Art Blakey Art Blakey Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Art Blakey Art Blakey Mp3, Flac, Wma Art Blakey Art Blakey mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Art Blakey Country: Europe Released: 1993 Style: Hard Bop MP3 version RAR size: 1251 mb FLAC version RAR size: 1877 mb WMA version RAR size: 1133 mb Rating: 4.2 Votes: 558 Other Formats: FLAC MPC VQF WAV AUD MP2 DXD Tracklist 1 Minority 3:07 2 Mayreh 3:12 3 Eleanor 2:53 4 Salute To Birdland 2:59 5 Blues March 5:56 6 A Night In Tunesia 7:05 7 S'Make It 5:39 8 Buh's Bossa 5:32 9 Spot Session 7:21 10 Soul Finger 3:16 11 The Hub 7:21 12 My Romance 6:57 13 The Theme 2:29 Credits Alto Saxophone – Gary Bartz, Gigi Gryce Alto Saxophone, Tenor Saxophone – Wayne Shorter Bass – Jymie Merritt, Reggie Johnson, Victor Sproles Drums – Art Blakey, Bernie Griggs Piano – Bobby Timmons, John Hicks, Keith Jarrett, Walter Bishop, Jr. Soprano Clarinet – Lucky Thompson Tenor Saxophone – Benny Golson, Frank Mitchell, John Gilmore Trombone – Curtis Fuller Trumpet – Chuck Mangione, Freddie Hubbard, Joe Gordon, Lee Morgan Notes This CD covers the years 1954-1966 with material from Mercury, Limelight and Emarcy labels. Tracks 1-4 from the Emarcy album "Blakey" dating from 1954. "Blues March" and "A Night In Tunisia" date from Paris sessions in 1958 and 1959. "S Make It" was the title track of an album on Limelight in 1964, tracks 8-11 are from a 1965 album called "Soul Finger". 12 & 13 came from a 1966 album "Buttercorn Lady" Collective personnel are listed. Barcode and Other Identifiers Barcode: 7 31451 61072 1 Rights Society: B.I.E.M. / STEMRA Related Music albums to Art Blakey by Art Blakey Art Blakey & The Jazz Messengers - I Remember Clifford Art Blakey And The Jazz Messengers - Blues March / Whisper Not Art Blakey And The Jazz Messengers - Blues March Art Blakey & The Jazz Messengers - Live In Japan 1961 Art Blakey & The Jazz Messengers - A Day With Art Blakey 1961 Art Blakey, Buddy Rich, Dinah Washington, Dizzy Gillespie - A Night At Birdland Art Blakey And The Jazz Messengers - Art Blakey And The Jazz Messengers Various - Giants Of Be-Bop - Vol. 31.
Recommended publications
  • A Search and Retrieval Based Approach to Music Score Metadata Analysis
    A Search and Retrieval Based Approach to Music Score Metadata Analysis Jamie Gabriel FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF TECHNOLOGY SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy April 2018 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as part of the collaborative doctoral degree and/or fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by the Australian Government Research Training Program. Production Note: Signature: Signature removed prior to publication. _________________________________________ Date: 1/10/2018 _________________________________________ i ACKNOWLEGEMENT Undertaking a dissertation that spans such different disciplines has been a hugely challenging endeavour, but I have had the great fortune of meeting some amazing people along the way, who have been so generous with their time and expertise. Thanks especially to Arun Neelakandan and Tony Demitriou for spending hours talking software and web application architecture. Also, thanks to Professor Dominic Verity for his deep insights on mathematics and computer science and helping me understand how to think about this topic in new ways, and to Professor Kelsie Dadd for providing me with some amazing opportunities over the last decade.
    [Show full text]
  • Keith Jarrett Discography
    Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) .......................
    [Show full text]
  • September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
    Keith jarrett Disco Version 14 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA .
    [Show full text]
  • The Piano As Percussion Instrument in Jazz
    EIGHTY-EIGHT DRUMS: THE PIANO AS PERCUSSION INSTRUMENT IN JAZZ by Thomas Andrew Van Seters A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Thomas Andrew Van Seters 2011 Eighty-eight Drums: The Piano as Percussion Instrument in Jazz Thomas Andrew Van Seters Doctor of Musical Arts Faculty of Music University of Toronto 2011 Abstract Evidence of a link between piano and drumming performance practices in western music dates back to at least the mid-nineteenth century. The modern construction of the piano had yet to be fully standardized when percussive techniques were being applied to its keyboard. Since that time, pianists and drummers (especially those involved with the creation of groove-based music) have grown closer and closer, participating in what remains a richly symbiotic relationship. This study examines parallels between piano and drumming performance practices in jazz. In this context, drumming is acknowledged as an important inspiration guiding the expression of rhythm and percussive attack by non-drummers, pianists in particular. Historical connections between pianism and drumming in jazz are addressed through an examination of those legacies that are widely believed to derive from West African drumming, European march and dance traditions, and various aspects of the so-called "Latin tinge" from the Caribbean and South America. Playing techniques are compared in part based on the premise ii that similarities in musical output flow naturally from congruencies in instrumental architecture. Percussive action unites pianists and drummers, as do shared abilities to create rhythmic layers through the independent functioning of multiple limbs.
    [Show full text]
  • PROBES #7 Devoted to Exploring the Complex Map of Sound Art from Different Points of View Organised in Curatorial Series
    Curatorial > PROBES With this section, RWM continues a line of programmes PROBES #7 devoted to exploring the complex map of sound art from different points of view organised in curatorial series. The usual quest for unorthodox ways of interacting with instruments, with an Curated by Chris Cutler, PROBES takes Marshall McLuhan’s added risk: Preparations applied to the human voice. conceptual contrapositions as a starting point to analyse and expose the search for a new sonic language made urgent after the collapse of tonality in the twentieth century. The 01. Summary series looks at the many probes and experiments that were launched in the last century in search of new musical In the late nineteenth century two facts conspired to change the face of music: resources, and a new aesthetic; for ways to make music the collapse of common practice tonality (which overturned the certainties adequate to a world transformed by disorientating underpinning the world of art music), and the invention of a revolutionary new technologies. form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, Curated by Chris Cutler bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines PDF Contents: of ‘music’. This series tries analytically to trace and explain these developments, 01. Summary and to show how, and why, both musical and post-musical genres take the forms 02.
    [Show full text]
  • Eric Nemeyer's
    Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM June-July 2018 JAZZ HISTORY FEATURE ArtArt Blakey,Blakey, PartPart 77 Interviews PatPat MartinoMartino Jazz Standard, July 19--22 Famoudou Famoudou DonDon MoyeMoye Comprehensive DirectoryDirectory of NY ClubS, ConcertS OdeanOdean PopePope Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank To Advertise CALL: 215-887-8880 June-July 2018 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) June-July 2018 – Volume 9, Number 4 Cover Photo and photo at right Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. Barrett, Curtis Daven- port; Alex Henderson; Joe Patitucci; Ken Weiss. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software Jazz Inside on the Internet at www.jazzinsidemagazine.com.
    [Show full text]
  • Beyond Modern Jazz
    BEYOND MODERN JAZZ THE EVOLUTION OF POSTMODERN JAZZ PERFORMANCE AND COMPOSITION FROM 1969 TO THE PRESENT DAVID OWEN RESTIVO A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO OCTOBER, 2017 © David Owen Restivo, 2017 ABSTRACT In the following paper, I will address what I perceive to be a gap in scholarship regarding the evolution of African-American classical music (popularly referred to as ‘jazz’) following the end of its primary phase of development, which I would refer to as the pre- modern and modern periods, and which I define as stretching roughly from the turn of the last century until the end of the 1960s. To this end, I will borrow from concepts of postmodernism as expressed by Jean-François Lyotard, James Morley, and Kenneth Gloag, in order to attempt to define what I feel it means within the context of the jazz lineage. In the process of examining this ‘post-history’, I will bring particular focus to the contributions of two key figures, Keith Jarrett and Wynton Marsalis. I will also look at a series of my own compositions and consider where they fit into the ‘postmodern’ paradigm. ii ACKNOWLEDGEMENTS Many thanks to the following people, without whom this project would not have been possible: Dr. Sundar Viswanathan; Prof. Barry Elmes; Prof. Michael Coghlan; Prof. Ron Westray; Prof. David Mott; Prof. Paul Sych; Tere Tilban-Ross; Peggy Jane Hope; Mary Margaret Hope-Restivo; Dr. Valerie Alia; Dr. Sal Restivo; Dan Restivo; Alan Henderson; Terry Promane; Fawn Fritzen; Mark Chambers.
    [Show full text]
  • Hollywall Music Catalog
    HOLLYWALL MUSIC CATALOG ROCK ATLANTA RHYTHM SECTION +6 CHART RECORDS *CHAMPAGNE JAM *DOG DAYS *DORAVILLE *FREE SPIRIT *GEORGIA RHYTHM *IMAGINARY LOVER JUKIN SO IN TO YOU I'M NOT GONNA LET IT BOTHER ME TONIGHT DO IT OR DIE HOMESICK SPOOKY BACHELORS *6 CHART RECORDS *I WOULDN'T TRADE YOU FOR THE WORLD *DIANE *NO ARMS CAN EVER HOLD YOU *I BELIEVE *LOVE ME WITH ALL YOUR HEART *MARIE CHARMAINE DANNY BOY HE AIN'T HEAVY HE'S MY BROTHER I NEED LOVE KEY TO MY HEART MAGGIE MARTA RAMONA ROSE OF TRALEE THE SOUND OF SILENCE STAY THE UNICORN WHISPERING YOU'LL NEVER WALK ALONE PEARL BAILEY BALLIN' THE JACK BEALE STREET BLUES BILL BAILEY WON'T YOU PLEASE COME HOME C'EST MAGNIFIQUE CARELESS LOVE LET'S DO IT SHE HAD TO GO AND LOSE IT AT THE ASTOR ST. LOUIS BLUES YOU CAME A LONG WAY FROM ST. LOUIS BAJA MARIMBA BAND ALLEY CAT ALONE AGAIN EL ABONDONADO LAS FLORES MORNING TRAIN SHOUT THE ELEGANT RAG THEME FROM "DEEP THROAT" MED: CONTINUED UP CHERRY STREET MED: SPANISH FLEA FOWL PLAY/CONEY ISLAND BEAU BRUMMELS *5 CHART RECORDS *JUST A LITTLE WHILE *LAUGH LAUGH *YOU TELL ME WHY *DON'T TALK TO STRANGERS *GOOD TIME MUSIC AIN'T THAT LOVING YOU BABY DOESN'T MATTER DREAM ON DREAM ON FINE WITH ME GENTLE WANDERIN' WAYS I WANT MORE LOVIN' I'VE NEVER KNOWN IN GOOD TIME MORE THAN HAPPY HOLLYWALL MUSIC RECORD CATALOG 2 OH LONESOME ME SAD LITTLE GIRL STILL IN LOVE WITH YOU BABY THAT'S ALL RIGHT THEY'LL MAKE YOU CRY WHEN IT COMES TO YOUR LOVE ARCHIE BELL AND THE DRELLS * 2 CHART RECORDS *TIGHTEN UP *I CAN'T STOP DANCING AIN'T NO STOPPING US NOW BOOGIE OOGIE OOH BABY BABY
    [Show full text]
  • HOLIDAY MUSIC by Frank-John Hadley
    DB1208_001_COVER.qxd 10/28/08 9:38 AM Page 1 DOWNBEAT 73RD ANNUAL READERS POLL KEITH JARRETT SONNY ROLLINS ORNETTE COLEMAN READERS POLL KEITH JARRETT SONNY ROLLINS 73RD ANNUAL DownBeat.com $4.99 12 DECEMBER 2008 0 09281 01493 5 DECEMBER 2008 U.K. £3.50 DB1208_002-005_MAST.qxd 10/28/08 9:44 AM Page 2 DB1208_002-005_MAST.qxd 10/28/08 9:44 AM Page 3 DB1208_002-005_MAST.qxd 10/28/08 9:45 AM Page 4 December 2008 VOLUME 75 – NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Copyright in Relation to This Thesis*
    The University of Sydney Copyright in relation to t his thesis* Under the Copyright Act 1968 (several provtsion of which are referred to below), th1s thesis must be used only under the normal conditions of scholarly fair dealing for the purposes of research, criticism or review. In particular no results or conclus1ons should be extracted from it, nor should it be copied or closely paraphrased in whole or in part without the wrttten consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. Under Section 35(2) of the Copyright Act I 968 'the author of a literary. dramatiC, musical or artistic work is the owner of any copyright subsisting in the work'. By virtue of Sec cion 32( I) copynght 'subsists in an original literary, dramatic. musical or artistic work that is unpublished' and of which the author was an Australian citizen, an Australian protected person or a person resident in Australia. The Act. by Section 36( I) provides: 'Subject to this Act, the copyright in a literary, dramatiC, musical or artistic work 1s infringed by a person who. not betng the owner of the copyright and without the licence of the owner of the copyright. does in Australia, or authorises the do1ng rn Australia of. any act comprised in the copyright'. Section 31 (I )(a){i) provides that copyright includes the exclusive nght to 'reproduce the work in a matenal form'.Thus,copyright is infringed by a person who, not being the owner of the copyright, reproduces or authonses the reproduction of a work.
    [Show full text]
  • Jazz Collection: Art Blakey
    Jazz Collection: Art Blakey Dienstag, 07. Oktober 2014, 21.00 - 23.00 Uhr Samstag, 11. Oktober 2014, 22.00 - 24.00 Uhr (Zweitsendung) Im Herzen immer ein Bigband-Drummer - Art Blakey Der Bandleader der legendären «Jazz Messengers» war ein Energiebündel. Und mehr als das. Mit Kenny Clarke und Max Roach gehört er zu den grossen Erneuerern des Jazz-Schlagzeugs. Elmar Frey als Gast würdigt Art Blakey als Stilisten, der seiner Band und ihrer Musik den Stempel aufdrückte. Art Blakey (1919-1990) machte seine ersten Bigband-Erfahrungen bei Fletcher Henderson und Billy Eckstein. Und gerade bei Eckstein, in dessen Band die jungen Cats der Bebop-Szene mitspielten, erhielt er wesentliche Impulse, besonders vom Trompeter Dizzy Gillespie. Auch als er später zusammen mit Horace Silver die «Jazz Messengers» gründete, blieb für Blakey der Gedanke des Arrangements zentral. 1956 trennten sich Silver und Blakey, wobei Blakey den Namen «Jazz Messengers» für seine Band über die folgenden Jahrzehnte beibehielt. «Blakey hat selbst gesagt: Ich will keine Jam-Session auf der Bühne» zitiert der Zürcher Schlagzeuger Elmar Frey als Gast in der Sendung den Meisterdrummer, dessen «Rolls» und «Fills» die Solisten jeweils vor sich her trieben. Das energetische, dabei hoch differenzierte Spiel des Hardbop-Stilisten unterzieht Elmar Frei einer detaillierten Analyse und hält lächelnd fest: «Ich liebe alles, was er gespielt und aufgenommen hat. Von Art Blakey kann ich praktisch jede Platte empfehlen.» Redaktion: Beat Blaser Moderation: Andreas Müller-Crepon Art Blakey and the Jazz Messengers: Moanin‘ (1958) CD Blue Note, CDP 7 465 Track 6: Blues March Billy Eckstine: Mr. B. and The Band.
    [Show full text]
  • Discografía Art Blakey
    DISCOGRAFÍA ART BLAKEY Colección particular de JUAN CLAUDIO CIFUENTES ARTISTA DEL ALBUM TÍTULO FORMATO REFERENCIA PAÍS EDICIÓN GRABACIÓN Art Blakey !!! Jazz Messengers !!! Impulse!!! LP Impulse A-7 USA 1961 1961 Art Blakey 1958 Paris Olympia CD Gitanes Jazz Productions 832 659 2 Francia 2001 1958 Art Blakey And The Jazz Messengers A Day With Art Blakey 1961 Vol II CD Eastwind EWCD 708 USA 1987 1961 Art Blakey Quartet A Jazz Message CD Impulse! 547 964-2 Reino Unido, UE 1999 1963 Art Blakey Quartet A Jazz Message LP MCA Impulse 5648 USA 1986 1968 Art Blakey Quintet A Night At Birdland Volume 2 LP Blue Note BST-81522 USA 1985 1954 Art Blakey Quintet A Night At Birdland Volume One CD Blue Note 7243 5 32146 2 3 USA 2001 1954 Art Blakey Quintet A Night At Birdland Volume One LP Blue Note BST-81521 USA 1985 1954 Art Blakey Quintet A Night At Birdland Volume Two CD Blue Note 7243 5 32147 2 2 UE 2001 1954 Art Blakey And The Jazz Messengers A Night In Tunisia CD Blue Note CDP 746532 2 USA 1987 1960 Art Blakey's Jazz Messengers A Night In Tunisia LP RCA Masters FXL1 7318 Francia 1957 Art Blakey And The Jazz Messengers Africaine CD Blue Note 7243 4 97507 2 2 USA 1998 1959 Art Blakey And The Jazz Messengers Album Of The Year LP TI Jazz Stop JS-099 España 1983 1981 Art Blakey And The Jazz Messengers Anthenagin CD Prestige 1973 Art Blakey & The Jazz Messengers Featuring Anthenagin LP Prestige HPGS 851-05 España 1976 1973 Woody Shaw & Cedar Walton Art Blakey & The Jazz Messengers with Art Blakey & The Jazz Messengers LP That’s Jazz vol.18 Atlantic HATS
    [Show full text]