The Daily Egyptian, November 21, 1996
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Began Her Professional Career in 1966 at the Cafe Wha? in Greenwich
SUSAN COLLINS began her professional career in 1966 at the Cafe Wha? in Greenwich Village singing with Jimi Hendrix in Jimmy James and the Blue Flames, the ground-breaking guitarist’s group just before he left NYC for London. Then a sophomore straight out of Brooklyn’s Lafayette High, Susan was managed by singer-songwriter Richie Havens, with whom she later attended Woodstock, flying in by helicopter. In 2011 Susan’s close friend and musical director of 35 years, Paul Shaffer stated: “Susan Collins is my favorite singer…period!” Paul calls her “my BFF and a singer’s singer - what a voice!” In 2006 Susan sang a song she co-wrote with Paul, on a bill with Harry Shearer, Marshall Crenshaw, and They Might Be Giants at NYC’s Canal Room. Of this performance, Fox News.com’s Roger Friedman wrote: “Collins is terrific. She can hold her own with Ronnie Spector any day of the week.” Susan appeared with Spector, Lesley Gore, Lala Brooks et. al. at Lincoln Center’s girl group tribute SHE’S GOT THE POWER in the summer of 2011. YOU CAN TAKE THE GIRL OUTTA BROOKLYN, Susan’s autobiographical musical revue (originated at bergenPac NJ before its NYC run), tells the story of how she started singing a cappella on the street corner of her housing project in the 1960s and went on to a career in the music business, making key vocal contributions to numerous hit records, TV shows, movies and advertising. Recipient of the ASCAP Award for songwriting, Susan’s first day job was writing for legendary producer/TV host and 2012 Rock & Roll Hall of Fame inductee, the late Don Kirshner. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
Hip-Hop Education Center to Launch Campaign Asking President Obama
For Immediate Release Press Contact: November 3, 2015 Lily Zaballos (510) 566-0814 [email protected] Hip-Hop Education Center to launch campaign asking President Obama to designate hip-hop as valuable public school education tool; hosts first annual awards for Hip-Hop Education pioneers NEW YORK — Today, the Hip-Hop Education Center (HHEC) announces that it will launch on November 11, 2015, the We The People for Hip-Hop Education in Public Schools, a petition requesting that the Obama Administration designate Hip-Hop culture as a valuable and uniquely American national treasure worthy of being taught and practiced in all K-12 public schools. “Carlos Mare and I are excited to share what we’ve been passionately working on for the past year, we know this will be game changer in education reform and will open up opportunities for millions of children.” said HHEC Founder Martha Diaz. For the past five years, HHEC has been conducting research, evaluating programs, and convening the teachers, teaching artists, scholars, researchers, activists, and music industry professionals to research and build a Hip-Hop Education movement. Research shows that Hip-Hop programing is making a difference with student engagement and academic outcomes. HHEC believes integrating Hip-Hop into public school education could help solve the U.S. education crisis: • Students are not being engaged in school. Approximately, 1.1 million American high school students drop out every year. That’s a student every 26 seconds – or 7,000 a day. • This education crisis poses direct negative consequences to poverty, crime, and economic conditions to our society. -
Personalbest P N S
S MU IC S L EC IA T C I E O PERSONALBEST P N S A SALUTE TO THE STARS WHO MAKE OUR HEARTS SING 2018 HAIRSTYLIST: MARISA FRANCO; MAKEUP ARTIST: HAE KYUNG YOO; FOOD STYLIST: JAMIE KIMM; ILLUSTRATION BY STEPHANIE SHAFER. OPPOSITE, BOTTOM, FROM LEFT: COURTESY RONNIE SPECTOR; GETTY IMAGES I’VE ALWAYS loved simple food. When I was growing up, my mom, Sandwich Beatrice Bennett, waitressed at King’s Donuts, a Harlem luncheonette next door to the Apollo Theater. My sister, Estelle, and I would stop there on the way home from school, and my mom would stick us down- of Love stairs in the employees lounge to do our homework. After about an Ronnie Spector cooks hour and a half, she let us come upstairs and sit at the counter; booths burgers with two were for big-time customers. Estelle and I always had burgers and fries with a Coke. They toasted generations’ worth of care the buns. I loved those burgers! Medium well, the way I still like them. 62 AARP THE MAGAZINE / Real Possibilities PHOTOGRAPHS BY DAVID WILLIAMS I’d look out the window onto 125th My mom’s burgers at home were Street, see lines around the block for even better than the ones she made at the Apollo and get this pang in my work. She’d take an onion, then chop RECIPE stomach: That’s what I want—lines and chop and chop till the pieces were around the block for me! really tiny. She said that that way, the The Apollo’s owner had a crush on next day my breath wouldn’t smell my mother. -
Austrian Rap Music and Sonic Reproducibility by Edward
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ETD - Electronic Theses & Dissertations The Poetic Loop: Austrian Rap Music and Sonic Reproducibility By Edward C. Dawson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in German May 11, 2018 Nashville, Tennessee Approved: Christoph M. Zeller, Ph.D. Lutz P. Koepnick, Ph.D. Philip J. McFarland, Ph.D. Joy H. Calico, Ph.D. Copyright © 2018 by Edward Clark Dawson All Rights Reserved ii For Abby, who has loved “the old boom bap” from birth, and whose favorite song is discussed on pages 109-121, and For Margaret, who will surely express a similar appreciation once she learns to speak. iii ACKNOWLEDGEMENTS This work would not have been possible without an Ernst Mach Fellowship from the Austrian Exchange Service (OeAD), which allowed me to spend the 2015-16 year conducting research in Vienna. I would like to thank Annagret Pelz for her support, as well as all the participants in the 2015-2016 Franz Werfel Seminar, whose feedback and suggestions were invaluable, especially Caroline Kita and organizers Michael Rohrwasser and Constanze Fliedl. During my time in Vienna, I had the opportunity to learn about Austrian rap from a number of artists and practitioners, and would like to thank Flip and Huckey of Texta, Millionen Keys, and DJ Taekwondo. A special thank you to Tibor Valyi-Nagy for attending shows with me and drawing my attention to connections I otherwise would have missed. -
UNIVERSAL MUSIC • the Hives – Lex Hives • the Temper Trap
• The Hives – Lex Hives • The Temper Trap – The Temper Trap • Joe Walsh – Analog Man New Releases From Classics And Jazz Inside!! And more… UNI12-22 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final CHANGE OF DISTRIBUTION – Wax Records Dear Customer, Effective Tuesday May 1st, 2012, the Canadian distribution of the attached Wax Records product will change from Warner Music Canada to Universal Music Canada. In order to make this transition as easy as possible for all customers, the following steps have been agreed upon by Warner Music Canada and Universal Music Canada. ORDERS: Effective Monday April 30th, 2012, Warner Music Canada will cancel all back orders for the products on the attached list. Effective Tuesday May 1st, 2012, Universal Music Canada will solicit all orders and ship the attached products. RETURNS: Warner Music Canada will accept return requests for this product until Monday April 30, 2012. Universal Music Canada will begin accepting return requests for these products Tuesday May 1st, 2012. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Warner Music Canada will not be responsible for any ad claims issued after Monday April 30th, 2012. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Kind regards, Doug Raaflaub Adam Abbasakoor Vice President, Sales Vice President, Sales Warner Music Canada Universal Music Canada Please update your files accordingly. -
Stockton Goes to the Beach Presents Ronnie Spector of the Ronettes
Stockton Goes to the Beach Presents Ronnie Spector of the Ronettes Coming to the Cape May Convention Center July 29 For Immediate Release Wednesday, June 26, 2013 Contact: Suzé DiPietro Interim Director, Stockton PAC Galloway Township, NJ 08205 [email protected] (609) 652-4927 Galloway Township, NJ – The 12th annual Stockton Goes to the Beach Summer Concert Series continues at the Cape May Convention Center in Cape May, NJ for the summer of 2013, with Ronnie Spector and her revolutionary performing style lighting up the stage on Monday, July 29 at 8 p.m. Spector’s sensuality, dress, attitude and sound have served as an inspiration for a generation of rock ‘n’ roll women. Tickets are priced at $35 and may be ordered online at www.capemaycity.com or by calling 1-855-708-9699 or by going to the Cape May Convention Center. Beginning in 1963, Ronnie Spector - as lead singer of the ultimate girl group, The Ronettes - recorded a long string of classic pop hits: powerful, poignant teen anthems such as the Grammy Award-winning “Walking in the Rain,” “Do I Love You,” “Baby I Love You,” “The Best Part of Breaking Up,” “I Can Hear Music,” and the international Number One smash, “Be My Baby.” Only a few artists in history have been capable of defining an entire era in pop music. Ronnie Spector is one of those artists: the embodiment of the heart, soul, and passion of female rock and roll in the 1960s. And to this day, no one has ever surpassed Ronnie's powerful Colpix label. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell
“Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell The Ronettes Original label Phil Spector Instantly infectious and memorable, “Be My Baby” has been described as the “Record of the Century” and the “greatest pop record ever made.” It was recorded by the Ronettes in 1963. It was written by Phil Spector, Jeff Barry and Ellie Greenwich and was produced by Phil Spector. It was named to the National Recording Registry in 2006. The Ronettes were a group of girls from Spanish Harlem, sisters Veronica (“Ronnie”) and Estelle Bennett and their cousin Nedra Talley. Before becoming a trio, the young women were a group of five joined by two other cousins, Elaine and Diane. (Sometimes they were also joined by their male cousin, Ira.) They sang together and perfected their harmonies at their grandmother’s house before branching out to play local dances and talent contests. Along with refining their line-up and sound, the girls also defined their look. In his biography of Phil Spector, author Mick Brown says of the group: The standard demeanor of girl groups of the day was one of demure innocence…But the Ronettes looked as if it was a Saturday night and they were cruising for trouble—figure- hugging dresses, hair piled into improbable beehives and lashings of mascara, which transformed the youthful high school girls into vamps. Today, the Ronettes are nearly as remembered for their look (which would later be largely carbon-copied by Amy Winehouse) as for their sound. After first being signed by and recording for the Colpix label (under the name Ronnie and the Relatives), the Ronettes came to the attention of Phil Spector who immediately took a liking to the group and especially to its de facto leader Ronnie. -
The Undersigned Is the Publisher of the Leader, a Public Newspaper
STATE OF NEW YORK, COUNTY OF STEUBEN, SS.: The undersigned is the Publisher of The Leader, a public newspaper. New York State Electric & Gas Corporation published in said County, and that the Public Notice - Tariff Revisions notice of which the annexed is a printed copy, cut from said newspaper, was printed and published in a daily newspaper 1 time(s) each week for 1 week(s). 9th January The first publication being on the day of . 2007, 9th January and the last upon the • day of .2007. The text of the notice as published in The Leader is as in the annexed exhibit. This newspaper has been designated by the Clerk of Steuben County for this purpose. (Signature) ^^^f-jH^ I A JQAAJ^ ' Authorized designee of Dennis Bruen, Publisher of The Leader (Printed Name) Beth Warren 10th Subscribed and sworn to before me, this. day of January • 2007 Expiration (Signature) Date Notary Public '^mmx 11/13/2010 .icense Number - 01816155531 (Printed Name) Tammy J. Simons Notary Public - Qualified in the State of New York - County of Steuben EWS HER PACE 8A | TUESDAY | JANUARY 9 \ 2007 FACILITY Ice Camp offered Wafgreens plans Continued from 1A at civic center rink to move tabled approved construction of 4 CORNING | An Ice Camp CORNINC | An application to new facility that will have will be held from 9 a.m,- shift the development of a 105 beds. Doing so will give 5 p.m. Monday at the Nasser Walgreens drug store on the county more state fund- Civic Center ice rink for Denisori Parkway 50 feet to ing in caring for clients while children ages 8-12 by the the east was tabled Monday providing more rehabilita- City of Corning Parks and afternoon by the city Planning tive services. -
The Graduate Student Advocate, September 1991, Vol. 3, No. 1
City University of New York (CUNY) CUNY Academic Works The Advocate Archives and Special Collections 9-1991 The Graduate Student Advocate, September 1991, Vol. 3, No. 1 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_advocate/39 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Graduate Student Volume 3 City University of New York SEPTEMBER 1991 Number 1 , Graduate School Administration Meet the President: Threatens Status of Over 1600 Students An interview with Frances Degen Horowitz. • Thomas Smith • Many Graduate School students re land, and Executive Director of Student cently received unsigned letters from Services Matthew Schoengood, all in Senior Registrar Robert Goldstein. sist that "extenuating circumstances" I These letters informed students that would be taken into account with the Advocate: Can you tell ui; more about your went to another college for a year before I they had failed to fulfill the minimum advent of sprtng semester. These cir self, about your New York memories and went there. Getting to Antioch was like a requirements for satisfactory progress cumstances might include family obli your academic interests in college? You breath of fresh air. toward completion of their degrees. gations, work, etc.... Each official in were, for example, a philosophy major. According to Bob Nelson of the Office sisted that the letters were not in President Horowitz: W(;ll, I grew up in the A: Was it unusual to go to a place like of Student Services, a total of 1619 let tended to "intimidate" .anyone though Bronx. -
Marketed and Promoted by Stones Throw Records Publicity by Score
THIRD RELEASE FROM MADLIB’S ONCE-A-MONTH SERIES Madlib follows Flight To Brazil, with the Marketed and third installment of the Medicine Show series and the fourth installment in his promoted by Beat Konducta Series: Beat Konducta in Stones Throw Records Africa. Previous entries include: Beat Konducta: Movie Scenes, Beat Konducta: in Publicity by Score Press India and Beat Konducta: Dil Cosby and Dil Withers Suites. Limited edition Beat Konducta In Africa contains over Format: CD forty instrumental hip hop tracks produced and mixed by Madlib. This Cat. No: MMS 003 epic “beat tape” springs from obscure Label: Madlib Medicine Show vinyl gems culled from the afro-beat, Available: March 23rd, 2010 funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl. Next up: 420 Chalice All Stars (All Jamaican Sounds) *4-tons of vinyl, this is true. It’s all in his studio. DISC ONE: Jawbones 1. Free 2. Ihadmyheadoverthechickensouppot 3. Mary 4. Don’t Judge Your Brother 5. Cat House Blues 6. The Ones Left Behind 7. Betrayed 8. Bullheads In My Shoes Blues 9. Karen DISC TWO: Since Washington 10. Alone And Watching 11. Sad Sunday 12. Now Is Here 13. Donna 14. 3 AM 15. It Doesn’t Matter … Yes It Does … But I Can’t Stop 16.