Boston University Part-Time Dance Faculty
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Christine Rohde
FOR IMMEDIATE RELEASE Press contact: Jay Kelly, L.C. Williams & Associates [email protected] or 312.565.4623 THODOS DANCE’s 15TH NEW DANCES SERIES, JULY 18 & 19 AT THE ATHENAEUM, CONTINUES TRADITION OF FOSTERING NEW WORKS, GUIDING POST-PERFORMANCE CAREERS IN DANCE Thodos Dance Ensemble members (top, from left) John Cartwright, Tenley Dorrill, Abby Ellison, Kyle Hadenfeldt, Taylor Mitchell, (bottom) Briana Robinson, Alissa Tollefson and Jessica Miller Tomlinson will create and debut new works at the company’s New Dances 2015 series. Guest choreographer is Brian McGinnis. The New Dances initiative has been a critical component of company founder Melissa Thodos’ dance/choreograph/educate mission for Thodos Dance Chicago since 2001. Click here for hi-res. CHICAGO, April 15, 2015 – For 14 years, Thodos Dance Chicago has cultivated new dance creation by collectively helping launch the choreographic careers of more than 70 Chicago-based artists through its renowned New Dances series, Chicago’s earliest and most comprehensive in-house choreography series. 2015 marks the 15th consecutive year Thodos’s New Dances series engages its current ensemble members with the special opportunity to step backstage and call their own shots as choreographers and directors. In addition to eight exciting and diverse brand new works created from within, each year a guest choreographer is hand-picked by Melissa Thodos from the dance community at large to create a new work for the project. For 2015, the invited guest choreographer for the 15th anniversary of New Dances is Brian McGinnis, who had a professional performance career with Lar Lubovitch Dance Company, Hubbard Street Dance Chicago, Elisa Monte Dance, Parsons Dance Company and Buglisi Dance Theatre. -
HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021
FOR IMMEDIATE RELEASE Media Contact: Nick Harkin Carol Fox and Associates [email protected] HUBBARD STREET DANCE CHICAGO AND FINAL BOW FOR YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining The Nutcracker’s Tea Variation, May 10, 17 and 24, 2021 Chicago, IL — Hubbard Street Dance (HSDC) in partnership with Final Bow for Yellowface presents Unboxed, three works that rewrite the future of a tradition. Unboxed features choreographers Yin Yue, Edwaard Liang, and Peter Chu using their voices and vocabularies to imagine their own versions of the Chinese Tea variation from The Nutcracker. These Asian and Asian-American dance-makers engaged in three-day workshops with Hubbard Street dancers exploring the questions: “What are the traditions we want to protect?” and “What do we want to leave behind?” Unboxed welcomes viewers to tear free from the confines of tradition and invites audiences to glimpse the promise of a future rewritten. HSDC is challenging what is known as canon, in this case, the Chinese Tea variation from The Nutcracker to ask, “Can a dance, only a minute long but fraught with stereotypes, exist within a more inclusive future?” Hubbard Street Dance Associate Artistic Director, Jessica Tong says “the idea for Unboxed was always about challenging conventions and stereotypes. But my main focus initially was really to create a fun way for Hubbard Street to interact with great choreographers while playfully researching this one-minute variation. I couldn't have foreseen how meaningful and timely this project would eventually become, as people of Asian descent in this country are now fighting more than ever for acceptance and visibility.” Founders of Final Bow for Yellowface Phil Chan and Georgina Pazcoguin share more about this partnership, "At a time when big ballet companies routinely revive orientalist ballets from a European perspective, they seldom include choreographers of Asian descent. -
2021-22 Season Announcement
The Auditorium Theatre Reopens in the Fall of 2021! View in browser 50 E Ida B Wells Dr Colleen Flanigan Chicago, IL Auditorium Theatre AuditoriumTheatre.org 773.610.3445 (cell) [email protected] Release date: June 16, 2021 @ Noon CDT THE AUDITORIUM THEATRE REOPENS IN THE FALL OF 2021 - ANNOUNCES ITS 2021-22 SEASON! HIGHLIGHTS: BALLET HISPÁNICO PRESENTS THE CHICAGO PREMIERE OF DOÑA PERÓN: THE RISE AND FALL OF A DIVA DEEPLY ROOTED DANCE THEATER MARKS ITS FIRST FULL-LENGTH EVENING @ THE AUDITORIUM WITH THE WORLD PREMIERE OF AN UNTITLED WORK DEDICATED TO QUINCY JONES NATIONAL GEOGRAPHIC LIVE INTRODUCES A REDISCOVERED DINOSAUR LARGER THAN T-REX: THE SPINOSAURUS TOO HOT TO HANDEL: THE JAZZ GOSPEL MESSIAH CONTINUES ITS DR. MARTIN LUTHER KING, JR. WEEKEND TRADITION THAT BEGAN 17 YEARS AGO (CHICAGO, IL) The Auditorium Theatre is thrilled to announce its 2021-22 Season, with Ensemble Español Spanish Dance Theater officially reopening the historic stage on October 16, 2021. Subscriptions are now on sale, and tickets to individual productions will go on sale on August 13 and October 27. "We are thrilled to share with Chicago our 2021–22 Season, and welcome back audiences to our National Historic Landmark," said Auditorium Theatre CEO Rich Regan. "For over 131 years, the Auditorium Theatre has captured our hearts and sparked our imaginations through the collective experience of live performance, and this season is no different! There is something for everyone here: music, dance, and lectures featuring the finest performers from all over the globe including the very best artists from Chicago." Click here to watch the 2021-22 Season preview video! Click here to view the online 2021-22 Season Brochure! The International Dance Series opens in February with Ballet Folklórico de México de Amalia Hernández celebrating their 70th anniversary! Alvin Ailey American Dance Theater makes its annual visit to Chicago where the company has been performing at the Auditorium for over 50 years. -
Star Dance Workshop Series
Jo’s Footwork and The Dance Workshop present “ Star Dance Workshop Series” 2018/2019 S The classes will be held at S T ►Jo’s Footwork Studio (708) 246-6878 – 1500 Walker Street, Western Springs – Studio I OR T ► A The Dance Workshop, (708) 226-5658 - 9015 West 151st Street, Orland Park – Studio I. A R S T A R D A N C E W O R S K H O P S E R I E S R ►Sunday, November 11, 2018 ~ T A P -with Star Dixon Location: The Dance Workshop (DWS) Continuing thru Intermediate 1:00pm – 2:30pm Intermediate/Advanced 2:30pm – 4:00pm D Star Dixon ~ is an assistant director, choreographer, and original principal dancer of world renowned tap company, MADD Rhythms . She has taught and D performed at the most distinguished tap festivals in the country including The L.A. Tap Fest, DC Tap Fest, Motorcity Tap Fest, Chicago Human Rhythm A A Project's Rhythm World, Jazz City in New Orleans, and MADD Rhythms own Chicago Tap Summit . Internationally, she's taught and performed in Poland, N Japan, and Brazil several times. She's been featured in Dance Spirit Magazine twice (Artist on the rise & Speed Demon), The Chicago Reader, & independent N film "The Rise & Fall of Miss Thang" starring Dormeshia Sumbry Edwards. Outside of MADD Rhythms, she's performed as a guest with such companies as C Michelle Dorrance's Dorrance Dance, Chloe Arnold's Syncopated Ladies, Lane Alexander's Bam, and Jason Samuel Smith's ACGI. Star is currently on staff at C E numerous dance studios, schools, and After School Matters. -
Dance Motion
ww 2013 Next Wave Festival 2013 Next Wave Festival Brooklyn Academy of Music Alan H. Fishman, SM ABOUT DANCEMOTION USA to connect with us online. Chairman of the Board DANCEMOTIONUSA.ORG William I. Campbell, SM DanceMotion USA is a program of the Vice Chairman of the Board Bureau of Educational and Cultural Announcing our Season 4 tours: Adam E. Max, Affairs of the US Department of State, DanceMotion Vice Chairman of the Board produced by BAM (Brooklyn Academy of Mark Morris Dance Group Karen Brooks Hopkins, Music), to showcase the finest contem- (Burma, Cambodia, and Timor-L’este) President porary American dance abroad while David Dorfman Dance SM facilitating cultural exchange and mutual (Turkey, Turkmenistan, and Uzbekistan) Joseph V. Melillo, USA Executive Producer understanding. DanceMotion USASM CONTRA-TIEMPO helps US embassies partner with leading (Chile, Ecuador, and Bolivia) DOUG VARONE AND DANCERS cultural, social service, and community- BRENDA ANGIEL AERIAL based organizations and educational Beginning March 2014 institutions to create unique residencies DANCE COMPANY that allow for exchange and engage- ment. In addition to person-to-person DATES: Oct 10—12 at 7:30pm interactions, the program reaches a Oct 13 at 3:00pm wider audience through an active social and digital media initiative, and through LOCATION: BAM Fisher (Fishman Space) educational resources housed in em- bassy and consulate libraries. RUN TIME: 1hr 40 min with 2 intermissions Since the launch of DanceMotion USASM ARTIST TALK: Doug Varone and Brenda Angiel in 2010, 14 American dance companies Moderated by Deborah Jowitt have toured to different regions around Fri, Oct 11 post-show the globe, including Sub-Saharan and BAM Fishman Space A program of: Northern Africa, South America, the Free for same-day ticket holders Middle East, the Iberian Peninsula, and Central, South and Southeast Asia. -
CALENDAR of NON-PROFIT EVENTS for METRO CHICAGO ADVERTISING SUPPLEMENT 3A January 1 FRIDAY – NEW YEAR’S DAY Harold E
Advertising Supplement ADVERTISING SUPPLEMENT 3A 2016 CRAIN’S CHICAGO BUSINESS BIG DATES CALENDAR OF NON-PROFIT EVENTS FOR METRO CHICAGO ADVERTISING SUPPLEMENT 3A January 1 FRIDAY – NEW YEAR’S DAY Harold E. Eisenberg Foundation Eisenopoly. Monopoly-themed evening raises Urban Initiatives Soccer Ball. A night of philanthropy, dancing, cocktails, funds for gastrointestinal cancer research and real estate education. 6:30 p.m., Revel appetizers and a silent auction to help create a safer, healthier and smarter Chicago. Fulton Market, Chicago. eisenbergfoundation.org. 7 p.m., Morgan Manufacturing, Chicago. urbaninitiatives.org. 10 SUNDAY 26 TUESDAY 30 SATURDAY ALSAC/St. Jude Children’s Research Hospital Red Carpet for Hope. Golden Globes viewing party with glitz, glamour and more. 5 p.m., Trump International International Latino Cultural Center Reel Film Club. Reception, a film Chicago Scots (Illinois Saint Andrews Society), Robert Burns Supper. Hotel & Tower, Chicago. stjude.org. highlighting a specific country, concluding with a discussion. 6 p.m., Facets Multimedia, Celebrate the life and work of the Scottish poet Robert Burns. 6 p.m., Union League Chicago. latinoculturalcenter.org. Club, Chicago. chicagoscots.org/burnssupper. 16 SATURDAY Archdiocese of Chicago, Celebrating Catholic Education Breakfast. Youth Services of Glenview/Northbrook, Firefighter Chili Cook Off and Ronald McDonald House Charities of Chicagoland and Northwest Supports the Caritas scholars program and programs coordinated through the Office of Trivia Contest. Also includes a chili tasting. 5 p.m., Youth Services of Glenview/ Indiana, Skate with the Greats. Mix and mingle with Chicago Catholic Schools. 7:15 a.m., Hyatt Regency Chicago. archchicago.org. Northbrook, Glenview. youthservicesgn.org. -
Running Away to Dance in the 40'S
NO DAUGHTER OF MINE IS GOING TO BE A DANCER! Dancing for Agnes de Mille and the Giants of Dance in the 40s By Sharry Traver Underwood Foreword by Deborah Jowitt Table of Contents Foreword by Dance Critic Deborah Jowitt i i Acknowledgements v iii iii Introduction 1 1 Chapter One 3 3 1942 Summer Harrisburg, PA It is my dancing! WWII raging. Dance while others die? Dance at Syracuse University Jungle Rhythms The plan: to go to Jacob’s Pillow University of the Dance My dance training; is there any? Chapter Two 13 1942 Summer Jacob’s Pillow Opening Season of Jacob’s Pillow University of the Dance First day in class with Joseph Pilates, Steffi Nossen Ted Shawn, Bronislava Nijinska, Elizabeth Burchenal. Classes with Anna Duncan, Arthur Mahoney, Thalia Mara, Dr. Margaret d’Houbler, Dr. Anne Duggan A spectacular class with Ruth St. Denis Performance dance artists: Ted Shawn, Barton Mumaw, Helen Tamiris, Asadata Defora, Elizabeth Waters, Miriam Winslow, Marina Svetlova. Comprehension of Dance as A Living Art Ted Shawn proclaims Body, Mind and Spirit inseparable! Ted Shawn’s appraisal of my dancing. Chapter Three 39 1943 Summer Jacob’s Pillow Jacob’s Pillow Dance Festival Scholarship students Classes with Natasha Krassovska, Grant Mouradoff, Joe Pilates, Arthur Mahoney, La Meri, Anne Schley Duggan & Jeanette Schlottman, Thalia Mara Ted Shawn, teaching Denishawn repertory Delsarte Lectures Being Shawn’s partner on Jacob’s Pillow Dance Theatre program. Barton Mumaw’s performance Papa Shawn finds job for me, teaching dance at Brenau College in Georgia Chapter Four 65 1943-44 Brenau College, Gainesville, GA Teaching Modern Dance and Folk Dance at Brenau College Produce student musical for War Bond & Red Cross Benefits Present Solo Dance Recital The Indian Pageant Contretemps with my Physical Education Director My trial BA Degree in Theatre. -
Pearl Primus: Cross-Cultural Pioneer of American Dance
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Beli & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. -
2017 Annual Report Table of Contents
The Power of We. THE CHICAGO COMMUNITY TRUST 2017 ANNUAL REPORT TABLE OF CONTENTS In Appreciation: Terry Mazany . 2 Year in Review . 4 Our Stories: Philanthropy in Action . 8 In Memoriam . 20 Competitive Grants . 22 Grants from the Searle Funds at The Chicago Community Trust . 46 Searle Scholars . 47 Donor Advised Grants . 48 Designated Grants . 76 Matching Gifts . 77 Grants from Identity-Focused Funds . 78 Grants from Supporting Organizations . 80 Grants from Collaborative Funds . 84 Funds of The Chicago Community Trust and Affiliates . 87 Contributors to Funds at The Chicago Community Trust and Affiliates . 99 The 1915 Society . 108 Professional Advisory Committee and Young Professional Advisory Committee . 111 Financial Highlights . 112 Executive Committee . 116 Trustees Committee and Banks . 117 The Chicago Community Trust Staff . 118 Trust at a Glance . 122 The power to reach. The power to dream. The power to build, uplift and create. The power to move the immovable, to align our reality to the best of our ideals. That is the power of we. We know that change doesn’t happen in silos. From our beginning, The Chicago Community Trust has understood that more voices, more minds, more hearts are better than one. It is our collective actions, ideas and generosity that propel us forward together. We find strength in our differences, common ground in our unparalleled love for our region. We take courage knowing that any challenge we face, we face as one. We draw power from our shared purpose, power that renews and emboldens us on our journey – the world-changing power of we. Helene D. -
Mattingly Final(Numbered)
Set in Motion: Dance Criticism and the Choreographic Apparatus By Kate Mattingly A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Abigail De Kosnik Professor Anton Kaes Professor SanSan Kwan Spring 2017 Copyright © Kate Mattingly All Rights Reserved Abstract Set in Motion: Dance Criticism and the Choreographic Apparatus By Kate Mattingly Doctor of Philosophy in Performance Studies Designated Emphasis in New Media University of California, Berkeley Professor Shannon Jackson, Chair This dissertation examines the multiple functions of dance criticism in the 20th and 21st centuries in the United States. I foreground institutional interdependencies that shape critics’ practices, as well as criticism’s role in approaches to dance-making, and the necessary and fraught relations between dance criticism and higher education. To challenge the pervasive image of the critic as evaluator and of criticism as definitive, Set in Motion focuses on conditions that produce and endorse certain forms of criticism, and in turn how this writing has gained traction. I employ the concept of a choreographic apparatus to show shifting relations amongst writers, artists, publications, readers, institutions, and audiences. Their interactions generate frameworks that influence dance’s history, canon, and disciplinary formations. I propose a way of situating criticism as a form of writing that intersects with, informs, and influences both history and theory. Set in Motion expands discourse on writing by examining the continuities and discontinuities in practices over the course of a century. -
LINDA CARUSO HAVILAND Dance Program Bryn Mawr College 101
v LINDA CARUSO HAVILAND v Dance Program August 2018 Bryn Mawr College 101 North Merion Avenue Bryn Mawr, PA 19010 [email protected] vv indicates entries prior to 2010 EDUCATION 1995 Ed.D. Department of Dance, Temple University, Philadelphia Dissertation: "Dancing at the Juncture of Being and Knowing: Sartrean Ontology, Embodiment, Gender and Dance." [Committee: Ferdun (Dance), M. Beardsley (Philosophy), J. Margolis (Philosophy) J. Immerwahr (Philosophy), S. Hilsendager (Dance)] • Recipient: Teaching Associate position 1972 M.Ed. Department of Dance, Temple University, Philadelphia Choreographic Thesis Project: Landscape with the Fall of Icarus • Recipient: Graduate Assistantship position 1971 B.A. Department of Dance, Adelphi University, Garden City • Magna cum laude, Dean's List, Departmental Honors 2003 Liz Lerman’s Critical Response training, Dance Exchange, Takoma Park, MD 1975 Dance Criticism--Jack Anderson, Robert Pierce, Kathy Duncan (semester course , New School for Social Research, NYC) 1974 Dance Criticism--Deborah Jowitt, Marcia Siegel (eight week intensive, NYC) 1973 Aesthetics—(semester course at New School for Social Research, NYC) 1973 Dance Aesthetics--Selma Jean Cohen (six week intensive, NYC) PRINCIPLE D ANCE TECHNIQUE AND PERFORMANCE TRAINING 2010- Gaga: Idan Porges, Modern Dance: Becky Malcolm-Naib, Eun Jung Choi, K.C. Chun Manning, Scott McPheeters, Rhonda Moore and ongoing master classes/workshops with visiting artists Prior to 2010 Intensive study with: Hellmut Gottschild, Karen Bamonte, Eva Gholson, Pat Thomas, -
Sample Brochure, Edison Theatre
LETTER FROM OUR DIRECTOR Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit. —Ansel Adams When handled by a master, the arts act as a creative force that open a conversation, expand our understanding and have us reconsider our perceptions. After looking back last season on the milestone of 40 years of presenting, this season focuses on the creative process — new visions and new perspectives. Attending a dance concert inspired Ira Glass to re-explore the elements of storytelling — showcasing the similarities between his flavor of journalism and contemporary choreography. Doug Varone exposes his creative process to share the impact of the individual’s choices as part of the final artistic expression of his work. Rohina Malik brings a new voice to a greater cultural understanding of our Muslim neighbors. These are the kinds of conversations that have most intrigued me in my 15 years as executive director at the Edison Theatre. That’s because the events that bring forth those discussions are the ones that stick with me the longest. Ovations hasn’t been about what everyone else would do. It’s been about what else is there to explore. Join us for the journey this season. Engage in the conversation. Challenge yourself to experience the unexpected. You never know what you might learn about the world … or yourself. See you in the lobby, CHARLIE ROBIN EXECUTIVE DIRECTOR OVATIONS SERIES UNVEILED Written and performed by Rohina Malik Saturday, September 27, 8 p.m.