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Lähikuvan Koko Numero 1-2021
LÄHIKUVA 1/2021 (34. vuosikerta) JA AUDIOVISUAALISTEN ESITYSKÄYTÄNTÖJEN MURROS Laulukilpailusta show-kilpailuksi? Belgium, one point Syntetisaattoreita, ironiaa ja provokaatioita Euroviisuesityksen audiovisuaalinen rakentuminen LÄHIKUVA • 1/2021 LÄHIKUVA 1/2021 • 34. vuosikerta ISSN 2343-399X LÄHIKUVA on audiovisuaaliseen kulttuuriin keskitty- SISÄLLYS vä, neljästi vuodessa ilmestyvä tieteellinen referee- julkaisu, joka on avoin kirjoitusfoorumi kaikille. Pääkirjoitus JULKAISIJAT Lähikuva-yhdistys ry:n jäsenet sekä Lähikuvan kan- Mari Pajala, Pertti Grönholm ja Yrjö Heinonen natusyhteisöt: Yhdentymisen juhlaa ja ihanteiden kamppailua. Suomen Elokuvatutkimuksen Seura ry Turun elokuvakerho ry Euroviisujen muuttuvat muodot ja merkitykset 3 Varsinais-Suomen elokuvakeskus ry International Institute for Popular Culture (IIPC-kes- Artikkelit kus), Turun yliopisto Mediatutkimus, Turun yliopisto Mari Pajala Viestintätieteet, Tampereen yliopisto Laulukilpailusta show-kilpailuksi? TOIMITUS Televisiospektaakkelin ylirajaistuva tuotanto Päätoimittaja Eurovision laulukilpailussa 9 Kaisa Hiltunen [email protected] Toimitussihteeri Pertti Grönholm Antti Lindfors [email protected] Belgium, one point. Numeron 1/2021 vastaavat toimittajat Syntetisaattoreita, ironiaa ja provokaatioita Pertti Grönholm, Yrjö Heinonen ja Mari Pajala Eurovision laulukilpailuissa vuosina 1980 ja 1983 33 Toimituskunta Yrjö Heinonen Outi Hakola [email protected] Kaisu Hynnä-Granberg [email protected] Euroviisuesityksen audiovisuaalinen rakentuminen: Miina Kaartinen -
Famous Abba Fans Talk: Conchita Wurst
FAMOUS ABBA FANS TALK: CONCHITAby Stany Van WURSTWymeersch by Stany Van Wymeersch To narrow down Conchita Wurst (a.k.a. Tom voice, and it is such a harmony together. Neuwirth) as the bearded drag queen who What do you consider ABBA’s greatest won the Eurovision Song Contest for Austria merit? exactly forty years after ABBA’s victory with They made easy listening pop songs which Waterloo would be quite unfair. Indeed, since never became old-fashioned. They are totally winning the ESC, Conchita has established timeless. herself on the international scene as a singer Have you got a favourite ABBA song, one INTERVIEW with an impressive vocal range, as well as a that you would like to interpret one day? gay and cultural icon. Both the private person, I love Mamma Mia! This is my number one Tom, and the adopted personality, Conchita, choice at the karaoke bar (laughs). take a strong stance in favour of tolerance and Have you ever met one of the ABBA against discrimination. Appearances, gender members? and ethnicity should not matter when it comes Unfortunately, no. But if they read these lines, to the dignity and freedom of individuals, she they probably would like to write a song for me. pointed out. They are ‘Wurst’ [meaningless], as In your opinion, why are ABBA so popular the Austrians would say. within the LGBT (Lesbian/Gay/Bisexual/ Transgender) community? In your opinion, how important was ABBA’s Easy pop which works and fabulous and 1974 victory in the Eurovision Song Contest? glamorous dresses. Voilà! And who could resist I think it was an extremely important moment a song called Dancing Queen? for Eurovision. -
News from Copenhagen
News from Copenhagen Number 423 Current Information from the OSCE PA International Secretariat 29 February 2012 Prisons, economic crisis and arms control focus of Winter Meeting The panel of the General Committee on Democracy, Human The panel of the General Committee on Economic Affairs, Rights and Humanitarian Questions on 23 February. Science, Technology and Environment on 23 February. The 11th Winter Meeting of the OSCE Parliamentary the vice-chairs on developments related to the 2011 Belgrade Assembly opened on 23 February in Vienna with a meeting Declaration. of the PA’s General Committee on Democracy, Human Rights The Standing Committee of Heads of Delegations met on and Humanitarian Questions, in which former UN Special 24 February to hear reports of recent OSCE PA activities, as Rapporteur on Torture Manfred Nowak took part, along with well as discuss upcoming meetings and election observation. Bill Browder, Eugenia Tymoshenko, and Iryna Bogdanova. After a discussion of the 4 March presidential election in Committee Chair Matteo Mecacci (Italy) noted the impor- Russia, President Efthymiou decided to deploy a small OSCE tance of highlighting individual stories to “drive home the PA delegation to observe. urgency of human rights.” In this regard, Browder spoke Treasurer Roberto Battelli presented to the Standing Com- about the case of his former attorney, the late Sergei Magnit- mittee the audited accounts of the Assembly for the past finan- sky, who died in pre-trial detention in Russia. cial year. The report of the Assembly’s outside independent Eugenia Tymoshenko discussed the case of her mother, professional auditor has given a positive assessment on the former Ukrainian Prime Minister Yulia Tymoshenko, cur- PA´s financial management and the audit once again did not rently serving a seven-year prison sentence. -
Vienna International Centre
Terms of Reference Organisational Section/Unit : UNODC, Brussels Liaison Office Office Phone: 0032 2 290 25 80 Duty Station: Brussels, Belgium Supervisor: Ms Yatta Dakowah, Representative and Chief of the Office Duration: 3 to 6 months (with a preference for 6 months) Starting time: Monday 3 September 2018 Deadline for application: Friday 17 August 2018 The main eligibility criteria for the UNOV/UNODC internship programme are: - Interns may be accepted provided that one of the following conditions is met: ✓ The applicant must be enrolled in a graduate school programme (second university degree or equivalent, or higher); ✓ The applicant must be enrolled in the final academic year of a first university degree programme (minimum Bachelor’s level or equivalent); ✓ The applicant must have graduated with a university degree (as defined above) and, if selected, must commence the internship within a one-year period of graduation; - A person who is the child or sibling of a staff member shall not be eligible to apply for an internship at the United Nations. An applicant who bears to a staff member any other family relationship may be engaged as an intern provided that he or she shall not be assigned to the same work unit of the staff member nor placed under the direct or indirect supervision of the staff member. More information on the UNODC Internship Programme website. Background information: The tasks of the UNODC Brussels Liaison Office are as follows: ✓ Enhancing and fostering partnerships with European Union institutions, in particular with the European Commission, and strengthening policy exchange and dialogue with key partners such as the North Atlantic Treaty Organization, the World Customs Organization and the United Nations system present in Brussels; ✓ Increasing understanding of the work of UNODC related to drugs, crime and terrorism by promoting health, justice and security within the European Union and to a wider public; ✓ Promoting UNODC and the impact of our work to Brussels-based think tanks, NGOs, associations, universities and the general public. -
Painting and Politics in the Vatican Museum Jan Matejko's
Jan Sobieski at Vienna (1683). A high quality color photograph of this painting and related works by Matejko can be found at https://www.academia.edu/42739074/Painting_and_Politics_April. Logos: A Journal of Eastern Christian Studies Vol. 60 (2019) Nos. 1–4, pp. 101–129 Painting and Politics in the Vatican Museum Jan Matejko’s Sobieski at Vienna (1683) Thomas M. Prymak Amid the splendours of the Vatican Museum in Rome, amongst the lush and abundant canvases of Raphael and other great artists, hangs an exceptionally large painting depicting the defeat of the last great invasion of Europe by the Turks: the relief of the 1683 siege of Vienna by a coalition of Christian forces led by the king of Poland, John III, also known as Jan Sobieski.1 Sobieski was the last king of Poland to attempt to restore his country’s power and glory before the steady decline and final disappearance of that state in the late eighteenth century, and he is written into the early modern history of Europe as the man who symbolized the repulse of that power- ful Ottoman attempt to conquer Europe, or, as it was seen then, the last Muslim invasion of Christendom. Though afterwards, historians would dispute who truly deserved credit for this impressive Christian victory over the armies of Islam, with several historians, Austrian and others, giving primary credit to one or another of the Austrian commanders, there is no doubt that Sobieski stood at the head of the multinational relief force, 1 Jan Matejko, Jan Sobieski, King of Poland, Defeats the Turks at the Gates of Vienna, oil on linen (485x894 cm), Sobieski Room, Vatican Palaces. -
VIENNA Gets High Marks
city, transformed Why VIENNA gets high marks Dr. Eugen Antalovsky Jana Löw years city, transformed VIENNA 1 Why VIENNA gets high marks Dr. Eugen Antalovsky Jana Löw Why Vienna gets high marks © European Investment Bank, 2019. All rights reserved. All questions on rights and licensing should be addressed to [email protected] The findings, interpretations and conclusions are those of the authors and do not necessarily reflect the views of the European Investment Bank. Get our e-newsletter at www.eib.org/sign-up pdf: QH-06-18-217-EN-N ISBN 978-92-861-3870-6 doi:10.2867/9448 eBook: QH-06-18-217-EN-E ISBN 978-92-861-3874-4 doi:10.2867/28061 4 city, transformed VIENNA Austria’s capital transformed from a peripheral, declining outpost of the Cold War to a city that consistently ranks top of global quality of life surveys. Here’s how Vienna turned a series of major economic and geopolitical challenges to its advantage. Introduction In the mid-1980s, when Vienna presented its first urban development plan, the city government expected the population to decline and foresaw serious challenges for its urban economy. However, geopolitical transformations prompted a fresh wave of immigration to Vienna, so the city needed to adapt fast and develop new initiatives. A new spirit of urban development emerged. Vienna’s remarkable migration-driven growth took place in three phases: • first, the population grew rapidly between 1989 and 1993 • then it grew again between 2000 and 2006 • and finally from 2010 until today the population has been growing steadily and swiftly, by on average around 22,000 people per year • This means an addition of nearly 350,000 inhabitants since 1989. -
Tour Brochure
Kuoni Tumlare European Offices Amsterdam • Budapest • Copenhagen Frankfurt • Geneva • Helsinki • London Madrid • Moscow • Oslo • Paris • Prague Rome • Saint Petersburg • Stockholm Tallinn • Vienna • Warsaw • Zagreb Zagrebf Christopher Hisey, Music Director Beth Ulman, Executive Director Featuring Toledo, Cordoba, Seville, Evora, Lisbon, and Sintra July 1-9, 2022 TOUR www.maestro-performance.com Page | 1 1 800 223 4664 BROCHURETour Brochure Kuoni Tumlare European Offices $4199 PER PERSON Amsterdam • Budapest • Copenhagen Frankfurt • Geneva • Helsinki • London $3899* with early Madrid • Moscow • Oslo • Paris • Prague Rome • Saint Petersburg • Stockholm INCLUDING Tallinn • registrationVienna • Warsaw discount • Zagreb ! Roundtrip international flights from New York Zagrebf Based on a minimum of 60 Full-time professional tour managers paying participants. Private deluxe motorcoach Accommodations in central 3* & 4* star hotels, in OPTIONAL FEES/DISCOUNTS twin/double occupancy Single Room Supplement $450 Hotel city taxes Alternate Return Flight $200+ • 2 nights – Cordoba, Spain Land-only Discount -$900 • 2 nights – Seville, Spain Student Deluxe CFAR (cancel for • 3 nights – Lisbon, Portugal any reason) Protection Plan $182 Daily breakfast (7) Lunches (0) – independent, under own arrangements Dinners (5) – 3-course, including starter/entrée/desert, tap water and bread; (2) independent, under own arrangements Entrances and excursions, per the itinerary Local guides in Toledo, Cordoba, Seville, Evora, Lisbon, and Sintra Student Protection Plan -
Gender and Geopolitics in the Eurovision Song Contest Introduction
Gender and Geopolitics in the Eurovision Song Contest Introduction Catherine Baker Lecturer, University of Hull [email protected] http://www.suedosteuropa.uni-graz.at/cse/en/baker Contemporary Southeastern Europe, 2015, 2(1), 74-93 Contemporary Southeastern Europe is an online, peer-reviewed, multidisciplinary journal that publishes original, scholarly, and policy-oriented research on issues relevant to societies in Southeastern Europe. For more information, please contact us at [email protected] or visit our website at www.contemporarysee.org Introduction: Gender and Geopolitics in the Eurovision Song Contest Catherine Baker* Introduction From the vantage point of the early 1990s, when the end of the Cold War not only inspired the discourses of many Eurovision performances but created opportunities for the map of Eurovision participation itself to significantly expand in a short space of time, neither the scale of the contemporary Eurovision Song Contest (ESC) nor the extent to which a field of “Eurovision research” has developed in cultural studies and its related disciplines would have been recognisable. In 1993, when former Warsaw Pact states began to participate in Eurovision for the first time and Yugoslav successor states started to compete in their own right, the contest remained a one-night-per- year theatrical presentation staged in venues that accommodated, at most, a couple of thousand spectators and with points awarded by expert juries from each participating country. Between 1998 and 2004, Eurovision’s organisers, the European Broadcasting Union (EBU), and the national broadcasters responsible for hosting each edition of the contest expanded it into an ever grander spectacle: hosted in arenas before live audiences of 10,000 or more, with (from 2004) a semi-final system enabling every eligible country and broadcaster to participate each year, and with (between 1998 and 2008) points awarded almost entirely on the basis of telephone voting by audiences in each participating state. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS .................................................................................... -
United States - Vatican Recognition: Background and Issues
The Catholic Lawyer Volume 29 Number 3 Volume 29, Summer 1984, Number 3 Article 2 United States - Vatican Recognition: Background and Issues Samuel W. Bettwy Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. UNITED STATES-VATICAN RECOGNITION: BACKGROUND AND ISSUESt SAMUEL W. BETTWY* "A lawyer without history or literature is a mechanic . .;[with] some knowledge of these .. .an architect."' In world affairs, the Roman Catholic Church and all its alter egos are known generically as "the Vatican." Its leader is the "Pope," its diplo- matic agent is called the "Holy See," and its independent territory is called "The State of Vatican City." The Vatican participates in interna- tional conferences as well as in bilateral and multilateral treaties with world nations. Nevertheless, the Church is not a state, nor does it claim to be one. On January 10, 1984, the United States became the 107th na- tion and the first superpower to establish reciprocal diplomatic relations with the Vatican.2 Although other attempts had been made, never before t Copyright Samuel W. Bettwy 1984. * Project Editor, American Society of International Law; Member, California and Arizona State Bars and the Bar of the District of Columbia; B.A. Economics, Pomona College; J.D., California Western School of Law; LL.M., Georgetown University Law Center. -
2018 Tour of Europe and Israel Press Release
N E W S R E L E A S E FOR IMMEDIATE RELEASE February 13, 2018 Music Director Yannick Nézet-Séguin to Lead The Philadelphia Orchestra on 2018 Tour of Europe and Israel May 24-June 5, 2018 Tour marks only the second time the Fabulous Philadelphians have traveled to Israel and Nézet-Séguin’s debut there In partnership with the Jewish Federation of Greater Philadelphia, Israel portion of tour commemorates the nation’s 70th anniversary Concerts bring the “Philadelphia Sound” to devoted fans in six European cities and three Israeli cities with pianists Hélène Grimaud and Jean-Yves Thibaudet as soloists Orchestra’s commitment to cultural diplomacy highlighted through residency activities, patron tour featuring chef Michael Solomonov, and business development trip (Philadelphia, February 13, 2018)—As part of its commitment to cultural diplomacy, The Philadelphia Orchestra, under the leadership of Music Director Yannick Nézet-Séguin, will tour Europe and Israel from May 24 through June 5, 2018. The visit to Israel—in partnership with the Jewish Federation of Greater Philadelphia—coincides with the country’s 70th anniversary and marks only the second time The Philadelphia Orchestra has traveled there since its inaugural visit in 1992. The Philadelphia Orchestra is the only major American symphony orchestra to travel to Israel during this anniversary year and only the third to ever visit the country; the last time an American orchestra visited Israel was in 1996. Following a highly successful 2015 European tour, Nézet-Séguin and the Orchestra will return to the continent, bringing the renowned “Philadelphia Sound” to devoted fans in important musical cities, including debut performances at the Jean Nouvel-designed Philharmonie de Paris and the Herzog & de Meuron-designed Elbphilharmonie in Hamburg.