VARIOUS ARTISTS Street Date: Dangerhouse Complete Singles AVAILABLE NOW! Collected 1977-1979 14X7” 45 Box Set / 2XCD

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VARIOUS ARTISTS Street Date: Dangerhouse Complete Singles AVAILABLE NOW! Collected 1977-1979 14x7” 45 Box Set / 2XCD INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: The World For Fans of: Classic Punk rock Dangerhouse was one of the first independent labels to document the burgeoning West Coast punk rock scene of the late ‘70s. Although short- lived, its work provided a vital outlet for the bands and other participants and set a template for many to follow. This import box set compiled by Munster Records in Spain compiles the 14 7” 45s released on Dangerhouse between 1977 and 1979, including classic tracks by WEIRDOS, AVENGERS, ALLEY CATS, X, BLACK RANDY, DILS, BAGS … ARTIST: VARIOUS ARTISTS The 7” box set contains 14 singles with facsimile sleeves and labels plus TITLE: Dangerhouse Complete an extensive booklet featuring an interview with Dangerhouse co-founder Singles Collected David Brown, many unseen photos of all the bands and memorabilia. 1977-1979 LABEL: Frontier The CD version contains an extensive booklet featuring an interview with CAT#: MRBX325-7 Dangerhouse co-founder David Brown, many unseen photos of all the bands MRCD325-2 and memorabilia. FORMAT: 14x7” 45 Box Set / 2XCD GENRE: Punk Rock, Vintage Punk Rock, L.A. Punk BOX LOT: NA Marketing Points: SRLP: 14X7” 45 Box Set $171.98 2XCD $27.98 • One-time SPANISH IMPORT pressing of 1000 copies: UPC: 8435008872496 45 BS ILD has 50 copies of the 14X7” box set & 100 copies of the 2XCD— once 8435008832520 2XCD they are gone, THEY ARE GONE for good! EXPORT: NO EUROPE • The original Dangerhouse 45s each sell for a fortune! • The booklet is worth owning by itself with previously unseen band & Tracklist: BLACK RANDY & HIS ELITE METROSQUAD Idi Amin fan photos as well as vintage memorabilia RANDOMS I’m Black And I’m Proud Part 3 ABCD I’m Black And I’m Proud Part 14 Let’s Get Rid Of New York I Wanna Be A Nark BLACK RANDY & METROSQUAD HOWARD WERTH Trouble At The Cup Obsolete Loner With A Boner Mango Man Also Available from ILD: Sperm Bank Baby THE DEADBEATS AVENGERS Kill The Hippies We Are The One Brainless Dangerhouse Volume 1, LP/CD I Believe In Me Final Ride Car Crash Deadbeat FRO1039-1/2 THE DILS BAGS Class War Survive Mr. Big Babylonian Gorgon WEIRDOS EYES Dangerhouse Volume 2, LP/CD We Got The Neutron Bomb TAQN Solitary Confinement Topological Lies FRO31050-1/2 ALLEY CATS RHINO 39 Nothing Means Nothing Anymore Xerox/No Compromise Give Me A Little Pain Prolixin Stomp X BLACK RANDY & METROSQUAD Adult Books I Slept In An Arcade We’re Desperate Give It Up Or Turn It Loose Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com.

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Subcultural Politics and Leisure in Early San Francisco Punk,” Michael Stewart Foley
“We Are the One: Subcultural Politics and Leisure in Early San Francisco Punk,” Michael Stewart Foley To cite this version: Michael Stewart Foley. “We Are the One: Subcultural Politics and Leisure in Early San Francisco Punk,”. Angles: French Perspectives on the Anglophone World, SAES – Société des Anglicistes de l’Enseignement Supérieur, 2017. hal-01999004 HAL Id: hal-01999004 https://hal.univ-grenoble-alpes.fr/hal-01999004 Submitted on 5 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. We Are the One: Subcultural Politics and Leisure in Early San Francisco Punk1 Publié en ligne le 15 novembre 2017 Auteurs : Par Michael Stewart Foley Résumé Cet article examine les modalités des rapports complexes entre politique et loisir aux débuts du mouvement punk à San Francisco. Bien que la ville soit sans doute associée de la manière la plus marquante à la contre-culture des années 60, San Francisco est aussi, à la fin des années 70, le foyer d’une scène punk définie en grande partie par son engagement politique farouche. En même temps, les punks vivent cette expérience — à un moment de crise soutenue au niveau national, régional et local — sur le mode du divertissement exacerbé.
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