British Canvas, Stretcher and Panel Suppliers' Marks. Part 9, George
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Accounts of the Constables of Bristol Castle
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A., Assistant General Editor: MISS ELIZABETH RALPH, M .A., F.S.A. VOL. XXXIV ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN 1HE THIRTEENTH AND EARLY FOURTEENTH CENTURIES ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN THE THIR1EENTH AND EARLY FOUR1EENTH CENTURIES EDITED BY MARGARET SHARP Printed for the BRISTOL RECORD SOCIETY 1982 ISSN 0305-8730 © Margaret Sharp Produced for the Society by A1an Sutton Publishing Limited, Gloucester Printed in Great Britain by Redwood Burn Limited Trowbridge CONTENTS Page Abbreviations VI Preface XI Introduction Xlll Pandulf- 1221-24 1 Ralph de Wiliton - 1224-25 5 Burgesses of Bristol - 1224-25 8 Peter de la Mare - 1282-84 10 Peter de la Mare - 1289-91 22 Nicholas Fermbaud - 1294-96 28 Nicholas Fermbaud- 1300-1303 47 Appendix 1 - Lists of Lords of Castle 69 Appendix 2 - Lists of Constables 77 Appendix 3 - Dating 94 Bibliography 97 Index 111 ABBREVIATIONS Abbrev. Plac. Placitorum in domo Capitulari Westmon asteriensi asservatorum abbrevatio ... Ed. W. Dlingworth. Rec. Comm. London, 1811. Ann. Mon. Annales monastici Ed. H.R. Luard. 5v. (R S xxxvi) London, 1864-69. BBC British Borough Charters, 1216-1307. Ed. A. Ballard and J. Tait. 3v. Cambridge 1913-43. BOAS Bristol and Gloucestershire Archaeological Society Transactions (Author's name and the volume number quoted. Full details in bibliography). BIHR Bulletin of the Institute of Historical Research. BM British Museum - Now British Library. Book of Fees Liber Feodorum: the Book of Fees com monly called Testa de Nevill 3v. HMSO 1920-31. Book of Seals Sir Christopher Hatton's Book of Seals Ed. -
British and European Art | Knightsbridge, London | Tuesday 24 November 2015 22590
BRITISH AND EUROPEAN ART Tuesday 24 November 2015 Knightsbridge, London BRITISH AND EUROP E AN A RT | Knightsbridge, London | Tuesday 24 November 2015 | Knightsbridge, London Tuesday 22590 PART I: VICTORIAN & BRITISH IMPRESSIONIST ART PART II: 19TH CENTURY EUROPEAN, IMPRESSIONIST & MODERN ART Tuesday 24 November 2015 at 1pm Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder Montpelier Street information including after-sale Knightsbridge Part I: Victorian & British collection and shipment London SW7 1HH Impressionist Art www.bonhams.com Thomas Podd Please see back of catalogue +44 (0) 20 7393 3988 for important notice to bidders VIEWING [email protected] Sunday 22 November IMPORTANT INFORMATION 11am – 3pm Part II: 19th Century European, The United States Government Monday 23 November Impressionist & Modern Art has banned the import of ivory 9am – 4.30pm Veronique Scorer into the USA. Lots containing Tuesday 24 November +44 (0) 20 7393 3962 ivory are indicated by the symbol 9am – 11am [email protected] Ф printed beside the lot number in this catalogue. BIDS Emma Gordon +44 (0) 20 7447 7447 +44 (0) 20 7393 3960 +44 (0) 20 7447 7401 fax [email protected] To bid via the internet please visit www.bonhams.com PRESS ENQUIRIES [email protected] Please note that bids should be submitted no later than 4pm CUSTOMER SERVICES on the day prior to the auction. Monday to Friday 8.30am – 6pm New bidders must also provide +44 (0) 20 7447 7447 proof of identity when submitting bids. Failure to do this may result ILLUSTRATIONS in your bids not being processed. -
The Norwich School John Old Crome John Sell Cotman George Vincent
T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 . -
Clare News, Clare College, Trinity Lane, Clare and WW1 Page 36 Cambridge CB2 1TL +44 (0)1223 333218 [email protected]
Clare News 2016-17 EDITION 34 THE MASTER In this issue Welcome from the Master Page 3 Achievements and Honours Page 5 Publications Page 6 College News Page 8 Alumni Page 15 Development Report Page 25 Editor: Georgie Plunkett Design: www.cantellday.co.uk Photography: Hannah Sharples, Sport Page 28 Georgie Plunkett Contact: Music and Art Page 31 The Editor – Clare News, Clare College, Trinity Lane, Clare and WW1 Page 36 Cambridge CB2 1TL +44 (0)1223 333218 [email protected] www.clarealumni.com © Clare College 2016-17. All rights reserved. Upcoming events are listed on the back cover 2 CLARE NEWS SUMMER 2014 THE MASTER Welcome from the Master It is a great pleasure to welcome you to the latest edition of Clare News. I hope you enjoy reading about the many events that have taken place in College, and that you are able to come and visit the College again soon. It has been a full year. Sadly, it began with been honoured both in the UK and abroad. the death of one of our students, Georgia Our alumnus of the year for 2016, Graham Betteridge. Georgia, who was studying Serjeant, visited the College in March and Human, Social, and Political Science, had gave a fascinating talk on his pioneering been unable to complete her second year, work treating Sickle-cell disease; Professor Sir and passed away in October. Our thoughts Andrew Wiles was awarded the Abel Prize for were, and remain, with her family and friends. 2016 for his proof of Fermat’s Last Theorem; and Jo Bailey Wells, former Chaplain and In January, the Chancellor of the University, Dean at Clare, became the first woman Lord Sainsbury of Turville, who is the ex officio associated with the College to be appointed College Visitor, paid the College an unofficial as a Bishop in the Church of England. -
The Barts Guild Calendar 2017
BBaarrttss GGuuiilldd Friends of St Bartholomew’s Hospital since 1911 OOnnee HHuunnddrreedd aanndd FFoouurrtthh AAnnnnuuaall RReeppoorrtt aanndd AAccccoouunnttss 2015-16 The Barts Guild Calendar 2017 The Guild Calendar 2017 will be on sale in the Guild Shop, KGV Building, from early October 2016; or by post at £5 plus £2.50 P&P for up to two copies (UK only), from Barts Guild Shop, King George V Building, St Bartholomew’s Hospital, London EC1A 7BE, or via the Guild website. Please send cheque with order, payable to ‘Barts Guild’ Barts Guild Friends of St Bartholomew’s Hospital since 1911 Annual Report and Accounts 2015-16 Contents The Guild of the Royal Hospital of St Bartholomew …………………………. 2 Report of the Trustees …………………………. 3 Our Corporate Supporters …………………………. 13 The Chairman writes …………………………. 14 Guild Members and Volunteers 2016 …………………………. 15 Annual General Meeting 2015 Minutes …………………………. 17 Accounts for the period 1 April 2015 – 31 March 2016 ………………………….. 21 Report of the Honorary Treasurer … 21 Independent Examiner’s Report … 22 All Funds Year ending 31 March 2016 … 23 Balance Sheet … 24 Notes to the Accounts … 25 www.bartsguild.org The Guild wishes to express grateful thanks to TFW Printers ([email protected]) for their help in producing this Annual Report Annual Report edited by Sue Boswell 1 THE GUILD OF THE ROYAL HOSPITAL OF ST BARTHOLOMEW (also known as The Barts Guild) Registered Charity No 251628 Affiliated to ATTEND – Enhancing Health and Social Care. Locally PATRON OFFICERS OF THE GUILD 2015-16 HRH The Duke -
A Self-Guided Trail of Crome's City
WALKING A self-guided trail of Crome’s city John Crome lived and worked in Norwich all his life. From humble beginnings he became a drawing master and was one of the principal founders of the Norwich Society of Artists. He remains one of the country’s great Romantic painters, rooting his work in the local landscape. During the first lockdown of 2020, local photographer Nick Stone followed in Crome’s footsteps, walking the deserted city streets exploring Crome’s Norwich and pinpointing the painter’s locations and capturing them with a fresh eye. This walk takes you to places Crome would have known and visits some of the locations he painted. John Crome was born in 1768 in The Griffin pub close to Norwich Cathedral. The son of a weaver, born at a time when the city was at the centre of an important international trade in textiles. In the 1780s over thirty different trades associated with textiles were located in the noisy and colourful area known as ‘Norwich Over the Water’, north of the River Wensum. The river formed the artery for the textile industry, and the warehouses, dyers’ premises and quays were well known to Crome and featured frequently in his works. Norwich at the time was known for radical inclination towards art. The only criteria to politics, and inns and taverns in the city were join were submitting an artwork, and securing home to societies and clubs where ideas were a place via a ballot of existing members. By shared, and debates were held. The Rifleman 1805, the Society had enough pieces of art pub hosted ‘The Dirty Shirt Club’ where men to present their first exhibition, hosted at Sir could go in working clothes, to drink, smoke Benjamin Wrench’s Court which was also to and socialise. -
Consuming Fantasies: Labor, Leisure, and the London Shopgirl
Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page i CONSUMING FANTASIES Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page ii Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iii Consuming Fantasies: LABOR, LEISURE, AND THE LONDON SHOPGIRL, 1880–1920 Lise Shapiro Sanders The Ohio State University Press Columbus Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iv Copyright © 2006 by The Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data Sanders, Lise, 1970– Consuming fantasies : labor, leisure, and the London shopgirl, 1880–1920 / Lise Shapiro Sanders. p. cm. Includes bibliographical references and index. ISBN 0-8142-1017-1 (alk. paper) — ISBN 0-8142-9093-0 (cd-rom) 1. English literature—19th century—History and criticism. 2. Women sales personnel in literature. 3. English literature—20th centu- ry—History and criticism. 4. Women sales personnel—England— London—History. 5. Working class women—England—London— History. 6. Department stores—England—London—History. 7. Retail trade—England—London—History. 8. Women and literature— England—London. 9. London (England)—In literature. 10. Sex role in literature. I. Title. PR468.W6S26 2006 820.9'3522—dc22 2005029994 Cover design by Jeff Smith. Type set in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page v CONTENTS List of Illustrations vii Acknowledgments ix Introduction 1 1. -
Norwich Castle January – June 2018 Including Norwich Castle: the Square Box on the Hill Plus Events at Museum of Norwich & Strangers’ Hall
What’s On Exhibitions, talks, events & activities Norwich Castle January – June 2018 Including Norwich Castle: The Square Box on the Hill Plus events at Museum of Norwich & Strangers’ Hall www.museums.norfolk.gov.uk Visual Arts Visual Arts Standing atop the largest man-made mound in the country, Norwich Castle has dominated the City’s skyline since the 12th century; but what is the story of this iconic and much-loved square box on the hill? Built as a royal palace, Norwich Castle was a Norman showpiece with lavishly-decorated interiors ft for a king. By the 14th century, it had become the County Gaol confning Norfolk’s prisoners within its walls. With the opening of the new prison at the end of the 19th century, the Castle’s fate was uncertain, until its conversion into a public museum, which it remains to this day. This exhibition illustrates Norwich Castle’s rich history through a stunning mixture of prints, models, paintings, architectural plans, memorabilia and archives, many of which have never been on display before. It also showcases the latest exciting plans for the Castle’s future as part of the Norwich Castle: Gateway to Medieval England project, supported by the Heritage Lottery Fund. The City’s most prominent landmark has housed and infuenced a number of surprises in its 900-year history, from a Japanese Samurai suit of armour to a 1970s draught bitter; from fne medieval jewellery to graffti etched in stone. See all of these and more in this unique tribute to Norwich’s square box on the hill. -
The London Gazette, December 28, 1906. 9165
THE LONDON GAZETTE, DECEMBER 28, 1906. 9165 gate-street, E.G., George Banbury, Esquire, Vernon William Frank Dickins, 29, Argyll- 23, Old Broad-street, E.G., Sir Henry Seymour street, W., Alfred Gilbey, 173, Oxford-street, W., King, K.C.I.E., M.P., 65, Cornhill, E.G., Edwin Newman Gilbey, 173, Oxford-street, W., William Samuel Montagu, Esquire, M.P., 60, Old Broad- Crosbie Gilbey, 173, Oxford-street, W., Arthur street, E.G., The Right Honourable Viscount Nockolds Gilbey, 173, Oxford-street, W., Henry Milner, 47, Duke-street, St. James's, S.W., Walter Gilbey, 173, Oxford-street, W., Edgar William Hardy King, F.I.C.A., 13, Basinghall- Salter Crowe, 192, Regent-street, W., Frederic street, E.G., Howard Chatfeild Clarke, 63, Bishops- James Walker, 18, Carnaby-street, W., Edward gate-street Within, E.G., Alexander Sutherland Charles Foster, 54, Pall Mall, S.W., John Bodman Harris, 6, St. Helen's-place, E.G., Francis Formby Carrington, 130, Regent-street, W., William Back, 36, New Broad-street, E.G., Daniel Clewin Carrington Smith, 130, Regent Street, W., Griffith, 8, Victoria-avenue, Bishopsgate-street John Churchill, 7, Great Marlborough-street, W., Without, E.G., Sir George Joseph Woodman, Augustus Churchill, 7, Great Marlborough-street, Knight, J.P. (Deputy), Jewry House, 27 and 28, W., Lord Kinnaird, 10, St. JamesVsquare, Old Jewry, E.G., Charles Thomas Harris, J.P. S.W., Guy Francis Lakin, 8, King-street, St. (Deputy), 39, Fenchurch-street, E.G., William James's, S.W., Arthur Charles Driver, 23, Pall Henry Liversidge, Ship Tavern-passage, Leaden- Mall, S.W., Robert Manning Driver, 23, Pall hall Market, E.G. -
Curator Report 2010-11
Norfolk Museums & Archaeology Service Curator Report 2010-11 1 Norfolk Museums & Archaeology Service Curator Report 2010-11 Contents 1 INTRODUCTION The Norwich Curator Team in 2010-11 Meet the Curator Section 2 WORKING WITH THE PUBLIC Communicating with audiences Exhibitions Interpreting and understanding the historic and natural environment Education and outreach 3 IMPROVING THE COLLECTIONS AND DISPLAYS Acquisitions Developing our museums Using the collections 4 IMPROVING ACCESS TO COLLECTIONS Developing access to knowledge and information 5 INVESTING IN THE SECTOR Research Associates, volunteers and placements Partnerships Supporting the sector 6 THE DISPLAY DEPARTMENT 2010-11 7 THE CONSERVATION DEPARTMENT 2010-11 8 APPENDIX Communicating through publications and other media 2 3 1 INTRODUCTION The Norwich Curator Team in 2010-11 This is the fifth annual report of the Norwich Curator team; part of Norfolk Museums & Archaeology Service. The year 2010-11 has been another period of change for the Service, with continued budget pressures. At the same time, it has been the goal of the team that we continue to deliver high quality and accessible services, during what has been time of cost saving. This is also at a time when there is a national trend towards reduced physical access to museums. A challenging time indeed. NMAS is now part of the larger grouping within NCC, called Community Services. This move has provided an opportunity for us to re-evaluate our priorities, in order to play our role within this newly formed Department, alongside our longer-established partners in the NRO and Libraries. We appreciate that there is a need to continue to do what we do well but, at the same time, to explore new and better ways of providing and developing our services. -
After the Norwich School
After the Norwich School This book takes, as its starting point, sites that feature in paintings, or prints, made by Norwich School artists. For each site I have photographed a contemporary landscape scene. My aim was not to try to replicate the scene painted in the 1800s, but simply to use that as the point where I would take the photograph, thus producing a picture of Norwich today. IMPORTANT This ebook has been produced as part of my studies with OCA for the landscape photography module of my Creative Arts degree course. It is not set to be published, but simply to allow my tutors, assessors and fellow students to see, judge and comment on my work. I am grateful that Norfolk Museums Service allow images to be downloaded for such educational use and I am pleased to credit © Norfolk Museums Service for each of the Norwich School painters images that I have used Robert Coe OCAStudent ID 507140 Proof Copy: Not optimised for high quality printing or digital distribution View on the River Wensum After 'View on the River Wensum, King Street, Norwich' by John Thirtle (1777-1839), pencil and watercolour on paper, undated; 25.8 cm x 35.2 cm © Norfolk Museums Service Proof Copy: Not optimised for high quality printing or digital distribution Proof Copy: Not optimised for high quality printing or digital distribution Proof Copy: Not optimised for high quality printing or digital distribution Briton's Arms, Elm Hill After 'Briton's Arms' by Henry Ninham (1793-1874), watercolour on paper, © Norfolk Museums Service Proof Copy: Not optimised for high -
How Big Was Norwich Castle? the Castle Keep, Its Bridge and the 'Ditch' Below Are the Only Surviving Features of a Vast
How big was Norwich Castle? The Castle Keep, its bridge and the ‘ditch’ below are the only surviving features of a vast complex of ditches, gatehouses and baileys, which covered an area of some 9.3 hectares (23 acres). Why was the Castle built? The Castle was a strong fortress, but it was mainly designed as a symbol of power and dominance. Norwich had already become an important town before the Norman Conquest, with international trading links. It was an obvious regional base to conquer and control. Norfolk and Suffolk were the most densely populated part of England, and Norwich was becoming the This plaque was originally attached to one of the stakes marking out the Castle Fee, or outer boundary. The most important settlement in the region, and a focus of ecclesiastical power. Castle Fee was the King’s land: anyone living or staying within the Fee was exempt from city taxes and laws. Continental influences The stone used to build Norwich Castle and Cathedral was quarried near Caen in Normandy and brought here by sea and river. The Keep is built in a style we call ‘Romanesque’, which developed in Normandy and flourished in England after the Norman Conquest. The layout of the Keep echoes developments in castle building established in Normandy, at sites including Mayenne, Doué and Loches. Two knights fighting. You can see this carving when you visit the chapel area on the modern balcony floor above you. Falaise Castle in Normandy was built later in the 12th century, but is similar in construction to Norwich Castle.