The Malpass Brothers Country
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CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
John Mceuen Brings with Him 45+ Years of Worldwide Performing with His Banjo, fiddle, Guitar, and Mandolin
John McEuen brings with him 45+ years of worldwide performing with his banjo, fiddle, guitar, and mandolin. Often referred to as 'the String Wizard', he weaves stories of his travels and family life (he has raised 7 kids), taking us through where his musical path has taken him. A founding member of the Nitty Gritty Dirt Band in 1966, John instigated the 1972 classic Will the Circle Be Unbroken album, (inducted in to the Library of Congress as 'one of America's most important recordings). He has earned Emmy nominations, Grammy Awards, CMA acclaim, The Western Heritage Award, and many other accolades can be found on his website: www.johnmceuen.com. Proud to be an integral part of the first American band to go to Russia (in 1977!), John's love of performing is evident when during his shows he takes us 'behind the curtain' of the music world that so many of us know of only as listeners, and shows us how we have all been a part of it, more than we may know. McEuen's XM radio show, Acoustic Traveller, is in its 6th year, and you can find his new Americana Music Show on Syndicatednews.net (of which he is CEO) As winner of the 2010 Best of the West Performer award from the Folk Alliance organization, John's show is sure to be one enjoyed by all. He also won Best Bluegrass Album Grammy that year for his production of The Crow - Steve Martin). John in June of 2013 was honored with the Charlie Poole Lifetime Achievement Award in North Carolina. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Registered Hostas Last Updated 12-24-2008
Registered Hostas Last updated 12-24-2008 A 1-A-Day Delight 2003 Academy Blushing Recluse 1999 A B-1 Bomber 2002 Academy Bonfire Glade 2003 A Big Splash 2004 Academy Brobdingnagian Viridity 2006 A Blue Streak 2001 Academy Celeborn 2000 A Lady in Blue 2004 Academy Chetwood 2005 A Many-splendored Thing 1999 Academy Cratered Blue 2008 A Very Good Boy 2005 Academy Devon Moor 2001 Aachen 2005 Academy Dimholt 2005 Aardvark 1991 Academy Fangorn Forest 2003 Abba Alive 1990 Academy Faux Sedge 2008 Abba Aloft 1990 Academy Fire 1997 Abba at Large 1990 Academy Flaxen Spades 2002 Abba Blue Plus 1990 Academy Flora 1999 Abba Dabba Do 1998 Academy Galadriel 2000 Abba Dew 1999 Academy Gilded Dawn 2008 Abba Fit 1990 Academy Glowing Embers 2008 Abba Fragrant Cloud 1990 Academy Gold Codswallop 2006 Abba Little Showoff 1990 Academy Golden Papoose 2004 Abba Nova 1990 Academy Grass Clippings 2005 Abba Spellbinder 1990 Academy Grins 2008 Abba Tops 1990 Academy Isengard 2003 Abbey Pond Cascades 2004 Academy Kakistocracy 2005 Abby 1990 Academy Lemon Knoll 2006 Abiqua Ambrosia 1987 Academy Lothlórien 2004 Abiqua Ariel 1999 Academy Mallorn 2003 Abiqua Aries 1999 Academy Mavrodaphne 2000 Abiqua Big Sky 2008 Academy Mirkwood 2003 Abiqua Blue Crinkles 1999 Academy Muse 1997 Abiqua Blue Edger 1987 Academy Nazgul 2003 Abiqua Blue Jay 1987 Academy Palantir 2003 Abiqua Blue Madonna 1988 Academy Redundant 1998 Abiqua Blue Shield 1988 Academy Rivendell 2005 Abiqua Delight 1999 Academy Shiny Vase 2001 Abiqua Drinking Gourd 1989 Academy Smiles 2008 Abiqua Elephant Ears 1999 -
The Ultimate Super Mage ™ by Dean Shomshak
The Ultimate Super Mage ™ by Dean Shomshak HERO PLUS™ The Ultimate Super Mage™ Version 1.1 by Dean Shomshak Editor/Developer: Bruce Harlick Illustrations: Storn Cook Charts: Scott A.H. Ruggels Solitaire Illustration: Greg Smith Pagemaking & Layout: Bruce Harlick Graphic Design: Karl Wu Editorial Contributions: Steve Peterson, Ray Greer, George MacDonald, Steven S. Long Proof Reader: Maggi Perkins Managing Editor: Bruce Harlick Copyright @1996 by Hero Games. All rights reserved. Hero System, Fantasy Hero, Champions, Hero Games and Star Hero are all registered trademarks of Hero Games. Acrobat and the Acrobat logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. All other trademarks and registered trademarks are properties of their owners. Published by Hero Plus, a division of Hero Games. Hero Plus Hero Plus is an electronic publishing company, using the latest technology to bring products to customers more efficiently, more rapidly, and at competitive prices. Hero Plus can be reached at [email protected]. Let us know what you think! Send us your mailing address (email and snail mail) and we’ll make sure you’re informed of our latest products. Visit our Web Site at http://www.herogames.com Contents Introduction .............................................7 The White School.............................................. 27 How To Use This Book .................................. 7 The Black School............................................... 27 A Personal Disclaimer................................... -
Sunnyside Singers Club in Woodside, Queens, 8Pm 1 Sun Chantey & Folk Song & Music Session; John St
Folk Music Society of New York, Inc. Oct. 2017 vol. 52 No. 9 October Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Sun Chantey & Folk Song & Music Session; John St. Ch; 2pm 4 Wed Folk Open Sing; 7pm in Brooklyn 6 Fri Geoff Muldaur, 7:30pm, Saint John's Ch., Christopher St. 8 Sun Singing Party in Marine Park, Brooklyn, 15pm 9 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 11 Wed Sunnyside Singers Club; performer Liz Hanley, 8pm 15 Sun Shanty Sing on Staten Island, 25 pm 15 Sun Exploring "Tradiginal" Folk Music, perf.talk, 2pm 15 Sun Upper West Side Song Swap at HINY, 103 St & Amsterdam Av , 58pm 20 Fri John Roberts, 7:30pm at O.S.A. Hall, 220 E. 23 St. 26 Thur Newsletter Mailing, 7pm in Jackson Heights, Queens 2729 Fall Folk Music Weekend at HVRS see centerfold November Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Wed Folk Open Sing; 7pm in Brooklyn 3 Fri Ed Trickett, 7:30pm at O.S.A. Hall, 220 E. 23 St. 5 Sun Yiddish Singing Workshop with Ethel Raim 2 to 3:30 pm, Upper West Side 12 Sun Upper West Side Song Swap at HINY; 58pm (tentative) 13 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 15 Wed Mike Agranoff, Sunnyside Singers Club; performer, 8pm 17 Fri Heather Wood, 7:30pm, Saint John's Ch., Christopher St. -
A Legacy of Hope in the Concert Spirituals Of
A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Jeffrey Carroll Stone, II In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department Music April 2017 Fargo, North Dakota North Dakota State University Graduate School Title A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) By Jeffrey Carroll Stone, II The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Michael Weber Chair Dr. JoAnn Miller Dr. Cassie Keogh Dr. Ashley Baggett Approved: April 12, 2017 Dr. JoAnn Miller Date Department Chair ABSTRACT When the careers of the composers Robert Nathaniel Dett (1882-1943) and William Levi Dawson (1899-1990) began, the United States was a racially-divided society. Despite this division, both composers held a firm belief in the potential of spirituals to bring people together. Racial segregation severely limited the civil rights of people of color; however, Dett and Dawson were fueled by the hope for spirituals to bridge the racial divide in America. Both composers desired to achieve racial equality through their music. I argue that these aspirations are embodied within their concert spirituals. This disquisition examines the legacies of Dett and Dawson for the role of “hope” in their concert spirituals. -
Ring Carrboro
A MonthLy MusIc, Arts And literAture publicAtIon MILLof the cArrboro cItIzen voL. 4 + no. 6 + MArCH 2011 InsIde: t rIng cArrboro’s bell t froM milltown to MeccA t bAsIc vAnilla froM bill smith t good food AwArds The ArtsCenter Presents Southern Sacred Steel Conference Part of the 8th annual American Roots Series Thursday, March 17-Sunday, March 20 Featuring Aubrey Ghent, The Lee Boys, The Allen Boys, master classes, lectures, documentary photography, church service and community lunch! The events are made possible by the Carrboro Citizen, Courtyard by Marriott, Center for the Study of the American South and North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities. For ticket information visit ArtsCenterLive.org *some events free and open to the public 300-G East Main St. • Carrboro, NC • 919.929.2787 2 carrborocitizen.com/mill + march 2011 MILL Milestones FestivaL with a sounDtracK f you’re reading this copy of mILL on of what is to be. as we look at the town the day of publication, today marks through its yesterdays, we can’t help but call it mardi Gras or the end of carrboro’s first century wonder about its tomorrows. One hun- carnival or whatever and the beginning of its second. as dred years from now, the map coordinates you like, the stretch of we note in several spots here and in and the town’s boundaries will be little time just ahead of the IThe Citizen itself, the shindig at the aptly changed, but the people, their way of Lenten season is sup- named carrboro century center is just life and those things thought of as local the start of a period of celebration and institutions will be far different. -
African and African-American Contributions to World Music
Portland Public Schools Geocultural Baseline Essay Series African and African-American Contributions to World Music by John Charshee Lawrence-McIntyre, Ph.D. Reviewed by Hunter Havelin Adams, III Edited by Carolyn M. Leonard Biographical Sketch of the Author Charshee Lawrence-Mcintyre is Associate Professor of Humanities at the State University of New York at Old Westbury in the English Language Studies Program. PPS Geocultural Baseline Essay Series AUTHOR: Lawrence-McIntyre SUBJECT: Music CONTENTS Content Page BIOGRAPHICAL SKETCH OF THE AUTHOR.............................................................................................. I CONTENTS ..........................................................................................................................................................II INTRODUCTION .................................................................................................................................................1 CLASSICAL AFRICA'S INFLUENCE ON OTHER CIVILIZATIONS ........................................................4 ANCIENT EGYPTIAN INSTRUMENTS .....................................................................................................................4 ANCIENT EGYPTIAN MUSIC AND FORMS .............................................................................................................8 MIGRATION AND EVOLUTION OF MUSIC THROUGHOUT CONTINENTAL AFRICA ...................12 TRADITIONAL INSTRUMENTS .............................................................................................................................14 -
XII. Fighting Against Fusion 1974-1990
XII. Fighting Against Fusion (1974-1990) For a few years, it seemed as if the whole jazz world had gone fusion-crazy, at least those who wished a large commercial success. Brothers Randy and Michael Brecker, Chick Corea, Herbie Hancock and George Benson were only a few of the many musicians who dipped a toe—or a whole foot—into its murky waters. Even Ornette Coleman, with his new band Prime Time, gave us his version of fusion with the album Dancing in Your Head. In the early 1980s George Russell gave us his funk-fusion take on The African Game, and even Mingus, one of the music’s greatest foes, was pushed into something close to fusion when his label at the time (Atlantic) forced a couple of electric guitarists on him in the album Three or Four Shades of Blue. When Mingus heard the final mix on this album, he called up Atlantic’s Nesuhi Ertegun and gave him hell for issuing such a “crappy” record, but the incredibly high sales figures for that LP—the best selling of Mingus’ entire career—mollified him, especially when he learned that the funds raised by this album gave him the opportunity to record one of his greatest masterpieces, the Cumbia & Jazz Fusion album, which sold hardly at all. And, of course, this was always the argument the record companies used when coerc- ing musicians into fusion. It sold. Very well. And in doing so, it sometimes—depending on the artistic proclivities of the label’s owner—gave them the opportunity to record better music that didn’t sell as much. -
January 1983
VOL. 7 NO. 1 Cover Photo by William Coupon FEATURES PETER ERSKINE Over the past dozen years, Peter Erskine has continued to live up to the promise he showed back when he was the youngest person ever accepted at a Stan Kenton summer band camp. Here, Peter discusses how each phase in his career—including his recent departure from Weather Re- port to join Steps, and his first solo album—have brought him closer to being the kind of musician he wants to be. by Rick Mattingly 8 CHESTER THOMPSON Playing with Frank Zappa requires a special kind of drummer; playing with Weather Report takes a different type; playing for Genesis has yet another set of require- Photo by Joost Leijen ments. That Chester Thompson has been able to handle Photo by Paul Natkin/Photo Reserve all three situations says a lot about his versatility and abil- ity, which he comments on in this MD exclusive. by Stanley Hall 14 MD FORUM: Audio Engineers—on Miking & Recording Drums: Part II by Mark Z. Stevens 18 JIM GORDON One of the true legends of rock drumming, Jim Gor- don began his studio career playing extra percussion parts beside such master drummers as Hal Blaine and Earl Palmer, and he began his touring career with the Everly Brothers. Gordon talks about how he went on to play and record with some of the biggest names in rock, while giving insights into the professional and personal aspects of his life. by Scott Fish 22 INSIDE THE WORLD OF DRUM CORPS by Jay A. -
Arden Club Calendar (302) 475-3126 2126 the Highway, Arden DE 19810 MARCH 2020 Printed on 100% Post-Consumer Fiber Paper
Arden Club Calendar www.ArdenClub.org (302) 475-3126 2126 The Highway, Arden DE 19810 MARCH 2020 Printed on 100% post-consumer fiber paper CONCERT GILD Friday, March 6, 2020 - 8:00 PM A Tribute to John Wesley Harding Feat. Robert Lloyd, Wesley Stace with special guest John Faye $17 Members $20 General - Email [email protected] for member reservations! Once upon a time, there was an iconic folk singer named John Wesley Harding. He is known for catchy tunes like Kill The Messenger, The Devil in Me, Here Comes The Groom and of course his rousing cover of Madonna’s Like A Prayer. We are thrilled to announce that Wesley Stace has agreed to perform music from John Wesley Harding’s songbook at the Arden Gild Hall on March 6, 2020. He will be accompanied by the exceptional Robert Lloyd on keyboard, mandolin, and accordion, who was recently coaxed out of retirement in order to pay tribute the Harding’s work. Delaware’s own John Faye will open the show, fresh off his reunion show with The Caulfields. Friday, March 13 - 8:00pm LANKUM with Andy the Doorbum $20 Members $25 General LANKUM create crushing, apocalyptic, layered drones using Uilleann pipes, harmonium, fiddle, voice and more. NPR calls LANKUM the #8 Album of the Year – “Brothers Ian and Daragh Lynch, Radi Peat and Cormac MacDiarmada create crushing, apocalyptic, layered drones using Uilleann pipes, harmonium, fiddle, voice and more. It has the intensity of electronic music, but this is all acoustic music in service of songs that are often centuries old.