Fall 2012 Newsletter
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Elections 2015.Pages
1 ELECTIONS: Thanks for making our Seventh OFFICE OF SECRETARY ! CANDIDATE’S BIOS ! ! CANDIDATE ! OFFICE OF VICE-PRESIDENT Ghazzal Dabiri holds a Ph.D. in Iranian Studies ! in the Department of CANDIDATE Near Eastern Languages ! a n d C u l t u r e s f r o m Rudi Matthee received UCLA. She is currently a his Ph.D. in Islamic post-doctoral fellow at S t u d i e s f r o m t h e Ghent University and has University of California, taught at Columbia Los Angles. Since 1993 University, where she was also Persian Studies he has been teaching at program coordinator, UCLA, and CSUF. Her the University of research focuses on the development of and Delaware, where he is cross-sections between Iranian historiography Distinguished Professor of Middle Eastern and Persian epics as well as on the social History. Matthee has published widely on history of early Islamic Iran. Based on this, she Safavid and Qajar Iran as well as Egypt. He has published the following articles: “Visions authored The Politics of Trade in Safavid of Heaven and Hell from Late Antiquity in the Iran: Silk for Silver, 1600-1730 (1999), Near East” (2009); “The Shahnama: Between recipient of the prize for best non-Persian the Samanids and Ghaznavids” (2010), and language book on Iranian history awarded by “Historiography and the Sho’ubiya Movement” the Iranian Ministry of Culture; honorable (2013). mention for British-Kuwaiti Friendship Prize; The Pursuit of Pleasure: Drugs and ! Other publications include: “The Mother Stimulants in Iranian History, 1500-1900 Tongue: An Introduction to the Persian (2005), recipient of the Albert Hourani Book Language.” PBS Frontline: Tehran Bureau Prize and the Saidi Sirjani Prize; Persia in and ;“Shiraz Nights.” PBS Frontline: Tehran Crisis: Safavid Decline and the Fall of Isfahan Bureau, August 10, 2009. -
KISHWAR RIZVI___77 Massachusetts Avenue
KISHWAR RIZVI DEPARTMENT OF THE HISTORY OF ART YALE UNIVERSITY May 2018 ACADEMIC APPOINTMENTS Professor Department of the History of Art, Yale University, New Haven, CT. (July 2018-present) Associate Professor, July 2012 –14; 2014-2018 (with tenure). Director of Undergraduate Studies, 2016-17. Chair, Middle East Studies Council, Yale University (2017 - 2020). Acting Chair, Middle East Studies Council, Yale University (Spring 2012, Fall 2015). President-Elect, Historians of Islamic Art Association, 2017-2020. Assistant Professor, Department of the History of Art, Yale University, New Haven, CT. July 2006 – 2012. Assistant Professor, Department of Art History and Archeology, Barnard College, Columbia University, New York, NY. Jan. 2004 – Jun. 2006. Lecturer, Department of the History of Art, Yale University, New Haven, CT. 2002 – 2003. Post-Doctoral Fellow, Yale Center for International and Area Studies, Yale University, 2000 – 2002. EDUCATION Doctor of Philosophy Dissertation title: Transformations in Early Safavid Architecture: The Shrine of Shaykh Safi al-din Ishaq Ardabili in Iran (1501-1629). Department of Architecture, Aga Khan Program for Islamic Architecture, Massachusetts Institute of Technology, Cambridge, MA, 2000. Master of Architecture Graduate School of Fine Arts, University of Pennsylvania, Philadelphia, PA. Bachelor of Art Wesleyan University, Middletown, CT. LANGUAGES Persian, French, Urdu, Arabic (reading), German (reading). FIELD EXPERIENCE Architectural fieldwork in Iran, Syria, Lebanon, United Arab Emirates, Qatar, Pakistan, Turkey, Saudi Arabia. Museum research in Germany, Austria, United States, Russia, United Kingdom, France, Turkey, Iran, Pakistan. PUBLICATIONS A. BOOKS Mirror of the World: Shah ‘Abbas’ Iran and Global Early Modernity, (Yale University Press, under contract). Affect, Emotion, and Subjectivity in Early Modern Muslim Empires: New studies in Ottoman, Safavid, and Mughal art and culture, editor, (Leiden: Brill, 2017). -
KISHWAR RIZVI___77 Massachusetts Avenue
KISHWAR RIZVI DEPARTMENT OF THE HISTORY OF ART YALE UNIVERSITY 2020 ACADEMIC APPOINTMENTS Professor, Department of the History of Art, Yale University, New Haven, CT. (July 2018-present) Associate Professor, July 2012 –14; 2014-2018 (with tenure). Director of Undergraduate Studies, 2016-17. Assistant Professor, Department of the History of Art, Yale University, New Haven, CT. July 2006 – 2012. President, Historians of Islamic Art Association, 2020-2023. President-Elect, Historians of Islamic Art Association, 2017-2020. Editor, Platform: A digital forum for conversations about buildings, spaces, and landscapes, (2019- present). Chair, Council for Middle East Studies, Yale University (2017 - 2019). Project Director, Title VI, National Resource Center Grant from the United States Department of Education (2018-2022). Acting Chair, Council for Middle East Studies, Yale University (Spring 2012, Fall 2015). Assistant Professor, Department of Art History and Archeology, Barnard College, Columbia University, New York, NY. Jan. 2004 – Jun. 2006. Lecturer, Department of the History of Art, Yale University, New Haven, CT. 2002 – 2003. Post-Doctoral Fellow, Yale Center for International and Area Studies, Yale University, 2000 – 2002. EDUCATION Doctor of Philosophy, Department of Architecture, Aga Khan Program for Islamic Architecture, Massachusetts Institute of Technology, Cambridge, MA, 2000. Master of Architecture, Graduate School of Fine Arts, University of Pennsylvania, Philadelphia, PA. Bachelor of Art, Wesleyan University, Middletown, CT. LANGUAGES Persian, French, Urdu, Arabic (reading), German (reading). FIELD EXPERIENCE Architectural fieldwork in Iran, Syria, Lebanon, United Arab Emirates, Qatar, Pakistan, Turkey, Saudi Arabia. Museum research in Germany, Austria, United States, Russia, United Kingdom, France, Turkey, Iran, Pakistan. PUBLICATIONS A. BOOKS Imagining a World: Artistic and cultural encounters in early Modern Iran, (Yale University Press, under contract). -
The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field Sheila S
The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field Sheila S. Blair and Jonathan M. Bloom When we started studying Islamic art some thirty years ago, rial? Does a religiously based classification serve us better there were no good introductory textbooks that undergrad- than geographic or linguistic ones, like those used for much uates could read. When we started teaching the subject nearly of European art?To begin to answerthese questions, we must a decade later, there were still none, and we had to make do first review how the subject is defined, how it got to be that with stacks of photocopied articles and chapters assigned way, and how it has been studied.4 from one book or another in an attempt to present students with a coherent narrative.So little surveymaterial existed that The Definition and Historiographyof Islamic Art even graduate students had difficulty getting a grasp on the Islamic art is generally held to be "the art made by artists or whole field and had to resort to obscure and uneven publi- artisans whose religion was Islam, for patrons who lived in cations. For example, K.A.C. Creswell's massive tomes im- predominantly Muslim lands, or for purposes that are re- plied that Islamic architecture ended in 900 C.E.except in stricted or peculiar to a Muslim population or a Muslim Egypt, where it suddenly stopped four hundred years later in setting." It therefore encompasses much, if not most, of the the middle of the Bahri Mamluk period, although the Mam- art produced over fourteen centuries in the "Islamiclands," luk sequence of sultans persisted until 1517 and there was usually defined as the arid belt covering much of West Asia ample evidence for a glorious tradition of Islamic architec- but stretching from the Atlantic coast of North Africa and ture in many lands besides Egypt.' The venerable Survey of Spain on the west to the steppes of Central Asia and the PersianArt, originally published in five massivevolumes in the Indian Ocean on the east. -
Alnwsltr12 Layout3.Indd
Number 48 – Summer 2012 NEWSLETTERAlumni INSTITUTE OF FINE ARTS Contents From the Director . 3 A Night at Sotheby’s . 5 The Year in Pictures . 6 Festschrifts in Honor of IFA Faculty Members . 8 Getting Started Eleni Vassilika Eleni The (Non) History of LA TOMBA LA TOMBA DI American Art at the Institute . 10 KHA Becoming a Latin ITALIANO LA TOMBA DI Americanist at the IFA . 11 A NTICHITÀ F ONDAZIONE Remembrances E GIZIE M USEO DI T ORINO DELLE ISBN 978-88-8117-127-9 SCALA Eleni Vassilika A. Richard Turner . 12 9 788881 171279 KHA SCALA € 12,00 Annette Kuhn . 13 Awards for Summer 2011 . 14 OPENING DOORS Outside Fellowships . 15 The Early Netherlandish Triptych Reinterpreted PhDs for 2011 - 2012 . 16 Alumni Updates . 17 LYNN F. JACOBS Alumni Donors . 28 Published by the Alumni Association of the Institute of Fine Arts 1 Institute of Fine Arts Alumni Association Officers: Board of Directors: Committees: President Patrick Amsellem Newsletter Phyllis Tuchman, editor Gertje Utley Patrick .amsellem@nyu .edu Schuyler Swartout gutley@rcn .com Yassana Croizat-Glazer History of the IFA Vice-President yassana .croizat-glazer@metmuseum .org Rebecca Rushfield,Chair Alicia Lubowski-Jahn William Barcham Alicia1155@aol .com Jennifer Perry Grants jperrymason@gmail .com Charles Little, Chair Treasurer Sabine Rewald Lisa Rotmil Sabine Rewald lisarotmil@aol .com sabine .rewald@metmuseum .org Walter S. Cook Lecture Anita Moskowitz, Chair Yvonne Elet Secretary Marie Tanner Susan Galassi Antonia Bartoli marietanner@aol .com Carol Krinsky Kathy Schwab Ex-Officio Alison West CAA Reunion Past Presidents awest1@nyc .rr .com Mary Tavener Holmes Mary Tavener Holmes Gerrit l . -
Guardians of the Islamic Revolution Ideology, Politics, and the Development of Military Power in Iran (1979–2009)
Guardians of the Islamic Revolution Ideology, Politics, and the Development of Military Power in Iran (1979–2009) by Afshon P. Ostovar A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2009 Doctoral Committee: Professor Juan R. Cole, Chair Associate Professor Kathryn Babayan Assistant Professor Farina Mir Sussan Babaie, American University of Cairo Copyright © 2009 Afshon P. Ostovar ii Acknowledgements This dissertation would not have been possible without the assistance of several individuals and the continual support of the University of Michigan’s Rackham Graduate School and Department of History. The latter institutions provided me with the organizational scaffolding and financial resources to pursue and complete my doctoral degree. The Department of History’s administrative staff—particularly Lorna Altstetter, Kathleen King, Diana Denney, and Sheila Coley—are truly the unsung heroes of every doctoral student’s career, and especially mine. They made navigating the endless paperwork and bureaucratic processes of graduate school nearly painless and far more efficient than I could have hoped. My research was greatly assisted by the kind efforts of Jonathan Rodgers, Middle East Bibliographer at the University of Michigan’s Hatcher Graduate Library, who helped me obtain various Persian sources and microfilms that proved invaluable to my study. The librarians at the Hoover Institution Library and Archives spent many hours assisting me in navigating their extensive visual and textual collections. My writing benefitted from the tolerant culture of Ann Arbor’s cafés, which allow graduate students to loiter at all times of the day and night. -
Symposia Iranica First Biennial Iranian Studies Graduate Conference
University of St Andrews St Mary’s College Saturday 13th April and Sunday 14th April 2013 SYMPOSIA IRANICA FIRST BIENNIAL IRANIAN STUDIES GRADUATE CONFERENCE Supported by grants from Iran Heritage Foundation, the British Institute of Persian Studies, the Soudavar Memorial Foundation, Magic of Persia, the Society for the Study of Medieval Languages and Literature, the Bibliographical Society, the Royal Historical Society, I.B.Tauris, the Centre for Academic, Professional and Organisational Development and the School of History at the University of St Andrews Conference Programme Saturday 13th April, 2013 08.45 – 09.15 Registration 09.15 – 09.30 Welcome (Parliament Hall) Prof. Ali M. Ansari, Founding Director, Institute of Iranian Studies, University of St Andrews 09.30 – 10.45 Panels Session 1 10.45 – 11.15 Tea & Coffee 11.15 – 12.30 Panels Session 2 Special Session 1: Iranian Nationalism and the Enlightenment (Senate Room) Ali M. Ansari, Professor of Iranian History, University of St Andrews Michael Axworthy, Senior Lecturer, University of Exeter Lloyd Ridgeon, Reader in Islamic Studies, University of Glasgow 12.30 – 14.00 Lunch 14.00 – 15.15 Panels Session 3 15.15 – 15.45 Tea & Coffee 15.45 – 17.00 Plenary Session: Early Career Scholars Q&A (Parliament Hall) Robert Hillenbrand, Professor Emeritus of Islamic Art, University of Edinburgh Ali M. Ansari, Vice President, British Institute of Persian Studies Maria Marsh, Middle East Editor, I.B.Tauris Publishers Kathy van Vliet, Acquisitions Editor, Middle East & Islamic Studies, Brill Academic -
Towards a Transcendent Architecture: Isfahan and Its Architectural Legacy
Towards a Transcendent Architecture: Isfahan and Its Architectural Legacy By Fatemeh Nasrollahi Bachelor of Architecture, March 2010, Iran University of Science and Technology, Tehran, Iran Master of Architecture, June 2012, University of Calgary, Calgary, Canada A Thesis submitted to The Faculty of The Colombian College of Arts and Sciences of the George Washington University in partial fulfillment of the requirements for the degree of Masters of Art May 15, 2016 Thesis directed by Seyyed Hossein Nasr University Professor in Islamic Studies Abstract Towards a Transcendent Architecture: Isfahan and Its Architectural Legacy This thesis focuses on the architectural factors responsible for the Islamic ideal city to emerge, develop and be sustained. The research specifically examines the spatial and architectonic features of Safavid Isfahan from its genesis to its culmination as the ideal of the capital of the Islamic state. It explores the ideal city as a concept and reality, and analyzes its effects on the built environment, culture and spiritual life. Keywords: Islamic Ideal City, Islamic Architecture, Safavid Isfahan ii Table of Content Abstract ........................................................................................................................... ii Introduction ..................................................................................................................... 1 1. Ideal Islamic City ........................................................................................................ 2 2. Safavid -
View PDF of CV
KISHWAR RIZVI DEPARTMENT OF THE HISTORY OF ART YALE UNIVERSITY 2021 ACADEMIC APPOINTMENTS Professor, Department of the History of Art, Yale University, New Haven, CT. (July 2018-present) Associate Professor, July 2012 –14; 2014-2018 (with tenure). Director of Undergraduate Studies, 2016-17. Assistant Professor, Department of the History of Art, Yale University, New Haven, CT. July 2006 – 2012. President, Historians of Islamic Art Association, 2020-2023. President-Elect, Historians of Islamic Art Association, 2017-2020. Chair, Council for Middle East Studies, Yale University (2017 - 2019). Project Director, Title VI, National Resource Center Grant from the United States Department of Education (2018-2022). Acting Chair, Council for Middle East Studies, Yale University (Spring 2012, Fall 2015). Assistant Professor, Department of Art History and Archeology, Barnard College, Columbia University, New York, NY. Jan. 2004 – Jun. 2006. Lecturer, Department of the History of Art, Yale University, New Haven, CT. 2002 – 2003. Post-Doctoral Fellow, Yale Center for International and Area Studies, Yale University, 2000 – 2002. AWARDS AND FELLOWSHIPS Principal Investigator, Title VI National Resource Center Grant for the Council on Middle East Studies, Yale University, from the United States Department of Education, 2018-2022. Public Voices Fellowship, Op-Ed Project and the Women’s Faculty Forum, Yale University, 2016-2017. Edward J. and Dorothy Clarke Kempf Fund, MacMillan Center, award for organizing an international symposium, Writing/Curating the Middle East; 2016 (to be held, March 2017). Whitney Humanities Center Humanities/Humanity Fund for the seminar, Early Modern Techne: Towards a Framework for Cross-Cultural Conversation (Spring 2017), co-organized with T. Liu and A. -
ISIS 2012 Conference Program (The Conrad Hotel, Istanbul, Turkey, August 1-5, 2012)
ISIS 2012 Conference Program (The Conrad Hotel, Istanbul, Turkey, August 1-5, 2012) *“(P)” appearing before panel titles denotes Persian-language panels August 2: Session 1 (9:00-10:30 a.m.) (Panel 1) | R20 || August 2 (9:00-10:30 a.m.) Old and New Forms, Media, and Techniques of Visual Representation in Nineteenth-Century Iran and Ottoman Empire Chair-discussant: Lale Uluç, Boğaziçi University, Turkey Mahbobe Ghods, Columbia University, United States Illustrious Illustrations: The Life and Influence of Ali Quli Koie Başak Kilerci, Boğaziçi University, Turkey Painting and Photography in Qajar Iran and the Ottoman Empire (Panel 2) | M31|| August 2 (9:00-10:30 a.m.) (P) The Social Elite, Court Life, and the State in the Safavid Period Cancelled. (Panel 3) | M32 || August 2 (9:00-10:30 a.m.) Iran in Late Antiquity (I): Resistance, Surrender, Co-Existence, and Integration Chair-discussant: Parvaneh Pourshariati, Ohio State University, United States Mehrdad Ghodrat Dizaji, Urmia University, Iran The First Arab Conquests in Sasanian Azerbaijan Fariba Taghavi, Independent Scholar, United States Sex, Wine, and Murder: The Meteoric Rise and Tragic Fall of the Barmakids (Panel 4) | R25 || August 2 (9:00-10:30 a.m.) Modes and Limits of Cultural Translation Chair-discussant: William Beeman, University of Minnesota, United States Gholamreza Ijad, Sabzevar Teacher Training University, Iran A Postcolonial Critique of English Translations of Rubáiyát of Khayyam Katayoun Pakatchi, Iranian Linguistics Association, Tehran, Iran Domestication and Foreignization