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10 Dustin Vaughan a Championship Tradition
#10 Dustin Vaughan A CHAMPIONSHIP TRADITION . Over the past eight seasons, West Texas A&M has proven it ranks among not only the very best WINNING PERCENTage – football teams in the State of Texas, but the Buffaloes rank among the top-10 in the entire nation, TEXAS UNIVERSITIES as well, based on regular-season winning percentage. (Last Eight Seasons, Regular-Season Only) With 71 regular season victories over the last eight years marking the tenure of current head School W L Pct. Yrs. in Postseason coach Don Carthel, the Buffaloes’ 82.0 winning percentage stands eighth-best nationally and, only 1. TCU 78 17 82% 8 of 8 TCU has a better regular-season winning percentage than the Buffaloes during that span. 2. West Texas A&M 71 16 82% 8 of 8 Tough on the road; tough at home as the Buffs played a remarkable 11-games away from 3. Midwestern State 66 19 78% 4 of 8 Kimbrough Memorial Stadium in 2012 en route to the NCAA National Semifinals. The Buffs went 4. Texas 72 23 77% 6 of 8 12-3 overall matching the school-record for wins in a season (2007) and went 10-1 away from 5. Abilene Christian 56 28 67% 6 of 8 home and 9-1 in true 6. Houston 62 34 65% 5 of 8 WINNING PERCENTAGE - NATIONALLY road games. 7. Texas Tech 61 34 64% 7 of 8 It all adds up to four 8. Tarleton State 54 31 64% 1 of 8 (Last Eight Seasons, Regular-Season Only) School ‘05 ‘06 ‘07 ‘08 ‘09 ‘10 ‘11 ‘12 Total W/L% Lone Star Conference 9. -
Cubed Circle Newsletter 201 – We're Not Dead
Cubed Circle Newsletter 201 – We're Not Dead Given the absence of a newsletter last week following our 200th issue the week prior new readers could be forgiven for thinking that we were on an unannounced extended hiatus. However, as long- time readers will know this newsletter, if anything, is vulnerable to technical difficulties, even ones as trivial as the loss of a laptop charger on holiday. However, after a week off not only are we back with a double issue featuring our last piece of G1 coverage, two weeks of NXT, Mid-South from 1982, and two weeks of RAW featuring Sting, but we also have the debut of a brand new column – the Pro-Wres Digest! The goal of the Digest is to encapsulate the week that was in pro-wrestling in 3-4 pages, providing a TL;DR of sorts for those unable to devote enough time to following every news story that breaks in a given week. – Ryan Clingman, Cubed Circle Newsletter Editor The Pro-Wres Digest for September 6th - 12th. Ben Carass. On Friday September 4th, John Cena was thought to have suffered an injury during a house show match with Kevin Owens in Hampton, VA. Amazingly, it wasn’t the springboard stunner that went wrong but another move John Cena should not be attempting, the code/infrared. Cena went for the move and Owens kind of just fell down on his chest; imagine an axe-guillotine driver but with Owens losing his balance too. When the report first broke, people were freaking out about Cena possibly suffering a neck injury, since they did stop the match for the referee to check on Cena and they went right to the finish after he was checked out. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Wrestling Observer Newsletter March 23, 1992
Wrestling Observer Newsletter March 23, 1992 Years of lies and deception caught up with Vince McMahon in 29, Hodgson met with McMahon and after the meeting, what had to be a week the likes of which he has to hope he'll Patterson was waiting for Hodgson when he came out of never have to live through again. McMahon's office and allegedly said, "Wouldn't listen to me, would you?" A series of wrestling scandals, from Hulk Hogan's lies about steroids, to claims of homosexual harassment of the wrestlers The next day, Steve Planamenta sent out a press release all the way to the charge of WWF executives sexually abusing saying: "The San Diego Union has published a story containing underage ringboys went from the front page of newspapers serious inaccuracies about alleged widespread wrongdoing in around the country and even as far as England, all the way to the World Wrestling Federation. We do not believe the charges People Magazine, Larry King Live on CNN and the syndicated in that newspaper to be true and we are so outraged that we Phil Donahue show. have asked our attorneys to determine what legal action might be appropriate. However, as a responsible corporate citizen, we On Monday, the one charge that threatened the merchandising recognize that even false allegations must be investigated, and future of the multi-million (not billion) dollar Titan empire was we will continue to do so. The WWF promotes good family settled in a most bizarre turn of events. Tom Cole, the 20-year- entertainment. -
Msu Basketball History
HISTORY TITLETITLE BULLDOG 124 HONOR ROLL BULLDOGS 126 IN THE NBA HALL OF FAMER 128 BAILEY HOWELL POSTSEASON 129 TOURNEY RECORDS POSTSEASON 130 TOURNEY HISTORY SEC TOURNAMENT 136 RECORDS TELEVISION 137 HISTORY IN-SEASON TOURNEY 138 HISTORY YEARLY 140 RECORDS COACHING 141 HISTORY ALL-TIME 142 LETTERMEN ALL-TIME 144 SERIES RECORDS NON-SEC 145 SERIES RECORDS ALL-TIME 153 RESULTS MSU BASKETBALL 169 HISTORY 123 BULLDOG HONOR ROLL SEC COACH OF THE YEAR MSU ALL-AMERICANS 1960-61: Babe McCarthy (AP) 1956-57:Jim Ashmore (3rd Team AP & UPI; 2nd Team Converse; 1961-62: Babe McCarthy (AP) 1st Team Helms Foundation) 1962-63: Babe McCarthy (AP) 1957-58: Bailey Howell (Consensus 2nd Team) 1970-71: Kermit Davis (AP) 1958-59: Bailey Howell (Consensus 1st Team) 1977-78: Ron Greene (AP, UPI) 1984-85: Bob Boyd (AP, UPI) 1961-62: Red Stroud (2nd Team Converse; 3rd Team Helms; 1990-91: Richard Williams (UPI, Coaches) 1st Team Coach & Athlete) 1994-95: Richard Williams (AP, Coaches) 1962-63: Red Stroud (2nd Team Converse) 2003-04: Rick Stansbury (AP) 1962-63: Leland Mitchell (Honorable Mention Converse) 1979-80: Rickey Brown (Citizen Savings Athletic Foundation) BAILEY HOWELL SEC PLAYER OF THE YEAR 1956-57: Jim Ashmore (AP players poll) 1982-83: Jeff Malone (1st Team Sporting News; 3rd Team NABC; 1957-58: Bailey Howell (AP players poll, 5th Team Basketball Times) United Press) 1990-91: Greg Carter (Honorable Mention AP) 1958-59: Bailey Howell (AP players poll) 1992-93: Chuck Evans (Honorable Mention UPI) 1961-62: W.D. “Red” Stroud (AP poll) 1982-83: Jeff Malone -
Romac Contractor Appreciation Night Live on Stage
RoMac Contractor Appreciation Night Live In Concert, Country Music Superstar Friday Night - May 3, 2019 at the Eustis Fairgrounds Expo Center - 2101 CR-452, Eustis Doors Open at 5:45 pm - Rain or Shine - Concert is in Expo Hall. Must be 18 or older to attend. Tickets are Free (but limited) and only available to guests of RoMac Building Supply. Free Oakwood BBQ Dinner • Tradeshow • Road Warrior Meet and Greet • $1,000 Cash Giveaway Live On Stage 8:30 pm Pure Love Stranger in My House Smoky Mountain Rain Lost in the Fifties Tonight It Was Almost Like a Song There’s No Gettin’ Over Me Country Music Superstar Ronnie Milsap She Keeps the Home Fires is a six-time Grammy Award Winner with Burning over 40 #1 hits and 35 million albums sold. I Wouldn’t Have Missed It Join us for a special night of music and for the World memories with Country Music Hall of Fame What a Difference You’ve and Grand Ole Opry Member Ronnie Made in My Life Milsap. This is going to be a night you’ll always remember! Schedule Of Events 5:45 pm ............... Doors & Registration Open — Must Have Ticket to Enter 5:45 - 8:00 pm ..... New Product and Ideas Tradeshow 6:00 - 10:00 pm ... Complimentary / Cash Bar Open 6:15 - 8:30 pm ..... Free Oakwood Barbecue Dinner 6:00 pm ............... Road Warrior Animal Meet and Greet (open to all) Meet and Greet Prior to the Concert with 8:00 pm ............... Door Prize Drawings Begin — over 40 Prizes 8:25 pm .............. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
Gonzo Weekly #175
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of the magazine which I started on a whim, and which continues to astonish me by going from strength to strength when I truly never expected it to. The fact it is put together on a the spirit behind the magazine. As most of wing and a prayer each week, with some you know I am also the director of the Centre issues pushing a hundred pages, never ceases for Fortean Zoology, and we have as our to amaze me, but I think this is testament to motto the latin phrase Pro Bona Causa 4 “This year is shaping up to be one of the nastiest in my memory, and I have a horrible feeling that things are not going to get easier” Facimus (we do it for good reason) which I atrocity, this time in Brussels, where - as I pinched many years ago from a children’s write this on Wednesday night - 34 people book called The Case of the Silver Egg by were killed and hundreds wounded by attacks the late Desmond Skirrow. It has always led by a pair of fraternal suicide bombers. been a watchword of mine that when one This year is shaping up to be one of the does things for the right reason they work nastiest in my memory, and I have a horrible out far better than when one does things for feeling that things are not going to get easier purely mercenary considerations. -
October 9, 1983 in Trotwood, OH Hara Arena Drawing ???
October 9, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Tiger Chung Lee beat Bob Boyer. 2. Pat Patterson beat Dr. X. 3. Tony Garea beat Jerry Valiant. 4. Susan Starr & Penny Mitchell beat The Fabulous Moolah & Judy Martin. 5. Tito Santana beat Mike Sharpe. 6. Rocky Johnson beat Wild Samoan Samula. 7. Andre the Giant & Ivan Putski beat WWF Tag Champs Wild Samoans Afa & Sika. Note: This was the first WWF card in the Trotwood area. It was promoted off of their Saturday at noon show on WKEF Channel 22 which had recently replaced the syndicated Georgia Championhip Wrestling show in the same time slot. November 14, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal beat Bob Colt. 2. Eddie Gilbert beat Jerry Valiant. 3. Tiger Chung Lee beat Bob Bradley. 4. Sgt. Slaughter beat Steve Pardee. 5. Jimmy Snuka beat Mr. Fuji. 6. Pat Patterson beat Don Muraco via DQ. 7. Bob Backlund beat Ivan Koloff. December 12, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal drew Jerry Valiant 2. SD Jones beat Bobby Colt. 3. Tony Atlas beat Mr. Fuji via countout. 4. The Iron Sheik beat Jay Strongbow 5. The Masked Superstar beat Tony Garea. 6. WWF I-C Champion Don Muraco beat Ivan Putski via countout. 7. Jimmy Snuka beat Ivan Koloff. Last Updated: May 24, 2021 Page 1 of 16 February 1, 1984 in Trotwood, OH August 17, 1984 in Trotwood, OH Hara Arena drawing ??? Hara Arena drawing ??? 1. Battle royal. Scheduled for the match were Andre the Giant, Tony Atlas, 1. -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.