lower left) and inscribed with the title (on the reverse) oil on canvas 18 x 25.7cm (7 1/16 x 10 1/8in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

43 42 Attributed to Henry William Banks Davis, RA (British, 1833-1914) Study for ‘A Panic’ bears inscription ‘Study for “A Panic” painted circa 1874 for Mr Alfred Morrison of Fonthill House, Wilts./by my father H.W.B.Davis.RA’ (on the frame verso) oil on board 30.5 x 61cm (12 x 24in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance Gifted to the vendor’s father by a cousin who was friends with the artist’s daughter. Thence by descent.

The present lot is most likely a working 43 study for the larger composition of the same title which was exhibited at the Royal Academy in 1872, no. 124 and is now held in the collections of the Beverley Art Gallery, Yorkshire.

44 Charles Coleman (British, 1808- 1874) Buffalo cart and peasants of the Pontine Marshes on the road from Rome to Naples signed, dated and inscribed ‘C. Coleman Roma/1844’ (lower left) oil on canvas 81.3 x 109.2cm (32 x 43in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

44

22 | Bonhams 45 Thomas Baker of Leamington (British, 1809-1869) Deer in a parkland landscape signed and dated ‘T.BAKER 1849’ (lower right) oil on canvas 46.5 x 61.5cm (18 5/16 x 24 3/16in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance 45 with Frost & Reed, London, no. 34569. Private collection, UK.

46 William Henry Crome (British, 1806- 1873) A coastal landscape signed ‘W.H.Crome’ (lower right) oil on canvas 40.7 x 60.9cm (16 x 24in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with Mandell’s Gallery, Norwich, Norfolk, no. 1273. Mrs N. Hartley, Cambridgeshire (purchased from the above 1968). Private Collection, UK. 46 47 Hugh William Williams (British, 1773-1829) A view between Low Wood and Ambleside, the Lake District signed and dated ‘H W Williams 1796’ (lower right) watercolour 20.3 x 27.9cm (8 x 11in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

47

British and European Art | 23 48 William Henry Mander (British, 1850-1922) ‘On the Llugwy’; ‘On the Wye, early morning’, a pair both signed and dated ‘W.H.Mander.96’ (both lower right) and both signed and inscribed with the titles (on the reverse) oil on canvas each 35.6 x 53.4cm (14 x 21in).(2) 48 £1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

Provenance with Frost & Reed Ltd., London, no. 56117, 1968. Private Collection, UK.

49 Frederick William Hulme (British, 1816-1884) A river valley landscape signed ‘F W Hulme’ (lower right) oil on canvas 50.8 x 76.2cm (20 x 30in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with Cooling Galleries, London. 48

49

24 | Bonhams 50 AR Charles Edward Brittan (British, 1870-1949) ‘Among the Tors near Princetown’ inscribed with the title (on the reverse) watercolour 36.8 x 53.4cm (14 1/2 x 21in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300 50 Provenance with The Mendoza Gallery, London.

51 George Turner (British, 1843-1910) ‘A Welsh ford near Cader Idris N. Wales’ signed ‘Geo Turner’ (lower right), also signed, inscribed and dated ‘1889’ (on the reverse), and signed and inscribed (on a label attached to stretcher verso) oil on canvas 36 x 53cm (14 3/16 x 20 7/8in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

52 Frederick William ‘Waters’ Watts (British, 1800-1862) The ferry oil on canvas 44.4 x 74cm (17 1/2 x 29 1/8in). 51 £2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance Mrs J. D. Ferguson. Sale, Christie’s London, 4 October 1973, lot 198, sold for 2426 guineas. Sale, Christie’s London, 5 September 2002, lot 136. Private collection, UK.

52

British and European Art | 25 53 * Alfred Augustus Glendening (British, 1840-1921) 53 A view on the Thames signed and dated ‘A.A.GLENDENING.1903’ (lower right) oil on canvas 30.5 x 50.8cm (12 x 20in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

54 * Alfred Augustus Glendening (British, 1840-1921) Rydall Water, Cumbria signed and dated ‘A.A.GLENDENING.14’ (lower left) oil on canvas 30.5 x 50.8cm (12 x 20in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

55 54 Alfred Augustus Glendening (British, 1840-1921) Shepherd and flock on a mountain lane signed ‘A A GLENDENING.’ (lower right) oil on canvas 41 x 66cm (16 1/8 x 26in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

55

26 | Bonhams 56

57

56 57 Alfred Augustus Glendening (British, 1840-1921) Alfred Augustus Glendening (British, 1840-1921) Feeding the ducks A shepherd and his flock in a mountain valley signed with initials ‘AAG’ which has been added to (lower right) signed with initals ‘AAG’ which has been added to (lower left) oil on canvas oil on canvas 40.6 x 66cm (16 x 26in). 40.7 x 66cm (16 x 26in).

£3,000 - 5,000 £3,000 - 5,000 €4,000 - 6,700 €4,000 - 6,700 US$4,600 - 7,600 US$4,600 - 7,600

British and European Art | 27 58

58 Thomas Falcon Marshall (British, 1818-1878) Children playing in the orchard initialled and dated ‘T.F.M. 1855’ (lower right) oil on board 23 x 41cm (9 1/16 x 16 1/8in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

59 William Sidney Cooper (British, 1854-1927) ‘Hardwick House’ signed and dated ‘W. Sidney Cooper. 83’ (lower left) and partially inscribed with the title (on an old label attached to the stretcher) oil on canvas 76.2 x 50.8cm (30 x 20in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance Sale, Christie’s London, 5 November 1993, lot 234. Private Collection, UK.

59

28 | Bonhams 60

61

60 61 Attributed to Anthony Vandyke Copley Fielding, Sidney Richard Percy (British, 1821-1886) P.O.W.S. (British, 1787-1855) A view of Crookston Castle A view of Richmond, Yorkshire oil on canvas indistinctly signed (lower right) 62.3 x 92.7cm (24 1/2 x 36 1/2in). oil on canvas, in a carved and gilded frame 77 x 107cm (30 5/16 x 42 1/8in). £2,500 - 3,500 €3,400 - 4,700 £2,000 - 3,000 US$3,800 - 5,300 €2,700 - 4,000 US$3,000 - 4,600 Provenance with Cooling Galleries, London. Provenance Purchased at Christie’s in the 1930s by Mr Lancelot Hugh Smith Esmund Baring. Thence by descent.

British and European Art | 29 Olive Hockin (1880-1936) Lots 62–70

(July, 1912)1. It is likely that by 1912 the at the Watts Gallery, Compton, in 2005, New Government’s repeated blocking of successive Dawn Women: Women in the Arts & Crafts bills to introduce voting rights for women, and Suffrage Movements at the Dawn of both enraged and frustrated Olive and led to the 20th Century 2. However, whilst there is her full support for the suffrage movement. In artwork by Olive Hockin that has not reached retaliation to Parliament’s obstinacy suffrage the market, the collection now offered by her campaigners attacked a number of male sports family represents a significant proportion of facilities such as the pavilion at Roehampton her output and a unique opportunity to further Golf Club in Surrey which was set alight. A explore the fascinating life of Olive Hockin, her Suffragette periodical left at the scene bore philosophy, her political activism and her art. the overlooked Kensington address of Olive Hockin. In March 1913 the police raided Olive’s We are extremely grateful to V. Irene Cockroft studio and it was reported in the press as being for her kind assistance with the cataloguing of the present collection of works by Olive Hockin. Olive Hockin in her studio. ‘an arsenal of suffrage weapons’. Hockin was found guilty of complicity in the fire and other Olive Hockin was born in Cornwall into a suffrage outrages such as destroying plants in tragic situation. Her brother Frank, died the orchid house at Kew Gardens and pouring in January 1880, aged 15 months and her corrosive fluid into a letterbox. She was father Edward Hockin died just four months sentenced to four months in prison, with costs. later. When Olive was born in December of Any further activity within the suffrage the same year her widowed mother had five movement was put on hold with the onset of children to raise unaided and the shadow the First Word War and Olive enlisted in the of these losses pervaded much of Olive’s Women’s Land Army as a land girl and was childhood and later life. sent to a farm in Dartmoor, Devon. Whilst As an artist Olive Hockin trained at the Slade serving as a land girl Olive continued to School of Art from 1901-1904 and again from draw and paint and wrote a book recounting 1910 - 1911. She exhibited at the Society her experiences, Two Girls on the Land: of Women Artists, the Walker Art Gallery, the Wartime on a Dartmoor Farm. (London, London Salon and at the Royal Academy 1918). Following the war Olive married John of Arts. Olive’s art was certainly influenced Leared, a proprietor of a polo-pony training by the Pre-Raphaelite style and poetry and school near Cheltenham, Gloucestershire and increasingly her philosophy was guided by the became the mother of two sons. Olive died in February 1936 aged only 56. Theosophical doctrine of Helena Blavatsky © National Portrait Gallery, London (1831-1891). Theosophy was a synthesis An important body of work A police surveillance photograph taken of Olive in Holloway of science, spirituality and philosophy and Bonhams have previously auctioned two Prison yard. She wore a black armband for the death of Hockin’s artworks were imbued with the activist friend Emily Davison after colliding with the King’s important watercolours by Olive Hockin horse in the 1913 Epsom Derby. pagan spirit of nature and the spiritual which came on to the market in 2002. They influence of Theosophy. were entitled The Wind Blows Out of the Votes for Women Gates of the Day (after a play by W.B. Yeats who also took an interest in Theosophy) and 1 The Women’s Suffrage Movement, a Reference Guide by Olive Hockin first appears as an active Elizabeth Crawford, UCL Press 1999; Olive Hockin Circlewise They Sit (after a poem by D.G. member of the suffrage movement when she 2 The paintings were reproduced in the accompanying book is presented by Sylvia Pankhurst as ‘a new Rossetti, The Blessed Damozel). Both of New Dawn Women compiled by exhibition guest-curator V. worker in our movement’ in Votes for women these paintings were featured in an exhibition Irene Cockroft.

62 This stylish bookplate design gives a Olive Leared (née Hockin) (British, fascinating insight in to the life of Olive 1880-1936) Hockin. The illuminated text of her name is Ex-Libris bookplate intertwined with olive branches and a mystical pen and ink, heightened with white creature. The figure of Olive herself appears 25.4 x 20.3cm (10 x 8in). tethered to the earth whilst her spirit is soaring Sold together with another design, signed free, represented by the winged horses of with the artist’s monogram (lower right), 24.2 Pegasus, a clear reference to her spirituality x 19cm (9 1/2 x 7 1/2in).(2) and Theosophical beliefs. The design also references her role in the Suffrage Movement with the incorporation of the portcullis shaped £400 - 600 ‘Holloway Brooch’ which was created by €540 - 810 Sylvia Pankhurst to reward suffragettes who US$610 - 910 had served time in prison for the suffragette cause. Provenance From the artist’s family.

62

30 | Bonhams 63

63 Olive Leared (née Hockin) (British, 1880-1936) ‘Pan! Pan! O Pan! Bring back thy reign again upon the earth!’ signed and dated ‘O Hockin/1914’ (lower right) watercolour 62.3 x 81.3cm (24 1/2 x 32in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance From the artist’s family.

Exhibited London, Royal Academy, 1914, no. 1300.

The title of the present lot is taken from a poem by Eleanor Farjoen (1881-1965) titled Pan-Worship, 1908.

The work features a number of figures from classical mythology. There are a gathering of Naiads, or water nymphs, who in Greek mythology presided over fountains, rivers and springs. Also depicted in the lower 63 left hand corner of the composition is the Greek god Pan playing his pipes, which he used to lure Naiads from the water to dance for his delight. These figures associated with classical Greek mythology and spirituality resonated with Hockin’s Theosophical beliefs.

British and European Art | 31 64 64

64 Olive Leared (née Hockin) (British, 1880-1936) This present lot is a striking composition of a Dryad or tree nymph A Dryad holding a mystical light source and a clear representation of Hockin’s bears inscription ‘”EQUIPOISE”/OLIVE LEARED/THE END OF Theosophical philosophy and beliefs. PSYCHO ANALYSIS./(WITH CARL JUNG.)’ (on the reverse) watercolour and pencil on board The label on the reverse of the work relates to a tangible connection 76.2 x 53.4cm (30 x 21in). between Olive Hockin and Carl Jung through Jung’s assistant and Sold together with another smaller work of a Dryad, watercolour and translator Helton Godwin Baynes who was a good friend of Olive. pencil on board, 40 x 30.3cm (15 3/4 x 12in).(2) Baynes lived near Olive’s mother’s home in Berkshire. Their mutual circle included Olive’s friend Eleanor Farjeon, the children’s author, and £1,000 - 1,500 her brothers Herbert and Harry, the theatre writer and composer. Carl €1,300 - 2,000 Jung was openly dismissive and critical of Theosophy and although it US$1,500 - 2,300 did not seem to hinder Olive and Baynes’ friendship it does perhaps explain the slightly enigmatic inscription on the back of the present lot. Provenance From the artist’s family. For further reference on the friendship between Olive Hockin and Helton Godwin Baynes please refer to Diana Baynes Jansen Jung’s Apprentice: A Biography of Helton Godwin Baynes (Switzerland, 2003).

32 | Bonhams 65 66

65 66 Olive Leared (née Hockin) (British, 1880-1936) Olive Leared (née Hockin) (British, 1880-1936) The woods at night A woodland path watercolour signed ‘O. Hockin’ (lower right) 53.3 x 35.6cm (21 x 14in). watercolour 53.3 x 35.6cm (21 x 14in). £400 - 600 Sold together with a smaller work of an Alpine landscape, signed ‘O. €540 - 810 Hockin’ (lower right), watercolour, 27.8 x 20.4 cm (11 x 8in).(2) US$610 - 910 £300 - 400 Provenance €400 - 540 From the artist’s family. US$460 - 610

Provenance From the artist’s family.

British and European Art | 33 67 68

69 70

67 69 Olive Leared (née Hockin) (British, 1880-1936) Olive Leared (née Hockin) (British, 1880-1936) A cobwebbed woodland Cairo oil on canvas signed ‘O. Hockin’ (lower right) and bears inscription ‘CAIRO painted 87.6 x 87.6cm (34 1/2 x 34 1/2in). by Olive Leared (née Hockin) 1905’ (on the backboard) watercolour £500 - 700 36.8 x 49.5cm (14 1/2 x 19 1/2in). €670 - 940 US$760 - 1,100 £400 - 600 €540 - 810 Provenance US$610 - 910 From the artist’s family. Provenance For Olive Hockin woodlands were a place of great mysticism and From the artist’s family. spirituality, the home of fairies, spirits and nymphs. The present lot certainly has an atmosphere of the mystical about it and this feeling 70 is heightened by Hockin’s wavy and almost whimsical handling and Olive Leared (née Hockin) (British, 1880-1936) brushwork, which imbue the trees and woodland with a sense of Two moorland views organic life force. both signed ‘O. Hockin’ (one lower left, the other lower right) watercolour 68 one 35.6 x 53.3cm (14 x 21in). The other 29.2 x 52cm (11 1/2 x 20 Olive Leared (née Hockin) (British, 1880-1936) 1/2in).(2) A downland landscape signed with monogram (lower left) £400 - 600 oil on canvas €540 - 810 61 x 87.6cm (24 x 34 1/2in). US$610 - 910

£600 - 800 Provenance €810 - 1,100 From the artist’s family. US$910 - 1,200 The two works in the present lot most likely depict Dartmoor. Following Provenance the outbreak of the First World War Olive Hockin enlisted in the From the artist’s family. Women’s Land Army as a land girl and was sent to a farm in Dartmoor, Devon. The rugged landscape and inherent mysticism and folklore of Dartmoor was a source of great inspiration to Olive and she recorded her experiences through her art and a book Two Girls on the Land: Wartime on a Dartmoor Farm. (London, 1918).

34 | Bonhams 71

71 Edward Lear (British, 1812-1888) ‘Ravenna’ inscribed and dated ‘Ravenna.May 5.1867.8AM.’ (lower left), numbered ‘(13)’ (lower right) and inscribed with various colour notes pen and watercolour 15.4 x 25cm (6 1/16 x 9 13/16in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Provenance with Thos. Agnew & Sons Ltd., London. Private Collection, UK.

British and European Art | 35 72 John Hayter (British, 1800-1891) A portrait sketch of Sir Edwin Landseer signed, inscribed and dated ‘E.Landseer/Sketch from the life/by John Hayter -1826.’ (lower) pencil 12.5 x 19cm (4 15/16 x 7 1/2in). With a sketch of figures and head studies on the reverse.

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

73 Hercules Brabazon Brabazon (British, 1821- 72 1906) Portrait of Velasquez signed with initals (lower left) watercolour and bodycolour 20.9 x 17.2cm (8 1/4 x 6 3/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with Chris Beetles, London. Private Collection, UK.

Exhibited London, Chris Beetles, ‘Art and Sunshine’ The work of Hecules Brabazon Brabazon (1821-1906), May 1997, no. 239.

73

36 | Bonhams 74 John Atkinson Grimshaw (British, 1836-1893) St. Ann’s Square, Manchester signed and numbered ‘Atkinson Grimshaw/F.6’ (lower right), also signed, inscribed ‘MANCHESTER. St. Ann’s Square’ and numbered on reverse oil with sand on a photographic base, laid onto canvas 30.5 x 46cm (12 x 18 1/8in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

In his last years Grimshaw produced a small number of paintings where the paint was 74 applied over a photographic base. During the early years he had used photographs as an aide-memoire for his close examination of landscapes during his brief Pre-Raphaelite period. For a time he belonged to the Leeds Photographic Society but in later years it was his sons Arthur and Louis who were members.

In this Manchester scene the ghostly photographic images of the buildings is especially visible under the row of shops to the right of centre. Quite why the artist chose to use this method is unknown except perhaps as a quicker way to execute a body of work; however, examples are few in number.

We are grateful to Alex Robertson for his help in cataloguing this lot and confirming the authenticity after first hand inspection.

75 Cecil Charles Windsor Aldin, RBA (British, 1870-1935) The King’s Head, Chigwell signed ‘Cecil/Aldin’ (lower left) coloured chalks on buff paper 36.9 x 50.8cm (14 1/2 x 20in). 75

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with the Fine Arts Society, London, no. 36, May 1935. Sale, Christie’s South Kensington, 12 November 2008, lot 70.

Literature Aldin, Cecil, Old Inns, (London, 1921), illustrated.

British and European Art | 37 76

76

76 * Edwin Buckman (British, 1841-1930) Tug of war, Army against Navy signed and dated ‘E. Buckman/1876’ (lower right) watercolour 26 x 116.8cm (10 1/4 x 46in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

Provenance Private Collection, South Africa.

Exhibited London, Royal Academy, 1876, no. 632.

38 | Bonhams 77 Richard Simkin (British, 1840-1926) Uniforms of the 50th West Kent and later Queen’s Own Regiment; a collection of fourteen variously signed and inscribed watercolour all measuring approximately 26.7 x 35.6cm (10 1/2 x 14in).(14)

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

The present lot depicts the various uniforms of the 50th Regiment of Foot throughout its regimental history. Originally raised as the 52nd Regiment in 1757 it was renamed the 50th West Kent Regiment in 1782. The Regiment went through two further name 77 changes when in 1827 it was retitled the 50th Duke of Clarence’s Regiment of Foot, in honour of the future William IV and then as the 50th Queen’s Own Regiment of Foot in 1831. In 1881 the Regiment was amalgamated to form The Queen’s Own Royal West Kent Regiment. Following further amalgamations with different units the Regiment is now represented by the Princess of Wales’s Royal Regiment, the senior English line infantry regiment.

British and European Art | 39 78 Francis Sydney Muschamp (British, 1851-1929) Reading the letter signed and dated ‘Sydney Muschamp/1893’ (lower left) oil on canvas 50.8 x 76.2cm (20 x 30in).

£1,000 - 1,500 78 €1,300 - 2,000 US$1,500 - 2,300

79 AR Frank Moss Bennett (British, 1874- 1952) ‘Tea and Scandal’ signed and dated ‘FM Bennett 1927’ (lower right) and signed, titled and inscribed with the artist’s address (on the stretcher verso) oil on canvas 38.1 x 50.8cm (15 x 20in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

80 AR Alfred Lyndon Grace (British, 1867-1949) A new ballad signed ‘A.L.GRACE’ (lower left) oil on canvas 63.5 x 76.2cm (25 x 30in). 79 £1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

80

40 | Bonhams 81 AR James Prinsep Barnes Beadle (British, 1863-1947) The King’s Troop Royal Horse Artillery Parading through Hyde Park signed, dated and inscribed ‘J.P.Beadle. 1894. To my friend. Geoff Millais.’ (lower left) oil on canvas 55 x 70cm (21 5/8 x 27 9/16in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance A gift from the artist to Sir Geoffroy Millais (son of artist John Everett Millais) and thence by descent Private collection, UK 81

James Princip Barnes Beadle was one of Britian’s leading artists of historical and military subjects. While many of his scenes represented contemporary military events such as the Franco-Prussian War, the Boer War and the First World War he is perhaps most associated for depictions of the Napoleonic Wars and in particular the Peninsular Campaign, indeed, Beadle made a number of sketching trips to the battlefields of Portugal and Spain.

The present lot depicts a familiar scene to many of those who have visited London’s Hyde Park with the recognisable King’s Troop of the Royal Horse Artillery trotting along the South Carriage Drive with the Albert Memorial in the Background. The King’s Troop Royal Horse Artillery are responsible for the firing of Royal Salutes in Hyde Park on both Royal Anniversaries and State Occasions, and providing a gun carriage and team of black horses for State and Military funerals.

82 Richard Caton Woodville (British, 1856-1927) An ambush after the battle of Naseby signed ‘R.Caton Woodville’ (lower left) oil on board 29.2 x 22.2cm (11 1/2 x 8 3/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

82

British and European Art | 41 83

83 * AR Charles Spencelayh, RMS, HRBSA (British, 1865-1958) ‘Scandal’ signed ‘CHARLES SPENCELAYH’ (lower left) and insribed ‘SCANDAL/COPYRIGHT RESERVED/C.S.’ (on the reverse) oil on canvas 51 x 66cm (20 1/16 x 26in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

84 AR Alfred Lyndon Grace (British, 1867-1949) ‘The Inquisistion’ signed ‘A.L.GRACE’ (lower right) and inscribed with the title (on the reverse) oil on canvas 76.2 x 60.9cm (30 x 24in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

84

42 | Bonhams 85 W Henry Hall Pickersgill (British, 1812-1861) The Ferry signed and dated ‘H H Pickersgill 1844’ (lower right) oil on canvas 85 96.5 x 154.9cm (38 x 61in).

£2,500 - 3,500 €3,400 - 4,700 US$3,800 - 5,300

Provenance Sale, Christie’s London, 29 March 1996, lot 226. Private Collection, UK.

86 William Edward Millner (British, 1849-1895) ‘As the sun went down’ bears signature (lower right) and signed and inscribed (on a label attached to the reverse) oil on board 26.7 x 40.7cm (10 1/2 x 16in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

87 86 Keeley Halswelle (British, 1832- 1891) ‘Sketch in the Piazza Consolazione, Rome’ signed with initials and inscribed with title (lower left) watercolour 45.72 x 76.20cm (18 x 30in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance Sale, Sotheby’s London, 30 August 1994, lot 853. Private Collection, UK.

87

British and European Art | 43 88 89

88 Edwin Thomas Roberts (British, 1840-1917) Rory O’More courting Kathleen Bawn signed and dated ‘ETRoberts/1876’ (lower right) oil on canvas 91.5 x 76.25cm (36 x 30in).

£2,500 - 3,500 €3,400 - 4,700 US$3,800 - 5,300

The artist has taken his inspiration from the following verse from the the song Rory O’More; or Good Omen by the Irish poet and novelist Samuel Lover (1797-1868).

“Now, Rory, be aisy”, sweet Kathleen would cry (Reproof on her lip, but a smile in her eye), “With your tricks I don’t know, in troth, what I’m about, Faith you’ve teas’d till I’ve put on my cloak inside out”

89 Laslett John Pott (British, 1837-1898) Gathering apples signed ‘Laslett J. Pott’ (lower right) oil on canvas 60.9 x 40.7cm (24 x 16in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

90 90 Edwin Thomas Roberts (British, 1840-1917) The fisher girl signed ‘Edwin Roberts’ (lower right) oil on canvas 60 x 49cm (23 5/8 x 19 5/16in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

44 | Bonhams 91

92 92

91 92 Duncan Cameron (British, 1837-1916) William Thornley (British, 1857-1898) Fishing boats on a loch A harbour at sunset and moonrise, a pair signed ‘D Cameron’ (lower left) both signed ‘Thornley’ (lower left) oil on canvas oil on panel 40.7 x 60.9cm (16 x 24in). each 25.4 x 20.3cm (10 x 8in).(2)

£1,000 - 1,500 £1,200 - 1,800 €1,300 - 2,000 €1,600 - 2,400 US$1,500 - 2,300 US$1,800 - 2,700

British and European Art | 45 93 AR Harold Clayton (British, 1896-1979) 93 A still life of flowers signed ‘Harold Clayton’ oil on canvas 76.2 x 63.5cm (30 x 25in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Provenance with G. M. Lotinga Ltd., London. Private Collection, UK.

94 * AR Harold Clayton (British, 1896-1979) Still life of Roses, Antheritis and Freesias signed ‘Harold Clayton’ (lower left) oil on canvas 60.9 x 50.8cm (24 x 20in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

94

46 | Bonhams 95

95 AR Cecil Kennedy (British, 1905-1997) A Spring bouquet signed ‘Cecil Kennedy’ (lower right) oil on canvas 40.6 x 50.8cm (16 x 20in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

96 AR Cecil Kennedy (British, 1905-1997) Still life of tulips and freesias signed ‘Cecil Kennedy’ (lower right) oil on canvas 50.8 x 40.6cm (20 x 16in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

96

British and European Art | 47 97 98

97 Mildred Anne Butler (Irish, 1858-1941) An autumn border signed with initials ‘M.A.B’ (lower right), signed, dated and inscribed ‘East side/Estate/Mildred A.Butler/October 1930’ (on the reverse) watercolour 34 x 24cm (13 3/8 x 9 7/16in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

98 Rose Maynard Barton, R.W.S. (Irish, 1865-1929) On the old coach road to Bangor signed and dated ‘Rose Barton/05’ (lower right) and signed and inscribed with the title (on an old label attached to the backboard) watercolour 50.8 x 35.6cm (20 x 14in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

99 AR Albert Williams (British, born 1922) Summer bouquet signed ‘Albert Williams’ (lower right) oil on canvas 66 x 50.8cm (26 x 20in).

£1,000 - 1,500 €1,300 - 2,000 99 US$1,500 - 2,300

48 | Bonhams 100 Edward Ladell (British, 1821-1886) Still life with bird’s nest signed with monogram (lower left) oil on canvas laid down on board 25.5 x 30.5cm (10 1/16 x 12in).

£2,500 - 3,500 €3,400 - 4,700 100 US$3,800 - 5,300

Provenance with Williams & Son, London, no. 16468. Private collection, UK.

101 William Henry Hunt, OWS (British, 1790-1864) Still life of grapes signed ‘W HUNT’ (lower right) watercolour 22.8 x 26cm (9 x 10 1/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance Sale, Sotheby’s London, 4 March 1992, lot 284. Private Collection, UK.

101

British and European Art | 49 102 102 Algernon Talmage RA ROI RWA ARE (British, 1871-1939) The watering place signed and dated ‘a. Talmage/33’ (lower right) oil on canvas 76 x 106cm (29 15/16 x 41 3/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance Deutsche Bank Collection. Purchased from the above by the present owner in 2006. Private Collection, UK.

103 AR Philip Connard (British, 1875-1958) Open landscape oil on board 36.8 x 44.4cm (14 1/2 x 17 1/2in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

Provenance with David Messum, Beaconsfield, Jan 1984. Private Collection, UK.

103

50 | Bonhams 104

105

104 AR 105 Arthur A. Friedenson (British, 1872-1955) William Heath Wilson (British, 1849-1927) A rural landscape Enna, Sicily signed and dated ‘Arthur. A Friedenson 90’ (lower left) signed ‘W H Wilson’ (lower left), signed and dated ‘1888’ (on the oil on canvas reverse) 76.2 x 127cm (30 x 50in). oil on board 20.3 x 33cm (8 x 13in). There is an oil sketch of a young lady on the reverse of the present lot. £3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600 £1,000 - 1,500 €1,300 - 2,000 Provenance US$1,500 - 2,300 Sale, Bonham’s London, 11 March 1992, lot 384.

Exhibited Probably, London, Royal Academy, 1890, no. 771, titled ‘When evening shades creep o’er the lea.’

British and European Art | 51 106

106 Albert Chevallier Tayler, RBC (British, 1862-1925) An elegant lady seated by the fireplace signed ‘A. CHEVALLIER TAYLER.’ (lower right) oil on canvas 63.5 x 76.2cm (25 x 30in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

107 Sir William Blake Richmond, RA (British, 1842-1921) Portrait of Maude Sarah Verney, wife of Frederick Verney half length, in profile oil on canvas 61.5 x 51.5cm (24 3/16 x 20 1/4in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance By descent through the Verney family.

Exhibited London, Royal Academy, 1895, no.145 as Mrs Frederick Verney.

Literature Simon Reynolds, William Blake Richmond, An artist’s Life 1842-1921, Norwich, 1995, p.265.

107

52 | Bonhams 108

108 Mary Evelina Kindon (British, active 1879-1918) ‘Have you heard...?’ signed and dated ‘M.E.KINDON.’ (lower right) oil on canvas 87.7 x 113cm (34 1/2 x 44 1/2in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Exhibited London, Royal Academy, 1905, no. 110.

109 W Circle of John Robertson Reid (British, 1851-1926) The prize cabbage oil on canvas, unframed 153.7 x 97.2cm (60 1/2 x 38 1/4in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

109

British and European Art | 53 property of the falmouth community school, to be sold for the benefit of the students

A photograph of Charlotte Genn and a photograph of the Genn sisters Reproduced with kind permission of David Genn

110 Henry Scott Tuke, RA, RWS (British, 1858-1929) Portrait of Charlotte Genn signed ‘H.S.Tuke/Nov. 1885 (lower right), inscribed with sitter’s initials ‘C.G.’ (upper left) oil on board 35 x 26.5cm (13 3/4 x 10 7/16in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

Provenance Falmouth Community School, Cornwall.

Exhibited London, Grosvenor Gallery, 1886. Truro, Royal Cornwall Museum, Catching The Light: A Retrospective of Henry Scott Tuke (1858–1929), 10 May– 12 July 2008.

Literature Catherine Wallace, Cathing the Light: The Art and life of Henry Scott Tuke, Edinburgh, 2008, pp.59-61, illustrated in colour.

110

This portrait of Charlotte or ‘Charlie’ Genn is listed in Tuke’s register as From his diaries it is clear from the various references to Ellen, Julia being painted in November 1885 and was exhibited at the Grosvenor and Charlotte Genn, that Tuke stayed friends with the Genn children Gallery in 1886. throughout his life.

Charlotte Bessie Genn was born in 1859 and was the ninth of ten Charlotte married a Hayward and gained a stepson, Arthur Hayward. children of William and Ellen Genn who lived in Falmouth. Ellen Genn During her marriage she lived at the Guest House in Lingfield, Surrey. (1827-1897) was a friend of Tuke’s mother from when they lived in On being widowed, she returned to live with her sisters Ellen and Falmouth in the 1860s, and she was an accomplished artist. William Julia at Florence Cottage, Falmouth. It is believed that Charlotte later James Genn was the Town Clerk of Falmouth for fifty years. Tuke bought a watercolour from Tuke in 1924 of the Grace Harwar, a fully painted his portrait for Falmouth Town Council in August-September rigged sailing ship that Tuke sailed on in 1908. She also accompanied 1887. The Genns were a well-established family in Falmouth for over a Tuke with his other friends on the train to London on 1st May 1924. century, originally coming from Maryland in America c. 1780. We are grateful to Catherine Wallace for her kind assistance in It is a testament to their respect that the Genns had for Tuke as an cataloguing this lot. We are also grateful to David Genn for his research artist that they commissioned him to paint this portrait which was into the Genn family. one of several of their children. It certainly demonstrates his power as a portrait painter, with the subtle colouring of the sitter’s face being brought to life by the red ruff around her neck; the detail and reflected light in the metal clasp at her throat echoing the light reflected in her eyes.

54 | Bonhams 111 other properties

111 AR W Provenance Stanhope Alexander Forbes, RA (British, 1857-1947) The Energy Institute, London. Portrait of Sir Philip Dawson M.P. (1866-1938) signed ‘Stanhope a. Forbes/1914’ (lower right) Exhibited oil on canvas London, Royal Academy, 1914, no 694. 127 x 101.6cm (50 x 40in). Literature Royal Academy Illustrated (London), p 11. £5,000 - 7,000

€6,700 - 9,400 The present lot is a portrait of Sir Philip Dawson M.P. who was the US$7,600 - 11,000 Conservative Member for Lewisham West and an eminent British electrical engineer.

British and European Art | 55 112

112 AR Dorothea Sharp, RBA, ROI (British, 1874-1955) A clifftop path signed ‘DOROTHEA SHARP.’ (lower left) oil on canvas 38.7 x 46.2cm (15 1/4 x 18 3/16in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

113 AR Ernest Borough Johnson, RBA, RI, RP (British, 1866-1949) ‘Esther and girls’ signed ‘Borough Johnson’ (lower left) oil on canvas 64.7 x 53.4cm (25 1/2 x 21in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

The present lot depicts the artist’s wife and two children.

113

56 | Bonhams 114

114 Harold Harvey (British, 1874-1941) The unwilling sitter signed and dated ‘Harold Harvey/32’ (lower left) oil on canvas 50.8 x 61cm (20 x 24in).

£5,000 - 7,000 €6,700 - 9,400 US$7,600 - 11,000

Provenance Private Collection, UK.

The sitter for the present lot is Laura Challen Jewill Hill (1907-2004) who also appears in another work by Harvey titled ‘Laura and Paul Jewill Hill’ (1916).

We are grateful to Peter Risdon for his assistance with the cataloguing of this lot. The work is listed in the online catalogue for Harold Harvey’s work www.haroldharvey.info

115 AR William Lee-Hankey (British, 1869-1952) A girl with a basket on a woodland path indistinctly signed (lower left) oil on canvas 75.5 x 62.5cm (29 3/4 x 24 5/8in).

£3,000 - 4,000 €4,000 - 5,400 US$4,600 - 6,100

115

British and European Art | 57 116

116 Herbert Gustave Schmalz (British, 1856-1935) Portrait of Mrs Alec Tweedie (1862-1940) signed and dated ‘Herbert Schamlz. 1894.’ (upper right) oil on canvas 63.5 x 50.8cm (25 x 20in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Ethel Brilliana Tweedie was a well known and prolific author, travel writer and biographer. She married Mr Alexander (Alec) Tweedie in 1887 and wrote under her married name. The couple travelled extensively, notably throughout Scandinavia which formed the subject for Tweedie’s earliest and perhaps most well know works A Girl’s Ride in Iceland (1889) and A Winter Jaunt to Norway (1894). Following her husband’s sudden death in 1896 she wrote for a number of newspapers and periodicals and continued to travel and recount her experiences of countries such as Mexico, China, Japan and Russia. Mrs Tweedie died in London in 1940 aged 78 years. A copy of the present lot was used as the frontispiece in the published A Girl’s Ride in Iceland (1894).

58 | Bonhams 117

117 Harrington Mann (British, 1864-1937) Portrait of Miss Mary Nairn signed and dated ‘HARRINGTON MANN 1904’ (lower left) oil on canvas 127 x 101.6cm (50 x 40in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

For a comparable painting of Miss Mary Nairn by the artist please see Sotheby’s London, 25 November 2004, lot 424.

Provenance Collection of the Van Sminia family, Landgoed de Klinze Estate, the Netherlands. Private Collection, the Netherlands.

British and European Art | 59 118

118 Terrick John Williams, RA (British, 1860-1936) ‘Morning Mist, Concarneau’ signed ‘Terrick Williams’ (lower right), signed and inscribed with the title and artist’s address (on the reverse) oil on canvas 30.5 x 50.8cm (12 x 20in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Provenance with The Parker Gallery, London. Purchased from the above by the present owner’s father. Thence by descent.

60 | Bonhams 119

119 AR Edward Seago, RWS (British, 1910-1974) Dieppe street scene signed ‘Edward Seago’ (lower left) oil on board 35.6 x 45.7cm (14 x 18in).

£5,000 - 7,000 €6,700 - 9,400 US$7,600 - 11,000

Provenance Sir Denys Hartley Henderson, previous Chairman of ICI & Rank Organisation, Chancellor of the University of Bath (1992-8). with Haynes Fine Art, Broadway, Gloucestershire. Private Collection, UK.

British and European Art | 61 120

120 H Sjöman (Swedish), Early 20th Century A panoramic view of London signed ‘H Sjöman’ (lower right) oil on canvas 71.1 x 96.5cm (28 x 38in). Painted Circa 1920

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

62 | Bonhams part II: 19th century european, impressionist & modern art

Lots 121 - 199 121

121

121 Charles Glass (British, 19th Century) Napoli veduto dalla strada nuova del campo; I camp elisi dietro baia, a pair one signed and inscribed ‘Char Glass Naples’ (lower right) watercolour and gouache each 26.7 x 40.7cm (10 1/2 x 16in).(2)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

64 | Bonhams 122

122

122 Neapolitan School, 19th/20th Century Isola di Procida; Loggia della Villar, a pair watercolour and gouache each 34 x 48cm (13 3/8 x 18 7/8in).(2)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

British and European Art | 65 123

123

123 Neapolitan School, 19th/20th Century A view of the Bay of Naples with Vesuvius in the distance; Amalfi coast, a pair watercolour and gouache each 39 x 51cm (15 3/8 x 20 1/16in).(2)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

66 | Bonhams 124 125

124 125 AR Blas Olleros y Quintana (Spanish, 1851-1919) Attilio Pratella (Italian, 1856-1949) Rowing boats off the coast Fishermen off Capri signed and inscribed ‘Olleros Blas/Florencia’ (lower right) signed ‘APratella’ (lower right) oil on board oil on canvas 31 x 18.5cm (12 3/16 x 7 5/16in). 45 x 30cm (17 11/16 x 11 13/16in).

£1,000 - 1,500 £3,000 - 5,000 €1,300 - 2,000 €4,000 - 6,700 US$1,500 - 2,300 US$4,600 - 7,600

British and European Art | 67 126 Vilhelm Rosenstand (Danish, 1838-1915) The water bearers, Capri signed, inscribed and dated ‘Vilh. Rosenstand Roma/1870’ (lower right) oil on canvas 100 x 75cm (39 3/8 x 29 1/2in).

£3,000 - 5,000 126 €4,000 - 6,700 US$4,600 - 7,600

127 Rudolf Auguste Wilhelm Lehmann (German, 1819-1905) A Mediterranean beauty signed and indistinctly inscribed ‘R.LEHM/..ccLXXII’ (upper right) oil on canvas 120 x 86cm (47 1/4 x 33 7/8in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

127

68 | Bonhams 128 Filippo Indoni (Italian, born circa 1842-1908) Itinerant musicians by a river signed ‘Indoni’ (lower left) watercolour 76 x 54.5cm (29 15/16 x 21 7/16in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

129 128 Giulio del Torre (Italian, 1856-1932) Little helpers signed, dated and inscribed ‘G. del Torre/Venezia. 1905.’ (upper right) oil on panel 30.5 x 24.7cm (12 x 9 3/4in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

129

British and European Art | 69 130

131

130 131 Jean Jacques Rousseau (French, 1861-1911) William Stanley Haseltine (American, 1835-1900) St Marguerite Swiss mountain landscape signed, dated and inscribed ‘J.J.Rousseau/St Maguerite/95’ (lower oil on canvas right) 35 x 63cm (13 3/4 x 24 13/16in). oil on canvas 39 x 61cm (15 3/8 x 24in). £2,000 - 3,000 €2,700 - 4,000 £1,000 - 1,500 US$3,000 - 4,600 €1,300 - 2,000 US$1,500 - 2,300 Provenance Herbert C. Hasetline, the artist’s son.

70 | Bonhams 132

133

132 133 William Stanley Haseltine (American, 1835-1900) William Stanley Haseltine (American, 1835-1900) Rocks of Capri Lake Lucerne oil on canvas oil on canvas 38 x 59cm (14 15/16 x 23 1/4in). 34 x 57.5cm (13 3/8 x 22 5/8in).

£3,000 - 5,000 £3,000 - 5,000 €4,000 - 6,700 €4,000 - 6,700 US$4,600 - 7,600 US$4,600 - 7,600

Provenance Provenance Herbert C. Hasetline, the artist’s son. Herbert C. Hasetline, the artist’s son.

British and European Art | 71 134

135

134 AR 135 AR Harald Julius Niels Pryn (Danish, 1891-1968) Harald Julius Niels Pryn (Danish, 1891-1968) Sunny winters day A snowy track through the woodland signed, dated and inscribed ‘Harald Pryn 55/Fr. dalskov’ (lower left) signed ‘Harald Pryn’ (lower left) oil on canvas oil on canvas 90.5 x 130.5cm (35 5/8 x 51 3/8in). 92.5 x 116.5cm (36 7/16 x 45 7/8in).

£1,800 - 2,500 £1,500 - 2,000 €2,400 - 3,400 €2,000 - 2,700 US$2,700 - 3,800 US$2,300 - 3,000

72 | Bonhams 136

136

136 Pierre Edouard Frère (French, 1819-1886) The bird trap; a pair both signed and dated ‘Edouard Frère 1872’ (lower left) oil on panel each 30 x 40.6cm (11 13/16 x 16in).(2)

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Provenance Thos Agnew & Sons, London.

British and European Art | 73 137 138

137 138 Frank Kirchbach (German, 1859-1912) Jules Trayer (French, 1824-1908) Revolt of the peasants A sunny door step signed, dated and inscribed ‘FKirchbach/1896/Munchen’ (lower left) signed and dated ‘J. Trayer. 1875.’ (lower left) oil on canvas watercolour 99 x 73cm (39 x 28 3/4in). 54.5 x 39cm (21 7/16 x 15 3/8in).

£1,500 - 2,000 £1,000 - 1,500 €2,000 - 2,700 €1,300 - 2,000 US$2,300 - 3,000 US$1,500 - 2,300

74 | Bonhams 139 140

139 Léo Hermann (French, 1853-1927) Les Loisirs de son éminence signed ‘Leo Herrmann’ (lower left) oil on canvas 15.2 x 11.4cm (6 x 4 1/2in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

140 Léo Hermann (French, 1853-1927) Une bonne bouteille signed and dated ‘Leo Herrmann/1921’ (upper right) oil on canvas 27 x 19cm (10 5/8 x 7 1/2in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300 141 141 Léo Hermann (French, 1853-1927) Une bonne histoire signed ‘Leo Herrmann’ (lower left) paper, ink and wash on card image 21 x 28.3cm (8 1/4 x 11 1/8in); sheet 27 x 35cm (10 5/8 x 13 3/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

British and European Art | 75 142

143

142 143 * Hendrik Gerrit ten Cate (Dutch, 1803-1856) Ludovico Marchetti (Italian, 1853-1909) A travelling menagerie A collector’s room signed and dated ‘H G Ten Cate/1847’ (lower left) signed and inscribed ‘L Marchetti/Paris’ (lower left) oil on canvas oil on canvas 72.4 x 86.4cm (28 1/2 x 34in). 47.7 x 54.6cm (18 3/4 x 21 1/2in).

£3,000 - 5,000 £1,500 - 2,000 €4,000 - 6,700 €2,000 - 2,700 US$4,600 - 7,600 US$2,300 - 3,000

76 | Bonhams 144

145

144 * 145 * Kalman (Koloman) Deri (Hungarian, 1859-1940) Francesco Bergamini (Italian, 1815-1883) Tavern interior The card game signed, dated and inscribed ‘Déry K./München 1886’ (lower right) signed and inscribed ‘FBergamini/Roma’ (lower right) oil on canvas oil on canvas 47.5 x 67cm (18 11/16 x 26 3/8in). 48.5 x 74cm (19 1/8 x 29 1/8in).

£3,000 - 5,000 £1,500 - 2,000 €4,000 - 6,700 €2,000 - 2,700 US$4,600 - 7,600 US$2,300 - 3,000

British and European Art | 77 146

146 * Adolf Schreyer (German, 1828-1899) A halted caravan signed ‘Ad. Schreyer’ (lower left) oil on canvas laid down on board 48 x 82.5cm (18 7/8 x 32 1/2in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

The authenticity of this work has kindly been confirmed by Dr. Christoph Andreas on the basis of a photograph.

78 | Bonhams 147

147 * Adolf Schreyer (German, 1828-1899) Der Standartenträger signed ‘Ad. Schreyer’ (lower right) oil on canvas 53.5 x 46cm (21 1/16 x 18 1/8in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

The authenticity of this work has kindly been confirmed by Dr. Christoph Andreas on the basis of a photograph.

British and European Art | 79 148

148 Armand-Joseph Bonamy (French) A procession of Indian elephants signed and dated ‘A. Bonamy 1930’ (lower right) oil and gold paint on panel, three panels framed as one overall 39.8 x 195cm (15 11/16 x 76 3/4in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

It has been suggested that this lot depicts the parade of elephants for the enthronement of the Maharaja of Indoor, Maharajadhiraj Raj Rajeshwar Sawai Shri Yeshwant Rao II Holkar XIV Bahadur (6 September 1908 – 5 December 1961). He was invested with full powers on 9 May 1930.

149

80 | Bonhams 149 * James Alexander Walker (British, 1841-1898) A Maharaja on a white horse signed ‘J.A. Walker’ (lower right) oil on canvas 92 x 73cm (36 1/4 x 28 3/4in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

150 Circle of Ettore Cercone (Italian, 1850-1901) Oriental figures bears signature (lower left) oil on board 41 x 26cm (16 1/8 x 10 1/4in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

150

British and European Art | 81 151

152

151 152 Spanish School, 19th Century Antoine Raynolt (French 19th Century) Private concert Femme nue endormie bears signature and inscription (lower left) signed and dated ‘A Raynolt 97’ (lower left) oil on board oil on canvas 82 x 112cm (32 5/16 x 44 1/8in). 62 x 91.9cm (24 7/16 x 36 3/16in).

£1,000 - 1,500 £1,500 - 2,500 €1,300 - 2,000 €2,000 - 3,400 US$1,500 - 2,300 US$2,300 - 3,800

82 | Bonhams 153 Emile Eisman-Semenowsky (Polish, 1857-1911) Young beauty signed ‘Eisman-Semenowsky-’ (upper right) oil on panel 35 x 26.8cm (13 3/4 x 10 9/16in).

£1,000 - 2,000 €1,300 - 2,700 US$1,500 - 3,000

154 Circle of Luigi Postiglione (Italian, 1812-1881) Odalisque bears signature (lower right) oil on canvas 53 x 75cm (20 7/8 x 29 1/2in).

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

153

154

British and European Art | 83 155 155

155 Pierre-Adolphe Huas (French, 1838-1900) Portrait of a young boy; a pair two, one signed and dated ‘P.A huas/1871’ (lower left); the other signed ‘A. huas’ (lower right) pastel each 69 x 55cm (27 3/16 x 21 5/8in).(2)

£1,800 - 2,500 €2,400 - 3,400 US$2,700 - 3,800

156 Olof Arborelius (Swedish, 1842-1915) Portrait of a young girl signed and dated ‘O. ARBORELIUS/1865’ (lower left) oil on canvas laid down on board 54.5 x 39.5cm (21 7/16 x 15 9/16in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

156

84 | Bonhams 157

157 Antoine Jean Étienne (Tony) Faivre (French, 1830-1905) Une femme elegante avec chien signed and dated ‘Tony Faivre 1876’ (lower left) oil on panel 45 x 31cm (17 11/16 x 12 3/16in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

Provenance Cider House Galleries, Surrey. Private Collection, UK.

British and European Art | 85 158

158 Hans Dahl (Norwegian, 1849-1937) Three girls in a meadow signed and inscribed ‘Hans-Dahl. Berlin’ (lower left) oil on canvas 66 x 100cm (26 x 39 3/8in).

£6,000 - 8,000 €8,100 - 11,000 US$9,100 - 12,000

86 | Bonhams 159

159 Alexandre-Louis Leloir (French, 1843-1884) Troubadours on the road signed ‘Louis Leloir’ (lower left) oil on canvas 58 x 108cm (22 13/16 x 42 1/2in).

£6,000 - 8,000 €8,100 - 11,000 US$9,100 - 12,000

British and European Art | 87 160

160 Charles Émile Jacque (French, 1813-1894) Barn life signed ‘ch. jacque’ (lower left); bears artist’s wax seal (on the reverse) oil on panel 38 x 46.5cm (14 15/16 x 18 5/16in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

161 Eugene Petit (French, 1839-1886) Pointer and a setter in a landscape signed ‘E. Petit’ (lower right) oil on canvas 38.2 x 46.2cm (15 1/16 x 18 3/16in).

£1,200 - 1,800 €1,600 - 2,400 US$1,800 - 2,700

161

88 | Bonhams 162

162 Attributed to Léon Charles Huber (French, 1858-1928) Still life of fruit; a pair both bear signature (lower right) oil on canvas 55 x 68.5cm (21 5/8 x 26 15/16in).(2)

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

162

British and European Art | 89 163 163 Domenico Caligo (Italian, circa 1838-1911) The cloisters of the Camposanto Monumentale, Pisa signed and dated ‘D co Caligo 1869’ (lower right) watercolour 43.2 x 56.5cm (17 x 22 1/4in).

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

164 • After Johann Matthias Ranftl A Corpus Christi procession signed and dated ‘Ranftl 1850’ (lower right) oil on panel 26 1/2 x 34in (67 x 86.5cm)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

The present lot is a copy after the original painting by Johann Matthias Ranftl in the Belvedere Museum, Vienna.

Provenance Private collection since 1960s. 164

90 | Bonhams 165

165 W Peter Kornbeck (Danish, 1837-1894) Piazza San Marco, Venice signed and dated ‘P Kornbeck. 1887’ (lower left) oil on canvas 58 x 103.5cm (22 13/16 x 40 3/4in).

£6,000 - 8,000 €8,100 - 11,000 US$9,100 - 12,000

Provenance Sale, Bonhams London, 22 April 2010, lot 9, sold for £14,400.

Exhibited Copenhagen, Danish Royal Academy, 1888.

British and European Art | 91 166

167

166 W 167 Louis Apol (Dutch, 1850-1936) Jan Jacob Coenraad Spohler (Dutch, 1837-1923) Winter coastal scene Continental landscape signed ‘Louis Apol’ (lower right) signed ‘J J C Spohler’ (lower left) oil on canvas oil on canvas 60 x 101.5cm (23 5/8 x 39 15/16in). 43 x 67cm (16 15/16 x 26 3/8in).

£4,000 - 6,000 £1,000 - 1,200 €5,400 - 8,100 €1,300 - 1,600 US$6,100 - 9,100 US$1,500 - 1,800 Provenance W.H.Patterson, London

92 | Bonhams 168

168 Giovanni Lanza (Italian, 1827-1889) Fishing; Preparing the boats both signed ‘GG Lanza’ (lower right) both watercolour one 70 x 51cm (27 9/16 x 20 1/16in), the other 43 x 73cm (16 15/16 x 28 3/4in).(2)

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

169 Cornelis Springer (Dutch, 1817-1891) Town scene, possibly Brielle signed and indistinctly dated ‘C Springer’ (lower left) charcoal and wash 40.5 x 33.8cm (15 15/16 x 13 5/16in).

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

Provenance Willem Brinkman, Schipluiden. Private collection, Netherlands.

For a similar view of Brielle, please see Christie’s Amsterdam, 29 April 1998, lot 313.

169

British and European Art | 93 170 170

171

170 171 François Charles Cachoud (French, 1866-1943) Hendrik Pieter Koekkoek (Dutch, 1843-died circa 1890) A village in the moonlight; The road at night A view near Windsor two, both signed ‘F Cachoud’ (lower right) signed ‘H. P. Koekkoek’ (lower centre) oil on canvasboard; the other oil on board oil on canvas both 21.2 x 27cm (8 3/8 x 10 5/8in).(2) 36 x 61cm (14 3/16 x 24in).

£1,000 - 1,500 £2,000 - 3,000 €1,300 - 2,000 €2,700 - 4,000 US$1,500 - 2,300 US$3,000 - 4,600

94 | Bonhams 172

173

172 173 Attributed to Salomon Leonardus Verveer (Dutch, Claude-François-Auguste de Mesgriny (French, 1836- 1813-1876) 1884) A gathering by the shore Au bord de la rivière bears signature (lower left) signed ‘F de Mesgriny’ (lower right) oil on canvas oil on canvas 65 x 100.5cm (25 9/16 x 39 9/16in). 50.5 x 76cm (19 7/8 x 29 15/16in).

£3,000 - 5,000 £1,500 - 2,000 €4,000 - 6,700 €2,000 - 2,700 US$4,600 - 7,600 US$2,300 - 3,000

Provenance MacConnal-Mason & Son, London.

British and European Art | 95 174

174 AR Antoine Blanchard (French, 1910-1988) Avenue des Champs Élysées, Paris signed ‘Antoine Blanchard.’ (lower right) oil on canvas 45.7 x 55.9cm (18 x 22in).

£5,000 - 7,000 €6,700 - 9,400 US$7,600 - 11,000

96 | Bonhams 175

175 Jean Hippolyte Marchand (French, 1883-1940) Paysage urbain signed ‘JH Marchand’ (lower left) oil on canvas 65 x 81cm (25 9/16 x 31 7/8in).

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

British and European Art | 97 176

176 AR Marcel Dyf (1899-1985) The authenticity of this work has kindly been confirmed by Madame Roses et gypsophiles Claudine Dyf. It is registered in the e-catalogue of Marcel Dyf’s work signed ‘Dyf’ (lower right) under no. 850. oil on canvas 55 x 46cm (21 5/8 x 18 1/8in). Provenance Painted in 1965 Frost & Reed, London. E. Stacy-Marks Ltd., Eastbourne. £3,000 - 5,000 Private Collection, UK. €4,000 - 6,700 US$4,600 - 7,600

98 | Bonhams 177 AR Marcel Dyf (1899-1985) Plan d’oliviers à Eygalières signed ‘Dyf’ (lower right) oil on canvas 46 x 55cm (18 1/8 x 21 5/8in). Painted in 1960

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

The authenticity of this work has kindly been 177 confirmed by Madame Claudine Dyf. It is registered in the e-catalogue of Marcel Dyf’s work under no. 5023.

Provenance Anon. sale, Christie’s, London, 20 February 1990, lot 109. Private Collection, UK (acquired at the above sale).

178 * AR Yves Brayer (French, 1907-1990) Le Mas aux Alpilles signed ‘YVES BRAYER’ (lower right); titled (on the stretcher) oil on canvas 50 x 65cm (19 11/16 x 25 9/16in). Painted in 1964

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

The authenticity of this work has kindly been confirmed by Madame Corinne Brayer and Monsieur Olivier Brayer on the basis of photographs and will be included in the addendum of the catalogue raisonné of the oil paintings on www.yvesbrayer.com, number 4546. 178

British and European Art | 99 179

179 AR Marcel Dyf (1899-1985) Rivière en Hollande signed ‘Dyf’ (lower right) oil on canvas 46 x 55cm (18 1/8 x 21 5/8in). Painted in 1971

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

The authenticity of this work has kindly been confirmed by Madame Claudine Dyf. It is registered in the e-catalogue of Marcel Dyf’s work under no. 3326.

Provenance E. Stacy-Marks Ltd. Eastbourne. Private Collection, UK.

100 | Bonhams 180

180 AR Marcel Dyf (1899-1985) Le Cher signed ‘Dyf’ (lower left) oil on canvas 46 x 55.3cm (18 1/8 x 21 3/4in). Painted in 1970

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

The authenticity of this work has kindly been confirmed by Madame Claudine Dyf. It is registered in the e-catalogue of Marcel Dyf’s work under no. 2252.

Provenance Frost & Reed, London. E. Stacy-Marks Ltd., Eastbourne. Private Collection, UK.

British and European Art | 101 181

181 AR Michele Cascella (1892-1989) Portofino signed ‘Michele Cascella’ (lower left); inscribed ‘da me dipinto/Michele Cascella’ (on the reverse) oil on canvas 20 x 30cm (7 7/8 x 11 13/16in). Painted circa 1982 - 1984

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

Provenance: Torcular, Trezzano sul Naviglio. Private collection, Italy.

Literature: G.Bonini, Catalogo ragionato generale dei dipinti di Michele Cascella, Milan, 1988, no. 80-88/1023 (illustrated p. 541).

102 | Bonhams 182

182 AR Filippo de Pisis (1896-1956) Natura morta con cappello signed and dated ‘Pisis 43’ (lower right) oil on canvas laid down on card 34 x 43cm (13 3/8 x 16 15/16in). Painted in 1943

£6,000 - 8,000 €8,100 - 11,000 US$9,100 - 12,000

Provenance Galleria La Bussola, Turin. Galleria Bergamini, Milan. Private Collection, Italy.

Literature G. Briganti, De Pisis, Catalogo Generale, Tomo secondo, Opere 1939- 1953, Milan, 1991, no. 1943 71 (illustrated p. 630).

British and European Art | 103 183

184

183 AR 184 Charles Malle (born 1935) Sergei Patikovski (Ukrainian, 20th/21st Century) Paris Montmartre, Rue de l’Abreuvoir Poppy Fields signed ‘C. MALLE’ (lower left); stamped with the artist’s atelier stamp signed in Cyrillic (lower right); signed and inscribed in Cyrillic and dated ‘Atelier Charles Malle Vente’ (on the stretcher) ‘2014’ (on the reverse) oil on canvas oil on canvas 81.3 x 101.6cm (32 x 40in). 70 x 110cm (27 9/16 x 43 5/16in).

£2,000 - 3,000 £1,000 - 1,500 €2,700 - 4,000 €1,300 - 2,000 US$3,000 - 4,600 US$1,500 - 2,300

104 | Bonhams 185

185 AR Claude Venard (1913-1999) Moulin à Montmartre signed ‘C. VENARD’ (lower left) oil on canvas 65 x 81cm (25 9/16 x 31 7/8in). Painted circa 1981

£3,000 - 5,000 €4,000 - 6,700 US$4,600 - 7,600

The authenticity of this work has kindly been confirmed by Monsieur Alain Vercel.

British and European Art | 105 186

186 AR Claude Venard (1913-1999) Paysage urbain signed ‘C.VENARD’ (lower left) oil on canvas 60 x 73cm (23 5/8 x 28 3/4in). Painted circa 1950

£5,000 - 7,000 €6,700 - 9,400 US$7,600 - 11,000

The authenticity of this work has kindly been confirmed by Monsieur Alain Vercel.

187 AR Claude Venard (1913-1999) Composition signed ‘C. VENARD’ (lower left) oil on canvas 100 x 100cm (39 3/8 x 39 3/8in). Painted circa 1986

£3,500 - 5,500 €4,700 - 7,400 US$5,300 - 8,400

The authenticity of this work has kindly been confirmed by Monsieur Alain Vercel.

187

106 | Bonhams 188

188 AR Claude Venard (1913-1999) Nature morte avec un piano signed ‘C. VENARD’ (lower right) oil on canvas 130 x 97cm (51 3/16 x 38 3/16in).

£6,000 - 8,000 €8,100 - 11,000 US$9,100 - 12,000

The authenticity of this work has kindly been confirmed by Monsieur Alain Vercel.

British and European Art | 107 189

190

189 AR 190 Roland Oudot (1897-1981) Evgeny Segal (Russian, born 1967) La famille Cafe society signed ‘Roland Oudot’ (lower left); signed and inscribed ‘Roland signed in Cyrillic (lower left); signed and inscribed in Cyrillic and dated Oudot/28 rue Cambronne/Paris 15/La Famille’ (on the reverse) ‘2012’ (on the reverse) oil on canvas oil on canvas 97.5 x 130cm (38 3/8 x 51 3/16in). 61 x 91cm (24 x 35 13/16in). Painted circa 1931 £1,000 - 1,500 £2,000 - 3,000 €1,300 - 2,000 €2,700 - 4,000 US$1,500 - 2,300 US$3,000 - 4,600

Provenance Eifinger Collection, The Hague. Willem Brinkman, Schipluiden. Private collection, Netherlands.

108 | Bonhams 191

191 Marina Marina (Russian, born 1970) The dressing room signed ‘Marina’ (lower left); signed in Cyrillic, signed and dated ‘Marina Marina/2015/x.m’ (on the reverse) oil on canvas 70 x 100cm (27 9/16 x 39 3/8in).

£4,000 - 6,000 €5,400 - 8,100 US$6,100 - 9,100

British and European Art | 109 192 193

192 193 Raquel Forner (Argentinian, 1902-1988) Raquel Forner (Argentinian, 1902-1988) Piedra Lunar Piedra Lunar signed ‘R. Forner’ (lower right); signed, dated and inscribed ‘Piedra/ signed ‘Raquel Forner’ (lower right); signed, dated and inscribed Lunar/Paris/1967/Raquel/Forner’ (on the reverse) ‘Piedra/Lunar/1967/Raquel/Forner/Paris’ (on the reverse) oil on canvas oil on canvas 41 x 27cm (16 1/8 x 10 5/8in). 41 x 27cm (16 1/8 x 10 5/8in). Painted in 1967 Painted in 1967

£1,000 - 1,500 £1,000 - 1,500 €1,300 - 2,000 €1,300 - 2,000 US$1,500 - 2,300 US$1,500 - 2,300

Provenance Provenance Drian Galleries, London. Drian Galleries, London.

110 | Bonhams 194

194 AR Joseph Lacasse (1894-1975) Composition abstraite incised with monogram and dated ‘1936’ (lower centre) oil on black paper laid down on squared paper 16.5 x 24cm (6 1/2 x 9 7/16in). Painted in 1936

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

195 AR Robert Marc (1943-1993) Untitled signed ‘ROBERT MARC’ (lower centre) collage on board image 50 x 40cm (19 11/16 x 15 3/4in); sheet 65 x 54cm (25 9/16 x 21 1/4in).

£2,500 - 3,500 €3,400 - 4,700 US$3,800 - 5,300

Provenance Estate of the Artist. Forum Gallery, New York. Barry Friedman Ltd., New York, no. 15873. E & R Cyzer Gallery, London. Acquired from the above by the present owner, 2011.

Exhibited London, E & R Cyzer and Alon Zakaim Fine Art, Robert Marc, Reflections and Rediscovery, 11 March - 8 April 2011, no. 28 (illustrated). 195

British and European Art | 111 196 AR Pablo Picasso (1881-1973) Profil de Jacqueline stamped ‘Madoura Plein Feu/Empreinte originale de Picasso’ (underneath) partially glazed ceramic convex wall plaque 19.2cm (7 9/16in) high Conceived in 1956 and executed in an edition 196 of 500

£1,500 - 2,000 €2,000 - 2,700 US$2,300 - 3,000

Literature A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, no. 385 (another version illustrated p. 199).

197 * After Honore Daumier (French, 1808-1948) Bust of Alexandre-Simon Pataille Published by Maurice Le Garrec 1927-1952, probably executed by the Barbedienne Foundry, numbered on the inside 2/30 and stamped on the side with Maurice Le Garrec’s seal ‘MLG’. Bronze with brown patina 17cm (6 11/16) high, 24.3cm (9 9/16) high including base

£1,000 - 1,500 €1,300 - 2,000 US$1,500 - 2,300

197

112 | Bonhams 198

198 AR Pablo Picasso (1881-1973) Pichet gothique aux feuilles stamped, marked and numbered ‘Madoura Plein Feu/Edition Picasso/ Edition Picasso/59/100/Madoura’ (underneath) Partially glazed and engraved ceramic pitcher 28.5cm (11 1/4) high Conceived in 1952 and executed in a numbered edition of 100

£2,000 - 3,000 €2,700 - 4,000 US$3,000 - 4,600

Literature A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947- 1971, Madoura, 1988, no. 178 (another version illustrated p. 96).

British and European Art | 113 199

199 AR Gaston Chaissac (1910-1964) This work is sold with a photo-certificate of authenticity from Monsieur Untitled, 1961 Thomas Le Guillou. signed ‘Chaissac’ (lower left) oil on paper laid on board Provenance 74 x 64cm (29 1/8 x 25 3/16in). Noël Rovers d’Hondt, Malaga. Executed circa 1961. Private Collection, Spain. Acquired directly from the above by the present owner. £15,000 - 20,000 €20,000 - 27,000 End of Sale US$23,000 - 30,000 The next sale of British & European Art is on the 22 September

114 | Bonhams Index

Artist Lot No

Aldin, Cecil Charles Windsor 75 Deri, Kalman (Koloman) 144 Anderson, Sophie 21 Detmold, Henry Edward 28 Apol, Louis 166 Dyf, Marcel 176, 177, 179, 180 Arborelius, Olof 156 Eagles, Edmund 23 Baker of Leamington, Thomas 45 Eisman-Semenowsky, Emile 153 Barraud, William 37 Faivre, Antoine Jean Étienne (Tony) 157 Barton, Rose Maynard 98 Flint, William Russell 1, 2, 3, 4, 6 Beadle, James Prinsep Barnes 81 Forbes, Stanhope Alexander 111 Bennett, Frank Moss 79 Forner, Raquel 192, 193 Bergamini, Francesco 145 Foster, Myles Birket 11 Blanchard, Antoine 174 Fowler, Robert 18 Bonamy, Armand-Joseph 148 Frère, Pierre Edouard 136 Brabazon, Hercules Brabazon 8, 9, 73 Friedenson, Arthur A. 104 Brangwyn, Frank 7 Glass, Charles 121 Brayer, Yves 178 Glehn, Wilfred Gabriel de 5 Brittan, Charles Edward 50 Glendening, Alfred Augustus 53, 54, 55, 56, 57 Bromley, William 29 Goodall, Edward Angelo 12 Buckman, Edwin 76 Grace, Alfred Lyndon 80, 84 Butler, Mildred Anne 97 Graeme, Colin 39 Cachoud, François Charles 170 Greenwood, Orlando 20 Caligo, Domenico 163 Grimshaw, John Atkinson 74 Cameron, Duncan 91 Halswelle, Keeley 87 Cascella, Michele 181 Harvey, Harold 114 Cate, Hendrik Gerrit ten 142 Haseltine, William Stanley 131, 132, 133 Cercone, Ettore 150 Hayter, John 72 Chaissac, Gaston 199 Henshall, John Henry 33, 34 Clayton, Harold 93, 94 Hermann, Léo 139, 140, 141 Clifford, Edward 10 Hill, Arthur 17 Coleman, Charles 44 Huas, Pierre-Adolphe 155 Collingwood, William Gersham 30 Huber, Léon Charles 162 Connard, Philip 103 Hulme, Frederick William 49 Cooper, William Sidney 59 Hunt, Walter 42 Copley Fielding, Anthony Vandyke 60 Hunt, William Henry 101 Crome, William Henry 46 Indoni, Filippo 128 Dahl, Hans 158 Jacque, Charles Émile 160 Daumier, After Honore 197 Johnson, Ernest Borough 113 Davis, Henry William Banks 43 Kennedy, Cecil 95, 96 de Mesgriny, Claude-François-Auguste 173 Kilburne, George Goodwin 31, 32, 35 de Pisis, Filippo 182 Kindon, Mary Evelina 108 EDWARD SEAGO, RWS ENQUIRIES Index 19TH CENTURY EUROPEAN, (BRITISH, 1910-1974) +44 (0) 20 7468 8201 VICTORIAN, AND BRITISH Junks at North Point, Hong Kong [email protected] IMPRESSIONIST ART oil on masonite Artist Lot No Tuesday 23 June 2015, 2pm 50.5 x 76cm (19 7/8 x 29 15/16in). £40,000 - 60,000 Kirchbach, Frank 137 Raynolt, Antoine 152 New Bond Street, London Koekkoek, Hendrik Pieter 171 Reid, John Robertson 109 Kornbeck, Peter 165 Richmond, Sir William Blake 107 Lacasse, Joseph 194 Riviere, Briton 41 Ladell, Edward 100 Roberts, Edwin Thomas 88, 90 Lanza, Giovanni 168 Rosenstand, Vilhelm 126 Lear, Edward 71 Rossi, Alexander M. 22 Leared (née Hockin), Olive 62, 63, 64, 65, 66, 67, 68, 69, 70 Rousseau, Jean Jacques 130 Lee-Hankey, William 115 Schmalz, Herbert Gustave 116 Lehmann, Rudolf Auguste Wilhelm 127 Schreyer, Adolf 146, 147 Leloir, Alexandre-Louis 159 Seago, Edward 119 Lennox, Annie 36 Segal, Evgeny 190 Malle, Charles 183 Sharp, Dorothea 112 Mander, William Henry 48 Simkin, Richard 77 Marc, Robert 195 Sjöman, H 120 Marchand, Jean Hippolyte 175 Spanish School 151 Marchetti, Ludovico 143 Spencelayh, Charles 83 Marina, Marina 191 Spohler, Jan Jacob Coenraad 167 Marshall, Thomas Falcon 58 Springer, Cornelis 169 Marshall, William Elstob 38 Swinstead, George Hillyard 25 Millner, William Edward 86 Talmage RA ROI RWA ARE, Algernon 102 Morgan, John 24 Tayler, Albert Chevallier 106 Muschamp, Francis Sydney 78 Thorburn, Archibald 40 Neapolitan School 122, 123 Thornley, William 92 Olleros y Quintana, Blas 124 Torre, Giulio del 129 Oudot, Roland 189 Trayer, Jules 138 Palin, William Mainwaring 27 Tuke, Henry Scott 110 Patikovski, Sergei 184 Turner, George 51 Percy, Sidney Richard 61 Venard, Claude 185, 186, 187, 188 Petit, Eugene 161 Verveer, Salomon Leonardus 172 Picasso, Pablo 196, 198 Walbourn, Ernest 26 Pickersgill, Henry Hall 85 Walker, James Alexander 149 Pollentine, Alfred 13, 14, 16 Watts, Frederick William ‘Waters’ 52 Postiglione, Luigi 154 Williams, Albert 99 Pott, Laslett John 89 Williams, Hugh William 47 Pratella, Attilio 125 Williams, Terrick John 118 Prescott-Davies, Norman 19 Wilson, William Heath 105 Pryn, Harald Julius Niels 134, 135 Woods, Henry 15 Ranftl, Johann Matthias 164 Woodville, Richard Caton 82

bonhams.com/19thcentury EDWARD SEAGO, RWS ENQUIRIES 19TH CENTURY EUROPEAN, (BRITISH, 1910-1974) +44 (0) 20 7468 8201 VICTORIAN, AND BRITISH Junks at North Point, Hong Kong [email protected] IMPRESSIONIST ART oil on masonite Tuesday 23 June 2015, 2pm 50.5 x 76cm (19 7/8 x 29 15/16in). £40,000 - 60,000 New Bond Street, London

bonhams.com/19thcentury GUY TAPLIN ENQUIRIES Including the selected ENQUIRIES MODERN BRITISH (BRITISH, BORN 1939) +44 (0) 20 7393 3949 RICHARD ATTENBOROUGH: contents of Old Friars, +44 (0) 20 7393 3844 AND IRISH ART Nine Egrets [email protected] A LIFE BOTH SIDES OF THE Richmond Green and an [email protected] Tuesday 2 June 2015 painted wood and steel CAMERA extensive film archive. Knightsbridge, London approximately 160cm £7,000 - 10,000 Wednesday 21 October 2015 Knightsbridge, London

bonhams.com/modernbritish bonhams.com/attenborough Including the selected ENQUIRIES RICHARD ATTENBOROUGH: contents of Old Friars, +44 (0) 20 7393 3844 A LIFE BOTH SIDES OF THE Richmond Green and an [email protected] CAMERA extensive film archive. Wednesday 21 October 2015 Knightsbridge, London

bonhams.com/attenborough NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/03.15 Bidding in person address the invoice to your principal rather than you. We will G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale require proof of the agent’s client’s identity and residence in and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, advance of any bids made by the agent on his behalf. Please Premium before) the day of the Sale. The bidding number system is refer to our Conditions of Business and contact our Customer • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued Services Department for further details. Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. 6. CONTRACTS BETWEEN THE BUYER AND SELLER prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that AND THE BUYER AND BONHAMS Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should On the Lot being knocked down to the Buyer, a Contract for and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced Sale of the Lot will be entered into between the Seller and a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration the Buyer on the terms of the Contract for Sale set out in exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there Appendix 1 at the back of the Catalogue. You will be liable to immediately. is any doubt as to the Hammer Price of, or whether you are the pay the Purchase Price, which is the Hammer Price plus any successful Bidder of, a particular Lot, you must draw this to the applicable VAT. At the same time, a separate contract is also In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for entered into between us as Auctioneers and the Buyer. This Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding is our Buyer’s Agreement, the terms of which are set out in Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained 9. PAYMENT Bidding by telephone in the Catalogue in case you are the successful Bidder. We If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements It is of critical importance that you ensure that you have readily Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different available funds to pay the Purchase Price and the Buyer’s in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the Premium (plus VAT and any other charges and Expenses to us) for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral in full before making a bid for the Lot. If you are a successful responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be Bidder, payment will be due to us by 4.30 pm on the second been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been working day after the Sale so that all sums are cleared by bidding facility is a discretionary service and may not be any. the eighth working day after the Sale. Unless agreed by us in available in relation to all Lots. We will not be responsible for advance payments made by anyone other than the registered bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES Buyer will not be accepted. Payment will have to be by one of the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER the following methods (all cheques should be made payable to bidding. Please contact us for further details. Bonhams 1793 Limited). Bonhams reserves the right to vary the Under the Buyer’s Agreement, a premium (the Buyer’s terms of payment at any time. Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, Sterling personal cheque drawn on a UK branch of a bank Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in or building society: all cheques must be cleared before you responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable can collect your purchases; form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the Bankers draft/building society cheque: if you can provide In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers suitable proof of identity and we are satisfied as to the before the start of the Sale. Please check your Absentee of Lots: genuineness of the draft or cheque, and that the funds have Bidding Form carefully before returning it to us, fully completed originated from your own account, we will allow you to 25% up to £50,000 of the Hammer Price and signed by you. It is your responsibility to check with our collect your purchases immediately; 20% from £50,001 to £1,000,000 of the Hammer Price Bids Office that your bid has been received. This additional 12% from £1,000,001 of the Hammer Price service is complimentary and is confidential. Such bids are Cash: you may pay for Lots purchased by you at this Sale with made at your own risk and we cannot accept liability for our notes, coins or travellers cheques in the currency in which On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made the Sale is conducted (but not any other currency) provided and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible that the total amount payable by you in respect of all Lots (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where purchased by you at the Sale does not exceed £3,000, or the Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest equivalent in the currency in which the Sale is conducted, at the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. the time when payment is made. If the amount payable by you cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address for Lots exceeds that sum, the balance must be paid otherwise the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid than in coins, notes or travellers cheques; Premium will be a percentage of the amount of the Hammer not being placed. Price calculated in accordance with the table below, and shall Bank transfer: you may electronically transfer funds to our not exceed €12,500 (converted into the currency of the Sale Bidding via the internet Trust Account. If you do so, please quote your paddle number using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for and invoice number as the reference. Our Trust Account details the date of the Sale). details of how to bid via the internet. are as follows: Hammer Price Percentage amount Bank: National Westminster Bank Plc Bidding through an agent From €0 to €50,000 4% Address: PO Box 4RY Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% 250 Regent Street as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% London W1A 4RY to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Account Name: Bonhams 1793 Limited Trust Account require written confirmation from the principal confirming Exceeding €500,000 0.25% Account Number: 25563009 the agent’s authority to bid. Nevertheless, as the Bidding Sort Code: 56-00-27 Form explains, any person placing a bid as agent on behalf 8. VAT IBAN Number: GB 33 NWBK 560027 25563009 of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, If paying by bank transfer, the amount received after the the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable deduction of any bank fees and/or conversion of the currency resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. of payment to pounds sterling must not be less than the please let us know if you are acting on behalf of another sterling amount payable, as set out on the invoice. person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium: Debit cards: there is no additional charge for purchases made Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s with personal debit cards, issued by a UK bank. Debit cards person to bid on your behalf at the Sale unless this is to be Premium issued by an overseas bank, deferred and company debit cards carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer and all credit cards will be subject to a 2% surcharge; Form that you have completed. If we do not approve the Price and Buyer’s Premium agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the identity of your client in advance, we will be in a position to

NTB/MAIN/03.15 Credit cards: Visa and Mastercard only. Please note there is a any Description or Estimate made of any Lot, or the conduct Condition of Firearms 2% surcharge on the total invoice value when payments are of any Sale in relation to any Lot, whether in damages, for an Comment in this Catalogue is restricted, in general, to made using credit cards. It may be advisable to notify your card indemnity or contribution, or for a restitutionary remedy or exceptional condition and to those defects that might affect provider of your intended purchase in advance to reduce delays otherwise, our and/or the Seller’s liability (combined, if both the immediate safety of a firearm in normal use. An intending caused by us having to seek authority when you come to pay. If we and the Seller are liable) will be limited to payment of a Bidder unable to make technical examinations and assessments you have any questions with regard to payment, please contact sum which will not exceed by way of maximum the amount is recommended to seek advice from a gunmaker or from a our Customer Services Department. of the Purchase Price of the Lot irrespective in any case of the modern firearms specialist. All prospective Bidders are advised nature, volume or source of any loss or damage alleged to be to consult the ˚ of bore and wall-thickness measurements China UnionPay (CUP) debit cards: No surcharge for using suffered or sum claimed as due, and irrespective of whether posted in the saleroom and available from the department. CUP debit cards will apply on the first £100,000 invoiced the liability arises from any negligence, other tort, breach Bidders should note that guns are stripped only where there to a Buyer in any Sale; a 2% surcharge will be made on the of contract (if any) or statutory duty or otherwise. Nothing is a strong indication of a mechanical malfunction. Stripping balance over £100,000. set out above will be construed as excluding or restricting is not, otherwise, undertaken. Guns intended for use should (whether directly or indirectly) our liability or excluding or be stripped and cleaned beforehand. Hammer guns should 10. COLLECTION AND STORAGE restricting any person’s rights or remedies in respect of (i) fraud, have their rebound mechanisms checked before use. The or (ii) death or personal injury caused by our negligence (or by safety mechanisms of all guns must be tested before use. The Buyer of a Lot will not be allowed to collect it until the negligence of any person under our control or for whom All measurements are approximate. payment in full and in cleared funds has been made (unless we are legally responsible), or (iii) acts or omissions for which we have made a special arrangement with the Buyer). For we are liable under the Occupiers Liability Act 1957, or (iv) Original Gun Specifications Derived from Gunmakers collection and removal of purchased Lots, please refer to Sale any other liability to the extent the same may not be excluded The Sporting Gun Department endeavours to confirm a gun’s Information at the front of the Catalogue. Our offices are or restricted as a matter of law or (v) our undertakings under original specification and date of manufacture with makers open 9.00am – 5pm Monday to Friday. Details relating to paragraphs 9 (in relation to specialist Stamp or Book Sales only) who hold their original records. the collection of a Lot, the storage of a Lot and our Storage and 10 of the Buyer’s Agreement. The same applies in respect Contractor after the Sale are set out in the Catalogue. of the Seller, as if references to us in this paragraph were Licensing Requirements substituted with references to the Seller. Firearms Act 1968 as amended 11. SHIPPING Bonhams is constantly reviewing its procedures and would 15. BOOKS remind you that, in the case of firearms or shotguns subject to Please refer all enquiries to our shipping department on: certification, to conform with current legislation, Bonhams is Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 As stated above, all Lots are sold on an “as is” basis, subject required to see, as appropriate, your original registered firearms Email: [email protected] to all faults, imperfections and errors of Description save as dealer’s certificate / shot gun certificate / firearm certificate / set out below. However, you will be entitled to reject a Book museum firearms licence / Section 5 authority or import licence 12. EXPORT/TRADE RESTRICTIONS in the circumstances set out in paragraph 11 of the Buyers (or details of any exemption from which you may benefit, for Agreement. Please note that Lots comprising printed Books, instance Crown servant status) for the firearm(s) you have It is your sole responsibility to comply with all export and unframed maps and bound manuscripts are not liable to VAT purchased prior to taking full payment of the amount shown import regulations relating to your purchases and also to obtain on the Buyer’s Premium. on your invoice. Should you not already be in possession of any relevant export and/or import licence(s). Export licences are such an authority or exemption, you are required to initially issued by Arts Council England and application forms can be 16. CLOCKS AND WATCHES pay a deposit of 95% of the total invoice with the balance of obtained from its Export Licensing Unit. The detailed provisions 5% payable on presentation of your valid certificate or licence of the export licencing arrangements can be found on the ACE All Lots are sold “as is”, and the absence of any reference showing your authority to hold the firearm(s) concerned. website http://www.artscouncil.org.uk/what-we-do/supporting- to the condition of a clock or watch does not imply that museums/cultural-property/export-controls/export-licensing/ the Lot is in good condition and without defects, repairs or Please be advised that if a successful Bidder is then unable to or by phoning ACE on +44 (0)20 7973 5188. The need for restorations. Most clocks and watches have been repaired in produce the correct paperwork, the Lot(s) will be reoffered by import licences varies from country to country and you should the course of their normal lifetime and may now incorporate Bonhams in the next appropriate Sale, on standard terms for acquaint yourself with all relevant local requirements and parts not original to them. Furthermore, Bonhams makes Sellers, and you will be responsible for any loss incurred by provisions. The refusal of any import or export licence(s) or no representation or warranty that any clock or watch is in Bonhams on the original Sale to you. any delay in obtaining such licence(s) shall not permit the working order. As clocks and watches often contain fine and rescission of any Sale nor allow any delay in making full complex mechanisms, Bidders should be aware that a general In the case of RFD certificates and Section 5 authorities, we payment for the Lot. Generally, please contact our shipping service, change of battery or further repair work, for which the wish to keep an up-to-date copy on file. Please supply us with department before the Sale if you require assistance in Buyer is solely responsible, may be necessary. Bidders should a Fax or photocopy. It would be helpful if you could send us an relation to export regulations. be aware that the importation of watches such as Rolex, Frank updated copy whenever your certificate or authority is renewed Muller and Corum into the United States is highly restricted. or changed. 13. CITES REGULATIONS These watches may not be shipped to the USA and can only be imported personally. Lots marked ‘S1´ and bearing red labels are Section 1 firearms Please be aware that all Lots marked with the symbol Y are and require a valid British Firearms certificate, RFD Licence or subject to CITES regulations when exporting these items 17. FIREARMS – PROOF, CONDITION AND import licence. outside the EU. These regulations may be found at CERTIFICATION http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may Lots marked ‘S2’ and bearing blue labels are Section 2 firearms be requested from: Proof of Firearms and require a valid British Shotgun certificate, RFD licence or The term “proof exemption” indicates that a firearm has import licence. Animal Health and Veterinary Laboratories Agency (AHVLA) been examined at a Proof House, but not proved, as either Wildlife Licencing (a) it was deemed of interest and not intended for use, or (b) Lots marked ‘S5´ and bearing specially marked red labels are Floor 1, Zone 17, Temple Quay House ammunition was not available. In either case, the firearm must Section 5 prohibited firearms and require a valid Section 5 2 The Square, Temple Quay be regarded as unsafe to fire unless subsequently proved. Authority or import licence. BRISTOL BS1 6EB Firearms proved for Black Powder should not be used with Tel: +44 (0) 117 372 8774 smokeless ammunition. Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition 14. THE SELLERS AND/OR BONHAMS’ LIABILITY The term “Certificate of Unprovability” indicates that a firearm is held. has been examined at a Proof House and is deemed both Other than any liability of the Seller to the Buyer of a Lot unsuitable for proof and use. Reproof is required before any Unmarked Lots require no licence. under the Contract for Sale, neither we nor the Seller are such firearm is to be used. liable (whether in negligence or otherwise) for any error or Please do not hesitate to contact the Modern Sporting Gun misdescription or omission in any Description of a Lot or any Guns Sold as Parts Department should you have any queries. Estimate in respect of it, whether contained in the Catalogue Barrels of guns sold as parts will only be made available for or otherwise, whether given orally or in writing and whether sleeving and measurements once rendered unserviceable Taxidermy and Related Items given before or during the Sale. Neither we nor the Seller will according to the Gun Barrel Proof Act of 1968 to 1978 and the As a Seller of these articles, Bonhams undertakes to comply be liable for any loss of Business, profits, revenue or income, or Rules of Proof. fully with Cites and DEFRA regulations. Buyers are advised to for loss of reputation, or for disruption to Business or wasted inform themselves of all such regulations and should expect time on the part of management or staff, or for indirect losses the exportation of items to take some time to arrange. or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage 18. FURNITURE alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any Upholstered Furniture negligence, other tort, breach of contract (if any) or statutory Whilst we take every care in cataloguing furniture which has duty, restitutionary claim or otherwise. In any circumstances been upholstered we offer no Guarantee as to the originality where we and/or the Seller are liable in relation to any Lot or of the wood covered by fabric or upholstery.

NTB/MAIN/03.15 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/03.15 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary This lot contains or is made of ivory. The United States Ф in the Catalogue or announced by the Auctioneer) 6 PAYMENT Government has banned the import of ivory into been paid and, so far as the Seller is aware, all third the USA. parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when the past; the Lot is knocked down to you on the fall of the •, †, *, G, Ω, a see clause 8, VAT, for details. Auctioneer’s hammer in respect of the Lot. 2.1.5 subject to any alterations expressly identified as such DATA PROTECTION – USE OF YOUR INFORMATION made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by Where we obtain any personal information about you, we shall Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you only use it in accordance with the terms of our Privacy Policy Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case (subject to any additional specific consent(s) you may have about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), given at the time your information was disclosed). A copy of letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in our Privacy Policy can be found on our Website www.bonhams. of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by com or requested by post from Customer Services Department, any Condition Report which has been provided to not later than 4.30pm on the second working day 101 New Bond Street, London, W1S 1SR or by email from the Buyer. following the Sale and you must ensure that the [email protected] funds are cleared by the seventh working day after 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one APPENDIX 1 of the methods stated in the Notice to Bidders unless 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If CONTRACT FOR SALE Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in IMPORTANT: These terms may be changed in advance of the the Catalogue which is not printed in bold letters, paragraph 8 below. Sale of the Lot to you, by the setting out of different terms in which merely sets out (on the Seller’s behalf) the Catalogue for the Sale and/or by placing an insert in the Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT Catalogue and/or by notices at the Sale venue and/or by oral part of the Contractual Description upon which the announcements before and during the Sale at the Sale venue. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by You should be alert to this possibility of changes and ask in than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your advance of bidding if there have been any. 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other Under this contract the Seller’s liability in respect of the quality Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of the Lot, it’s fitness for any purpose and its conformity with writing, including in the Catalogue or on Bonhams’ any Description is limited. You are strongly advised to examine Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Lot for yourself and/or obtain an independent examination by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or of it before you buy it. whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared 1 THE CONTRACT sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.1 These terms govern the Contract for Sale of the Lot 3.2 Except as provided in paragraph 2.1.5, the Seller by the Seller to the Buyer. does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 1.2 The Definitions and Glossary contained in Appendix 3 obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance in the Catalogue are incorporated into this Contract of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. for Sale and a separate copy can also be provided any Description of the Lot or any Estimate in relation by Bonhams on request. Where words and phrases to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling are used which are in the List of Definitions, they are Description or Estimate which may have been made and transport of the Lot on collection and for printed in italics. by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in No such Description or Estimate is incorporated into connection with the Lot. 1.3 The Seller sells the Lot as the principal to the this Contract for Sale. Contract for Sale, such contract being made between 7.5 You will be wholly responsible for any removal, the Seller and you through Bonhams which acts in 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred the sole capacity as the Seller’s agent and not as QUALITY by the Seller if you do not remove the Lot in an additional principal. However, if the Catalogue accordance with this paragraph 7 and will states that Bonhams sells the Lot as principal, or such 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, a statement is made by an announcement by the to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Auctioneer, or by a notice at the Sale, or an insert obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your in the Catalogue, then Bonhams is the Seller for the fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges purposes of this agreement. its fitness for any purpose. due under any Storage Contract. All such sums due to the Seller will be payable on demand. 1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you. NTB/MAIN/03.15 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/03.15 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/03.15 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.

NTB/MAIN/03.15 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/03.15 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price (where applicable), the Buyer’s Premium (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. to be offered for Sale by Bonhams. by Bonhams. “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, any (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot VAT chargeable thereon, Expenses and any other amount due (being that part of the Entry about the Lot in the Catalogue to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and “Description” any statement or representation in any person named on the Contract Form acts as an agent for a way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or not), (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, “Seller” includes both the agent and the principal who shall be except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, jointly and severally liable as such. The Seller is also referred to owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer in the Conditions of Business by the words “you” and “your”. of any charge or encumbrance so disclosed or Price). “Specialist Examination” a visual examination of a Lot by a known. “Entry” a written statement in the Catalogue identifying the specialist on the Lot. Lot and its Lot number which may contain a Description and “Stamp” means a postage Stamp offered for Sale at a (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. Specialist Stamp Sale. of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within “Standard Examination” a visual examination of a Lot by a inferred from its circumstances an intention that the which the hammer is likely to fall. non-specialist member of Bonhams’ staff. seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by “Storage Contract” means the contract described in person may have. Bonhams in respect of the Lot including legal Expenses, paragraph 8.3.3 of the Conditions of Business or paragraph banking charges and Expenses incurred as a result of an 4.4 of the Buyer’s Agreement (as appropriate). (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and “Storage Contractor” means the company identified as such is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions in the Catalogue. known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or “Terrorism” means any act or threatened act of terrorism, been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of whether any person is acting alone or on behalf of or in testing, searches or enquiries, preparation of the Lot for Sale, connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs committed for political, religious or ideological or similar there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a purposes including, but not limited to, the intention to will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. influence any government and/or put the public or any section namely: “Forgery” an imitation intended by the maker or any other of the public into fear. person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at before the contract is made. substantially affect the identity of the Lot as one conforming to which a Lot may be sold (whether at auction or by private the Description of the Lot. treaty). (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the GLOSSARY the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot are warranties.” made up of a Stamp or Stamps or a Book or Books as set out The following expressions have specific legal meanings with in the Buyer’s Agreement. which you may not be familiar. The following glossary is “Hammer Price” the price in the currency in which the Sale is intended to give you an understanding of those expressions conducted at which a Lot is knocked down by the Auctioneer. but is not intended to limit their legal meanings:

NTB/MAIN/03.15 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments UK Porcelain & Pottery UK UK Jon Baddeley Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +1 415 503 3326 EUROPE Scottish Pictures 20th Century British Art Greek Art Philip Kantor Chris Brickley Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings +44 20 7468 8314 Scot Levitt Automobilia Silver & Gold Boxes Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 UK +44 1244 353123 U.S.A U.S.A African, Oceanic Mark Dance Kurt Forry Aileen Ward & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 UK U.S.A. Penny Day Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 Fredric Backlar Chinese & Asian Art Modern Art Automobilia +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 Alan Fausel U.S.A U.S.A Musical Instruments +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch Antiquities HONG KONG +44 20 8963 2839 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 UK Japanese Art Natural History David Williams Clocks UK U.S.A Urban Art +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Paul Carella +44 20 7468 8364 U.S.A +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Jonathan Snellenburg +1 212 461 6516 UK Wristwatches Art Collections, +1 212 461 6530 Andrew Mckenzie UK Estates & Valuations Jewellery +44 20 7468 8261 +44 20 7447 7412 Harvey Cammell Coins & Medals UK U.S.A U.S.A. +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher Jonathan Snellenburg John Millensted +44 20 7468 8282 +1 323 436 5488 +1 212 461 6530 Art Nouveau & Decorative +44 20 7393 3914 U.S.A HONG KONG Art & Design U.S.A Susan Abeles Orientalist Art Nicholas Biebuyck UK Paul Song +1 212 461 6525 Charles O’Brien +852 2918 4321 Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +44 20 7393 3856 Anellie Manolas Whisky U.S.A Contemporary Art +61 2 8412 2222 Photography UK Frank Maraschiello UK HONG KONG U.S.A Martin Green +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich +44 1292 520000 +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 U.S.A Australian Art U.S.A Joseph Hyman Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures +1 917 206 1661 +61 2 8412 2222 +1 917 206 1656 UK UK HONG KONG Alex Clark Veronique Scorer +44 20 7393 3986 Daniel Lam +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 +852 3607 0004 Claire Browne U.S.A Prints and Multiples Australian Colonial +44 1564 732969 Gregg Dietrich UK Wine Furniture and Australiana +1 917 206 1697 Rupert Worrall UK +1 415 861 7500 Entertainment +44 20 7468 8262 Richard Harvey Memorabilia Mechanical Music U.S.A +44 (0) 20 7468 5811 Books, Maps & UK Jon Baddeley Judith Eurich U.S.A Manuscripts +44 20 7393 3844 +44 20 7393 3872 +1 415 503 3259 Doug Davidson UK U.S.A +1 415 503 3363 Matthew Haley Catherine Williamson Modern, Contemporary Russian Art HONG KONG +44 20 7393 3817 +1 323 436 5442 & Latin American Art UK Daniel Lam U.S.A U.S.A Sophie Law +852 3607 0004 Christina Geiger Alexis Chompaisal +44 20 7468 8334 +1 212 644 9094 +1 323 436 5469 U.S.A Yelena Harbick British & European Glass Modern Design +1 212 644 9136 UK Gareth Williams Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343

SD28/4/15 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Scotland The Netherlands Representatives: ASIA Dorset De Lairessestraat 154 Arizona London Bill Allan Edinburgh • 1075 HL Amsterdam Terri Adrian-Hardy Hong Kong • 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 22 Queen Street +31 (0) 20 67 09 701 +1 (480) 994 5362 Suite 2001 UK Porcelain & Pottery UK UK Jon Baddeley London W1S 1SR Edinburgh [email protected] One Pacific Place Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia EH2 1JX California 88 Queensway +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 131 225 2266 Portugal Central Valley Admiralty U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Bury St. Edmunds +44 131 220 2547 fax Rua Bartolomeu Dias nº David Daniel Hong Kong 21 Churchgate Street 160. 1º +1 (916) 364 1645 +852 2918 4321 Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 Montpelier Street • London SW7 1HH Bury St Edmunds Glasgow Belem +852 2918 4320 fax +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG 176 St. Vincent Street, 1400-031 Lisbon Southern California [email protected] Christine Eisenberg +1 415 503 3326 EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 Glasgow +351 218 293 291 20th Century British Art Greek Art Philip Kantor Chris Brickley +44 1284 755 844 fax G2 5SG [email protected] +1 (949) 646 6560 Beijing Hongyu Yu Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 South East +44 141 223 8866 Colorado Suite 511 England Norfolk +44 141 223 8868 fax Russia – Moscow Julie Segraves +44 20 7468 8295 American Paintings +44 20 7468 8314 Chang An Club The Market Place Anastasia Vinokurova +1 (720) 355 3737 Scot Levitt Automobilia Silver & Gold Boxes Reepham Representatives: +7 964 562 3845 10 East Chang An Avenue Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Brighton & Hove 19 Palmeira Square Norfolk NR10 4JJ Wine & Spirits [email protected] Florida Beijing 100006 Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft Hove, East Sussex +44 1603 871 443 Tom Gilbey Palm Beach +86(0) 10 6528 0922 +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 1382 330 256 Russia - St. Petersburg +1 (561) 651 7876 +86(0) 10 6528 0933 fax UK +44 1244 353123 U.S.A U.S.A +44 1273 220 000 Marina Jacobson Miami [email protected] African, Oceanic Mark Dance Kurt Forry Aileen Ward +44 1273 220 335 fax Midlands Wales +7 921 555 2302 +1 (305) 228 6600 [email protected] Ft. Lauderdale Japan & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 Akiko Tsuchida Knowle Cardiff +1 (954) 566 1630 UK U.S.A. Penny Day Guildford Level 14 Hibiya Central Millmead, The Old House 7-8 Park Place, Spain - Barcelona Building Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art Guildford, Station Road Cardiff CF10 3DP Teresa Ybarra Georgia 1-2-9 Nishi-Shimbashi +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 2920 727 980 +34 930 087 876 Mary Moore Bethea Minato-ku U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 +44 1483 504 030 West Midlands +44 2920 727 989 fax [email protected] +1 (404) 842 1500 Tokyo 105-0003 Fredric Backlar Chinese & Asian Art Modern Art Automobilia +44 1483 450 205 fax B93 0HT +44 1564 776 151 Illinois +81 (0) 3 5532 8636 +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Spain - Madrid Ricki Blumberg Harris +44 1564 778 069 fax Nunez de Balboa no 4-1A +81 (0) 3 5532 8637 fax Isle of Wight EUROPE +1 (312) 475 3922 Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes 28001 Madrid [email protected] +44 1273 220 000 +1 (773) 267 3300 American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 Oxford • Austria +34 915 78 17 27 Alan Fausel U.S.A U.S.A Musical Instruments Representative: Banbury Road Tuchlauben 8 [email protected] Massachusetts Singapore +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls Kent Shipton on Cherwell 1010 Vienna Boston/New England Bernadette Rankine +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch George Dawes Kidlington OX5 1JH +43 (0) 1 403 0001 Spain - Marbella Amy Corcoran 11th Floor, Wisma Atria Antiquities HONG KONG +44 20 8963 2839 +44 1483 504 030 +44 1865 853 640 [email protected] James Roberts +1 (617) 742 0909 435 Orchard Road +44 1865 372 722 fax +34 952 90 62 50 Singapore 238877 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art [email protected] +65 (0) 6701 8038 +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures West Sussex Belgium Nevada +44 (0) 1273 220 000 Yorkshire & North East Boulevard David Daniel +65 (0) 6701 8001 fax Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer England Saint-Michel 101 Switzerland +1 (775) 831 0330 bernadette.rankine@ Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 South West 1040 Brussels Rue Etienne-Dumont 10 bonhams.com UK Japanese Art Natural History England Leeds +32 (0) 2 736 5076 1204 Geneva New Mexico 30 Park Square West [email protected] +41 (0) 22 300 3160 Leslie Trilling Taiwan David Williams Clocks UK U.S.A Urban Art +1 (505) 820 0701 Summer Fang +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams Bath Leeds LS1 2PF [email protected] +44 113 234 5755 37th Floor, Taipei 101 Tower U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Queen Square House Denmark Charlotte Street +44 113 244 3910 fax Henning Thomsen Oregon Nor 7 Xinyi Road, Section 5 Paul Carella +44 20 7468 8364 U.S.A +45 4178 4799 Sheryl Acheson Taipei, 100 Bath BA1 2LL MIDDLE EAST +1(503) 312 6023 +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & +44 1225 788 988 North West England [email protected] +886 2 8758 2898 Wristwatches +886 2 8757 2897 fax Jonathan Snellenburg +1 212 461 6516 UK +44 1225 446 675 fax Dubai Pennsylvania Art Collections, +1 212 461 6530 Andrew Mckenzie UK Chester France Deborah Najar summer.fang@ Margaret Tierney bonhams.com Estates & Valuations Jewellery +44 20 7468 8261 +44 20 7447 7412 Cornwall – Truro 2 St Johns Court, 4 rue de la Paix +971 (0)56 113 4146 +1 (610) 644 1199 Coins & Medals 36 Lemon Street Vicars Lane, 75002 Paris [email protected] Harvey Cammell UK U.S.A U.S.A. Chester, +33 (0) 1 42 61 10 10 +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher Jonathan Snellenburg Truro Texas Cornwall Ch1 1QE [email protected] Israel Amy Lawch AUSTRALIA John Millensted +44 20 7468 8282 +1 323 436 5488 +1 212 461 6530 TR1 2NR +44 1244 313 936 Joslynne Halibard +1 (713) 621 5988 Art Nouveau & Decorative +44 20 7393 3914 U.S.A HONG KONG +44 1872 250 170 +44 1244 340 028 fax Germany - Cologne +972 (0)54 553 5337 Sydney 76 Paddington Street Art & Design U.S.A Susan Abeles Orientalist Art Nicholas Biebuyck +44 1872 250 179 fax Albertusstrasse 26 joslynne.halibard@ Washington Manchester 50667 Cologne bonhams.com Heather O’Mahony Paddington NSW 2021 UK Paul Song +1 212 461 6525 Charles O’Brien +852 2918 4321 Australia Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 Exeter The Stables +49 (0) 221 2779 9650 +1 (206) 218 5011 213 Ashley Road +61 (0) 2 8412 2222 +44 20 7393 3856 Anellie Manolas Whisky The Lodge [email protected] Southernhay West Exeter, Hale WA15 9TB NORTH AMERICA Washington DC +61 (0) 2 9475 4110 fax U.S.A Contemporary Art +61 2 8412 2222 Photography UK Devon +44 161 927 3822 Germany - Munich Mid-Atlantic Region [email protected] Frank Maraschiello UK HONG KONG U.S.A Martin Green EX1 1JG +44 161 927 3824 fax Maximilianstrasse 52 USA Martin Gammon +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich +44 1292 520000 +44 1392 425 264 80538 Munich +1 (202) 333 1696 Melbourne Como House +44 1392 494 561 fax +49 (0) 89 2420 5812 San Francisco • +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 U.S.A Como Avenue Australian Art U.S.A Joseph Hyman Channel Islands [email protected] 220 San Bruno Avenue San Francisco CANADA South Yarra Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures +1 917 206 1661 Winchester CA 94103 Melbourne VIC 3141 The Red House Jersey Greece • +61 2 8412 2222 +1 917 206 1656 UK UK HONG KONG La Chasse +1 (415) 861 7500 Toronto, Ontario +61 (0) 3 8640 4088 Hyde Street 7 Neofytou Vamva Street Jack Kerr-Wilson Alex Clark Veronique Scorer +44 20 7393 3986 Daniel Lam La Rue de la Vallee +1 (415) 861 8951 fax +61 (0) 2 9475 4110 fax Winchester Athens 10674 20 Hazelton Avenue +852 3607 0004 St Mary [email protected] +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 Hants SO23 7DX +30 (0) 210 3636 404 Toronto, ONT Jersey JE3 3DL Los Angeles • Claire Browne U.S.A Prints and Multiples +44 1962 862 515 [email protected] M5R 2E2 +44 1534 722 441 7601 W. Sunset Boulevard Australian Colonial +44 1564 732969 Gregg Dietrich UK Wine +44 1962 865 166 fax +1 (416) 462 9004 +44 1534 759 354 fax Los Angeles AFRICA Furniture and Australiana +1 917 206 1697 Rupert Worrall UK Ireland CA 90046 [email protected] Tetbury 31 Molesworth Street +1 415 861 7500 Entertainment +44 20 7468 8262 Richard Harvey Representative: Dublin 2 +1 (323) 850 7500 Nigeria Memorabilia Mechanical Music U.S.A +44 (0) 20 7468 5811 22a Long Street +1 (323) 850 6090 fax Montreal, Quebec Neil Coventry Tetbury Guernsey +353 (0) 1 602 0990 David Kelsey +234 (0)7065 888 666 Books, Maps & UK Jon Baddeley Judith Eurich U.S.A +44 1481 722 448 [email protected] Gloucestershire +1 (514) 341 9238 [email protected] Manuscripts +44 20 7393 3844 +44 20 7393 3872 +1 415 503 3259 Doug Davidson GL8 8AQ New York • [email protected] 580 Madison Avenue UK U.S.A +1 415 503 3363 +44 1666 502 200 Italy - Milan South Africa - New York, NY Matthew Haley Catherine Williamson Modern, Contemporary Russian Art HONG KONG +44 1666 505 107 fax Via Boccaccio 22 Johannesburg 20123 Milano 10022 Penny Culverwell +44 20 7393 3817 +1 323 436 5442 & Latin American Art UK Daniel Lam +1 (212) 644 9001 SOUTH AMERICA +852 3607 0004 +39 0 2 4953 9020 +27 (0)71 342 2670 U.S.A U.S.A Sophie Law [email protected] +1 (212) 644 9007 fax Argentina [email protected] Christina Geiger Alexis Chompaisal +44 20 7468 8334 Daniel Claramunt +1 212 644 9094 +1 323 436 5469 U.S.A Italy - Rome +54 11 479 37600 Yelena Harbick Via Sicilia 50 00187 Roma Brazil British & European Glass Modern Design +1 212 644 9136 +55 11 3031 4444 UK Gareth Williams +39 0 6 48 5900 [email protected] +55 11 3031 4444 fax Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343 G-NET7/5/15

SD28/4/15 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: British and European Art Sale date: 9 June 2015

Sale no. 22589 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax British and Europ e an A rt | Knightsbridge, London Tuesday 9 June 2015 22589

International Auctioneers and Valuers – bonhams.com