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JACKIE KENNEDY’S PRESIDENTIAL PERSONA: (RE)ASSESSING HER RHETORICAL INFLUENCE by COURTNEY ALEXSIS CAUDLE (Under the Direction of Edward Panetta) ABSTRACT In rhetorical studies, much has been written on the role of first lady and the women whom enacted this position. Scholars in several fields (history, rhetoric, popular culture) have examined First Lady Jacqueline Kennedy: however, this thesis supplements existing research both in first lady scholarship generally and on Jackie’s specific performance as first lady. I contend that Jackie’s performance remains unique because she carved a celebrity space both inimitable in the 1960s yet available to subsequent first ladies. I examine mediated texts (both visual and written) from 1961-1963 to (re)examine her enactment of the role during (1) President Kennedy’s Inauguration, (2) her televised tour of the White House, and (3) President Kennedy’s funeral. Ultimately, I argue she was integral to historical and contemporary public memory of his presidential persona and legacy. INDEX WORDS: Jacqueline Kennedy, First Ladies, Rhetoric, Visual analysis, Mediated communication, Gender, Celebrity, Cultural Studies JACKIE KENNEDY’S PRESIDENTIAL PERSONA: (RE)ASSESSING HER RHETORICAL INFLUENCE by COURTNEY ALEXSIS CAUDLE B.A., University of Florida, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Courtney Alexsis Caudle All Rights Reserved JACKIE KENNEDY’S PRESIDENTIAL PERSONA: (RE)ASSESSING HER RHETORICAL INFLUENCE by COURTNEY ALEXSIS CAUDLE Major Professor: Edward Panetta Committee: Thomas Lessl Roger Stahl Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2009 iv ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. -
Costume Institute Records, 1937-2011
Costume Institute records, 1937-2011 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le, with additions by Celia Hartmann Processing of this collection was funded in part by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on June 21, 2019 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute records, 1937-2011 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 7 Related Materials .............................................................................................................. 8 Controlled Access Headings............................................................................................... 8 Collection Inventory..........................................................................................................10 Series I. Collection Management................................................................................10 -
Lady of Spain
CHANEL’S MOSCOW PLAN/2 THE IMMIGRATION BATTLE/3 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • April 11, 2006 • $2.00 Ready-to-Wear/Textiles Lady of Spain NEW YORK — A modern-day senorita loves her lace. And come nightfall, slender, airy blouses are the perfect foil for long, voluminous skirts. Here, Bytinaxx’s cotton lace shirt and Bill Blass’ embroidered cotton faille skirt. Nine West scarf worn as a belt; Erickson Beamon earrings. Photographed at La Esquina. For more, see pages 6 and 7. Crossed by a Star? Tarrant Sues Jessica For $100M No-Show By Vicki M. Young D BY DAVID YASSKY AND BOBBI QUEEN YASSKY DAVID D BY NEW YORK — Jessica Simpson appears to have another breakup in the works. Over what was once touted by its owner as a celebrity fashion label with the potential to hit $1 billion to $2 Y MIZU KATSUYUKI; STYLE Y MIZU KATSUYUKI; billion, there’s now a legal war between a major licensee and Simpson. Tarrant Apparel Group has sued Simpson and master license owner Vincent Camuto for $100 million over Simpson’s alleged failure to promote her lines. Tarrant filed the lawsuit alleging YE/ARTISTSBYTIMOTHYPRIANO.COM; MAKEUP B YE/ARTISTSBYTIMOTHYPRIANO.COM; several breach of contract claims against Camuto and one against Simpson in New York State Supreme See Tarrant, Page 12 EL: CLAUDIA/WOMEN; HAIR BY DAVID MEDEL DAVID EL: CLAUDIA/WOMEN; HAIR BY PHOTO BY KYLE ERICKSEN; MOD KYLE PHOTO BY 2 WWD, TUESDAY, APRIL 11, 2006 WWD.COM Chanel to Open First Shop in Russia famous friendships with exiled Russian intel- WWDTUESDAY By Miles Socha Ready-to-Wear/Textiles ligentsia and her romantic ties to Grand Duke PARIS — After recently doing an encore cou- Dimitri Pavlovitch, the brand’s presence there ture showing in Hong Kong, Chanel soon will is mostly in its beauty products. -
PDF EPUB} a Thousand Days of Magic Dressing Jacqueline Kennedy for the White House by Oleg Cassini ISBN 13: 9780847819003
Read Ebook {PDF EPUB} A Thousand Days of Magic Dressing Jacqueline Kennedy for the White House by Oleg Cassini ISBN 13: 9780847819003. A Thousand Days of Magic: Dressing Jacqueline Kennedy for the White House. Cassini, Oleg. This specific ISBN edition is currently not available. A gorgeously revised edition of this fashion favorite book, which combines Cassini’s memoirs of working closely with Jacqueline Kennedy during her brief White House years, his fashion philosophies and ideas, and the iconography of the early 1960s style and energy of the Kennedy years. Jacqueline Kennedy’s selection of Oleg Cassini to design her personal wardrobe as First Lady was not only fashion history, but political history as well. As the creator of the "Jackie look," Cassini made the First Lady one of the best-dressed women in the world and a glamorous icon of the Kennedy era. During the 1000 days of the Kennedy administration, Cassini designed over 300 outfits for Jackie Kennedy—coats, dresses, evening gowns, suits, and day wear—and coordinated every aspect of her wardrobe, from shoes and hats to gloves and handbags. In this book, Cassini offers a fascinating and comprehensive view of his role as Jackie’s personal couturier, a position that allowed him unprecedented access to both Jackie and John Kennedy as a designer and a trusted friend. From the details of his first meetings with the First Lady to his thoughts on Jackie’s clothes and their legacy, Cassini’s recollections are far-ranging and informative. Also included are Cassini's original sketches accompanied by 200 color and black-and-white photographs of the First Lady as she tours India, France, England, and Italy, shows off the White House, and hosts state dinners and family gatherings. -
Charles Kleibacker, Master of the Bias Cut; Designs, Construction and Techniques
CHARLES KLEIBACKER, MASTER OF THE BIAS CUT; DESIGNS, CONSTRUCTION AND TECHNIQUES DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joycelyn Falsken, M.A. ***** The Ohio State University 2008 Dissertation Committee: Professor Patricia A. Cunningham, Adviser Professor Kathryn A. Jakes Professor Alice L. Conklin Curator Gayle M. Strege Copyright by Joycelyn Falsken 2008 ABSTRACT Charles Kleibacker was a fashion designer in New York City from 1960 to 1986, a time when fashion styles reflected the turmoil that occurred in society throughout those years. However, through it all Charles maintained an individual design aesthetic – soft figure-flattering bias dresses with a classic look that could be worn for years. This earned him a devoted clientele of women who purchased his designer ready-to-wear garments at top stores in New York, or were custom fit in his workshop. Because of his preference for and skill with bias, he became known as the Master of the Bias Cut. Trained in French couturier methods of construction, Kleibacker’s garments were all produced with the highest standards in fabric, construction and fit. Bias is known to be the most difficult ‘cut’ to work with when constructing garments. Charles experimented until he figured out how to solve the challenges, and then trained his workers in the exacting techniques required. Having first a career in journalism, Charles’ path to fashion was in “no way normal” and his approach to his business and the industry was not the norm either. Starting small, through much determination and sacrifice, he overcame many obstacles to produce garments engineered for an enduring and graceful artistry. -
THURSDAY LOCAL NEWS INSIDE Anrhratpr ■ Ride Service for Handicapped Begins
THURSDAY LOCAL NEWS INSIDE anrhratpr ■ Ride service for handicapped Begins. ■ Health studies revised By school. ■ NeighBors compiain aBout noise. W hat’S ■ Church to get new home. News Local/Regional Section, Page 7. Oct. 25, 1990 >ur Hometown Newspaper Voted 1990 New England Newspaperof the Year Students, workers Newsstand Price: 35 Cents OK after gas leak MANCHESTER — All is well at filing Junior High School Budget this morning after Wednesday’s 16 Meotti, toxic gas leak that sent five stu cv dents and 13 cafeteria and cus todial workers to the hospital. approval [ Googins All 18 people were released from Manchester Memorial Hospital without injuries shortly after their admission into the is close hospital, said Manchester SUITS ON SALE TWEED SPORT COATS clash Deputy Fire Chief Graham Mac Donald. MacDonald said Barry Bas- Huge Selection • All Sizes •100% Wool at hand By ALEX GIRELLI kcrvillc, a janitor at the school, •38 to 46 Reg. 38-42 Short Manchester Herald accidentally ruptured the fuel •40 to 46 Long $0090 line of an old refrigerator, • Free Alterations •VALUES to *195 MANCHESTER — Republican releasing into the air a sulfur By JIM LUTHER Sonya Googin Thursday night con The Associated Press dioxide compound, which is tinued to link Democratic Sen. more irritating than Freon or Michael Meotti with the Democratic WASHINGTON — Congres ammonia. majority she says is responsible for Despite the scare, the students ALL WEATHER COATS sional leaders were putting the the stale’s budgetary and economic finishing touches today on a deficit- got back from the hospital and woes. returned to their classes, said fi "OLEG CASSINI" reduction package of tax increases Countering the attack, Meotti, for and spending restraints that ap ling’s assistant vice principal ^300 ZIP OUT LINER who is vying for his third term in the Karen Smith, who escorted them parently has the support of a ■VALUES to «275 • FREE ALTERATIONS Reg. -
JACQUELINE KENNEDY and the POLITICS of POPULARITY by COURTNEY CAUDLE TRAVERS DISSERTATION Submitted in Partial Fulfillment of Th
JACQUELINE KENNEDY AND THE POLITICS OF POPULARITY BY COURTNEY CAUDLE TRAVERS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Associate Professor John Murphy, Chair Associate Professor Cara Finnegan Associate Professor Ned O’Gorman Associate Professor Jennifer Greenhill Associate Professor Pat Gill Abstract Although her role as first lady marked the real beginning of the American public’s fascination with her, Jacqueline Kennedy’s celebrity status endured throughout her life. Dozens of books have sought to chronicle that mystique, hail her style, and commend her contribution to the youthful persona of the Kennedy administration. She seems to be an object ripe for rhetorical study; yet, for many communication scholars, Kennedy’s cultural iconicity diminishes her legacy as First Lady, and she remains an exemplar of political passivity. Her influence on the American public’s cultural and political imagination, however, demonstrates a need for scholars to assess with greater depth her development from First Lady to American icon in the early 1960s. Thus, this dissertation focuses on three case studies that analyze Jacqueline Kennedy’s image across different media: fashion spreads in Vogue magazine and Harper’s Bazaar published immediately after the inauguration in 1961; her televised tour of the White House broadcast in February 1962; and Andy Warhol’s 1964 Jackie prints, which drew from her construction of the Camelot myth after JFK’s funeral. These case studies seek to show how “icon” becomes an inventional and conceptual resource for the role of a modern first lady and how Kennedy’s shift to public icon in her own right (after and outside of her position as first lady) was mediated in nuanced ways that both reflected early Cold War (suburban) culture and shaped the larger institutional discourses of which she was part. -
Fashion Icons: from Marie Antoinette to Lady Gaga
A History of Fashion Icons: From Marie Antoinette to Lady Gaga Course Syllabus Kip Brott, Coordinator Lifelong Learning Collaborative Fall 2019 A History of Fashion Icons: From Marie Antoinette to Lady Gaga Fall 2019 When? Tuesdays, 1:00 – 3:00 PM September 10 – November 19, 2019 NO CLASS ON October 1 Coordinator Kip Brott Cell Phone: (626) 354-1620 E-mail: [email protected] Course Description Throughout history individuals of exceptional vision and taste have dazzled us with their groundbreaking fashion choices. These legendary “fashion icons” have sparked admiration, emulation, and sometimes even outrage! Join us as we learn more about their remarkable lives and explore how personal style, fashion, culture, and history are dynamically interrelated. We will begin our studies in 18th century France with Marie Antoinette, the last Queen before the French Revolution, and end with Lady Gaga, modern-day pop sensation extraordinaire. Along the way we will examine some of the leading fashion arbiters of the past 250 years – including Empress Josephine, Queen Victoria, the Duke & Duchess of Windsor, Christian Dior, Marilyn Monroe, Grace Kelly, Audrey Hepburn, Jacqueline Kennedy Onassis, Twiggy, Cher, David Bowie, Princess Diana, Madonna, and more! Weekly Presentations Class members will be required to give presentations on fashion icons that they will select from a list prepared by the coordinator. Following our historical timeline, each week two participants will give a presentation and lead a discussion for the group, one participant in Session A and the other in Session B. The coordinator welcomes the opportunity to meet with you before your presentation to discuss your topic and strategize on how to present it. -
The Life and Work of Ann Lowe: Rediscovering “Society’S Best Kept Secret”
THE LIFE AND WORK OF ANN LOWE: REDISCOVERING “SOCIETY’S BEST KEPT SECRET” Margaret E. Powell Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and The Corcoran College of Art + Design 2012 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "2012 Margaret Eugenia Powell All Rights Reserved ACKNOWLEDGEMENTS The successful completion of a project of this nature has been possible because of the generous assistance of a great number of people. So many people responded to my letters, e-mails and phone calls with great generosity and interest. They kept my spirits high when I was getting discouraged. At times, their support has been overwhelming. This project would not be possible without the time they spent opening their homes to me, sending me garments and photographs, donating their professional time, digging through their institution’s collections, archival information and their own memories and possessions to share their experiences about Ann Lowe. Thank you for helping to record Ann Lowe’s history. This project would not be possible without your participation. Amsterdam, Holland: Elizabeth Mance De Jonge Colorado: Pickett Huffines Connecticut: Ann Copeland Delaware: Delaware Historical Society: Jennifer Potts, Chief Curator Florida: Members of the Lee family: Nell Lee Greening, Joan Apthorp, Elinor Boushall and Elizabeth Lee Barron Ye Mystic Krewe of Gasparilla: Dr. William Carson, Historian The Henry B. Plant Museum: Cynthia Gandee, Executive Director Susan Carter, Curator/Registrar, Sally Shifke, Museum Relations University of Florida: Colleen Seale, Coordinator, Reference Services, Smathers Library Maryland: Brian J. -
Billy Wilder GENE Tierney
GENE TiERNEY THE FORGOTTEN STAR INTERNATIONAL Poorhouse Newsletter No37 October - December 2015 BiLLY WiLDER NOBODY'S PERFECT! new from Wichita Films CASSE-NOiSETTE “of swirling rainbow hues, carefree to the point of frivolity, running the gamut of somber, gay and absurd moods; to a world where his characters multiply and begin to speak to our inner child” photo © GTG/Gregory Batardon 2 now he was successful enough to remain independent for the rest of his career until his retirement in 1981. He directed Marilyn Monroe twice, in The Seven Year Itch and Some Like it Hot, which is considered by many film lovers to be the best comedy of all time. Other great hits include The Apartment and Irma la douce starring Shirley McLaine who has agreed to share with us her memories of working with Wilder. Clara and Julia Kuperberg will also interview film critics such as Joseph McBride and use unique BBC footage with the man himself, whose films are always multi- layered and often full of caustic wit and irony, sometimes hidden behind very funny lines. In typical Wilder fashion he had engraved on his tomb stone: “I'm a Writer but then Nobody's perfect”. Clips will include Ninotschka, Double Indemnity, Sunset Boulevard, Stalag 17, The Seven to costume and fashion designer Oleg Cassini Year Itch, Some Like it Hot, The Apartment and turned into a nightmare when she gave birth BiLLY WiLDER Irma la Douce. to a handicapped daughter. During a brief reconciliation later on a second daughter was NOBODY'S PERFECT! directed by Clara & Julia Kuperberg born who luckily turned out perfectly healthy. -
The Estate of Oleg Cassini the Estate of Oleg Cassini
THE ESTATE OF OLEG CASSINI THE ESTATE OF OLEG CASSINI AUCTION IN NYC Doyle, 175 East 87th Street, New York City Thursday, June 27, 2019 at 10am ON-SITE EXHIBITION IN OYSTER BAY COVE Moorelands, 47 Sandy Hill Road, Oyster Bay Cove, Long Island Saturday, June 22, 11am – 4pm Sunday, June 23, 11am – 4pm Monday, June 24, 11am – 4pm PURCHASE PICK-UPS All purchases must be picked up in Oyster Bay Cove at Moorelands, 47 Sandy Hill Road, Oyster Bay Cove, Long Island Friday, June 28, 10am – 3pm Monday, July 1, 10am – 3pm Tuesday, July 2, 10am – 3pm All purchases must be removed from the premises no later than July 2 AUCTION INFORMATION Janice Youngren, VP Director of Client Services 212-427-4141, ext 207 [email protected] For further information, please visit DOYLE.COM IMPORTANT NOTE Lots identified as “Estate of Oleg Cassini, 19th Street Townhouse, New York” are property from the Manhattan townhouse and sold pursuant to a NYC Sheriff’s Office property execution seizure, case# 18048607. Lots identified as “Estate of Oleg Cassini, Oyster Bay Cove Residence, New York” are property from the Oyster Bay Cove residence and will be sold on behalf of Oleg Cassini, Inc. and Cassini Parfums, Ltd. by Rosalia Baiamonte, Esq. as court appointed Receiver. Catalogue: $25 CONTENTS Automobiles 1-4 The Life & Career of Oleg Cassini 5-70A Furniture, Decorative Arts & Fine Art 71-122 Arms & Armor 123-164 Furniture, Decorative Arts & Fine Art 165-384 Silver & Silver Plate 385-442 Furniture, Decorative Arts & Fine Art 443-750 Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII Oleg Cassini’s Oyster Bay Estate Moorelands Gene Tierney the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. -
Jacqueline Kennedy Onassis
FIRST LADY JACQUELINE KENNEDY ONASSIS MEMORIAL TRIBUTES IN THE ONE HUNDRED THIRD CONGRESS OF THE UNITED STATES VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00001 Fmt 6011 Sfmt 6601 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00002 Fmt 6011 Sfmt 6601 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 (3) VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00003 Fmt 6601 Sfmt 6601 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 4 VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00004 Fmt 6601 Sfmt 6601 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 FIRST LADY JACQUELINE KENNEDY ONASSIS 1929–1994 MEMORIAL TRIBUTES IN THE ONE HUNDRED THIRD CONGRESS OF THE UNITED STATES Printed by authority of S. Res. 235, 103d Congress Senate Document 103–32 U.S. GOVERNMENT PRINTING OFFICE WASHINGTON : 1995 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00005 Fmt 5011 Sfmt 5011 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 Compiled under the direction of the Joint Committee on Printing VerDate 11-MAY-2000 12:24 Aug 23, 2001 Jkt 010199 PO 00000 Frm 00006 Fmt 6011 Sfmt 6011 C:\TEMP\JACKIE.TMP txed01 PsN: txed01 (Trim Line) (Trim Line) CONTENTS Page Biography .................................................................................................